The case against "good" and "bad" - Marlee Neel

440,613 views ใƒป 2012-07-09

TED-Ed


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

00:00
(Music)
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๋ฒˆ์—ญ: Jaewon Jung ๊ฒ€ํ† : Jihyeon J. Kim
(์Œ์•…)
00:14
Esteemed members of the jury,
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์กด๊ฒฝํ•˜๋Š” ๋ฐฐ์‹ฌ์› ์—ฌ๋Ÿฌ๋ถ„๋“ค
00:15
I submit the following words for immediate and violent execution
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์ €๋Š” ๋‹ค์Œ ๋‹จ์–ด๋“ค์„ ์ฆ‰์‹œ ์ž”ํ˜นํ•œ ์‚ฌํ˜•์— ์ฒ˜ํ•˜๊ฒŒ ํ•˜์—ฌ
00:19
and extraction from our vocabularies,
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์šฐ๋ฆฌ์˜ ๋‹จ์–ด์žฅ์—์„œ ์‚ฌ๋ผ์ง€๊ฒŒ ํ• ๊ฒƒ์ด๋ฉฐ
00:22
to be locked away forever, if you would prefer.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์„ ํ˜ธํ•˜์‹ ๋‹ค๋ฉด ํ‰์ƒ ์ € ๋ฉ€๋ฆฌ ๊ฐ๊ธˆ์‹œํ‚ฌ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:24
These words I present to you are "good" and "bad."
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์ œ๊ฐ€ ์ง€๊ธˆ ๋ง์”€๋“œ๋ฆฌ๋Š” ๋‹จ์–ด๋Š” "์ข‹์Œ"๊ณผ "๋‚˜์จ"์ž…๋‹ˆ๋‹ค.
00:28
These words have served as treacherous liars
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์ด ๋‹จ์–ด๋“ค์€ ์ž”ํ˜นํ•œ ๊ฑฐ์ง“์œผ๋กœ ์ž‘์šฉํ•ฉ๋‹ˆ๋‹ค.
00:31
for eternity.
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์˜์›ํžˆ ๋ง์ด์ฃ .
00:32
These two words have worked in tandem
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์ด ๋‘ ๋‹จ์–ด๋“ค์€ ๋‚˜๋ž€ํžˆ ๊ณต์กดํ•ด์™”์ฃ .
00:34
to produce vague and bland sentences that have crippled the creativity of humanity.
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์ธ๋ฅ˜์˜ ์ฐฝ์˜์„ฑ์„ ๋ฌด๋„ˆ๋œจ๋ฆฌ๋Š” ๋ชจํ˜ธํ•˜๊ณ  ๋‹จ์กฐ๋กœ์šด ๋ฌธ์žฅ๋“ค์„ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
00:39
These two deceptively tiny words
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์ด ๊ธฐ๋งŒ์ ์ธ ๋‹จ์–ด๋“ค ๋”ฐ์œ„๊ฐ€
00:41
stifle real description and honest communication.
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์ง„์‹คํ•œ ๋ฌ˜์‚ฌ์™€ ์ง„์ •ํ•œ ๋Œ€ํ™”๋ฅผ ์–ต๋ˆŒ๋Ÿฌ๋ฒ„๋ฆฝ๋‹ˆ๋‹ค.
00:45
Look at them, just sitting there on this page,
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์ € ๋‹จ์–ด๋“ค์„ ๋ณด์„ธ์š”, ์ € ํŽ˜์ด์ง€์— ์•‰์•„์„œ
00:48
all smug and satisfied with their work.
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์˜๊ธฐ์–‘์–‘ํ•˜๊ณ  ๋งŒ์กฑ์Šค๋Ÿฌ์›Œ ํ•˜๋Š”๊ตฐ์š”.
00:51
How dare they?
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์–ด๋–ป๊ฒŒ ๊ฐํžˆ ์ €๋Ÿด ์ˆ˜๊ฐ€ ์žˆ์ฃ ?
