Imaginative sculptures that explore how we perceive reality | Alicia Eggert

42,241 views

2020-03-03 ใƒป TED


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Imaginative sculptures that explore how we perceive reality | Alicia Eggert

42,241 views ใƒป 2020-03-03

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Gloria Lee ๊ฒ€ํ† : Jihyeon J. Kim
00:13
If you happened to be in the town of Lubec, Maine
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๋งŒ์•ฝ ์—ฌ๋Ÿฌ๋ถ„์ด ๋ฉ”์ธ์ฃผ ๋ฃจ๋ฒก์ด๋ผ๋Š” ๋™๋„ค์— ์žˆ์—ˆ๋‹ค๋ฉด
00:16
in July of 2016,
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2016๋…„ 7์›”์—
00:18
you may have seen something a little curious on the horizon
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์ˆ˜ํ‰์„  ์ƒ์— ์กฐ๊ธˆ ํŠน์ดํ•œ ๊ฒƒ์„ ๋ดค์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:21
when you looked out across the bay.
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๋งŒ์„ ๊ฐ€๋กœ์งˆ๋Ÿฌ ๋‚ด๋‹ค ๋ณด์•˜์„ ๋•Œ
00:24
In the distance,
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์ € ๋ฉ€๋ฆฌ,
00:25
on an otherwise uninhabited island,
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์•„๋ฌด๋„ ์‚ด์ง€ ์•Š์„ ๊ฒƒ ๊ฐ™์€ ๋ฌด์ธ๋„์—
00:28
loomed large black letters that spelled the word "FOREVER."
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ํฐ ๊ฒ€์ •์ƒ‰์œผ๋กœ "์˜์›ํžˆ" ๋ผ๋Š” ๊ธ€์”จ๊ฐ€ ์–ด๋ ดํ’‹์ด ๋ณด์˜€์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:31
The sign was 15 feet tall and 50 feet wide,
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๊ทธ ํ‘œ์ง€ํŒ์€ ๋†’์ด 4.6m์— 15m ๋„“์ด๋กœ,
00:35
large enough so that on a clear day, you really could see "FOREVER,"
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๋ง‘์€ ๋‚ ์ด๋ผ๋ฉด ๋ฉ€๋ฆฌ์„œ๋„ "์˜์›ํžˆ"๋ฅผ
00:40
the word perfectly visible and legible in the distance.
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์™„๋ฒฝํ•˜๊ฒŒ ๋ณด๊ณ  ์ฝ์„ ์ˆ˜ ์žˆ์„ ์ •๋„์˜ ํฐ ํฌ๊ธฐ์ž…๋‹ˆ๋‹ค.
00:44
But on some days,
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ํ•˜์ง€๋งŒ ์–ด๋–ค ๋‚ ์€,
00:45
a thick white fog would roll in off the ocean,
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์•„์ฃผ ์ง™์€ ํ•˜์–€ ์•ˆ๊ฐœ๊ฐ€ ๋ฐ”๋‹ค ์œ„๋ฅผ ๋ฎ์–ด
00:49
erasing the word and the view altogether.
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๊ทธ ๋‹จ์–ด์™€ ๊ฒฝ๊ด€ ๋ชจ๋‘๋ฅผ ์ง€์›Œ ๋ฒ„๋ฆฌ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
00:53
And sometimes, like in this video,
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์–ด๋–ค ๋‚ ์—๋Š”, ์ด ์˜์ƒ์— ๋ณด์ด๋Š” ๊ฒƒ์ฒ˜๋Ÿผ
00:55
you could barely see "FOREVER" peeking out of the shifting fog,
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์ง€๋‚˜๊ฐ€๋Š” ์•ˆ๊ฐœ ์‚ฌ์ด๋กœ "์˜์›ํžˆ"๋Š” ๊ฑฐ์˜ ๋ณด์ด์ง€ ์•Š๊ณ ,
๋ฆฌ๋“ฌ์žˆ๋Š” ๋†๋ฌด ๊ฒฝ์  ์†Œ๋ฆฌ๋ฐ–์— ๋“ค๋ฆฌ์ง€ ์•Š์•˜์„ ๊ฒƒ ์ž…๋‹ˆ๋‹ค.
01:00
accompanied only by the rhythmic warning sounds of fog horns.
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01:04
(Sound of fog horn)
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(๋†๋ฌด ๊ฒฝ์  ์†Œ๋ฆฌ)
01:09
(Sound of fog horn)
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(๋†๋ฌด ๊ฒฝ์  ์†Œ๋ฆฌ)
01:13
It started out as a fairly simple idea,
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์ด๊ฒƒ์€ ๊ฝค ๋‹จ์ˆœํ•œ ๋ฐœ์ƒ์—์„œ ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
01:16
albeit a little strange,
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๋น„๋ก ์กฐ๊ธˆ ์ด์ƒํ•˜๊ฒŒ ์ƒ๊ฐ๋  ์ˆ˜๋„ ์žˆ์ง€๋งŒ,
01:18
to put the word "FOREVER" in the landscape
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"์˜์›ํžˆ" ๋ผ๋Š” ๋‹จ์–ด๋ฅผ ํ’๊ฒฝ ์•ˆ์— ๋„ฃ์–ด์„œ
01:20
so it could appear and disappear in the fog.
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์•ˆ๊ฐœ ์†์—์„œ ๋‚˜ํƒ€๋‚ฌ๋‹ค๊ฐ€ ์‚ฌ๋ผ์ง€๊ฒŒ ํ•˜๋„๋ก ํ•˜๋Š” ๊ฒƒ์ด ๋ง์ด์ฃ .
01:23
But it took over a year to plan and execute,
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ํ•˜์ง€๋งŒ ์ด๊ฒƒ์„ ๊ณ„ํšํ•˜๊ณ  ์‹คํ–‰์‹œํ‚ค๋Š” ๋ฐ๋Š” ์ผ ๋…„ ์ด์ƒ์˜ ์‹œ๊ฐ„์ด ๊ฑธ๋ ธ๊ณ ,
01:26
and it required the help of so many people,
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์ˆ˜ ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์˜ ๋„์›€์ด ํ•„์š”ํ–ˆ์–ด์š”.
