TikTok, Instagram, Snapchat -- and the rise of bite-sized content | Qiuqing Tai

82,260 views ใƒป 2021-02-23

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Transcriber: Leslie Gauthier Reviewer: Joanna Pietrulewicz
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ืชืจื’ื•ื: zeeva livshitz ืขืจื™ื›ื”: Ido Dekkers
ื™ื•ืชืจ ืž-1.5 ืžื™ืœื™ืืจื“ ืื ืฉื™ื ืžืกื‘ื™ื‘ ืœืขื•ืœื,
ืœืžืขืœื” ืžืžื—ืฆื™ืชื ืžืชื—ืช ืœื’ื™ืœ 24,
ืฆื•ืคื™ื ื‘ืงื‘ื™ืขื•ืช ื‘ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื:
00:13
More than 1.5 billion people around the world,
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ืงืœื™ืคื™ื ืฉืœ 60 ืฉื ื™ื•ืช ืื• ืคื—ื•ืช
00:16
over half of them under the age of 24,
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ื‘ืืžืฆืขื•ืช ืกื ืืคืฆโ€™ื˜, ื˜ื™ืงื˜ื•ืง, ืกื™ืคื•ืจื™ ืื™ื ืกื˜ื’ืจื
00:19
regularly watch short videos:
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ื•ืืคืœื™ืงืฆื™ื•ืช ืื—ืจื•ืช ืœืกืžืืจื˜ืคื•ืŸ.
00:22
clips of 60 seconds or less
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ื”ืฉื•ืง ื‘ืงื•ืฉื™ ื”ื™ื” ืงื™ื™ื ืœืคื ื™ ืฉื‘ืข ืฉื ื™ื,
00:24
using Snapchat, TikTok, Instagram Stories
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ืื‘ืœ ื”ื™ื•ื ื”ื™ื•ืฆืจื™ื ืžืขืœื™ื 702 ืžื™ืœื™ื•ืŸ ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื‘ื›ืœ ื™ื•ื.
00:28
and other smartphone apps.
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00:30
The market barely existed seven years ago,
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ื‘ืขื•ื“ ืฉื˜ื•ื•ื— ื”ืงืฉื‘ ืฉืœื ื• ื ื•ืคืœ ืœืฉื ื™ื•ืช,
00:33
yet today creators are uploading 702 million short videos every day.
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ื•ื™ื“ืื• ืงืฆืจ ื”ื•ื ืœื ืจืง ื›ืืŸ ื›ื“ื™ ืœื”ื™ืฉืืจ ืืœื ื™ื”ืคื•ืš ืœื ื•ืจืžื” ื”ื—ื“ืฉื”.
00:39
As our attention span is falling to seconds,
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ื‘ื ื™ื’ื•ื“ ืœืคืœื˜ืคื•ืจืžื•ืช ื—ื‘ืจืชื™ื•ืช ืื—ืจื•ืช ื›ืžื• ืื™ื ืกื˜ื’ืจื,
00:42
short video is not only here to stay but will become the new normal.
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ืฉื ืชืžื•ื ื•ืช ืžืœื•ื˜ืฉื•ืช ืขืจื•ื›ื•ืช ื‘ืฆื•ืจื” ืžื•ืฉืœืžืช, ื”ืŸ ื”ื ื•ืจืžื”,
ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื ื’ื™ืฉื™ื ื™ื•ืชืจ,
00:47
Unlike other social platforms such as Instagram,
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ืžื–ืžื™ื ื™ื ื—ื•ืกืจ ืฉืœืžื•ืช ื•ืื•ืชื ื˜ื™ื•ืช.
00:50
where perfectly edited, polished images are the norm,
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ื•ื‘ื’ืœืœ ืฉื›ืœ ืงืœื™ืค ื›ืœ ื›ืš ืงืฆืจ,
ื™ืฆืจื ื™ ืชื•ื›ืŸ ื—ื™ื™ื‘ื™ื ืœื”ื™ื•ืช ื™ืฆื™ืจืชื™ื™ื ื•ืžืชืงืฉืจื™ื ืชืžืฆื™ืชื™ื™ื.
00:54
short videos are more accessible,
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00:56
inviting imperfection and authenticity.
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ืื‘ืœ ื”ืกืจื˜ื•ื ื™ื ื”ืืœื” ื‘ื’ื•ื“ืœ ื ื’ื™ืกื” ื”ื ื™ื•ืชืจ ืžืกืชื ื›ื™ืฃ ื•ื‘ื™ื“ื•ืจ.
01:00
And because each clip is so short,
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01:02
content producers have to be creative and concise communicators.
