Can music mend a broken heart? - 6 Minute English

382,922 views ใƒป 2022-12-01

BBC Learning English


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ. ื›ืชื•ื‘ื™ื•ืช ืžืชื•ืจื’ืžื•ืช ืžืชื•ืจื’ืžื•ืช ื‘ืžื›ื•ื ื”.

00:07
Hello. This is 6 Minute
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ืฉืœื•ื. ื–ื•ื”ื™ 6 ื“ืงื•ืช
00:09
English from BBC Learning English.
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ืื ื’ืœื™ืช ืžื‘ื™ืช BBC Learning English.
00:10
I'm Sam. And I'm Neil.
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ืื ื™ ืกืื. ื•ืื ื™ ื ื™ืœ.
00:12
There are a million songs about falling in love and just as
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ื™ืฉ ืžื™ืœื™ื•ืŸ ืฉื™ืจื™ื ืขืœ ื”ืชืื”ื‘ื•ืช ื•ื‘ืื•ืชื”
00:16
many about being broken-hearted. Do you remember the first time
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ืžื™ื“ื” ืขืœ ืฉื‘ื•ืจ ืœื‘. ืืชื” ื–ื•ื›ืจ ืืช ื”ืคืขื ื”ืจืืฉื•ื ื”
00:19
you fell in love, Sam?
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ืฉื”ืชืื”ื‘ืช, ืกื?
00:21
Ah, yes. I was 14 and it seemed like every word of every love song
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ืื” ื›ืŸ. ื”ื™ื™ืชื™ ื‘ืŸ 14 ื•ื ืจืื” ื”ื™ื” ืฉื›ืœ ืžื™ืœื” ื‘ื›ืœ ืฉื™ืจ ืื”ื‘ื”
00:26
had been written just for me.
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ื ื›ืชื‘ื” ืจืง ื‘ืฉื‘ื™ืœื™.
00:28
Well, there's a strong connection between music and love -
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ื•ื‘ื›ืŸ, ื™ืฉ ืงืฉืจ ื—ื–ืง ื‘ื™ืŸ ืžื•ื–ื™ืงื” ืœืื”ื‘ื” -
00:31
as Shakespeare famously wrote,
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ื›ืคื™ ืฉื›ืชื‘ ืฉื™ื™ืงืกืคื™ืจ ื”ืžืคื•ืจืกื,
00:33
"If music be the food of love, play on". In this programme,
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"ืื ืžื•ื–ื™ืงื” ื”ื™ื ื”ืื•ื›ืœ ืฉืœ ืื”ื‘ื”, ืฉื—ืง ื”ืœืื”". ื‘ืชื•ื›ื ื™ืช ื–ื•,
00:37
we'll be meeting a singer-songwriter who used music to express her feelings
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ื ืคื’ื•ืฉ ื–ืžืจืช-ื™ื•ืฆืจืช ืฉื”ืฉืชืžืฉื” ื‘ืžื•ื–ื™ืงื” ื›ื“ื™ ืœื‘ื˜ื ืืช ืจื’ืฉื•ืช
00:41
of falling in love, and
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ื”ื”ืชืื”ื‘ื•ืช ืฉืœื”,
00:43
later to mend her broken heart when the relationship ended. And
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ื•ื‘ื”ืžืฉืš ื›ื“ื™ ืœืชืงืŸ ืืช ืœื‘ื” ื”ืฉื‘ื•ืจ ื›ืฉื”ืงืฉืจ ื”ืกืชื™ื™ื.
00:47
as usual, we'll be learning some new vocabulary as well.
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ื•ื›ืจื’ื™ืœ, ื ืœืžื“ ื’ื ืื•ืฆืจ ืžื™ืœื™ื ื—ื“ืฉ.
00:51
But first, I have a question for you, Neil.
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ืื‘ืœ ืจืืฉื™ืช, ื™ืฉ ืœื™ ืฉืืœื” ืืœื™ืš, ื ื™ืœ.
