Creativity builds nations | Muthoni Drummer Queen

Between 2004 and 2008,

I unsuccessfully tried to get into the Kenyan music industry.

But the recurring answer from producers

was I was not Kenyan enough.

Meaning what?

I didn't sing fully in the slang derivative of Kiswahili

and I didn't sing enough party tracks,

so they said Kenyans wouldn't listen to a Kenyan who sounded like me.

This idea of otherism,

the exclusion of a person

based on their perceived deviation from the norms,

goes to the root of the problems in Kenya.

And it runs deep.

Kenya was invented by colonialists in 1895,

and with it, came the erasure of our identity

and the class system built on otherism.

So by 1963, when we received our independence,

these ideas had already become the new normal.

Now, we've tried a lot of different ways to move forward since.

We have a common language, currency, infrastructure,

basically all the things that make a country a country.

But all these efforts at nation-building

do not go to the heart of the matter.

Which is this:

we cannot build what we do not truly love.

And we cannot love until we love ourselves.

The thing we have to heal, us Kenyans,

is our lack of self-love,

our deep self-hate

and our existential identity crisis.

And this is the work of nation-building

that only the creative industry can do.

The idea that Kenya can only include some of us

led me to found a music festival in 2008 called Blankets and Wine,

to give a platform to myself and other misfits.

Ten years later, we've programmed over 200 bands

and put at least 100,000 dollars

directly into the hands of artists and managers,

who have in turn spent it on technicians, rehearsals,

music videos and other things along the music value chain.

Our platform has allowed for multiple Kenyan identities to exist,

while inspiring the industry to discover and engage

the wide variety of Kenyan music.

What we do is necessary but insufficient.

And we must urgently pivot into a live music circuit.

But there are other ways music can help heal the nation.

According to a 2018 state of media report,

traditional radio is sill by far the biggest distributor of ideas in Kenya,

with 47 percent of Kenyans still choosing radio first.

This presents an opportunity.

We can use radio to help Kenyans hear the diversity that is Kenya.

We can reserve 60 percent of all programing on Kenyan radio

for Kenyan music.

We can break down ethnic barriers

by playing Kenyan music done in English, Kiswahili

and other ethnic languages,

on what is now single-language ethnic radio.

Radio can help stimulate interest and demand

for Kenyan music by Kenyans,

while also providing the much-needed incomes

by way of royalties.

But more importantly,

radio can help us build a more inclusive narrative about Kenya.

For you cannot love what you do not know exists.

Other creative industries too can do the work.

When you consider that 41 percent of Kenyans

still choose TV as their primary medium,

it's obvious that film has a huge potential.

The meager resources that have been put into the sector

have already produced world-class acts,

like Lupita Nyong'o and Wanuri Kahiu,

but we are going to need a lot more incentives and investments

to make filming in Kenya easier,

so more Kenyan stories can get on the Kenyan TV

and spark off the really difficult conversations

we need to have with one another.

We're going to need to grow a lot more home-grown stars,

so we can reverse the idea

that we have to blow up abroad

before we get the acceptance and validation of home.

Fashion too can do the work.

We need to make it possible

to affordably mass-produce Kenyan clothes for Kenyan consumers,

so we don't all have to rely on second-hand imports.

The first running shoe made in Kenya

needs to be a local and global success

as an ode to Kenyan excellence,

epitomized by Kenyan runners, who are literally world-class.

For these ideas to come to life,

jobs will be created,

and Kenyan ideas will be exported.

But more importantly,

Kenyans may finally consider themselves worthy

of the love that we reserve for others.

Kenya's creative industry is dynamic,

cosmopolitan, forward-looking,

and without a doubt,

a true manufacturing industry of the immediate future.

But its true power lies in its ability to help heal the psyche of Kenya,

so we can finally build a nation for real.

Thank you.

