The world of Agatha Christie - 6 Minute English

79,088 views ใƒป 2022-03-24

BBC Learning English


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ. ื›ืชื•ื‘ื™ื•ืช ืžืชื•ืจื’ืžื•ืช ืžืชื•ืจื’ืžื•ืช ื‘ืžื›ื•ื ื”.

00:03
Hello.
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ืฉืœื•ื.
00:09
This is 6 Minute English
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ื–ื•ื”ื™ 6 ื“ืงื•ืช ืื ื’ืœื™ืช
00:10
from BBC Learning English.
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ืžื‘ื™ืช BBC Learning English.
00:12
I'm Sam.
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ืื ื™ ืกืื.
00:13
And I'm Neil.
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ื•ืื ื™ ื ื™ืœ.
00:14
Have you ever played the game,
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ืฉื™ื—ืงืช ืคืขื ื‘ืžืฉื—ืง,
00:16
Cluedo, Neil?
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ืงืœืื•ื“ื•, ื ื™ืœ?
00:17
The idea is that
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ื”ืจืขื™ื•ืŸ ื”ื•ื ืฉื”ืื“ื
00:18
the person playing detective
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ืฉืžืฉื—ืง ื‘ืœืฉ
00:20
discovers who the murderer
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ืžื’ืœื” ืžื™ ื”ืจื•ืฆื—
00:21
is, where the crime took
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, ื”ื™ื›ืŸ ื”ืชืจื—ืฉ ื”ืคืฉืข
00:22
place, and which
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ื•ื‘ืื™ื–ื”
00:23
weapon was used.
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ื ืฉืง ื ืขืฉื” ืฉื™ืžื•ืฉ.
00:25
The last time I played Cluedo
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ื‘ืคืขื ื”ืื—ืจื•ื ื” ืฉืฉื™ื—ืงืชื™ ืงืœืื•ื“ื•
00:26
it was Professor Plum, in
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ื–ื” ื”ื™ื” ืคืจื•ืคืกื•ืจ ืฉื–ื™ืฃ,
00:28
the library, with the dagger!
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ื‘ืกืคืจื™ื™ื”, ืขื ื”ืคื’ื™ื•ืŸ!
00:31
Cluedo is based on a very
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ืงืœื•ื“ื• ืžื‘ื•ืกืก ืขืœ
00:32
popular type of book - the
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ืกื•ื’ ืžืื•ื“ ืคื•ืคื•ืœืจื™ ืฉืœ ืกืคืจ -
00:34
murder mystery, sometimes
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ืชืขืœื•ืžืช ื”ืจืฆื—,
00:36
called a whodunnit - a
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ื”ื ืงืจืืช ืœืคืขืžื™ื whodunnit -
00:39
story about a murder which
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ืกื™ืคื•ืจ ืขืœ ืจืฆื—
00:40
does reveal who the murderer
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ืฉืื›ืŸ ื—ื•ืฉืฃ ืžื™ ื”ืจื•ืฆื—
00:42
is until the end.
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ืขื“ ื”ืกื•ืฃ.
00:44
The queen of murder mysteries
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ืžืœื›ืช ืชืขืœื•ืžื•ืช ื”ืจืฆื—
00:46
is a British writer who was
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ื”ื™ื ืกื•ืคืจืช ื‘ืจื™ื˜ื™ืช ืฉื ื•ืœื“ื”
00:48
born in 1890.
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ื‘ืฉื ืช 1890.
00:50
Her books
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ืกืคืจื™ื”
00:51
are read all over the world
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ื ืงืจืื™ื ื‘ื›ืœ ื”ืขื•ืœื
00:52
and have been translated
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ื•ืชื•ืจื’ืžื•
00:53
into a 103 different
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ืœ-103
00:55
languages.
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ืฉืคื•ืช ืฉื•ื ื•ืช.
00:56
Her name is
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ืงื•ืจืื™ื ืœื”
00:57
Agatha Christie.
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ืื’ืชื” ื›ืจื™ืกื˜ื™.
00:58
To date over 2 billion copies
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ืขื“ ื”ื™ื•ื ื ืžื›ืจื• ื‘ืจื—ื‘ื™ ื”ืขื•ืœื ืœืžืขืœื” ืž-2 ืžื™ืœื™ืืจื“ ืขื•ืชืงื™ื
01:01
of her crime novels have
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ืฉืœ ืจื•ืžื ื™ ื”ืคืฉืข ืฉืœื”
01:02
been sold worldwide, making
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, ืžื” ืฉื”ื•ืคืš
01:04
her the best-selling
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ืื•ืชื” ืœืกื•ืคืจืช ื”ื ืžื›ืจืช ื‘ื™ื•ืชืจ
01:05
novelist of all time...