00:54
Your mention of Shakespeare reminds me of Romeo and Juliet,
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ื”ืื–ื›ื•ืจ ืฉืœืš ืœืฉื™ื™ืงืกืคื™ืจ ืžื–ื›ื™ืจ ืœื™ ืืช ืจื•ืžื™ืื• ื•ื™ื•ืœื™ื”,
00:57
his famous lovers who fall in love,
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ืื”ื•ื‘ื™ื• ื”ืžืคื•ืจืกืžื™ื ืฉืžืชืื”ื‘ื™ื,
00:59
despite their fighting families only to die tragically young.
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ืœืžืจื•ืช ืฉืžืฉืคื—ื•ืชื™ื”ื ื”ื ืœื—ืžื•ืช ืจืง ื›ื“ื™ ืœืžื•ืช ืฆืขื™ืจื™ื ื‘ืื•ืคืŸ ื˜ืจืื’ื™.
01:04
But in which Italian city was Romeo and Juliet set?
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ืื‘ืœ ื‘ืื™ื–ื• ืขื™ืจ ืื™ื˜ืœืงื™ืช ื”ืชืจื—ืฉ ืจื•ืžื™ืื• ื•ื™ื•ืœื™ื”? ื”ืื
01:08
Was it a) Florence, b) Venice or c) Verona?
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ื–ื” ื”ื™ื” ื) ืคื™ืจื ืฆื”, ื‘) ื•ื ืฆื™ื” ืื• ื’) ื•ืจื•ื ื”?
01:13
I think it must be one of the world's most romantic cities: Florence.
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ืื ื™ ื—ื•ืฉื‘ ืฉื–ื• ื—ื™ื™ื‘ืช ืœื”ื™ื•ืช ืื—ืช ื”ืขืจื™ื ื”ืจื•ืžื ื˜ื™ื•ืช ื‘ืขื•ืœื: ืคื™ืจื ืฆื”.
01:17
OK, Neil.
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ื‘ืกื“ืจ, ื ื™ืœ. ืืช
01:18
I'll reveal the answer later in the programme. Julia
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ื”ืชืฉื•ื‘ื” ืื’ืœื” ื‘ื”ืžืฉืš ื”ืชื•ื›ื ื™ืช. ื’'ื•ืœื™ื”
01:22
Jacklin is an Australian singer-songwriter
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ื’'ืงืœื™ืŸ ื”ื™ื ื–ืžืจืช-ื™ื•ืฆืจืช ืื•ืกื˜ืจืœื™ืช ืฉื”ืฉื™ืจ
01:25
whose song, 'Don't know how to keep loving you' reached number eight
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ืฉืœื”, 'Don't know how to keep loveing โ€‹โ€‹you' ื”ื’ื™ืข ืœืžืงื•ื ื”ืฉืžื™ื ื™
01:29
in the Australian pop charts. Her song lyrics
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ื‘ืžืฆืขื“ ื”ืคื•ืค ื”ืื•ืกื˜ืจืœื™. ืžื™ืœื•ืช ื”ืฉื™ืจ ืฉืœื”
01:32
explore feelings of falling in love, as well as the pain of breaking up.
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ื—ื•ืงืจื•ืช ืชื—ื•ืฉื•ืช ืฉืœ ื”ืชืื”ื‘ื•ืช, ื›ืžื• ื’ื ืืช ื”ื›ืื‘ ืฉืœ ืคืจื™ื“ื”.
01:37
Julia's songs are written from experience. Several years ago,
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ื”ืฉื™ืจื™ื ืฉืœ ื’'ื•ืœื™ื” ื ื›ืชื‘ื™ื ืžื ื™ืกื™ื•ืŸ. ืœืคื ื™ ืžืกืคืจ ืฉื ื™ื
01:41
she quit her banned in Australia and bought a one way ticket to London
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ื”ื™ื ืขื–ื‘ื” ืื•ืชื” ืžื”ืืกื•ืจ ื‘ืื•ืกื˜ืจืœื™ื” ื•ืงื ืชื” ื›ืจื˜ื™ืก ื‘ื›ื™ื•ื•ืŸ ืื—ื“ ืœืœื•ื ื“ื•ืŸ
01:45
to be with her boyfriend and soulmate -
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ื›ื“ื™ ืœื”ื™ื•ืช ืขื ื”ื—ื‘ืจ ื•ื”ื ืคืฉ ื”ืชืื•ืžื” ืฉืœื” -
01:47
the person who she felt a special romantic connection with.
