A mother and son united by love and art | Deborah Willis and Hank Willis Thomas
42,371 views ・ 2018-01-15
请双击下面的英文字幕来播放视频。
翻译人员: shirley xu
校对人员: Kevin Fang
00:12
Hank Willis Thomas: I'm Deb's son.
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Hank Willis Thomas: 我是Deb的儿子
00:14
(Laughter)
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(笑声)
00:16
Deborah Willis: And I'm Hank's mom.
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Deborah Willis: 我是Hank的妈妈
00:18
HWT: We've said that so many times,
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Thomas:我们曾说过那么多次,
00:20
we've made a piece about it.
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我们甚至为这个主题拍了张照片,
00:22
It's called "Sometimes
I See Myself In You,"
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叫做“有时候我在你身上看到我自己”。
00:25
and it speaks to
the symbiotic relationship
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这叫做“共生关系”,
00:27
that we've developed over the years
through our life and work.
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我们通过生活和工作培养了多年,
00:30
And really, it's because everywhere we go,
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真的,因为不管我们去哪里,
00:33
together or apart,
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一起或者各自去,
00:35
we carry these monikers.
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总会得到这样的绰号。
00:37
I've been following
in my mother's footsteps
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自从我出生开始,
00:39
since before I was even born
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我就一直追随着我母亲的脚步,
00:40
and haven't figured out how to stop.
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并且还不知道怎么停下来,
00:43
And as I get older, it does get harder.
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随着年龄的增长变得越来越难。
00:46
No seriously, it gets harder.
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不那么严谨的说,越来越难。
00:48
(Laughter)
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(笑声)
00:50
My mother's taught me many things, though,
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我的妈妈也教会了我很多事情,
00:52
most of all that love overrules.
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最重要的是,爱会战胜一切。
00:55
She's taught me that love
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她告诉我,
00:57
is an action,
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爱是行动,
01:00
not a feeling.
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不是感觉。
01:01
Love is a way of being,
it's a way of doing,
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爱是去成为,去行动,
01:05
it's a way of listening
and it's a way of seeing.
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爱是聆听,是观看,
01:09
DW: And also, the idea about love,
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Deborah:同样,关于爱的观点,
01:11
photographers,
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对于摄影师来说,
01:14
they're looking for love
when they make photographs.
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当他们拍摄时,他们就是在寻找爱。
01:17
They're looking and looking
and finding love.
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他们找啊找,找到爱。
01:19
Growing up in North Philadelphia,
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我在北费城长大,
01:21
I was surrounded by people
in my family and friends
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身边都是家人和朋友,
01:25
who made photographs
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他们都使用家庭相机拍照片,
01:26
and used the family camera
as a way of telling a story about life,
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去讲述人生故事,
01:30
about life of joy,
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去讲述人生乐趣,
01:32
about what it meant
to become a family in North Philadelphia.
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去讲述成为北费城的一个家庭意味着什么。
01:37
So I spent most of my life
searching for pictures
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所以我花了人生的大多数时间找寻照片,
01:40
that reflect on ideas
about black love, black joy
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能反映黑人的爱和黑人的快乐的照片,
01:43
and about family life.
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和关于家庭生活的照片。
01:45
So it's really important to think about
the action of love overrules as a verb.
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所以,对我来说,把爱至高无上
看做动词是非常重要的
01:52
HWT: Sometimes I wonder
if the love of looking is genetic,
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Thomas:有时候我想知道这种
寻找爱的能力是否是基因决定的,
01:56
because, like my mother,
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因为,像我妈妈一样,
01:58
I've loved photographs
since before I can even remember.
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从我记事起我就爱上了摄影,
02:02
I think sometimes that --
after my mother and her mother --
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有时候我都会想,
除了我的妈妈和她(Deb)的妈妈,
02:06
that photography and photographs
were my first love.
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我最爱的就是摄影和照片了。
02:09
No offense to my father,
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无意冒犯我的父亲,
02:11
but that's what you get
for calling me a "ham"
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但那就是为什么你会叫我“火腿”了,
02:14
wherever you go.
