Creativity builds nations | Muthoni Drummer Queen

33,782 views ใƒป 2019-10-22

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Jeonghyun Kim ๊ฒ€ํ† : Yunjung Nam
00:12
Between 2004 and 2008,
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2004๋…„์—์„œ 2008๋…„๊นŒ์ง€
00:15
I unsuccessfully tried to get into the Kenyan music industry.
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์ €๋Š” ์ผ€๋ƒ ์Œ์•… ์‹œ์žฅ ์ง„์ถœ์— ์‹คํŒจํ–ˆ์Šต๋‹ˆ๋‹ค.
00:19
But the recurring answer from producers
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ํ”„๋กœ๋“€์„œ ๋ถ„๋“ค์€ ๊ณ„์† ์ œ๊ฐ€
00:22
was I was not Kenyan enough.
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์ถฉ๋ถ„ํžˆ ์ผ€๋ƒ์ธ์Šค๋Ÿฝ์ง€ ๋ชปํ•˜๋‹ค๊ณ  ํ–ˆ์Šต๋‹ˆ๋‹ค.
00:24
Meaning what?
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๋ฌด์Šจ ๋œป์ด๋ƒ๋ฉด
00:25
I didn't sing fully in the slang derivative of Kiswahili
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์ œ ๋…ธ๋ž˜ ๊ฐ€์‚ฌ๊ฐ€ ์™„์ „ํžˆ ํ‚ค์Šค์™€ํž๋ฆฌ ๋ฐฉ์–ธ์ด ์•„๋‹ˆ์—ˆ๊ณ 
00:29
and I didn't sing enough party tracks,
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ํŒŒํ‹ฐ ์Œ์•…์„ ๋งŽ์ด ๋ถ€๋ฅด์ง€ ์•Š์•„
00:31
so they said Kenyans wouldn't listen to a Kenyan who sounded like me.
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์ผ€๋ƒ์ธ๋“ค์€ ์ € ๊ฐ™์€ ๊ฐ€์ˆ˜์˜ ๋…ธ๋ž˜๋ฅผ ๋“ฃ์ง€ ์•Š์„ ๊ฒƒ์ด๋ผ ํ–ˆ์ฃ .
00:36
This idea of otherism,
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์ฐจ๋ณ„์ด๋ผ๋Š” ๊ฒƒ,
00:38
the exclusion of a person
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๋‚ด๊ฐ€ ์ธ์ง€ํ•˜๋Š” ๊ธฐ์ค€์—์„œ ๋ฒ—์–ด๋‚˜๊ธฐ ๋•Œ๋ฌธ์—
00:39
based on their perceived deviation from the norms,
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๋‚จ์„ ๋ฐฐ์ฒ™ํ•˜๋Š” ํ–‰๋™์€
00:42
goes to the root of the problems in Kenya.
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์ผ€๋ƒ๊ฐ€ ๊ฒช๊ณ  ์žˆ๋Š” ๋ฌธ์ œ์˜ ๊ทผ์›์— ์žˆ์Šต๋‹ˆ๋‹ค.
00:45
And it runs deep.
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๊ณ ์งˆ์ ์ธ ๋ฌธ์ œ์ฃ .
00:47
Kenya was invented by colonialists in 1895,
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์ผ€๋ƒ๋Š” 1895๋…„ ์‹๋ฏผ์ง€๋กœ ์„ธ์›Œ์กŒ์Šต๋‹ˆ๋‹ค.
00:50
and with it, came the erasure of our identity
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๊ทธ๋ ‡๊ฒŒ ์šฐ๋ฆฌ์˜ ์ •์ฒด์„ฑ์€ ์—†์–ด์ง€๊ณ 
00:53
and the class system built on otherism.
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์ฐจ๋ณ„์— ๊ธฐ๋ฐ˜์„ ๋‘” ๊ณ„๊ธ‰์‚ฌํšŒ๊ฐ€ ์ƒ๊ฒผ์ฃ .
00:56
So by 1963, when we received our independence,
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1963๋…„, ์ผ€๋ƒ๋Š” ๋…๋ฆฝ์— ์„ฑ๊ณตํ–ˆ์ง€๋งŒ
00:59
these ideas had already become the new normal.
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์ด๋ฏธ ์ฐจ๋ณ„์ฃผ์˜๊ฐ€ ์ƒˆ๋กœ์šด ๊ธฐ์ค€์ด ๋˜์–ด๋ฒ„๋ ธ์Šต๋‹ˆ๋‹ค.
01:02
Now, we've tried a lot of different ways to move forward since.
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์ง€๊ธˆ๊นŒ์ง€ ๋ฐœ์ „์„ ์ด๋ฃจ๊ธฐ ์œ„ํ•ด ์—ฌ๋Ÿฌ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์ด ์‹œ๋„๋˜์—ˆ์ฃ .
01:05
We have a common language, currency, infrastructure,
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์ผ€๋ƒ์ธ๋“ค์€ ๊ณตํ†ต์˜ ์–ธ์–ด, ํ†ตํ™”, ์‚ฌํšŒ ๊ธฐ๋ฐ˜ ์‹œ์„ค๊ณผ ๊ฐ™์€
01:08
basically all the things that make a country a country.
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๊ตญ๊ฐ€๋ฅผ ๋งŒ๋“œ๋Š” ๋ชจ๋“  ์š”์†Œ๋ฅผ ๊ณต์œ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
01:11
But all these efforts at nation-building
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๊ทธ๋Ÿฌ๋‚˜ ๊ตญ๊ฐ€๋ฅผ ์„ธ์šฐ๋ ค๋Š” ์ด๋Ÿฐ ๋…ธ๋ ฅ์€
01:14
do not go to the heart of the matter.
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๋ฌธ์ œ์˜ ํ•ต์‹ฌ์„ ๋‹ค๋ฃจ์ง€ ๋ชปํ•ฉ๋‹ˆ๋‹ค.