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ืœื™ ืื™ืฉื™ืช,
ื›ื™ื•ืขืฆืช ื•ืืžื,
01:07
But these bite-sized videos are more than just fun and entertainment.
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ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื”ื ื”ืžืงื•ื ืฉื‘ื• ืื ื™ ืžืงื‘ืœืช ื˜ื™ืคื™ื ืœื”ื•ืจื•ืช.
ื‘ื“ืจื›ื™ ืœืขื‘ื•ื“ื” ืื ื™ ื™ื›ื•ืœื” ืœืœืžื•ื“ ื‘ืžื”ื™ืจื•ืช ืขืœ ืกื•ื“ื•ืช ื”ื”ื ืงื”
01:12
For me personally,
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01:13
as a consultant and mother,
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ืชื•ืš ื›ื“ื™ ื ืกื™ืขื”
01:15
short videos are where I get parenting tips.
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ื•ืœืงื‘ืœ ืจืขื™ื•ื ื•ืช ืžืขื•ืœื™ื ื›ื™ืฆื“ ืœื’ืจื•ื ืœื‘ืช ืฉืœื™ ืœืœื›ืช ืœื™ืฉื•ืŸ ืžื•ืงื“ื ื™ื•ืชืจ.
01:18
On my way to work I can quickly learn about the secrets of breastfeeding
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ื’ื ืขืกืงื™ื ืœื•ืžื“ื™ื
ืฉืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื”ื ื“ืจืš ืžืฆื•ื™ื ืช ืœืžืฆื•ื ืœืงื•ื—ื•ืช ื—ื“ืฉื™ื
01:22
while traveling
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01:24
and get great ideas about how to make my daughter sleep sooner.
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ื•ืœื”ืจื—ื™ื‘ ืืช ืžื’ื•ื•ืŸ ื”ืงื”ืœื™ื ืฉืœื”ื.
01:28
Businesses are also learning
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ืžื•ืงื“ื ื™ื•ืชืจ ื”ืฉื ื”, ื”ื•ื‘ืœืชื™ ืคืจื•ื™ืงื˜ ืขื ื˜ื™ืง ื˜ื•ืง,
01:30
that short videos are a great way to find new customers
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ืคืœื˜ืคื•ืจืžืช ื”ื•ื•ื™ื“ืื• ื”ืงืฆืจ ื”ืžื•ื‘ื™ืœื” ื‘ืขื•ืœื,
01:34
and expand the diversity of their audiences.
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ืœื”ืขืจื™ืš ืืช ื”ื”ืฉืคืขื” ื”ื›ืœื›ืœื™ืช ื•ื”ื—ื‘ืจืชื™ืช ืฉืœ ื›ืœื›ืœื” ื–ื• ืฉืœ ืชื•ื›ืŸ ื‘ื’ื•ื“ืœ ื ื’ื™ืกื”.
01:38
Earlier this year, I led a project with TikTok,
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01:41
the world's leading short-video platform,
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ื”ืžื—ืงืจ ืฉืœื ื• ืžืจืื” ืฉื”ืžื“ื™ื•ื ื”ืฆืขื™ืจ ื”ื–ื” ืžืฉืชื ื” ื”ืจื‘ื” ื™ื•ืชืจ
01:44
to assess the economic and social impact of this bite-sized economy.
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ืžืืฉืจ ื”ื“ืจืš ื‘ื” ืื ื• ืžื‘ืœื™ื ืืช ืฉืขื•ืช ื”ืคื ืื™ ืฉืœื ื•.
ื‘ืฉื ืช 2019,
01:49
Our study shows that this young medium is changing a lot more
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ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื”ื ื™ื‘ื• ื›-95 ืžื™ืœื™ืืจื“ ื“ื•ืœืจ
01:54
than the way we spend our leisure time.
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ื‘ืกื—ื•ืจื•ืช ื•ืฉื™ืจื•ืชื™ื ืฉื ืžื›ืจื•
01:57
In 2019,
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ื•ื™ืฆืจ ื‘ืขืจืš 1.2 ืžื™ืœื™ื•ืŸ ืžืฉืจื•ืช ื‘ืจื—ื‘ื™ ื”ืขื•ืœื.
01:59
short video generated an estimated 95 billion US dollars
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ืืคื™ืœื• ื‘ืชื•ืš ืชื•ื—ืœืช ื”ื—ื™ื™ื ื”ืงืฆืจื” ื”ื–ื•,
02:04
in goods and services sold
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ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื›ื‘ืจ ืžืฉืคื™ืขื™ื ืขืœ ื”ื“ืจืš ื‘ื” ืื ื• ืขื•ื‘ื“ื™ื, ืžืชืงืฉืจื™ื ื•ืœื•ืžื“ื™ื.
02:06
and created roughly 1.2 million jobs globally.
