In the Age of AI Art, What Can Originality Look Like? | Eileen Isagon Skyers | TED

Translator: Zilola Ashurova Reviewer: Sevara Pulatova

I want you to envision a single piece of artwork

Sun’iy Intellekt orqali yaratilgan

biron bir san’at mahsulini ko’z oldingizga keltirishingizni xohlayman.

generated by artificial intelligence.

When most of us think of AI art,

Ko’pchiligimiz SI san’ati haqida o’ylganimizda,

I bet we're imagining something like this.

shunga o’xshash narsani tasavvur qilishimiz tayin.

We're all probably picturing something totally different.

Balkim, hammamiz har xil narsani tasavvur qilarmiz.

Today, with machine learning models like DALL-E, Stable Diffusion and Midjourney,

Bugun DALL-E, Staibl Diffujin va Midjorney kabi mashinali o’rganuvchi modellar orqali

we've seen AI produce everything from strange life forms

shuni ko’rdikki, SI hamma narsani ishlab chiqyapti: noodatiy hayotiy

to imaginary influencers

shakllardan tortib xayoliy ta’sir qiluvchilargacha,

to entirely foreign, curious kinds of imagery.

mutlaqo begona, qiziq turdagi tasavvurgacha.

AI as a technology is fascinating to us

SI texnologiya sifatida bizni hayratlantiryapti,

because we're inherently drawn to things we cannot understand.

chunki biz tushuna olmaydigan narsalarga tabiiy ravishda jalb qilinganmiz.

And with neural networks processing data from thousands of other images

Va har bir imkoniyati bor avlod orqali yaratilgan boshqa minglab tasvirlar

made by people from every possible generation, every art movement,

ma’lumotlarini neyron tarmoqlari qayta ishlashi yordamida har bir

millions of images in one simple scan,

ijodiy harakatlar, oddiy ko’chirishdagi milllionlab tasvirlar, ular juda

they can produce visuals that are so familiar

ham tanish hamda mutlaqo notanish bo’lgan tasvirlarni yaratishlari mumkin.

yet strikingly unfamiliar.

More poetically, AI mirrors us.

Poetik jihatdan, SI bizning aksimiz.

The world is beginning to change right before our very eyes,

Dunyo ko’z oldimizda o’zgarishni boshlayapti,

and it's basically divided into two schools of thought.

va bu asosan fikrlarni ikki maktabga ajratadi.

There are pessimists who think AI poses a great threat to human creativity.

SI inson ijodiga katta tahdid keltiradi, deb o’ylaydigan pessimistlar.

And then optimists who see it as an extension of our creativity.

Hamda bizning ijodiyligimiz davomiyligi kabi ko’ruvchi optimistlardir.

So is it even possible to be truly original as an artist anymore?

Xo’sh, haqiqiy rassom kabi asl bo’lish imkoniyati boshqa bormikan?

How do we begin to critically engage with artworks made by machines?

Qanday mashinalarda yaratilgan asarlarga tanqidiy yondashishni boshlashimiz mumkin?

We can start by looking at some metaphors,

Rassomlarning ba’zi metafora, hikoya va fikrlariga nazar tashlashimiz mumkin.

narratives and insights from artists

who are truly pushing the boundaries of AI.

Ular SI ning chegaralarini haqiqatdan ham kengaytirishyapti.

Let's look to these moments of delight, surprise,

Hayrat, chalkashlik, ajablanish va zavqning bu daqiqalariga nazar tashlasak.

confusion and wonder

that give us just one small glimpse

Bizga bu texnologiya bilan to’qnashadigan imkoniyatlarga bir nazar taqdim etadi.

into the possibilities of encounter with this technology.

Because as we've seen,

Chunki, ko’rganimizdek,

this is a very moral and ethical encounter

bu ancha ruhiy va axloqiy toq’nashish

as much as an aesthetic one.

chunonan ham nafis biridir.

Mario Klingemann sold this piece on auction in 2019.

2019-yilda Mario Klingmen bu asarni auksionda sotdi.

It is running an AI model trained on thousands of portraits

17-19 asrlardagi minglab portretlarda mashq qilingan SI modelida ishlaydi.

from the 17th to 19th centuries.

The model constantly reveals uncanny interpretations of the human face.

Model g’alati ma’nodagi inson yuzini doimiy ko’rsatib turadi.

Each one is unique,

Har biri takrorlanmas,

generated in real time as the machine reads its own output.

mashina o’zini mahsulotini o’qiyotganday hozirgi vaqtda yaratilgan.

For the viewer, it's almost like peering into the machine's hallucinations

Tomoshobinlar uchun bu mashinanning gallyutsinatsiyasiga ko’z tashlash kabidir

as it conjures each new portrait.

har bitta yangi portretni sehrlagandek.

Sofia Crespo's series "Neural Zoo" uses neural network interpretations

Sofia Kresponing “Neyron Hayvonot Bog’i” to’plamida asl dunyoning neyronli tarmoq

of the real world

talqinlari ishlatilib,

to generate unreal sea creatures and diverse biological forms.

xayoliy dengiz jonzotlari va turli xildagi biologik shakllarni hosil qilgan.

Frogs look like flowers.

Qurbaqalar gullarga o’xshaydi.

Translucent jellyfish have vivid internal organs.

Shaffof meduzalar ko’zga ko’ringan ichki organlarga ega.

There’s no one real creature in these images,

Bu rasmlarda haqiqiy jonzodlar ko’rsatilmagan,

but AI allows us to envision otherworldly lifeforms in impossible detail.

ammo SI boshqa dunyodagi hayotiy shakllarni imkonsiz

tafsilotlarda tasavvur qilishimizga ruxsat beradi.