01:16
Which is this:
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๊ทธ ํ•ต์‹ฌ์ด๋ž€,
01:17
we cannot build what we do not truly love.
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์ง„์‹ฌ์œผ๋กœ ์‚ฌ๋ž‘ํ•˜์ง€ ์•Š๋Š” ๊ฒƒ์€ ์„ธ์šธ ์ˆ˜ ์—†๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:20
And we cannot love until we love ourselves.
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๊ทธ๋ฆฌ๊ณ  ์Šค์Šค๋กœ๋ฅผ ๋จผ์ € ์‚ฌ๋ž‘ํ•˜์ง€ ์•Š์œผ๋ฉด ์‚ฌ๋ž‘ํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
01:24
The thing we have to heal, us Kenyans,
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์ผ€๋ƒ์ธ๋“ค์ด ์น˜์œ ํ•ด์•ผํ•˜๋Š” ๋ถ€๋ถ„์€
01:26
is our lack of self-love,
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์ž๊ธฐ์• ์˜ ๋ถ€์กฑ,
01:28
our deep self-hate
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์‹ฌ๊ฐํ•œ ์ž๊ธฐ ์ฆ์˜ค,
01:30
and our existential identity crisis.
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์กด์žฌ์— ๋Œ€ํ•œ ์ •์ฒด์„ฑ์˜ ์œ„๊ธฐ์ž…๋‹ˆ๋‹ค.
01:33
And this is the work of nation-building
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์ด๋ ‡๊ฒŒ ๊ตญ๊ฐ€๋ฅผ ์„ธ์šฐ๋Š” ์ผ์€
01:36
that only the creative industry can do.
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์ฐฝ์˜ ์‚ฐ์—…๋งŒ์ด ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:40
The idea that Kenya can only include some of us
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์ผ€๋ƒ์—์„œ ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์„ ๋ฐ›์•„์ฃผ์ง€ ์•Š์•˜๊ธฐ ๋•Œ๋ฌธ์—
01:43
led me to found a music festival in 2008 called Blankets and Wine,
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์ €๋Š” 2008๋…„, ๋น„์ฃผ๋ฅ˜ ๊ฐ€์ˆ˜๋“ค๋„ ๊ณต์—ฐํ•  ๊ธฐํšŒ๋ฅผ ๋งˆ๋ จํ•ด์ฃผ๋Š”
01:47
to give a platform to myself and other misfits.
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๋ธ”๋žญํ‚ค์ŠคํŠธ ์•ค ์™€์ธ ํŽ˜์Šคํ‹ฐ๋ฒŒ์— ์ฐธ์—ฌํ•˜๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
01:50
Ten years later, we've programmed over 200 bands
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10๋…„์ด ์ง€๋‚œ ์ง€๊ธˆ๊นŒ์ง€ 200๊ฐœ ๋„˜๋Š” ํŒ€์ด ์ฐธ์—ฌํ–ˆ๊ณ ,
01:53
and put at least 100,000 dollars
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์•„ํ‹ฐ์ŠคํŠธ๋“ค๊ณผ ๋งค๋‹ˆ์ €๋“ค์ด
01:55
directly into the hands of artists and managers,
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์ตœ์†Œ 10๋งŒ ๋‹ฌ๋Ÿฌ์˜ ์ง์ ‘ ํˆฌ์ž๋ฅผ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
01:58
who have in turn spent it on technicians, rehearsals,
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๊ทธ ๊ฒฐ๊ณผ, ์Œ์•… ์‚ฐ์—… ์ „ ๋ถ„์•ผ์— ๊ฑธ์ณ
02:01
music videos and other things along the music value chain.
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ํ…Œํฌ๋‹ˆ์…˜, ๋ฆฌํ—ˆ์„ค, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์˜ ๋น„์šฉ์— ์‚ฌ์šฉ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:05
Our platform has allowed for multiple Kenyan identities to exist,
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์ด๋Ÿฐ ๋ฌด๋Œ€๋ฅผ ํ†ตํ•ด, ์ผ€๋ƒ์ธ์œผ๋กœ์„œ์˜ ์ •์ฒด์„ฑ์ด ๋‹ค์–‘ํ•ด์กŒ๊ณ 
02:09
while inspiring the industry to discover and engage
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์Œ์•…๊ณ„์—์„œ๋Š” ๋‹ค์–‘ํ•œ ์ผ€๋ƒ์˜ ์Œ์•…์„
02:12
the wide variety of Kenyan music.
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๋ฐœ๊ตดํ•˜๊ณ  ๊ฐœ๋ฐœํ•˜๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:15
What we do is necessary but insufficient.
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์ด๊ฒƒ์€ ํ•„์ˆ˜์ ์ธ ์ผ์ด์ง€๋งŒ ๋ถˆ์ถฉ๋ถ„ํ•ฉ๋‹ˆ๋‹ค.
02:18
And we must urgently pivot into a live music circuit.
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์–ด์„œ ๋ผ์ด๋ธŒ ์Œ์•… ์ชฝ์œผ๋กœ๋„ ์‹œ์„ ์„ ๋Œ๋ ค์•ผ ํ•ฉ๋‹ˆ๋‹ค.
02:21
But there are other ways music can help heal the nation.
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๊ทธ๋Ÿฐ๋ฐ ์Œ์•…์ด ๋‚˜๋ผ๋ฅผ ์„ธ์šฐ๋Š” ๋˜ ๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์ด ์žˆ์Šต๋‹ˆ๋‹ค.
02:26
According to a 2018 state of media report,
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2018๋…„ ๋ฏธ๋””์–ด ํ˜„ํ™ฉ ๋ณด๊ณ ์„œ์— ๋”ฐ๋ฅด๋ฉด,
02:29
traditional radio is sill by far the biggest distributor of ideas in Kenya,
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์ผ€๋ƒ์—์„œ๋Š” ์•„์ง๋„ ๋ผ๋””์˜ค๊ฐ€ ์ •๋ณด ํ™•์‚ฐ์˜ ์ฃผ ๋งค๊ฐœ์ฒด๋กœ ์‚ฌ์šฉ๋˜๊ณ 
02:33
with 47 percent of Kenyans still choosing radio first.