(Applause)

(Applause)

For this song, I'd like us all to take a minute

and think about immigrant communities,

and especially refugee immigrant communities,

and the daily struggle they have to endure,

building a life with dignity and meaning

away from everything they have loved and known.

If you feel any empathy for this idea,

I ask to see your fist up in the air with me.

(Music)

"Million voice."

The mandem make some noise

With a million, million voice

All the mandem make some noise

With a million, million voice

Can't stop I, won't stop I

With a million, million voice

Can't stop I, won't stop I

With a million, million voice

This one dedicated to my people building something

Working hard to make sure that their children will lack for nothing

When them people come around and treat them like they're basic

I just want to LOL and tell them to consider all their options

Caution, natural distortion

You can't even kill us we survive even abortion

Say we cannot make it, watch us how we make it

Watch us in a minute come and run and overtake it

TED, clap!

Can't have enough of it

This our only way of life

Keeping, keeping on the grind

TED, will you clap like this.

Can't have enough of it

This our only way of life

Keeping, keeping on the grind

Keeping, keeping on the grind

The mandem make some noise

Like a million, million voice

All the mandem make some noise

With a million, million voice

Can't stop I, won't stop I

With a million, million voice

Can't stop I, won't stop I

With a million, million voice

Can I be your leader

Can I be your Caesar

If I show you how to make some more will you pledge allegiance

Is it always either

Me or you or neither

If I show you where I'm coming from, will you take a breather?

Cos what you'll find -- what you'll find

What you'll find guarantee will blow your mind!

I'll blow your mind -- I'll blow your mind

And then you'll see the reason I stay on my grind

Would you clap!

Can't have enough of it

It's our only way of life

Keeping, keeping on the grind

Keeping, keeping on the grind

Can't have enough of it

It's our only way of life

Keeping, keeping on the grind

Keeping, keeping on the grind

The mandem make some noise

(Cheering)

(Applause)

This next one is partly in Kiswahili,

which is what we speak in Kenya.

And it's about female friendship

and female power.

And girls coming together to build something that lasts,

a true legacy and intergenerational worth.

"Suzie Noma."

(Drum music)

Sitting at the corner

Me and Suzie Noma

We ain't got no worries we are looking like the owners

Sipping on Coronas

Looking at the phone as

All them pretty boys come and tell us how they want us

Mambo ni kungoja, aki mtangoja

Sinaga matime za kuwaste na vioja

Planning how we want to take over the world soon

Riding on the drums and the clap while the bass goes

Hey! Shake it down shake it down like

Wait till you, wait till you see my

Hey! Shake it down shake it down like

Wait till you, wait till you see my

If you really know it and you really wanna show it

Be the way to go

Go and grab somebody, move your body, show somebody

Be the way to go

On this I know, all this I know, all this I know

On this I know, all this I know, all this I know

Iyo!

Scheming at the corner

Me and Suzie Noma

We ain't got no money but we do it how we wanna

Painting our nails checking our mails as

All them pretty boys wanna have us but they fail like

Aki mtangoja, leo mtangoja

Saa hii tukoworks hakunaga za vioja

Planning how we want to take over the world soon

Riding on the drums and the clap while the bass goes boom

Shake it down shake it down like

Wait till you, wait till you see my

Hey! Shake it down shake it down like

Wait till you, wait till you see my

If you really know it and you really wanna show it

Be the way to go

Go and grab somebody, move your body, show somebody

Be the way to go

On this I know, all this I know, all this I know

On this I know, all this I know, all this I know

And now you whine your waist

And now you screw your face

Exaggerate your waist

Resuscitate the place

Na wale wako fifty fifty comsi

Na wale wako fiti pia sisi

Tuko tu sawa mdogo mdogo yaani

Hallelu-yawa tumeiva design

If you really know it, and you really wanna show it

Be the way to go

Go and grab somebody, move your body, show somebody

Be the way to go

On this I know, all this I know, all this I know

On this I know, all this I know, all this I know

Iyo!

(Cheering)

(Applause)