The health benefits of clowning around | Matthew A. Wilson

74,834 views ใƒป 2020-02-26

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: DAE YOUNG LEE ๊ฒ€ํ† : Yeowoon Yi
00:12
I danced with Bella for the first time
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์ฒ˜์Œ์œผ๋กœ ๋ฒจ๋ผ์™€ ์ถค์„ ์ถ”์—ˆ์Šต๋‹ˆ๋‹ค.
00:14
as Bei Mir Bistu Shein filled the room.
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์žฌ์ฆˆ์˜ ์„ ์œจ์ด ๋ฐฉ ์•ˆ์„ ๊ฐ€๋“ ์ฑ„์› ์ง€์š”.
00:17
And her blue eyes locked with mine.
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๋ฒจ๋ผ์˜ ํ‘ธ๋ฅธ ๋ˆˆ๋™์ž๋Š” ์ œ ๋ˆˆ์„ ๋ฐ”๋ผ๋ณด๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
00:19
We took turns singing
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์ €ํฌ๋Š” ๋ฒˆ๊ฐˆ์•„ ๋…ธ๋ž˜๋ฅผ ๋ถˆ๋ €์ง€๋งŒ
00:21
and forgetting the words.
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๊ฐ€์‚ฌ๋Š” ์žŠ์€ ์ฑ„์˜€์ฃ .
00:23
She led, I followed.
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์ €๋Š” ๊ทธ๋…€์˜ ๋ฆฌ๋“œ์— ๋ชธ์„ ๋งก๊ฒผ์Šต๋‹ˆ๋‹ค.
00:24
A waltz step here,
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์™ˆ์ธ  ์Šคํ…์„ ๋ฐŸ๋‹ค๊ฐ€๋„
00:26
a shimmy here.
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์‹ ๋‚˜๊ฒŒ ๋ชธ์„ ํ”๋“ค์—ˆ์ง€์š”.
00:27
(Rattle sound)
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(๋‹ฌ๊ฐ€๋‹ฅ ์†Œ๋ฆฌ)
00:28
(Laughter)
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(์›ƒ์Œ)
00:31
Hands on our hearts,
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์†์„ ๊ฐ€์Šด์— ๋‘” ์ฑ„๋กœ
00:32
our foreheads touching,
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์ด๋งˆ๋ฅผ ๋งž๋Œ€๋‹ˆ
00:33
as we communicated through movement and music,
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์ถค๊ณผ ์Œ์•…๋งŒ์œผ๋กœ ๊ต๊ฐ์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
00:36
making sense through nonsense.
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๋งํ•˜์ง€ ์•Š์•„๋„ ์•Œ ์ˆ˜ ์žˆ์—ˆ์ฃ .
00:39
Bella is 83 and lives with dementia.
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๋ฒจ๋ผ๋Š” 83์‚ด์˜ ์น˜๋งค ํ™˜์ž์ž…๋‹ˆ๋‹ค.
00:41
The dance gives us a chance to find each other.
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์ถค์€ ์„œ๋กœ๋ฅผ ์•Œ๊ฒŒ ํ•ด ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
00:45
How did I learn to dance with dementia?
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์ œ๊ฐ€ ์–ด์ฉŒ๋‹ค ์น˜๋งค์— ๊ฑธ๋ฆฐ ๋ถ„๊ณผ ์ถค์„ ์ถ”๊ฒŒ ๋˜์—ˆ์„๊นŒ์š”?
์ €๋Š” ์ „๋ฌธ ๋ฌด์šฉ์ˆ˜๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
00:47
Because I'm not a dancer.
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00:48
And I'm not a doctor.
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์˜์‚ฌ๋„ ์•„๋‹ˆ๊ณ ์š”.
00:50
But I've played one in the hospital.
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๊ทธ๋Ÿฐ๋ฐ ๋ณ‘์›์—์„œ ์ถค์„ ์ท„์–ด์š”.
00:52
(Laughs)
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(์›ƒ์Œ)
00:54
I'm a clown doctor.
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์ €๋Š” ๊ด‘๋Œ€ ์˜์‚ฌ์˜ˆ์š”.
00:56
Or a medical clown.
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๋ณ‘์› ๊ด‘๋Œ€๋ผ๊ณ ๋„ ํ•ฉ๋‹ˆ๋‹ค.
00:58
My tools are whoopee cushions,
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์ œ๊ฐ€ ์‚ฌ์šฉํ•˜๋Š” ๋„๊ตฌ๋กœ๋Š” ๋ฐฉ๊ท€ ํ’์„ ,
(ํ’์„  ๋ถ€๋Š” ์†Œ๋ฆฌ)
01:05
shakers
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์‰์ด์ปค
01:06
(Shaker rattles)
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(ํ”๋“œ๋Š” ์†Œ๋ฆฌ)
01:09
and a red nose.
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๋นจ๊ฐ„ ์ฝ” ๊ฐ™์€ ๊ฒƒ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค.