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02:11
Even within this short lifespan,
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ื‘ืขื™ื“ืŸ ื”- ืงื•ื‘ื™ื“-19,
02:13
short video is already impacting the way we work, communicate and learn.
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ื‘ืขื•ื“ ืžื•ื–ื™ืื•ื ื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื ืขื•ืžื“ื™ื ื‘ืคื ื™ ืกื’ื™ืจื” ื‘ืœืชื™ ืžื•ื’ื“ืจืช,
ืจื‘ื™ื ืคืขืœื• ื‘ืžื”ื™ืจื•ืช
02:20
In the age of COVID-19,
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ืœื”ื‘ื™ื ืžืจื—ื•ืง ืงื”ืœ ืฆืขื™ืจ ื™ื•ืชืจ, ืžืขื•ืจื‘ ื•ื—ื“ืฉ.
02:23
while museums around the world are facing indefinite closure,
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ื’ืœืจื™ื™ืช ืื•ืคื™ืฆื™ ื‘ืคื™ืจื ืฆื”,
02:27
many have acted quickly
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ืฉื”ืงื™ืžื” ืืช ื”ืืชืจ ื”ืจืฉืžื™ ื”ื—ื“ืฉ ืฉืœื” ืœืคื ื™ ืฉืœื•ืฉ ืฉื ื™ื,
02:29
to bring in an engage and new, younger audience remotely.
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ืžืฉืชืžืฉืช ื‘ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื›ื“ื™ ืœืžืฉื•ืš ืงื”ืœื™ื ื—ื“ืฉื™ื
02:34
The Uffizi Gallery in Florence,
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02:36
which just established its official new website three years ago,
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ืœืคืกืœื™ื ื•ืœืฆื™ื•ืจื™ื ืฉืœื”.
ืขืœ ื™ื“ื™ ื”ืชืืžืช ืชืขืจื•ื›ื•ืช ืœืืžื•ื’โ€™ื™ื, ืžื™ืœื•ืช ืžื•ื–ื™ืงื” ืื• ืฆื™ื˜ื•ื˜ื™ื ืžืฆื—ื™ืงื™ื,
02:41
is using short video to attract new audiences
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ื”ืžื•ื–ื™ืื•ืŸ ื”ื•ืคืš ืืช ื™ืฆื™ืจื•ืช ื”ืืžื ื•ืช ืฉืœื• ื ื’ื™ืฉื•ืช ื™ื•ืชืจ
02:44
to their statues and paintings.
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ื•ืจืœื•ื•ื ื˜ื™ื•ืช ืœื“ื•ืจ ื”ืฆืขื™ืจ ืฉืœ ืื•ื”ื‘ื™ ืืžื ื•ืช.
02:47
By matching exhibits with emojis, music lyrics or funny quotes,
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ื‘ืื—ื“ ืžื”ืคื•ืกื˜ื™ื ื”ืื—ืจื•ื ื™ื ืฉืœื•,
02:52
the museum is making its artwork more accessible
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ื ื’ื™ืฃ ื”ืงื•ืจื•ื ื” ื”ืžืฆื•ื™ืจ ื”ืคืš ืœืกืœืข
02:55
and relevant to the young generation of art lovers.
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ื•ื ืฉื‘ืจ ืœืฉื ื™ื™ื
ืžื•ืœ ื”ืฆื™ื•ืจ โ€œืžื“ื•ื–ื”โ€ ืฉืœ ืงืืจืื•ื•ื’โ€™ื•,
02:59
In one of its recent posts,
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03:01
a cartoon coronavirus turned into a rock
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ืฉื™ืฉ ืœื” ื›ื•ื— ืœื”ืคื•ืš ืืช ืืœื” ืฉืžื‘ื™ื˜ื™ื ื‘ื” ืœืื‘ืŸ.
03:04
and smashed in half
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(ื•ื™ื“ืื•) (ืžื•ื–ื™ืงื”: โ€œืกื™ืžืคื•ื ื™ื” ืžืกโ€ฒ 5โ€)
03:06
in front of Caravaggio's painting "Medusa,"
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(ื”ืงืœื˜ื”) ืงืืจื“ื™ ื‘ื™: ื•ื™ืจื•ืก ืงื•ืจื•ื ื”!
03:09
who has the power to turn those who gaze at her into stone.
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(ืงืจื™ื™ื ื•ืช) ืฆโ€˜ื™ื•ืฆโ€™ื™ื ื’ ื˜ืื™: ืื•ืคื™ืฆื™ ื’ื ื”ืชื ืกืชื”
ื‘ืฉื™ื“ื•ืจ ื—ื™ ืžื”ื’ืœืจื™ื” ื‘ืคืœื˜ืคื•ืจืžืช ืกืจื˜ื•ื ื™ ื•ื™ื“ืื• ืงืฆืจื™ื,ืขื ืžืฉืคื™ืขื ื™ื
03:13
(Video) (Music: "Symphony No. 5")
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03:14
(Recording) Cardi B: Coronavirus!
