Advanced Vocabulary - British English Phrases

47,092 views ใƒป 2023-03-05

English Like A Native


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Ready to learn some advanced British English expressions?
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๊ณ ๊ธ‰ ์˜๊ตญ์‹ ์˜์–ด ํ‘œํ˜„์„ ๋ฐฐ์šธ ์ค€๋น„๊ฐ€ ๋˜์…จ๋‚˜์š” ?
00:03
Great.
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์—„์ฒญ๋‚œ.
00:04
Grab a cuppa, a pen and paper.
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์ปต, ํŽœ, ์ข…์ด๋ฅผ ์ค€๋น„ํ•˜์„ธ์š”.
00:08
And let's do this.
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๊ทธ๋ฆฌ๊ณ  ์ด๊ฒƒ์„ ํ•ด๋ณด์ž.
00:10
Number one.
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์ฒซ๋ฒˆ์งธ.
00:12
Bob's your uncle, Bob's your uncle.
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Bob์€ ๋‹น์‹ ์˜ ์‚ผ์ดŒ์ž…๋‹ˆ๋‹ค. Bob์€ ๋‹น์‹ ์˜ ์‚ผ์ดŒ์ž…๋‹ˆ๋‹ค.
00:15
This expression is used to mean that something is easily done or achieved.
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์ด ํ‘œํ˜„์€ ์–ด๋–ค ์ผ์ด ์‰ฝ๊ฒŒ ์ด๋ฃจ์–ด์ง€๊ฑฐ๋‚˜ ๋‹ฌ์„ฑ๋œ๋‹ค๋Š” ์˜๋ฏธ๋กœ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค. "์ด์ œ
00:21
Think of it as saying, there you go, or that's it.
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๋์–ด"๋ผ๊ณ  ์ƒ๊ฐํ•˜์„ธ์š” .
00:27
It's not that complicated.
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๊ทธ๋ ‡๊ฒŒ ๋ณต์žกํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
00:28
Really.
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์ •๋ง.
00:29
Once you plug the machine in and add your ingredients, you just need to press this button
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๊ธฐ๊ณ„๋ฅผ ์—ฐ๊ฒฐํ•˜๊ณ  ์žฌ๋ฃŒ๋ฅผ ์ถ”๊ฐ€ํ•œ ํ›„ ์ด ๋ฒ„ํŠผ์„ ๋ˆ„๋ฅด๊ธฐ๋งŒ ํ•˜๋ฉด ๋ฐฅ์ด
00:35
and Bob's your uncle, it will start baking the perfect loaf of bread.
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์‚ผ์ดŒ์ด ๋˜์–ด ์™„๋ฒฝํ•œ ๋นต ํ•œ ๋ฉ์–ด๋ฆฌ๋ฅผ ๊ตฝ๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค .
00:41
Now, when saying this phrase, we always use the weak version of the word โ€˜yourโ€™ which
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์ž, ์ด ํ‘œํ˜„์„ ๋งํ•  ๋•Œ ์šฐ๋ฆฌ๋Š” ํ•ญ์ƒ 'your'๋ผ๋Š” ๋‹จ์–ด์˜ ์•ฝํ•œ ๋ฒ„์ „์ธ
00:49
is, /jษ™/.
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/jษ™/๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค.
00:51
Bob's your uncle.
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๋ฐฅ์€ ๋‹น์‹ ์˜ ์‚ผ์ดŒ์ž…๋‹ˆ๋‹ค.
00:54
Bob's your uncle.
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๋ฐฅ์€ ๋‹น์‹ ์˜ ์‚ผ์ดŒ์ž…๋‹ˆ๋‹ค.
00:56
You'll notice that the โ€˜sโ€™ at the end of โ€˜Bob'sโ€™ is pronounced as a โ€˜zโ€™
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'Bob's' ๋์— ์žˆ๋Š” 's'๋Š” 'z' '
01:02
โ€˜z-z-z-zโ€™ , which blends nicely into /jษ™/.
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z-z-z-z'๋กœ ๋ฐœ์Œ๋˜๋ฉฐ /jษ™/์™€ ์ž˜ ์–ด์šธ๋ฆฝ๋‹ˆ๋‹ค.
01:06
/zjษ™/, /zjษ™/
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/zjษ™/, /zjษ™/
01:09
Say it with me, /bษ’bzjษ™/, /bษ’bzjษ™/.
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๊ฐ™์ด ๋งํ•ด๋ด, /bษ’bzjษ™/, /bษ’bzjษ™/.
01:13
/bษ’bzjษ™r หˆสŒล‹kl/
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/bษ’bzjษ™r หˆสŒล‹kl/
01:15
/bษ’bzjษ™r หˆสŒล‹kl/ If you were to use the strong version of โ€˜your
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/bษ’bzjษ™r หˆสŒล‹kl/ 'your
01:19
/jษ”หr/โ€™, then the meaning would change and this phrase would become much more literal.
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/jษ”หr/'์˜ ๊ฐ•ํ•œ ๋ฒ„์ „์„ ์‚ฌ์šฉํ•œ๋‹ค๋ฉด ์˜๋ฏธ๊ฐ€ ๋ฐ”๋€Œ๊ณ  ์ด ๋ฌธ๊ตฌ๋Š” ํ›จ์”ฌ ๋” ๋ฌธ์ž ๊ทธ๋Œ€๋กœ๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
01:25
Bob's your uncle.
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๋ฐฅ์€ ๋‹น์‹ ์˜ ์‚ผ์ดŒ์ž…๋‹ˆ๋‹ค.
01:26
Is he?
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๊ทธ๋Š”?
01:27
I had no idea.
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๋‚˜๋Š” ๋ชฐ๋ž๋‹ค.
01:29
Now while we're on the subject of Bob.
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์ด์ œ ์šฐ๋ฆฌ๋Š” Bob์˜ ์ฃผ์ œ์— ์žˆ์Šต๋‹ˆ๋‹ค.
01:32
The next expression is bits and bobs, bits and bobs.
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๋‹ค์Œ ํ‘œํ˜„์€ ๋น„ํŠธ์™€ ๋ฐฅ, ๋น„ํŠธ ์™€ ๋ฐฅ์ž…๋‹ˆ๋‹ค.
01:39
This expression is used to refer to a collection of small items, often unimportant objects.
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์ด ํ‘œํ˜„์€ ์ข…์ข… ์ค‘์š”ํ•˜์ง€ ์•Š์€ ์ž‘์€ ํ•ญ๋ชฉ์˜ ๋ชจ์Œ์„ ๋‚˜ํƒ€๋‚ด๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค.
01:47
I am sure you have a certain drawer or box somewhere that's just full of random bits
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์ž„์˜์˜ ์žก๋™์‚ฌ๋‹ˆ๋กœ ๊ฐ€๋“ ์ฐฌ ์„œ๋ž์ด๋‚˜ ์ƒ์ž๊ฐ€ ์–ด๋”˜๊ฐ€์— ์žˆ์„ ๊ฑฐ๋ผ๊ณ  ํ™•์‹ ํ•ฉ๋‹ˆ๋‹ค.
01:54
and bobs, right?
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๋งž์ฃ ?
01:56
I went to boots this morning and bought a few bits and bobs for my holidays.
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๋‚˜๋Š” ์˜ค๋Š˜ ์•„์นจ ๋ถ€์ธ ์— ๊ฐ”๊ณ  ๋‚ด ํœด๊ฐ€๋ฅผ ์œ„ํ•ด ๋ช‡ ๊ฐ€์ง€ ๋น„ํŠธ์™€ ๋ฐฅ์„ ์ƒ€์Šต๋‹ˆ๋‹ค.
02:00
Wipes, suncream, some hairpins, etc.
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๋ฌผํ‹ฐ์Šˆ, ์ฌํฌ๋ฆผ, ๋จธ๋ฆฌํ•€ ๋ช‡ ๊ฐœ ๋“ฑ.
02:05
When saying this phrase, we use the weak version of โ€˜andโ€™ and we drop the โ€˜dโ€™, leaving
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์ด ํ‘œํ˜„์„ ๋งํ•  ๋•Œ 'and'์˜ ์•ฝํ•œ ๋ฒ„์ „์„ ์‚ฌ์šฉํ•˜๊ณ  'd'๋ฅผ ์ƒ๋žตํ•˜๊ณ 
02:11
us with /ษ™n/, /ษ™n/ bits and /ษ™n/, bits /ษ™n/.
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/ษ™n/, /ษ™n/ ๋น„ํŠธ ๋ฐ /ษ™n/, ๋น„ํŠธ /ษ™n๋งŒ ๋‚จ๊น๋‹ˆ๋‹ค. /.
02:16
You see we blend the โ€˜nโ€™ with โ€˜bitsโ€™ to make /bษชtsษ™n/, /bษชtsษ™n/.
