A Firework Ladder to the Sky — and the Magic of Explosive Art | Cai Guo-Qiang | TED
68,511 views ・ 2024-08-02
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00:04
Chris Anderson: Cai is incredible,
Cai's language is Mandarin.
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克里斯·安德森:
蔡国强非常了不起。他的母语是普通话。
00:07
Many of us do not speak Mandarin.
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00:10
But Cai agreed to do a wild experiment.
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00:14
For this talk,
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we collaborated with another
TED speaker, Tom Graham,
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and his team at Metaphysic,
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和他在 Metaphysic 的团队合作。
00:20
who built an AI model
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to make Cai's translator's voice
sound just like Cai speaking --
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00:27
just like he is speaking in English.
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00:31
So Sang is in a sound booth now.
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00:34
Sang, Hello.
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00:35
Sang: Hi, everyone.
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桑:大家好。
00:39
CA: OK, so it's great to see you.
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克:很高兴见到你。
00:40
Now let's hear you
sounding as if you were Cai.
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00:45
Sang: My name is Cai Guo-Qiang.
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桑:我叫蔡国强。
00:51
CA: (Laughs)
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克:(笑声)
00:52
OK, nothing's going to go wrong here.
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Nothing's going to go wrong.
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00:56
(Laughter)
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(笑声)
00:58
The stage is yours.
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00:59
Cai Guo-Qiang: Thank you.
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蔡国强:谢谢。
01:01
(Applause)
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(掌声)
01:06
(Speaking Mandarin)
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(普通话)
01:09
More than 1,000 years ago,
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01:12
when Chinese alchemists were developing
elixir of immortality,
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one recipe caused an explosion.
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Boom.
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01:20
Boom.
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01:22
(Laughter)
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(笑声)
01:26
They named their
discovery “fire medicine,”
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the Chinese word for gunpowder.
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火药“gunpowder”的中文词源。
01:33
From the very beginning,
gunpowder has been about accidents,
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loss of control and destruction.
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01:40
But it's also been about the healing
power and unseen energies.
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01:43
I dreamed of becoming an artist
when I was little, but like my father,
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who was an avid painter himself,
I was cautious and timid.
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Caution is a fine quality in life,
but not so in art.
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And Chinese society was also very
controlling when I was young,
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so I longed for an artistic medium
that could help me free myself
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02:04
and lose control.
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I came from an ancient city
in southeast China called Quanzhou.
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02:11
The city had many firecracker
factories when I was young,
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02:14
so it was easy to get gunpowder.
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02:17
When I first began using
gunpowder to create art,
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I would lay out a canvas
in the living room
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and set up small explosions on it.
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02:24
(Laughter)
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(笑声)
02:26
Seeing the canvas on fire one day,
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my grandmother threw
a linen rag over the flame
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and put it out with a small puff.
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It was my grandma who taught me
that while it's important to light fires,
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it's more important
to know how to put them out.
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02:42
(Laughter)
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(笑声)
02:46
Over the decades,
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I've grown closer to gunpowder
and mastered more techniques.
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02:53
(Explosions)
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(爆炸声)
02:59
My creations forever oscillate
between destruction and construction,
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我的创作永远在破坏和建设、
03:03
control and freedom,
dictatorship and democracy.
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控制和自由、
独裁和民主之间摇摆。
03:08
For example, here I first painted
my imagination of Paradise,
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03:12
a mirage of temptations.
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03:15
I exploded colored gunpowder
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使用彩色火药炸出了
03:16
to create a sensual and dazzling garden,
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充满情欲的艳丽庭园。
03:20
so beautiful that I didn't want
to lay a finger on it.
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美得自己都很舍不得碰!
03:24
However, I picked up my courage
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and scattered black powder
all over this beauty.
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Covered it with a blank canvas
and ignited again.
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Bang!
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(Explosion)
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(爆炸声)
03:40
When I removed the canvas on top,
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the once enchanting garden was now
forever sealed beneath the black.
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However, what shocked me the most
was the canvas on top,
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which now looked like an apparition
of that heavenly garden.
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At the end of 1986,
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I moved to Japan.
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My cosmology,
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which till then was a simple one,
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developed by stargazing
and studying feng shui in Quanzhou,
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suddenly expanded to include the latest
developments in modern astrophysics.
