Why Shakespeare loved iambic pentameter - David T. Freeman and Gregory Taylor

1,859,711 views ・ 2015-01-27

TED-Ed


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譯者: 葉Ye 睿恩Rui En 審譯者: 瑞文Eleven 林Lim
00:08
To someone first encountering the works of William Shakespeare,
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對於第一次閱讀 莎士比亞的作品的人
00:11
the language may seem strange.
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他的用語可能有些奇怪
00:14
But there is a secret to appreciating it.
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但是要了解他的作品 有一個秘訣
00:17
Although he was famous for his plays, Shakespeare was first and foremost a poet.
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雖然以戲劇聞名 莎士比亞卻是一位詩人
00:23
One of the most important things in Shakespeare's language
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莎士比亞的語言中 最重要的一點
00:26
is his use of stress.
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是他的強調音
00:28
Not that kind of stress,
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不是那種強調
00:30
but the way we emphasize certain syllables in words more than others.
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是強調詞中的某些音節
00:34
We're so used to doing this that we may not notice it at first.
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我們已經習慣這樣做了 以至於我們察覺不出來
00:38
But if you say the word slowly, you can easily identify them.
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但是如果你慢慢地讀一個詞 你能聽得出來
00:42
Playwright, computer, telephone.
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編劇、電腦、電話
00:48
Poets are very aware of these stresses,
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詩人很注重這些重音
00:50
having long experimented with the number
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他們常試驗各種重音節 和輕音節的個數和順序
00:52
and order of stressed and unstressed syllables,
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00:55
and combined them in different ways to create rhythm in their poems.
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用不同的組合方式 去產生詩歌中的韻律
01:00
Like songwriters,
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像作曲家一樣
01:01
poets often express their ideas through a recognizable repetition of these rhythms
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詩人靠重複一個 可識別的節奏來表達想法
01:06
or poetic meter.
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這就叫韻律
01:08
And like music,
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就像音樂一樣
01:09
poetry has its own set of terms for describing this.
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詩歌有特殊的術語 描述這些韻律
01:14
In a line of verse,
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在一行詩中
01:15
a foot is a certain number of stressed and unstressed syllables
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韻腳是一定量的重音節和輕音節
01:19
forming a distinct unit,
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組成了一個明顯的單位
01:21
just as a musical measure consists of a certain number of beats.
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就像音樂的小節 由一定數量的拍子組成
01:25
One line of verse is usually made up of several feet.
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一行詩通常有好幾個韻腳
01:29
For example, a dactyl is a metrical foot of three syllables
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比如,一個長短格 是一個帶三個音節的韻腳
01:33
with the first stressed, and the second and third unstressed.
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第一個音節是重音節 而後兩個是輕音節
01:37
Dactyls can create lines that move swiftly and gather force,
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長短格可以創造出 流暢有力的詩句
01:41
as in Robert Browning's poem, "The Lost Leader."
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就像羅伯特·布朗寧的 詩歌《 失落的領袖》
01:44
"Just for a handful of silver he left us. Just for a rib and to stick in his coat."
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「只為了一把銀錢 他離開了我們」
「只為了一條緞帶 綴在他的衣裳」
01:51
Another kind of foot is the two-syllable long trochee,
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另一種韻腳是 長達兩音節的揚抑格
01:54
a stressed syllable followed by an unstressed one.
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第一個重音節 接著一個輕音節
01:57
The trochees in these lines from Shakespeare's "Macbeth"
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莎士比亞《馬克白》中的揚抑格
02:00
lend an ominous and spooky tone to the witches' chant.
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賦予了女巫的咒語 一種不祥和怪異的感覺
02:04
"Double, double, toil and trouble; fire burn and cauldron bubble."
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「不憚辛勞不憚煩 釜中沸沫已成瀾」
02:10
But with Shakespeare, it's all about the iamb.
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但是莎士比亞 使用的是抑揚格
02:13
This two-syllable foot is like a reverse trochee,
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這個長達兩個音節的 韻腳和揚抑格恰好相反
02:16
so the first syllable is unstressed and the second is stressed, as in,
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所以第一個是輕音節 第二個是重音節
比如「生存還是毀滅」
02:20
"To be, or not to be."
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02:24
Shakespeare's favorite meter, in particular, was iambic pentameter,
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莎士比亞獨愛的韻腳 是五步抑揚格
02:28
where each line of verse is made up of five two-syllable iambs,
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每行詩是由五個 兩音節抑揚格組成的
02:31
for a total of ten syllables.
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總共十個音節
02:34