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不管你去哪里。
02:15
I remember whenever I'd go
to my grandmother's house,
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我记得不管什么时候去奶奶家,
02:18
she would hide all the photo albums
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她都会把所有的相簿都藏起来,
02:19
because she was afraid of me asking,
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因为她怕我问她,
02:22
"Well, who is that in that picture?"
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“嗯...那照片里的是谁?”
02:23
and "Who are they to you
and who are they to me,
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“他们是你的谁,是我的谁?”
02:26
and how old were you
when that picture was taken?
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“拍那照片时候你多大?”
02:28
How old was I when that picture was taken?
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“拍那照片时候我多大?”
02:30
And why were they in black and white?
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“它们为什么是黑白的呢?”
02:32
Was the world in black and white
before I was born?"
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“我出生的时候世界也是黑白的么?”
02:34
DW: Well, that's interesting,
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Deborah:嗯,真挺有趣的
02:36
just to think about the world
in black and white.
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光是想到“黑白世界”就觉得很有趣。
02:38
I grew up in a beauty shop
in North Philadelphia,
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我在北费城的一家美容店长大,
02:41
my mom's beauty shop,
looking at "Ebony Magazine,"
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那是我妈妈的美容店,
我在看“Ebony 杂志”的时候,
02:43
found images that told stories
that were often not in the daily news,
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就发现图片讲出来的故事
并不经常出现在每日新闻里,
02:48
but in the family album.
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而是出现在家庭相簿里。
02:50
I wanted the family album
to be energetic for me,
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我希望家庭相簿是让我积极向上,
02:53
a way of telling stories,
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成为讲故事的一种方式。
02:54
and one day I happened upon a book
in the Philadelphia Public Library
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有一天我在费城公共图书馆偶然看到一本书,
02:58
called "The Sweet Flypaper of Life"
by Roy DeCarava and Langston Hughes.
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书名叫“轻舞飞扬”,作者是
Roy DeCarava和 Langston Hughes
03:03
I think what attracted me
as a seven-year-old,
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我觉得吸引7岁的我的是--
03:05
the title, flypaper and sweet,
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标题、“捕蝇纸”、“糖果”,
03:08
but to think about that
as a seven-year-old,
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但作为一个7岁的小女孩去思考的话,
03:10
I looked at the beautiful images
that Roy DeCarava made
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我看着Roy DeCarava
拍出来的漂亮的图片,
03:13
and then looked at ways
that I could tell a story about life.
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又想想我能讲述人生故事的方式。
03:17
And looking for me is the act
that basically changed my life.
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寻找自我的行动彻底改变了我的生活。
03:21
HWT: My friend Chris Johnson
told me that every photographer,
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Thomas:
我一个朋友 Chris Johnson 告诉我,
03:25
every artist, is essentially
trying to answer one question,
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每位摄影师,每位艺术家,
基本都在尝试着去回答一个问题,
03:29
and I think your question might have been,
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我认为你的问题可能是:
03:32
"Why doesn't the rest of the world
see how beautiful we are,
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“为什么世界上的其他人看不到
我们所看到的世界有这么美?
03:35
and what can I do to help them
see our community the way I do?"
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我怎么帮助他们
让他们像我们一样看待这个世界?”
03:39
DW: While studying in art school --
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Deborah:我在艺术学校学习的时候,
03:41
it's probably true --
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那可能是对的,
03:42
I had a male professor who told me
that I was taking up a good man's space.
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一个男教授告诉我说
我占去了一个优秀男人的位置,
03:47
He tried to stifle my dream
of becoming a photographer.
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他试图扼杀我想成为一名摄影师的梦想,
03:50
He attempted to shame me
in a class full of male photographers.
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他试图让我在一个全是男摄影师的班级里
感到羞愧。
03:54
He told me I was out of place
and out of order as a woman,
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他告诉我,作为一名女性
像我这样是不恰当的,
03:58
and he went on to say
that all you could and would do
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然后他接着说,所有你可以做的和将要做的,
04:01
was to have a baby when a good man
could have had your seat in this class.
