7 Tips for Presenting & Public Speaking

378,896 views ใƒป 2018-04-17

English with Lucy


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

00:02
(upbeat music)
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(์—…๋น„ํŠธ ์Œ์•…)
00:10
- Hello everyone, and welcome back to English with Lucy.
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์•ˆ๋…•ํ•˜์„ธ์š”, ์—ฌ๋Ÿฌ๋ถ„. English with Lucy ์— ์˜จ ๊ฒƒ์„ ํ™˜์˜ํ•ด์š”.
00:14
Today I have got seven tips for presenting in English.
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์˜ค๋Š˜์€ ์˜์–ด๋กœ ๋ฐœํ‘œํ•˜๊ธฐ๋ฅผ ์œ„ํ•œ 7๊ฐ€์ง€ ํŒ์„ ๊ฐ€์ง€๊ณ  ์™”์–ด์š”.
00:18
These tips are really going to help you
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์ด ํŒ๋“ค์€ ์ •๋ง ๋„์›€์ด ๋  ๊ฑฐ์˜ˆ์š”.
00:21
improve your presentation skills.
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ํ”„๋ฆฌ์  ํ…Œ์ด์…˜ ์Šคํ‚ฌ์„ ๋Š˜๋ฆฌ๋Š”๋ฐ ๋ง์ด์ฃ .
00:23
Now the vast majority of us, at some point in our lives,
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์ด์ œ ๋Œ€๋‹ค์ˆ˜์˜ ๋ถ„๋“ค์ด ์–ด๋–ค ์‹œ์ ๋ถ€ํ„ฐ๋Š”
00:26
are going to have to give presentations.
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ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ํ•ด์•ผํ•  ๊ฑฐ์˜ˆ์š”.
00:29
We're going to have to speak in public.
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๋Œ€์ค‘ ์•ž์— ์„œ์„œ ๋งํ•˜๋Š” ๊ฒƒ ๋ง์ด์˜ˆ์š”.
00:31
And it was actually voted the scariest thing,
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์‚ฌ์‹ค ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์€ ๊ฐ€์žฅ ๋ฌด์„œ์šด ๊ฒƒ์œผ๋กœ ๊ผฝํ˜€์š”.
00:34
above death and spiders, in a recent study.
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์‹ฌ์ง€์–ด ์ฃฝ์Œ์ด๋‚˜ ๊ฑฐ๋ฏธ๋ณด๋‹ค ๋ง์ด์˜ˆ์š”. ์ตœ๊ทผ ์—ฐ๊ตฌ ๊ฒฐ๊ณผ๋„ ์žˆ์–ด์š”.
00:38
So it's quite obvious that it's something that
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๊ทธ๋ž˜์„œ ์‚ฌ๋žŒ๋“ค์ด ์‹ซ์–ดํ•˜๋Š”๊ฒŒ ๋‹น์—ฐํ•˜๊ธด ํ•ด์š”.
00:39
a lot of people hate.
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00:41
I have to present a lot.
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์ €๋Š” ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ๋งŽ์ด ํ•ด์•ผํ•˜๋Š”๋ฐ์š”.
00:43
I hated it at first, but now I really enjoy it
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์ฒ˜์Œ์—๋Š” ์ •๋ง ์‹ซ์—ˆ๋Š”๋ฐ, ์ด์ œ๋Š” ์žฌ๋ฐŒ์–ด์š”.
00:46
because I've learnt how to do it properly,
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์™œ๋ƒํ•˜๋ฉด ์–ด๋–ป๊ฒŒ ํ•ด์•ผํ• ์ง€ ๋ฐฐ์› ๊ฑฐ๋“ ์š”.
00:50
and I'd like to help you guys out today.
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๊ทธ๋ž˜์„œ ์˜ค๋Š˜์€ ์—ฌ๋Ÿฌ๋ถ„๋“ค๊ป˜ ๊ฐ€๋ฅด์ณ๋“œ๋ฆฌ๊ณ  ์‹ถ์–ด์š”.
00:52
Quickly, if you really want to kick-start your English,
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(Lingoda ๊ด‘๊ณ )
00:54
I cannot recommend enough the Lingoda Language Marathon.
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00:59
You can get a 90-day language course worth 567 euros,
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01:04
completely refunded to you.
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(Lingoda ๊ด‘๊ณ )
01:06
But you have to be quick, because A,
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01:08
spaces are almost filled, and B,
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(Lingoda ๊ด‘๊ณ )
01:10
if you want to do the English course,
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(Lingoda ๊ด‘๊ณ )
01:12
you've only got until the 19th of April to sign up.
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01:15
I've got a video explaining all of the details,
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01:18
which you can see up here.
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01:20
But basically, you sign up for the marathon,
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(Lingoda ๊ด‘๊ณ )
01:22
you do 30 classes every month for three months,
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01:26
and if you complete all of these classes,
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01:29
Lingoda will give you a full refund; that's 567 euros.
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01:34
There is also a half-marathon option,
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01:36
which results in a 50% refund upon completion,
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(Lingoda ๊ด‘๊ณ )
01:39
and that is just 15 classes per month.
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01:42
There are options for English and German.
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01:45
I feel so passionately about this campaign.
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01:48
As a teacher myself, and somebody who's worked
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01:50
independently teaching students for many years,
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01:53
it's such a generous offer.
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01:54
I mean, they're offering to refund it all back to you.
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01:57
And to get the refund, all you have to do
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01:59
is learn loads of English,
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02:01
i.e., 90 classes with real, native, qualified teachers.
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02:06
What's not to like?
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02:08
And you know what?
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02:09
Even if you don't complete it, at the very least,
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02:11
you've done 90 days of English.
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02:13
If you're interested
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02:14
and you feel that you are dedicated enough
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02:16
to do the Language Marathon properly,
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02:18
all you have to do is click on the link
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02:21
in the description box and use the code RUN5.
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02:24
This will discount your five euro entry fee.
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02:27
All you will pay is 50 cents, and that's just to make sure
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02:29
they have your credit card details.
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02:31
Good luck to everyone taking part.
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(Lingoda ๊ด‘๊ณ )
02:33
I think you've done an amazing thing,
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02:35
and I cannot wait to hear your feedback.
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02:37
Right, let's talk about my first tip.
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์ž, ์ด์ œ ์ฒซ ๋ฒˆ์งธ ํŒ์„ ๋งํ•ด๋ณผ๊ฒŒ์š”.
02:40
This is especially important for non-native speakers.
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ํŠนํžˆ ์ด๊ฑด ๋„ค์ดํ‹ฐ๋ธŒ๊ฐ€ ์•„๋Š” ๋ถ„๋“ค์—๊ฒŒ ์ค‘์š”ํ•œ๋ฐ์š”.
02:43
It is, don't agonise over your accent.
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๋งํˆฌ์— ๊ด€ํ•ด ๊ณ ๋ฏผํ•˜์ง€ ๋งˆ์„ธ์š”.
02:47
Forget your accent.
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๋งํˆฌ์— ๊ด€ํ•ด ์ƒ๊ฐํ•˜์ง€ ๋งˆ์„ธ์š”.
02:48
I always say, rather than working on reducing your accent,
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ํ•ญ์ƒ ๋งํ•˜๋Š”๋ฐ์š”, ์ž์‹ ์˜ ๋งํˆฌ์˜ ํŠน์ดํ•จ์„ ์—†์• ๋ ค๊ณ  ํ•˜๊ธฐ๋ณด๋‹ค๋Š”
02:52
work on improving your pronunciation.
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์ •ํ™•ํ•˜๊ฒŒ ๋ฐœ์Œํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ•˜๋Š”๋ฐ ์ง‘์ค‘ํ•˜์„ธ์š”.
02:55
Accents are part of our culture and our heritage.
