Become a slam poet in five steps - Gayle Danley

819,521 views ใƒป 2013-03-27

TED-Ed


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Transcriber: Andrea McDonough Reviewer: Bedirhan Cinar
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ืชืจื’ื•ื: Ido Dekkers ืขืจื™ื›ื”: Sigal Tifferet
00:14
Miss Gayle's 5 Steps to Slam Poetry,
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ื—ืžืฉืช ื”ืฉืœื‘ื™ื ืฉืœ ืžื™ืก ื’ื™ื™ืœ ืœื›ืชื™ื‘ืช ืฉื™ืจื” ืชื—ืจื•ืชื™ืช,
00:17
a lesson of transformation.
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ืœืงื— ืฉืœ ื”ืฉืชื ื•ืช.
00:19
Step 1:
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ืฉืœื‘ ื':
00:21
Write it all down.
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ื›ื™ืชื‘ื• ื”ื›ืœ.
00:23
"Take one memory,
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"ืงื—ื• ื–ื™ื›ืจื•ืŸ ืื—ื“,
00:25
explore it like a new land,"
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ื—ื™ืงืจื• ืื•ืชื• ื›ืžื• ืืจืฅ ื—ื“ืฉื”."
00:26
the visiting poet tells the class.
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ื”ืžืฉื•ืจืจ ื”ืžื‘ืงืจ ืื•ืžืจ ืœื›ื™ืชื”.
00:29
"Don't leave anything out."
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"ืืœ ืชืฉืื™ืจื• ื›ืœื•ื ื‘ื—ื•ืฅ."
00:31
Tyler sits in this high school workshop,
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ื˜ื™ื™ืœืจ ื™ื•ืฉื‘ ื‘ืกื“ื ืช ื”ืชื™ื›ื•ืŸ ื”ื–ื•,
00:34
dizzy with where to start.
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ืžืกื•ื—ืจืจ ืžื”ื™ื›ืŸ ืœื”ืชื—ื™ืœ.
00:36
Memories wander in and out of his heart
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ื–ื›ืจื•ื ื•ืช ืžืฉื•ื˜ื˜ื™ื ืœืชื•ืš ื•ืžื—ื•ืฅ ืœืœื™ื‘ื•
00:39
like vagrants searching for home.
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ื›ืžื• ื ื•ื•ื“ื™ื ื”ืžื—ืคืฉื™ื ื‘ื™ืช.
00:41
He bends to his desk,
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ื”ื•ื ืžืชื›ื•ืคืฃ ืœืฉื•ืœื—ืŸ,
00:43
he writes,
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ื”ื•ื ื›ื•ืชื‘,
00:44
"The snow goes black
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"ื”ืฉืœื’ ืžืฉื—ื™ืจ
00:45
when the moon turns its eyes away,
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ื›ืฉื”ื™ืจื— ืžืกื™ืช ืืช ืขื™ื ื™ื•,
00:48
all paper is yellow,
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ื›ืœ ื”ื ื™ื™ืจื•ืช ืฆื”ื•ื‘ื™ื,
00:50
all letters spell eviction note,
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ื›ืœ ื”ืžื›ืชื‘ื™ื ืžืจืื™ื ืฆื•ื•ื™ ืคื™ื ื•ื™,
00:52
Mama's lies are footsteps
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ื”ืฉืงืจื™ื ืฉืœ ืื™ืžื ื”ื ืขืงื‘ื•ืช
00:54
too many to count.
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ืจื‘ื•ืช ืžืกืคื•ืจ.
00:57
Making excuses on black snow.
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ื™ื•ืฆืจื™ื ืชืจื•ืฆื™ื ืขืœ ืฉืœื’ ืฉื—ื•ืจ.
01:00
'I paid the rent,
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'ืฉื™ืœืžืชื™ ืืช ื”ืฉื›ื™ืจื•ืช,
01:01
this is your room forever, baby.
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ื–ื” ื”ื—ื“ืจ ืฉืœืš ืœืชืžื™ื“, ื—ืžื•ื“.
01:04
I love you.'
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ืื ื™ ืื•ื”ื‘ืช ืื•ืชืš.'
01:05
But, she wouldn't even look at me."
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ืื‘ืœ, ื”ื™ื ืืคื™ืœื• ืœื ืžืกืชื›ืœืช ืขืœื™."
01:09
Step 2:
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ืฉืœื‘ ืฉื ื™:
01:10
Read out loud.