This abstract piece by Sara Ludy began as a digital painting.

Sara Lyudi yaratgan bu abstrakt asar boshida raqamli chizma bo’lgan.

It was augmented to fit a 16-by-9 ratio,

16 ga 19 o’lchamga sig’ishi uchun kengaytirilgan,

using a prompt for "torn edges" in DALL-E 2's Outpainting.

DALL-E 2ning Outpaintingida “uzilgan qirralar” uchun belgilardan foydalanilgan.

Outpainting allows artists to extend their creativity

Outpainting “uzilgan qirralar” kabi oddiy belgilar tilidan foydalanib,

beyond the frame using simple language prompts like "torn edges."

o’z ijodlarini ramkadan tashqarida kengaytirishga imkoniyat beradi.

This piece by Ivona Tau might read as a photograph,

Ivona Tau tomonidan yaratilgan bu asar fotosuratdek ko’rinishi mumkin,

but it is also the work of AI.

biroq bu ham SI mahsuli.

It's the result of GAN training on thousands of images

Bu rassomlar shaxsiy foto to’plamidan olingan minglab

from the artist's personal photo collection.

tasvirlar ustidagi GAN mashg’uloti natijasidir.

Tau curates from her own photographs,

Tau modelning kirish va chiqishini ehtiyotkorona

carefully choosing the inputs and outputs for the model.

tanlab, o’zining rasmlaridan taqdim qiladi.

In many ways, AI art is a form of curation.

Aksariyat hollarda, SI - bu tanlab taqdim qilish shakli.

It becomes the process of selecting from hundreds of images at a time.

Bir vaqtning o’zida yuzlab tasvirlar orasidan tanlash jarayoniga aylanadi.

This video pulls from models trained on a massive data set of Tau's photos,

Bu video Tau fotolariga o’rnatilgan ishlangan ulkan ma’lumotlar modelidan

resulting in a kind of algorithmic memory.

ajralib, algoritmik xotiraga o’xshash narsani hosil qiladi.

But she also created a destructed data set for the model

Ammo yana u o’chayotgan yo vaqtinchalik xotira ramzi sifatida

to symbolize forgetting or fleeting memory.

tarqalgan ma’lumotlar to’plamini ham model uchun yaratdi.

And finally, we have Claire Silver.

Va nihoyat, Kleir Silver.

Silver has called herself a “collaborative AI artist”

Silver o’zini “birlashgan SI rassomi” deb atadi,

in that she works intentionally with the machine to produce her art.

va u asarlarini yaratishda ataylab mashinadan foydalanadi.

Her process is constantly evolving as the tools evolve.

Dasturlar taraqqiyi bilan birga uning jarayoni ham doimiy rivojlanaveradi.

She often works with inpainting techniques,

Odatda u faqatgina kichik bir tasvirni o’tqazish

masking and transforming just one small piece of an image.

va niqoplash orqali ichki bo’yash texnikasida ishlaydi.

For this portrait, she shifted the opacity of various sections with an Apple pencil,

Bu portret uchun u mayda-maydalab, Apple ruchkasi yordamida

transforming it bit by bit.

turli xil xira qismlarni o’tqazgan.

She likens this technique to her version of glazing in oil painting.

U bu texnikani o’zining moyli bo’yoqda sayqal berish yo’liga qiyoslaydi.

Silver feeds AI-generated images from one model into another,

Silver SI da hosil qilingan tasvirlarni

effectively creating new forms of language and understanding

mashina uchun yangi til shakli va tushunchasini mohirona yaratish orqali

for the machine itself.

bir modeldan boshqasiga singdiradi.

Her work is half master painting, half digital art.

Uning ishi - yarmi qo’l chizmasi, yarmi esa raqamli san’at.

Both old and new.

Ham eski va ham yangi.

This piece pulls inspiration from famed artists

Bu asar, ehtirom ila, mashhur rassomlar -

like John Singer Sargent, Evelyn De Morgan and Gustav Klimt,

Jon Singer Sargent, Evelin De Morgan va Gustav Klimt

almost as an homage.

kabilardan ilhomlanilgan.

Because different AI models are trained on different sets of information,

Har xil SI modellari turli xildagi ma’lumot to’plamida mashq qilinganidek,

it's almost like they're all speaking different languages.

ular xuddiki umuman boshqa tilda so’zlayotgandek.

AI is everywhere now.

SI hozir hamma yoqda.

We are all now collectively co-creating with AI,

Biz hozir birlashib, SI yordamida qayta yaratyapmiz,

whether we're aware of it or not.

bilsak ham bilmasak ham.

If we want to be a part of these worlds, we cannot design alone.

Bu dunyolarning qismi bo’lish istasak, yolg’izlikda qilolmaymiz.

If we want to be culturally literate

Bu yangi turdagi tasvirlar, bashoratlar

in these new kinds of images and predictions and forms,

hamda shakllar to’g’risida madaniy jihatdan savodli bo’lishni istasak,

then looking to the work of artists is a very productive place to start.

unda dastavval rassomlarning ishiga nazar tashlashimiz ayni qo’l keladi.

We need to brace ourselves for an increasingly technological future,

Barcha ijodiy imkoniyatlarni ayni damda barmoq uchimizda

which is only going to multiply

faqatgina ko’paytira oladigan

all the creative possibilities at our fingertips now.

rivojlanayotgan texnologik kelajak uchun o’zimizni yaxshilashimiz zarur.

Thank you.

Tashakkur.

(Applause)

(Olqishlar)