00:53
You serve no purpose in our world,
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๋„ˆํฌ๋“ค์€ ์„ธ์ƒ์—์„œ ์•„๋ฌด ๋ชฉ์ ๋„ ์ˆ˜ํ–‰ํ•˜์ง€ ์•Š์œผ๋‹ˆ
00:55
and we must rid ourselves of your influence.
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์šฐ๋ฆฌ๋Š” ๋„ˆํฌ ์˜ํ–ฅ๋ ฅ์—์„œ ๋ฒ—์–ด๋‚  ๊ฑฐ์•ผ.
00:57
We must replace these two words with the truth,
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์šฐ๋ฆฌ๋Š” ์ด ๋‹จ์–ด๋“ค์„ ๋ฐ”๊ฟ”์•ผ ํ•ฉ๋‹ˆ๋‹ค,
์ ์ ˆํ•˜๊ณ  ์ง„์‹ค์„ฑ์ด ๋‹ด๊ธด ํ˜•์šฉ์‚ฌ๋ฅผ ํฌํ•จํ•œ ๊ตฌ๊ฐ€ ๋‹ด๊ธด ์ง„์‹ค๋กœ์š”.
01:00
with phrases that include adequate and sincere adjectives.
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01:03
I'll offer you "radiant," "stupefying," "awful," "gut-wrenching."
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์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„๋“ค๊ป˜ "๋น›๋‚˜๋‹ค", "์ถฉ๊ฒฉ์ ์ธ", "๋”์ฐํ•œ", "๊ฑฐ๋ถํ•œ" ์„ ์ œ๊ณต๋“œ๋ฆฝ๋‹ˆ๋‹ค.
01:07
These choices create clarity and depth.
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์ด ์„ ํƒ์‚ฌํ•ญ๋“ค์€ ๋ช…ํ™•์„ฑ๊ณผ ๊นŠ์ด๋ฅผ ๋”ํ•ด์ฃผ์ฃ .
01:10
"Good" and "bad" only provide gray vagueness.
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"์ข‹์Œ"๊ณผ "๋‚˜์จ"์€ ํšŒ์ƒ‰ ๋ชจํ˜ธ์„ฑ๋งŒ ์ค„ ๋ฟ์ด์—์š”.
์šฐ๋ฆฌ๋Š” ์ƒ‰์„ ์ž…ํ˜€์•ผ ํ•ด์š”!
01:13
We must demand color!
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01:14
We should even use winding similes and metaphors, where appropriate.
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์šฐ๋ฆฌ๋Š” ์ ์ ˆํ•˜๊ฒŒ ํ’€์–ด ์“ฐ๋Š” ์ง์œ ์™€ ์€์œ ๋ฅผ ์“ธ ํ•„์š”๊ฐ€ ์žˆ์–ด์š”.
01:17
We have to do whatever we can and should to make our real sentiments known.
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์šฐ๋ฆฌ๋Š” ์šฐ๋ฆฌ์˜ ์ง„์‹คํ•œ ๊ฐ์„ฑ์ด ๋‹ฟ๋Š” ๊ฑฐ๋ผ๋ฉด ๋ฌด์—‡์ด๋“ ์ง€ ํ•ด์•ผํ•˜์ฃ .
01:21
"Good" and "bad" will no longer be our go-to words
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๋„ˆ๋ฌด ๋‘๋ ต๊ฑฐ๋‚˜ ๋„ˆ๋ฌด ํ”ผ๋กœํ•  ๋•Œ ์ง„์‹ค๋œ ์ƒ๊ฐ์„ ํ‘œํ˜„ํ•˜๋ ค๊ณ  ์“ฐ๊ธฐ์—”
01:25
that we rely on when we are too afraid or too languid to express our real thoughts.