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์ธ๊ตฌ์˜ 47%๊ฐ€ ๋ผ๋””์˜ค๋ฅผ ์šฐ์„ ์ ์œผ๋กœ ์‚ฌ์šฉํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:37
This presents an opportunity.
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์—ฌ๊ธฐ์— ๊ธฐํšŒ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
02:39
We can use radio to help Kenyans hear the diversity that is Kenya.
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๋ผ๋””์˜ค๋ฅผ ํ†ตํ•ด ์ผ€๋ƒ์˜ ๋‹ค์–‘์„ฑ์„ ๊ตญ๋ฏผ๋“ค์—๊ฒŒ ์•Œ๋ฆฌ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:43
We can reserve 60 percent of all programing on Kenyan radio
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์ผ€๋ƒ ๋ผ๋””์˜ค ํ”„๋กœ๊ทธ๋žจ ์ „์ฒด์˜ 60%๋ฅผ
์Œ์•…์œผ๋กœ ํŽธ์„ฑํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
02:47
for Kenyan music.
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02:49
We can break down ethnic barriers
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์˜์–ด์™€ ํ‚ค์Šค์™€ํž๋ฆฌ์–ด, ๊ทธ๋ฆฌ๊ณ  ๋‹ค๋ฅธ ๋ฏผ์กฑ ์–ธ์–ด๋กœ ๋œ
02:50
by playing Kenyan music done in English, Kiswahili
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์ผ€๋ƒ ์Œ์•…์„ ๋ฐฉ์†กํ•จ์œผ๋กœ์จ
02:53
and other ethnic languages,
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๋ฏผ์กฑ ๊ฐ„์˜ ์žฅ๋ฒฝ์„ ์—†์•จ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
02:55
on what is now single-language ethnic radio.
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ํ˜„์žฌ๋Š” ํ•œ ๊ฐ€์ง€ ์–ธ์–ด๋งŒ ๋ฐฉ์†ก๋˜๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
02:59
Radio can help stimulate interest and demand
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๋ผ๋””์˜ค๋ฅผ ํ†ตํ•ด ์ผ€๋ƒ์ธ์ด ๋งŒ๋“  ์ผ€๋ƒ ์Œ์•…์— ๋Œ€ํ•œ
03:02
for Kenyan music by Kenyans,
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๊ด€์‹ฌ๊ณผ ์ˆ˜์š”๋ฅผ ์ด‰์ง„ํ•˜๋ฉด์„œ
03:05
while also providing the much-needed incomes
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๋กœ์—ดํ‹ฐ๋ฅผ ํ†ตํ•ด์„œ
ํ•„์š”ํ•œ ์ˆ˜์ต๋„ ์˜ฌ๋ฆฌ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:07
by way of royalties.
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03:09
But more importantly,
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๊ฐ€์žฅ ์ค‘์š”ํ•˜๊ฒŒ๋Š”
03:11
radio can help us build a more inclusive narrative about Kenya.
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๋ผ๋””์˜ค๋ฅผ ํ†ตํ•ด ์ผ€๋ƒ์— ๋Œ€ํ•œ ํฌ์šฉ์ ์ธ ์Šคํ† ๋ฆฌ๋ฅผ ๋งŒ๋“ค์–ด๊ฐ€๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:15
For you cannot love what you do not know exists.
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์กด์žฌ ์—ฌ๋ถ€๋„ ๋ชจ๋ฅด๋Š” ๊ฒƒ์„ ์‚ฌ๋ž‘ํ•  ์ˆ˜๋Š” ์—†์œผ๋‹ˆ๊นŒ์š”.
03:19
Other creative industries too can do the work.
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๋‹ค๋ฅธ ์ฐฝ์˜ ์‚ฐ์—…์—์„œ๋„ ๋˜‘๊ฐ™์ด ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
03:22
When you consider that 41 percent of Kenyans
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์ผ€๋ƒ ์ธ๊ตฌ 41%๊ฐ€ ์—ฌ์ „ํžˆ
03:24
still choose TV as their primary medium,
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TV๋ฅผ ์ฃผ์š” ๋งค๊ฐœ์ฒด๋กœ ์‚ฌ์šฉํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์„ ๊ฐ์•ˆํ•˜๋ฉด
03:27
it's obvious that film has a huge potential.
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์˜ํ™” ์‚ฐ์—…์—์„œ๋„ ๋ฌผ๋ก  ์ž ์žฌ๋ ฅ์ด ๋Œ€๋‹จํ•ฉ๋‹ˆ๋‹ค.
03:30
The meager resources that have been put into the sector
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๊ทธ ๋™์•ˆ ์˜ํ™”๊ณ„์— ํˆฌ์ž๊ฐ€ ๋ฏธ์•ฝํ–ˆ์Œ์—๋„
03:33
have already produced world-class acts,
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๋ฃจํ”ผํƒ€ ๋‡ฝ์˜ค, ์™€๋ˆ„๋ฆฌ ์นดํžˆ์šฐ ๊ฐ™์€
03:35
like Lupita Nyong'o and Wanuri Kahiu,
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์„ธ๊ณ„์ ์œผ๋กœ ๋ช…์„ฑ์„ ๋–จ์น˜๋Š” ์˜ํ™”์ธ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค.
03:37
but we are going to need a lot more incentives and investments
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ํ•˜์ง€๋งŒ ๋” ๋งŽ์€ ์žฅ๋ ค์ฑ…๊ณผ ํˆฌ์ž ํ™œ๋™์„ ํŽผ์ณ์„œ
03:40
to make filming in Kenya easier,
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์ผ€๋ƒ์—์„œ๋„ ์‰ฝ๊ฒŒ ์˜ํ™”๋ฅผ ์ดฌ์˜ํ•˜๊ฒŒ๋” ํ•˜๊ณ ,
03:42
so more Kenyan stories can get on the Kenyan TV
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๋” ๋งŽ์€ ์ผ€๋ƒ์ธ๋“ค์˜ ์Šคํ† ๋ฆฌ๋ฅผ TV์— ๋ฐฉ์†กํ•˜๋ฉด์„œ
03:46
and spark off the really difficult conversations
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์„œ๋กœ ์–ด๋ ค์šด ๋ฌธ์ œ์— ๋Œ€ํ•ด์„œ๋„
03:48
we need to have with one another.