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์šฐ๋ฆฌ๋Š” 'n'์„ '๋น„ํŠธ'์™€ ํ˜ผํ•ฉํ•˜์—ฌ /bษชtsษ™n/, /bษชtsษ™n/์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
02:23
Say it with me.
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์ €์™€ ํ•จ๊ป˜ ๋งํ•ด ๋ณด์„ธ์š”.
02:24
Bits and bobs /bษชtsษ™n bษ’bz/, bits and bobs /bษชtsษ™n bษ’bz/.
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๋น„ํŠธ ์•ค ๋ฐฅ์Šค /bษชtsษ™n bษ’bz/, ๋น„ํŠธ ์•ค ๋ฐฅ์Šค /bษชtsษ™n bษ’bz/.
02:29
Number three is keep a stiff upper lip.
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์„ธ ๋ฒˆ์งธ๋Š” ๋ปฃ๋ปฃํ•œ ์œ—์ž…์ˆ ์„ ์œ ์ง€ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:33
This expression is used to mean showing courage and poise in a difficult situation.
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์ด ํ‘œํ˜„์€ ์–ด๋ ค์šด ์ƒํ™ฉ์—์„œ ์šฉ๊ธฐ์™€ ์นจ์ฐฉํ•จ์„ ๋ณด์ด๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค.
02:41
Almost like you're holding back your feelings and not allowing them to overwhelm you.
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๊ฑฐ์˜ ๋‹น์‹ ์ด ๋‹น์‹ ์˜ ๊ฐ์ •์„ ์–ต์ œ ํ•˜๊ณ  ๊ทธ๋“ค์ด ๋‹น์‹ ์„ ์••๋„ํ•˜์ง€ ๋ชปํ•˜๊ฒŒํ•˜๋Š” ๊ฒƒ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค.
02:50
He kept a stiff upper lip throughout the funeral and stayed strong until he was finally alone
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๊ทธ๋Š” ์žฅ๋ก€์‹ ๋‚ด๋‚ด ๋ปฃ๋ปฃํ•œ ์œ—์ž…์ˆ ์„ ์œ ์ง€ํ–ˆ๊ณ  ๋งˆ์นจ๋‚ด ํ˜ผ์ž๊ฐ€ ๋˜์–ด ๋ชจ๋“  ๊ฒƒ์„ ํ† ํ•ด๋‚ผ ์ˆ˜ ์žˆ์„ ๋•Œ๊นŒ์ง€ ๊ฐ•์ธํ–ˆ์Šต๋‹ˆ๋‹ค
02:55
and could let it all out.
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.
02:57
The โ€˜aโ€™ here is weak /ษ™/.
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์—ฌ๊ธฐ์„œ 'a'๋Š” ์•ฝํ•œ /ษ™/์ž…๋‹ˆ๋‹ค.
03:03
So โ€˜keep aโ€™ sounds like โ€˜keeperโ€™, โ€˜keeperโ€™.
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๊ทธ๋ž˜์„œ 'keep a'๋Š” 'keeper', 'keeper'์ฒ˜๋Ÿผ ๋“ค๋ฆฝ๋‹ˆ๋‹ค.
03:08
Then join โ€˜upperโ€™ on too โ€˜stifโ€™ to make /stษชfหˆสŒpษ™/, /stษชfหˆสŒpษ™/ and you
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๋„ˆ๋ฌด 'stif'์— 'upper'๋ฅผ ๊ฒฐํ•ฉํ•˜์—ฌ /stษชfหˆสŒpษ™/, /stษชfหˆสŒpษ™/๋ฅผ ๋งŒ๋“ค๋ฉด
03:16
have /kiหpษ™stษชfหˆpษ™/, /kiหpษ™stษชfหˆpษ™/.
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/kiหpษ™stษชfหˆpษ™/, /kiหpษ™stษชfหˆpษ™/๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
03:19
Keep a stiff upper lip /kiหpษ™stษชfหˆสŒpษ™ lษชp/.
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๋ปฃ๋ปฃํ•œ ์œ—์ž…์ˆ  ์œ ์ง€ /kiหpษ™stษชfหˆสŒpษ™ lษชp/.
03:22
Keep a stiff upper lip /kiหpษ™stษชfหˆสŒpษ™ lษชp/.
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๋ปฃ๋ปฃํ•œ ์œ—์ž…์ˆ  ์œ ์ง€ /kiหpษ™stษชfหˆสŒpษ™ lษชp/.
03:24
Number four.
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๋„ค ๋ฒˆ์งธ.
03:25
Number four is catch 22.
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๋„ค ๋ฒˆ์งธ๋Š” ์บ์น˜ 22์ž…๋‹ˆ๋‹ค.
03:29
Now this expression is used to describe a dilemma.
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์ด์ œ ์ด ํ‘œํ˜„์€ ๋”œ๋ ˆ๋งˆ๋ฅผ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค .
03:33
A difficult situation from which there is no escape, because no option is a good option.
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์–ด๋–ค ์„ ํƒ๋„ ์ข‹์€ ์„ ํƒ์ด ์•„๋‹ˆ๊ธฐ ๋•Œ๋ฌธ์— ํƒˆ์ถœ๊ตฌ๊ฐ€ ์—†๋Š” ์–ด๋ ค์šด ์ƒํ™ฉ.
03:43
They won't employ me because I haven't got any experience.
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๋‚˜๋Š” ๊ฒฝํ—˜์ด ์—†๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ๋“ค์€ ๋‚˜๋ฅผ ๊ณ ์šฉํ•˜์ง€ ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค .
03:47
But I can't get experience if they don't employ me.
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ํ•˜์ง€๋งŒ ๊ทธ๋“ค์ด ๋‚˜๋ฅผ ๊ณ ์šฉํ•˜์ง€ ์•Š์œผ๋ฉด ๋‚˜๋Š” ๊ฒฝํ—˜์„ ์–ป์„ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค .
03:51
It's a catch 22 situation.
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์บ์น˜ 22 ์ƒํ™ฉ์ž…๋‹ˆ๋‹ค.
03:53
Now in the word โ€˜catchโ€™, ignore the โ€˜tโ€™ but make sure that you don't soften the โ€˜chโ€™
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์ด์ œ 'catch'๋ผ๋Š” ๋‹จ์–ด์—์„œ 't'๋ฅผ ๋ฌด์‹œํ•˜๊ณ 
04:01
it's pronounced /tสƒ/, /tสƒ/.
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/tสƒ/, /tสƒ/๋กœ ๋ฐœ์Œ๋˜๋Š” 'ch'๋ฅผ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ํ•˜์ง€ ์•Š๋„๋ก ์ฃผ์˜ํ•˜์„ธ์š”.
04:04
Not /สƒ/.
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/สƒ/๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
04:06
So we have catch /kรฆtสƒ/, catch /kรฆtสƒ/, catch 22.
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๋”ฐ๋ผ์„œ catch /kรฆtสƒ/, catch /kรฆtสƒ/, catch 22๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
04:12
Now sometimes you'll hear native speakers drop the second โ€˜tโ€™ in 20.
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์ด์ œ ๋•Œ๋•Œ๋กœ ์›์–ด๋ฏผ์ด 20์—์„œ ๋‘ ๋ฒˆ์งธ 't'๋ฅผ ๋–จ์–ด๋œจ๋ฆฌ๋Š” ๊ฒƒ์„ ๋“ค์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:18
They say /หˆtweni/, /หˆtweni/.
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๊ทธ๋“ค์€ /หˆtweni/, /หˆtweni/๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค.
04:22
Twenty-two /หˆtwenti-tuห/ or twenty-two /หˆtweni-tuห/.
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์Šค๋ฌผ๋‘˜ /หˆtwenti-tuห/ ๋˜๋Š” ์Šค๋ฌผ๋‘˜ /หˆtwenti-tuห/.
04:25
But I would encourage you to keep the โ€˜tโ€™ in โ€˜twenty-twoโ€™.
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ํ•˜์ง€๋งŒ 'twenty-two'์—์„œ 't'๋ฅผ ์œ ์ง€ํ•˜๋Š” ๊ฒƒ์ด ์ข‹์Šต๋‹ˆ๋‹ค.
04:31
Keep both โ€˜tsโ€™ in 22.
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22.
04:33
Twenty-two /หˆtwenti-tuห/.
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Twenty-two /หˆtwenti-tuห/์—์„œ ๋‘ 'ts'๋ฅผ ๋ชจ๋‘ ์œ ์ง€ํ•ฉ๋‹ˆ๋‹ค.
04:34
Catch 22.
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22๋ฒˆ์„ ์žก์•„๋ผ.
04:35
Number five, a blessing in disguise.
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๋‹ค์„ฏ ๋ฒˆ์งธ, ์œ„์žฅ๋œ ์ถ•๋ณต.
04:40
I really like this expression because it speaks to the optimist in me.