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"์ข‹์Œ"๊ณผ "๋‚˜์จ"์€ ๋”์ด์ƒ ์ €ํฌ๊ฐ€ ์˜์ง€ํ•  ์ˆ˜ ์žˆ๋Š” ๋‹จ์–ด๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค,
01:29
Ladies and gentlemen of the jury, I implore you to deliver a verdict of guilty
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๋ฐฐ์‹ฌ์› ์—ฌ๋Ÿฌ๋ถ„, ์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„๋“ค๊ป˜ ์œ ์ฃ„ ํ‰๊ฒฐ์„ ๊ฐ„๊ณกํžˆ ์ฒญํ•ฉ๋‹ˆ๋‹ค,
01:34
and send these words to their rightful fate.
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์ด ๋ง๋“ค์ด ๋ฒ•์ ์ธ ์ฒ˜๋ฆฌ๋ฅผ ๋ฐ›๊ฒŒ ํ•ด ์ฃผ์„ธ์š”.
01:36
Now imagine a world without these two words.
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์ž, ์ด ๋‘ ๋‹จ์–ด๋“ค์ด ์—†๋Š” ์„ธ๊ณ„๋ฅผ ์ƒ์ƒํ•ด ๋ณด์„ธ์š”.
01:42
Imagine a world where real description is required,
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์ง„์‹ค๋œ ๋ฌ˜์‚ฌ๊ฐ€ ํ•„์š”ํ•œ ์„ธ์ƒ์„ ์ƒ์ƒํ•ด ๋ณด์„ธ์š”.
01:45
digging further into our vocabulary
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๋‹จ์–ด ์„ธ๊ณ„๋“ค์„ ๋” ํŒŒํ—ค์ณ ๋ณด๊ณ 
01:47
than just a monosyllabic effort to get away with not being honest,
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๊ฐ„๋‹จํ•œ ๋…ธ๋ ฅ๋งŒ์œผ๋กœ๋„ ๊ฐ€์‹์ ์ธ ๊ฒƒ์—์„œ ๋ฒ—์–ด๋‚˜
01:51
impactful, creative.
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๊ฐ•๋ ฌํ•˜๊ฒŒ, ์ฐฝ์˜์ ์ด๊ฒŒ ๋˜์ฃ .
01:53
How does my hair look?
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๋‚ด ๋จธ๋ฆฌ ์–ด๋•Œ?
01:56
Good. What is that?
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์ข‹์•„. -๊ทธ๊ฒŒ ๋ญ์˜ˆ์š”?!
01:57
A dull attempt not to be honest?
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์†”์งํ•˜์ง€ ์•Š์œผ๋ ค๋Š” ๋ฐ”๋ณด๊ฐ™์€ ์ˆ˜์ž‘์ธ๊ฐ€์š”?
02:00
Perhaps my hair looks like a hideous mess of tangles and bald spots.
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๋งŒ์•ฝ์— ์ œ ๋จธ๋ฆฌ๊ฐ€ ํ—ํด์–ด์ ธ ์žˆ๊ณ  ์›ํ˜•ํƒˆ๋ชจ๊ฐ€ ์ƒ๊ฒผ์„ ์ •๋„๋กœ ๋ณ„๋กœ๋ผ๋ฉด
02:03
Yet someone does not want to be honest, and offers the quick fix "good,"
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์•„์ง, ์–ด๋–ค ์‚ฌ๋žŒ๋“ค์€ ์‚ฌ์‹ค์„ ๋งํ•ด์ฃผ์ง€ ์•Š๊ฒ ์ฃ . ๊ทธ์ € ์‚ฌ์‹ค์— ๊ฐ€๋ฉด์„ ์”Œ์šฐ๊ณค
02:07
to try and mask the truth
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๊ธ‰ํžˆ "์ข‹์•„"๋ผ๊ณ  ๋งํ•˜๊ฒ ์ฃ .
02:08
and send me hurling into the evening with a plop of disorganized tresses.