01:29
like the lobster boat captain,
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๊ทธ ์ค‘์—๋Š” ๋ž์Šคํ„ฐ ๋ฐฐ์˜ ์„ ์žฅ๋‹˜๋„ ๊ณ„์…จ๋Š”๋ฐ,
01:31
who helped transport all of the materials to the island.
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๋งŽ์€ ์ž์žฌ๋“ค์„ ์„ฌ์œผ๋กœ ์šด๋ฐ˜ํ•˜๋Š” ๊ฒƒ์„ ๋„์™€์ฃผ์…จ์ฃ .
01:35
And the volunteers, who helped carry thousands of pounds of wood and steel
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๊ทธ๋ฆฌ๊ณ  ์ž์›๋ด‰์‚ฌ์ž๋“ค์€ ์ˆ˜์ฒœ ํ‚ฌ๋กœ ๋˜๋Š” ๋ชฉ์žฌ์™€ ๊ฐ•์ฒ ๋“ค์„,
01:39
to the top of the hill through waist-high shrubs.
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ํ—ˆ๋ฆฌ๋†’์ด๊นŒ์ง€ ์˜ค๋Š” ๋ค๋ถˆ ์‚ฌ์ด๋ฅผ ํ—ค์น˜๊ณ  ์–ธ๋• ์ •์ƒ๊นŒ์ง€ ์šด๋ฐ˜ํ•ด์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
01:43
And in the end,
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๊ทธ๋ฆฌ๊ณ  ๋งˆ์ง€๋ง‰์—๋Š”,
01:45
"FOREVER" only lasted for three weeks.
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"์˜์›ํžˆ"๊ฐ€ ์“ฐ์—ฌ์ง„ ๊ธ€์ž ํ‘œ์ง€ํŒ์€ ๊ณ ์ž‘ 3์ฃผ ๋™์•ˆ๋งŒ ์„ค์น˜๋˜์—ˆ์ฃ .
01:47
(Laughter)
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(์›ƒ์Œ)
01:50
So if you're wondering why I did it at all,
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์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ๋„๋Œ€์ฒด ์™œ ์ œ๊ฐ€ ์ด๋Ÿฐ ์ผ์„ ํ–ˆ๋Š”์ง€ ๊ถ๊ธˆํ•ดํ•˜๊ณ  ๊ณ„์‹œ๋‹ค๋ฉด,
01:53
as I often did during that process,
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์ œ๊ฐ€ ์ด ์ž‘์—…์„ ํ•˜๋ฉด์„œ ์Šค์Šค๋กœ์—๊ฒŒ ๋ฐ˜๋ฌธํ–ˆ๋˜ ๊ฒƒ์ฒ˜๋Ÿผ,
01:56
it might help for you to know a little bit more about me
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์ €์— ๋Œ€ํ•ด์„œ ์•„์‹ ๋‹ค๋ฉด ์ดํ•ดํ•˜๋Š” ๋ฐ ์กฐ๊ธˆ ๋„์›€์ด ๋  ์ˆ˜๋„ ์žˆ๊ฒ ๋„ค์š”.
01:59
and my upbringing.
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์ œ๊ฐ€ ์ž๋ผ์˜จ ํ™˜๊ฒฝ์— ๋Œ€ํ•ด์„œ๋„ ๋ง์ด์ฃ .
02:02
I grew up in an evangelical Christian family.
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์ €๋Š” ๋ณต์Œ์ฃผ์˜ ๊ธฐ๋…๊ต ๊ฐ€์ •์—์„œ ์ž๋ž์Šต๋‹ˆ๋‹ค.
02:05
And although I'm an atheist today,
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๋น„๋ก ์ง€๊ธˆ์€ ๋ฌด์‹ ๋ก ์ž๊ฐ€ ๋˜์—ˆ์ง€๋งŒ,
02:08
I've realized that my religious upbringing
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์ €๋Š” ์ด๋Ÿฐ ์ข…๊ต์  ํ›ˆ์œกํ™˜๊ฒฝ์ด
02:10
has played a really important role in shaping the person that I've become.
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์ง€๊ธˆ์˜ ์ €๋ฅผ ๋งŒ๋“œ๋Š”๋ฐ ์•„์ฃผ ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ–ˆ์Œ์„ ๊นจ๋‹ฌ์•˜์Šต๋‹ˆ๋‹ค.
02:16
In 1986, when I was five years old,
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1986๋…„, ์ œ๊ฐ€ 5์‚ด ๋•Œ,
02:19
my parents became missionaries to South Africa.
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์ œ ๋ถ€๋ชจ๋‹˜์€ ์„ ๊ต์‚ฌ๋กœ ๋‚จ์•„ํ”„๋ผ์นด์— ๊ฐ€๊ฒŒ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:23
And that was during the last few years of the apartheid,
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๊ทธ๋•Œ๋Š” ์ธ์ข… ์ฐจ๋ณ„ ์ •์ฑ…์ด ๋งˆ์ง€๋ง‰ ๋ช‡๋…„์„ ๋‚จ๊ธฐ์ง€ ์•Š์€ ๋•Œ์˜€๊ธฐ ๋•Œ๋ฌธ์—
02:26
so we lived in an all-white neighborhood,
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์šฐ๋ฆฌ๋Š” ๋ฐฑ์ธ๋“ค๋งŒ ์‚ฌ๋Š” ๋™๋„ค์— ์‚ด์•˜๊ณ 
02:29
and I attended an all-white public school,
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์ €๋Š” ๋ฐฑ์ธ๋“ค๋งŒ ๋‹ค๋‹ˆ๋Š” ๊ณต๋ฆฝ ํ•™๊ต๋ฅผ ๋‹ค๋‹ˆ๋Š” ๋™์•ˆ,
02:32
while my parents helped found a multiracial church
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์ œ ๋ถ€๋ชจ๋‹˜์€ ๋‹ค๋ฏผ์กฑ ๊ตํšŒ๋ฅผ
์ผ€์ดํ”„ ํƒ€์šด ๋„์‹ฌ์—์„œ ์„ค๋ฆฝํ•˜์‹œ๋Š” ์ผ์„ ๋•๊ณ  ๊ณ„์…จ์ฃ .
