An aerialist on listening to your body's signals | Adie Delaney

53,140 views ใƒป 2020-12-17

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืชืจื’ื•ื: yael ring ืขืจื™ื›ื”: Alsa Saal
00:13
I'm quite comfortable sitting here.
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ื“ื™ ื ื•ื— ืœื™ ืœืฉื‘ืช ื›ืืŸ.
00:15
Don't get me wrong,
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ืืœ ืชื‘ื™ื ื• ืื•ืชื™ ืœื ื ื›ื•ืŸ,
00:17
my heart's beating so loud I'm surprised you can't hear it.
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ื”ืœื‘ ืฉืœื™ ื“ื•ืคืง ื›ืœ ื›ืš ื—ื–ืง, ืื ื™ ืžื•ืคืชืขืช ืฉืืชื ืœื ื™ื›ื•ืœื™ื ืœืฉืžื•ืข ืื•ืชื•.
00:20
There's a lightness in my head,
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ื”ืจืืฉ ืฉืœื™ ืงืฆืช ืกื—ืจื—ืจ,
00:22
and my hand is a little sweaty.
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ื•ื”ื™ื“ ืฉืœื™ ืงืฆืช ืžื–ื™ืขื”.
00:25
Luckily, I'm not only familiar with these sensations --
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ืœืžืจื‘ื” ื”ืžื–ืœ, ืœื ืจืง ืฉืื ื™ ืžื›ื™ืจื” ืืช ื”ืชื—ื•ืฉื•ืช ื”ืืœื” --
00:29
I enjoy them.
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ืื ื™ ื ื”ื ื™ืช ืžื”ื.
00:33
(Music)
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(ืžื•ื–ื™ืงื”)
00:37
Over my career as an aerialist,
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ื‘ืžื”ืœืš ื”ืงืจื™ื™ืจื” ืฉืœื™ ื›ืืงืจื•ื‘ื˜ื™ืช,
00:39
I've learned to listen to those signs from my body,
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ืœืžื“ืชื™ ืœื”ืงืฉื™ื‘ ืœืกื™ืžื ื™ื ื”ืืœื” ืฉื”ื’ื•ืฃ ืฉืœื™ ืžืฉื“ืจ,
00:42
whose most important job is to keep me alive.
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ืฉื”ืชืคืงื™ื“ ื”ื—ืฉื•ื‘ ื‘ื™ื•ืชืจ ืฉืœื• ื”ื•ื ืœืฉืžื•ืจ ืขืœ ื—ื™ื™.
00:46
This visceral sensation of fear can be part of the fun.
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ืชื—ื•ืฉืช ื”ืคื—ื“ ื”ืคื ื™ืžื™ืช ื”ื—ื–ืงื” ื™ื›ื•ืœื” ืœื”ื™ื•ืช ื—ืœืง ืžื”ื”ื ืื”.
00:50
Why do you think we go on roller coasters,
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ืœืžื” ืืชื ื—ื•ืฉื‘ื™ื ืฉืื ื—ื ื• ืขื•ืœื™ื ืขืœ ืจื›ื‘ื•ืช ื”ืจื™ื,
00:52
watch horror movies
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ืฆื•ืคื™ื ื‘ืกืจื˜ื™ ืื™ืžื”
00:53
or in my case, fly through the air?
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ืื• ื‘ืžืงืจื” ืฉืœื™, ืขืคื™ื ื‘ืื•ื•ื™ืจ?
00:56
But it will only be fun if we have choice in those moments.
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ืื‘ืœ ื–ื” ืจืง ื›ื™ืฃ ืื ื™ืฉ ื‘ื™ื“ื™ื ื• ื‘ื—ื™ืจื” ื‘ืžื”ืœืš ื”ืจื’ืขื™ื ื”ืืœื”.
01:00
Those who enjoy horror movies do so when they know they can look away.