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์ €๋Š” ์ด ํ‘œํ˜„์ด ์ œ ์•ˆ์˜ ๋‚™์ฒœ์ฃผ์˜์ž์—๊ฒŒ ๋งํ•ด์ฃผ๊ธฐ ๋•Œ๋ฌธ์— ์ •๋ง ์ข‹์Šต๋‹ˆ๋‹ค . ์–ด๋ ต๊ฑฐ๋‚˜ ๋ถˆํ–‰ํ•œ ์ƒํ™ฉ
04:46
It's used to describe a positive result from a difficult or unfortunate situation.
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์—์„œ ๊ธ์ •์ ์ธ ๊ฒฐ๊ณผ๋ฅผ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค .
04:52
For example, breaking your back would be considered a terrible thing but if the next day all able
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์˜ˆ๋ฅผ ๋“ค์–ด, ํ—ˆ๋ฆฌ๊ฐ€ ๋ถ€๋Ÿฌ์ง€๋Š” ๊ฒƒ์€ ๋”์ฐํ•œ ์ผ๋กœ ๊ฐ„์ฃผ๋˜์ง€๋งŒ ๋‹ค์Œ ๋‚  ๊ฑด๊ฐ•ํ•œ ๋ชจ๋“ 
05:03
bodied individuals are drafted into the army to go and fight in a dangerous conflict, and
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์‚ฌ๋žŒ์ด ๊ตฐ๋Œ€์— ์ง•์ง‘๋˜์–ด ์œ„ํ—˜ํ•œ ๋ถ„์Ÿ์— ๋‚˜๊ฐ€ ์‹ธ์šฐ๋Š”๋ฐ ํ—ˆ๋ฆฌ๊ฐ€
05:09
you cannot go because of your broken back, then you may consider that a blessing in disguise.
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๋ถ€๋Ÿฌ์ ธ ๊ฐˆ ์ˆ˜ ์—†๋‹ค๋ฉด ๋‹ค์Œ์„ ๊ณ ๋ คํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋ณ€์žฅํ•œ ์ถ•๋ณต.
05:18
Losing my job was a blessing in disguise, it gave me the opportunity to pursue my dream
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์ง์žฅ์„ ์žƒ์€ ๊ฒƒ์€ ๋ณ€์žฅํ•œ ์ถ•๋ณต์ด์—ˆ๊ณ  ๊ฟˆ์— ๊ทธ๋ฆฌ๋˜ ๊ฒฝ๋ ฅ์„ ์Œ“์„ ์ˆ˜ ์žˆ๋Š” ๊ธฐํšŒ๋ฅผ ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค
05:24
career.
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.
05:25
Now let's look at the two โ€˜insโ€™ together.
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์ด์ œ ๋‘ ๊ฐœ์˜ 'in'์„ ํ•จ๊ป˜ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
05:29
The first is โ€˜INGโ€™.
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์ฒซ ๋ฒˆ์งธ๋Š” 'ING'์ž…๋‹ˆ๋‹ค.
05:31
So this should be made with a back of the tongue high /ล‹/, /ล‹/ followed by โ€˜inโ€™
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๊ทธ๋ž˜์„œ ์ด๊ฒƒ์€ ํ˜€์˜ ๋’ท๋ถ€๋ถ„์„ ๋†’๊ฒŒ /ล‹/, /ล‹/ ๋’ค์—
05:39
(in) which is made with the tip of the tongue on the roof of the mouth โ€˜inโ€™ โ€˜blessing
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ํ˜€๋์„ ์ž…์ฒœ์žฅ์— ์˜ฌ๋ ค์„œ ๋งŒ๋“œ๋Š” 'in'(in)์„ ๋ถ™์—ฌ์„œ ' in' 'blessing
05:46
inโ€™ /หˆblษ›sษชล‹ ษชn/, โ€˜blessing in disguiseโ€™ /หˆblษ›sษชล‹ ษชn dษชsหˆษกaษชz/.
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in' / หˆblษ›sษชล‹ ษชn/, '๋ณ€์žฅ์˜ ์ถ•๋ณต' /หˆblษ›sษชล‹ ษชn dษชsหˆษกaษชz/.
05:52
The final -s in โ€˜disguiseโ€™ is voiced, so it sounds like a โ€˜zโ€™ /zzzzz/.
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'disguise'์˜ ๋งˆ์ง€๋ง‰ -s๋Š” ์œ ์„ฑ์Œ์ด๋ฏ€๋กœ 'z' /zzzzz/์ฒ˜๋Ÿผ ๋“ค๋ฆฝ๋‹ˆ๋‹ค.
06:00
So, we have โ€˜dis-guiseโ€™ /dษชs-ษกaษชz/, โ€˜dis-guiseโ€™ /dษชs-ษกaษชz/, โ€˜dis-guiseโ€™
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๋”ฐ๋ผ์„œ '๋ณ€์žฅ' /dษชs-ษกaษชz/, '๋ณ€์žฅ' /dษชs-ษกaษชz/, '๋ณ€์žฅ'
06:06
/dษชs-ษกaษชz/.
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/dษชs-ษกaษชz/๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
06:07
A blessing in disguise.
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๋ณ€์žฅํ•œ ์ถ•๋ณต.
06:10
/ษ™หˆblษ›sษชล‹ ษชn dษชsหˆษกaษชz/.
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/ษ™blษ›sษชล‹ ษชn dษชsหˆษกaษชz/.
06:13
Number six is lost the plot.
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์—ฌ์„ฏ ๋ฒˆ์งธ๋Š” ์Œ๋ชจ๋ฅผ ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค.
06:17
This expression is used to describe someone who's become confused or irrational, often
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์ด ํ‘œํ˜„์€ ์ข…์ข… ์ŠคํŠธ๋ ˆ์Šค๊ฐ€ ๋งŽ์€ ์ƒํ™ฉ์œผ๋กœ ์ธํ•ด ํ˜ผ๋ž€์Šค๋Ÿฝ๊ฑฐ๋‚˜ ๋น„์ด์„ฑ์ ์ด ๋œ ์‚ฌ๋žŒ์„ ๋ฌ˜์‚ฌํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค
06:25
due to a stressful situation.
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.
06:28
This is a person who's lost the ability to understand or cope with what's happening.
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์ด๊ฒƒ์€ ๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š”์ง€ ์ดํ•ดํ•˜๊ฑฐ๋‚˜ ๋Œ€์ฒ˜ํ•  ์ˆ˜ ์žˆ๋Š” ๋Šฅ๋ ฅ์„ ์ƒ์‹คํ•œ ์‚ฌ๋žŒ์ž…๋‹ˆ๋‹ค.
06:35
Today, during our daily team meeting, my boss completely lost the plot and started shouting
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์˜ค๋Š˜, ์šฐ๋ฆฌ์˜ ์ผ์ผ ํŒ€ ํšŒ์˜์—์„œ ์ƒ์‚ฌ๋Š” ์Œ๋ชจ๋ฅผ ์™„์ „ํžˆ ์žƒ๊ณ  ๋ชฉ์ฒญ๊ป ์†Œ๋ฆฌ๋ฅผ ์ง€๋ฅด๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค
06:44
at the top of his voice.
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.
06:46
Now, depending on the level of emphasis, you may or may not decide to drop the โ€˜tโ€™
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์ด์ œ ๊ฐ•์กฐ ์ˆ˜์ค€์— ๋”ฐ๋ผ
06:54
in both โ€˜lostโ€™ and โ€˜plotโ€™.
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'lost'์™€ 'plot' ๋ชจ๋‘์—์„œ 't'๋ฅผ ์‚ญ์ œํ• ์ง€ ์—ฌ๋ถ€๋ฅผ ๊ฒฐ์ •ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
06:58
So you could say โ€˜lost the plotโ€™ /lษ’s รฐษ™ plษ’/,
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๋”ฐ๋ผ์„œ 'lost the plot' /lษ’s รฐษ™ plษ’/,
07:01
โ€˜lost the plotโ€™ /lษ’s รฐษ™ plษ’/
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'lost the plot' /lษ’s รฐษ™ plษ’/์ด๋ผ๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
07:02
That would usually happen if you're saying it fast.
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.
07:05
He's lost the plot.
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๊ทธ๋Š” ์Œ๋ชจ๋ฅผ ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค.
07:06
/hiหz lษ’s รฐษ™ plษ’/
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/hiหz lษ’s รฐษ™ plษ’/
07:07
Or you could say he's lost the plot.
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๋˜๋Š” ๊ทธ๊ฐ€ ์Œ๋ชจ๋ฅผ ์žƒ์—ˆ๋‹ค๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:12
He's lost the plot.
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๊ทธ๋Š” ์Œ๋ชจ๋ฅผ ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค.
07:14
There I'm being more emphatic.
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๊ฑฐ๊ธฐ์—์„œ ๋‚˜๋Š” ๋” ๋‹จํ˜ธํ•ด์ง€๊ณ  ์žˆ๋‹ค.
07:17
He has lost the plot.