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๋Œ€ํ™”ํ•˜๋„๋ก ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
03:51
We're going to need to grow a lot more home-grown stars,
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์ผ€๋ƒ์—์„œ๋„ ๊ตญ๋‚ดํŒŒ ์Šคํƒ€๋ฅผ ๋” ๋งŽ์ด ์–‘์„ฑํ•ด์„œ
03:55
so we can reverse the idea
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ํ•ด์™ธ์—์„œ ๋จผ์ € ์„ฑ๊ณตํ•ด์•ผ
03:57
that we have to blow up abroad
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๊ตญ๋‚ด์—์„œ๋„ ์ธ์ •๋ฐ›์„ ์ˆ˜ ์žˆ๋Š”๋‹ค๋Š”
03:59
before we get the acceptance and validation of home.
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์ƒ๊ฐ์„ ๋’ค์ง‘์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
04:04
Fashion too can do the work.
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ํŒจ์…˜๊ณ„์—์„œ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ž…๋‹ˆ๋‹ค.
04:06
We need to make it possible
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์ ์ ˆํ•œ ๋น„์šฉ์œผ๋กœ
04:08
to affordably mass-produce Kenyan clothes for Kenyan consumers,
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์ผ€๋ƒ ์†Œ๋น„์ž๋ฅผ ์œ„ํ•œ ์ผ€๋ƒ์˜ ์˜ท์„ ๋Œ€๋Ÿ‰์ƒ์‚ฐ ํ•  ์ˆ˜ ์žˆ์–ด์•ผ
04:11
so we don't all have to rely on second-hand imports.
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์ค‘๊ณ  ์ˆ˜์ž…ํ’ˆ์— ์˜์กดํ•˜์ง€ ์•Š์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:15
The first running shoe made in Kenya
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์ผ€๋ƒ์—์„œ ๋งŒ๋“  ์ตœ์ดˆ์˜ ์šด๋™ํ™”๊ฐ€
04:17
needs to be a local and global success
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๊ตญ๋‚ด์™€ ํ•ด์™ธ์—์„œ ์„ฑ๊ณตํ•˜๊ฒŒ ํ•ด์„œ
04:19
as an ode to Kenyan excellence,
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์ผ€๋ƒ์˜ ์šฐ์ˆ˜์„ฑ์„ ์•Œ๋ ค์•ผํ•ฉ๋‹ˆ๋‹ค.
04:21
epitomized by Kenyan runners, who are literally world-class.
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์„ธ๊ณ„ ์ตœ์ƒ๊ธ‰์ธ ์ผ€๋ƒ์˜ ์œก์ƒ ์„ ์ˆ˜๋“ค์ด ์šฐ์ˆ˜์„ฑ์„ ์ง์ ‘ ์„ ๋ณด์ด๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:26
For these ideas to come to life,
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์ด๋Ÿฐ ์•„์ด๋””์–ด๊ฐ€ ์‹คํ˜„๋˜๋ฉด
04:29
jobs will be created,
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์ผ์ž๋ฆฌ๊ฐ€ ์ฐฝ์ถœ๋˜๊ณ 
04:31
and Kenyan ideas will be exported.
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์ผ€๋ƒ์ธ์˜ ์•„์ด๋””์–ด๊ฐ€ ์ˆ˜์ถœ๋˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:33
But more importantly,
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๋” ์ค‘์š”ํ•˜๊ฒŒ๋Š”
04:35
Kenyans may finally consider themselves worthy
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๋‚จ์—๊ฒŒ ์ฃผ๊ธฐ๋งŒ ํ–ˆ๋˜ ์‚ฌ๋ž‘์„
์ž์‹ ๋„ ๋ฐ›์„ ๊ฐ€์น˜๊ฐ€ ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์„ ์•Œ๊ฒŒ๋˜๋Š” ๊ฒ๋‹ˆ๋‹ค.
04:38
of the love that we reserve for others.
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04:42
Kenya's creative industry is dynamic,
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์ผ€๋ƒ์˜ ์ฐฝ์˜ ์‚ฐ์—…์€ ์—ญ๋™์ ์ด๊ณ 
04:44
cosmopolitan, forward-looking,
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์„ธ๊ณ„์ ์ด๋ฉฐ, ๋ฏธ๋ž˜์ ์ž…๋‹ˆ๋‹ค.
04:46
and without a doubt,
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๊ฐ€๊นŒ์šด ๋ฏธ๋ž˜์— ์žˆ์–ด
04:48
a true manufacturing industry of the immediate future.
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์ง„์ •ํ•œ ์ œ์กฐ ์‚ฐ์—…์ด ๋  ๊ฒƒ์€ ์ž๋ช…ํ•œ ์ผ์ž…๋‹ˆ๋‹ค.
04:52
But its true power lies in its ability to help heal the psyche of Kenya,
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๊ทธ๋Ÿฌ๋‚˜, ์ง„์ •ํ•œ ํž˜์€ ๋งˆ์นจ๋‚ด ๊ตญ๊ฐ€๋ฅผ ์„ธ์šธ ์ˆ˜ ์žˆ๋„๋ก
04:57
so we can finally build a nation for real.
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์ผ€๋ƒ์˜ ์ •์‹ ์„ ํž๋งํ•˜๋Š” ๋Šฅ๋ ฅ์— ์žˆ์Šต๋‹ˆ๋‹ค.