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ืืœื” ื”ื ื”ื ื™ื ืžืกืจื˜ื™ ืื™ืžื”, ืขื•ืฉื™ื ื–ืืช ื‘ื™ื“ื™ืขื” ืฉื”ื ื™ื›ื•ืœื™ื ืœื”ืกื™ื˜ ืืช ื”ืžื‘ื˜.
01:04
When I swing through the air
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ื›ืฉืื ื™ ืžืชื ื“ื ื“ืช ื‘ืื•ื•ื™ืจ
01:06
to take the hands of a partner high up in a circus tent,
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ื›ื“ื™ ืœืื—ื•ื– ื‘ื™ื“ื™ื• ืฉืœ ืฉื•ืชืฃ ืœืžืขืœื” ื’ื‘ื•ื” ื‘ืื•ื”ืœ ื”ืงืจืงืก,
01:09
ultimately, I have a choice of releasing if I trust that person to catch me.
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ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ, ืื•ื›ืœ ืœื‘ื—ื•ืจ ืœืฉื—ืจืจ ืืช ื”ืื—ื™ื–ื” ืื ืื ื™ ืกื•ืžื›ืช ืขืœ ืื•ืชื• ืื“ื ืฉื™ืชืคื•ืก ืื•ืชื™.
01:14
Listening to these signs is an incredibly important life skill,
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ื”ื”ืงืฉื‘ื” ืœืกื™ืžื ื™ื ื”ืืœื” ื”ื™ื ืžื›ื™ืฉื•ืจ ื”ื—ื™ื™ื ื”ื—ืฉื•ื‘ื™ื ื‘ื™ื•ืชืจ,
01:18
and not just for adrenaline junkies like me.
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ื•ืœื ืจืง ื‘ืฉื‘ื™ืœ ืžื›ื•ืจื™ื ืœืื“ืจื ืœื™ืŸ ื›ืžื•ื ื™.
01:22
If we don't know how to listen and respond to our warning signs of fear,
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ืื ืœื ื ื“ืข ืื™ืš ืœื”ืงืฉื™ื‘ ื•ืœื”ื’ื™ื‘ ืœืกื™ืžื ื™ ื”ืื–ื”ืจื” ืฉืœ ื”ืคื—ื“,
01:27
we risk being overwhelmed
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ืื ื—ื ื• ืžืกืชื›ื ื™ื ื‘ื›ืš ืฉืชืฉืชืœื˜ ืขืœื™ื ื•
01:29
by a fight, flight or freeze stress response.
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ื”ืชื’ื•ื‘ื” ื”ืžื™ื™ื“ื™ืช ืฉืœ ื‘ืจื™ื—ื”, ืžืœื—ืžื” ืื• ืงืคืื•ืŸ.
01:33
When teaching circus,
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ื›ืฉืื ื™ ืžืœืžื“ืช ืงืจืงืกื ื•ืช,
01:35
I see my students feel these sensations every day,
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ืื ื™ ืจื•ืื” ืื™ืš ื”ืชืœืžื™ื“ื™ื ืฉืœื™ ื—ื•ื•ื™ื ืืช ื”ืชื—ื•ืฉื•ืช ื”ืืœื” ืžื“ื™ ื™ื•ื,
01:38
and when they do,
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ื•ื›ืฉื”ื ื—ื•ื•ื™ื ืื•ืชื,
01:39
there's a unique opportunity to talk about them,
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ื ื•ืฆืจืช ื”ื–ื“ืžื ื•ืช ื™ื™ื—ื•ื“ื™ืช ืœื“ื‘ืจ ืขืœื™ื”ื,
01:43
to acknowledge and trust those feelings,
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ืœื”ื›ื™ืจ ื•ืœืกืžื•ืš ืขืœ ื”ืชื—ื•ืฉื•ืช ื”ืืœื”,
01:45
including how to say no when something doesn't feel right.
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ื›ื•ืœืœ ื”ืืคืฉืจื•ืช ืœื•ืžืจ ืœื ื›ืฉืžืฉื”ื• ืœื ืžืจื’ื™ืฉ ื›ืฉื•ืจื”.