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๋งํˆฌ์€ ์šฐ๋ฆฌ์˜ ๋ฌธํ™”๋‚˜ ์œ ์‚ฐ ๊ฐ™์€ ๊ฒƒ์˜ ์ผ๋ถ€์˜ˆ์š”.
02:58
Pronunciation is the way we say sounds and words.
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๋ฐœ์Œ์€ ์šฐ๋ฆฌ๊ฐ€ ๋งํ•˜๋Š” ๋ฐฉ๋ฒ•์ด์˜ˆ์š”.
03:02
And the best way to improve your pronunciation is
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๋ฐœ์Œ์„ ํ–ฅ์ƒ์‹œํ‚ค๋Š” ๊ฐ€์žฅ ์ข‹์€ ๋ฐฉ๋ฒ•์€ ๋ฐ”๋กœ
03:07
slow down.
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์ฒœ์ฒœํžˆ ๋งํ•˜๋Š” ๊ฑฐ์˜ˆ์š”.
03:09
I've given lots of presentations
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์ €๋Š” ๋งŽ์€ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ํ•ด๋ดค๊ณ ,
03:11
and I have watched lots of presentations,
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๋งŽ์€ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ๋ดค์–ด์š”.
03:14
and I can tell you the best presentations
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๊ทธ๋ž˜์„œ ๋งํ•  ์ˆ˜ ์žˆ์–ด์š”. ์ตœ๊ณ ์˜ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์€ ๋ฐ”๋กœ
03:16
are the slower presentations.
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์ฒœ์ฒœํžˆ ํ•˜๋Š” ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์ด์˜ˆ์š”.
03:19
It's especially important
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ํŠนํžˆ ์ด๊ฑด ํ”„๋ฆฌ์  ํ…Œ์ด์…˜ ์ดˆ๋ฐ˜์— ๋งค์šฐ ์ค‘์š”ํ•ด์š”.
03:21
at the beginning of your presentation
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03:23
because everybody has an accent.
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์™œ๋ƒํ•˜๋ฉด ๋ˆ„๊ตฌ๋‚˜ ๋งํˆฌ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์–ด์š”.
03:26
Natives have accents too.
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๋„ค์ดํ‹ฐ๋ธŒ๋„ ๊ฐ์ž์˜ ๋งํˆฌ๊ฐ€ ์žˆ์ฃ .
03:29
But we need to give the audience time to get used to
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ฒญ์ค‘๋“ค์—๊ฒŒ ์šฐ๋ฆฌ ๋งํˆฌ์— ์ต์ˆ™ํ•ด์งˆ ์‹œ๊ฐ„์„ ์ฃผ์–ด์•ผ ํ•ด์š”.
03:32
and to adapt to our accents.
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03:34
Another reason to embrace your accent is
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์ž์‹ ์˜ ๋งํˆฌ๋ฅผ ๋ฐ›์•„๋“ค์—ฌ์•ผ ํ•˜๋Š” ๋‹ค๋ฅธ ์ด์œ ๋Š”
03:37
covering up an accent or putting on this fake posh voice
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๋งํˆฌ๋ฅผ ๊ณ ์น˜๊ฑฐ๋‚˜ ํ™”๋ คํ•˜๊ฒŒ ๋ฐ”๊พธ๋ ค๊ณ  ํ•˜๋Š” ๊ฒƒ์€
03:42
might actually come across as insecure to a audience.
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๊ด€์ค‘๋“ค์—๊ฒŒ ์ง„์‹ค๋˜์ง€ ๋ชปํ•œ ์ธ์ƒ์„ ์ค„ ์ˆ˜ ์žˆ๊ฑฐ๋“ ์š”. (์˜์–ด ์ž๋ง‰์— insecure ๋Š” ์˜คํƒ€์˜ˆ์š”. insincere ์ž…๋‹ˆ๋‹ค.)
03:46
You might come across as fake.
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๋ญ”๊ฐ€ ๊ฐ€์งœ๊ฐ™๋‹ค๊ณ  ๋Š๋‚„ ์ˆ˜ ์žˆ์–ด์š”.
03:47
They might not trust you as much.
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๊ด€์ค‘๋“ค์€ ์‹ ๋ขฐํ•˜์ง€ ๋ชปํ•  ์ˆ˜๋„ ์žˆ์–ด์š”.
03:49
Now when I'm talking to my friends and my family,
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์ œ๊ฐ€ ์นœ๊ตฌ๋“ค์ด๋‚˜ ๊ฐ€์กฑ์—๊ฒŒ ๋งํ•  ๋•Œ๋Š”,
03:52
I don't always speak like this because I'm not presenting
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์ง€๊ธˆ ๋งํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ํ•˜์ง€ ์•Š์•„์š”. ๊ทธ๊ฑด ํ”„๋ฆฌ์  ํ…Œ์ด์…˜ ์•„๋‹ˆ๋‹ˆ๊นŒ์š”.
03:56
but I definitely don't put on a fake accent.
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๊ทธ๋ ‡์ง€๋งŒ ๊ฐ€์งœ ๋งํˆฌ๋Š” ์ ˆ๋Œ€ ์“ฐ์ง€ ์•Š์•„์š”.
04:00
I'm simply working on my pronunciation.
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๊ทธ๋ƒฅ ์ œ ๋ฐœ์Œ์œผ๋กœ ๋งํ•ด์š”.
04:03
I want to make sure I pronounce every relevant
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์ €๋Š” ์ ์ ˆํ•˜๊ณ  ํ•„์š”ํ•œ ๋ฐœ์Œ๋งŒ ์ •ํ™•ํžˆ ๋งํ•˜๋ ค๊ณ  ํ•ด์š”.
04:06
and necessary phoneme so that you guys can understand me.
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๊ทธ๋ž˜์•ผ ์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์ œ๊ฐ€ ํ•˜๋Š” ๋ง์„ ์ž˜ ์ดํ•ดํ•  ์ˆ˜ ์žˆ์œผ๋‹ˆ๊นŒ์š”.
04:10
When students come to me and they say,
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ํ•™์ƒ๋“ค์ด ์™€์„œ ์ €ํ•œํ…Œ ๋ฌผ์–ด๋ด์š”.
04:12
"Lucy, help me get rid of my accent," I tell them, "No."
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Lucy, ์ œ ๋งํˆฌ ์ข€ ์—†์• ์ฃผ์„ธ์š”. ๊ทธ๋Ÿฌ๋ฉด ์ €๋Š” No ๋ผ๊ณ  ํ•ด์š”.
04:16
I'm not going to help you get rid of your accent.
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์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„๋“ค์˜ ๋งํˆฌ๋ฅผ ์—†์• ๋ ค๊ณ  ํ•˜์ง€ ์•Š์•„์š”.
04:19
I think that's very negative.
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๊ทธ๊ฑด ์ •๋ง ์ข‹์ง€ ์•Š๋‹ค๊ณ  ์ƒ๊ฐํ•˜๊ฑฐ๋“ ์š”.
04:21
I will help you improve your pronunciation.
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์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„๋“ค์˜ ๋ฐœ์Œ์„ ํ–ฅ์ƒ์‹œํ‚ค๋Š”๊ฑธ ๋„์™€์ค„๊ฑฐ์˜ˆ์š”.
04:23
In my opinion, the only people that should be getting rid
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์ œ ์ƒ๊ฐ์œผ๋กœ๋Š”, ๋งํˆฌ๋ฅผ ์—†์• ์•ผ ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค์€ ์˜ค๋กœ์ง€
04:26
of their accents are actors.
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๋ฐฐ์šฐ๋“ค ๋ฟ์ด์˜ˆ์š”.
04:30
Otherwise, unless it's something you do for a hobby,
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๊ทธ ์™ธ์—๋Š”, ๊ทธ๊ฒŒ ์ทจ๋ฏธ๊ฐ€ ์•„๋‹ˆ๋ผ๋ฉด
04:32
it's a little bit of a waste of time.