And it's used for many of Shakespeare's most famous lines:
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許多莎士比亞的名句 都使用這個韻腳
02:38
"Shall I compare thee to a summer's day?"
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「我能否把你比作夏日璀璨?」
02:42
"Arise fair sun, and kill the envious moon."
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「升起吧,美麗的太陽! 趕走那嫉妒的月亮。」
02:46
Notice how the iambs cut across both punctuation and word separation.
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我們可以看到抑揚格 不論標點符​​號或單詞長短
02:51
Meter is all about sound, not spelling.
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韻腳是看音,而不是拼寫
02:55
Iambic pentameter may sound technical,
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五步抑揚格可能聽上去很專業
02:58
but there's an easy way to remember what it means.
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但是有一個很簡單的方法 能記住它的含義
03:01
The word iamb is pronounced just like the phrase, "I am."
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「抑揚」 的發音很像「我是」
03:05
Now, let's expand that to a sentence
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現在,把它擴展成一個
03:07
that just happens to be in iambic pentameter.
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正好是五步抑揚格的句子
03:11
"I am a pirate with a wooden leg."
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「我是一個有木腿的海盜」
03:15
The pirate can only walk in iambs,
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這個海盜只能一步一步地走
03:17
a living reminder of Shakespeare's favorite meter.
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可以聯想到 莎士比亞最喜歡的韻腳
03:20
Iambic pentameter is when he takes ten steps.
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五步抑揚格是他走完了十步
03:24
Our pirate friend can even help us remember how to properly mark it
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這個海盜還可以幫我 記住裡面的輕重音節
03:27
if we image the footprints he leaves walking along a deserted island beach:
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如果我們想像 他在沙灘上留下的腳印
03:32
A curve for unstressed syllables, and a shoe outline for stressed ones.
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曲線代表輕音節 鞋印代表重音節
03:37
"If music be the food of love, play on."
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「如果音樂是愛情的食物, 那就繼續演奏吧!」
03:42
Of course, most lines of Shakespeare's plays
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當然,莎士比亞戲劇裡 大多數的台詞
03:44
are written in regular prose.
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都是普通的散文
03:46
But if you read carefully,
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但是如果你仔細閱讀
03:48
you'll notice that Shakespeare's characters turn to poetry,
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你會發現莎士比亞的人物運用詩歌
03:51
and iambic pentameter in particular,
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尤其是五步抑揚格
03:53
for many of the same reasons that we look to poetry in our own lives.
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就像我們欣賞我們生活中的詩歌一樣
03:57
Feeling passionate, introspective, or momentous.
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感覺到激情、內省或重大
04:03
Whether it's Hamlet pondering his existence,
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無論是哈姆雷特 思索他存在的意義
04:06
or Romeo professing his love,
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或是羅密歐表述他的愛意
04:09
the characters switch to iambic pentameter when speaking about their emotions
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這些人物都運用五步抑揚格 來表達他們的情感
04:12
and their place in the world.
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和他們的境地
04:15
Which leaves just one last question.
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現在就剩下一個問題了
04:18
Why did Shakespeare choose iambic pentameter for these moments,
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為什麼莎士比亞 在這些時刻使用五步抑揚格
04:22
rather than, say, trochaic hexameter or dactylic tetrameter?
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而不是用六步揚抑格 或四音長短格
04:26
It's been said that iambic pentameter was easy for his actors to memorize
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據說五步抑揚格方便演員記憶
04:30
and for the audience to understand
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觀眾也更容易理解
04:31
because it's naturally suited to the English language.
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因為五步抑揚格與英語十分切合
04:36
But there might be another reason.
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但是可能有另一個原因
04:38
The next time you're in a heightened emotional situation,
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下次你情緒高漲的時候
04:40
like the ones that make Shakespeare's characters burst into verse,
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就像使莎士比亞的角色 高歌的情景一樣
04:44
put your hand over the left side of your chest.
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把你的手放在你的胸部左側
04:47
What do you feel?
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你能感覺到什麼?
04:49
That's your heart beating in iambs.
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你的心臟跳動的韻律也是抑揚的
04:52
Da duhm, da duhm, da duhm, da duhm, da duhm.
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咚噠、咚噠、咚噠、咚噠、咚噠
04:58
Shakespeare's most poetic lines don't just talk about matters of the heart.
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莎士比亞最有詩意的台詞 不只談論內心的想法
05:02
They follow its rhythm.
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它們也跟著心跳的節奏
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