02:35
in downtown Cape Town.
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02:38
Because I was so young,
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๊ทธ ๋‹น์‹œ์—๋Š” ์ œ๊ฐ€ ๋„ˆ๋ฌด ์–ด๋ ธ๊ธฐ ๋•Œ๋ฌธ์—,
02:39
it was impossible for me to understand
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์ดํ•ดํ•˜๊ธฐ์—๋Š” ๋ถˆ๊ฐ€๋Šฅํ–ˆ์—ˆ์Šต๋‹ˆ๋‹ค.
02:41
the magnitude of what was happening in South Africa at that time.
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๊ทธ ๋‹น์‹œ ๋‚จ์•„ํ”„๋ฆฌ์นด์—์„œ ๋ฒŒ์–ด์ง€๊ณ  ์žˆ๋Š” ์ผ๋“ค์˜ ์ค‘์š”์„ฑ์„ ๋ง์ด์ฃ .
02:47
I witnessed the racism and oppression of people of color I knew and loved
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์ €๋Š” ์ธ์ข…์ฐจ๋ณ„์„ ๋ชฉ๊ฒฉํ•˜์˜€๊ณ  ์ œ๊ฐ€ ์•Œ๊ณ  ์‚ฌ๋ž‘ํ•˜๋Š” ์œ ์ƒ‰์ธ์ข…์—
๋งค์ผ ๋งค์ผ ๊ฐ€ํ•ด์ง€๋Š” ์–ต์••์„ ๋ณด์•˜์Šต๋‹ˆ๋‹ค.
02:52
on a daily basis,
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02:54
but because of my own skin color,
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๊ทธ๋ ‡์ง€๋งŒ ์ œ ํ”ผ๋ถ€์ƒ‰ ๋•Œ๋ฌธ์—,
02:56
there was no way I could fully comprehend it.
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๊ทธ๋Ÿฐ ๊ฒƒ๋“ค์„ ์ถฉ๋ถ„ํžˆ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์€ ์—†์—ˆ์Šต๋‹ˆ๋‹ค.
03:00
But I had the privilege to experience, firsthand,
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ํ•˜์ง€๋งŒ ์ €๋Š” 20์„ธ๊ธฐ์˜ ๊ฐ€์žฅ ์˜ํ–ฅ๋ ฅ์žˆ๋Š” ์‚ฌํšŒ ์šด๋™์„
03:04
one of the most influential social movements of the 20th century.
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์ง์ ‘ ์ฒดํ—˜ํ•  ์ˆ˜ ์žˆ๋Š” ํŠน๊ถŒ์„ ๊ฐ€์กŒ์Šต๋‹ˆ๋‹ค.
03:08
And the thing that left a long-lasting impression on me
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๊ทธ๋ฆฌ๊ณ  ์ €์—๊ฒŒ ๊นŠ์€ ์ธ์ƒ์„ ๋‚จ๊ฒผ๋˜ ๊ฒƒ์€
03:12
was how the people I met in South Africa
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๋‚จ์•„ํ”„๋ฆฌ์นด์—์„œ ๋งŒ๋‚ฌ๋˜ ์‚ฌ๋žŒ๋“ค์ด
03:15
could envision a better future for themselves and their country.
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๊ทธ๋“ค ์ž์‹ ๊ณผ ๋‚˜๋ผ๋ฅผ ์œ„ํ•ด ๋” ๋‚˜์€ ๋ฏธ๋ž˜๋ฅผ ์ƒ์ƒํ–ˆ๋‹ค๋Š” ์ ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
03:20
A future they really believed was possible.
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๊ทธ๋“ค์ด ์ง„์ •์œผ๋กœ ๋ฏฟ์—ˆ๋˜ ๊ทธ ๋ฏธ๋ž˜๋Š” ์‹ค์ œ๋กœ ๊ฐ€๋Šฅํ–ˆ์Šต๋‹ˆ๋‹ค.
03:23
And then they worked together, relentlessly, for decades,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋“ค์€ ์ˆ˜์‹ญ ๋…„ ๋™์•ˆ ๋ˆ์งˆ๊ธฐ๊ฒŒ
03:27
until they achieved that extraordinary historic change.
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๋†€๋ผ์šด ์—ญ์‚ฌ์  ๋ณ€ํ™”๋ฅผ ๋‹ฌ์„ฑํ•  ๋•Œ๊นŒ์ง€ ํ•จ๊ป˜ ์ผ ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:32
I was there to see Nelson Mandela released from prison,
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์ €๋Š” ๋„ฌ์Šจ ๋งŒ๋ธ๋ผ๊ฐ€ ๊ฐ์˜ฅ์—์„œ ํ’€๋ ค๋‚˜๋Š” ํ˜„์žฅ์— ์žˆ์—ˆ๊ณ ,
03:36
and I watched an entire country begin a major transformation.
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๊ตญ๊ฐ€ ์ „์ฒด์— ํฐ ๋ณ€ํ™”์˜ ๋ฌผ๊ฒฐ์ด ์‹œ์ž‘๋˜๋Š” ๊ฒƒ์„ ๋ชฉ๊ฒฉํ•˜์˜€์Šต๋‹ˆ๋‹ค.
03:41
And that transformed me as a person.
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๊ทธ๊ฒƒ์€ ์ €๋ผ๋Š” ์‚ฌ๋žŒ ๋˜ํ•œ ๋ณ€ํ™”์‹œ์ผฐ์Šต๋‹ˆ๋‹ค.