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ื”ืื“ื ืฉืื™ืชื• ื”ืจื’ื™ืฉื” ืงืฉืจ ืจื•ืžื ื˜ื™ ืžื™ื•ื—ื“.
01:51
But things didn't work out as she'd hoped
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ืื‘ืœ ื”ื“ื‘ืจื™ื ืœื ื”ืกืชื“ืจื• ื›ืคื™ ืฉืงื™ื•ื•ืชื”
01:54
and she found herself alone and working in a depressing job.
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ื•ื”ื™ื ืžืฆืื” ืืช ืขืฆืžื” ืœื‘ื“ ื•ืขื•ื‘ื“ืช ื‘ืขื‘ื•ื“ื” ืžื“ื›ืืช.
01:58
Julia turned to music, pouring her feelings of lost love
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ื’'ื•ืœื™ื” ืคื ืชื” ืœืžื•ื–ื™ืงื”, ื•ืฉืคื›ื” ืืช ืจื’ืฉื•ืชื™ื” ืฉืœ ืื”ื‘ื” ืื‘ื•ื“ื”
02:02
into the songs which later became her first album as a successful musician.
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ืœืชื•ืš ื”ืฉื™ืจื™ื ืฉืœื™ืžื™ื ื”ืคืš ืœืืœื‘ื•ืžื” ื”ืจืืฉื•ืŸ ื›ืžื•ื–ื™ืงืื™ืช ืžืฆืœื™ื—ื”.
02:07
So when BBC
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ืื– ื›ืฉืชื•ื›ื ื™ืช
02:08
World Service programme, The Conversation, spoke with her,
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ื”ืฉื™ืจื•ืช ื”ืขื•ืœืžื™ ืฉืœ ื”-BBC, The Conversation, ื“ื™ื‘ืจื” ืื™ืชื”,
02:12
they asked Julia, what she would tell her younger self.
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ื”ื ืฉืืœื• ืืช ื’'ื•ืœื™ื”, ืžื” ื”ื™ื ืชืกืคืจ ืœืขืฆืžื™ ื”ืฆืขื™ืจ ืฉืœื”.
02:16
The one thing that was just very heartbreaking for me at that age
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ื”ื“ื‘ืจ ื”ื™ื—ื™ื“ ืฉืคืฉื•ื˜ ื”ื™ื” ืžืื•ื“ ืงื•ืจืข ืœื™ ื‘ื’ื™ืœ ื”ื–ื”
02:20
was kind of adult cynicism.
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ื”ื™ื” ืกื•ื’ ืฉืœ ืฆื™ื ื™ื•ืช ืฉืœ ืžื‘ื•ื’ืจื™ื.
02:23
I guess. About love.
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ืื ื™ ืžื ื™ื—. ืื•ื“ื•ืช ืื”ื‘ื”.
02:24
I found that really difficult. You know, now
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ืžืฆืืชื™ ืืช ื–ื” ืžืžืฉ ืงืฉื”. ืืชื” ื™ื•ื“ืข, ืขื›ืฉื™ื•
02:27
when like a young person is like really in love at 14,
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ื›ืฉื›ืžื• ืื“ื ืฆืขื™ืจ ื”ื•ื ื›ืžื• ืžืื•ื”ื‘ ื‘ืืžืช ื‘ื’ื™ืœ 14,
02:31
I know that as an adult, all your instincts are telling them
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ืื ื™ ื™ื•ื“ืข ืฉื‘ืชื•ืจ ืžื‘ื•ื’ืจ, ื›ืœ ื”ืื™ื ืกื˜ื™ื ืงื˜ื™ื ืฉืœืš ืื•ืžืจื™ื ืœื”ื
02:34
to like, you know, that it's probably not going to work, you know, and that
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ืœืื”ื•ื‘, ืืชื” ื™ื•ื“ืข, ืฉื–ื” ื›ื ืจืื” ืœื ื™ืขื‘ื•ื“, ืืชื” ื™ื•ื“ืข, ื•ื–ื”
02:39
like, just relax or whatever,
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ื›ืžื• , ืคืฉื•ื˜ ืชื™ืจื’ืข ืื• ืžื” ืฉื–ื” ืœื ื™ื”ื™ื”,
02:40
but I remember at the time just desperately wanting
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ืื‘ืœ ืื ื™ ื–ื•ื›ืจ ืฉื‘ื–ืžื ื• ืคืฉื•ื˜ ืจืฆื™ืชื™ ื ื•ืืฉื•ืช
02:43
to be validated by adults and not be told that I was being stupid.