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๊ทธ๋Ÿฌ๊ณ ์„  ์ €๋ฅผ ํ๋“œ๋Ÿฌ์ง„ ์‚ฐ๋ฐœ๋จธ๋ฆฌ์ฑ„๋กœ ์ €๋…์— ๋‚ด๋ณด๋‚ผ ๊ฑฐ์—์š”.
02:11
This will not do.
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๊ทธ๋ ‡๊ฒŒ ๋˜์ง€๋Š” ์•Š์„ ๊ฑฐ์—์š”.
02:13
Perhaps my hair looks like an amazing glossy sculpture
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๋งŒ์•ฝ์— ์ œ ๋จธ๋ฆฌ๊ฐ€ ์—„์ฒญ๋‚˜๊ฒŒ ์œค๊ธฐ๊ฐ€ ๋‚˜๋Š” ์กฐ๊ฐ๊ฐ™๊ณ 
02:16
that frames my face perfectly,
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์ œ ์–ผ๊ตดํ˜•์— ์ž˜ ๋งž์œผ๋ฉฐ
02:18
and lends an air of magic to the night.
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๋งˆ๋ฒ•๊ฐ™์€ ์˜ค๋Š˜ ๋ฐค์„ ๋ณด๋‚ผ ๊ฒƒ ๊ฐ™์œผ๋ฉด
02:21
Well, "good" just doesn't cut it.
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๊ธ€์Ž„, "์ข‹์•„"๋กœ ๋”ฑ ์ž๋ฅผ ์ˆ˜ ์—†์ฃ .
02:23
I won't take any more of this formless, lifeless description.
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์ €๋Š” ์ด๋Ÿฐ ํ˜•์‹์—†๊ณ  ์˜ํ˜ผ์—†๋Š” ๋ฌ˜์‚ฌ๋ฒ•์„ ๋”์ด์ƒ ๋ฐ›์•„๋“ค์ผ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
02:26
I will not take these lies, and neither should you.
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์ €๋Š” ์ด๋Ÿฌํ•œ ๊ฐ€์‹๋“ค์„ ๋ฐ›์ง€ ์•Š์„๊ฒƒ์ด๊ณ , ์—ฌ๋Ÿฌ๋ถ„๋“ค๋„ ๊ทธ๋ž˜์„  ์•ˆ๋œ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
02:29
A doctor asks you how you feel.
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์˜์‚ฌ๊ฐ€ '์ง€๊ธˆ ์ƒํƒœ๊ฐ€ ์–ด๋–ค์ง€' ๋ฌป๋Š”๋‹ค๋ฉด
02:31
"I feel bad."
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"์•ˆ ์ข‹์•„์š”."
02:32
Heresy!
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๋ฐฐ์‹ ์ž!
02:33
The doctor, based on this paltry report,
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์ด ๊ฐ„๋‹จํ•œ ๋ณด๊ณ ์— ๋”ฐ๋ฅด๋ฉด, ์˜์‚ฌ๋Š”
02:36
could conclude that you have brain cancer or the flu or rabies.
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๋‹น์‹ ์ด ๋‡Œ์— ์•”์ด ์ƒ๊ฒผ๋‹ค๊ฑฐ๋‚˜ ๊ฐ๊ธฐ๋ผ๋“ ๊ฐ€ ๊ด‘๊ฒฌ๋ณ‘์ด๋ผ๊ณ  ์ฒ˜๋ฐฉํ•  ์ˆ˜ ์žˆ์—ˆ์–ด์š”.
02:39
You owe it to yourself and the possible misdiagnosis of your life
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๋‹น์‹ ์˜ ์‚ถ์— ์žˆ์–ด์„œ ํŒ๋‹จ๋  ์ˆ˜ ์žˆ๋Š” ์ด ์ž˜๋ชป๋œ ์ฒ˜๋ฐฉ์€ ๋‹น์‹  ํƒ“์ด์—์š”,
02:42
to be honest about exactly how you feel.