01:50
This is a great foundation
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ื–ื”ื• ื‘ืกื™ืก ืžืขื•ืœื”
01:51
for communication about our bodies elsewhere
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ืœืฉื™ื—ื” ืขืœ ื”ื’ื•ืฃ ืฉืœื ื• ื‘ืžืฆื‘ ืฉื•ื ื”
01:54
that isn't scary or awkward.
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ืฉืื™ื ื• ืžืคื—ื™ื“ ืื• ืžื•ื–ืจ.
01:57
It's normal and expected.
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ืืœื ื ื•ืจืžืœื™ ื•ืฆืคื•ื™.
02:00
Because the truth is I'm not just teaching circus skills;
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ื”ืืžืช ื”ื™ื ืฉืื ื™ ืœื ืžืœืžื“ืช ืงืจืงืกื ื•ืช
02:04
I'm teaching consent.
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ืื ื™ ืžืœืžื“ืช ืขืœ ื”ืกื›ืžื”,
02:06
Alongside teaching circus,
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ื™ื—ื“ ืขื ืœื™ืžื•ื“ื™ ืงืจืงืกื ื•ืช.
02:08
I have the privilege of working with hundreds of young people each year
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ื‘ื›ืœ ืฉื ื” ื™ืฉ ืœื™ ืืช ื”ื–ื›ื•ืช ืœืขื‘ื•ื“ ืขื ืžืื•ืช ืฆืขื™ืจื™ื
02:12
in my role as a sexual harm prevention educator.
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ื‘ืชืคืงื™ื“ื™ ื›ืžื•ืจื” ืœืžื ื™ืขืช ืคื’ื™ืขื” ืžื™ื ื™ืช.
02:16
I hear their stories firsthand,
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ืื ื™ ืฉื•ืžืขืช ืืช ื”ืกื™ืคื•ืจื™ื ืฉืœื”ื ื‘ื’ื•ืฃ ืจืืฉื•ืŸ,
02:19
and know from statistics and experience
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ื•ื™ื•ื“ืขืช ืžื”ืกื˜ื˜ื™ืกื˜ื™ืงื” ื•ื ื™ืกื™ื•ืŸ ืื™ืฉื™
02:21
that the majority of survivors know their abuser
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ืฉืจื•ื‘ ื”ืฉื•ืจื“ื™ื ืžื›ื™ืจื™ื ืื™ืฉื™ืช ืืช ื”ืชื•ืงืฃ ืฉืœื”ื.
02:25
and teenagers experience high rates of intimate partner violence,
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ื•ื‘ื ื™ ื ื•ืขืจ ื—ื•ื•ื™ื ืืœื™ืžื•ืช ืื™ื ื˜ื™ืžื™ืช ืžืฆื“ ื‘ื ื™ ื–ื•ื’ื ื‘ืฉื™ืขื•ืจื™ื ื’ื“ื•ืœื™ื,
02:29
that is, from someone they're dating.
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ื›ืœื•ืžืจ, ืžืฆื“ ืžื™ืฉื”ื• ืฉื”ื ื™ื•ืฆืื™ื ืืชื• ืื• ืืชื”.
02:32
Young people want to know how to talk to each other about intimacy.
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ื‘ื ื™ ื ื•ืขืจ ืจื•ืฆื™ื ืœื“ืขืช ืื™ืš ืœื“ื‘ืจ ื–ื” ืขื ื–ื” ืขืœ ืื™ื ื˜ื™ืžื™ื•ืช.
02:37
The more I help teenagers understand sexual consent,
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ื›ื›ืœ ืฉืื ื™ ืขื•ื–ืจืช ืœื‘ื ื™ ื ื•ืขืจ ืœื”ื‘ื™ืŸ ืžื”ื™ ื”ืกื›ืžื” ืžื™ื ื™ืช
02:41
the more I realize learning aerial can help us navigate life on the ground.