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ืœืงื‘ืœ ืชื•ืงืฃ ืฉืœ ืžื‘ื•ื’ืจื™ื ื•ืœื ืฉื™ื’ื™ื“ื• ืœื™ ืฉืื ื™ ื˜ื™ืคืฉ.
02:47
I don't know, I'd probably just be like
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ืื ื™ ืœื ื™ื•ื“ืข, ื›ื ืจืื” ืฉืคืฉื•ื˜ ื”ื™ื™ืชื™ ืื•ืžืจ
02:49
"Yeah, go for it."
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"ื›ืŸ, ืœืš ืขืœ ื–ื”".
02:50
Many teenagers have a romantic ideal of everlasting love, often in contrast
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ืœื‘ื ื™ ื ื•ืขืจ ืจื‘ื™ื ื™ืฉ ืื™ื“ื™ืืœ ืจื•ืžื ื˜ื™ ืฉืœ ืื”ื‘ื” ื ืฆื—ื™ืช, ืœืจื•ื‘ ื‘ื ื™ื’ื•ื“
02:56
to the beliefs of adults, which Julia calls 'cynicism' -
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ืœืืžื•ื ื•ืช ืฉืœ ืžื‘ื•ื’ืจื™ื, ืฉื’'ื•ืœื™ื” ืžื›ื ื” 'ืฆื™ื ื™ื•ืช' โ€“
02:59
the belief that something will not be successful,
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ื”ืืžื•ื ื” ืฉืžืฉื”ื• ืœื ื™ืฆืœื™ื—,
03:02
or that the people involved are not sincere.
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ืื• ืฉื”ืื ืฉื™ื ื”ืžืขื•ืจื‘ื™ื ืื™ื ื ื›ื ื™ื.
03:04
The young Julia wanted to feel 'validated' - to get confirmation
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ื’'ื•ืœื™ื” ื”ืฆืขื™ืจื” ืจืฆืชื” ืœื”ืจื’ื™ืฉ 'ืžืชื•ืงืคืช' - ืœืงื‘ืœ ืื™ืฉื•ืจ
03:09
that her feelings were worthwhile and valued.
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ืฉืจื’ืฉื•ืชื™ื” ืจืื•ื™ื™ื ื•ืžื•ืขืจื›ื™ื.
03:12
She wanted someone to tell her 'go for it' - a phrase used to encourage a person
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ื”ื™ื ืจืฆืชื” ืฉืžื™ืฉื”ื• ื™ื’ื™ื“ ืœื” 'ืœืš ืขืœ ื–ื”' - ื‘ื™ื˜ื•ื™ ื”ืžืฉืžืฉ ื›ื“ื™ ืœืขื•ื“ื“ ืื“ื
03:17
to do whatever it takes to make something work.
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ืœืขืฉื•ืช ื›ืœ ืžื” ืฉืฆืจื™ืš ื›ื“ื™ ืœื’ืจื•ื ืœืžืฉื”ื• ืœืขื‘ื•ื“.
03:21
Young love is delicate and it's easy to be pessimistic.
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ืื”ื‘ื” ืฆืขื™ืจื” ื”ื™ื ืขื“ื™ื ื” ื•ืงืœ ืœื”ื™ื•ืช ืคืกื™ืžื™.
03:24
I mean, how many couples do you know,
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ื›ืœื•ืžืจ, ื›ืžื” ื–ื•ื’ื•ืช ืืชื” ืžื›ื™ืจ,
03:26
Sam, who met as teenagers and stayed together for the rest of their lives?
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ืกื, ืฉื ืคื’ืฉื• ื›ื‘ื ื™ ื ื•ืขืจ ื•ื ืฉืืจื• ื™ื—ื“ ืขื“ ืกื•ืฃ ื—ื™ื™ื”ื?
03:31
I don't know many, it's true.