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๋‹น์‹ ์ด ์–ด๋–ป๊ฒŒ ๋Š๋ผ๋Š”์ง€๋ฅผ ์ •์งํ•˜๊ฒŒ ์„ค๋ช…ํ•ด์•ผ์ฃ .
02:44
"I feel like a herd of wombats has taken up in my chest."
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"์›œ๋ฑƒ(๋™๋ฌผ)" ํ•œ ๋ฌด๋ฆฌ๊ฐ€ ์ œ ๊ฐ€์Šด์— ์˜ฌ๋ผ ํƒ„ ๊ฒƒ ๊ฐ™์•„์š”."
02:48
A-ha! There we have it. An accurate description.
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์˜คํ˜ธ๋ผ! ๊ทธ๋ ‡์ฃ . ์ ์ ˆํ•œ ์„ค๋ช…์ด์—ˆ์–ด์š”.
02:52
Now the doctor has some real evidence to work with in order to assist you.
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์ด์ œ์„œ์•ผ ์˜์‚ฌ๋Š” ๋‹น์‹ ์„ ๋„์šธ ์ˆ˜ ์žˆ๋Š” ์ •ํ™•ํ•œ ์ž…์ฆ์„ ๋ฐ›์•˜๋„ค์š”.
02:56
We have become addicted to the numbness that "good" and "bad" have created.
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์šฐ๋ฆฌ๋“ค์€ "์ข‹์Œ"๊ณผ "๋‚˜์จ"์ด ๋งŒ๋“ค์–ด๋‚ธ ๋ฌด๋…์˜ ์ƒํƒœ์— ์ค‘๋…๋˜์—ˆ์–ด์š”.
03:00
We have become linguistic slobs,
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์šฐ๋ฆฌ๋“ค์ด ์šฐ๋ฆฌ ๋งˆ์Œ๊ณผ ์ฐฝ์˜์ ์œผ๋กœ, ์ •ํ™•ํ•˜๊ฒŒ
03:02
churning out "good" and "bad"
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๋Œ€ํ™”ํ•˜๋Š” ๊ฒƒ์ด ๊ท€์ฐฎ์•„ ์งˆ ๋•Œ๋งˆ๋‹ค
03:04
wherever we are too lazy to allow our minds to communicate
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์šฐ๋ฆฌ๋“ค์€ "์ข‹์Œ"๊ณผ "๋‚˜์จ"์„ ์ฅ์–ด ์งœ๋‚ด๋Š”
03:06
with creativity and specification.
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์–ธ์–ดํ•™์  ๊ฒŒ์œผ๋ฆ„๋ฑ…์ด๊ฐ€ ๋ผ๋ฒ„๋ ธ์–ด์š”.
03:09
You look good, you sound bad, this tastes good,
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๋„ˆ ์ข‹์•„๋ณด์—ฌ, ๊ดœ์ฐฎ์ง€ ์•Š๊ฒŒ ๋“ค๋ฆฌ๋„ค, ์ด๊ฑฐ ๋ง›์žˆ๋‹ค,
03:12
the weather looks bad.
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๋‚ ์”จ๊ฐ€ ๋ณ„๋กœ ์ข‹์ง€ ์•Š๋„ค.
03:13
Lie after lie,
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๊ฑฐ์ง“๋ง ๊ฑฐ์ง“๋ง,
03:15
repeating this verbal gray, this sloshy mush,
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ํšŒ์ƒ‰๋น›์œผ๋กœ ํ๋ฅด๋Š” ๋™์‚ฌ์˜ ๋‚œ์žฅํŒ์„ ๋ฐ˜๋ณตํ•˜๊ฒŒ ๋˜๋ฉด
03:19
this fuzzy picture that reflects no real truth.
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์ด๋Ÿฐ ๋ถ์‹ค๋ถ์‹คํ•œ ๊ทธ๋ฆผ์€ ์•„๋ฌด๊ฒƒ๋„ ๋ฐ˜์˜ํ•˜์ง€ ์•Š์ฃ .