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๊ทธ๊ฑด ์ข€ ์‹œ๊ฐ„๋‚ญ๋น„์˜ˆ์š”.
04:35
Number two, use pauses to your advantage.
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๋‘ ๋ฒˆ์งธ, ๋งํ•˜๋Š” ์ค‘๊ฐ„์— ์‰ผํ‘œ(ํฌ์ฆˆ, pause)๋ฅผ ๋„ฃ์œผ์„ธ์š”. (pause ๋ฅผ ๋ฒˆ์—ญํ•  ๋‹จ์–ด๊ฐ€ ์—†์–ด์„œ pause ๊ทธ๋Œ€๋กœ ์‚ฌ์šฉํ• ๊ฒŒ์š”.)
04:41
Pauses are great for so many reasons.
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pause ๋Š” ์—ฌ๋Ÿฌ๊ฐ€์ง€ ์ด์œ ๋กœ ๊ต‰์žฅํžˆ ์ข‹์•„์š”.
04:44
As I've said in the previous point about slowing down,
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์•ž์—์„œ ๋งํ•œ ์ฒœ์ฒœํžˆ ๋งํ•˜๋ผ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ,
04:47
they give the audience time
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์ฒญ์ค‘๋“ค์—๊ฒŒ ์ž ์‹œ ์‹œ๊ฐ„์„ ์ค˜์„œ
04:49
to understand what you're saying.
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๋‹น์‹ ์ด ๋งํ•˜๋Š” ๊ฒƒ์„ ์ดํ•ดํ•˜๋„๋ก ํ•˜๋Š” ๊ฑฐ์˜ˆ์š”.
04:50
A very clear example of this is when I shout a question
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๊ฐ€์žฅ ๊น”๋”ํ•œ ์˜ˆ๊ฐ€ ์žˆ๋Š”๋ฐ์š”. ์•„๋ž˜์ธต์— ์žˆ๋Š” ๋‚จ์ž์นœ๊ตฌ์—๊ฒŒ
04:54
to my boyfriend, who is normally downstairs.
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ํฐ ์†Œ๋ฆฌ๋กœ ์งˆ๋ฌธ์„ ๋˜์ ธ์š”.
04:57
He will immediately reply to that question with "What?"
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๊ทธ๋Ÿฌ๋ฉด ๋‚จ์ž์นœ๊ตฌ๋Š” ๋ฐ”๋กœ ๋ญ? ๋ผ๊ณ  ๋‹ต๋ณ€ํ• ๊ฑฐ์˜ˆ์š”.
05:01
I know, instead of repeating myself,
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๊ทผ๋ฐ, ์ด ๋•Œ ๋‹ค์‹œ ๋งํ•˜๋Š” ๋Œ€์‹ ์—
05:03
if I wait three or four seconds,
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3-4์ดˆ ์ •๋„ ๊ธฐ๋‹ค๋ฆฌ๋ฉด
05:05
he will then answer my question
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๋‚จ์ž์นœ๊ตฌ๋Š” ์ œ ์งˆ๋ฌธ์— ๋Œ€๋‹ตํ• ๊ฑฐ์˜ˆ์š”.
05:07
because he's had time to process what I've said.
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์™œ๋ƒํ•˜๋ฉด ์ œ๊ฐ€ ๋งํ•œ ๊ฑธ ์ดํ•ดํ•  ์‹œ๊ฐ„์„ ๊ฐ€์งˆ ์ˆ˜ ์žˆ์—ˆ๊ฑฐ๋“ ์š”.
05:10
It's the same for your audience.
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์ฒญ์ค‘๋“ค๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์˜ˆ์š”.
05:13
It will sometimes take them a couple of seconds
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๊ทธ๋“ค๋„ ๋ช‡ ์ดˆ์˜ ์‹œ๊ฐ„์„ ํ†ตํ•ด
05:15
to understand what you've said.
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๋‹น์‹ ์ด ๋งํ•œ ๊ฒƒ์„ ์ดํ•ดํ•  ์ˆ˜ ์žˆ์ž–์•„์š”.
05:17
So use a pause to your advantage.
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๊ทธ๋ž˜์„œ pause ๋ฅผ ์‚ฌ์šฉํ•˜๋ฉด ์ข‹์•„์š”.
05:20
Pauses also give you time to think
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pause ๋Š” ๋˜ ๋‹น์‹ ์—๊ฒŒ ์ƒ๊ฐํ•  ์‹œ๊ฐ„๋„ ์ฃผ๊ณ 
05:22
and also time to have a break.
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๋˜ ์‰ฌ๋Š” ์‹œ๊ฐ„๋„ ์ค„ ์ˆ˜ ์žˆ์ž–์•„์š”.
05:24
Our tongues can in a twist.
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ํ˜€๊ฐ€ ๊ผฌ์ผ ์ˆ˜๋„ ์žˆ๊ตฌ์š”. (์˜์–ด ์ž๋ง‰์—์„œ get in ์—์„œ get ์ด ๋ˆ„๋ฝ๋จ)
05:26
You guys only get to see the finished cut
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์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ์ง€๊ธˆ ์ตœ์ข… ํŽธ์ง‘๋œ ์ด ์˜์ƒ๋งŒ ๋ณด์ง€๋งŒ,
05:29
of what I film here, but I have to repeat things
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๊ทธ๋Ÿฐ๋ฐ ์ €๋Š” ์—ฌ๊ธฐ์„œ ๊ณ„์† ๋ฐ˜๋ณตํ•ด์„œ ๋งํ•˜๊ณ  ์žˆ์–ด์š”.
05:31
again and again and again because my tongue
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์™œ๋ƒํ•˜๋ฉด ์ œ ํ˜€๊ฐ€ ํ•ญ์ƒ ์ œ๊ฐ€ ์›ํ•˜๋Š”๋Œ€๋กœ ๋˜์ง€ ์•Š๊ฑฐ๋“ ์š”.
05:34
doesn't always go where I want it to.
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์™œ๋ƒํ•˜๋ฉด ์ œ ํ˜€๊ฐ€ ํ•ญ์ƒ ์ œ๊ฐ€ ์›ํ•˜๋Š”๋Œ€๋กœ ๋˜์ง€ ์•Š๊ฑฐ๋“ ์š”.
05:38
When I make a mistake, I pause, I have a break,
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์ œ๊ฐ€ ์‹ค์ˆ˜ํ–ˆ์„ ๋•Œ๋Š”, pause ๋ฅผ ๋„ฃ๊ณ  ์ž ๊น ์‰ฌ๊ณ ,
05:42
and then I try again.
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๊ทธ๋ฆฌ๊ณ  ๋‹ค์‹œ ์‹œ์ž‘ํ•ด์š”.
05:43
And it normally comes out a lot better.
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๋ณดํ†ต ์ด๋Ÿฌ๋ฉด ๋” ์ข‹์€ ๊ฒฐ๊ณผ๊ฐ€ ๋‚˜์˜ค๋”๋ผ๊ตฌ์š”.
05:46
Take three or four seconds
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3-4์ดˆ ์ •๋„ ๊ฐ€์ ธ๊ฐ€์„ธ์š”.
05:47
to plan what you're going to say next
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๋‹ค์Œ์— ๋ญ˜ ๋งํ• ์ง€ ์ƒ๊ฐํ•˜๋ฉด์„œ์š”.
05:50
and then you can be confident in your delivery.
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๊ทธ๋Ÿฌ๋ฉด ๋‚ด์šฉ ์ „๋‹ฌํ•˜๋Š”๋ฐ ์žˆ์–ด์„œ ์ž์‹ ๊ฐ ์žˆ๊ฒŒ ํ•  ์ˆ˜ ์žˆ์–ด์š”.