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ืื ื™ ืœื ืžื›ื™ืจ ื”ืจื‘ื”, ื–ื” ื ื›ื•ืŸ.
03:33
Neuro-scientist, Doctor Lucy Brown
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ืžื“ืขื ื™ืช ืขืฆื‘ื™ืช, ื“ื•ืงื˜ื•ืจ ืœื•ืกื™ ื‘ืจืื•ืŸ
03:35
is co-creator of The Anatomy of Love - a website
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ื”ื™ื ืฉื•ืชืคื” ืœื™ืฆื™ืจืช ื”ืื ื˜ื•ืžื™ื” ืฉืœ ื”ืื”ื‘ื” - ืืชืจ ืื™ื ื˜ืจื ื˜
03:39
exploring the science of romance.
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ื”ื—ื•ืงืจ ืืช ืžื“ืข ื”ืจื•ืžื ื˜ื™ืงื”.
03:42
She thinks we need to be more realistic about falling in love,
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ื”ื™ื ื—ื•ืฉื‘ืช ืฉืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ื™ื•ืช ื™ื•ืชืจ ืžืฆื™ืื•ืชื™ื™ื ืœื’ื‘ื™ ื”ื”ืชืื”ื‘ื•ืช,
03:46
as she explains here to BBC
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ื›ืคื™ ืฉื”ื™ื ืžืกื‘ื™ืจื” ื›ืืŸ ืœ-BBC
03:47
World Service's The Conversation.
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World Service ืฉืœ The Conversation.
03:50
I wish someone had said, you know
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ื”ืœื•ื•ืื™ ืฉืžื™ืฉื”ื• ื”ื™ื” ืื•ืžืจ, ืืชื” ื™ื•ื“ืข
03:52
love is wonderful. Yes, go for it.
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ืฉืื”ื‘ื” ื”ื™ื ื ืคืœืื”. ื›ืŸ, ืœืš ืขืœ ื–ื”.
03:54
But heartbreak happens.
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ืื‘ืœ ืฉื‘ืจื•ืŸ ืœื‘ ืงื•ืจื”.
03:56
You know, and maybe this isn't going to last.
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ืืชื” ื™ื•ื“ืข, ื•ืื•ืœื™ ื–ื” ืœื ื™ื—ื–ื™ืง ืžืขืžื“.
03:59
Maybe it is, but maybe isn't, and
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ืื•ืœื™ ื–ื” ื›ืŸ, ืื‘ืœ ืื•ืœื™ ืœื, ื•ืคืฉื•ื˜
04:01
just realise that it can be one of the most devastating experiences
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ืชื‘ื™ืŸ ืฉื–ื• ื™ื›ื•ืœื” ืœื”ื™ื•ืช ืื—ืช ื”ื—ื•ื•ื™ื•ืช ื”ื”ืจืกื ื™ื•ืช ื‘ื™ื•ืชืจ
04:07
in you're life. But
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ื‘ื—ื™ื™ืš. ืื‘ืœ
04:08
you're going to get over it.
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ืืชื” ื”ื•ืœืš ืœื”ืชื’ื‘ืจ ืขืœ ื–ื”.
04:09
Doctor Brown thinks it is important to know that
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ื“ื•ืงื˜ื•ืจ ื‘ืจืื•ืŸ ื—ื•ืฉื‘ ืฉื—ืฉื•ื‘ ืœื“ืขืช ืฉืžืขืจื›ื•ืช
04:12
relationships can end in 'heartbreak' - feelings of great sadness
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ื™ื—ืกื™ื ื™ื›ื•ืœื•ืช ืœื”ืกืชื™ื™ื ื‘'ืฉื‘ืจื•ืŸ ืœื‘' - ืชื—ื•ืฉื•ืช ืฉืœ ืขืฆื‘ ื’ื“ื•ืœ
04:16
as if your heart is broken -
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ื›ืื™ืœื• ื”ืœื‘ ืฉืœืš ื ืฉื‘ืจ -
04:18
especially after the end of a romantic affair.
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ื‘ืžื™ื•ื—ื“ ืœืื—ืจ ืกื™ื•ื ืจื•ืžืŸ ืจื•ืžื ื˜ื™.