03:22
Replace them with grittier, exact terms
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์šฐ๋ฆฌ ์–ดํœ˜์— ๋ฌปํ˜€์กŒ์ง€๋งŒ ๋น›์„ ๋ณด๊ธฐ ์œ„ํ•ด ๊ธฐ๋‹ค๋ฆฌ๊ณ  ์žˆ๋Š”
03:25
that have been buried in our Lexis, waiting to see daylight.
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๋” ์„ธ์„ธํ•˜๊ณ  ์˜ฌ๋ฐ”๋ฅธ ๋‹จ์–ด๋กœ ๋ฐ”๊ฟ”๋ณด์„ธ์š”.
03:28
No longer does the weather look good or bad,
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๋‚ ์”จ๊ฐ€ ๋”์ด์ƒ "์ข‹๊ณ ", "๋‚˜์˜๊ณ "๊ฐ€ ์•„๋‹ˆ๋ผ
03:31
the weather looks ominous or exhilarating.
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๋‚ ์”จ๊ฐ€ ๋ถˆ๊ธธํ•˜๋‹ค๋“ ์ง€ ๋“ค๋œจ๊ฒŒ ํ•œ๋‹ค๋“ ์ง€์š”.
03:34
Nothing tastes good or bad.
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์–ด๋–ค ๊ฒƒ๋„ ์ข‹์€ ๋ง›, ๋‚˜์œ ๋ง›์€ ์—†์–ด์š”.
03:36
It tastes like pillows of sparkles
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๊ฐ€๋ฃจ๋“ค์ด ๋ญ‰์นœ ๋ง›์ด๋ผ๋“ ์ง€
03:38
or old shoe and dung.
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๋‚ก์€ ์‹ ๋ฐœ์ด๋‚˜, ๋ถ„๋‡จ ๋ง› ๊ฐ™์„ ์ˆ˜ ์žˆ์ฃ .
03:40
No more of sounding good or bad.
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๋” ์ด์ƒ ์ข‹๋‹ค, ๋‚˜์˜๋‹ค๋ผ๋Š” ์–ดํœ˜๋ฅผ ์“ฐ์ง€ ๋งˆ์„ธ์š”.
03:42
You sound like lilting baby laughter
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์—ฌ๋Ÿฌ๋ถ„์ด ํ•˜๋Š” ๋ง์€ ์•„๊ธฐ์˜ ์˜น์•Œ์ด ๊ฐ™๊ตฐ์š”
03:44
or ogres marching to war.
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์•„๋‹ˆ๋ฉด ์ „์Ÿ์— ์ฐธ๊ฐ€ํ•˜๋Š” ๊ดด๋ฌผ ๊ฐ™๊ตฐ์š”.
03:46
Dear God, you do not look good or bad.
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์‹ ์ด์‹œ์—ฌ, ์—ฌ๋Ÿฌ๋ถ„์€ ์ž˜ ์ƒ๊ธฐ๊ฑฐ๋‚˜ ๋ชป ์ƒ๊ธด๊ฒŒ ์•„๋‹™๋‹ˆ๋‹ค.
03:49
You look like a feathery angel or a morose faun.
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์—ฌ๋Ÿฌ๋ถ„์€ ๋‚ ๊ฐœ๋‹ฌ๋ฆฐ ์ฒœ์‚ฌ๋‚˜ ์‹œ๋ฌด๋ฃฉํ•œ ํŒŒ์šฐ์ŠคํŠธ(์—ผ์†Œ์ธ๊ฐ„) ๊ฐ™์Šต๋‹ˆ๋‹ค.
03:52
Today, you look at these two words,
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์˜ค๋Š˜, ์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ๋ณด์‹  ๋‘ ๋‹จ์–ด
03:56
"good" and "bad,"
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"์ข‹์Œ"๊ณผ "๋‚˜์จ"์„
03:58
examine them closely.
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๋” ์ž์„ธํžˆ ํ™•์ธํ•ด ๋ณด์‹ญ์‹œ์˜ค.