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ื›ืฉื”ื™ื ืžืืคืฉืจืช ืœืฆื•ืคื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื ืœื—ื•ื•ืช ืืžื ื•ืช
03:18
(Voice-over) Qiuqing Tai: Uffizi also experimented
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03:20
with influencers livestreaming from the gallery on short-video platform,
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ืฉื”ื ืžืขื•ืœื ืœื ื”ืฆืœื™ื—ื• ืœืจืื•ืช ื‘ืื•ืคืŸ ืื™ืฉื™.
ืžืื– ื”ื•ืคืขืชื• ื‘ื˜ื™ืง ื˜ื•ืง ื‘ืืคืจื™ืœ 2020,
03:25
allowing viewers around the world to experience art
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ื”ืคืจื•ืคื™ืœ ืฉืœ ื”ืžื•ื–ื™ืื•ืŸ ืžืฉืš ื™ื•ืชืจ ืž-43,000 ืขื•ืงื‘ื™ื
03:28
that they've never been able to see in person.
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ื‘ืฉืœื•ืฉื” ื—ื•ื“ืฉื™ื.
03:32
Since its appearance on TikTok in April 2020,
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ื–ื• ืžื”ื™ืจื•ืช ื”ืจื‘ื” ื™ื•ืชืจ ื’ื“ื•ืœื” ืžื”ืžืกืข ืฉืœื• ื‘ื˜ื•ื•ื™ื˜ืจ,
03:35
the museum's profile has attracted more than 43,000 followers
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ืฉื‘ื• ื”ื•ื ื‘ื ื” ืžืกืคืจ ื“ื•ืžื” ืฉืœ ืงื”ืœ ืžืขืจื™ืฆื™ื ื‘ืืจื‘ืข ื”ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช.
03:40
in three months.
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03:42
This speed is far quicker than their journey on Twitter,
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ื’ื ืขืกืงื™ื ืงื˜ื ื™ื ืžืฉืชืžืฉื™ื ื‘ืกืจื˜ื•ื ื™ ื•ื™ื“ืื• ืงืฆืจื™ื ื›ื“ืจืš ืœืžืฆื•ื ืงื”ืœื™ื ื—ื“ืฉื™ื
03:45
where it built up a similar number of fanbase during the past four years.
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ืฉืื•ืœื™ ืžืขื•ืœื ืœื ืฉืžืขื• ืขืœื™ื”ื ืื• ืขืœ ื”ืžื•ืฆืจื™ื ืฉืœื”ื ืœืคื ื™ ื›ืŸ.
03:50
Small businesses are also using short video as a way to find new audiences
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ื‘ืฉื ืช 2018, ื“ื•ื™ื™ืŸ, ื”ืžื•ื‘ื™ืœื” ื”ืกื™ื ื™ืช ืฉืœ ืคืœื˜ืคื•ืจืžืช ืกืจื˜ื•ื ื™ ื•ื™ื“ืื• ืงืฆืจื™ื,
03:57
who might have never heard of them or their products before.
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ื›ื—ืœืง ืžื™ื•ื–ืžืช ืื—ืจื™ื•ืช ื—ื‘ืจืชื™ืช
ื›ื“ื™ ืœื”ืงืœ ืขืœ ื”ืขื•ื ื™ ื‘ืกื™ืŸ,
04:00
In 2018, Douyin, the leading Chinese short-video platform,
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ื”ืฉื™ืงื” ืงืžืคื™ื™ืŸ ืœืขื–ื•ืจ ืœื—ืงืœืื™ื ื‘ื•ื“ื“ื™ื ื•ืขืกืงื™ื ืงื˜ื ื™ื
ืฉืžื•ื›ืจื™ื ืชื•ืฆืจืช ื—ืงืœืื™ืช ื‘ืื–ื•ืจื™ื ื”ืจืจื™ื™ื ื‘ืกื™ืŸ.
04:05
as part of a social responsibility initiative
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04:08
to alleviate poverty in China,
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ื›ืื—ื“ ืžืคืจื•ื™ืงื˜ื™ ื”ืคื™ื™ืœื•ื˜ ืฉืœื”,
04:10
launched a campaign to help individual farmers
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ื“ื•ื™ื™ืŸ ื”ื–ืžื™ื ื” ืžืคื™ืงื™ ืชื•ื›ืŸ
04:13
and small businesses in China's mountainous areas sell farm produce.