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就是去结婚生子,
让一个优秀的男人坐在这里,
04:05
I was shocked into silence
into that experience.
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我记得那次我很震惊,没有说一句话。
04:09
But I had my camera,
and I was determined to prove to him
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但是我有相机,并且我决定向他证明,
04:12
that I was worthy
for a seat in that class.
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我是值得坐在这里的。
04:14
But in retrospect, I asked myself:
"Why did I need to prove it to him?"
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但是回想起来,我问了问自己
“为什么我要证明给他看呢?”
04:18
You know, I had my camera,
and I knew I needed to prove to myself
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你知道的,我有相机,我
知道我需要向自己证明,
04:21
that I would make
a difference in photography.
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我会在摄影界产生影响。
04:23
I love photography, and no one
is going to stop me from making images.
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我爱摄影,没人能阻拦我拍照片。
04:27
HWT: But that's when I came in.
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Thomas:但是当我到来的时候...
04:29
DW: Yeah, that year I graduated,
I got pregnant.
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Deborah:对,我毕业那年怀孕了。
04:32
Yep, he was right.
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对,他说对了,
04:34
And I had you,
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然后我就有了你,
04:35
and I shook off that sexist language
that he used against me
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我摆脱了他用来攻击我的
性别歧视主义语言,
04:40
and picked up my camera
and made photographs daily,
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捡起我的相机,每天都去拍照,
04:43
and made photographs of my pregnant belly
as I prepared for graduate school.
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在我准备考研究生的时候
给我怀孕的肚子拍照
04:48
But I thought about also
that black photographers were missing
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但我也想到黑人摄影师
04:52
from the history books of photography,
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正在从摄影史册上消失,
04:55
and I was looking
for ways to tell a story.
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我那时在寻找讲故事的方式,
04:58
And I ran across Gordon Parks' book
"A Choice of Weapons,"
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我偶然看到Gordon Park的书《武器的选择》,
05:03
which was his autobiography.
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那是他的自传。
05:04
I began photographing and making images,
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然后我就开始摄影,拍照,
05:07
and I tucked away that contact sheet
that I made of my pregnant belly,
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我把我怀孕肚子的相片集藏起来。
05:11
and then you inspired me
to create a new piece,
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然后你启发了我再去创造一个新的,
05:14
a piece that said, "A woman
taking a place from a good man,"
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名字叫“一个女人占了
一个优秀男人的地方”,
05:18
"You took the space from a good man,"
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“你占了一个男人的位置”。
05:20
and then I used that language
and reversed it and said,
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然后我用了那句子,但是把它颠倒过来了,
05:24
"I made a space for a good man, you."
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“我给一个优秀男人,你,创造了一个位置”
05:26
(Applause)
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(掌声)
05:28
HWT: Thanks, ma.
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Thomas:谢谢,妈
05:33
Like mother, like son.
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我和我妈一样,
05:35
I grew up in a house full of photographs.
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我也是在一栋满是照片的房子里长大,
05:38
They were everywhere, and my mother
would turn the kitchen into a darkroom.
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到处都是照片,
我妈把厨房变成了一个暗室,
05:42
And there weren't
just pictures that she took
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那里不仅仅是她拍的照片,
05:45
and pictures of family members.
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还有家人们的照片。
05:46
But there were pictures on the wall
of and by people that we didn't know,
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但是墙上的照片还有我不认识的人,
05:51
men and women that we didn't know.
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我不认识的男人和女人,
05:53
Thanks, ma.
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谢谢你了,妈妈
05:54
(Laughter)
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(笑声)
05:55
I have my own timing.
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我有我自己的时间
05:56
(Laughter)
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(笑声)
05:58
Did you see her poke me?
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看见没,她戳我
05:59
(Laughter)
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(笑声)
06:01
Puppet strings.
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“木偶线”
06:06
I grew up in a house full of photographs.