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๊ทธ๋Š” ์Œ๋ชจ๋ฅผ ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค.
07:20
I have to admit that sometimes when my kids have been stuck in the house all day, they
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๋•Œ๋•Œ๋กœ ๋‚ด ์•„์ด๋“ค์ด ํ•˜๋ฃจ ์ข…์ผ ์ง‘์— ๊ฐ‡ํ˜€ ์žˆ์„ ๋•Œ ๊ทธ๋“ค์€
07:25
lose the plot, and so do I.
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์ค„๊ฑฐ๋ฆฌ๋ฅผ ๋†“์น˜๊ณ  ๋‚˜๋„
07:28
Next number seven on tenterhooks, on tenterhooks.
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๋งˆ์ฐฌ๊ฐ€์ง€๋ผ๋Š” ๊ฒƒ์„ ์ธ์ •ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
07:34
Now don't make the mistake of saying โ€˜tenderhooksโ€™.
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์ด์ œ 'tenderhooks'๋ผ๊ณ  ๋งํ•˜๋Š” ์‹ค์ˆ˜๋ฅผ ์ € ์ง€๋ฅด์ง€ ๋งˆ์‹ญ์‹œ์˜ค.
07:37
Those hooks are not tender.
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๊ทธ ๊ณ ๋ฆฌ๋Š” ๋ถ€๋“œ๋Ÿฝ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๋ฐ”๋กœ
07:42
It's โ€˜tenterhooksโ€™.
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'ํ…ํ„ฐํ›…'์ž…๋‹ˆ๋‹ค.
07:44
This expression is used to describe a feeling of anxious anticipation, like when you're
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์ด ํ‘œํ˜„์€ ์ดˆ์กฐํ•˜๊ฒŒ
07:52
waiting nervously for news or for something to potentially happen.
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์†Œ์‹์„ ๊ธฐ๋‹ค๋ฆฌ๊ฑฐ๋‚˜ ๋ฌด์–ธ๊ฐ€ ์ผ์–ด๋‚  ๊ฐ€๋Šฅ์„ฑ์ด ์žˆ๋Š” ์ผ์„ ์ดˆ์กฐํ•˜๊ฒŒ ๊ธฐ๋‹ค๋ฆฌ๋Š” ๊ฒƒ๊ณผ ๊ฐ™์€ ๋ถˆ์•ˆํ•œ ๊ธฐ๋Œ€๊ฐ์„ ๋ฌ˜์‚ฌํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค .
07:58
Like if your football team is in the World Cup final and it's down to a penalty shootout.
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๋‹น์‹ ์˜ ์ถ•๊ตฌํŒ€์ด ์›”๋“œ์ปต ๊ฒฐ์Šน์ „์— ์ง„์ถœํ•˜์—ฌ ์Šน๋ถ€์ฐจ๊ธฐ๊นŒ์ง€ ๊ฐ€๋Š” ๊ฒƒ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค.
08:05
You will be watching on tenterhooks.
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๋‹น์‹ ์€ ํ…ํ„ฐํ›„ํฌ์—์„œ ์ง€์ผœ๋ณผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:08
โ€œYes!!!โ€.
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"์˜ˆ!!!".
08:09
We are all on tenterhooks, waiting for the exam results to come out.
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์šฐ๋ฆฌ ๋ชจ๋‘๋Š” ์‹œํ—˜ ๊ฒฐ๊ณผ๊ฐ€ ๋‚˜์˜ค๊ธฐ๋ฅผ ๊ธฐ๋‹ค๋ฆฌ๋ฉฐ ๊ธด์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:17
The only pronunciation pointer I would give here is not to lengthen the double โ€˜oโ€™.
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๋‚ด๊ฐ€ ์—ฌ๊ธฐ์„œ ์ œ๊ณตํ•  ์œ ์ผํ•œ ๋ฐœ์Œ ํฌ์ธํ„ฐ๋Š” ์ด์ค‘ 'o'๋ฅผ ๊ธธ๊ฒŒ ํ•˜์ง€ ์•Š๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:24
Hooks /hooks/ is not hooks /hu:ks/, but hook /hook/, hook /hook/, hooks /hooks/, hooks
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Hooks /hooks/๋Š” hooks /hu:ks/๊ฐ€ ์•„๋‹ˆ๋ผ hook /hook/, hook /hook/, hooks /hooks/, hooks
08:33
on tenterhooks.
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on tenterhooks์ž…๋‹ˆ๋‹ค.
08:35
Next, we have number eight toe the line, toe the line.
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๋‹ค์Œ์œผ๋กœ, ์šฐ๋ฆฌ๋Š” 8๋ฒˆ์ด ์„ ์„ ํ–ฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์„ ์„ ํ–ฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:43
This expression is used to mean obey the rules or conform to expectations.
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์ด ํ‘œํ˜„์€ ๊ทœ์น™์„ ๋”ฐ๋ฅด๊ฑฐ๋‚˜ ๊ธฐ๋Œ€์— ๋ถ€์‘ํ•œ๋‹ค๋Š” ์˜๋ฏธ๋กœ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค.
08:50
Do what is expected of you and don't cause trouble or pushback in any way.
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๊ท€ํ•˜์—๊ฒŒ ๊ธฐ๋Œ€๋˜๋Š” ๋ฐ”๋ฅผ ์ˆ˜ํ–‰ํ•˜๊ณ  ์–ด๋–ค ์‹์œผ๋กœ๋“  ๋ฌธ์ œ๋ฅผ ์ผ์œผํ‚ค๊ฑฐ๋‚˜ ๋ฐ˜๋ฐœํ•˜์ง€ ๋งˆ์‹ญ์‹œ์˜ค.
08:56
Toe the line.
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์ค„์„ ์„œ์‹ญ์‹œ์˜ค.
08:58
Julia has always been a bit of a rebel, but when she joined the police force, she was
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์ค„๋ฆฌ์•„๋Š” ํ•ญ์ƒ ๋‹ค์†Œ ๋ฐ˜ํ•ญ์ ์ด์—ˆ์ง€๋งŒ, ๊ฒฝ์ฐฐ์— ์ž…๋Œ€ํ–ˆ์„ ๋•Œ
09:03
forced to toe the line and follow the company's policies.
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ํšŒ์‚ฌ ์ •์ฑ…์„ ๋”ฐ๋ผ์•ผ ํ–ˆ์Šต๋‹ˆ๋‹ค .
09:07
Regarding pronunciation.
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๋ฐœ์Œ์— ๊ด€ํ•˜์—ฌ.
09:09
Here the โ€˜thโ€™ must be pronounced fully
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์—ฌ๊ธฐ์„œ 'th'๋Š” ์น˜์•„ ์‚ฌ์ด์— ํ˜€๊ฐ€ ์žˆ๋Š” ์ƒํƒœ์—์„œ ์™„์ „ํžˆ ๋ฐœ์Œํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค
09:12
with the tongue between the teeth โ€“ โ€˜theโ€™ /รฐษ™/
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. 'the' /รฐษ™/
09:16
and let's have a nice sweeping โ€˜ษ™สŠโ€™ in โ€˜toeโ€™,
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๊ทธ๋ฆฌ๊ณ  'toe'์—์„œ 'ษ™สŠ'๋ฅผ ๋ฉ‹์ง€๊ฒŒ ํ›‘์–ด๋ด…์‹œ๋‹ค .
09:21
not two /tuห/ or /tษ”:/,
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๋‘ /tuห/ ๋˜๋Š” /tษ”:/๊ฐ€
09:22
but toe /tษ™สŠ/, toe the /tษ™สŠ รฐษ™/,
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์•„๋‹ˆ๋ผ toe /์ž…๋‹ˆ๋‹ค. tษ™สŠ/, toe the /tษ™สŠ รฐษ™/,
09:25
toe the /tษ™สŠ รฐษ™/
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toe the /tษ™สŠ รฐษ™/
09:27
toe the line /tษ™สŠ รฐษ™ laษชn/,
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toe the line /tษ™สŠ รฐษ™ laษชn/,
09:29
toe the line /tษ™สŠ รฐษ™ laษชn/.
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toe the line /tษ™สŠ รฐษ™ laษชn/.
09:30
Number nine, the last straw.
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9๋ฒˆ, ๋งˆ์ง€๋ง‰ ๋นจ๋Œ€.
09:34
This expression is used to describe the final thing or issue, problem or insult, which is
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์ด ํ‘œํ˜„์€ ๋งˆ์ง€๋ง‰ ๋ฌธ์ œ๋‚˜ ๋ฌธ์ œ, ๋ฌธ์ œ ๋˜๋Š” ๋ชจ์š•์„ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋˜๋ฉฐ
09:41
just too much to bear and it causes an unwanted change.
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์ด๋Š” ๊ฒฌ๋””๊ธฐ ํž˜๋“ค๊ณ  ์›์น˜ ์•Š๋Š” ๋ณ€ํ™”๋ฅผ ์ผ์œผํ‚ต๋‹ˆ๋‹ค .