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ืœื™ืฆื•ืจ ืืจื‘ืขื” ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ืฉืœ 15 ืฉื ื™ื•ืช
04:17
As one of its pilot projects,
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ืฉืžืฆื™ื’ื™ื ืืช ืื™ื›ื•ืช ื”ืžื•ืฆืจื™ื ืฉืœื”ื.
04:19
Douyin invited content producers
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ื–ื” ื‘ื ื•ืกืฃ ืœื™ื•ื–ืžื•ืช ื™ื—ืกื™ ืฆื™ื‘ื•ืจ ืกื“ื™ืจื•ืช ืื—ืจื•ืช,
04:22
to create four pieces of 15-second short videos
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ื›ื’ื•ืŸ ืžืืžืจื™ ืงื™ื“ื•ื ืžื›ื™ืจื•ืช.
ื“ื•ื™ื™ืŸ ืจืฆืชื” ืœืžื ืฃ ืืช ื‘ืกื™ืก ื”ืžืฉืชืžืฉื™ื ื”ื’ื“ื•ืœ ืฉืœ ืกืจื˜ื•ื ื™ ื•ื™ื“ืื• ืงืฆืจื™ื
04:26
showcasing the quality of their products.
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04:29
This is on top of other, regular PR initiatives,
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ื›ื“ื™ ืœืžืฆื•ื ืืช ืื•ืชื ืœืงื•ื—ื•ืช ืฉืขืฉื•ื™ื™ื ืœื”ืชืขื ื™ื™ืŸ ื‘ืžื•ืฆืจื™ื ื”ืœืœื•
04:32
such as promotional articles.
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04:34
Douyin wanted to leverage the large user base of short video
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ื•ืื– ื—ื™ื‘ืจื” ืื•ืชื ืขื ืืชืจ ื”ืžืกื—ืจ ื”ืืœืงื˜ืจื•ื ื™
04:38
to find those customers who might be interested in those products
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ื›ื“ื™ ืฉืื ืฉื™ื ื™ื•ื›ืœื• ืœืงื ื•ืช ื“ื‘ืจื™ื ื›ืฉื”ื ืฆื•ืคื™ื ื‘ืกืจื˜ื•ื ื™ื.
ืชื•ืš ื—ืžื™ืฉื” ื™ืžื™ื ื‘ืœื‘ื“,
04:43
and then connected them with the e-commerce website
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ื”ื™ื•ื–ืžื” ืกื™ื™ืขื” ืœื›ืžืขื˜ 4,000 ืžืฉืคื—ื•ืช ื‘ืžื—ื•ื– ืกืฆโ€™ื•ืืŸ
04:46
so that people can buy things as they watch the videos.
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ืœืžื›ื•ืจ ื›ืžื•ืช ืžื“ื”ื™ืžื” ืฉืœ 120,000 ืงื™ืœื•ื’ืจื ืฉืœ ืฉื–ื™ืคื™ื.
04:50
In just five days,
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04:52
the initiative helped nearly 4,000 families in Sichuan Province
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ืžื•ืชื’ื™ื ืจื‘ื™ื ืฉืžืชืขื ื™ื™ื ื™ื ืœืฉื›ื•ืจ ื•ืœื’ื™ื™ืก ืฆืขื™ืจื™ื
04:57
sell an astonishing 120,000 kilograms of plums.
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ื”ืฉืชืžืฉื• ื‘ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื›ื“ืจืš ืจืขื ื ื” ืœืชืงืฉืจ
ืขื ื“ื•ืจ ื”-Z.
05:03
Many brands that are interested in hiring and recruiting young people
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ืœื“ื•ื’ืžื”,
ื™ื•ืชืจ ืžืžื—ืฆื™ืช ืžืขื•ื‘ื“ื™ ืžืงื“ื•ื ืœื“โ€™ืก ื”ื ื‘ื ื™ 16 ืขื“ 24.
05:07
have been using short video as a fresh way to engage
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05:11
with Generation Z.
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ื‘ืื•ืกื˜ืจืœื™ื” ื”ืžื•ืชื’ ื ืื‘ืง ืœื’ื™ื™ืก ื‘ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช,
05:13
For example,
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05:14
more than half of McDonald's employees are aged between 16 to 24.
