Animation basics: Homemade special effects - TED-Ed

170,417 views ใƒป 2013-05-16

TED-Ed


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Transcriber: Andrea McDonough Reviewer: Jessica Ruby
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ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Zeeva Livshitz
00:16
How do you get from point A to point B?
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ืื™ืš ืžื’ื™ืขื™ื ืžื ืงื•ื“ื” ืื—ืช ืœืฉื ื™ื”?
00:29
Why not spice it up with homemade special effects?
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ืœืžื” ืœื ืœืชื‘ืœ ืืช ื–ื” ืขื ืืคืงื˜ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื™ื™ืชื™ื™ื™ื?
00:33
A film is simply a series of images
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ืกืจื˜ ื”ื•ื ืคืฉื•ื˜ ืกื™ื“ืจื” ืฉืœ ืชืžื•ื ื•ืช
00:35
played in sequence to create the illusion of motion.
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ืฉืžื ื•ื’ื ื•ืช ื‘ืจืฆืฃ ื›ื“ื™ ืœื™ืฆื•ืจ ืืช ื”ืืฉืœื™ื” ืฉืœ ืชื ื•ืขื”.
00:38
If you manipulate those images,
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ืื ืชืฉื ื• ืืช ื”ืชืžื•ื ื•ืช ื”ืืœื”,
00:40
crazy things can happen.
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ื“ื‘ืจื™ื ืžืฉื•ื’ืขื™ื ื™ื›ื•ืœื™ื ืœืงืจื•ืช.
00:43
We used a tablet and one of the many stop motion apps out there.
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ื”ืฉืชืžืฉื ื• ื‘ื˜ืื‘ืœื˜ ื•ืื—ืช ืžื”ืจื‘ื” ืืคื™ืœืงืฆื™ื•ืช ืกื˜ื•ืค ืžื•ืฉืŸ.
00:48
How do you get from point A to point B?
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ืื™ืš ืžื’ื™ืขื™ื ืžื ืงื•ื“ื” ืื—ืช ืœืฉื ื™ื”?
00:54
We started off by taking a bunch of pictures of Celeste in place.
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ืื ื—ื ื• ืžืชื—ื™ืœื™ื ื‘ืฆื™ืœื•ื ื›ืžื•ืช ืฉืœ ืชืžื•ื ื•ืช ืฉืœ ืกืœืกื˜ ื‘ืžืงื•ื.
00:58
Then, just like stop motion animation,
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ืื–, ื‘ื“ื™ื•ืง ื›ืžื• ืื ื™ืžืฆื™ืช ืกื˜ื•ืค ืžื•ืฉืŸ,
01:01
the character is moved just a bit
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ื”ื“ืžื•ืช ืžื•ื–ื–ืช ืจืง ืงืฆืช
01:03
before the next picture is taken,
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ืœืคื ื™ ืฉืžืฆืœืžื™ื ืืช ื”ืชืžื•ื ื” ื”ื‘ืื”,
01:05
which, in this case, creates a sliding effect.
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ืฉื”ื™ื, ื‘ืžืงืจื” ื”ื–ื”, ื™ื•ืฆืจืช ืืคืงื˜ ื”ื—ืœืงื”.
01:15
Here we use the oldest trick in the book.
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ื›ืืŸ ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ืชื›ืกื™ืก ื”ื›ื™ ืขืชื™ืง ื‘ืกืคืจ.
01:17
By alternating between photos
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ืขืœ ื™ื“ื™ ื”ื—ืœืคื” ื‘ื™ืŸ ืชืžื•ื ื•ืช
01:18
of Celeste on-screen and off-screen,
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ืฉืœ ืกืœืกื˜ ืขืœ ื”ืžืกืš ื•ืžื—ื•ืฅ ืœืžืกืš,
01:21
we've made her childhood dream of teleportation a reality.
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ื”ื’ืฉืžื ื• ืืช ื—ืœื•ื ื”ื™ืœื“ื•ืช ืฉืœื” ืฉืœ ื˜ืœืคื•ืจื˜ืฆื™ื”.
01:25
With a little creativity, there are a million ways
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ืขื ืžืขื˜ ื™ืฆื™ืจืชื™ื•ืช, ื™ืฉ ืžืœื™ื•ืŸ ื“ืจื›ื™ื
01:28
you can used homemade special effects
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ืฉืืชื ื™ื›ื•ืœื™ื ืœื”ืฉืชืžืฉ ื‘ืืคืงื˜ื™ื ื‘ื™ื™ืชื™ื™ื
01:30
to make something as simple as
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ื›ื“ื™ ืœื”ืคื•ืš ืžืฉื”ื• ืคืฉื•ื˜ ื›ืžื•