09:47
Like imagine carrying a huge box and only just able to cope then someone places a magazine
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๊ฑฐ๋Œ€ํ•œ ์ƒ์ž๋ฅผ ๋‚˜๋ฅด๊ณ  ๊ฒจ์šฐ ๋Œ€์ฒ˜ํ•  ์ˆ˜ ์žˆ์„ ๋•Œ ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์žก์ง€๋ฅผ
09:55
on top.
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์œ„์— ๋†“๋Š” ๊ฒƒ์„ ์ƒ์ƒํ•˜๋Š” ๊ฒƒ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค. ์•ฝ๊ฐ„
09:59
That's tiny addition of weight is enough to make you collapse on the floor.
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์˜ ๋ฌด๊ฒŒ ์ถ”๊ฐ€๋งŒ์œผ๋กœ๋„ ๋ฐ”๋‹ฅ์— ์“ฐ๋Ÿฌ์ง€๊ธฐ์— ์ถฉ๋ถ„ํ•ฉ๋‹ˆ๋‹ค.
10:07
That magazine was the final straw.
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๊ทธ ์žก์ง€๋Š” ๋งˆ์ง€๋ง‰ ๋นจ๋Œ€์˜€์Šต๋‹ˆ๋‹ค.
10:11
The news of the pay cut was the last straw, he decided to quit his job.
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๊ธ‰์—ฌ ์‚ญ๊ฐ ์†Œ์‹์ด ๋งˆ์ง€๋ง‰ ์ง€ํ‘ธ๋ผ๊ธฐ์˜€๋˜ ๊ทธ๋Š” ์ง์žฅ์„ ๊ทธ๋งŒ๋‘๊ธฐ๋กœ ๊ฒฐ์‹ฌํ–ˆ๋‹ค.
10:17
In this phrase, let's open the mouth wide for long /ษ‘ห/ in last /lษ‘หst/
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์ด ๊ตฌ์—์„œ ์ž…์„ ํฌ๊ฒŒ ๋ฒŒ๋ฆฌ์ž ๊ธธ๊ฒŒ /ษ‘ห/ in last /lษ‘หst/
10:24
last /lษ‘หst/
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last /lษ‘หst/
10:26
if that fast the โ€˜tโ€™ in last maybe dropped
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๊ทธ๋ ‡๊ฒŒ ๋น ๋ฅด๋‹ค๋ฉด the 't' in last ์•„๋งˆ๋„
10:30
last straw /lษ‘หs strษ”ห/
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๋งˆ์ง€๋ง‰ ๋นจ๋Œ€ /lษ‘หs strษ”ห/
10:32
last straw /lษ‘หs strษ”ห/
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๋งˆ์ง€๋ง‰ ๋นจ๋Œ€ /lษ‘หs strษ”ห/
10:34
And the final vowel requires a big space inside the mouth or /ษ”ห/, or /ษ”ห/
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๊ทธ๋ฆฌ๊ณ  ๋งˆ์ง€๋ง‰ ๋ชจ์Œ ์ž… ์•ˆ์— ํฐ ๊ณต๊ฐ„์ด ํ•„์š”ํ•˜๊ฑฐ๋‚˜ /ษ”ห/ ๋˜๋Š” /ษ”ห/
10:41
straw /strษ”ห/
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straw /strษ”ห/
10:42
the last straw /รฐษ™ lษ‘หst strษ”ห/ the last straw /รฐษ™ lษ‘หst strษ”ห/
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the last straw /รฐษ™ lษ‘หst strษ”ห/ the last straw /รฐษ™ lษ‘หst strษ”ห/
10:46
Now I do hope we're on the same page, which is my 10th phrase on the same page.
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์ด์ œ ์šฐ๋ฆฌ๊ฐ€ ๊ฐ™์€ ํŽ˜์ด์ง€์— ์žˆ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค. ๊ฐ™์€ ํŽ˜์ด์ง€์— ์žˆ๋Š” 10๋ฒˆ์งธ ๊ตฌ์ž…๋‹ˆ๋‹ค.
10:54
This expression is used to describe when two or more people have the same understanding
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์ด ํ‘œํ˜„์€ ๋‘˜ ์ด์ƒ์˜ ์‚ฌ๋žŒ๋“ค์ด
11:00
of a particular issue.
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ํŠน์ • ๋ฌธ์ œ์— ๋Œ€ํ•ด ๋™์ผํ•œ ์ดํ•ด๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์„ ๋•Œ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค.
11:02
For example, I am committed to doing intermittent fasting and my partner is on the same page.
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์˜ˆ๋ฅผ ๋“ค์–ด, ๋‚˜๋Š” ๊ฐ„ํ—์  ๋‹จ์‹์„ ํ•˜๊ธฐ ์œ„ํ•ด ์ตœ์„ ์„ ๋‹คํ•˜๊ณ  ์žˆ๊ณ  ํŒŒํŠธ๋„ˆ๋„ ๊ฐ™์€ ํŽ˜์ด์ง€์— ์žˆ์Šต๋‹ˆ๋‹ค.
11:10
We've both read the same information about it and we understand its benefits.
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์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ๋™์ผํ•œ ์ •๋ณด๋ฅผ ์ฝ์—ˆ์œผ๋ฉฐ ๊ทธ ์ด์ ์„ ์ดํ•ดํ•ฉ๋‹ˆ๋‹ค.
11:15
So we are on the same page.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๊ฐ™์€ ํŽ˜์ด์ง€์— ์žˆ์Šต๋‹ˆ๋‹ค.
11:18
My aunt, however, has not read the information and she is skeptical about it.
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๊ทธ๋Ÿฌ๋‚˜ ์ด๋ชจ๋Š” ์ •๋ณด๋ฅผ ์ฝ์ง€ ์•Š์•˜๊ณ  ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ํšŒ์˜์ ์ž…๋‹ˆ๋‹ค.
11:25
She is not on the same page as us.
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๊ทธ๋…€๋Š” ์šฐ๋ฆฌ์™€ ๊ฐ™์€ ํŽ˜์ด์ง€์— ์žˆ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
11:27
We need to make sure we're all on the same page before we commit to buying a house.
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์šฐ๋ฆฌ๋Š” ์ง‘์„ ์‚ฌ๊ธฐ๋กœ ์•ฝ์†ํ•˜๊ธฐ ์ „์— ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ๊ฐ™์€ ํŽ˜์ด์ง€์— ์žˆ๋Š”์ง€ ํ™•์ธํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค .
11:33
And talking about pages.
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๊ทธ๋ฆฌ๊ณ  ํŽ˜์ด์ง€์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•ฉ๋‹ˆ๋‹ค. ์ด ์ˆ˜์—…์„
11:35
I have created a lovely PDF worksheet for this lesson, which you can download for free
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์œ„ํ•ด ๋ฉ‹์ง„ PDF ์›Œํฌ์‹œํŠธ๋ฅผ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค .
11:41
by joining my free ESL mailing list.
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์ œ ๋ฌด๋ฃŒ ESL ๋ฉ”์ผ๋ง ๋ฆฌ์ŠคํŠธ์— ๊ฐ€์ž…ํ•˜๋ฉด ๋ฌด๋ฃŒ๋กœ ๋‹ค์šด๋กœ๋“œํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
11:44
I'll leave a link in the description below.
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์•„๋ž˜ ์„ค๋ช…๋ž€์— ๋งํฌ๋ฅผ ๋‚จ๊ฒจ๋‘๊ฒ ์Šต๋‹ˆ๋‹ค.
11:47
Number 11.
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๋ฒˆํ˜ธ 11.
11:48
A fly in the ointment.
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์—ฐ๊ณ  ์†์˜ ํŒŒ๋ฆฌ.
11:50
This expression is used to describe something which spoils a situation just as a fly would
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์ด ํ‘œํ˜„์€ ํŒŒ๋ฆฌ๊ฐ€
11:57
if it blew into a freshly painted wall and stuck.
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์ƒˆ๋กœ ์น ํ•œ ๋ฒฝ์— ๋‚ ์•„๊ฐ€์„œ ๋‹ฌ๋ผ๋ถ™๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ์ƒํ™ฉ์„ ๋ง์น˜๋Š” ๊ฒƒ์„ ๋ฌ˜์‚ฌํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค .
12:01
Oh a fly.
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์˜ค ํŒŒ๋ฆฌ.
12:03
I've just painted that wall.
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๋ฐฉ๊ธˆ ๊ทธ ๋ฒฝ์„ ๊ทธ๋ ธ์Šต๋‹ˆ๋‹ค.
12:05
Daniels severe intoxication on his wedding day was the fly in the ointment the whole
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๊ฒฐํ˜ผ์‹ ๋‚  ๋‹ค๋‹ˆ์—˜์˜ ์‹ฌํ•œ ์ทจ๊ธฐ๋Š” ์˜จ์ข…์ผ ์—ฐ๊ณ ์— ํŒŒ๋ฆฌ๊ฐ€ ๋ฐ•ํ˜€
12:12
day was ruined.