05:52
Now the best speakers that I've listened to
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์ œ๊ฐ€ ๊ฒฝํ—˜ํ–ˆ๋˜ ์ตœ๊ณ ์˜ ๊ฐ•์—ฐ์ž๋Š”
05:55
are people that make the audience feel
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์ฒญ์ค‘๋“ค์ด ์ด๋ ‡๊ฒŒ ๋Š๋ผ๊ฒŒ ํ•˜๋Š”๊ฒŒ ํ•˜๋Š” ์‚ฌ๋žŒ์ด์˜ˆ์š”.
05:58
as if the pauses have been included for their advantage.
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๋งˆ์น˜ pause ๊ฐ€ ์ฒญ์ค‘๋“ค์„ ์œ„ํ•ด ํฌํ•จ๋œ ๊ฒƒ์ฒ˜๋Ÿผ์ด์š”.
06:02
So the audience might think that the pause has been used
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์ฒญ์ค‘๋“ค์€ pause ๊ฐ€ ๊ฐ•์กฐํ•˜๊ธฐ ์œ„ํ•ด ์“ฐ์˜€๋‹ค๊ณ  ์ƒ๊ฐํ• ๊ฑฐ์˜ˆ์š”.
06:05
for emphasis, they've said something important,
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์•„, ๋ฐœํ‘œ์ž๊ฐ€ ๋ฌด์–ธ๊ฐ€ ์ค‘์š”ํ•œ ๊ฑธ ์ด์•ผ๊ธฐํ–ˆ๊ตฌ๋‚˜.
06:07
they want them to consider how important this point is,
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๋ฐœํ‘œ์ž๊ฐ€ ์ฒญ์ค‘๋“ค์—๊ฒŒ ์–ผ๋งˆ๋‚˜ ์ด ๋ถ€๋ถ„์ด ์ค‘์š”ํ•œ์ง€ ์ƒ๊ฐํ•ด๋ณด๋ผ๊ณ  ํ•˜๋Š” ๊ฒƒ ์ฒ˜๋Ÿผ์š”.
06:11
when actually, they just needed to think about
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์‚ฌ์‹ค์€ ๋ฐœํ‘œ์ž๋“ค์€ ๋‹ค์Œ์— ๋ญ˜ ๋งํ• ์ง€ ์ƒ๊ฐํ•˜๊ณ  ์žˆ์ฃ .
06:13
what they were going to say next.
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์‚ฌ์‹ค์€ ๋ฐœํ‘œ์ž๋“ค์€ ๋‹ค์Œ์— ๋ญ˜ ๋งํ• ์ง€ ์ƒ๊ฐํ•˜๊ณ  ์žˆ์ฃ .
06:15
The speaker may make the audience feel
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๋ฐœํ‘œ์ž๋Š” ๊ด€์ค‘๋“ค์—๊ฒŒ ๋งˆ์น˜ ์ƒ๊ฐํ•  ์‹œ๊ฐ„์„ ์ฃผ๊ธฐ ์œ„ํ•ด pause ๋ฅผ ํ•œ ๊ฒƒ ์ฒ˜๋Ÿผ ๋Š๋ผ๋„๋ก ํ•  ์ˆ˜ ์žˆ๊ฒ ์ฃ .
06:17
as if they've left a pause to give them time to think
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๋ฐœํ‘œ์ž๋Š” ๊ด€์ค‘๋“ค์—๊ฒŒ ๋งˆ์น˜ ์ƒ๊ฐํ•  ์‹œ๊ฐ„์„ ์ฃผ๊ธฐ ์œ„ํ•ด pause ๋ฅผ ํ•œ ๊ฒƒ ์ฒ˜๋Ÿผ ๋Š๋ผ๋„๋ก ํ•  ์ˆ˜ ์žˆ๊ฒ ์ฃ .
06:20
when actually, they're just skimming the audience,
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์‚ฌ์‹ค์€, ๋ฐœํ‘œ์ž๋“ค์€ ๊ด€์ค‘๋“ค์„ ํ›‘์–ด๋ณด๋ฉด์„œ
06:23
making sure that everyone's understood
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๋ชจ๋‘ ์ž˜ ์ดํ•ดํ–ˆ๋Š”์ง€ ํ™•์ธํ•  ์ˆ˜ ์žˆ์ฃ .
06:26
because they're not sure if they've said it quite right.
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์™œ๋ƒํ•˜๋ฉด ์ž๊ธฐ๊ฐ€ ์ž˜ ๋งํ–ˆ๋Š”์ง€ ํ™•์‹คํ•˜์ง€ ์•Š์„ ๋•Œ๋„ ์žˆ์œผ๋‹ˆ๊นŒ์š”.
06:29
Number three, now this one is a controversial one,
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์„ธ ๋ฒˆ์งธ๋Š”, ์ด๊ฑด ์ข€ ๋…ผ๋ž€์ด ์žˆ๋Š” ๊ฒƒ์ธ๋ฐ์š”.
06:31
and I'm not going to say absolutely don't say this,
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์ด๊ฑธ ๊ผญ ํ•˜์ง€ ๋ง๋ผ๊ณ ๋Š” ํ•˜์ง€ ์•Š๊ฒ ์ง€๋งŒ์š”.
06:35
but I will say reconsider saying this
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๊ทธ๋ ‡์ง€๋งŒ ์ด๊ฑธ ๋งํ•˜๊ธฐ ์ „์— ๋‹ค์‹œ ํ•œ ๋ฒˆ ์ƒ๊ฐํ•ด๋ณด๋ผ๊ณ  ํ• ๊ฑฐ์˜ˆ์š”.
06:38
at the beginning of your presentations.
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ํ”„๋ฆฌ์  ํ…Œ์ด์…˜ ์‹œ์ž‘ํ•  ๋•Œ ๋ง์ด์˜ˆ์š”.
06:41
If I go to another country,
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๋งŒ์•ฝ ์ œ๊ฐ€ ๋‹ค๋ฅธ ๋„์‹œ๋กœ ๊ฐ€์„œ,
06:42
and someone is giving a presentation in English,
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์˜์–ด๋กœ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ํ•˜๊ณ  ์žˆ์„ ๋•Œ
06:45
which happens a lot,
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์ž์ฃผ ๋“ค์„ ์ˆ˜ ์žˆ๋Š” ๊ฑด๋ฐ์š”.
06:46
and wow the people who are presenting in another language,
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๋‹ค๋ฅธ ์–ธ์–ด๋กœ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค ์ค‘์—
06:50
nine out of 10 times, they will start the presentation
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90%๊ฐ€ ์ด๋ ‡๊ฒŒ ๋งํ•˜๋ฉด์„œ ์‹œ์ž‘ํ•ด์š”.
06:53
by saying, "Sorry for my English."
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Sorry for my English ๋ผ๊ณ  ๋ง์ด์˜ˆ์š”.
06:55
Now I'm not sure that I really like this.
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์ €๋Š” ์ด๋ ‡๊ฒŒ ๋งํ•˜๋Š”๊ฒŒ ์ข‹๋‹ค๊ณ  ํ™•์‹ ํ•˜์ง€๋Š” ๋ชปํ•˜๊ฒ ์–ด์š”.
07:01
I feel like you can take more control over this situation.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ์ด๋Ÿฐ ์ƒํ™ฉ์„ ๋” ์ž˜ ํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ ๊ฐ™์•„์š”.
07:04
Why not try saying something like,
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์ด๋ ‡๊ฒŒ ๋งํ•ด๋ณด๋Š”๊ฒŒ ์–ด๋•Œ์š”?
07:06
"English isn't my first language,
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English isn't my first language,
07:08
"but I'm going to try my best here."
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but I'm going to try my best here. ๋ผ๊ณ  ๋ง์ด์˜ˆ์š”.