01:11
You know the old adage "laughter is the best medicine?"
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์˜›๋ง์— "์›ƒ์Œ์ด ๋ณด์•ฝ์ด๋‹ค" ๋ผ๋Š” ๋ง์ด ์žˆ์ž–์•„์š”.
01:15
I hear that a lot.
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์ œ๊ฐ€ ์ •๋ง ๋งŽ์ด ๋“ฃ๋Š” ๋ง์ž…๋‹ˆ๋‹ค.
01:16
Now, at the same time, there are studies to support it,
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์‹ค์ œ ์ € ๋ง์„ ๋’ท๋ฐ›์นจํ•˜๋Š” ์—ฐ๊ตฌ๋„ ๊ฒฐ๊ณผ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
ํ•˜์ง€๋งŒ ์ง€๊ธˆ์€
01:19
but right now,
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๊ด‘๋Œ€ ์ฝ”๋ฅผ ๋–ผ๊ณ  ๊ทธ ์›ƒ์Œ ๋’ค์— ์ˆจ์€,
01:20
I'd like to take you behind the nose and go beyond the laughter
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์ค‘ํ™˜์ž์‹ค์„ ๋Œ์•„๋‹ค๋‹ˆ๋ฉฐ ์ œ๊ฐ€ ๋ณธ ๊ฒƒ์„ ์ด์•ผ๊ธฐํ•ด ๋“œ๋ฆฌ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
01:23
and share a few things that I've seen skating through ICUs.
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01:26
In my Heelys.
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๋ฐ”ํ€ด ๋‹ฌ๋ฆฐ ํž๋ฆฌ์Šค๋ฅผ ์‹ ๊ณ  ๋‹ค๋‹ˆ๋ฉด์„œ์š”.
01:27
Size 11.
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์‹ ๋ฐœ ํฌ๊ธฐ๋Š” 290์ด์—์š”.
01:29
Because I take medical clowning
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์™œ๋ƒํ•˜๋ฉด ์ €๋Š” ๋ณ‘์› ๊ด‘๋Œ€ ์ผ์„
01:32
very, very seriously.
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์•„์ฃผ ์•„์ฃผ ์ง„์ง€ํ•˜๊ฒŒ ์ƒ๊ฐํ•˜๊ฑฐ๋“ ์š”.
01:35
(Deflating sound)
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(๋ฐ”๋žŒ ๋น ์ง€๋Š” ์†Œ๋ฆฌ)
01:36
(Laughter)
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(์›ƒ์Œ)
(๋ฐ”๋žŒ ๋น ์ง€๋Š” ์†Œ๋ฆฌ)
01:38
(Deflating sound)
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01:40
(Deflating sound)
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(๋ฐ”๋žŒ ๋น ์ง€๋Š” ์†Œ๋ฆฌ)
01:42
(Laughter)
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(์›ƒ์Œ)
01:43
My mentor was conducting clown rounds in the hospital
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์ œ ์„ ๋ฐฐ๋Š” ๋ณ‘์›์„ ์ด๋ฆฌ์ €๋ฆฌ ๋‹ค๋‹ˆ๋ฉฐ ๊ด‘๋Œ€ ๊ณต์—ฐ์„ ํ•˜๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
01:46
when he was approached by a nurse.
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๊ทธ ๋•Œ ํ•œ ๊ฐ„ํ˜ธ์‚ฌ๊ฐ€ ๋‹ค๊ฐ€์™”์–ด์š”.
01:47
They needed to put a tube up the kid's nose.
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๊ทธ ๊ฐ„ํ˜ธ์‚ฌ๋Š” ์•„์ด์˜ ์ฝ”์— ๊ด€์„ ๋ผ์›Œ์•ผ ํ–ˆ๋Š”๋ฐ
01:49
Kid didn't want to do it,
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์•„์ด๊ฐ€ ํ•˜๊ณ  ์‹ถ์–ดํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
๊ฐ„ํ˜ธ์‚ฌ๋Š” ์•„์ด๋ฅผ ๋ถ™์žก๊ณ  ์–ต์ง€๋กœ ๊ด€์„ ๋ผ์šฐ๋Š” ๋Œ€์‹ ์—
01:51
so rather than hold the kid down,
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01:52
they asked my colleague if he could help.
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์„ ๋ฐฐ์—๊ฒŒ ๋„์™€์ค„ ์ˆ˜ ์žˆ๋Š”์ง€ ๋ฌผ์—ˆ์–ด์š”.
01:54
So the clown asked for a second tube
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๊ทธ๋Ÿฌ์ž ์„ ๋ฐฐ๋Š” ๋‹ค๋ฅธ ํŠœ๋ธŒ๋ฅผ ์š”์ฒญํ–ˆ๊ณ 
01:57
and shoved it up his own nose.
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์ž์‹ ์˜ ์ฝ”์— ๊ฝ‚์•˜์Šต๋‹ˆ๋‹ค.
01:59
Kid of like this.
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์ด๋ ‡๊ฒŒ์š”.