04:21
But she also wants young people to know that, whatever happens, they can 'get
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ืื‘ืœ ื”ื™ื ื’ื ืจื•ืฆื” ืฉืฆืขื™ืจื™ื ื™ื™ื“ืขื• ืฉื‘ื›ืœ ืžื” ืฉื™ืงืจื”, ื”ื ื™ื›ื•ืœื™ื '
04:26
over it' - feel better again after something has made them unhappy.
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ืœื”ืชื’ื‘ืจ' - ืœื”ืจื’ื™ืฉ ื˜ื•ื‘ ื™ื•ืชืจ ืœืื—ืจ ืฉืžืฉื”ื• ื’ืจื ืœื”ื ืื•ืžืœืœื•ืช.
04:31
Falling in love is one of the great experiences in life
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ื”ืชืื”ื‘ื•ืช ื”ื™ื ืื—ืช ื”ื—ื•ื•ื™ื•ืช ื”ื’ื“ื•ืœื•ืช ื‘ื—ื™ื™ื
04:34
and developing the strength to face whatever happens
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ื•ืคื™ืชื•ื— ื”ื›ื•ื— ืœื”ืชืžื•ื“ื“ ืขื ื›ืœ ืžื” ืฉืงื•ืจื”
04:37
makes it more likely that the story ends happily.
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ืžืขืœื” ืืช ื”ืกื™ื›ื•ื™ ืฉื”ืกื™ืคื•ืจ ื™ืกืชื™ื™ื ื‘ืื•ืฉืจ.
04:40
Unlike the tale of Romeo and Juliet.
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ื‘ื ื™ื’ื•ื“ ืœืกื™ืคื•ืจ ืจื•ืžื™ืื• ื•ื™ื•ืœื™ื”.
04:43
I think it's time to reveal the answer to my question, Neil.
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ืื ื™ ื—ื•ืฉื‘ ืฉื”ื’ื™ืข ื”ื–ืžืŸ ืœื—ืฉื•ืฃ ืืช ื”ืชืฉื•ื‘ื” ืœืฉืืœื” ืฉืœื™, ื ื™ืœ.
04:46
In which Italian city does the story of Romeo and Juliet take place?
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ื‘ืื™ื–ื• ืขื™ืจ ืื™ื˜ืœืงื™ืช ืžืชืจื—ืฉ ืกื™ืคื•ืจื ืฉืœ ืจื•ืžื™ืื• ื•ื™ื•ืœื™ื”?
04:50
I said it was Florence.
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ืืžืจืชื™ ืฉื–ื• ืคืœื•ืจื ืก.
04:52
So, was I right?
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ืื–, ืฆื“ืงืชื™?
04:53
Well, Florence is a romantic city.
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ื•ื‘ื›ืŸ, ืคื™ืจื ืฆื” ื”ื™ื ืขื™ืจ ืจื•ืžื ื˜ื™ืช.
04:55
But the correct answer is Verona.
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ืื‘ืœ ื”ืชืฉื•ื‘ื” ื”ื ื›ื•ื ื” ื”ื™ื ื•ืจื•ื ื”.
04:58
Verona was little-known in Shakespeare's time, but nowadays,
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ื•ืจื•ื ื” ืœื ื”ื™ื™ืชื” ื™ื“ื•ืขื” ื‘ืชืงื•ืคืชื• ืฉืœ ืฉื™ื™ืงืกืคื™ืจ, ืืš ื›ื™ื•ื
05:02
thousands of tourists visit the sites connected with the story,
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ืืœืคื™ ืชื™ื™ืจื™ื ืžื‘ืงืจื™ื ื‘ืืชืจื™ื ื”ืงืฉื•ืจื™ื ืœืกื™ืคื•ืจ,
05:05
including the famous balcony where Romeo declared his eternal love.
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ื›ื•ืœืœ ื”ืžืจืคืกืช ื”ืžืคื•ืจืกืžืช ืฉื‘ื” ื”ื›ืจื™ื– ืจื•ืžื™ืื• ืขืœ ืื”ื‘ืชื• ื”ื ืฆื—ื™ืช.
05:11
OK, let's recap the vocabulary we've learned.
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ื‘ืกื“ืจ, ื‘ื•ืื• ื ืกื›ื ืืช ืื•ืฆืจ ื”ืžื™ืœื™ื ืฉืœืžื“ื ื•.