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ืื– ื”ื•ื ื”ืฉื™ืง ืžืฉื”ื• ืฉื ืงืจื โ€œืกื ืืคืœื™ืงื™ื™ืฉืŸโ€œ,
ืฉื”ื•ื ืขื“ืฉืช ืกื ืืคืฆโ€™ืื˜ ืฉืื™ืคืฉืจื” ืœืžืฉืชืžืฉื™ื
05:20
In Australia, the brand was struggling to recruit in recent years,
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ืœืฆืœื ืกืจื˜ื•ื ื™ื ื‘ื ื™ 10 ืฉื ื™ื•ืช ื”ืžืกื‘ื™ืจื™ื ืžื“ื•ืข ื”ื ื™ื”ื™ื• ืขื•ื‘ื“ื™ื ืžื•ืฉืœืžื™ื ืฉืœ ืžืงื“ื•ื ืœื“ืก
05:25
so it launched something called "snaplication,"
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05:28
which is a Snapchat lens that enabled users
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ื•ืœืื—ืจ ืžื›ืŸ ื”ื ื—ืชื” ืื•ืชื ืœืงื™ืฉื•ืจ ืขื ื‘ืงืฉืช ืขื‘ื•ื“ื”.
05:31
to shoot 10-second videos explaining why they'd be a perfect McDonald's employee
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ื‘ืชื•ืš 24 ืฉืขื•ืช ืœืื—ืจ ื”ืฉืงืช ื”ืงืžืคื™ื™ืŸ,
ืžืงื“ื•ื ืœื“โ€™ืก ืงื™ื‘ืœื• 3,000 โ€œืกื ืืคืœื™ืงื™ื™ืฉื ืกโ€œ,
05:37
and then prompted them to a link with a job application.
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ืคื™ ืืจื‘ืข ืžื”ืžืกืคืจ ืฉื”ื ืงื™ื‘ืœื• ื‘ืฉื‘ื•ืข ืฉืœื
05:40
Within 24 hours after launching the campaign,
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ื‘ืฉื™ื˜ื•ืช ืžืกื•ืจืชื™ื•ืช.
05:43
McDonald's received 3,000 "snaplications,"
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ืืžื ื ืœื ื‘ืจื•ืจ ืื ืฉื›ื™ืจืช ืขื•ื‘ื“ื™ื ื‘ืืžืฆืขื•ืช ื•ื™ื“ืื• ืงืฆืจ ื”ื™ื ื”ื“ืจืš ื”ื˜ื•ื‘ื” ื‘ื™ื•ืชืจ
05:47
four times more than the number they received in a whole week
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ื›ื“ื™ ืœืžืฆื•ื ืืช ื”ืื ืฉื™ื ื”ืžืชืื™ืžื™ื ืœืชืคืงื™ื“ ืื• ืœืฉืžืจ ื›ืฉืจื•ื ื•ืช
05:50
using traditional methods.
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05:52
While it's unclear whether hiring over short video is the best way
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ืื‘ืœ ืื ืœืฉืคื•ื˜ ืืš ื•ืจืง ืžืžืกืคืจื™ ื”ื’ื™ื•ืก,
ื”ืงืžืคื™ื™ืŸ ื”ื™ื” ืœื”ื™ื˜ ืขื•ืœืžื™.
05:56
to find the right people for the job or to retain talent,
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ื‘ืขืจื‘ ื”ืกืขื•ื“ื™ืช,
ืžืงื“ื•ื ืœื“โ€™ืก ืงื™ื‘ืœื” 43,000 ืกื ืืคืœื™ืงื™ื™ืฉื ืก ืชื•ืš 24 ืฉืขื•ืช,
06:00
but judging solely from recruiting numbers,
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06:03
the campaign was a global hit.
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ื•ื”ื—ื‘ืจื” ื”ืฉื™ืงื” ืืช ื”ืงืžืคื™ื™ืŸ ืฉื•ื‘ ืžืื•ื—ืจ ื™ื•ืชืจ ื‘ืืจื”โ€œื‘.
06:05
In Saudi Arabia,
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06:07
McDonald's received 43,000 snaplications within 24 hours,
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ื›ืžื• ืฉืื ื™ ืื•ื”ื‘ืช ืœืงื‘ืœ ื˜ื™ืคื™ื ืœื”ื•ืจื•ืช ืžืชื•ืš ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื,
06:12
and the company launched the campaign again later in the US.
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ืžืฉืชืžืฉื™ื ืจื‘ื™ื ื’ื ืจื•ืฆื™ื ืœืžื ืฃ ืืช ื”ืคืœื˜ืคื•ืจืžื” ื›ื“ื™ ืœืœืžื•ื“,
ืื‘ืœ ื‘ืžื™ื ื•ื ื™ื ืงื˜ื ื˜ื ื™ื ื‘ื’ื•ื“ืœื.