02:01
Oh, please don't do this at home.
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์•„, ์ ˆ๋Œ€ ๋”ฐ๋ผ ํ•˜์ง€ ๋งˆ์„ธ์š”.
02:10
(Laughter)
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(์›ƒ์Œ)
02:12
Now, the kid saw this,
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์•„์ด๊ฐ€ ์ด๊ฒƒ์„ ๋ณด๋”๋‹ˆ
02:14
grabbed his own tube
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๊ด€์„ ์ง‘์–ด์„œ
02:16
and promptly stuck it up his own nose,
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๋ง์„ค์ž„ ์—†์ด ์ž๊ธฐ ์ฝ”์— ๋„ฃ์—ˆ์Šต๋‹ˆ๋‹ค.
02:18
kind of like this.
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์ด๋ ‡๊ฒŒ์š”.
02:27
(Applause)
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(๋ฐ•์ˆ˜)
02:31
The clowns, the nurse and the patient
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๊ด‘๋Œ€์™€ ๊ฐ„ํ˜ธ์‚ฌ ๊ทธ๋ฆฌ๊ณ  ํ™˜์ž๊ฐ€
02:34
discovered a creative solution for their situation together.
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์ƒํ™ฉ์— ๋งž๋Š” ์ฐฝ์˜์ ์ธ ๋ฐฉ๋ฒ•์„ ํ•จ๊ป˜ ์ฐพ๊ฒŒ ๋œ ๊ฑฐ์˜ˆ์š”.
02:37
And guess what, there's research to back this up.
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๋ณ‘์› ๊ด‘๋Œ€์˜ ํšจ์šฉ์„ ๋’ท๋ฐ›์นจํ•˜๋Š” ์—ฐ๊ตฌ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
์ด์Šค๋ผ์—˜๊ณผ ์ดํƒˆ๋ฆฌ์•„์—์„œ ์ง„ํ–‰๋œ ๋ฌด์ž‘์œ„ ํ†ต์ œ์‹คํ—˜์—์„œ๋Š”
02:40
Randomized controlled trials in Israel and Italy
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02:42
show that medical clowns can be as effective as tranquilizers
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๋ณ‘์› ๊ด‘๋Œ€๊ฐ€ ์•ˆ์ •์ œ๋งŒํผ ํšจ๊ณผ์ ์ž„์„ ๋ณด์—ฌ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
02:45
with no side effects.
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๋ถ€์ž‘์šฉ๋„ ์—†์—ˆ์Šต๋‹ˆ๋‹ค.
02:47
In 2004, I started conducting my own clown rounds
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2004๋…„์— ์ €๋Š” ๊ด‘๋Œ€ ์ˆœํšŒ๊ณต์—ฐ์„ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:50
at the Memorial Sloan Kettering Cancer Center in New York City.
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๋‰ด์š•์— ์žˆ๋Š” MSK ์•”์„ผํ„ฐ์—์„œ์š”.
02:53
My colleague and I were invited to accompany a young six-year-old
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์ €์™€ ์ œ ๋™๋ฃŒ๋Š” 6์‚ด ๊ผฌ๋งˆ์™€ ํ•จ๊ป˜ ํ•˜๋„๋ก ์ดˆ๋Œ€๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
02:56
with the most adorable southern accent,
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๊ท€์—ฌ์šด ๋‚จ๋ถ€ ์‚ฌํˆฌ๋ฆฌ๋ฅผ ์“ฐ๋Š” ์•„์ด์˜€๋Š”๋ฐ
02:58
to accompany him while he got his chemotherapy port flushed,
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ํ•ญ์•” ์น˜๋ฃŒ๋ฅผ ์œ„ํ•œ ํฌํŠธ๊ฐ€ ๋ง‰ํžˆ์ง€ ์•Š๋„๋ก ์ฒ˜์น˜ํ•˜๋Š”๋ฐ ํ•จ๊ป˜ ๊ฐ€๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
03:01
a very uncomfortable and regular procedure.
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์ด ์ฒ˜์น˜๋Š” ๋งค์šฐ ๋ถˆํŽธํ•˜๊ณ  ๋ฐ˜๋ณตํ•ด์„œ ์ด๋ฃจ์–ด์ง‘๋‹ˆ๋‹ค.
03:03
We joined him, his mom and the nurse
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์ €ํฌ๋Š” ์•„์ด์™€ ์—„๋งˆ ๊ทธ๋ฆฌ๊ณ  ๊ฐ„ํ˜ธ์‚ฌ์™€
03:06
in this tiny, closed curtain cubicle.
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์ฒœ์œผ๋กœ ๊ฐ€๋ ค์ง„ ์กฐ๊ทธ๋งˆํ•œ ์นธ๋ง‰์ด ๊ณต๊ฐ„์—์„œ ๋งŒ๋‚ฌ์Šต๋‹ˆ๋‹ค.
03:09
Every medical clown encounter begins by obtaining consent from the patient.