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๋ง๊ฐ€์ง„ ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
12:14
โ€˜Theโ€™ here is pronounced /รฐiห/ because the following sound is a vowel sound /หˆษ”ษช/
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์—ฌ๊ธฐ์„œ 'The'๋Š” /รฐiห/๋กœ ๋ฐœ์Œ๋˜๋Š”๋ฐ, ๋’ค์— ์˜ค๋Š” ์†Œ๋ฆฌ๊ฐ€ ๋ชจ์Œ ์†Œ๋ฆฌ /หˆษ”ษช/
12:20
ointment.
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์—ฐ๊ณ ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
12:21
So, the ointment /รฐi หˆษ”ษชntmษ™nt/, /รฐi หˆษ”ษชntmษ™nt/.
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๊ทธ๋ž˜์„œ ์—ฐ๊ณ  /รฐi หˆษ”ษชntmษ™nt/, /รฐi หˆษ”ษชntmษ™nt/.
12:27
And the first โ€˜tโ€™ in oint-meant is often dropped.
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๊ทธ๋ฆฌ๊ณ  oint-means์˜ ์ฒซ ๋ฒˆ์งธ 't'๋Š” ์ข…์ข… ์ƒ๋žต๋ฉ๋‹ˆ๋‹ค.
12:31
A fly in the ointment /ษ™ flaษช ษชn รฐi หˆษ”ษชnmษ™nt/,
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A fly in the ointment /ษ™ flaษช ษชn รฐi หˆษ”ษชnmษ™nt/,
12:34
A fly in the ointment /ษ™ flaษช ษชn รฐi หˆษ”ษชnmษ™nt/
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A fly in the ointment /ษ™ flaษช ษชn รฐi หˆษ”ษชnmษ™nt/
12:38
Number twelve.
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12๋ฒˆ.
12:39
To turn the tables.
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ํŒ์„ธ๋ฅผ ๋’ค์ง‘๊ธฐ ์œ„ํ•ด.
12:42
This expression is used to describe a situation where the balance of power has changed, or
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์ด ํ‘œํ˜„์€ ํž˜์˜ ๊ท ํ˜•์ด ๋ฐ”๋€Œ๊ฑฐ๋‚˜ ๋‹ค๋ฅธ ์‚ฌ๋žŒ์— ๋น„ํ•ด
12:50
where there's a reversal of one's position relative to someone else.
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์ž์‹ ์˜ ์œ„์น˜๊ฐ€ ์—ญ์ „๋œ ์ƒํ™ฉ์„ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค .
12:56
So for example, if I am super rich, and I'm offering you a job because you're struggling
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์˜ˆ๋ฅผ ๋“ค์–ด, ๋‚ด๊ฐ€ ์•„์ฃผ ๋ถ€์ž์ธ๋ฐ ๋‹น์‹ ์ด ์žฌ์ •์ ์œผ๋กœ ์–ด๋ ค์›€์„ ๊ฒช๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์ผ์ž๋ฆฌ๋ฅผ ์ œ์•ˆํ–ˆ๋Š”๋ฐ
13:03
financially, but then next week, you suddenly become super rich and I lose everything.
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๋‹ค์Œ ์ฃผ์— ๋‹น์‹ ์ด ๊ฐ‘์ž๊ธฐ ์Šˆํผ ๋ถ€์ž๊ฐ€ ๋˜์—ˆ๊ณ  ๋‚˜๋Š” ๋ชจ๋“  ๊ฒƒ์„ ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค.
13:10
And I asked you for a job, you could say the tables have turned.
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๊ทธ๋ฆฌ๊ณ  ์ œ๊ฐ€ ๋‹น์‹ ์—๊ฒŒ ์ผ์ž๋ฆฌ๋ฅผ ์š”์ฒญํ–ˆ๋Š”๋ฐ ์ƒํ™ฉ์ด ๋ฐ”๋€Œ์—ˆ๋‹ค๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
13:15
At the start of the debate he was making me look really bad running rings around me with
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ํ† ๋ก ์ด ์‹œ์ž‘๋  ๋•Œ ๊ทธ๋Š” ๋ฉ‹์ง„ ๋ง๋กœ ๋‚ด ์ฃผ์œ„๋ฅผ ๋‹ฌ๋ฆฌ๋Š” ๋ง์„ ์ •๋ง ๋‚˜์˜๊ฒŒ ๋ณด์ด๊ฒŒ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค
13:21
his fancy words.
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.
13:24
However, once I calmed down and started making my points, I was able to turn the tables on
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๊ทธ๋Ÿฌ๋‚˜ ๋‚ด๊ฐ€ ์ง„์ •ํ•˜๊ณ  ์š”์ ์„ ๋ฐํžˆ๊ธฐ ์‹œ์ž‘ํ•˜์ž ๋‚˜๋Š” ๊ทธ์—๊ฒŒ ์ƒํ™ฉ์„ ๋’ค์ง‘๊ณ 
13:30
him and win the overall argument.
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์ „๋ฐ˜์ ์ธ ๋…ผ์Ÿ์—์„œ ์ด๊ธธ ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
13:33
Now the โ€˜urโ€™ /ษœห/ vowel is tricky for many students
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์ด์ œ 'ur' /ษœห/ ๋ชจ์Œ์€ ๋งŽ์€ ํ•™์ƒ๋“ค์—๊ฒŒ ๊นŒ๋‹ค๋กญ์Šต๋‹ˆ๋‹ค '
13:37
โ€˜urโ€™ /ษœห/ We ignore the letter โ€˜rโ€™ so we don't say
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ur' /ษœห/ ์šฐ๋ฆฌ๋Š” ๋ฌธ์ž 'r'์„ ๋ฌด์‹œํ•˜๋ฏ€๋กœ '
13:43
โ€˜turnโ€™ /tษœหrn/, we say โ€˜turnโ€™ /tษœหn/
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turn' /tษœหrn/, 'turn' /tษœหn/
13:46
/tษœหn/ and we make the long /ษœห/ sound
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/tษœหn / ๊ธด /ษœห/ ์†Œ๋ฆฌ๋ฅผ
13:51
no โ€˜rโ€™ turn /tษœหn/,
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'r'์ด ์•„๋‹Œ /tษœหn/,
13:54
turn /tษœหn/.
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/tษœหn/์œผ๋กœ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
13:55
The other thing to note here is the end of โ€˜tableโ€™, โ€˜tableโ€™, โ€˜tablesโ€™.
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์—ฌ๊ธฐ์„œ ์ฃผ๋ชฉํ•ด์•ผ ํ•  ๋˜ ๋‹ค๋ฅธ ์‚ฌํ•ญ์€ 'table', 'table', 'tables'์˜ ๋์ž…๋‹ˆ๋‹ค.
14:03
The โ€˜Lโ€™ here is a dark โ€˜Lโ€™.
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์—ฌ๊ธฐ์„œ 'L'์€ ์–ด๋‘์šด 'L'์ž…๋‹ˆ๋‹ค.
14:05
Uhl-- Uhl-- Table /หˆteษชbษ™l/.
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Uhl-- Uhl-- ํ…Œ์ด๋ธ” /หˆteษชbษ™l/.
14:08
Table /หˆteษชbษ™l/.
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ํ‘œ /teษชbษ™l/.
14:10
So you want to make the sound resonate further back in your mouth so that it creates a darker
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๋”ฐ๋ผ์„œ ์†Œ๋ฆฌ๊ฐ€ ์ž…์•ˆ์—์„œ ๋” ๋ฉ€๋ฆฌ ์šธ๋ ค ํผ์ง€๊ฒŒ ํ•˜์—ฌ ๋” ์–ด๋‘์šด
14:16
sound.
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์†Œ๋ฆฌ๋ฅผ ์ƒ์„ฑํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
14:17
Uhl -- Table /หˆteษชbษ™l/.
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Uhl -- ํ‘œ /teษชbษ™l/.
14:18
To turn the tables.
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ํŒ์„ธ๋ฅผ ๋’ค์ง‘๊ธฐ ์œ„ํ•ด.
14:21
Next, we have 13 - out of the blue.
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๋‹ค์Œ์œผ๋กœ, ๊ฐ‘์ž๊ธฐ 13๊ฐœ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
14:27
This expression is used to describe something which happens unexpectedly.
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์ด ํ‘œํ˜„์€ ์˜ˆ๊ธฐ์น˜ ์•Š๊ฒŒ ๋ฐœ์ƒํ•˜๋Š” ์ผ์„ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค .
14:33
So when you do not expect it.
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๊ทธ๋ž˜์„œ ๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ๊ธฐ๋Œ€ํ•˜์ง€ ์•Š์„ ๋•Œ.