07:11
Instead of apologising and being all small
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์‚ฌ๊ณผํ•˜๊ณ  ์ž์‹ ์„ ๋‚ฎ์ถ”๊ณ , ์ž์‹ ๊ฐ์—†์ด ๋ณด์ด๋Š” ๋Œ€์‹ ์—
07:14
and seeming a bit unconfident, you're taking ownership.
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์—ฌ๋Ÿฌ๋ถ„์ด ์ด ๋ฐœํ‘œ๋ฅผ ์ฃผ์ฒด์ ์œผ๋กœ ์ด๋Œ์–ด๋ณด๋Š” ๊ฑฐ์˜ˆ์š”.
07:18
English isn't my first language,
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English isn't my first language,
07:19
but I'm going to try my best.
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but I'm going to try my best. ๋ผ๊ณ  ํ•ด๋ด์š”.
07:21
It's unapologetic, it's confident,
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์‚ฌ๊ณผํ•˜๋Š” ๋Š๋‚Œ์ด ์•„๋‹ˆ๊ณ  ์ž์‹ ๊ฐ ์žˆ์ž–์•„์š”.
07:23
and it makes you seem like you're totally in control,
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์ด ์ฃผ๋„๊ถŒ์„ ์ฅ๊ณ  ์žˆ๋Š” ๊ฒƒ ์ฒ˜๋Ÿผ ๋ณด์ด๊ณ ์š”.
07:26
and the audience is going to want to work with you.
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๊ทธ๋Ÿฌ๋ฉด ์ฒญ์ค‘๋“ค์€ ๋‹น์‹ ๊ณผ ํ•จ๊ป˜ ํ•˜๊ณ  ์‹ถ์–ด์งˆ ๊ฑฐ์˜ˆ์š”.
07:30
So this is a opportunity to participate here.
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์ž, ์—ฌ๊ธฐ์— ์—ฌ๋Ÿฌ๋ถ„๋“ค์˜ ์ฐธ์—ฌํ•  ์ˆ˜ ์žˆ๋Š”๊ฒŒ ์žˆ์–ด์š”.
07:33
In the comments below, I'd really like to know
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์•„๋ž˜ ๋Œ“๊ธ€๋กœ ์•Œ๋ ค์ฃผ์„ธ์š”. ์ €๋„ ์ •๋ง ์•Œ๊ณ  ์‹ถ์€๋ฐ์š”.
07:35
if you have had any great alternatives
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ํ˜น์‹œ Sorry for my English ๋ฅผ ๋Œ€์‹ ํ•  ์ข‹์€
07:37
to "Sorry for my English."
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๋‹จ์–ด๊ฐ€ ์žˆ๋‹ค๋ฉด์š”.
07:40
Or, you can say if you think "Sorry for my English" is fine.
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์•„๋‹ˆ๋ฉด ๊ทธ๋ƒฅ Sorry for my English ๋ผ๊ณ  ํ•ด๋„ ๋˜์š”.
07:45
I look forward to seeing what you have to say.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์–ด๋–ค ๊ธ€์„ ๋‚จ๊ธธ์ง€ ๊ธฐ๋Œ€ํ•˜๊ณ  ์žˆ์„๊ฒŒ์š”.
07:48
Now number four.
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์ž, ๋„ค ๋ฒˆ์งธ์˜ˆ์š”.
07:49
You guys always knew I was going to mention this one.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ๋‹ค ์•Œ๊ณ  ์žˆ๋Š”๊ฑฐ๊ณ , ์ €๋„ ๋งํ–ˆ๋˜ ์ ์ด ์žˆ๋Š”๋ฐ์š”.
07:51
It is practise.
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๊ทธ๊ฑด ๋ฐ”๋กœ ์—ฐ์Šต์ด์˜ˆ์š”.
07:53
But I want to say, practise, but don't learn.
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์ œ๊ฐ€ ์ •ํ™•ํžˆ ๋งํ•˜๊ณ  ์‹ถ์€๊ฑด ์—ฐ์Šต์ด์˜ˆ์š”, ์ ˆ๋Œ€ ๊ณต๋ถ€๊ฐ€ ์•„๋‹ˆ์˜ˆ์š”.
07:58
You can tell when somebody has practised a presentation
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ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ์—ฐ์Šตํ•˜๊ฑฐ๋‚˜
08:02
or rehearsed a presentation, and you can also tell
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๋ฆฌํ—ˆ์„คํ–ˆ๋‹ค๊ณ  ๋งํ•ด์š”, ๋˜๋Š”
08:05
when they've learnt a presentation.
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ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ๊ณต๋ถ€ํ–ˆ๋‹ค๊ณ ๋„ ํ•  ์ˆ˜ ์žˆ์ฃ .
08:07
The difference being that a practised presentation
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์—ฐ์Šต๊ณผ ๊ณต๋ถ€์˜ ์ฐจ์ด๋Š”, ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์—ฐ์Šตํ–ˆ๋‹ค๋Š” ๊ฒƒ์€์š”.
08:11
is organic, it's genuine, it flows, and it's trustworthy.
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์ž˜ ์ •๋ฆฌํ•˜๊ณ , ์ง„์‹ฌ์„ ๋‹ด์•„์„œ ๋ฌผ ํ๋ฅด๋“ฏ์ด ๋งํ•˜๋Š” ๊ฑฐ์˜ˆ์š”. ์‹ ๋ขฐํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜๋Š” ๊ฑฐ์˜ˆ์š”.
08:15
You can trust what that person is saying.
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๋ฐœํ‘œ์ž๊ฐ€ ๋งํ•˜๋Š”๊ฑธ ์‹ ๋ขฐํ•  ์ˆ˜ ์žˆ์–ด์•ผ์ฃ .
08:18
A learnt presentation is memorised, it's stagnant,
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๊ณต๋ถ€ํ•˜๋Š” ๊ฑด ์•”๊ธฐํ•˜๊ณ  ํ๋ฆ„์ด ์—†์ด ๊ฐ€๋งŒํžˆ ์žˆ๋Š” ๊ฑฐ์˜ˆ์š”.
08:22
and it's sterile.
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๊ทธ๋ฆฌ๊ณ  ๋ญ”๊ฐ€ ๋น„์ƒ์‚ฐ์ ์ธ ๊ฑฐ์˜ˆ์š”.
08:24
It's not interesting,
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์ด๋Ÿฐ๊ฑด ์žฌ๋ฏธ์—†์–ด์š”.
08:26
which is why you need to use number five, cue cards,
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๋‹ค์„ฏ ๋ฒˆ์งธ๋Š”, ๋ฐ”๋กœ ํ ์นด๋“œ๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๊ฑฐ์˜ˆ์š”.
08:29
to your advantage.
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๋‹ค์„ฏ ๋ฒˆ์งธ๋Š”, ๋ฐ”๋กœ ํ ์นด๋“œ๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๊ฑฐ์˜ˆ์š”.
08:30
This really ties in with number four.
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์ด๊ฑด ์กฐ๊ธˆ ์ „์— ๋งํ•œ ๋„ค ๋ฒˆ์งธ ๊ฒƒ๊ณผ ์—ฐ๊ด€๋˜์š”.
08:33
If you are allowed to use cue cards or speaker notes
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ํ ์นด๋“œ๋‚˜ ๋…ธํŠธ๋ฅผ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๋‹ค๋ฉด์š”,
08:35
in your presentation, for goodness sake, please use them.
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์ œ๋ฐœ ๊ผญ ์‚ฌ์šฉํ•˜์„ธ์š”.
08:40
Use them, they are so, so useful.
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๊ทธ๊ฒƒ๋“ค์€ ์ •๋ง ์ •๋ง ์œ ์šฉํ•ด์š”.
08:42
You never know when you're going to be caught off-guard,
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์–ธ์ œ ๊ฐ‘์ž๊ธฐ ๋ฐฉ์‹ฌํ•ด์„œ ๋งํ•  ๋‚ด์šฉ์„ ๊นŒ๋จน์„์ง€ ๋ชจ๋ฅด์ž–์•„์š”?