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๋ณ‘์› ๊ด‘๋Œ€ ์—…๋ฌด๋Š” ํ™˜์ž์˜ ๋™์˜๋ฅผ ์–ป๋Š” ๋ฐ์„œ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
03:12
So we ask him if we can be there.
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์ €ํฌ๋Š” ๋จผ์ € ์žˆ์–ด๋„ ๋˜๋Š”์ง€ ์•„์ด์—๊ฒŒ ๋ฌผ์–ด๋ณด์•˜๊ณ 
03:15
He says, "Sure."
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์•„์ด๋Š” "๊ทธ๋Ÿผ์š”."๋ผ๊ณ  ๋Œ€๋‹ตํ–ˆ์Šต๋‹ˆ๋‹ค.
03:16
We're often the one element that a child could control
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์ €ํฌ๋Š” ์ข…์ข… ์•„์ด๊ฐ€ ํ†ต์ œํ•  ์ˆ˜ ์žˆ๋Š” ์œ ์ผํ•œ ์š”์†Œ๊ฐ€ ๋˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
์•„์ด๊ฐ€ ๋ณ‘์›์— ์žˆ๋Š” ๋™์•ˆ์—์š”.
03:19
while they're in the hospital.
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03:20
So we start with a card trick,
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์ €ํฌ๋Š” ๋ณดํ†ต ์นด๋“œ ๋งˆ์ˆ ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜๋Š”๋ฐ,
03:22
fan the deck so he can pick.
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์•„์ด๊ฐ€ ์นด๋“œ๋ฅผ ๋ฝ‘๊ฒŒ ํŽผ์ณ ๋“ญ๋‹ˆ๋‹ค.
03:24
But as soon as the nurse approaches with the needle
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ํ•˜์ง€๋งŒ ๊ฐ„ํ˜ธ์‚ฌ๊ฐ€ ์ฃผ์‚ฌ๊ธฐ ๋“ค๊ณ  ๋‚˜ํƒ€๋‚˜ ํฌํŠธ์— ํฌ์„์•ก์„ ๋„ฃ์œผ๋ ค๊ณ  ํ•˜๋Š” ์ˆœ๊ฐ„
03:26
to flush the port,
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์•„์ด๋Š” ์†Œ๋ฆฌ๋ฅผ ์ง€๋ฅด๊ณ  ์š•์„ ํ•ฉ๋‹ˆ๋‹ค.
03:28
he starts screaming and cussing
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03:29
like no six-year-old I'd ever heard in my life.
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6์‚ด ์•„์ด ์ž…์—์„œ๋Š” ๋‚˜์˜ฌ ์ˆ˜ ์—†๋Š” ๊ทธ๋Ÿฐ ๋ง๋“ค์„์š”.
03:32
So we say, "Hey, should we come back later?"
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๊ทธ๋Ÿฌ๋ฉด ์ €ํฌ๋Š” "๋‚˜์ค‘์— ๋‹ค์‹œ ์˜ฌ๊นŒ?"๋ผ๊ณ  ๋ฌผ์–ด๋ด์š”.
03:34
He stops, mouth open,
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๊ทธ๋Ÿฌ์ž ์•„์ด๋Š” ์ž…์„ ๋ฒŒ๋ฆฐ ์ฑ„ ์†Œ๋ฆฌ ์ง€๋ฅด๋Š” ๊ฒƒ์„ ๋ฉˆ์ท„๋Š”๋ฐ
03:36
eyes wet with tears, face flushed pink with anger,
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๋ˆˆ๊ฐ€๋Š” ์ –๊ณ  ์–ผ๊ตด์€ ๋ถ„๋…ธ๋กœ ๋ถ‰์–ด์ ธ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
03:40
and he smiles,
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๊ทธ๋Ÿฐ๋ฐ ์•„์ด๋Š” ์›ƒ์œผ๋ฉด์„œ
03:41
"Oh no, you're fine, I want you to be here."
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"์•„๋‡จ ๊ดœ์ฐฎ์œผ๋‹ˆ๊นŒ ๊ฐ€์ง€ ๋งˆ์„ธ์š”."๋ผ๊ณ  ํ–ˆ์–ด์š”.
03:44
OK.
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์•Œ๊ฒ ์–ด.
03:46
So we start playing a song,
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์ €ํฌ๋Š” ๋…ธ๋ž˜๋ฅผ ์—ฐ์ฃผํ•˜๊ณ 
03:47
my colleague on recorder, me on whoopee cushion.
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์ œ ๋™๋ฃŒ๋Š” ๋ฆฌ์ฝ”๋”๋ฅผ ์ €๋Š” ๋ฐฉ๊ท€ ํ’์„ ์„ ๋ถˆ์—ˆ์Šต๋‹ˆ๋‹ค.
03:50
The nurse approaches with the needle,
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๊ทธ๋Ÿฌ๋‹ค ๊ฐ„ํ˜ธ์‚ฌ๊ฐ€ ์ฃผ์‚ฌ๊ธฐ๋ฅผ ๋“ค๊ณ  ๋‚˜ํƒ€๋‚˜๋ฉด
03:52
and it happens again, this torrent of four-letter words.