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我在一个满是照片的屋子里长大。
06:08
(Applause)
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(掌声)
06:11
But they weren't just pictures
of men and women that we knew,
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并不只有我认识的人的照片
06:14
but pictures of people that I didn't know,
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还有我不认识的人的照片。
06:17
Pretty much, it was pretty clear
from what I learned in school,
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很不一样,这和我在学校学到的很不一样,
06:20
that the rest of the world didn't either.
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和这世界的其他东西也都不一样。
06:23
And it took me a long time
to figure out what she was up to,
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我花了很长时间去弄明白她在做什么,
06:26
but after a while, I figured it out.
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但不久后,我弄明白了。
06:30
When I was nine years old,
she published this book,
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那是我九岁的时候,她出版了这本书,
06:32
"Black Photographers, 1840-1940:
A Bio-Bibliography."
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“黑人摄影师,1840-1940:人物目录”
06:36
And it's astounding to me to consider
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我很震惊的是,
06:39
that in 1840, African Americans
were making photographs.
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1840年有非裔美人在摄影。
06:43
What does it mean for us to think
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这对我们来说意味着什么,
06:44
that at a time that was two, three decades
before the end of slavery,
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在二,三十年前,
在奴隶制接近尾声的时候,
06:49
that people were learning how to read,
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在人们都在学习如何阅读的时候,
06:52
they had to learn how to do math,
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在他们必须学习数学的时候,
06:54
they had to be on the cutting edge
of science and technology,
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在他们必须处在科技最前沿的时候,
06:57
to do math, physics and chemistry
just to make a single photograph.
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仅仅是为了去拍摄一张照片,
必须学习数学,物理和化学
07:02
And what compelled them
to do that if not love?
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如果不是爱的话,
那还有什么能迫使他们这样做呢?
07:05
Well, that book led her to her next book,
"Black Photographers, 1940-1988,"
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那本书促使了她下一本书的出生--
“黑人摄影师,1940-1988”
07:10
and that book led to another book,
and another book, and another book,
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从而又促使了再下一本的出生,
07:15
and another book, and another book,
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再下一本,
07:17
and another book, and another book,
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再下一本,
07:19
and another book, and another book,
and another book, and another book,
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再下一本,再下一本,
07:22
and another book, and another book,
and another book, and another book,
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再下一本,再下一本,
07:25
and another book,
and another book, and another.
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再下一本,再下一本。
07:28
(Applause)
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(掌声)
07:29
And throughout my life,
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在我的一生中,
07:31
she's edited and published dozens of books
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她编辑并出版了许多本书,
07:34
and curated numerous exhibitions
on every continent,
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也在各大洲担任了了各种展览的馆长,
07:39
not all about black photographers
but all inspired by the curiosity
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不全是有关黑人摄影师的,
07:42
of a little black girl
from North Philadelphia.
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但是都源发于一个来自北费城的
一个黑人小女孩的好奇心。
07:45
DW: What I found is that
black photographers had stories to tell,
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Deborah:我发现黑人摄影师有故事要说,
07:48
and we needed to listen.
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并且我们需要去聆听。
07:51
And then I found and I discovered
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后来我找到了并且发现了
07:52
black photographers
like Augustus Washington,
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像Augustus Washington
这样的黑人摄影师,
07:55
who made these beautiful daguerreotypes
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在19世纪40年代早期和50年代,
07:57
of the McGill family
in the early 1840s and '50s.
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他用银版摄影法为McGill家族
拍摄了这些美丽的照片。
08:02
Their stories tended to be different,
black photographers,
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黑人摄影师的故事都是不一样的,
08:04
and they had a different narrative
about black life during slavery,
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他们讲述了奴隶时期黑人的不同故事,
08:08
but it was also about family life, beauty
and telling stories about community.
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但是都是有关家庭生活,美,
以及讲述社区的故事。
08:13
I didn't know how to link the stories,
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我不知道怎么把这些故事联系起来,
08:16
but I knew that teachers
needed to know this story.
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但是我知道,老师们需要知道这个故事。
08:19
HWT: So I think I was
my mother's first student.