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As a young artist from China,
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my grueling experiences
with getting visas around the world
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inspired me to explode
a chain of big footprints
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that traversed the Earth.
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The footprints would evoke
extraterrestrials
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racing across several kilometers,
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bam bam bam,
in only a few strides,
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ignoring artificial borders
and disappearing into the distance.
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04:41
(Explosion)
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(爆炸声)
04:44
After decades of attempts
around the world,
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this concept was finally realized
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as 29 footprint fireworks
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at the opening ceremony
of the 2008 Beijing Olympics.
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The big footprints
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walked across the 15-kilometer
central axis of Beijing,
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like an invisible giant in the sky.
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05:08
Witnessed by 1.5 ...
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05:10
(Applause)
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(掌声)
05:13
Witnessed by 1.5 billion people in person
and through live broadcasts,
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this work symbolized the era's idealistic
delusion of globalization.
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05:25
In the early '90s, I conceived
a work titled Sky ladder,
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a ladder made of fireworks that would
connect heaven and Earth.
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I made many failed attempts to realize
the idea over 21 years.
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The difficulty of the project
lay in its technical requirements.
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We needed a helium balloon
of over 6,000 cubic meters
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in order to raise a ladder
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as high as the World Trade Center.
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Once up, the balloon
could easily be blown away.
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06:00
And because it would carry lots
of dangerous materials,
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we had to acquire numerous permits
for land, sea and air.
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In my hometown,
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it's said that 500 meters
is the height of the clouds,
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so the ladder symbolized a useful dream
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of reaching for the stars
and touching the clouds.
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06:27
I've created so much art around the world,
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06:30
but my grandma has never seen
any of them in person,
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so I was determined to do something
awesome for her to see.
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(Video) One!
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(视频)一,零。
06:42
Fire!
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点火!
06:47
(Music)
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(音乐)
06:58
Cai Guo-Qiang: One morning in 2015,
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蔡:2015年的一个清晨,
07:00
at the crack of dawn,
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a golden ladder rose into the sky.
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07:08
It was a birthday present
for my grandmother,
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who turned 100 that year.
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(Applause)
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(掌声)
07:17
(Laughter)
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(笑声)
07:23
She passed away one month later.
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07:29
In 1995, I moved from Japan
to New York with my wife and daughter.
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After I came to New York,
my work became more site-specific,
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addressing more socio-political themes
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and reflecting the changes
I've developed from living in the West.
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07:51
This transition also allowed me
to better thrive
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in different cultures around the world.
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Some have asked why I never
deal with the subject of sex.
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08:04
I would often say,
"Isn't explosion sexy in itself?"
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08:08
(Laughter)
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(笑声)
08:12
Ten years ago, I was invited
to create an artwork in Paris.
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I decided to invite 50 couples
from around the world
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to a sightseeing boat on the Seine,
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where they would first enjoy
a 12-minute firework display
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that simulates the process of lovemaking.
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Why 12 minutes?
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Because that seems to be
the average duration of French lovemaking.
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08:37
(Laughter)
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(笑声)
08:42
According to the internet.
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08:43
(Laughter)
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(笑声)
08:48
Excited by the passionate
climax of the fireworks,
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the couples then entered individual
tents to do whatever they wanted.
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When satisfied,
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they could press a button
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and trigger fireworks
from a small boat nearby.
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09:03
(Laughter)
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(笑声)
09:07
I had prepared 300 shots of fireworks.
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不过,我准备了300次烟花,
09:11
However, the couples didn't use them all.
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他们都没用完!
09:16
In the end, the fireworks
spelled out the words:
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09:19
"Sorry, gotta go."
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09:21
(Laughter)
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(笑声)
09:24
Nighttime fireworks are visible
because of light
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09:28
and are more focused
on the explosions themselves.
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Daytime fireworks rely on smoke.
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They are like a painter's brush
moving across the sunlit sky in real time.
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In Shanghai, I realized
the daytime fireworks "Elegy,"
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lamenting the severe environmental
problems China faces.
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On the day,
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在黄浦江上,
09:49
clouds loomed low over the Huangpu River,
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当天阴云低压,
09:52
and the firework smoke lingered
in the air long afterwards,
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烟花久久不散,
09:56
like an ink painting
with its gentle sorrow.