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๋‹ค์‹œ ์‹œ์ž‘๋ฉ๋‹ˆ๋‹ค. ์š•์„ค์ด ๋‚œ๋ฌดํ•˜์ฃ .
03:56
He went from playing and laughing
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๊ทธ ์•„์ด๋Š” ์žฅ๋‚œ์„ ์น˜๊ณ  ์›ƒ๋‹ค๊ฐ€
03:58
to screaming and crying,
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์†Œ๋ฆฌ์น˜๋ฉฐ ์šธ์–ด๋ฒ„๋ฆฝ๋‹ˆ๋‹ค.
04:00
back and forth until the procedure was complete.
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์ฒ˜์น˜๊ฐ€ ๋๋‚  ๋•Œ๊นŒ์ง€ ์ด๊ฑธ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค.
04:02
For the first time,
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์ฒ˜์Œ์— ์ €๋Š”
04:03
I experienced this odd duality of joy and suffering.
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์ฆ๊ฑฐ์›€๊ณผ ๊ณ ํ†ต ์‚ฌ์ด์—์„œ ์ค„๋‹ค๋ฆฌ๊ธฐ๋ฅผ ํ•˜๋Š” ๋Š๋‚Œ์ด ๋“ค์—ˆ์–ด์š”.
04:07
But not for the last time.
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์ง€๊ธˆ๋„ ๊ทธ๋ž˜์š”.
04:08
See, when we're there, we're not there merely to distract
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์ €ํฌ๋Š” ๋ˆ„๊ตฐ๊ฐ€๋ฅผ ์ •์‹ ์—†๊ฒŒ ๋งŒ๋“ค๊ฑฐ๋‚˜
04:11
or make anyone feel better per se.
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๋ˆ„๊ตฐ๊ฐ€๋ฅผ ํ–‰๋ณตํ•˜๊ฒŒ ํ•ด์ฃผ๊ธฐ ์œ„ํ•ด์„œ๋งŒ ๋ณ‘์›์— ์žˆ๋Š” ๊ฒŒ ์•„๋‹™๋‹ˆ๋‹ค.
04:13
The medical clowns work moment by moment
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๋ณ‘์› ๊ด‘๋Œ€๋Š” ๋งค ์ˆœ๊ฐ„
04:16
to create connections between the clowns,
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๊ด‘๋Œ€, ๊ฐ„ํ˜ธ์‚ฌ, ๋ถ€๋ชจ ๊ทธ๋ฆฌ๊ณ  ์•„์ด๊ฐ€
04:18
the nurse, the parent and the child.
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์„œ๋กœ ํ•˜๋‚˜๊ฐ€ ๋  ์ˆ˜ ์žˆ๋„๋ก ๋•์Šต๋‹ˆ๋‹ค.
04:21
This provides a source of power or control for the child
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์ด๋Ÿฌํ•œ ์—ฐ๊ฒฐ์€ ์•„์ด๊ฐ€ ํž˜์„ ๋‚ด๊ณ  ์Šค์Šค๋กœ ํ†ต์ œํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
04:24
while supporting the staff with their work.
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๋ณ‘์› ์ง์›์ด ํ•  ์ผ์„ ํ•˜๋„๋ก ๋•๊ธฐ๋„ ํ•˜๊ณ ์š” .
04:27
I've spent over a decade bringing joy and delight
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์ œ๊ฐ€ ๋ง๊ธฐ ํ™˜์•„์˜ ๊ณ์—์„œ ์ฆ๊ฑฐ์›€๊ณผ ๊ธฐ์จ์„ ์ค€ ์ง€๊ฐ€
04:30
to the bedsides of terminally ill children
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10๋…„์ด ๋„˜์—ˆ์Šต๋‹ˆ๋‹ค.
04:32
in the top hospitals in New York City.
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๋‰ด์š• ์ตœ๊ณ ์˜ ๋ณ‘์›์—์„œ์š”.
04:34
And you know what I've learned?
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์ œ๊ฐ€ ๋ฌด์—‡์„ ๋ฐฐ์› ์„๊นŒ์š”?
04:36
Everyone's hurting.
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๋ฐ”๋กœ ๋ชจ๋‘๊ฐ€ ๊ณ ํ†ต์Šค๋Ÿฝ๋‹ค๋Š” ์‚ฌ์‹ค์ž…๋‹ˆ๋‹ค.
04:38
Staff, family, patients.
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์ง์›, ๊ฐ€์กฑ, ํ™˜์ž ๋ชจ๋‘๊ฐ€์š”.
04:41
The patient's in the hospital because they're hurting.
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ํ™˜์ž๋Š” ์•„ํŒŒ์„œ ๋ณ‘์›์— ์žˆ๊ณ 
04:43
The family's hurting as they navigate uncertainty, grief
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๊ฐ€์กฑ์€ ๋ถˆํ™•์‹คํ•จ๊ณผ ์Šฌํ””์œผ๋กœ ๊ดด๋กœ์›Œ์š”.