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ืงืจืื• ื‘ืงื•ืœ ืจื.
01:12
As he writes, his lips try on words
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ื›ืฉื”ื•ื ื›ื•ืชื‘ ืฉืคืชื™ื• ืžื ืกื•ืช ืžื™ืœื™ื
01:15
then toss them out like bad tenants.
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ืื– ื–ื•ืจืงื•ืช ืื•ืชืŸ ื›ืžื• ื“ื™ื™ืจื™ื ื’ืจื•ืขื™ื.
01:18
He pushes his desk back,
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ื”ื•ื ื“ื•ื—ืฃ ืืช ืฉื•ืœื—ื ื• ืื—ื•ืจื”,
01:20
stands.
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ืขื•ืžื“.
01:22
"Aunt Jocelyn's rice pudding was sweet,
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"ืคื•ื“ื™ื ื’ ื”ืื•ืจื– ืฉืœ ื“ื•ื“ื” ื’'ื•ืกืœื™ืŸ ื”ื™ื” ืžืชื•ืง,
01:24
but that's not what I want to write.
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ืื‘ืœ ื–ื” ืœื ืžื” ืฉืื ื™ ืจื•ืฆื” ืœื›ืชื•ื‘.
01:26
Have you ever been so cold
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ื”ืื ืื™ ืคืขื ื”ื™ื” ืœื›ื ื›ืœ ื›ืš ืงืจ
01:28
your hair becomes an icicle?
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ืฉื”ืฉื™ืขืจ ืฉืœื›ื ื”ืคืš ืœื ื˜ื™ืคื™ ืงืจื—?
01:30
Your little sister's fear of the dark
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ื”ืคื—ื“ ืฉืœ ืื—ื•ืชื›ื ื”ืงื˜ื ื” ืžื”ื—ื•ืฉืš
01:33
freezes on her lips
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ืงื•ืคื ืขืœ ืฉืคืชื™ื”
01:34
like she's kissed the ice tray?
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ื›ืื™ืœื• ื ื™ืฉืงื” ืžื’ืฉ ืงืจื—?
01:37
How hungry have you been?"
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ื›ืžื” ืจืขื‘ื™ื ื”ื™ื™ืชื?"
01:41
Step 3:
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ืฉืœื‘ 3:
01:43
Cut the fat.
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ื—ืชื›ื• ืืช ื”ืขื•ื“ืคื™ื.
01:45
Abandon extra words.
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ื ื™ื˜ืฉื• ืžื™ืœื™ื ืžื™ื•ืชืจื•ืช.
01:47
His pen becomes a machete,
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ื”ืขื˜ ืฉืœื• ื”ื•ืคื›ืช ืœืกื›ื™ืŸ,
01:49
slashing ands, thens, becauses.
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ื—ื•ืชื›ืช ื• ืื– ื•ื‘ื’ืœืœ.
01:54
Step 4:
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ืฉืœื‘ 4:
01:55
Read out loud,
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ืงืจืื• ื‘ืงื•ืœ ืจื,
01:56
again.
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ืฉื•ื‘.
01:58
The 11th grade boy makes sure
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ืชืœืžื™ื“ ื›ื™ืชื” ื™"ื ืžื•ื•ื“ื
02:00
Step 3's cuts weren't too deep.
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ืฉื—ื™ืชื•ื›ื™ ืฉืœื‘ 3 ืœื ื”ื™ื• ืขืžื•ืงื™ื ืžื“ื™.
02:03
Step 5:
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ืฉืœื‘ 5:
02:05
Add flava.
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ื”ื•ืกื™ืคื• ื˜ืขื.
02:07
Juice,
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02:07
power,
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ืžื™ืฅ,
ื›ื•ื—,
02:08
movement,
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ืชื ื•ืขื”,
02:09
emotion.
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ืจื’ืฉื•ืช.
02:11
"Vanilla flavoring is the secret to my aunt's pudding.
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"ื˜ืขื ื•ื ื™ืœ ื”ื•ื ื”ืกื•ื“ ืœืคื•ื“ื™ื ื’ ืฉืœ ื“ื•ื“ืชื™.
02:14
I kick out a few raisins but leave one or two.
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ืื ื™ ืžืขื™ืฃ ื”ื—ื•ืฆื” ื›ืžื” ืฆื™ืžื•ืงื™ื ืื‘ืœ ืžืฉืื™ืจ ืื—ื“ ืื• ืฉื ื™ื™ื.
