How to make your writing funnier - Cheri Steinkellner

2,456,906 views ・ 2016-02-09

TED-Ed


Please double-click on the English subtitles below to play the video.

00:06
Did you ever notice how many jokes start with, "Did you ever notice?"
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And what's the deal with, "What's the deal?"
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There's a lot of funny to be found
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by simply noticing the ordinary, everyday things
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you don't ordinarily notice everyday.
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So if you'd like to add a little humor
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to that story, or speech, or screenplay you're writing,
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here are a few tips and tricks for finding the funny.
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All great storytelling, including comedy writing,
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consists of a handful of basic ingredients:
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who,
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what,
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when,
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where,
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why,
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and how.
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Writers have been asking these questions since at least the 1st century BC,
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yet none can be answered with a simple yes or no.
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They demand details,
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and the more specific the details, the funnier the story.
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Let's start with the who, the comedic character.
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Think about the books, TV shows, and movies that make you laugh.
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They're usually filled with funny types, or archetypes.
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The know-it-all,
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the loveable loser,
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the bad boss,
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the neurotic,
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the airhead.
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Incidentally, these are all stock characters found in Commedia Dell'Arte,
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or the artists comedy of late Renaissance Italy,
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and they have yet to get old.
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The Commedia rule for creating comic characters is find the flaw,
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then play it up.
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Or you can try playing with opposites.
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When the smartest guy in the room does the stupidest thing,
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or the doofus outwits the brainiac,
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we tend to laugh because we didn't see that coming.
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Ancient Greek funnyman Aristotle is said to have said,
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"The secret to humor is surprise."
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This surprise, or incongruity theory of humor,
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says we laugh at things that seem out of place
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or run up against our expectations,
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like a frog dating a pig,
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or a lizard selling insurance,
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a baby disco dancing,
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a nun disco dancing,
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a cat disco dancing.
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Actually, a baby, a nun, or a cat doing pretty much anything,
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especially involving disco.
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One fun way to find incongruities is by drawing connections.
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Actually drawing them with a mind map.
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Start small.
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Pick a word,
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I choose pickle.
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Jot it down, then quick as you can, try making connections.
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What do pickles make me think of?
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Who eats pickles?
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What treasured pickle memories do I have from childhood?
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Another great way to generate comedic material
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is to shift from observation to imagination.
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Try going from "what is" to "what if?"
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Like, what if instead of a horse, for example,
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you just had a pair of coconuts?
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Okay, let's think of some other memorable moments in history,
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literature,
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or film.
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Now, what if they featured coconuts?
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Get wild, let it go.
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Even if an idea seems overdone,
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or too obvious,
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or just plain dumb,
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try jotting it down, anyway.
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What's obvious to you may not be to the next person.
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And the opposite of the dumbest idea might just turn out to be the smartest.
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What about all that dumb stuff that happens in real life?
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Have you ever noticed how much comedy revolves around things
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that irritate, frustrate, and humiliate us?
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Will Rodgers said, "Everything's funny as long as it happens to somebody else."
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So if you're having a crummy morning,
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imagine it happening to a character you're writing about,
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and by afternoon, you may at least get a funny story out of it.
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Once you've got your characters and story,
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here are a few quick and easy comedy writing tricks to make them zing.
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The rule of three,
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or zig zig zag.
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Try setting up an expected pattern, zig zig,
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then flip it, zag.
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A rabbi, a priest, and a coconut walk into a bar.
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The punchline rule says put your punch at the end of the line.
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A rabbi, a priest, and a coconut walk into a disco.
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That brings up the rule of K.
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For some reason, words with a k-sound catch our ears
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and are considered comical.
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Coconut,
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disco,
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pickles,
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crickets?
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Okay, so we don't always get the laugh.
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Humor is subjective.
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Comedy is trial and error.
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Writing is rewriting.
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Just keep trying.
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Find the flaws,
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discover the details,
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insert incongruities,
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incorporate k-words,
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and remember the most important rule of writing funny:
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have fun.
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As Charles Dickins said,
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"There is nothing in the world so irresistibly contagious
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as laughter and good humor."
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And disco.
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