Why should you read Dante’s “Divine Comedy”? - Sheila Marie Orfano

1,852,685 views ・ 2019-10-10

TED-Ed


Please double-click on the English subtitles below to play the video.

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“Abandon all hope, ye who enter here… ”
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Inscribed above the Gate of Hell,
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these ominous words warn dark tidings for Dante
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as he begins his descent into inferno.
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Yet despite the grim tone,
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this prophecy sets into motion what is perhaps the greatest love story ever told;
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an epic journey that encompasses both the human and the divine.
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But for Dante to reach benevolent salvation,
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he must first find his way through Hell.
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This landscape of torture is the setting for "Inferno,"
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the first in a three-part narrative poem
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written by Dante Alighieri in the 14th century.
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Casting himself as the protagonist,
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Dante travels deeper and deeper into Hell’s abyss,
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witnessing obscene punishments distinct to each of its nine realms.
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Beginning in Limbo, he travels through the circles of Lust, Gluttony, Greed, Wrath,
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Heresy, Violence, and Fraud,
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to the horrific ninth circle of Treachery,
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where sinners are trapped under the watchful eyes of Satan himself.
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The following two parts, "Purgatorio" and "Paradiso," continue Dante’s journey,
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as he scales the Mount of Purgatory
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and ascends the nine celestial spheres of Heaven.
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Written together over 10 years, these 3 sections comprise the "Divine Comedy"–
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an allegorical imagining of the soul’s journey towards God.
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But Dante’s "Divine Comedy" is more than just religious allegory.
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It’s also a witty, scathing commentary on Italian politics.
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A soldier and statesman from Florence, Dante was staunchly faithful to God,
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but often critical of the Roman Catholic Church.
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He particularly disliked its rampant nepotism and practice of simony,
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the buying and selling of religious favours such as pardons from sin.
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Many groups took advantage of these corrupt customs,
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but few supported them as much as the Guelfi Neri, or Black Guelphs.
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This was a political and religious faction
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which sought to expand the pope’s political influence.
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Dante was a member of the Guelfi Bianchi, or White Guelphs–
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who believed Florence needed more freedom from Roman influence.
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As a public representative for the White Guelphs,
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Dante frequently spoke out against the pope’s power,
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until the Black Guelphs leveraged their position
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to exile him from Florence in 1302.
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But rather than silencing him,
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this lifelong exile led to Dante’s greatest critique of all.
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Dishonored and with little hope of return,
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the author freely aired his grievances with the Church and Italian society.
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Writing the "Divine Comedy" in Italian,
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rather than the traditional Latin of the educated elite,
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Dante ensured the widest possible audience for his biting political commentary.
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In the "Inferno’s" circle of the Wrathful,
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Dante eagerly witnesses sinners
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tear Black Guelph Filippo Argenti limb from limb.
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In the circle of Fraud,
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Dante converses with a mysterious sinner burning in the circle’s hottest flames.
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He learns that this is Pope Nicholas III,
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who tells Dante that his two successors will take his place when they die—
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all three guilty of simony and corruption.
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Despite the bleak and sometimes violent imagery in "Inferno,"
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the "Divine Comedy" is also a love story.
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Though Dante had an arranged marriage
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with the daughter of a powerful Florentine family,
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he had also been unrequitedly in love with another woman since he was nine years old:
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Beatrice Portinari.
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Despite allegedly meeting just twice, she became Dante’s lifelong muse,
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serving as the inspiration and subject for many of his works.
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In fact, it’s Beatrice who launches his intrepid journey into the pits of Hell
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and up the terraces of Mount Purgatory.
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Portrayed as a powerful, heavenly figure,
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she leads Dante through "Paradiso’s" concentric spheres of Heaven
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until he is finally face-to-face with God.
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In the centuries since its publication,
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the "Divine Comedy’s" themes of love, sin, and redemption
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have been embraced by numerous artists–
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from Auguste Rodin and Salvador Dali, to Ezra Pound and Neil Gaiman.
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And the poet himself received his own belated, earthly redemption in 2008,
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when the city of Florence finally revoked Dante’s antiquated exile.
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