06:17
Much like how I like to get parenting tips from short video,
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ื‘ืžื—ืงืจ ืฉืœื ื•, ืžืฉืชืžืฉื™ ื•ื™ื“ืื• ืงืฆืจื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื ื“ื™ืจื’ื• ืืช ื”ื™ืชืจื•ื ื•ืช ื”ืžื•ื‘ื™ืœื™ื ืฉืœ ื”ืคืœื˜ืคื•ืจืžื”
06:20
many users also want to leverage the platform to learn,
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06:24
but in tiny, bit-sized doses.
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ื›ืžื• ื’ื™ืœื•ื™ ืชื—ื•ืžื™ ืขื ื™ื™ืŸ ื—ื“ืฉื™ื ื•ืœืžื™ื“ืช ืžื™ื•ืžื ื•ื™ื•ืช ื—ื“ืฉื•ืช.
06:27
In our study, short video users globally ranked the top benefits of the platform
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ื‘ืฉื•ื•ืงื™ื ืžืชืขื•ืจืจื™ื ื‘ืžื™ื•ื—ื“,
ืกืจื˜ื•ืŸ ืงืฆืจ ืœืœืžื™ื“ื” ื•ื—ื™ื ื•ืš
06:34
as discovering new interests and learning new skills.
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ื”ื•ื ื‘ืขืœ ืคื•ื˜ื ืฆื™ืืœ ืขืฆื•ื ืœืฉื ื•ืช ืืช ื”ืกื˜ื˜ื•ืก ืงื•ื•.
06:38
In emerging markets especially,
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ื‘ืฉื ืช 2019, ื˜ื™ืง ื˜ื•ืง ื”ืฉื™ืงื” ืงืžืคื™ื™ืŸ ื‘ื”ื•ื“ื•
06:40
short video for learning and education
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06:42
has huge potential to change the status quo.
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ื‘ืžื˜ืจื” ืœื”ืคื•ืš ืืช ื”ืœืžื™ื“ื” ืœื“ืžื•ืงืจื˜ื™ืช ืขื‘ื•ืจ ื”ืงื”ื™ืœื” ื”ื“ื™ื’ื™ื˜ืœื™ืช ื”ื”ื•ื“ื™ืช.
06:47
In 2019, TikTok launched a campaign in India
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ืœืžืจื•ืช ืฉื”ืืคืœื™ืงืฆื™ื” ื ืืกืจื” ื‘ืžื“ื™ื ื” ืžืื– ื™ื•ืœื™ 2020,
06:52
with the aim of democratizing learning for the Indian digital community.
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ื–ื” ื”ืฉื™ืง ื‘ื™ืงื•ืฉ ืขืฆื•ื ืœืชื›ื ื™ ื•ื™ื“ืื• ืงืฆืจื™ื ื—ื™ื ื•ื›ื™ื™ื
06:57
While the app has been banned in the country since July 2020,
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ื•ืคืœื˜ืคื•ืจืžื•ืช ืื—ืจื•ืช ืงื•ืคืฆื•ืช ืคื ื™ืžื” ื›ื“ื™ ืœืžืœื ืืช ื”ื—ืœืœ.
07:00
it launched a huge demand for educational short-video content
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ื˜ื™ืง ื˜ื•ืง ื”ืฆืœื™ื—ื” ืœืขื•ืจืจ ืืช ื”ืžื’ืžื” ื”ื–ื•
ืขืœ ื™ื“ื™ ืฉื™ืชื•ืฃ ืคืขื•ืœื” ืขื ืžื™ื–ืžื™ื ื—ื‘ืจืชื™ื™ื ื”ื•ื“ื™ื™ื,
07:05
and other platforms are jumping in to fill in the space.
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ืกื˜ืืจื˜ืืคื™ื ื‘ืชื—ื•ื ื”ื—ื™ื ื•ืš
ื•ื™ื•ืฆืจื™ื ืคื•ืคื•ืœืจื™ื™ื
07:10
TikTok was able to spark this trend
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ืœื”ืคืงืช ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ืฉืœ 15 ืฉื ื™ื•ืช ืฉื›ื™ืกื• ืžื’ื•ื•ืŸ ื ื•ืฉืื™ื
07:12
by collaborating with Indian social enterprises,
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07:16
education startups
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ืžืžื“ืข ื‘ืจืžืช ื‘ื™ืช ืกืคืจ ืœืœื™ืžื•ื“ ืฉืคื•ืช ื—ื“ืฉื•ืช.
07:17
and popular creators
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07:19
to produce 15-second short videos that covered a range of topics
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ื›ืฉื”ื’ืœ ื”ืจืืฉื•ืŸ ืฉืœ ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื”ืชืคืฉื˜ ื‘ืื•ืคืŸ ื ืจื—ื‘ ืขืœ ื”ืคืœื˜ืคื•ืจืžื”,
07:25
from school-level science to learning new languages.