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如水墨画卷,淡淡伤感…
10:01
For my solo exhibition
at Uffizi Galleries,
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I created fireworks
in the shapes of flowers and plants
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from Renaissance paintings.
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People from across the city
could see the fireworks
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as they launched
from the Michelangelo Square,
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reigniting the spirit of the Renaissance.
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10:20
Last year I realized the project
"When the Sky Blooms with Sakura"
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in Fukushima,
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which suffered the earthquake
and tsunami 12 years ago.
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On the June day,
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we had a rare collaboration
of the wind and the waves
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to realize these daytime fireworks
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like a symphony of reverence for nature.
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10:42
(Applause)
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(掌声)
10:49
I've realized over 600 solo exhibitions
and projects worldwide,
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often facing numerous challenges
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such as weather conditions,
legal regulations
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and social-political hurdles.
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11:02
But such is the nature of my art.
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Behind the momentary magic
lies countless unknown factors.
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Gunpowder and I have been
travel companions
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on a 40-year-long, fantastical journey.
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Yet, I have never grown tired of it,
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它的意外与不可控,
11:21
thanks to its uncertainty
and uncontrollability.
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让我不曾厌倦。
11:26
And it's the same fascination
with the unforeseeable
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也是对不可预测的着迷,
11:29
that led to my research
in artificial intelligence
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让我2017年开始研究人工智能。
11:33
that began in 2017.
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This led to the launch of my AI Cai,
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my custom AI model.
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AI Cai deep learns from my artworks,
archives and areas of interest.
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It also mimics contemporary
and historical figures I admire
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developing distinct personas
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that can debate with each other,
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forming an independent and free community.
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12:02
AI Cai is my artwork,
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but it's also a partner
for dialogue and collaboration.
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12:09
In the future, it may even
create art by itself.
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12:13
Recently, we also enabled AI Cai
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to sprinkle and ignite
gunpowder on canvases.
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Nowadays, if I burn through a canvas,
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如今,当我把画布烧破时,
12:23
it's usually an intentional loss
of control for effect.
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常常是我故意失控。
12:28
But when AI Cai burns something,
it's a genuine accident.
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12:33
(Laughter)
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(笑声)
12:34
Perhaps AI Cai is that rash,
clumsy boy Cai.
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12:41
People often assume that I like fireworks,
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but what I really like are explosions.
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(Laughter)
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(笑声)
12:49
I like their energy and magic.
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12:53
Over the years,
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the goal of my gunpowder
creations has never been political,
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but their results do carry
political significance.
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13:03
At a recent Nobel Prize event, I said,
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"Using explosions to create beauty
rather than warfare and violence
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“爆破之美的创造,
13:14
provides a sliver of hope
for our shared human future."
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令同样用于战争暴力的人类
对未来增加了希望。”
13:19
(Applause)
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(掌声)
13:26
Gunpowder helped me
set my timid personality
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and liberate myself
in a repressive society.
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Its uncertainty makes me
both uneasy and exhilarated.
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That's similar to my interactions with AI.
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The unknown and uncontrollable aspects
of AI are indeed unsettling.
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But today, as contemporary art
seems weak and conservative,
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I hope that AI can help me
unleash creativity,
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transcending the current dimensions
of human cognition.
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Can AI reveal heavenly secrets
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and open a door to interspecies
civilizations for us?
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If the disruptive nature of gunpowder
can bring hope to people
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through the beauty of explosions,
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then can the unsettling power
of AI do the same,
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那么,令人不安的Al,
14:29
bringing hope to mankind's future
by expanding the unknown world?
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也能够因为扩展未知世界,
为人类的未来增加希望吗?
14:37
(Explosions)
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(爆炸声)
14:58
I'm always at the beginning
of the next great journey.
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Thank you everyone, and thank you AI.
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15:08
(Applause and cheers)
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(掌声、喝彩)
克:请留步。
(掌声)
桑,也多谢你!
谢谢!
刚刚发生的一切实在太震撼了。
我们从未做过如此的尝试。
一整个团队让这个演讲变成可能。
非常感谢汤姆和 Metaphysic 队伍,
还有我们的所有工作人员。
这太特别了。
我的朋友,你将魔法带上了舞台!
蔡:谢谢!
克:非常感谢你!
蔡:谢谢大家!
(掌声)
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