04:46
and the financial burdens of care.
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๊ธˆ์ „์ ์ธ ๋ถ€๋‹ด๋„ ์žˆ๊ณ ์š”.
04:48
The staff is hurting, only it's more than burnout.
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์ง์›๋“ค์€ ๊ทน๋„์˜ ํ”ผ๋กœ๊ฐ์— ํž˜๋“ญ๋‹ˆ๋‹ค.
04:50
More and more health care workers
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๊ฐˆ์ˆ˜๋ก ๋” ๋งŽ์€ ์˜๋ฃŒ์ง„์ด
04:52
are reporting feeling overworked and overextended.
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์ง€๋‚˜์น˜๊ฒŒ ๋งŽ์ด ์ผํ•˜๊ณ  ํ”ผ๋กœํ•˜๋‹ค๊ณ  ๋ณด๊ณ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
04:55
Now, I'm not so naive as to suggest
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์ €๋Š” ๊ทธ๋ฆฌ ์ˆœ์ง„ํ•œ ์‚ฌ๋žŒ์€ ์•„๋‹™๋‹ˆ๋‹ค.
04:58
that the solution is to send in the clowns.
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๋ณ‘์› ๊ด‘๋Œ€๋งŒ ์žˆ์œผ๋ฉด ๋ชจ๋“  ๊ฒŒ ๋‹ค ํ•ด๊ฒฐ๋œ๋‹ค๊ณ  ํ•  ๋งŒํผ์š”.
05:02
(Laughter)
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(์›ƒ์Œ)
05:05
But what if?
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๊ทธ๋Ÿฐ๋ฐ ๋งŒ์•ฝ
05:07
What if the tools of medical clown arts practitioners from around the world
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์„ธ๊ณ„ ๊ณณ๊ณณ์— ์žˆ๋Š” ํ–‰์œ„ ์˜ˆ์ˆ ๊ฐ€์ธ ๋ณ‘์› ๊ด‘๋Œ€์˜ ๋ฌด๊ธฐ๊ฐ€
05:11
permeated our entire health care system?
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๋ชจ๋“  ๋ณด๊ฑด์ฒด๊ณ„์— ํ—ˆ์šฉ๋œ๋‹ค๋ฉด ์–ด๋–จ๊นŒ์š”?
05:13
In 2018, at the Healthcare Clowning International Meeting,
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2018๋…„, ๋ณด๊ฑด ๊ด‘๋Œ€ ๊ตญ์ œํšŒ์˜์—์„œ๋Š”
05:17
they represented over 150 programs in 50 different countries.
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์„œ๋กœ ๋‹ค๋ฅธ 50๊ฐœ๊ตญ์— 150๊ฐœ ์ด์ƒ์˜ ํ”„๋กœ๊ทธ๋žจ์ด ์žˆ์Œ์„ ๋ณด์˜€์Šต๋‹ˆ๋‹ค.
05:21
University of Haifa
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ํ•˜์ดํŒŒ ๋Œ€ํ•™์—๋Š”
05:23
offers a formal undergraduate degree program in medical clowning.
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๋ณ‘์› ๊ด‘๋Œ€ ์ „๊ณต์˜ ์ •์‹ ํ•™์‚ฌ ๊ณผ์ •์ด ์žˆ์Šต๋‹ˆ๋‹ค.
05:27
Argentina has passed laws requiring the presence of medical clowns
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์•„๋ฅดํ—จํ‹ฐ๋‚˜์—์„œ๋Š” ๋ณ‘์› ๊ด‘๋Œ€๋ฅผ ์˜๋ฌดํ™”ํ•˜๋Š” ๋ฒ•์•ˆ์ด ํ†ต๊ณผ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
05:32
in public hospitals at their largest province.
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์•„๋ฅดํ—จํ‹ฐ๋‚˜ ์ฃผ์š” ์ฃผ์˜ ๊ณต๊ณต๋ณ‘์›์ด๋ผ๋ฉด ์ง€์ผœ์•ผ ํ•˜๋Š” ๋ฒ•์ž…๋‹ˆ๋‹ค.
05:35
And this work affects more than the patients.
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์ด๋Ÿฌํ•œ ํ™œ๋™์€ ํ™˜์ž์—๋งŒ ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
์ „์ฒด์ ์ธ ๋ณด๊ฑด ์‚ฐ์—…์— ์ด๋ฐ”์ง€ ํ•˜์ฃ .
05:37
It makes things better for the whole health care team.
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05:39
One of my favorite games to play in the hospital
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๋ณ‘์›์—์„œ ์ œ๊ฐ€ ๊ฐ€์žฅ ์ข‹์•„ํ•˜๋Š” ์žฅ๋‚œ์€
05:42
is elevator music.
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์—˜๋ฆฌ๋ฒ ์ดํ„ฐ ์Œ์•… ๊ฒŒ์ž„์ž…๋‹ˆ๋‹ค.