05:01
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
05:03
(Applause)
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(๋ฐ•์ˆ˜)
05:08
(Applause)
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(๋ฐ•์ˆ˜)
05:11
For this song, I'd like us all to take a minute
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์ด ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๊ธฐ ์ „์— ์ž ์‹œ
05:13
and think about immigrant communities,
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์ด๋ฏผ์ž๋“ค์— ๋Œ€ํ•ด ์ƒ๊ฐํ•ด ๋ดค์œผ๋ฉด ํ•ฉ๋‹ˆ๋‹ค.
05:16
and especially refugee immigrant communities,
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ํŠนํžˆ, ์ต์ˆ™ํ–ˆ๋˜ ์ผ์ƒ์„ ๋– ๋‚˜
05:19
and the daily struggle they have to endure,
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ํ’ˆ์œ„ ์žˆ๊ณ , ์˜๋ฏธ ์žˆ๋Š” ์‚ถ์„ ๊พธ๋ ค๋‚˜๊ฐ€๊ธฐ ์œ„ํ•ด์„œ
05:22
building a life with dignity and meaning
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๋งค์ผ ํž˜๊ฒน๊ฒŒ ์‹ธ์šฐ๋Š”
05:24
away from everything they have loved and known.
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๋‚œ๋ฏผ๋“ค์— ๋Œ€ํ•ด ์ƒ๊ฐํ•ด๋ณด๋Š” ์‹œ๊ฐ„์„ ๊ฐ€์ ธ๋ด…์‹œ๋‹ค.
05:27
If you feel any empathy for this idea,
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๋งˆ์Œ์—์„œ ๊ฐ๋™์„ ๋Š๋ผ์‹ ๋‹ค๋ฉด
05:30
I ask to see your fist up in the air with me.
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์ €์™€ ํ•จ๊ป˜ ์ฃผ๋จน์„ ์ฅ๊ณ  ์†์„ ๋“ค์–ด์ฃผ์„ธ์š”.
05:32
(Music)
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(์Œ์•…)
05:34
"Million voice."
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"๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ"
05:36
The mandem make some noise
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์†Œ๋ฆฌ ๋†’์—ฌ์š”.
05:39
With a million, million voice
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๋ฐฑ๋งŒ ๊ฐœ, ๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
05:43
All the mandem make some noise
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๋ชจ๋‘ ์†Œ๋ฆฌ ๋†’์—ฌ์š”.
05:46
With a million, million voice
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๋ฐฑ๋งŒ ๊ฐœ, ๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
05:49
Can't stop I, won't stop I
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๋ฉˆ์ถœ ์ˆ˜ ์—†์–ด์š”, ๋ฉˆ์ถ”์ง€ ์•Š์•„์š”.
05:52
With a million, million voice
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๋ฐฑ๋งŒ๊ฐœ, ๋ฐฑ๋งŒ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
05:55
Can't stop I, won't stop I
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๋ฉˆ์ถœ ์ˆ˜ ์—†์–ด์š”, ๋ฉˆ์ถ”์ง€ ์•Š์•„์š”.
05:58
With a million, million voice
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๋ฐฑ๋งŒ ๊ฐœ, ๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
06:01
This one dedicated to my people building something
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์•„์ด๋“ค์ด ๋ถ€์กฑํ•œ ๊ฒƒ ์—†๋„๋ก ํž˜๋“ค๊ฒŒ ์ผํ•˜๊ณ 
06:04
Working hard to make sure that their children will lack for nothing
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์‚ถ์„ ๊พธ๋ฆฌ๋Š” ์ด๋“ค์—๊ฒŒ ๋ฐ”์น˜๋Š” ๋…ธ๋ž˜
06:08
When them people come around and treat them like they're basic
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๋‹ค๋ฅธ ์ด๋“ค์ด ๊ทธ๋“ค์„ ๋‹จ์ˆœํ•˜๋‹ค๊ณ  ์—ฌ๊ธธ ๋•Œ
06:11
I just want to LOL and tell them to consider all their options
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๋‚œ ๊ทธ๋ƒฅ ์›ƒ์œผ๋ฉฐ ๊ทธ๋“ค์ด ์ฒ˜ํ•œ ์ƒํ™ฉ์„ ์ƒ๊ฐํ•˜๋ผ ๋งํ•˜์ฃ .
06:15
Caution, natural distortion
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๊ฒฝ๊ณ , ์ž์—ฐ์ ์ธ ์™œ๊ณก
06:17
You can't even kill us we survive even abortion
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์šฐ๋ฆฌ๋ฅผ ์ฃฝ์ผ ์ˆ˜ ์—†์ฃ  ๋‚™ํƒœ๋„ ๊ฒฌ๋ŽŒ๋‚ด์š”.
06:20
Say we cannot make it, watch us how we make it
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์„ฑ๊ณตํ•˜์ง€ ๋ชปํ•œ๋‹ค๊ณ  ๋งํ•œ๋‹ค๋ฉด ๋‚ด๊ฐ€ ์„ฑ๊ณตํ•˜๋Š” ๊ฑธ ๋ณด์—ฌ์ค„๊ฒŒ์š”.
06:24
Watch us in a minute come and run and overtake it
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์ˆœ์‹๊ฐ„์— ๋‚˜ํƒ€๋‚˜ ์••๋„ํ•˜๋Š” ๊ฑธ ๋ณด์—ฌ์ค„๊ฒŒ์š”.
06:27
TED, clap!
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TED, ๋ฐ•์ˆ˜์ณ์š”!
06:28
Can't have enough of it
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์•„๋ฌด๋ฆฌ ํ•ด๋„ ๋ถ€์กฑํ•ด์š”.
06:32
This our only way of life
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์ด๊ฒƒ์ด ์šฐ๋ฆฌ์˜ ์œ ์ผํ•œ ์‚ถ์ด์ฃ .
06:35
Keeping, keeping on the grind
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๊ณ„์†ํ•ด์„œ ๋…ธ๋ ฅํ•ด์š”.
06:38
TED, will you clap like this.
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TED, ์ด๋ ‡๊ฒŒ ๋ฐ•์ˆ˜์ณ์š”.