14:36
For example, it could be a nice surprise to get a phone call from an old friend out of
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์˜ˆ๋ฅผ ๋“ค์–ด, ์˜ค๋žœ ์นœ๊ตฌ๋กœ๋ถ€ํ„ฐ ๊ฐ‘์ž๊ธฐ ์ „ํ™”๋ฅผ ๋ฐ›๋Š” ๊ฒƒ์€ ๋†€๋ผ์šด ์ผ์ด ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
14:41
the blue.
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.
14:42
Oh, sorry, hang on.
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์•„, ์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค. ์ž ์‹œ๋งŒ์š”.
14:44
My phone is.. is ringing.
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๋‚ด ์ „ํ™”๋Š”..๋ฒจ์ด ์šธ๋ฆฐ๋‹ค.
14:46
Oh, itsโ€™ Sadie.
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์˜ค, ๊ทธ ์ƒˆ๋””.
14:49
Hi, Sadie, how are you?
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์•ˆ๋…•, ์ƒˆ๋””, ์ž˜ ์ง€๋‚ด?
14:54
This is a nice surprise.
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์ด๊ฒƒ์€ ์ข‹์€ ๋†€๋ผ์›€์ž…๋‹ˆ๋‹ค.
14:55
I haven't heard from you for ages.
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์˜ค๋žซ๋™์•ˆ ์†Œ์‹์„ ๋“ฃ์ง€ ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค. ๋ฌด์Šจ ์ผ์ด์•ผ
14:57
You're calling me out of the blue what's going on?
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?
15:00
Now with this phrase, you have a few options, we can say, out of the blue, with a week of
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์ด์ œ ์ด ๋ฌธ๊ตฌ๋ฅผ ์‚ฌ์šฉํ•˜๋ฉด ๋ช‡ ๊ฐ€์ง€ ์˜ต์…˜์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ผ์ฃผ์ผ์—
15:08
/ษ™v/, /ษ™v/, /ษ™v/.
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/ษ™v/, /ษ™v/, /ษ™v/๋กœ ๊ฐ‘์ž๊ธฐ ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
15:10
Out of the blue /aสŠt ษ™v รฐษ™ bluห/
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Out of the blue /aสŠt ษ™v รฐษ™ bluห/
15:13
or outta the blue /หˆaสŠtษ™ รฐษ™ bluห/
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or outta the blue /หˆaสŠtษ™ รฐษ™ bluห/
15:15
outta the blue /หˆaสŠtษ™ รฐษ™ bluห/
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outta the blue /หˆaสŠtษ™ รฐษ™ bluห/ /
15:18
taking away the /v/ outta
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v/๋ฅผ outta
15:19
not out of, outta, outta the blue /หˆaสŠtษ™ รฐษ™ bluห/.
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not out of, outta, outta the blue /หˆaสŠtษ™ รฐษ™ bluห/.
15:24
Or we can go one step further and do a glottal โ€˜Tโ€™.
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๋˜๋Š” ํ•œ ๋‹จ๊ณ„ ๋” ๋‚˜์•„๊ฐ€ ์„ฑ๋ฌธ 'T'๋ฅผ ํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
15:28
Out of /หˆaสŠส”ษ™/
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/หˆaสŠส”ษ™/ ์ค‘์—์„œ
15:29
out of the blue /หˆaสŠส”ษ™ รฐษ™ bluห/, out of the blue /หˆaสŠส”ษ™ รฐษ™ bluห/.
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๋Š๋‹ท์—†์ด /หˆaสŠส”ษ™ รฐษ™ bluห/, ๋Š๋‹ท์—†์ด /หˆaสŠส”ษ™ รฐษ™ bluห/.
15:33
Though, I would always encourage you to work a bit harder, and keep this โ€˜Tโ€™ in place
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ํ•˜์ง€๋งŒ ์ €๋Š” ํ•ญ์ƒ ์—ฌ๋Ÿฌ๋ถ„์ด ์ข€ ๋” ์—ด์‹ฌํžˆ ๋…ธ๋ ฅํ•˜๊ณ  ์ด 'T'๋ฅผ ๋œฌ๊ธˆ
15:39
out of the blue /หˆaสŠtษ™ รฐษ™ bluห/, out of the blue /หˆaสŠtษ™ รฐษ™ bluห/.
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์—†์ด /หˆaสŠtษ™ รฐษ™ bluห/, ๋œฌ๊ธˆ์—†์ด /หˆaสŠtษ™ รฐษ™ bluห/์— ๋‘๋„๋ก ๊ถŒํ•˜๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
15:43
Number 14.
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14๋ฒˆ. ์ž์‹ ์„
15:44
To hold your own.
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์†Œ์œ ํ•˜๊ธฐ ์œ„ํ•ด.
15:47
This expression is used to describe when you're able to defend yourself or maintain your position.
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์ด ํ‘œํ˜„์€ ์ž์‹ ์„ ๋ฐฉ์–ดํ•˜๊ฑฐ๋‚˜ ์œ„์น˜๋ฅผ ์œ ์ง€ํ•  ์ˆ˜ ์žˆ์„ ๋•Œ๋ฅผ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค.
15:55
So, if someone is bullying you or putting pressure on you to do something that you don't
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๋”ฐ๋ผ์„œ ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ๋‹น์‹ ์„ ๊ดด๋กญํžˆ๊ฑฐ๋‚˜ ๋‹น์‹ ์ด ์›ํ•˜์ง€ ์•Š๋Š” ์ผ์„ ํ•˜๋„๋ก ์••๋ ฅ์„ ๊ฐ€ํ•œ๋‹ค๋ฉด
16:01
want to do, then you will need to hold your own especially if there's no one else there
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, ํŠนํžˆ ๋‹น์‹ ์„ ์ง€์ง€ํ•˜๊ฑฐ๋‚˜ ์ง€์›ํ•ด ์ค„ ๋‹ค๋ฅธ ์‚ฌ๋žŒ์ด ์—†๋‹ค๋ฉด ๋‹น์‹ ์€ ์Šค์Šค๋กœ๋ฅผ ๋ฒ„ํ‹ธ ํ•„์š”๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค
16:08
to back you up or support you.
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.
16:11
She was the underdog but she managed to hold her own against some of the toughest opponents
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๊ทธ๋…€๋Š” ์•ฝ์ž ์˜€์ง€๋งŒ ๊ฒฝ์Ÿ์—์„œ ๊ฐ€์žฅ ํž˜๋“  ์ƒ๋Œ€๋ฅผ ์ƒ๋Œ€๋กœ ์ž์‹ ์„ ์œ ์ง€ํ–ˆ์Šต๋‹ˆ๋‹ค
16:16
in the competition.
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.
16:18
Again, the โ€˜yourโ€™ /jษ”ห/ here can be weak /jษ™/.
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์—ฌ๊ธฐ์„œ๋„ '๋‹น์‹ ์˜' /jษ”ห/๋Š” ์•ฝํ•œ /jษ™/์ผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
16:22
โ€˜yourโ€™ /jษ™/.
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'๋‹น์‹ ์˜' /jษ™/.
16:24
Hold your own /hษ™สŠld jษ™r ษ™สŠn/
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๋‚˜๋งŒ์˜ /hษ™สŠld jษ™r ษ™สŠn/์„ ์žก์•„๋ผ ๋‚˜๋งŒ์˜
16:26
hold your own /hษ™สŠld jษ™r ษ™สŠn/.
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/hษ™สŠld jษ™r ษ™สŠn/์„ ์žก์•„๋ผ.
16:27
Then it starts to sound like hold your /hษ™สŠldjษ™/, hold your /hษ™สŠldjษ™/
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๊ทธ๋Ÿฐ ๋‹ค์Œ /hษ™สŠldjษ™/๋ฅผ ์žก๊ณ , /hษ™สŠldjษ™/๋ฅผ ์žก๊ณ  ์žˆ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
16:32
Then we have an intruding /r/ popping in here between
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๊ทธ๋Ÿฐ ๋‹ค์Œ /rษ™สŠn/, /rษ™สŠn/์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด
16:36
/jษ™/ and /ษ™สŠn/
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/jษ™/์™€ /ษ™สŠn/ ์‚ฌ์ด์— ์นจ์ž…ํ•˜๋Š” /r/์ด ์žˆ์Šต๋‹ˆ๋‹ค
16:38
to make /rษ™สŠn/, /rษ™สŠn/.
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.
16:41
So we have /hษ™สŠl djษ™ rษ™สŠn/,
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” /hษ™สŠl djษ™ rษ™สŠn/,
16:43
/hษ™สŠl djษ™ rษ™สŠn/,
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/hษ™สŠl djษ™ rษ™สŠn/, ๋‚˜๋งŒ์˜ /
16:45
hold your own /hษ™สŠl djษ™ rษ™สŠn/,
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hษ™สŠl djษ™ rษ™สŠn/, ๋‚˜๋งŒ
16:49
hold your own /hษ™สŠl djษ™ rษ™สŠn/.