03:44
It instilled in me a sense of wonder and optimism
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๊ทธ๊ฒƒ์€ ์ œ ์•ˆ์— ๊ฒฝ์ด๋กœ์›€๊ณผ ๋‚™๊ด€์ ์ธ ๊ฐ์ •์„ ๋ถˆ์–ด๋„ฃ์—ˆ๊ณ ,
03:49
and possibility that permeates everything I create.
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์ œ๊ฐ€ ๋งŒ๋“œ๋Š” ๋ชจ๋“  ๊ฒƒ์— ๊ฐ€๋Šฅ์„ฑ์„ ์‹ฌ์–ด์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
03:55
I make sculptures like "FOREVER"
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์ €๋Š” "์˜์›ํžˆ" ๊ฐ™์€ ์„ค์น˜๋ฌผ์„ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
03:56
as a way of giving physical, tangible forms to language and time.
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์–ธ์–ด์™€ ์‹œ๊ฐ„์— ๋ฌผ์งˆ์ ์ด๊ณ , ๋งŒ์งˆ ์ˆ˜ ์žˆ๋Š” ํ˜•ํƒœ๋ฅผ ๋ถ€์—ฌํ•˜๋Š” ๋ฐฉ๋ฒ•์œผ๋กœ์š”.
04:02
Those powerful but invisible forces
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๋ณด์ด์ง€ ์•Š์ง€๋งŒ ๊ทธ๋Ÿฐ ๊ฐ•๋ ฅํ•œ ํž˜๋“ค์€
04:05
that shape the way we perceive and experience our realities.
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์šฐ๋ฆฌ๊ฐ€ ํ˜„์‹ค์„ ์ธ์‹ํ•˜๊ณ  ๊ฒฝํ—˜ํ•˜๋Š” ๋ฐฉ์‹์„ ํ˜•์„ฑํ•ฉ๋‹ˆ๋‹ค.
04:10
And in doing so, I try to give other people the opportunity
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๊ทธ๋Ÿฐ ๋ฐฉ์‹์„ ํ†ตํ•ด์„œ, ์ €๋Š” ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ
04:14
to reflect on their own perception of reality
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๊ทธ๋“ค์ด ํ˜„์‹ค์„ ์ธ์‹ํ•˜๋Š” ๋ฐฉ์‹์— ๋ฐ˜์˜ํ•  ๊ธฐํšŒ๋ฅผ ์ฃผ๋ ค๊ณ  ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:18
and inspire them to wonder and imagine
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๊ทธ๋“ค์—๊ฒŒ ๊ทธ ๋ฐ–์— ๊ฐ€๋Šฅํ•œ ๊ฒƒ์ด ๋ฌด์—‡์ด ์žˆ์„์ง€์— ๋Œ€ํ•ด
04:21
what else might be possible.
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์ƒ๊ฐํ•˜๊ณ  ์ƒ์ƒํ•˜๋„๋ก ์˜๊ฐ์„ ์ฃผ๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค.
04:25
I often use signs to do this,
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์ €๋Š” ์ด๊ฒƒ์„ ์ด๋ฃจ๊ธฐ ์œ„ํ•ด ํ‘œ์ง€ํŒ๋“ค์„ ์ž์ฃผ ์ด์šฉํ•ด์š”.
04:27
because of how simply and effectively they're able to grab our attention
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ํ‘œ์ง€ํŒ๋“ค์€ ์•„์ฃผ ๊ฐ„๋‹จํ•˜๊ณ  ํšจ๊ณผ์ ์œผ๋กœ ์šฐ๋ฆฌ์˜ ๊ด€์‹ฌ์„ ๋Œ๊ณ ,
์ •๋ณด์™€ ๋ฉ”์„ธ์ง€๋ฅผ ์ „๋‹ฌํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:32
and communicate information.
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04:34
They often point out things we would otherwise overlook,
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ํ‘œ์ง€ํŒ์€ ๋ชป ๋ณด๊ณ  ๋„˜์–ด๊ฐˆ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ๋“ค์„ ์ฃผ๋ชฉํ•  ์ˆ˜ ์žˆ๊ฒŒ๋„ ํ•ด์ค๋‹ˆ๋‹ค.
04:38
like this sign on the side of the highway in Texas.
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ํ…์‚ฌ์Šค ๊ณ ์†๋„๋กœ ๋ณ€์— ์žˆ๋Š” ์ด ํ‘œ์ง€ํŒ์ฒ˜๋Ÿผ ๋ง์ด์ฃ .
04:42
[TEMPTATIONS]
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[์œ ํ˜น]
์šฐ๋ฆฌ๊ฐ€ ์ „ํ˜€ ๋ณผ์ˆ˜ ์—†๋Š” ๊ฒƒ๋“ค์„ ํ‘œ์ง€ํŒ์—์„œ๋Š” ๋ณด์—ฌ์ค„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:44
They can often signify things that we can't see at all,
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04:46
like the distance to our destination.
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์˜ˆ๋ฅผ ๋“ค์–ด ๋ชฉ์ ์ง€๊นŒ์ง€ ๋‚จ์€ ๊ฑฐ๋ฆฌ์ฒ˜๋Ÿผ ๋ง์ด์ฃ .
04:48
Signs often help to orient us in the world
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ํ‘œ์ง€ํŒ์€ ์ข…์ข… ์„ธ์ƒ์—์„œ ์šฐ๋ฆฌ๊ฐ€ ์„œ ์žˆ๋Š” ์œ„์น˜๋ฅผ ์•Œ ์ˆ˜ ์žˆ๋„๋ก ๋„์™€์ค๋‹ˆ๋‹ค.