08:46
so it is so essential to have something up there with you.
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๊ทธ๋ž˜์„œ ์ด๋Ÿฐ๊ฑธ ์ค€๋น„ํ•ด๋†“๋Š”๊ฑด ์ •๋ง ํ•„์ˆ˜์ ์ธ ๊ฑฐ์˜ˆ์š”.
08:49
You don't have to have them in your hand
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์†์— ์ฅ๊ณ  ์žˆ์„ ํ•„์š”๋Š” ์—†์ง€๋งŒ์š”,
08:51
but have them up there.
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๋ฐœํ‘œ ๋‹จ์ƒ ์œ„ ๊ฐ™์€ ๊ณณ์— ๋‘์„ธ์š”.
08:53
I've seen a lot of people get stage fright.
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๋ฌด๋Œ€ ๊ณตํฌ์ฆ ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค ๋งŽ์ด ๋ดค์–ด์š”.
08:56
Those who have speaker notes can quickly look back
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๋…ธํŠธ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค์€ ๋น ๋ฅด๊ฒŒ ๋‚ด์šฉ์„ ์ฐธ๊ณ ํ•ด๋ณผ ์ˆ˜ ์žˆ์ฃ .
08:58
and figure out where they are.
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๊ทธ๋ฆฌ๊ณ  ๋‚ด๊ฐ€ ์–ด๋””์— ์žˆ๋‚˜ ์ฒดํฌํ•  ์ˆ˜ ์žˆ๊ณ ์š”.
09:01
Those who don't stand up there like a lemon.
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๋…ธํŠธ ์—†๋Š” ์‚ฌ๋žŒ๋“ค์€ ๋ป˜์ญ˜ํ•˜๊ฒŒ ์„œ์žˆ์„ ์ˆ˜๋ฐ–์— ์—†๊ณ ์š”.
09:04
Cue cards should be tiny little bullet points
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ํ ์นด๋“œ๋Š” ๋ช‡๋ช‡ ์ค‘์š”ํ•ญ๋ชฉ๋งŒ ์ ์–ด๋†“๊ณ ,
09:07
that keep you on track, that remind you where you are.
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๋‚ด๊ฐ€ ์–ด๋Š ๋ถ€๋ถ„์„ ์ง„ํ–‰ํ•˜๊ณ  ์žˆ๋Š”์ง€ ๋Œ์ด์ผœ๋ณผ ์ˆ˜ ์žˆ์–ด์•ผ ํ•ด์š”.
09:11
They should not be a whole written presentation.
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์ ˆ๋Œ€ ๋ฐœํ‘œ ๋‚ด์šฉ์˜ ๋ชจ๋“  ๋ฌธ์žฅ๋“ค์„ ์ ์–ด๋†“์ง€ ๋งˆ์„ธ์š”.
09:15
I used to hate it at university.
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๋Œ€ํ•™๋‹ค๋‹ ๋•Œ ๊ทธ๋Ÿฐ๊ฑฐ ๋„ˆ๋ฌด ์‹ซ์–ดํ–ˆ์—ˆ์–ด์š”.
09:17
We'd give presentations in class
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์ˆ˜์—…์—์„œ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ํ•˜๋Š”๋ฐ,
09:19
and people would stand up there with two A4 papers
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์‚ฌ๋žŒ๋“ค์ด A4 ๋‘ ์žฅ์„ ๋“ค๊ณ  ์„œ์„œ ํ•˜๋Š” ๊ฑฐ์˜ˆ์š”.
09:23
of their entire speech.
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๋งํ•  ๋‚ด์šฉ ์ผ์ผ์ด ๋‹ค ์ ์–ด๋†“๊ณ  ๋ง์ด์ฃ .
09:24
It doesn't look good, it doesn't look professional.
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๋ณด๊ธฐ์—๋„ ์•ˆ์ข‹๊ณ , ์ „๋ฌธ์ ์ด์ง€๋„ ์•Š์•„ ๋ณด์—ฌ์š”.
09:26
It looks like you've written it the night before.
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์ „๋‚  ๋ฐค์— ๊ธ‰ํ•ด์„œ ์ญ‰ ์ ์–ด์„œ ์˜จ ๊ฒƒ ๊ฐ™์•„ ๋ณด์—ฌ์š”.
09:29
You need to practise and rehearse multiple times
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๊ผญ ์—ฌ๋Ÿฌ๋ฒˆ ์—ฐ์Šตํ•˜๊ณ  ๋ฆฌํ—ˆ์„ค ํ•ด๋ด์•ผ ํ•ด์š”.
09:32
just using your cue cards.
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ํ ์นด๋“œ๋งŒ ์‚ฌ์šฉํ•ด์„œ์š”.
09:34
So if you practise it loads, it will come out
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์—ฌ๋Ÿฌ๋ฒˆ ์—ฐ์Šตํ•˜๋‹ค๋ณด๋ฉด, ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์ด ๋งค๋ฒˆ
09:37
a little bit differently each time, but that's good
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๋‹ค๋ฅด๊ฒŒ ๋  ๊ฑฐ์˜ˆ์š”, ๊ทธ๋ฆฌ๊ณ  ์ด๊ฑด ์ข‹์€ ๊ฑฐ์˜ˆ์š”.
09:39
because you're going to be preparing yourself
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์™œ๋ƒํ•˜๋ฉด ์—ฌ๋Ÿฌ๋ถ„์€ ๋Œ€์ค‘์ด ๋งŽ์€ ์ƒํ™ฉ์„
09:41
for a multitude of situations.
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์—ฐ์Šตํ•˜๋ ค๊ณ  ํ•˜๋Š” ๊ฑฐ๋‹ˆ๊นŒ์š”.
09:43
Number four, think about your body.
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์—ฌ์„ฏ ๋ฒˆ์งธ, ์—ฌ๋Ÿฌ๋ถ„์˜ ๋™์ž‘์„ ์ƒ๊ฐํ•˜์„ธ์š”. (๋„ค ๋ฒˆ์งธ๋ผ๊ณ  ๋งํ•œ ๊ฑด ์‹ค์ˆ˜)
09:48
Everyone is different.
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์‚ฌ๋žŒ๋“ค์€ ๋‹ค ๋‹ฌ๋ผ์š”.
09:50
When I present, I like to have my feet apart.
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์ €๋Š” ๋ฐœํ‘œํ•  ๋•Œ, ๋ฐœ์„ ์‚ด์ง ๋–จ์–ด๋œจ๋ฆฌ๋Š”๊ฑธ ์ข‹์•„ํ•ด์š”.
09:54
I definitely don't walk around on stage.
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์ €๋Š” ์ ˆ๋Œ€ ๋ฌด๋Œ€์—์„œ ๊ฑธ์–ด๋‹ค๋‹ˆ์ง€ ์•Š๊ณ ์š”.
09:56
I have them planted on the floor,
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๋งˆ์น˜ ๋ฌด๋Œ€์— ๋ฟŒ๋ฆฌ๋‚ด๋ฆฐ ๊ฒƒ ์ฒ˜๋Ÿผ ์žˆ์–ด์š”.
09:58
and I like to use my two hands and my waist to sort of pivot
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๊ทธ๋ฆฌ๊ณ  ์ „ ๋‘ ์†์„ ์ž˜ ์‚ฌ์šฉํ•˜๊ณ , ํ—ˆ๋ฆฌ๋ฅผ ๋Œ๋ ค์„œ ๋ฐฉํ–ฅ์„ ์กฐ์ •ํ•ด์š”.
10:03
and I'll kind of talk like this.
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์ €๋Š” ์ด๋Ÿฐ ์‹์œผ๋กœ ๋งํ•ด์š”.