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ื‘ื›ืœ ื”ื–ืžื ื™ื...
01:08
and the subject
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ื•ื ื•ืฉื
01:09
of this programme.
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ื”ืชื•ื›ื ื™ืช ื”ื–ื•.
01:10
Perhaps her best-known story
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ืื•ืœื™ ื”ืกื™ืคื•ืจ ื”ื™ื“ื•ืข ื‘ื™ื•ืชืจ ืฉืœื”
01:11
is 'Murder on the Orient
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ื”ื•ื 'ืจืฆื— ื‘ืื•ืจื™ื™ื ื˜
01:12
Express', a whodunnit
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ืืงืกืคืจืก', ืกืจื˜ ืงื•ืœื ื•ืข
01:14
featuring her most famous
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ืฉืžืฆื™ื’ ืืช ื”ื‘ืœืฉ ื”ืžืคื•ืจืกื ื‘ื™ื•ืชืจ ืฉืœื”
01:15
detective, Hercule Poirot,
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, ื”ืจืงื•ืœ ืคื•ืืจื•,
01:17
who starred in 33 of
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ืฉื›ื™ื›ื‘ ื‘-33
01:18
Agatha Christie's books.
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ืžืกืคืจื™ื” ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™.
01:20
More about that later but
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ืขื•ื“ ืขืœ ื–ื” ืžืื•ื—ืจ ื™ื•ืชืจ ืื‘ืœ
01:21
as usual I have a quiz
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ื›ืจื’ื™ืœ ื™ืฉ ืœื™
01:23
question for you, Neil.
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ืฉืืœืช ื—ื™ื“ื•ืŸ ื‘ืฉื‘ื™ืœืš, ื ื™ืœ.
01:25
Poirot may be Agatha
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ืคื•ืืจื• ืื•ืœื™ ื”ื‘ืœืฉ
01:27
Christie's most famous
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ื”ืžืคื•ืจืกื ื‘ื™ื•ืชืจ ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™
01:28
detective, but he isn't
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, ืื‘ืœ ื”ื•ื ืœื
01:29
her only one - so who is
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ื”ื™ื—ื™ื“ ืฉืœื” - ืื– ืžื™ ื”ื‘ืœืฉ ื”ื‘ื“ื™ื•ื ื™
01:32
Agatha Christie's other
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ื”ื ื•ืกืฃ ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™
01:34
fictional detective?
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?
01:35
Is it:
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ื”ืื ื–ื”:
01:36
a) Hetty Wainthropp?
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ื) ื”ื˜ื™ ื•ื•ื™ื™ื ื˜ืจื•ืค?
01:37
b) Jessica Fletcher?
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ื‘) ื’'ืกื™ืงื” ืคืœื˜ืฉืจ?
01:39
or,
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ืื•,
01:40
c) Miss Marple?
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ื’) ืžื™ืก ืžืจืคืœ?
01:41
I'll guess it's
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ืื ื™ ืžื ื™ื— ืฉื–ื”
01:42
a) Hetty Wainthropp.
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ื) ื”ื˜ื™ ื•ื•ื™ื™ื ื˜ืจื•ืค.
01:43
OK, Neil.
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ื‘ืกื“ืจ, ื ื™ืœ. ืืช
01:44
I'll reveal the
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01:45
answer at the end
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ื”ืชืฉื•ื‘ื” ืื’ืœื” ื‘ืกื•ืฃ
01:46
of the programme.
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ื”ืชื•ื›ื ื™ืช.
01:47
As mentioned, one of Agatha
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ื›ืืžื•ืจ, ืื—ื“
01:49
Christie's most famous books
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ืžืกืคืจื™ื” ื”ืžืคื•ืจืกืžื™ื ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™
01:50
is 'Murder on the Orient
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ื”ื•ื 'ืจืฆื— ื‘ืื•ืจื™ื™ื ื˜
01:52
Express'.
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ืืงืกืคืจืก'.
01:53
The story takes
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ื”ืกื™ืคื•ืจ
01:54
place on a train travelling
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ืžืชืจื—ืฉ ื‘ืจื›ื‘ืช ื”ื ื•ืกืขืช
01:55
from Istanbul in Turkey to
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ืžืื™ืกื˜ื ื‘ื•ืœ ื‘ื˜ื•ืจืงื™ื”
01:56
Calais in northern France.
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ืœืงืืœื” ืฉื‘ืฆืคื•ืŸ ืฆืจืคืช.