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Thomas:所以我认为我是我妈妈的第一个学生,
08:24
Unwillingly and unwittingly --
puppet strings --
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不情愿的,不知不觉的--“木偶线”
08:27
I decided to pick up a camera,
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我决定拿起一部相机,
08:30
and thought that I
should make my own pictures
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我认为我应该拍出自己的照片,
08:32
about the then and now
and the now and then.
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有关以后和现在,有关现在和以后。
08:35
I thought about
how I could use photography
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我考虑了应该如何运用摄影
08:38
to talk about how what's going on
outside of the frame of the camera
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去讲述相机的画面之外发生的事情
08:41
can affect what we see inside.
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是怎么影响我们能看到的照片里的画面的。
08:44
The truth is always in the hands
of the actual image maker
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事实总是掌握在实物拍摄者的手里的,
08:47
and it's up to us to really consider
what's being cut out.
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到底把什么排除在外也是也是由我们决定的。
08:50
I thought I could use her research
as a jumping-off point
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我感觉我可以用她的调查结果作为一个出发点,
08:53
of things that I was seeing in society
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那些我看到的关于这个社会的事情。
08:55
and I wanted to start to think
about how I could use historical images
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我想开始思考如何用历史图片
08:58
to talk about the past being present
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来讲述现在中的过去
09:01
and think about ways that we can speak
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也开始思考用什么方式
09:03
to the perennial struggle
for human rights and equal rights
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来描述长久不懈地争取人权和平等权利
作的斗争
09:07
through my appropriation of photographs
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通过运用照片
09:11
in the form of sculpture, video,
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来表现雕塑,视频,
09:14
installation and paintings.
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造型和画。
09:15
But through it all,
one piece has affected me the most.
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但是在这其中,有一种对我影响最大,
09:20
It continues to nourish me.
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它仍然在滋养我,
09:21
It's based off of this photograph
by Ernest Withers,
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这是基于Ernest Withers的这张照片,
09:24
who took this picture in 1968
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拍摄于1968年,
09:26
at the Memphis Sanitation Workers March
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那是三月的孟菲斯环卫工人,
09:29
of men and women standing collectively
to affirm their humanity.
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男人和女人们站在一起去维护人权。
09:33
They were holding signs
that said "I am a man,"
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他们拿着上面写着“我是一个人”的牌子,
09:36
and I found that astounding,
because the phrase I grew up with
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我很震惊,因为我从小到大
知道的句子不是“我是一个人”
09:39
wasn't "I am a man,"
it was "I am the man,"
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而是“我是那个人”,
09:42
and I was amazed at how it went from this
collective statement during segregation
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并且我很惊讶的是它是如何从种族隔离时期的
集体声明中分离出来
09:46
to this seemingly selfish statement
after integration.
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在整合后达到这种看似自私的声明的。
09:50
And I wanted to ponder that,
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我想要仔细考虑一下,
09:52
so I decided to remix that text
in as many ways as I could think of,
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所以我决定去以我能想到的
所有方式重新合成那个主题,
09:55
and I like to think of the top line
as a timeline of American history,
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我想把第一行以美国历史的时间轴开始,
10:00
and the last line as a poem,
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最后一行以一首诗作为结束,
10:03
and it says,
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写着,
10:04
"I am the man. Who's the man.
You the man. What a man.
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“我是那个人,谁是那个人,
你是那个人,什么是人,
10:07
I am man. I am many. I am, am I.
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我是人,我是许多人,我是,是我,
10:10
I am, I am. I am, Amen.
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我是,我是,我是,阿门。”
10:12
DW: Wow, so fascinating.
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Deborah:哇,太棒了。
10:14
(Applause)
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(掌声)
10:16
But what we learn from this experience
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但是我们从这次尝试中学到的
10:18
is the most powerful two words
in the English language is, "I am."
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是英语中最有力的那两个字:“我是!”。
10:21
And we each have the capacity to love.
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我们每个人都有能力去爱。
10:24
Thank you.
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谢谢!
10:25
(Applause)
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(掌声)
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