10:05
I've got loads of room to move,
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๋ฌด๋Œ€์— ๊ณต๊ฐ„์ด ๋งŽ์ด ์žˆ๋”๋ผ๋„,
10:07
but I'm not moving up and down.
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์ €๋Š” ์ด๋ฆฌ์ €๋Ÿฌ ์™”๋‹ค๊ฐ”๋‹ค ํ•˜์ง€ ์•Š์•„์š”.
10:09
That's a distraction and also you can trip over
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๊ทธ๊ฑด ์ •์‹ ์‚ฌ๋‚ฉ๊ธฐ๋„ ํ•˜๊ณ , ๋˜ ์–ด๋””์— ๊ฑธ๋ ค์„œ
10:12
which is not what you want.
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๋„˜์–ด์งˆ ์ˆ˜๋„ ์žˆ์ž–์•„์š”.
10:15
So I like to stay in one place.
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๊ทธ๋ž˜์„œ ์ €๋Š” ํ•œ ๊ณณ์— ์„œ์žˆ๋Š”๊ฑธ ์ข‹์•„ํ•ด์š”.
10:16
I like to look really, really confident.
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๊ทธ๋ฆฌ๊ณ  ์ „ ์ •๋ง ์ •๋ง ์ž์‹ ๊ฐ์žˆ๊ฒŒ ๋ณด์ด๋ ค๊ณ  ํ•ด์š”.
10:18
Chest out, great posture, and I try not to do
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๊ฐ€์Šด ํ”ผ๊ณ , ์˜ฌ๋ฐ”๋ฅธ ์ž์„ธ๋กœ ์žˆ์–ด์š”. ๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฐ ๊ฒƒ๋“ค์€ ์•ˆํ•˜๋ ค๊ณ  ํ•ด์š”.
10:23
my typical fidget things, which is touching my hair,
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์Šต๊ด€์ฒ˜๋Ÿผ ๊ผผ์ง€๋ฝ๊ฑฐ๋ฆฌ๋Š” ๊ฒƒ๋“ค์ด์š”. ์˜ˆ๋ฅผ ๋“ค๋ฉด ๋จธ๋ฆฌ๋ฅผ ๋งŒ์ง„๋‹ค๊ฑฐ๋‚˜
10:28
touching my nose, touching my neck.
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์ฝ”๋ฅผ ๋งŒ์ง„๋‹ค๊ฑฐ๋‚˜, ๋ชฉ์„ ๋งŒ์ง„๋‹ค๊ฑฐ๋‚˜ ํ•˜๋Š”๊ฑฐ์š”.
10:31
So I really try not to do that.
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์ด๋Ÿฐ ๊ฒƒ๋“ค์„ ์•ˆํ•˜๋ ค๊ณ  ์ •๋ง ๋…ธ๋ ฅํ•ด์š”.
10:34
Before you go on stage, you want to think,
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๋ฌด๋Œ€์— ์˜ค๋ฅด๊ธฐ ์ „์—, ์ƒ๊ฐํ•ด๋ณด์„ธ์š”.
10:37
am I going to walk up and down, which is fine,
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๋ฌด๋Œ€์—์„œ ์™”๋‹ค๊ฐ”๋‹ค ์›€์ง์ผ๊นŒ? ๋„ค, ์ข‹์•„์š”.
10:40
but only if you're comfortable with the space.
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๋ฌด๋Œ€๊ฐ€ ํŽธํ•˜๋‹ค๋ฉด ํ•ด๋„ ์ข‹์•„์š”.
10:42
What is my stance?
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์ž์„ธ๋Š” ์–ด๋–ป๊ฒŒ ํ• ๊นŒ์š”?
10:45
I like to call this like a Supergirl stance.
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์ €๋Š” ์ด๊ฑธ ์›๋”์šฐ๋จผ ์ž์„ธ ๋ผ๊ณ  ๋ถ€๋ฅด๊ณ  ์‹ถ์–ด์š”.
10:48
How are you going to stand?
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์–ด๋–ป๊ฒŒ ์„œ์žˆ์„ ๊ฑด๊ฐ€์š”?
10:50
Think about it so you go up there
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์ƒ๊ฐํ•ด๋ณด๊ณ  ๋ฌด๋Œ€๋กœ ์˜ฌ๋ผ๊ฐ€์„ธ์š”.
10:51
and you know exactly what to do.
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๊ทธ๋Ÿฌ๋ฉด ์ •ํ™•ํžˆ ๋‹ค์Œ์— ๋ญ˜ ํ• ์ง€ ์•Œ ๊ฑฐ์˜ˆ์š”.
10:53
It's also a really good idea to identify the things
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๊ทธ๋ฆฌ๊ณ  ๋ฌด๋Œ€ ์œ„์—์„œ ๋‹น์‹ ์ด ๋ญ˜ ๊ณ„์† ํ•˜๋Š”์ง€ ์•Œ์•„ ๋ณด๋Š” ๊ฒƒ์€ ์ •๋ง ์ข‹์€ ์ƒ๊ฐ์ด์˜ˆ์š”.
10:56
that you keep doing over and over again
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๊ทธ๋ฆฌ๊ณ  ๋ฌด๋Œ€ ์œ„์—์„œ ๋‹น์‹ ์ด ๋ญ˜ ๊ณ„์† ํ•˜๋Š”์ง€ ์•Œ์•„ ๋ณด๋Š” ๊ฒƒ์€ ์ •๋ง ์ข‹์€ ์ƒ๊ฐ์ด์˜ˆ์š”.
10:59
like fluffing hair, touching your eyelash
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๋จธ๋ฆฌ๋ฅผ ๋งŒ์ง„๋‹ค๋˜๊ฐ€, ๋ˆˆ์น์„ ๋งŒ์ง„๋‹ค๊ฑฐ๋‚˜ ํ•  ์ˆ˜ ์žˆ์–ด์š”.
11:02
because your hair is on your eyelash,
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์™œ๋ƒํ•˜๋ฉด ๋จธ๋ฆฌ์นด๋ฝ์ด ๋ˆˆ์น ์œ„์— ์žˆ์ž–์•„์š”.
11:04
itching, fiddling, doing thumb things.
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๊ฐ„์งˆ๊ฐ„์งˆํ•˜๊ฑฐ๋‚˜, ์†๊ฐ€๋ฝ์„ ๊ผผ์ง€๋ฝ๊ฑฐ๋ฆฌ๋Š” ๊ฒƒ๋“ค๋„์š”.
11:06
Think about them forehand, so you can quickly snap out of it
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์ด๋Ÿฐ ๊ฒƒ๋“ค์„ ๋จผ์ € ์ƒ๊ฐํ•ด๋ด์š”. ๊ทธ๋Ÿฌ๋ฉด ์•ˆ์ข‹์€ ํ–‰๋™๋“ค์€ ๋น ๋ฅด๊ฒŒ ์—†์•จ ์ˆ˜ ์žˆ์–ด์š”.
11:09
if you're doing it.
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์ด๋Ÿฐ ๊ฒƒ๋“ค์„ ๋จผ์ € ์ƒ๊ฐํ•ด๋ด์š”. ๊ทธ๋Ÿฌ๋ฉด ์•ˆ์ข‹์€ ํ–‰๋™๋“ค์€ ๋น ๋ฅด๊ฒŒ ์—†์•จ ์ˆ˜ ์žˆ์–ด์š”.
11:11
The last one, number seven, is dress to impress.
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๋งˆ์ง€๋ง‰ ์ผ๊ณฑ ๋ฒˆ์งธ๋Š”, ์ธ์ƒ์— ๋‚จ๋Š” ์˜ท์„ ์ž…๋Š” ๊ฑฐ์˜ˆ์š”.
11:14
And this one can also be controversial,
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์ด๊ฒƒ๋„ ๋…ผ๋ž€์ด ์žˆ์„ ์ˆ˜ ์žˆ๋Š”๋ฐ์š”,
11:17
especially in the influence industry,
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ํŠนํžˆ ์ค‘์š”ํ•œ ์ž๋ฆฌ์—์„œ๋Š”์š”.