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ื›ืš ืื ื™ ืžื‘ื™ื ื” ืฉืœื™ืžื•ื“ ืืงืจื•ื‘ื˜ื™ืงื” ื™ื›ื•ืœ ืœืกื™ื™ืข ืœื ื• ืœื ื•ื•ื˜ ืืช ื”ื—ื™ื™ื ืขืœ ืคื ื™ ื”ืงืจืงืข.
02:46
So let me explain what I mean by teaching consent through circus.
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ืื– ืชื ื• ืœื™ ืœื”ืกื‘ื™ืจ ืžื” ื–ื” ืื•ืžืจ ืœืœืžื“ ืขืœ ื”ืกื›ืžื” ื‘ืืžืฆืขื•ืช ืงืจืงืกื ื•ืช.
02:51
Let's imagine it's your first time on a trapeze.
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ื‘ื ื ืืžืจ ืฉื–ืืช ื”ืคืขื ื”ืจืืฉื•ื ื” ืฉืืชื ืขื•ืœื™ื ืขืœ ื”ื˜ืจืคื–.
02:54
Usual instruction might go something like,
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ื”ืœื™ืžื•ื“ ื”ืจื’ื™ืœ ื™ื”ื™ื” ืžืฉื”ื• ื›ืžื•:
02:57
"OK, you're going to hook your legs over the bar,
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"ืื•ืงื™ื™, ืืช ื”ื•ืœื›ืช ืœืงืคืœ ืืช ื”ืจื’ืœื™ื™ื ืฉืœืš ืžืขืœ ื”ืžื•ื˜,
03:00
climb your hands up the ropes,
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ื‘ืืžืฆืขื•ืช ื”ื™ื“ื™ื™ื ืชื˜ืคืกื™ ืขืœ ื”ื—ื‘ืœื™ื,
03:01
pull yourself to sit
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ื•ืชืจื™ืžื™ ืืช ืขืฆืžืš ืœืžืฆื‘ ื™ืฉื™ื‘ื”
03:03
and don't let go."
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ื•ืืœ ืชืขื–ื‘ื™ ืืช ื”ื—ื‘ืœ".
03:04
This approach is driving something forward without fully checking in with the person
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ื’ื™ืฉื” ื–ื• ื“ื•ื—ืคืช ืืช ื”ืื“ื ืงื“ื™ืžื” ืžื‘ืœื™ ืœื”ื™ื•ืช ืžื•ื“ืข ืืœื™ื•
03:09
and is focused on what I want from them.
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ื•ื”ื™ื ืžืชืžืงื“ืช ื‘ืžื” ืฉืื ื™ ืจื•ืฆื” ืžื”ื.
03:12
I'm telling them how to move their body and when,
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ืื ื™ ืžื›ืชื™ื‘ื” ืœื”ื ืื™ืš ื•ืžืชื™ ืœื”ื ื™ืข ืืช ื”ื’ื•ืฃ ืฉืœื”ื,
03:15
regardless of their comfort or fear.
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ื‘ืœื™ ื”ืชื—ืฉื‘ื•ืช ื‘ืจืžืช ื”ื ื•ื—ื•ืช ื•ื”ืคื—ื“ ืฉืœื”ื.
03:19
This often results in terrified beginners who never come back.
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ืœืจื•ื‘ ื–ื” ืžื‘ื™ื ืœื›ื“ื™ ืžืฉืชืชืคื™ื ืžืคื•ื—ื“ื™ื ืฉืœืขื•ืœื ืœื ื™ื—ื–ืจื• ืฉื ื™ืช.