05:43
I love elevators, because they're a place
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์ „ ์—˜๋ฆฌ๋ฒ ์ดํ„ฐ๋ฅผ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
๊ธธ์ด ๊ต์ฐจํ•˜๊ณ  ์„œ๋กœ ๋‹ค๋ฅธ ์„ธ๊ณ„๊ฐ€ ๋งŒ๋‚˜๋Š” ํ†ต๋กœ๋‹ˆ๊นŒ์š”.
05:45
where paths cross, different worlds meet.
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05:48
It's intimate,
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์„œ๋กœ ๊ฐ€๊นŒ์ด ์„œ์•ผ ํ•˜๋Š”๋ฐ๋‹ค๊ฐ€
05:50
uncomfortably quiet
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์–ด์ƒ‰ํ•œ ์ •์ ์ด ํ˜๋Ÿฌ์„œ
05:52
and just begging for a little playful disruption.
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์ง“๊ถ‚์€ ์žฅ๋‚œ์„ ์น˜๊ธฐ์—๋„ ๊ทธ๋งŒ์ž…๋‹ˆ๋‹ค.
05:55
The doors close
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๋ฌธ์ด ๋‹ซํžˆ๊ณ  ๋‚˜๋ฉด
05:56
and "The Girl from Ipanema" starts playing on Hammond organ,
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'์ดํŒŒ๋„ค๋งˆ์˜ ์†Œ๋…€'๋ฅผ ํ—ค๋จผ๋“œ ์˜ค๋ฅด๊ฐ„์œผ๋กœ ์—ฐ์ฃผํ•˜๋Š” ์†Œ๋ฆฌ๊ฐ€ ํ˜๋Ÿฌ๋‚˜์˜ต๋‹ˆ๋‹ค.
06:00
because I keep a portable speaker hidden in my pocket.
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์ œ ์ฃผ๋จธ๋‹ˆ์— ํœด๋Œ€์šฉ ์Šคํ”ผ์ปค๋ฅผ ๋ชฐ๋ž˜ ์ˆจ๊ฒจ ๋†“๊ฑฐ๋“ ์š”.
06:04
So for those used to using the silent, sterile elevator,
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์กฐ์šฉํ•˜๊ณ  ์ ๋ง‰ํ•œ ์—˜๋ฆฌ๋ฒ ์ดํ„ฐ์— ์ต์ˆ™ํ•œ ์‚ฌ๋žŒ์ด๋ผ๋ฉด
06:07
it's a moment of surprise.
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๊นœ์ง ๋†€๋ผ๋Š” ์ˆœ๊ฐ„์ž…๋‹ˆ๋‹ค.
06:08
Folks have permission to acknowledge or not this disruption.
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์žฅ๋‚œ์„ ์•„๋Š” ์ฒ™ ํ• ์ง€ ๋ง์ง€๋Š” ์—˜๋ฆฌ๋ฒ ์ดํ„ฐ์— ํƒ„ ์‚ฌ๋žŒ๋“ค์— ๋‹ฌ๋ ธ์Šต๋‹ˆ๋‹ค.
06:14
The game grows with every stop,
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์ธต๋งˆ๋‹ค ๊ฒŒ์ž„์˜ ํŒ์ด ์ปค์ง‘๋‹ˆ๋‹ค.
06:15
because as soon as the elevator stops,
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์—˜๋ฆฌ๋ฒ ์ดํ„ฐ๊ฐ€ ์„œ๋Š” ์ˆœ๊ฐ„
06:18
the music stops.
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์Œ์•…์€ ๊บผ์ง€๋‹ˆ๊นŒ์š”.
06:19
New passengers get on,
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๋ชจ๋ฅด๋Š” ์‚ฌ๋žŒ์ด ํƒ€๋ฉด
06:20
and the current passengers get to witness the new passengers --
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ํƒ€๊ณ  ์žˆ๋˜ ์‚ฌ๋žŒ์€ ์ƒˆ๋กœ์šด ํƒ‘์Šน๊ฐ์ด ๊นœ์ง ๋†€๋ผ๋Š” ๊ฑธ ๋ณด๊ฒŒ ๋˜๋Š” ๊ฒ๋‹ˆ๋‹ค.
06:24
their surprise -- as they hear the elevator music for the first time.
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์—˜๋ฆฌ๋ฒ ์ดํ„ฐ ๋…ธ๋ž˜๋ฅผ ์ฒ˜์Œ์œผ๋กœ ๋“ฃ๊ณ  ๋‹นํ™ฉํ•˜๋Š” ๋ชจ์Šต์„์š”.
06:27
You experience the shift of adults
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๋‹ค ํฐ ์–ด๋ฅธ์ด ๋‹ฌ๋ผ์ง€๋Š” ๋ชจ์Šต์„ ๋ณด๊ฒŒ ๋  ๊ฒ๋‹ˆ๋‹ค.