04:52
[You are on an island]
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[๋‹น์‹ ์€ ์„ฌ์— ์žˆ์Šต๋‹ˆ๋‹ค]
04:53
by telling us where we are now
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์šฐ๋ฆฌ๊ฐ€ ์ง€๊ธˆ ์–ด๋””์— ์„œ ์žˆ๋Š”์ง€,
04:54
and what's happening in the present moment,
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ํ˜„์žฌ ์–ด๋–ค ์ผ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š”์ง€ ์•Œ๋ ค์ค๋‹ˆ๋‹ค.
04:57
but they can also help us zoom out,
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๋˜ํ•œ ์šฐ๋ฆฌ๊ฐ€ ์ข€ ๋” ๋„“๊ฒŒ ๋ณผ ์ˆ˜ ์žˆ๋„๋ก ๋„์™€ ์ฃผ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
04:59
shift our perspective
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์šฐ๋ฆฌ์˜ ๊ด€์ ์„ ๋ฐ”๊ฟ”์„œ,
05:01
and get a glimpse of the bigger picture.
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๋” ํฐ ๊ทธ๋ฆผ์„ ์—ฟ๋ณผ ์ˆ˜ ์žˆ๋„๋ก ๋ง์ด์ฃ .
05:05
Imagine, for example,
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์˜ˆ๋ฅผ ๋“ค์–ด,
05:07
you're walking down the street in Philadelphia.
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์—ฌ๋Ÿฌ๋ถ„์ด ํ•„๋ผ๋ธํ”ผ์•„์˜ ๊ฑฐ๋ฆฌ๋ฅผ ๊ฑท๊ณ  ์žˆ๋‹ค๊ณ  ์ƒ์ƒํ•ด๋ณด์„ธ์š”.
05:11
A city in the US that contains so much history,
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์˜ค๋žœ ์—ญ์‚ฌ๋ฅผ ํ’ˆ๊ณ  ์žˆ๋Š” ๋ฏธ๊ตญ์˜ ๋„์‹œ์ด์ž
05:14
the birthplace of our constitution.
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ํ—Œ๋ฒ•์˜ ๋ฐœ์ƒ์ง€์ด๊ธฐ๋„ ํ•˜์ฃ .
์—ฌ๋Ÿฌ๋ถ„์ด ๊ฑท๊ณ  ์žˆ๋Š” ๊ทธ ๊ฑฐ๋ฆฌ๊ฐ€
05:18
But imagine you're walking down the street
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05:20
in an area that's undergoing a huge transformation
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ํฐ ๋ณ€ํ™”๋ฅผ ๊ฒช๊ณ  ์žˆ๋Š” ์ง€์—ญ์˜ ๊ฑฐ๋ฆฌ๋ผ๊ณ  ์ƒ์ƒํ•ด ๋ณด์„ธ์š”.
05:23
due to gentrification.
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๊ณ ๊ธ‰ ์ฃผํƒํ™” ๊ฐœ๋ฐœ ๋•Œ๋ฌธ์— ๋ง์ด์ฃ .
05:26
And as you walk down that street,
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๊ทธ ๊ธธ์„ ๋”ฐ๋ผ ๊ฑท๋‹ค๊ฐ€
05:28
you notice something flashing up above you.
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๋จธ๋ฆฌ ์œ„๋กœ ๋ฌด์–ธ๊ฐ€ ๊นœ๋ฐ•์ด๋Š” ๊ฑธ ๋Š๋ผ๊ณ ,
05:30
So you look up and you see this.
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์œ„๋ฅผ ์ณ๋‹ค ๋ณด๋‹ˆ ์ด๋Ÿฐ ๊ฒŒ ๋ณด์˜€์Šต๋‹ˆ๋‹ค.
05:34
A flashing neon sign that says
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๊นœ๋นก์ด๋Š” ๋„ค์˜จ ์‚ฌ์ธ ํ‘œ์ง€ํŒ์— ์ด๋ ‡๊ฒŒ ์จ ์žˆ์ฃ .
05:36
"All the light you see is from the past,"
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"๋‹น์‹ ์ด ๋ณด๋Š” ๋ชจ๋“  ๋น›์€ ๊ณผ๊ฑฐ์—์„œ ์˜จ ๊ฒƒ์ž…๋‹ˆ๋‹ค,"
05:39
and then "All you see is past,"
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๊ทธ๋ฆฌ๊ณ  "๋‹น์‹ ์ด ๋ณด๋Š” ๋ชจ๋“  ๊ฒƒ์€ ๊ณผ๊ฑฐ์ž…๋‹ˆ๋‹ค." ๋ผ๋Š” ๋ฌธ๊ตฌ๊ฐ€
05:42
before turning off completely for a brief moment.
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๋„ค์˜จ์‚ฌ์ธ์€ ์™„์ „ํžˆ ๊บผ์ง€๊ธฐ ์ „ ์ž ์‹œ๋™์•ˆ ๋ณด์ด์ฃ .
05:46
It asks you to stop and notice
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์ด ๋„ค์˜จ์‚ฌ์ธ ๋ฌธ๊ตฌ๋Š” ์—ฌ๋Ÿฌ๋ถ„์ด ํ•˜๋˜ ์ผ์„ ์ค‘์ง€ํ•˜๊ณ ,
05:48
the history embedded in everything that you see.
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๋ณด์ด๋Š” ๋ชจ๋“  ๊ฒƒ์— ๋‚ด์žฌ๋œ ์—ญ์‚ฌ๋ฅผ ๋ฐ”๋ผ๋ณด๋„๋ก ํ•ฉ๋‹ˆ๋‹ค.
05:53
And it reminds you
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๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฐ ๊ฑธ ์ƒ๊ธฐ์‹œ์ผœ์ฃผ์ฃ .