03:24
Meanwhile, the way I now talk to my students
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ื‘ื™ื ืชื™ื™ื, ื”ืื•ืคืŸ ื‘ื• ืื ื™ ืžื ื—ื” ืืช ื”ืชืœืžื™ื“ื™ื ืฉืœื™ ื›ื™ื•ื
03:26
gives a lot more care to the person,
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ืžืฉืื™ืจ ื”ืจื‘ื” ื™ื•ืชืจ ืžืงื•ื ืœื”ืชื—ืฉื‘ื•ืช ื‘ืื“ื,
03:29
ensuring they're fully informed,
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ื•ืžื•ื•ื“ื ืฉื™ืฉ ืœื”ื ืืช ื›ืœ ื”ื›ืœื™ื ื•ื”ื™ื“ืข,
03:31
ready
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ืฉื”ื ืžื•ื›ื ื™ื
03:32
and part of the conversation.
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ื•ื”ื ื—ืœืง ืžื”ืฉื™ื—.
03:35
Adie Delaney: How do you feel about it? Student: Really good.
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ืื“ื™: ืื™ืš ืืช ืžืจื’ื™ืฉื”? ืชืœืžื™ื“ื”: ืžืžืฉ ื˜ื•ื‘.
03:38
AD: I feel like you could probably do it. Want to have a go?
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ืื“ื™: ืื ื™ ื—ื•ืฉื‘ืช ืฉืืช ื™ื›ื•ืœื” ืœืขืฉื•ืช ืืช ื–ื”. ืจื•ืฆื” ืœื ืกื•ืช?
03:41
Student: OK. AD: That's it, yes.
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ืชืœืžื™ื“ื”: ืื•ืงื™ื™. ืื“ื™: ื›ื›ื”, ื›ืŸ.
03:43
AD: Yes, but the inside of your foot.
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ืื“ื™: ื›ืŸ, ืื‘ืœ ื”ื—ืœืง ื”ืคื ื™ืžื™ ืฉืœ ื”ืจื’ืœ ืฉืœืš.
03:45
That's it, yes.
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ื›ื›ื”, ื›ืŸ.
03:46
Nice. How does that feel?
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ื™ืคื”. ืื™ืšืืช ืžืจื’ื™ืฉื”?
03:48
Student: Perfect. AD: Perfect, good.
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ืชืœืžื™ื“ื”: ืžื•ืฉืœื. ืื“ื™: ืžื•ืฉืœื, ื˜ื•ื‘.
03:50
That's it, I'm going to put my hand on your back --
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ืื“ื™: ื›ื›ื”, ืื ื™ ื”ื•ืœื›ืช ืœื”ื ื™ื— ืืช ื”ื™ื“ ืฉืœื™ ืขืœ ื”ื’ื‘ ืฉืœืš --
03:53
There you go.
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ื™ืคื” ืžืื•ื“.
03:54
I'm going to hold onto your leg, then I'm going to put my hand here.
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ืื ื™ ื”ื•ืœื›ืช ืœื”ื—ื–ื™ืง ืืช ื”ืจื’ืœ ืฉืœืš, ื•ืื– ืื ื™ ืื ื™ื— ืืช ื”ื™ื“ ืฉืœื™ ื›ืืŸ.
03:58
Do you feel safe to put your hand on the bar?
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ื”ืื ืืช ืžืจื’ื™ืฉื” ื‘ื ื•ื— ืœื”ื ื™ื— ืืช ื”ื™ื“ ืฉืœืš ืขืœ ื”ืžื•ื˜?
04:00
I got you.
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ืื ื™ ืžื—ื–ื™ืงื” ืื•ืชืš.
04:01
How's that for you, OK?
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ืื™ืš ืืช ืžืจื’ื™ืฉื”, ืื•ืงื™ื™?
04:03
Student: Yeah?
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ืชืœืžื™ื“ื”: ื›ืŸ?
04:04
AD: Look, I can stop you going forwards and backwards, see?
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ืื“ื™: ืชืจืื™, ืื ื™ ื™ื›ื•ืœื” ืœืžื ื•ืข ืžืžืš ืœื™ืคื•ืœ ืงื“ื™ืžื” ืื• ืื—ื•ืจื”, ืจื•ืื”?