11:19
because people like to look really casual.
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์™œ๋ƒํ•˜๋ฉด ์‚ฌ๋žŒ๋“ค์€ ์บ์ฃผ์–ผํ•˜๊ฒŒ ๋ณด์ด๊ธฐ๋ฅผ ์ข‹์•„ํ•˜์ž–์•„์š”.
11:21
I would say just go one notch
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์ €๋Š” ์˜ˆ์ƒ๋ณด๋‹ค ํ•œ๋‹จ๊ณ„ ์œ„์˜ ์˜์ƒ์„ ์ž…๋Š”๊ฒŒ ์ข‹๋‹ค๊ณ  ๋งํ•˜๊ณ  ์‹ถ์–ด์š”.
11:24
above the predicted dress code.
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์ €๋Š” ์˜ˆ์ƒ๋ณด๋‹ค ํ•œ๋‹จ๊ณ„ ์œ„์˜ ์˜์ƒ์„ ์ž…๋Š”๊ฒŒ ์ข‹๋‹ค๊ณ  ๋งํ•˜๊ณ  ์‹ถ์–ด์š”.
11:26
If it's smart-casual, lean towards the smart side.
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์Šค๋งˆํŠธ ์บ์ฅฌ์–ผ์ด ๋ณดํ†ต์ด๋ผ๋ฉด, ์ข€ ๋” ์Šค๋งˆํŠธํ•˜๊ฒŒ ์ž…์œผ์„ธ์š”.
11:30
If it's office wear, wear a suit.
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๋น„์ง€๋‹ˆ์Šค ์บ์ฅฌ์–ผ์ด ๋ณดํ†ต์ด๋ผ๋ฉด, ์ •์žฅ์„ ์ž…์œผ์„ธ์š”.
11:34
It's always better to look overdressed
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ํ•ญ์ƒ ๋” ์ฐจ๋ ค์ž…๋Š”๊ฒŒ ์ข‹์•„์š”.
11:36
as opposed to underdressed.
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๋œ ์ฐจ๋ ค์ž…๋Š” ๊ฒƒ ๋ณด๋‹ค์š”.
11:39
It makes you look professional.
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๋” ์ „๋ฌธ์ ์œผ๋กœ ๋ณด์ผ ๊ฑฐ๊ณ ,
11:40
It makes you feel good about yourself.
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์Šค์Šค๋กœ๊ฐ€ ์ข€ ๋” ๋ฉ‹์ง€๊ฒŒ ์ƒ๊ฐ๋  ๊ฑฐ์˜ˆ์š”.
11:43
And somebody who looks groomed is the kind of person
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๋ˆ„๊ตฐ๊ฐ€ ๊น”๋”ํ•˜๊ณ  ๋‹จ์ •ํ•˜๋‹ค๋ฉด,
11:47
the audience is going to keep their eyes on.
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๊ด€์ค‘๋“ค์€ ๊ทธ ์‚ฌ๋žŒ์—๊ฒŒ ๋ˆˆ๊ธธ์„ ์ค„ ๊ฑฐ์˜ˆ์š”.
11:49
There's nothing worse than having the audience drift off.
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์ตœ์•…์€ ๊ด€์ค‘๋“ค์„ ์กธ๋ฆฌ๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฑฐ์˜ˆ์š”.
11:52
At the end of the day, you want to engage with your audience
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๋งˆ์ง€๋ง‰์— ์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ๊ด€์ค‘๋“ค๊ณผ ์ด์•ผ๊ธฐํ•˜๊ณ  ์‹ถ์–ดํ•˜๋Š”๋ฐ,
11:55
and if you look scruffy and like you're not really
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์—ฌ๋Ÿฌ๋ถ„์ด ํ›„์ค„๊ทธ๋ ˆํ•œ ์˜ท์„ ์ž…๊ณ  ๊ฑฐ๊ธฐ์— ์žˆ์ง€ ์•Š์•„์•ผํ•  ๊ฒƒ ์ฒ˜๋Ÿผ ๋ณด์ด๋ฉด,
11:57
meant to be there, are you going to engage with them?
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๊ด€์ค‘๋“ค๊ณผ ํ•จ๊ป˜ ํ•  ์ˆ˜ ์žˆ์„๊นŒ์š”?
12:00
So have a think about that one.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ํ•œ ๋ฒˆ ๊ณ ๋ฏผํ•ด๋ณด์„ธ์š”.
12:03
Right, guys.
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12:03
Those are my seven tips.
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์ž, ์—ฌ๋Ÿฌ๋ถ„.
์ œ ์ผ๊ณฑ๊ฐ€์ง€ ํŒ ์ด์—ˆ์–ด์š”.
12:05
If you have any other recommendations,
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ํ˜น์‹œ ๋‹ค๋ฅธ ํŒ์ด ์žˆ๋‹ค๋ฉด,
12:08
please comment them down below.
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์•„๋ž˜ ๋Œ“๊ธ€๋กœ ๋‚จ๊ฒจ์ฃผ์„ธ์š”.
12:09
Don't forget to check out the Lingoda Language Marathon.
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Lingoda Language Marathon ์ฝ”์Šค ๋งํ•œ ๊ฒƒ ์žŠ์ง€ ๋งˆ์„ธ์š”.
12:13
There's additional information in the description box
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์•„๋ž˜ ์ข€ ๋” ์ƒ์„ธํ•œ ์„ค๋ช…์ด ์žˆ์–ด์š”.
12:15
along with the link and the code
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๋งํฌ์™€ ํ• ์ธ ์ฝ”๋“œ์™€ ํ•จ๊ป˜์š”.
12:18
which gives you a discounted entry fee.
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ํ• ์ธ ์ฝ”๋“œ๋Š” ๋“ฑ๋ก๋น„๋ฅผ ํ• ์ธํ•ด์ค„ ๊ฑฐ์˜ˆ์š”.
12:20
And don't forget to connect with me
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๊ทธ๋ฆฌ๊ณ  ์ œ SNS ๋กœ ์ €์™€ ์†Œํ†ตํ•  ์ˆ˜ ์žˆ์–ด์š”.
12:21
on all of my social media.
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๊ทธ๋ฆฌ๊ณ  ์ œ SNS ๋กœ ์ €์™€ ์†Œํ†ตํ•  ์ˆ˜ ์žˆ์–ด์š”.
12:23
I've got my Facebook, I've got my Instagram,
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ํŽ˜์ด์Šค๋ถ, ์ธ์Šคํƒ€๊ทธ๋žจ,
12:25
and I've got my Twitter.
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๊ทธ๋ฆฌ๊ณ  ํŠธ์œ„ํ„ฐ ์žˆ์–ด์š”.
12:27
And I really recommend checking out my Instagram
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์ธ์Šคํƒ€๊ทธ๋žจ์€ ๊ผญ ์ฒดํฌํ•ด์ฃผ์„ธ์š”.
12:29
because we've got another book giveaway happening
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๊ณง ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์ฆ์ •ํ’ˆ์œผ๋กœ ์ฑ…์„ ๋“œ๋ฆด ๊ฑฐ์˜ˆ์š”.
12:32
very soon.
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๊ณง ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์ฆ์ •ํ’ˆ์œผ๋กœ ์ฑ…์„ ๋“œ๋ฆด ๊ฑฐ์˜ˆ์š”.
12:33
And I will see you soon for another lesson.
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๊ทธ๋Ÿผ ๋‹ค์Œ ์ˆ˜์—…์—์„œ ๋ต๊ฒŒ์š”!
12:35
Muah.
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(๋ฝ€๋ฝ€)
12:39
(upbeat music)
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(์—…๋น„ํŠธ ์Œ์•…)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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