01:59
Listen as writer and Agatha
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ื”ืื–ื™ื ื• ืœืกื•ืคืจ
02:00
Christie superfan, Harriet
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ื•ืžืขืจื™ืฅ-ืขืœ ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™, ื”ืืจื™ื™ื˜
02:02
Gilbert, summarises the
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ื’ื™ืœื‘ืจื˜, ืžืกื›ืžืช ืืช
02:03
story for BBC World Service
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ื”ืกื™ืคื•ืจ ืขื‘ื•ืจ ืชื•ื›ื ื™ืช BBC World Service
02:05
programme, World Book Club.
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, World Book Club.
02:08
Poirot is on the train,
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ืคื•ืืจื• ื ืžืฆื ืขืœ ื”ืจื›ื‘ืช,
02:11
heading back home to England
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ื—ื•ื–ืจ ื”ื‘ื™ืชื” ืœืื ื’ืœื™ื”
02:12
from Syria, when two
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ืžืกื•ืจื™ื”, ื›ืืฉืจ ืฉื ื™
02:14
unconnected events take
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ืื™ืจื•ืขื™ื ืœื ืงืฉื•ืจื™ื
02:15
place.
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ืžืชืจื—ืฉื™ื.
02:16
In a snowstorm in
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ื‘ืกื•ืคืช ืฉืœื’ื™ื
02:17
Croatia, the train comes
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ื‘ืงืจื•ืื˜ื™ื”, ื”ืจื›ื‘ืช
02:19
grinding to a halt and in
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ื ืขืฆืจืช ื‘ื˜ื—ื™ื ื”
02:21
one of the sleeping berths,
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ื•ื‘ืื—ื“ ืžื“ืจื’ืฉื™ ื”ืฉื™ื ื”
02:23
a passenger is murdered.
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ื ืจืฆื— ื ื•ืกืข.
02:25
Since it's impossible for
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ืžื›ื™ื•ื•ืŸ ืฉืœื ื™ื™ืชื›ืŸ
02:26
anyone to have reached the
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ืฉืžื™ืฉื”ื• ื”ื’ื™ืข
02:27
isolated snow-trapped train
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ืœืจื›ื‘ืช ื”ืžื‘ื•ื“ื“ืช ื”ืžืžื•ืœื›ื“ืช ื‘ืฉืœื’
02:29
or to have escaped from it
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ืื• ืฉื‘ืจื— ืžืžื ื”
02:30
without leaving telltale
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ืžื‘ืœื™ ืœื”ืฉืื™ืจ
02:32
footsteps in the snow, the
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ืฆืขื“ื™ื ืžื•ื‘ื”ืงื™ื ื‘ืฉืœื’,
02:33
killer can only be one of
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ื”ืจื•ืฆื— ื™ื›ื•ืœ ืœื”ื™ื•ืช ืจืง ืื—ื“
02:35
the dozen people sharing
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ืžืชืจื™ืกืจ ื”ืื ืฉื™ื ืฉื—ื•ืœืงื™ื ืืช
02:36
Poirot's coach.
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ื”ืžืืžืŸ ืฉืœ ืคื•ืืจื•.
02:38
Yet as
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ืื•ืœื ื›ืฉื”ื•ื
02:39
he starts to investigate
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ืžืชื—ื™ืœ ืœื—ืงื•ืจ
02:40
it seems that each of
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ื ืจืื” ืฉืœื›ืœ ืื—ื“
02:41
them has an alibi for
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ืžื”ื ื™ืฉ ืืœื™ื‘ื™
02:42
the time of the murder.
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ืœืžื•ืขื“ ื”ืจืฆื—.
02:43
Impossible?
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ื‘ืœืชื™ ืืคืฉืจื™?
02:44
Well, Poirot's
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ื•ื‘ื›ืŸ, ืคื•ืืจื•
02:45
certainly perplexed...
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ื‘ื”ื—ืœื˜ ืžื‘ื•ืœื‘ืœ...
02:49
During a snowstorm, the
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ื‘ืžื”ืœืš ืกื•ืคืช ืฉืœื’ื™ื,
02:50
express train comes to a
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ืจื›ื‘ืช ื”ืžื”ื™ืจื”
02:52
grinding halt - it slows
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ื ืขืฆืจืช - ื”ื™ื ืžืื˜ื”
02:54
down until it stops
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ืขื“ ืฉื”ื™ื ื ืขืฆืจืช
02:56
altogether.
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ืœื’ืžืจื™.
02:57
Then,
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ื•ืื–,
02:58
someone is murdered!