06:41
Can't have enough of it
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์•„๋ฌด๋ฆฌ ํ•ด๋„ ๋ถ€์กฑํ•ด์š”.
06:45
This our only way of life
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์ด๊ฒƒ์ด ์šฐ๋ฆฌ์˜ ์œ ์ผํ•œ ์‚ถ์ด์ฃ .
06:48
Keeping, keeping on the grind
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๊ณ„์†ํ•ด์„œ ๋…ธ๋ ฅํ•ด์š”.
06:51
Keeping, keeping on the grind
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๊ณ„์†ํ•ด์„œ ๋…ธ๋ ฅํ•ด์š”.
06:53
The mandem make some noise
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์†Œ๋ฆฌ ๋†’์—ฌ์š”.
06:56
Like a million, million voice
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๋ฐฑ๋งŒ ๊ฐœ, ๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
06:59
All the mandem make some noise
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๋ชจ๋‘ ์†Œ๋ฆฌ ๋†’์—ฌ์š”.
07:02
With a million, million voice
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๋ฐฑ๋งŒ ๊ฐœ, ๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
07:06
Can't stop I, won't stop I
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๋ฉˆ์ถœ ์ˆ˜ ์—†์–ด์š”, ๋ฉˆ์ถ”์ง€ ์•Š์•„์š”.
07:09
With a million, million voice
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๋ฐฑ๋งŒ ๊ฐœ, ๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
07:12
Can't stop I, won't stop I
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๋ฉˆ์ถœ ์ˆ˜ ์—†์–ด์š”, ๋ฉˆ์ถ”์ง€ ์•Š์•„์š”.
07:15
With a million, million voice
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๋ฐฑ๋งŒ ๊ฐœ, ๋ฐฑ๋งŒ ๊ฐœ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ
07:19
Can I be your leader
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๋‚ด๊ฐ€ ๋ฆฌ๋”๊ฐ€ ๋ผ ์ค„๊ฒŒ์š”.
07:20
Can I be your Caesar
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ํ™ฉ์ œ๊ฐ€ ๋ ๊ฒŒ์š”
07:22
If I show you how to make some more will you pledge allegiance
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์„ฑ๊ณตํ•˜๋Š” ๋ฒ•์„ ๋ณด์—ฌ์ค„๊ฒŒ์š”. ๋‚ด๊ฒŒ ์ถฉ์„ฑ์„ ๋งน์„ธํ•ด์š”.
07:25
Is it always either
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ํ•ญ์ƒ ๋‚˜ ์•„๋‹ˆ๋ฉด ํƒ€์ธ
07:27
Me or you or neither
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์•„๋‹ˆ๋ฉด ์•„๋ฌด๊ฒƒ๋„ ์•„๋‹ˆ์ฃ .
07:28
If I show you where I'm coming from, will you take a breather?
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๋‚ด ์ถœ์‹ ์„ ๋งํ•ด์ค„๊ฒŒ์š”. ๊ธด์žฅ ์ข€ ํ’€์–ด์ค„๋ž˜์š”.
07:31
Cos what you'll find -- what you'll find
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๋ชจ๋‘์—๊ฒŒ ๋ณด์—ฌ์ค„๊ฒŒ์š”.
07:35
What you'll find guarantee will blow your mind!
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๋‚ด๊ฐ€ ๊ฐ€์ง„ ๋†€๋ผ์šด ๊ฒƒ๋“ค๋กœ
07:38
I'll blow your mind -- I'll blow your mind
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๋ชจ๋‘ ๋†€๋ผ๊ฒŒ ํ•ด์ค„๊ฒŒ์š”.
07:41
And then you'll see the reason I stay on my grind
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๋‚ด๊ฐ€ ๊ณ„์† ๋…ธ๋ ฅํ•˜๋Š” ์ด์œ ๋ฅผ ์•Œ๊ฒŒ ๋˜๊ฒ ์ฃ .
07:44
Would you clap!
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๋ฐ•์ˆ˜์ณ์š”!
07:45
Can't have enough of it
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์•„๋ฌด๋ฆฌ ํ•ด๋„ ๋ถ€์กฑํ•ด์š”.
07:48
It's our only way of life
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์ด๊ฒƒ์ด ์šฐ๋ฆฌ์˜ ์œ ์ผํ•œ ์‚ถ์ด์ฃ .
07:52
Keeping, keeping on the grind
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๊ณ„์†ํ•ด์„œ ๋…ธ๋ ฅํ•ด์š”.
07:55
Keeping, keeping on the grind
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๊ณ„์†ํ•ด์„œ ๋…ธ๋ ฅํ•ด์š”.
07:58
Can't have enough of it
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์•„๋ฌด๋ฆฌ ํ•ด๋„ ๋ถ€์กฑํ•ด์š”.
08:01
It's our only way of life
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์ด๊ฒƒ์ด ์šฐ๋ฆฌ์˜ ์œ ์ผํ•œ ์‚ถ์ด์ฃ .
08:04
Keeping, keeping on the grind
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๊ณ„์†ํ•ด์„œ ๋…ธ๋ ฅํ•ด์š”.
08:08
Keeping, keeping on the grind
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๊ณ„์†ํ•ด์„œ ๋…ธ๋ ฅํ•ด์š”.
08:10
The mandem make some noise
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์†Œ๋ฆฌ ๋†’์—ฌ์š”.
08:13
(Cheering)
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(ํ™˜ํ˜ธ)
08:18
(Applause)
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(๋ฐ•์ˆ˜)
08:24
This next one is partly in Kiswahili,
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๋‹ค์Œ ๊ณก์€ ์ผ๋ถ€๊ฐ€ ํ‚ค์Šค์™€ํž๋ฆฌ์–ด์ธ๋ฐ์š”.
08:28
which is what we speak in Kenya.
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์ผ€๋ƒ์—์„œ ์‚ฌ์šฉํ•˜๋Š” ์–ธ์–ด์ž…๋‹ˆ๋‹ค.