04:07
Woo, I got you!
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ื•ื•ื”ื•ื•, ืื ื™ ืžื—ื–ื™ืงื” ืื•ืชืš!
04:08
(Voice-over) AD: This type of language,
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(ืื“ื™ ื‘ืงืจื™ื™ื ื•ืช): ื”ื ื™ืกื•ื— ื”ื–ื” ืฉืœ ื”ืฉืคื”,
04:10
like "How are you feeling?
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"ืื™ืš ืืช ืžืจื’ื™ืฉื”?
04:12
Are you OK with my hand here?"
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ื”ืื ื–ื” ื‘ืกื“ืจ ืฉืื ื™ื— ืืช ื”ื™ื“ ืฉืœื™ ื›ืืŸ?"
04:14
helps circus performers succeed.
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ืžืกื™ื™ืข ืœื”ืฆืœื—ืชื ืฉืœ ืื•ืžื ื™ ืงืจืงืก.
04:17
I believe it also reduces the risk of accidents,
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ืื ื™ ืžืืžื™ื ื” ืฉื”ื•ื ื’ื ืžืคื—ื™ืช ืืช ื”ืกื›ื ื” ืฉืœ ืชืื•ื ื•ืช,
04:20
as a result of my students trusting
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ื›ืชื•ืฆืื” ืžื›ืš ืฉื”ืชืœืžื™ื“ื™ื ืฉืœื™ ืกื•ืžื›ื™ื ืขืœื™
04:22
and being able to act on what they're feeling
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ื•ื™ื›ื•ืœื™ื ืœืคืขื•ืœ ื‘ื”ืชืื ืœืชื—ื•ืฉื•ืชื™ื”ื
04:24
at any given moment.
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ื‘ื›ืœ ืจื’ืข ื ืชื•ืŸ.
04:26
This specificity is required later in life
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ื”ื“ื™ื•ืง ื”ื–ื” ื ื“ืจืฉ ืžืื•ื—ืจ ื™ื•ืชืจ ื‘ื—ื™ื™ื
04:29
if and when someone wants sexual intimacy,
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ืื ื•ื›ืืฉืจ ืžื™ืฉื”ื• ืžืขื•ื ื™ื™ืŸ ื‘ืื™ื ื˜ื™ืžื™ื•ืช ืžื™ื ื™ืช,
04:33
but because it's not a normal part of our interactions,
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ืื‘ืœ ื‘ื’ืœืœ ืฉื”ื•ื ืื™ื ื• ื—ืœืง ื ื•ืจืžืœื™ ื‘ืฆื•ืจืช ื”ืชืงืฉื•ืจืช ืฉืœื ื•,
04:36
it can feel so awkward,
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ื”ื•ื ื™ื›ื•ืœ ืœื”ื™ื•ืช ืงืฆืช ืžื’ื•ืฉื.
04:38
and people might think it's easier to say less.
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ื•ืื ืฉื™ื ืื•ืœื™ ื™ื˜ื• ืœื—ืฉื•ื‘ ืฉื™ื”ื™ื” ืงืœ ื™ื•ืชืจ ืœื•ืžืจ ืคื—ื•ืช.
04:42
But saying less can lead to ambiguity,
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ืื‘ืœ ืคื—ื•ืช ืชืงืฉื•ืจืช ื™ื›ื•ืœื” ืœื”ื•ื‘ื™ืœ ืœืขืžื™ืžื•ืช,
04:45
problems and potentially, abuse.
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ื‘ืขื™ื•ืช ื•ืืคื™ืœื• ืคื’ื™ืขื”.
04:48
There is of course no specific script for the language of consent.
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ื›ืžื•ื‘ืŸ ืฉืื™ืŸ ืชืกืจื™ื˜ ืžื“ื•ื™ืง ืœืฉืคืช ื”ื”ืกื›ืžื”.
04:53
The tone and words will be unique to you.