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ืงื”ืœื™ื ืงื™ื‘ืœื• ื”ืฉืจืื”
ื•ื—ืœืงื ืืคื™ืœื• ื”ืชื—ื™ืœื• ืœื™ืฆื•ืจ ืชื•ื›ืŸ ื—ื™ื ื•ื›ื™ ืžืฉืœื”ื.
07:29
As the first wave of short video became widely spread on the platform,
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ืขื“ ืื•ืงื˜ื•ื‘ืจ 2019,
07:33
audiences got inspired
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ื”ืงืžืคื™ื™ืŸ ื™ืฆืจ ื™ื•ืชืจ ืž-10 ืžื™ืœื™ื•ืŸ ืกืจื˜ื•ื ื™ื
07:36
and some even began to create their own educational content.
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ื•ื–ื›ื” ืœ- 48 ืžื™ืœื™ืืจื“ ืฆืคื™ื•ืช.
07:40
By October 2019,
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07:42
the campaign had generated more than 10 million videos
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ื“ืจืš ืžืชืŸ ืขื–ืจื” ืœืื ืฉื™ื ืœืœืžื•ื“
ื•ืœื”ืฉืชืชืฃ ื‘ืชื”ืœื™ืš ืฉืœ ื™ืฆื™ืจืช ืชื•ื›ืŸ,
07:46
and garnered 48 billion views.
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ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ืœืžืขืฉื” ืขื•ื–ืจื™ื ืœื”ื›ื™ืŸ ื•ืœื”ื›ืฉื™ืจ ืืช ื”ืื•ื›ืœื•ืกื™ื™ื” ื”ืžื™ื•ืžื ืช
07:50
Through helping people learn
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07:52
and participate in the process of content creation,
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ืฉืชื•ื›ืœ ืœืงื—ืช ืขืœ ืขืฆืžื” ืืช ืืชื’ืจื™ ื”ืขืชื™ื“.
07:55
short videos are in fact helping prep and train the skilled population
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ื›ืžื• ื‘ื›ืœ ื”ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช,
ื™ืฉ ื—ืฉืฉื•ืช ืชืงืคื™ื ืกื‘ื™ื‘ ืคืœื˜ืคื•ืจืžื•ืช ื•ื™ื“ืื• ืงืฆืจื•ืช,
08:01
that can take on the challenges of the future.
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ื›ื•ืœืœ ืคืจื˜ื™ื•ืช ื ืชื•ื ื™ื,
ื”ืื•ืคื™ ื”ืžืžื›ืจ ืฉืœ ื”ืคื•ืจืžื˜
08:04
Like all social media,
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08:06
there are valid concerns around short-video platforms,
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ื•ื—ื•ืกืจ ื”ื“ืงื•ื™ื•ืช ื•ื”ื”ืงืฉืจ ื‘ืชื•ื›ืŸ.
ืขื ื–ืืช, ืื ื™ ืขื“ื™ื™ืŸ ื—ื•ืฉื‘ืช ืฉื”ืชื•ืฆืื•ืช ื”ื—ื™ื•ื‘ื™ื•ืช ืฉืœ ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื
08:10
including data privacy,
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08:12
the addictive nature of the format
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08:14
and the lack of nuance and context in the content.
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ื™ืขืœื• ืขืœ ื—ืกืจื•ื ื•ืชื™ื•.
08:17
However, I still think that the positive outcomes of short video
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ืื ื™ ืžืืžื™ื ื” ืฉืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื™ื”ืคื›ื• ืœื›ื•ื— ื›ืœื›ืœื™ ื•ื—ื‘ืจืชื™ ื—ื™ื•ื ื™ ื™ื•ืชืจ
08:22
will outweigh its downsides.
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ื‘ืขืชื™ื“.
ื‘ื“ื™ื•ืง ื‘ื’ืœืœ ื–ื”
08:25
I believe short video will become a more vital economic and social force
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ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœืžืฆื•ื ืืช ื”ื“ืจืš ื”ื ื›ื•ื ื” ืœื”ืคื™ืง ืชื•ืขืœืช ืžื”ืžื“ื™ื•ื ื”ืฆืขื™ืจ ื”ื–ื”
ื‘ืืžืฆืขื•ืช ืฉื™ืชื•ืฃ ืคืขื•ืœื” ื‘ื™ืŸ ืžืฉืชืžืฉื™ื,
08:30
in the future.
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08:31
It is precisely because of this
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ืคืœื˜ืคื•ืจืžื•ืช ื•ืงื•ื‘ืขื™ ืžื“ื™ื ื™ื•ืช.
08:33
that we need to find the right way to benefit from this young medium
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ืชื•ื“ื”
08:38
through collaboration among users,
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08:40
platforms and policymakers.
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08:43
Thank you.
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ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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