08:30
And it's about female friendship
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์—ฌ์„ฑ๋“ค ์‚ฌ์ด์˜ ์šฐ์ •๊ณผ
08:33
and female power.
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ํŒŒ์›Œ์— ๋Œ€ํ•œ ๊ณก์ž…๋‹ˆ๋‹ค.
08:35
And girls coming together to build something that lasts,
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์—ฌ์ž์•„์ด๋“ค์ด ํ•จ๊ป˜ ๋ชจ์—ฌ ์ง€์† ๊ฐ€๋Šฅํ•œ ์ง„์ •ํ•œ ์œ ์‚ฐ๊ณผ
08:38
a true legacy and intergenerational worth.
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์„ธ๋Œ€๋ฅผ ๋„˜๋Š” ๊ฐ€์น˜๋ฅผ ๋งŒ๋“ค์–ด ๊ฐ„๋‹ค๋Š” ๋…ธ๋ž˜์ž…๋‹ˆ๋‹ค.
08:41
"Suzie Noma."
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"์ˆ˜์ง€ ๋…ธ๋งˆ(Suzie Noma)"
08:44
(Drum music)
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(๋“œ๋Ÿผ ์Œ์•…)
08:50
Sitting at the corner
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๋ชจํ‰์ด์— ์•‰์€
08:52
Me and Suzie Noma
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๋‚˜์™€ ์ˆ˜์ง€ ๋…ธ๋งˆ
08:53
We ain't got no worries we are looking like the owners
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๊ฑฑ์ •๊ฑฐ๋ฆฌ๋Š” ์—†์–ด์š”, ์ด ๊ณณ์€ ๋‚ด ์„ธ์ƒ
08:56
Sipping on Coronas
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๋งฅ์ฃผ๋ฅผ ๋งˆ์‹œ๋ฉฐ
08:58
Looking at the phone as
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์ „ํ™”๊ธฐ๋ฅผ ๋ฐ”๋ผ๋ด์š”.
08:59
All them pretty boys come and tell us how they want us
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๋‚จ์ž๋“ค์€ ๋‹ค๊ฐ€์™€ ์šฐ๋ฆด ์›ํ•œ๋‹ค๊ณ  ํ•˜์ฃ .
09:02
Mambo ni kungoja, aki mtangoja
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๋ง˜๋ณด ๋‹ˆ ์ฟต๊ณ ์•ผ, ์•„๋ผ ์œผํƒ„๊ณ ์•ผ
09:05
Sinaga matime za kuwaste na vioja
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์‹œ๋‚˜๊ฐ€ ๋งˆํŒ€์งœ ์ฟ ์—์ฉจ ๋‚˜ ๋น„์˜ค์•ผ
09:08
Planning how we want to take over the world soon
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์„ธ๊ณ„๋ฅผ ์‚ฌ๋กœ์žก์„ ๊ณ„ํš์„ ๋งŒ๋“ค์ฃ .
09:11
Riding on the drums and the clap while the bass goes
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๋“œ๋Ÿผ ๋น„ํŠธ๋ฅผ ํƒ€๊ณ  ๋ฒ ์ด์Šค์— ๋ฐ•์ˆ˜์ณ์š”.
09:15
Hey! Shake it down shake it down like
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ํ—ค์ด! ๋ชธ์„ ํ”๋“ค์–ด์š”.
09:18
Wait till you, wait till you see my
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๋ชจ๋‘์—๊ฒŒ ๋ณด์—ฌ์ค„๊ฒŒ์š”.
09:21
Hey! Shake it down shake it down like
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ํ—ค์ด! ๋ชธ์„ ํ”๋“ค์–ด์š”.
09:24
Wait till you, wait till you see my
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๋ชจ๋‘์—๊ฒŒ ๋ณด์—ฌ์ค„๊ฒŒ์š”.
09:28
If you really know it and you really wanna show it
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์ •๋ง ์•Œ๊ณ  ์žˆ๋‹ค๋ฉด ๋ณด์—ฌ์ฃผ๊ณ  ์‹ถ์€ ๊ฑฐ์ฃ .
09:30
Be the way to go
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์•ž๊ธธ์„ ๋ณด์—ฌ์ค˜์š”.
09:34
Go and grab somebody, move your body, show somebody
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๋ˆ„๊ตฐ๊ฐ€๋ฅผ ๋ถ™์žก๊ณ  ๋ชธ์„ ํ”๋“ค์–ด์š”, ๊ทธ๋“ค์—๊ฒŒ ๋ณด์—ฌ์ค˜์š”.
09:36
Be the way to go
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์•ž๊ธธ์„ ๋ณด์—ฌ์ค˜์š”.
09:40
On this I know, all this I know, all this I know
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๋‚˜๋Š” ์•Œ๊ณ  ์žˆ์–ด์š”, ๋ชจ๋‘ ์•Œ๊ณ  ์žˆ์–ด์š”.
09:46
On this I know, all this I know, all this I know
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๋‚˜๋Š” ์•Œ๊ณ  ์žˆ์–ด์š”, ๋ชจ๋‘ ์•Œ๊ณ  ์žˆ์–ด์š”.
09:51
Iyo!
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์ด์š”!
09:53
Scheming at the corner
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๋ชจํ‰์ด์—์„œ ์ผ์„ ๊พธ๋ฏธ์ฃ 
09:55
Me and Suzie Noma
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๋‚˜์™€ ์ˆ˜์ง€ ๋…ธ๋งˆ
09:56
We ain't got no money but we do it how we wanna
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๋ˆ์€ ์—†์–ด๋„ ์›ํ•˜๋Š” ๋Œ€๋กœ ํ•˜์ฃ .
09:59
Painting our nails checking our mails as
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๋„ค์ผ ์•„ํŠธ๋ฅผ ํ•˜๊ณ  ๋ฉ”์ผ์„ ํ™•์ธํ•ด์š”.