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์˜ /hษ™สŠl djษ™ rษ™สŠn/์ด ์žˆ์Šต๋‹ˆ๋‹ค.
16:51
Number 15.
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15๋ฒˆ.
16:52
To cut to the chase.
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์ถ”๊ฒฉ์ „์— ๋›ฐ์–ด๋“ค๋‹ค.
16:56
This expression is used to mean getting to the point quickly.
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์ด ํ‘œํ˜„์€ ์š”์ ์— ๋นจ๋ฆฌ ๋„๋‹ฌํ•œ๋‹ค๋Š” ์˜๋ฏธ๋กœ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค .
17:01
We use it when we need to be direct and say what's important.
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์ง์ ‘์ ์ด๊ณ  ์ค‘์š”ํ•œ ๊ฒƒ์„ ๋งํ•ด์•ผ ํ•  ๋•Œ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค .
17:05
In the UK we aren't typically direct unless the situation really requires it.
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์˜๊ตญ์—์„œ๋Š” ์ƒํ™ฉ์ด ์‹ค์ œ๋กœ ํ•„์š”ํ•˜์ง€ ์•Š๋Š” ํ•œ ์ผ๋ฐ˜์ ์œผ๋กœ ์ง์ ‘์ ์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค .
17:13
Often being too direct can be considered impolite.
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์ข…์ข… ๋„ˆ๋ฌด ์ง์„ค์ ์ธ ๊ฒƒ์€ ๋ฌด๋ก€ํ•œ ๊ฒƒ์œผ๋กœ ๊ฐ„์ฃผ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
17:16
But there are times when you need to be direct.
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ํ•˜์ง€๋งŒ ์ง์„ค์ ์ด์–ด์•ผ ํ•  ๋•Œ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
17:20
If you are in charge, and have to be decisive.
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๋‹น์‹ ์ด ์ฑ…์ž„์ž๋ผ๋ฉด ๊ฒฐ๋‹จ๋ ฅ์ด ์žˆ์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
17:25
If a situation is dangerous, and you have to be clear and to the point, or simply if
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์ƒํ™ฉ์ด ์œ„ํ—˜ํ•˜๊ณ  ๋ช…ํ™•ํ•˜๊ณ  ์š”์ ์„ ๋งํ•ด์•ผ ํ•˜๊ฑฐ๋‚˜ ๋‹จ์ˆœํžˆ
17:31
time is tight, and a deadline is looming.
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์‹œ๊ฐ„์ด ์ด‰๋ฐ•ํ•˜๊ณ  ๊ธฐํ•œ์ด ๋‹ค๊ฐ€์˜ค๊ณ  ์žˆ๋Š” ๊ฒฝ์šฐ.
17:35
Look, let's cut to the chase, I need you to finish the project by Friday or you're out.
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์ด๋ด, ๋ณธ๋ก ์œผ๋กœ ๋“ค์–ด๊ฐ€์ž, ๊ธˆ์š”์ผ๊นŒ์ง€ ํ”„๋กœ์ ํŠธ๋ฅผ ๋๋‚ด์ง€ ์•Š์œผ๋ฉด ๋„Œ ๋‚˜๊ฐ€์•ผ ํ•ด.
17:41
In this phrase, we merge the two /t/ โ€˜Tsโ€™ in โ€˜cutโ€™ and โ€˜to.
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์ด ๊ตฌ๋ฌธ์—์„œ๋Š” 'cut'๊ณผ 'to'์˜ ๋‘ /t/ 'Ts'๋ฅผ ๋ณ‘ํ•ฉํ•ฉ๋‹ˆ๋‹ค .
17:48
So we hear, cut to /kสŒtษ™/,
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๋“ฃ๊ณ , /kสŒtษ™/๋กœ ์ž๋ฅด๊ณ , /
17:52
cut to /kสŒtษ™/
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17:53
You might be able to hear the hold or a glottal stop in cut /kสŒส”/,
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kสŒtษ™/๋กœ ์ž๋ฅด๊ณ , /
18:00
cut /kสŒส”/, cut to /kสŒส” tษ™/,
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kสŒส”/๋กœ ์ž๋ฅด๊ณ , /kสŒส”/๋กœ ์ž๋ฅด๊ณ , /kสŒส” tษ™/๋กœ ์ž๋ฅด๊ณ ,
18:02
cut to /kสŒส” tษ™/,
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/kสŒส” tษ™๋กœ ์ž๋ฅด๋ฉด์„œ ํ™€๋“œ๋‚˜ ์„ฑ๋ฌธ ๋ฉˆ์ถค์„ ๋“ค์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. /,
18:03
And again with the โ€˜CHโ€™ never pronounce this as a soft /สƒ/.
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๊ทธ๋ฆฌ๊ณ  ๋‹ค์‹œ 'CH'๋กœ ์ด๊ฒƒ์„ ๋ถ€๋“œ๋Ÿฌ์šด /สƒ/๋กœ ๋ฐœ์Œํ•˜์ง€ ๋งˆ์‹ญ์‹œ์˜ค.
18:08
It should be /สง/, /สง/.
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/สง/, /สง/์ด์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
18:12
Chase /tสƒeษชs/,
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์ถ”๊ฒฉ /tสƒeษชs/, ์ถ”๊ฒฉ
18:13
chase /tสƒeษชs/, cut to the chase /kสŒt tษ™ รฐษ™ สงeษชs/,
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/tสƒeษชs/, ์ถ”๊ฒฉ /kสŒt tษ™ รฐษ™ สงeษชs/,
18:17
cut to the chase /kสŒt tษ™ รฐษ™ สงeษชs/.
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์ถ”๊ฒฉ /kสŒt tษ™ รฐษ™ สงeษชs/๋กœ ์ž๋ฆ…๋‹ˆ๋‹ค.
18:18
Ah, you might also notice that the โ€˜toโ€™ the vowel is weak - /tษ™/, /tษ™/.
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์•„, ๋ชจ์Œ์˜ 'to'๊ฐ€ ์•ฝํ•˜๋‹ค๋Š” ๊ฒƒ์„ ๋ˆˆ์น˜์ฑ„์…จ์„ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค - /tษ™/, /tษ™/.
18:24
Cut to /tษ™/ the chase.
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์ถ”๊ฒฉ์ „์œผ๋กœ ์ž๋ฆ…๋‹ˆ๋‹ค.
18:28
Cut to the chase /kสŒt tษ™ รฐษ™ สงeษชs/.
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์ถ”๊ฒฉ์ „ /kสŒt tษ™ รฐษ™ สงeษชs/๋กœ ์ „ํ™˜ํ•ฉ๋‹ˆ๋‹ค.
18:29
Cut to the chase /kสŒt tษ™ รฐษ™ สงeษชs/.
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์ถ”๊ฒฉ์ „ /kสŒt tษ™ รฐษ™ สงeษชs/๋กœ ์ „ํ™˜ํ•ฉ๋‹ˆ๋‹ค.
18:31
Now, I am going to cut to the chase and ask you to support my work by clicking the like
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์ด์ œ ์ถ”์ ์„ ์ค‘๋‹จํ•˜๊ณ  ์ข‹์•„์š”
18:38
button and subscribing.
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๋ฒ„ํŠผ์„ ํด๋ฆญํ•˜๊ณ  ๊ตฌ๋…ํ•˜์—ฌ ๋‚ด ์ž‘์—…์„ ์ง€์›ํ•˜๋„๋ก ์š”์ฒญํ•ฉ๋‹ˆ๋‹ค.
18:41
If you want to hang out again.
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๋‹ค์‹œ ๋†€๊ณ  ์‹ถ๋‹ค๋ฉด.
18:44
Take a moment to write down in the comments any of the phrases that were completely new
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์ž ์‹œ ์‹œ๊ฐ„์„ ๋‚ด์–ด ์™„์ „ํžˆ ์ƒˆ๋กœ์šด ๋ฌธ๊ตฌ๋ฅผ ๋Œ“๊ธ€์— ์ ์–ด๋ณด์„ธ์š”
18:49
to you.
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. ๋ฏธ๋ž˜๋ฅผ ์œ„ํ•ด
18:51
Try putting it into an example sentence as this will help you to start remembering it
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๊ธฐ์–ตํ•˜๊ธฐ ์‹œ์ž‘ํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋  ๊ฒƒ์ด๋ฏ€๋กœ ์˜ˆ๋ฌธ์— ๋„ฃ์–ด๋ณด์‹ญ์‹œ์˜ค
18:56
for the future.
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.
18:58
Thank you for watching.
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์‹œ์ฒญ ํ•ด์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
18:59
Until next time, take care and goodbye!
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๋‹ค์Œ ์‹œ๊ฐ„๊นŒ์ง€ ์กฐ์‹ฌํ•˜๊ณ  ์•ˆ๋…•!
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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