05:54
that because light takes time to travel across space,
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๋น›์ด ๊ณต๊ฐ„์„ ์ง€๋‚˜๊ฐ€๋ ค๋ฉด ์‹œ๊ฐ„์ด ๊ฑธ๋ฆฌ๊ธฐ ๋•Œ๋ฌธ์—
05:58
even from just across the street or across the room,
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๊ทธ๊ฒŒ ๋‹จ์ˆœํžˆ ๊ธธ์„ ๊ฐ€๋กœ์ง€๋ฅด๊ฑฐ๋‚˜, ๊ฑด๋„ˆํŽธ ๋ฐฉ์œผ๋กœ ๊ฐ€๋Š”๊ฒƒ ์ผ์ง€๋ผ๋„
06:02
everything you're seeing in the present moment
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ํ˜„์žฌ ์—ฌ๋Ÿฌ๋ถ„์ด ๋ณด๊ณ ์žˆ๋Š” ๋ชจ๋“  ๊ฒƒ์€
06:05
is technically an image of the past.
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์—„๋ฐ€ํžˆ ๋”ฐ์ง€๋ฉด ๊ณผ๊ฑฐ์˜ ์ด๋ฏธ์ง€์ธ ๊ฒƒ์ด์ฃ .
06:10
Signs influence the way we all navigate the world,
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ํ‘œ์ง€ํŒ์€ ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์„ธ์ƒ์„ ํƒํ—˜ํ•˜๋Š” ๋ฐฉ์‹์— ์˜ํ–ฅ์„ ์ค๋‹ˆ๋‹ค.
06:13
which means they have the ability to create
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์ด ๋ง์€ ๊ณง, ํ‘œ์ง€ํŒ์ด
06:16
a collective experience or understanding.
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์ง‘๋‹จ์  ๊ฒฝํ—˜์ด๋‚˜ ๊ณต๋™์˜ ์ดํ•ด๋ฅผ ๊ฐ€๋Šฅํ•˜๋„๋ก ํ•œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:20
My time in South Africa taught me
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๋‚จ์•„ํ”„๋ฆฌ์นด์—์„œ ๋ณด๋ƒˆ๋˜ ์‹œ๊ฐ„๋“ค์ด ์ œ๊ฒŒ ๊ฐ€๋ฅด์ณ ์ค€ ๊ฒƒ์€,
06:23
that when people are able to find common ground
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์‚ฌ๋žŒ๋“ค์€ ๊ณตํ†ต๋œ ๊ฒฌํ•ด๋ฅผ ์ฐพ์•„
06:26
and work together towards a mutual goal,
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๊ณต๋™ ๋ชฉํ‘œ๋ฅผ ํ–ฅํ•ด ์„œ๋กœ ํ˜‘๋ ฅํ•˜์—ฌ ์ผํ•  ๋•Œ,
06:29
powerful things can happen and so much more becomes possible.
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๊ฐ•๋ ฅํ•œ ์ผ๋“ค์ด ์ผ์–ด๋‚  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๋” ๋งŽ์€ ๊ฒƒ๋“ค์ด ๊ฐ€๋Šฅํ•ด์ง„๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:34
And I want to create more opportunities
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๊ทธ๋ž˜์„œ ์ €๋Š” ๋” ๋งŽ์€ ๊ธฐํšŒ๋ฅผ ๋งŒ๋“ค๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
06:36
for people to find that kind of common ground.
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์‚ฌ๋žŒ๋“ค์ด ์ด๊ฐ™์€ ๊ณตํ†ต๋œ ์˜๊ฒฌ์„ ์ฐพ์•„์„œ,
06:40
I want people to feel the power of collaboration,
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ํ˜‘๋™์ด ์ฃผ๋Š” ํž˜์„ ๋Š๋‚„ ์ˆ˜ ์žˆ๋„๋ก ๋ง์ด์ฃ .
06:44
sometimes quite literally.
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๋•Œ๋กœ๋Š” ๊ธ€์ž ๊ทธ๋Œ€๋กœ ๊ณต๋™์ž‘์—…์ผ ์ˆ˜๋„ ์žˆ์ฃ .
06:47
A few years ago,
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๋ช‡ ๋…„ ์ „์—,
06:48
a friend of mine showed me
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์ œ ์นœ๊ตฌ๋Š”
06:49
how our bodies can safely conduct small amounts of electricity.
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์šฐ๋ฆฌ ๋ชธ์ด ์•ˆ์ „ํ•˜๊ฒŒ ์†Œ๋Ÿ‰์˜ ์ „๊ธฐ๋ฅผ ์ „๋‹ฌํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์„ ๋ณด์—ฌ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
06:54
And if you hold hands with another person,
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๋‹ค๋ฅธ ์‚ฌ๋žŒ๊ณผ ์†์„ ์žก๊ณ  ์žˆ์œผ๋ฉด,
06:57
a small electrical current can pass through your held hands
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์žก๊ณ ์žˆ๋Š” ์† ์‚ฌ์ด๋กœ ์†Œ๋Ÿ‰์˜ ์ „๋ฅ˜๊ฐ€ ํ†ต๊ณผํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:01
and become like a switch that can trigger something else to happen.
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๊ทธ๊ฒƒ์€ ์Šค์œ„์น˜์ฒ˜๋Ÿผ ๋‹ค๋ฅธ ์ผ์„ ์œ ๋ฐœํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:06
So last year, I used that form of human connection
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๊ทธ๋ž˜์„œ ์ž‘๋…„์—, ์ €๋Š” ์ด์™€ ๊ฐ™์ด ์‚ฌ๋žŒ์ด ์—ฐ๊ฒฐ๋œ ๋ฐฉ์‹์„ ์ด์šฉํ•ด์„œ
07:11
to activate an inflatable sculpture.
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๋ถ€ํ’€๋ฆด ์ˆ˜ ์žˆ๋Š” ์„ค์น˜๋ฌผ์„ ์ž‘๋™์‹œ์ผฐ์Šต๋‹ˆ๋‹ค.
07:14
I put two sensors on a platform far enough apart
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์ €๋Š” ํ”Œ๋žซํผ์— ๋‘ ๊ฐœ์˜ ์„ผ์„œ๋ฅผ ์ถฉ๋ถ„ํ•œ ๊ฑฐ๋ฆฌ๋ฅผ ๋‘๊ณ  ์„ค์น˜ํ•ด์„œ
07:17
so that one person can't make it work on their own.