05:13
Starting with 'soulmate'.
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ืžืชื—ื™ืœ ืขื 'ื—ื‘ืจ ื ืคืฉ'.
05:15
The special person who you feel a strong, romantic bond to.
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ื”ืื“ื ื”ืžื™ื•ื—ื“ ืฉืืชื” ืžืจื’ื™ืฉ ืื™ืชื• ืงืฉืจ ื—ื–ืง ื•ืจื•ืžื ื˜ื™.
05:19
'Cynicism' describes the belief
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'ืฆื™ื ื™ื•ืช' ืžืชืืจืช โ€‹โ€‹ืืช ื”ืืžื•ื ื”
05:21
that something will not work out successfully.
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ืฉืžืฉื”ื• ืœื ื™ืกืชื“ืจ ื‘ื”ืฆืœื—ื”.
05:24
If you are 'validated',
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ืื ืืชื” 'ืžืื•ืžืช',
05:26
you get external confirmation that your actions, ideas
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ืืชื” ืžืงื‘ืœ ืื™ืฉื•ืจ ื—ื™ืฆื•ื ื™ ืœื›ืš ืฉื”ืžืขืฉื™ื, ื”ืจืขื™ื•ื ื•ืช
05:29
or feelings are worthwhile and valued.
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ืื• ื”ืจื’ืฉื•ืช ืฉืœืš ืจืื•ื™ื™ื ื•ืžื•ืขืจื›ื™ื.
05:32
You can use the phrase 'go for it' to encourage someone
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ืืชื” ื™ื›ื•ืœ ืœื”ืฉืชืžืฉ ื‘ื‘ื™ื˜ื•ื™ 'ืœืš ืขืœ ื–ื”' ื›ื“ื™ ืœืขื•ื“ื“ ืžื™ืฉื”ื•
05:35
to make whatever efforts are necessary to get something done.
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ืœืขืฉื•ืช ืืช ื›ืœ ื”ืžืืžืฆื™ื ื”ื“ืจื•ืฉื™ื ื›ื“ื™ ืœื”ืฉื™ื’ ืžืฉื”ื•.
05:38
'Heartbreak' describes feelings of great sadness as if your heart is broken.
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'ืฉื‘ืจื•ืŸ ืœื‘' ืžืชืืจ ืชื—ื•ืฉื•ืช ืฉืœ ืขืฆื‘ ื’ื“ื•ืœ ื›ืื™ืœื• ื”ืœื‘ ืฉืœืš ืฉื‘ื•ืจ.
05:43
And finally, 'to get over something' means to feel better again
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ื•ืœื‘ืกื•ืฃ, 'ืœื”ืชื’ื‘ืจ ืขืœ ืžืฉื”ื•' ืคื™ืจื•ืฉื• ืœื”ืจื’ื™ืฉ ื˜ื•ื‘ ื™ื•ืชืจ
05:47
after something has made you unhappy.
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ืœืื—ืจ ืฉืžืฉื”ื• ื’ืจื ืœืš ืœื ืื•ืฉืจ.
05:50
Once again, our six minutes are up,
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ืฉื•ื‘, ืฉืฉ ื”ื“ืงื•ืช ืฉืœื ื• ื ื’ืžืจื•,
05:52
but there's time for one more famous saying,
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ืื‘ืœ ื™ืฉ ื–ืžืŸ ืœืืžื™ืจื” ืžืคื•ืจืกืžืช ืื—ืช ื ื•ืกืคืช,
05:55
and I think it is good advice:
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ื•ืื ื™ ื—ื•ืฉื‘ ืฉื–ื• ืขืฆื” ื˜ื•ื‘ื”:
05:56
'Better to have loved and lost than never to have loved at all'.
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'ืขื“ื™ืฃ ืœืื”ื•ื‘ ื•ืœืื‘ื“ ืžืืฉืจ ืœื ืœืื”ื•ื‘ ื‘ื›ืœืœ'.
06:00
Bye for now. Goodbye.
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ืœื”ืชืจืื•ืช ื‘ื™ื ืชื™ื™ื. ื”ึฑื™ื” ืฉืœื•ื.
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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