03:59
Because behind their seemingly unassuming visages
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์ด ๊ฐ€์ •๋˜์ง€ ์•Š์€ ๋ฉด๋ชจ์˜ ๋’ท๋ชจ์Šต์—”
04:02
reside two deceitful offerings that smother the truth.
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์ง„์‹ค์„ ๊ฐ€๋ฆฌ๊ณ  ์žˆ๋Š” ๋‘ ๋ช…์˜ ๊ฐ€์‹์ ์ธ ์ž์†๋“ค์ด ์žˆ์œผ๋‹ˆ๊นŒ์š”
04:05
These words are liars.
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์ด ๋‹จ์–ด๋“ค์€ ๊ฑฐ์ง“๋ง์Ÿ์ด๋“ค ์ž…๋‹ˆ๋‹ค.
04:08
These words must be stopped.
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์ด ๋‹จ์–ด๋“ค์€ ๊ทธ๋งŒ ์‚ฌ์šฉํ•ด์•ผ ํ•ด์š”.
04:09
Remove them from our language so that honesty can return to our communication.
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์ด๋“ค์„ ์šฐ๋ฆฌ ์–ธ์–ด์ฒด๊ณ„์—์„œ ์ œ๊ฑฐํ•˜๊ณ  ์ง„์‹ค์„ฑ์ด ๋‹ด๊ธด ๋Œ€ํ™”๋ฅผ ๋‚˜๋ˆ„์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
04:13
Ladies and gentlemen,
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์‹ ์‚ฌ ์ˆ™๋…€ ์—ฌ๋Ÿฌ๋ถ„๋“ค
04:15
if I say to you that you have been a good jury,
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์ œ๊ฐ€ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์ข‹์€ ๋ฐฐ์‹ฌ์›๋“ค์ด์—ˆ๋‹ค๊ณ  ๋ง์”€๋“œ๋ฆฌ๋ฉด
04:17
you will take the compliment, make your decision and go on about your day.
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์—ฌ๋Ÿฌ๋ถ„์€ ์นญ์ฐฌ์œผ๋กœ ๋ฐ›์•„๋“ค์ด๊ณ , ๊ฒฐ์ •์„ ํ•˜๊ณค, ์—ฌ๋Ÿฌ๋ถ„์˜ ์ผ์ƒ์œผ๋กœ ๋Œ์•„๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:21
But if I say to you that you are an honorable jury,
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ํ•˜์ง€๋งŒ ์ œ๊ฐ€ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์˜๊ด‘์Šค๋Ÿฌ์šด ๋ฐฐ์‹ฌ์›๋“ค์ด์—ˆ๋‹ค๊ณ  ํ•œ๋‹ค๋ฉด
04:24
and that I hope your unshakeable determination
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ๋ถ„์˜ ํ”๋“ค๋ฆฌ์ง€ ์•Š์„ ๊ฒฐ์ •์„, ์ธ๋ฅ˜์˜ ๋” ๋‚˜์€ ๋‹จ์–ด๋ฅผ ์œ„ํ•ด์„œ
04:27
to better the vocabulary of humanity
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๋ถ€ํƒ๋“œ๋ฆฐ๋‹ค๊ณ  ๋ง์”€ ๋“œ๋ฆฐ๋‹ค๋ฉด
04:29
will result in finding "good" and "bad" guilty,
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"์ข‹์Œ"๊ณผ "๋‚˜์จ"์„ ์œ ์ฃ„๋กœ ์„ ๊ณ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:31
you will recognize the ingenuity of this argument
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์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ์ด ๋…ผ์ฆ์˜ ๊ธฐ๋ฐœํ•จ์„ ๊นจ๋‹ซ๊ณค
04:34
and find "good" and "bad" guilty.
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"์ข‹์Œ"๊ณผ "๋‚˜์จ"์— ์œ ์ฃ„๋ฅผ ์„ ๊ณ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:38
(Music)
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(์Œ์•…)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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