10:02
All them pretty boys wanna have us but they fail like
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๋‚จ์ž๋“ค์€ ์šฐ๋ฆฌ๋ฅผ ๊ฐ€์ง€๋ คํ•˜์ง€๋งŒ ๋ง˜๋Œ€๋กœ ๋˜์ง€ ์•Š์ฃ .
10:05
Aki mtangoja, leo mtangoja
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์•„๋ผ ์œผํƒ„๊ณ ์•ผ, ๋ ˆ์˜ค ์œผํƒ„๊ณ ์•ผ
10:08
Saa hii tukoworks hakunaga za vioja
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์•„ ํžˆ ํˆฌ์ฝ”์™์Šค ํ•˜์ฟ ๋‚˜๊ฐ€ ๋น„์˜ค์•ผ
10:11
Planning how we want to take over the world soon
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๊ณง ์„ธ๊ณ„๋ฅผ ์‚ฌ๋กœ์žก์„ ๊ณ„ํš์„ ๋งŒ๋“ค์ฃ .
10:14
Riding on the drums and the clap while the bass goes boom
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๋“œ๋Ÿผ ๋น„ํŠธ๋ฅผ ํƒ€๋ฉฐ ๋ฒ ์ด์Šค์— ๋งž์ถฐ ๋ฐ•์ˆ˜์ณ์š”.
10:18
Shake it down shake it down like
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๋ชธ์„ ํ”๋“ค์–ด์š”.
10:21
Wait till you, wait till you see my
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๋ชจ๋‘์—๊ฒŒ ๋ณด์—ฌ์ค„๊ฒŒ์š”.
10:24
Hey! Shake it down shake it down like
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ํ—ค์ด! ๋ชธ์„ ํ”๋“ค์–ด์š”.
10:27
Wait till you, wait till you see my
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๋ชจ๋‘์—๊ฒŒ ๋ณด์—ฌ์ค„๊ฒŒ์š”.
10:31
If you really know it and you really wanna show it
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์ •๋ง ์•Œ๊ณ  ์žˆ๋‹ค๋ฉด ๋ณด์—ฌ์ฃผ๊ณ  ์‹ถ์€๊ฑฐ์ฃ .
10:33
Be the way to go
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์•ž๊ธธ์„ ๋ณด์—ฌ์ค˜์š”.
10:37
Go and grab somebody, move your body, show somebody
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๋ˆ„๊ตฐ๊ฐ€๋ฅผ ๋ถ™์žก๊ณ  ๋ชธ์„ ํ”๋“ค์–ด์š”, ๊ทธ๋“ค์—๊ฒŒ ๋ณด์—ฌ์ค˜์š”.
10:39
Be the way to go
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์•ž๊ธธ์„ ๋ณด์—ฌ์ค˜์š”.
10:43
On this I know, all this I know, all this I know
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๋‚˜๋Š” ์•Œ๊ณ  ์žˆ์–ด์š”, ๋ชจ๋‘ ์•Œ๊ณ  ์žˆ์–ด์š”.
10:49
On this I know, all this I know, all this I know
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๋‚˜๋Š” ์•Œ๊ณ  ์žˆ์–ด์š”, ๋ชจ๋‘ ์•Œ๊ณ  ์žˆ์–ด์š”.
10:55
And now you whine your waist
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ํ—ˆ๋ฆฌ๋ฅผ ํ”๋“ค์–ด์š”.
10:58
And now you screw your face
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์–ผ๊ตด์„ ์›€์ง์—ฌ์š”.
11:01
Exaggerate your waist
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ํ—ˆ๋ฆฌ๋ฅผ ๊ฐ•์กฐํ•ด์š”.
11:04
Resuscitate the place
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์ด ๊ณณ์„ ์‚ด๋ ค๋‚ด์š”.
11:07
Na wale wako fifty fifty comsi
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๋‚˜ ์™€๋ ˆ ์™€์ฝ” ํ”ผํ”„ํ‹ฐ ํ”ผํ”„ํ‹ฐ ์ฝค์”จ
11:10
Na wale wako fiti pia sisi
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๋‚˜ ์™€๋ ˆ ์™€์ฝ” ํ”ผํ‹ฐ ํ”ผ์•„ ์”จ์”จ
11:13
Tuko tu sawa mdogo mdogo yaani
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ํˆฌ์ฝ” ํˆฌ ์ƒค์™€ ๋„๊ณ  ๋„๊ณ  ์•ผ๋‹ˆ
11:16
Hallelu-yawa tumeiva design
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ํ• ๋ ˆ๋ฃจ-์•ผ์™€ ํˆฌ๋ฉ”์•„๋ฐ” ๋””์ž์ธ
11:19
If you really know it, and you really wanna show it
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์ •๋ง ์•Œ๊ณ  ์žˆ๋‹ค๋ฉด ๋ณด์—ฌ์ฃผ๊ณ  ์‹ถ์€๊ฑฐ์ฃ .
11:21
Be the way to go
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์•ž๊ธธ์„ ๋ณด์—ฌ์ค˜์š”.
11:25
Go and grab somebody, move your body, show somebody
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๋ˆ„๊ตฐ๊ฐ€๋ฅผ ๋ถ™์žก๊ณ  ๋ชธ์„ ํ”๋“ค์–ด์š”, ๊ทธ๋“ค์—๊ฒŒ ๋ณด์—ฌ์ค˜์š”.
11:27
Be the way to go
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์•ž๊ธธ์„ ๋ณด์—ฌ์ค˜์š”.
11:31
On this I know, all this I know, all this I know
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๋‚˜๋Š” ์•Œ๊ณ  ์žˆ์–ด์š”, ๋ชจ๋‘ ์•Œ๊ณ  ์žˆ์–ด์š”.
11:37
On this I know, all this I know, all this I know
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๋‚˜๋Š” ์•Œ๊ณ  ์žˆ์–ด์š”, ๋ชจ๋‘ ์•Œ๊ณ  ์žˆ์–ด์š”.
11:42
Iyo!
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์ด์š”!
11:45
(Cheering)
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(ํ™˜ํ˜ธ)
11:48
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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