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ื”ื˜ื•ืŸ ื•ื”ืžื™ืœื™ื ื™ื”ื™ื• ื™ื—ื•ื“ื™ื™ื ืœื›ื.
04:57
It's just a slight reframing of our lexicon to inject choice
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ืžื“ื•ื‘ืจ ื‘ืžืกื’ื•ืจ ืงืœ ืžื—ื“ืฉ ืฉืœ ื”ืœืงืกื™ืงื•ืŸ ืฉืœื ื• ืฉืžื•ืกื™ืฃ ื‘ื—ื™ืจื”
05:01
any time we're interacting with others' bodies intimately
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ื‘ื›ืœ ืขืช ื‘ื” ืื ื• ืžืชืงืฉืจื™ื ืขื ืื—ืจื™ื ื‘ืื•ืคืŸ ืคื™ื–ื™ ื•ืื™ื ื˜ื™ืžื™
05:04
or otherwise.
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ืื• ืื—ืจ.
05:06
For example,
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ืœื“ื•ื’ืžื”,
05:07
using "I" when I'm talking about what I'm feeling,
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ื”ืฉื™ืžื•ืฉ ื‘ืžื™ืœื” "ืื ื™" ื›ืฉืื ื™ ืžื“ื‘ืจืช ืขืœ ืžื” ืฉืื ื™ ืžืจื’ื™ืฉื”,
05:10
and questions more than statements when it involves the other person.
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ื•ืฉืืœื•ืช ืขืœ ืคื ื™ ื”ืฆื”ืจื•ืช ื›ืฉืžื“ื•ื‘ืจ ื‘ืื“ื ืื—ืจ.
05:14
When discussing intimacy,
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ื›ืฉืื ื• ืžื“ื‘ืจื™ื ืขืœ ืื™ื ื˜ื™ืžื™ื•ืช,
05:15
check-ins like "Does that feel good?
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ื‘ื“ื™ืงื•ืช ื›ืžื•, "ื”ืื ื–ื” ื ื•ื— ืœืš?
05:18
Do you like that?"
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ื”ืื ืืชื” ืื•ื”ื‘ ืืช ื–ื”?"
05:20
in addition to letting your partner know what you need, want and like,
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ื‘ื ื•ืกืฃ ืœื›ืš ืฉื‘ืŸ ื”ื–ื•ื’ ื™ื“ืข ืžื” ืืชื ื–ืงื•ืงื™ื ืœื•, ืจื•ืฆื™ื ื•ืื•ื”ื‘ื™ื,
05:24
helps us have experiences we remember fondly
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ื”ืŸ ืžืกื™ื™ืขื•ืช ืœื ื• ืœื—ื•ื•ืช ื—ื•ื•ื™ื•ืช ืฉื ื–ื›ื•ืจ ืœื—ื™ื•ื‘
05:27
and have no regrets about.
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ืœืœื ืฉื•ื ื—ืจื˜ื•ืช.
05:29
We need to broaden our understanding of consent
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ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ืจื—ื™ื‘ ืืช ื”ื”ื‘ื ื” ืฉืœื ื• ืฉืœ ื”ืžื•ืฉื’ ื”ืกื›ืžื”
05:33
and start thinking of it as a verb,
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ื•ืœื”ืชื—ื™ืœ ืœื—ืฉื•ื‘ ืขืœื™ื• ื›ืคื•ืขืœ,
05:34
not a noun.
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ื•ืœื ืฉื ืขืฆื.
05:36
To consent is an active, ongoing agreement,
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ื”ืคื•ืขืœ ืœื”ืกื›ื™ื ืžืฉืžืขื• ื”ืกื›ื ืคืขื™ืœ ื•ืžืชืžืฉืš,
05:40
not a checkbox to be ticked.
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ืœื ืžืฉื™ืžื” ืฉื™ืฉ ืœืžืœื.