02:18
Life needs some bitter
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ื”ื—ื™ื™ื ืฆืจื™ื›ื™ื ืžืขื˜ ืžืจื™ืจื•ืช
02:19
to man up the sweet."
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ื›ื“ื™ ืœื—ื–ืง ืืช ื”ืžืชื™ืงื•ืช."
02:21
His hands reach out like shells
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ื”ื™ื“ื™ื™ื ืฉืœื• ืžื•ืฉื˜ื•ืช ื›ืžื• ืงื•ื ื›ื™ื•ืช
02:23
to hold our disbelief.
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ื›ื“ื™ ืœื”ื—ื–ื™ืง ืืช ื—ื•ืกืจ ื”ืืžื•ื ื” ืฉืœื ื•.
02:26
Is this Tyler speaking?
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ื”ืื ื–ื” ื˜ื™ื™ืœืจ ืžื“ื‘ืจ?
02:28
The one who keeps his eyes on the floor
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ื–ื” ืฉืžืฉืื™ืจ ืืช ืขื™ื ื™ื• ืขืœ ื”ืจืฆืคื”
02:30
like they're carrying something heavy?
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ื›ืื™ืœื• ื”ืŸ ื ื•ืฉืื•ืช ืžืฉื”ื• ื›ื‘ื“?
02:33
Voice rattles windows.
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ื”ืฆืœื™ืœ ืžืจื˜ื™ื˜ ืืช ื”ื—ืœื•ื ื•ืช.
02:36
"I am free now."
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"ืื ื™ ื—ื•ืคืฉื™ ืขื›ืฉื™ื•."
02:37
Body quivers with the pulse of each word.
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ื”ื’ื•ืฃ ืจื•ืขื“ ืขื ื”ื“ื•ืคืง ืฉืœ ื›ืœ ืžื™ืœื”.
02:40
"The sun's joy melts snow."
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"ืื•ืฉืจ ื”ืฉืžืฉ ืžืžื™ืก ืืช ื”ืฉืœื’."
02:43
Fingers trace the curve of his jaw.
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ืืฆื‘ืขื•ืช ืขื•ืงื‘ื•ืช ืื—ืจ ื”ืงื™ืžื•ืจื™ื ืฉืœ ืœืกืชื•.
02:46
"My aunt's face was warm as a water heater
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"ื”ืคื ื™ื ืฉืœ ื“ื•ื“ืชื™ ื”ื™ื• ื—ืžื™ื ื›ื“ื•ื“ ืžื™ื
02:48
when she let us in that night."
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ื›ืฉื”ื™ื ื”ื›ื ื™ืกื” ืื•ืชื ื• ื‘ืื•ืชื• ืœื™ืœื”."
02:51
Our boy is done,
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ื”ื™ืœื“ ืฉืœื ื• ืกื™ื™ื,
02:53
his transformation complete.
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ื”ืฉื™ื ื•ื™ ืฉืœื• ื’ืžื•ืจ.
02:56
Step 1: Write it all down.
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ืฉืœื‘ 1: ื›ืชื‘ื• ื”ื›ืœ.
02:58
Step 2: Read out loud.
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ืฉืœื‘ 2: ืงืจืื• ื”ื›ืœ ื‘ืงื•ืœ.
02:59
Step 3: Cut the fat.
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ืฉืœื‘ 3: ื—ืชื›ื• ืืช ื”ืฉื•ืžืŸ.
03:01
Step 4: Read out loud.
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ืฉืœื‘ 4: ืงืจืื• ื”ื›ืœ ื‘ืงื•ืœ.
03:02
Step 5: Add flava.
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ืฉืœื‘ 5: ื”ื•ืกื™ืคื• ื˜ืขื.
03:04
Tyler's first poem takes residence in his heart.
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ื”ืคื•ืืžื” ื”ืจืืฉื•ื ื” ืฉืœ ื˜ื™ื™ืœืจ ืžืชืžืงืžืช ื‘ืœื™ื‘ื•.
03:09
He flings his arms wide
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ื”ื•ื ืคื•ืจืฉ ืืช ื–ืจื•ืขื•ืชื™ื• ืœืจื•ื•ื—ื”
03:11
like an open door.
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ื›ืžื• ื“ืœืช ืคืชื•ื—ื”.
03:13
Welcome home!
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ื‘ืจื•ื›ื™ื ื”ื‘ืื™ื ื”ื‘ื™ืชื”!
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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