01:32
getting from point A to point B much more fun.
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ืœื”ื’ื™ืข ืžื ืงื•ื“ื” ืื—ืช ืœืฉื ื™ื” ืœื”ืจื‘ื” ื™ื•ืชืจ ื›ื™ืฃ.
02:57
If you're at a loss for ideas,
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ืื ืื™ืŸ ืœื›ื ืจืขื™ื•ื ื•ืช,
02:58
try finding inspiration in your surroundings,
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ื ืกื• ืœืงื‘ืœ ื”ืฉืจืื” ืžื”ืกื‘ื™ื‘ื” ืฉืœื›ื,
03:01
like the refrigerator
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ื›ืžื• ื”ืžืงืจืจ
03:02
and your coat rack.
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ื•ืžืชืœื” ื”ืžืขื™ืœื™ื ืฉืœื›ื.
03:13
You can even try incorporating
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ืืชื ืืคื™ืœื• ื™ื›ื•ืœื™ื ืœืฉืœื‘
03:15
everyday objects from around your house,
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ื—ืคืฆื™ื ื™ื•ื ื™ื•ืžื™ื™ื ืžืกื‘ื™ื‘ ืœื‘ื™ืช,
03:17
like, say, umbrellas
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ื›ืžื•, ื ื’ื™ื“, ืžื˜ืจื™ื•ืช
03:18
or binder clips.
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ืื• ืื˜ื‘ื™ื ืžืฉืจื“ื™ื™ื.
03:25
Wherever there is an object,
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ื‘ื›ืœ ืžืงื•ื ื‘ื• ื™ืฉ ืื•ื‘ื™ื™ืงื˜,
03:26
there is an opportunity to make it come to life.
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ื™ืฉ ื”ื–ื“ืžื ื•ืช ืœื”ื‘ื™ื ืื•ืชื• ืœื—ื™ื™ื.
03:31
When humans are used in stop motion animation,
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ื›ืฉืื ืฉื™ื ืžื•ืจื’ืœื™ื ืœืื ื™ืžืฆื™ืช ืกื˜ื•ืค ืžื•ืฉืŸ,
03:34
that's called pixilation,
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ื–ื” ื ืงืจื ืคื™ืงืกืœื™ื™ืฉืŸ,
03:36
a term coined in the mid-twentieth century,
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ืžื•ื ื— ืฉื ื˜ื‘ืข ื‘ืืžืฆืข ืฉื ื•ืช ื”ืฉืžื•ื ื™ื,
03:38
well before the word pixel was a part of our vocabulary.
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ื”ืจื‘ื” ืœืคื ื™ ืฉื”ืžื™ืœื” ืคื™ืงืกืœ ื”ื™ืชื” ื—ืœืง ืžื”ืžื™ืœื•ืŸ ืฉืœื ื•.
03:42
But these sorts of special effects
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ืื‘ืœ ืกื•ื’ ื–ื” ืฉืœ ืืคืงื˜ื™ื ืžื™ื•ื—ื“ื™ื
03:43
are as old as the art of film making,
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ื”ื•ื ื™ืฉืŸ ื›ืžื• ืื•ืžื ื•ืช ืขืฉื™ื™ืช ื”ืงื•ืœื ื•ืข,
03:46
and thanks to today's technologies,
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ื•ืชื•ื“ื•ืช ืœื˜ื›ื ื•ืœื•ื’ื™ื•ืช ืฉืœ ื”ื™ื•ื,
03:48
can be reproduced in your very own kitchen.
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ื™ื›ื•ืœื•ืช ืœื”ื™ื•ืช ืžืฉื•ื›ืคืœื•ืช ื‘ืžื˜ื‘ื— ืฉืœื›ื.
03:57
Moving an object from point A to point B
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ืœื”ื–ื™ื– ืžืฉื”ื• ืžื ืงื•ื“ื” ืื—ืช ืœืฉื ื™ื”
04:00
is a fundamental principle of animation.
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ื–ื” ืขื™ืงืจื•ืŸ ื‘ืกื™ืกื™ ืฉืœ ืื ื™ืžืฆื™ื”.
04:02
To learn more about the process
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ื›ื“ื™ ืœืœืžื•ื“ ื™ื•ืชืจ ืขืœ ื”ืชื”ืœื™ืš
04:04
and the tools we used,
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ื•ื”ื›ืœื™ื ืฉื”ืฉืชืžืฉื ื• ื‘ื”ื,
04:05
visit the "Dig Deeper" section on ed.ted.com.
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ื‘ืงืจื• ืืช ืื–ื•ืจ "ื“ื™ื’ ื“ื™ืคืจ" ื‘ ed.ted.com.
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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