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ํ•œ ์‚ฌ๋žŒ์ด ์Šค์Šค๋กœ๋Š” ์ž‘๋™์‹œํ‚ฌ ์ˆ˜ ์—†๋„๋ก ํ–ˆ์Šต๋‹ˆ๋‹ค.
07:20
But when two or more people work together
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๊ทธ๋Ÿฌ๋‚˜ ๋‘˜ ์ด์ƒ์˜ ์‚ฌ๋žŒ๋“ค์ด ํ˜‘๋ ฅํ–ˆ์„ ๋•Œ
07:23
to complete that electrical circuit,
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์ „๊ธฐ ํšŒ๋กœ๋Š” ์™„์„ฑ๋˜์–ด
07:25
the inflatable comes to life.
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ํ’์„  ์„ค์น˜๋ฌผ์€ ์‚ด์•„ ์›€์ง์ด๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
07:28
And it begins to fill with air,
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ํ’์„  ์„ค์น˜๋ฌผ์— ๊ณต๊ธฐ๊ฐ€ ์ฑ„์›Œ์ง€๊ธฐ ์‹œ์ž‘ํ•˜๊ณ ,
07:31
and the longer people hold hands, the larger it becomes,
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์‚ฌ๋žŒ๋“ค์ด ๋” ์˜ค๋ž˜ ์† ์žก๊ณ  ์žˆ์„์ˆ˜๋ก ํ’์„  ์„ค์น˜๋ฌผ์€ ๋” ์ปค์ง€๊ณ ,
07:34
expanding into the words "You are magic."
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ํŒฝ์ฐฝ๋˜์–ด "๋‹น์‹ ์ด ๋งˆ์ˆ ์ž…๋‹ˆ๋‹ค"๋ผ๋Š” ๋ฌธ๊ตฌ๊ฐ€ ๋ณด์ด๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
07:38
(Music, birds chirping)
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(์Œ์•…, ์งน์งน๊ฑฐ๋ฆฌ๋Š” ์ƒˆ ์†Œ๋ฆฌ)
07:42
I always love to see
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์ €๋Š” ํ•ญ์ƒ ์ด๋Ÿฐ ๊ฑธ ๊ด€์ฐฐํ•˜๋Š” ๊ฒƒ์„ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
07:43
how each group of people finds a different way
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๊ฐ ๊ทธ๋ฃน์˜ ์‚ฌ๋žŒ๋“ค์ด ๊ฐ์ž ๋‹ค์–‘ํ•œ ๋ฐฉ์‹์œผ๋กœ
07:47
to bridge that physical and metaphorical divide.
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๋ฌผ๋ฆฌ์ ์œผ๋กœ ๊ทธ๋ฆฌ๊ณ  ์€์œ ์ ์œผ๋กœ ๋‚˜๋‰œ ๋ถ€๋ถ„์„ ์—ฐ๊ฒฐํ•˜๋Š” ๊ฒƒ์„์š”.
07:52
But as soon as they release their hands and break that connection,
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ํ•˜์ง€๋งŒ ์‚ฌ๋žŒ๋“ค์ด ์„œ๋กœ์˜ ์†์„ ๋†“์ž๋งˆ์ž, ์—ฐ๊ฒฐ์ด ๋Š์–ด์ง€๊ณ ,
07:57
the words immediately begin to slouch and fall over
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๊ทธ ๋‹จ์–ด๋“ค์€ ๋ฐ”๋กœ ์ถ• ๋Š˜์–ด์ง€๊ณ  ๋–จ์–ด์ง€๊ธฐ ์‹œ์ž‘ํ•ด์„œ
08:01
and eventually return to a lifeless pile of fabric on the ground.
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๊ฒฐ๊ตญ ๋•…์œ„์— ์ƒ๋ช…๋ ฅ ์—†๋Š” ์ฒœ์กฐ๊ฐ ๋”๋ฏธ๋กœ ๋˜๋Œ์•„ ๊ฐ€๊ฒŒ๋ฉ๋‹ˆ๋‹ค.
08:06
(Applause)
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(๋ฐ•์ˆ˜)
08:15
At this moment in time, I think we could all agree
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์ง€๊ธˆ ์ด ์ˆœ๊ฐ„, ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ๋™์˜ํ•  ์ˆ˜ ์žˆ๋Š” ์ ์€
08:19
that the future feels pretty bleak and uncertain.
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๋ฏธ๋ž˜๊ฐ€ ์กฐ๊ธˆ์€ ์•”์šธํ•˜๊ณ  ๋ถˆํ™•์‹คํ•˜๊ฒŒ ๋Š๊ปด์ง„๋‹ค๋Š” ๊ฒƒ์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
08:25
But maybe the hope
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๊ทธ๋ ‡์ง€๋งŒ ์–ด์ฉŒ๋ฉด
08:27
for a brighter, more sustainable, more equitable future
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๋” ๋ฐ๊ณ , ๋” ์ง€์† ๊ฐ€๋Šฅํ•˜๊ณ , ๋” ๊ณต์ •ํ•œ ๋ฏธ๋ž˜๋ฅผ ๊ฟˆ๊พธ๋Š” ํฌ๋ง์€
08:32
depends first on our ability to imagine it.
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์šฐ์„  ์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ์ƒ์ƒํ•˜๋Š” ๋Šฅ๋ ฅ์— ๋‹ฌ๋ ค์žˆ์„์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.
08:38
But after we imagine it,
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ํ•˜์ง€๋งŒ ์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ์ƒ์ƒ ํ•œ ํ›„์—๋Š”
08:39
we actually have to believe it's possible.