06:31
standing silently, strangers in an elevator,
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์กฐ์šฉํžˆ ๋ชจ๋ฅด๋Š” ์‚ฌ๋žŒ๋“ค ํ‹ˆ์— ์„œ์„œ
06:35
to attempting to suppress their mirth,
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ํ„ฐ์ ธ ๋‚˜์˜ค๋Š” ์›ƒ์Œ์„ ์ฐธ์œผ๋ฉด์„œ์š”.
06:37
to, "Is this a party or an elevator,"
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์žฅ๋‚œ์„ ๋‹นํ•˜๋Š” ์‚ฌ๋žŒ์ด "์ด๊ฑฐ ํŒŒํ‹ฐ์•ผ ๋ญ์•ผ."๋ผ๊ณ  ํ•˜๋ฉด
06:40
filled with full-on laughter.
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๊ทธ์ œ์•ผ ๋‹ค๋“ค ์›ƒ์Œ์„ ํ„ฐ๋œจ๋ฆฝ๋‹ˆ๋‹ค.
06:42
Research conducted in Brazil,
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๋ธŒ๋ผ์งˆ, ํ˜ธ์ฃผ, ์บ๋‚˜๋‹ค ๊ทธ๋ฆฌ๊ณ  ๋…์ผ์—์„œ ์ด๋ฃจ์–ด์ง„ ์—ฐ๊ตฌ๋Š”
06:45
Australia, Canada and Germany
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06:47
confirm that the artistic interventions of medical clowns
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๋ณ‘์› ๊ด‘๋Œ€์˜ ์˜ˆ์ˆ ์ ์ธ ๊ฐœ์ž…์ด ์—˜๋ฆฌ๋ฒ ์ดํ„ฐ๋ฅผ ๋„˜์–ด
06:50
improve the work environment for the staff, beyond the elevator,
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์ง์›๋“ค์˜ ๊ทผ๋ฌดํ™˜๊ฒฝ์„ ๊ฐœ์„ ํ•œ๋‹ค๋Š” ๊ฒƒ์„ ์ž…์ฆํ–ˆ์Šต๋‹ˆ๋‹ค.
06:53
and support their work administering care.
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์ด๋Š” ๊ฐ„ํ˜ธ ๊ด€๋ฆฌ ์—…๋ฌด๋„ ๋•์Šต๋‹ˆ๋‹ค.
06:56
Promising research in the US indicates
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๋ฏธ๊ตญ์—์„œ ์ด๋ฃจ์–ด์ง„ ํ•œ ์œ ๋งํ•œ ์—ฐ๊ตฌ๋Š”
06:57
that arts programing in the hospital
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๋ณ‘์›์˜ ์˜ˆ์ˆ  ํ”„๋กœ๊ทธ๋žจ์ด
07:00
can improve the work environment,
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๊ทผ๋ฌด ํ™˜๊ฒฝ์„ ๊ฐœ์„ ํ•œ๋‹ค๊ณ  ์ง€์ ํ–ˆ์Šต๋‹ˆ๋‹ค.
07:01
leading to increased job satisfaction
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์ง์—… ๋งŒ์กฑ๋„๋ฅผ ๋†’์ด๊ณ 
07:03
and better quality of care.
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๋ณด๊ฑด์˜ ์งˆ๋„ ๋†’์ด๋ฉด์„œ์š”.
07:05
My work has taught me
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์ €๋Š” ์ œ ์ผ์—์„œ ๋งŽ์€ ๊ฒƒ์„ ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค.
07:06
how to actually be present.
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ํ˜„์‹ค์„ ์˜จ์ „ํžˆ ์‚ฌ๋Š” ๋ฒ•๊ณผ
07:09
How to breathe in a room with a person in pain.
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๊ณ ํ†ต์„ ๊ฒช๋Š” ์‚ฌ๋žŒ๊ณผ ํ•จ๊ป˜ ํ˜ธํกํ•˜๋Š” ๋ฒ•,
07:12
How to connect
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๋‚˜์ด, ๋Šฅ๋ ฅ, ๋ณ‘์˜ ์ข…๋ฅ˜์— ์ƒ๊ด€์—†์ด ๋‹ค๊ฐ€๊ฐ€ ์‹ ๋ขฐ๋ฅผ ์Œ“๋Š” ๋ฒ•์„์š”.
07:13
and build trust, no matter the age, ability or illness.
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07:17
And how medical clowning is an excellent way of using the arts
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๋˜ ๋ณ‘์› ๊ด‘๋Œ€ ํ™œ๋™์„ ํ†ตํ•ด ์–ผ๋งˆ๋‚˜ ๋ฉ‹์ง€๊ฒŒ ์˜ˆ์ˆ ์ด
07:20
to put the care back in health care.
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๋ณด๊ฑด ํ™œ๋™์„ ๋•๋Š”๋ฐ ํ™œ์šฉ๋  ์ˆ˜ ์žˆ๋Š”์ง€๋„์š”.
07:22
Thanks.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
07:24
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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