05:42
When talking to young people,
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ื‘ืฉื™ื—ื” ืขื ื‘ื ื™ ื ื•ืขืจ,
05:44
we have an opportunity to show them
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ื™ืฉ ืœื ื• ืืช ื”ื”ื–ื“ืžื ื•ืช ืœื”ืจืื•ืช ืœื”ื
05:46
what it's like to communicate with care for another person,
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ืื™ืš ื ืจืื™ืช ืชืงืฉื•ืจืช ื”ื“ื•ืื’ืช ื•ืžืชื—ืฉื‘ืช ื‘ืื“ื ืื—ืจ,
05:49
checking in and respecting them as the authority on what they're feeling.
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ื‘ื“ื™ืงื” ืžืชืžืฉื›ืช ื•ื›ื™ื‘ื•ื“ ื”ื“ืขื” ืฉืœื”ื ื›ืกืžื›ื•ืช ื”ืงื•ื‘ืขืช ืœืชื—ื•ืฉื•ืช ืฉืœื”ื.
05:55
If we normalize consent everywhere,
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ืื ื ื”ืคื•ืš ืืช ื”ื”ืกื›ืžื” ืœืขื ื™ื™ืŸ ืฉืœ ื ื•ืจืžื” ื‘ื›ืœ ืžืงื•ื,
05:58
by the time someone is ready for a sexual experience,
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ืขื“ ืฉืื•ืชื• ืฆืขื™ืจ ื™ื”ื™ื” ืžื•ื›ืŸ ืœื”ืชื ืกื•ืช ืžื™ื ื™ืช,
06:01
they will know that they're allowed to ask questions,
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ื”ื•ื ื›ื‘ืจ ื™ื™ื“ืข ืฉืžื•ืชืจ ืœื• ืœืฉืื•ืœ ืฉืืœื•ืช,
06:04
stop at any time,
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ืœืขืฆื•ืจ ื‘ื›ืœ ืจื’ืข,
06:06
and most importantly,
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ื•ื”ื›ื™ ื—ืฉื•ื‘,
06:08
to enjoy themselves.
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ืœื™ื”ื ื•ืช.
06:10
Children are our future,
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ื™ืœื“ื™ื ื”ื ื”ืขืชื™ื“ ืฉืœื ื•,
06:12
and they will learn to give care in the ways we give care.
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ื•ื”ื ื™ืœืžื“ื• ืœื”ืคื’ื™ืŸ ื“ืื’ื” ืœืคื™ ื”ืื•ืคืŸ ื‘ื• ืื ื• ืžืคื’ื™ื ื™ื ื“ืื’ื”.
06:16
Sexual consent doesn't have to be a mood killer
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ื”ืกื›ืžื” ืžื™ื ื™ืช ืœื ื—ื™ื™ื‘ืช ืœื”ื™ื•ืช ื›ืคืชื•ืจ ื”ื›ื™ื‘ื•ื™
06:19
or "the talk" either.
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ืื• "ื”ืฉื™ื—ื” ื”ื’ื•ืจืœื™ืช".
06:21
Like circus, it can be joyful, fun and exciting.
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ื›ืžื• ื”ืงืจืงืก, ื”ื™ื ื™ื›ื•ืœื” ืœื”ื™ื•ืช ืžืœืื” ื‘ืื•ืฉืจ, ืžื”ื ื” ื•ืžืจื’ืฉืช.
06:26
Our intimate experiences should not only be safe,
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ื”ื—ื•ื•ื™ื•ืช ื”ืื™ื ื˜ื™ืžื™ื•ืช ืฉืœื ื• ืฆืจื™ื›ื•ืช ืœื”ื™ื•ืช ืœื ืจืง ื‘ื˜ื•ื—ื•ืช,
06:30
but as thrilling as flying through the air.
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ืืœื ื’ื ืžืจื’ืฉื•ืช ื›ืžื• ืœืขื•ืฃ ื‘ืื•ื•ื™ืจ.
06:34
Thank you.
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ืชื•ื“ื” ืจื‘ื”.
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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