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์‹ค์ œ๋กœ ๊ทธ๊ฒƒ์ด ๊ฐ€๋Šฅํ•˜๋‹ค๋Š” ๊ฒƒ์„ ๋ฏฟ์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
08:44
And then we have to find common ground
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๊ทธ๋Ÿฐ ๋‹ค์Œ,
์•„๋งˆ๋„ ๋‹ค๋ฅธ ์˜๊ฒฌ์„ ๊ฐ€์ง„ ์‚ฌ๋žŒ๋“ค๊ณผ ํ•ฉ์˜์ ์„ ์ฐพ์•„
08:47
with people we would maybe otherwise disagree with
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08:51
and work together towards that mutual goal.
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๊ณตํ†ต์˜ ๋ชฉํ‘œ๋ฅผ ํ–ฅํ•ด ํ•จ๊ป˜ ์ผํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
08:55
And if we do that, I believe we have the capacity for magic.
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์šฐ๋ฆฌ๊ฐ€ ๊ทธ๋ ‡๊ฒŒ ํ•œ๋‹ค๋ฉด ์šฐ๋ฆฌ์—๊ฒŒ ๋งˆ๋ฒ•์˜ ๋Šฅ๋ ฅ์ด ์žˆ๋‹ค๊ณ  ๋ฏฟ์Šต๋‹ˆ๋‹ค.
09:00
So if you can humor me for one more minute,
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์—ฌ๋Ÿฌ๋ถ„์ด 1๋ถ„๋งŒ ๋” ์ œ ๊ธฐ๋ถ„์„ ๋งž์ถฐ์ฃผ์‹ค ์ˆ˜ ์žˆ์œผ์‹œ๋‹ค๋ฉด
09:04
I'm going to ask everyone in this theater to hold hands.
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์ด ๊ณณ์— ๊ณ„์‹  ๋ชจ๋“  ๋ถ„๋“ค๊ป˜ ์„œ๋กœ์˜ ์† ์žก๊ธฐ๋ฅผ ๋ถ€ํƒ๋“œ๋ฆด ๊ฒ๋‹ˆ๋‹ค.
09:14
When was the last time you held hands with a stranger?
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์ตœ๊ทผ์— ๋‚ฏ์„  ์‚ฌ๋žŒ๊ณผ ์†์„ ์žก์€ ๊ฒŒ ์–ธ์ œ์˜€์Šต๋‹ˆ๊นŒ?
09:17
(Laughter)
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(์›ƒ์Œ)
09:21
And if you feel comfortable,
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๊ทธ๋ฆฌ๊ณ  ํŽธ์•ˆํ•˜๋‹ค๊ณ  ๋Š๊ปด์ง„๋‹ค๋ฉด
09:22
go ahead and make that metaphorical gesture
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์€์œ ์ ์ธ ๋ชธ์ง“์œผ๋กœ
ํ†ต๋กœ ๊ฑด๋„ˆํŽธ์œผ๋กœ ์†์„ ๋ป—์–ด ๋ณด์„ธ์š”.
09:26
of reaching across the aisle.
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09:28
And after you've held hands with people on either side of you,
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๊ทธ๋ฆฌ๊ณ  ์–‘์ชฝ์— ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค๊ณผ ์†์„ ์žก์€ ํ›„์—,
09:31
if you feel comfortable, please close your eyes.
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ํŽธ์•ˆํ•˜๋‹ค๊ณ  ๋Š๋ผ์‹ ๋‹ค๋ฉด, ๋ˆˆ์„ ๊ฐ์•„์ฃผ์„ธ์š”.
09:35
Now take a minute to imagine what you want,
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์ด์ œ 1๋ถ„ ๋™์•ˆ ์›ํ•˜๋Š” ๊ฒƒ์„ ์ƒ์ƒํ•ด๋ณด์„ธ์š”.
09:39
what you want the future to look like.
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๋ฏธ๋ž˜๊ฐ€ ์–ด๋–ค ๋ชจ์Šต์ด์—ˆ์œผ๋ฉด ํ•˜๋Š”์ง€๋ฅผ์š”.
09:42
And give yourself permission to be at least a little bit idealistic.
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์ ์–ด๋„ ์กฐ๊ธˆ์€ ์ด์ƒ์ ์œผ๋กœ ์ƒ๊ฐํ•ด๋ณด์„ธ์š”.
09:50
What do you want to see change or happen in your own life as an individual?
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์—ฌ๋Ÿฌ๋ถ„์€ ๊ฐœ์ธ์œผ๋กœ์„œ ์ž์‹ ์˜ ์‚ถ์— ์–ด๋–ค ๋ณ€ํ™”๋‚˜ ์ผ์ด ์ƒ๊ธฐ๊ธธ ๋ฐ”๋ž๋‹ˆ๊นŒ?
09:56
What do you want to see change or happen for everyone, for the planet?
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์—ฌ๋Ÿฌ๋ถ„์€ ์šฐ๋ฆฌ ๋ชจ๋‘๋ฅผ ์œ„ํ•ด, ๋˜ ์ง€๊ตฌ๋ฅผ ์œ„ํ•ด ์–ด๋–ค ๋ณ€ํ™”๋‚˜ ์ผ์ด ์žˆ๊ธธ ๋ฐ”๋ž๋‹ˆ๊นŒ?
10:04
Can you picture it?
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์ƒ์ƒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๊นŒ?
10:06
And can you start to see how, if we all worked together,
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ํ•จ๊ป˜ ์ผํ•œ๋‹ค๋ฉด,
์‹ค์ œ๋กœ ๊ฐ€๋Šฅํ•˜๋‹ค๋Š” ๊ฒƒ์ด ๋ณด์ด๊ธฐ ์‹œ์ž‘ ํ•˜๋‚˜์š”?
10:11
it might actually be possible?
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10:15
Now open your eyes,
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์ด์ œ ๋ˆˆ์„ ๋œจ๊ณ ,
10:18
and let's make it real.
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๊ทธ ์ƒ์ƒ๋“ค์„ ํ˜„์‹ค๋กœ ๋งŒ๋“ค์–ด ๋ด…์‹œ๋‹ค.
10:20
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
10:22
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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