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ืžื™ืฉื”ื• ื ืจืฆื—!
02:59
The murderer can't have
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ื”ืจื•ืฆื— ืœื ื™ื›ื•ืœ ื”ื™ื”
03:00
escaped without leaving
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ืœื”ื™ืžืœื˜ ืžื‘ืœื™ ืœื”ืฉืื™ืจ
03:01
telltale footprints in the
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ืขืงื‘ื•ืช ืžื•ื‘ื”ืงื•ืช
03:03
snow.
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ื‘ืฉืœื’.
03:04
When something is
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ื›ืืฉืจ ืžืฉื”ื•
03:05
described as telltale,
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ืžืชื•ืืจ ื›ืกื™ื“,
03:06
it reveals information
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ื”ื•ื ื—ื•ืฉืฃ ืžื™ื“ืข
03:07
which allows a secret to
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ื”ืžืืคืฉืจ ืœื—ืฉื•ืฃ ืกื•ื“
03:09
be uncovered.
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.
03:10
For example,
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ืœื“ื•ื’ืžื”,
03:11
lipstick on your husband's
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ืฉืคืชื•ืŸ ืขืœ ื”ื—ื•ืœืฆื” ืฉืœ ื‘ืขืœืš
03:12
shirt could be a telltale
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ื™ื›ื•ืœ ืœื”ื™ื•ืช
03:14
sign he's having an affair.
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ืกื™ืžืŸ ืฉื”ื•ื ืžื ื”ืœ ืจื•ืžืŸ.
03:16
The murder victim is found
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ืงื•ืจื‘ืŸ ื”ืจืฆื— ื ืžืฆื
03:18
in bed stabbed with a knife.
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ื‘ืžื™ื˜ื” ื›ืฉื”ื•ื ื ื“ืงืจ ื‘ืกื›ื™ืŸ.
03:20
Poirot begins to investigate,
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ืคื•ืืจื• ืžืชื—ื™ืœ ืœื—ืงื•ืจ,
03:22
but as he questions the
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ืื‘ืœ ื›ืฉื”ื•ื ื—ื•ืงืจ ืืช
03:23
train passengers one by one,
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ื ื•ืกืขื™ ื”ืจื›ื‘ืช ื‘ื–ื” ืื—ืจ ื–ื”,
03:26
it seems that everyone has
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ื ืจืื” ืฉืœื›ืœ ืื—ื“ ื™ืฉ
03:27
an alibi - proof that they
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ืืœื™ื‘ื™ - ื”ื•ื›ื—ื” ืฉื”ื
03:29
were somewhere else when
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ื”ื™ื• ื‘ืžืงื•ื ืื—ืจ ื›ืืฉืจ
03:31
a crime was committed.
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ื‘ื•ืฆืข ืคืฉืข.
03:32
Naturally, this leaves the
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ื‘ืื•ืคืŸ ื˜ื‘ืขื™, ื–ื” ืžืฉืื™ืจ ืืช
03:33
Belgian detective perplexed,
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ื”ื‘ืœืฉ ื”ื‘ืœื’ื™ ืžื‘ื•ืœื‘ืœ,
03:36
or confused because
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ืื• ืžื‘ื•ืœื‘ืœ ื›ื™
03:37
something is difficult to
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ืžืฉื”ื• ืงืฉื”
03:38
understand or solve.
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ืœื”ื‘ื ื” ืื• ืœืคืชืจื•ืŸ.
03:40
I won't spoil the story
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ืื ื™ ืœื ืืงืœืงืœ ืืช ื”ืกื™ืคื•ืจ
03:41
by telling you what happens
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ื‘ื›ืš ืฉืืกืคืจ ืœืš ืžื” ื™ืงืจื”
03:43
next, Neil.
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ืื—ืจ ื›ืš, ื ื™ืœ.
03:44
But let's just
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ืื‘ืœ ื‘ื•ืื•
03:45
say that, as usual, Poirot
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ื ื’ื™ื“ ืฉื›ืจื’ื™ืœ, ืคื•ืืจื•
03:47
uncovers the murderer using
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ื—ื•ืฉืฃ ืืช ื”ืจื•ืฆื— ืชื•ืš ืฉื™ืžื•ืฉ
03:48
his incredible powers
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ื‘ื›ื•ื—ื•ืช ื”ื”ืชื‘ื•ื ื ื•ืช ื”ืžื“ื”ื™ืžื™ื ืฉืœื•
03:50
of observation.
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.
03:51
In her stories, Agatha
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ื‘ืกื™ืคื•ืจื™ื”, ืื’ืชื”
03:53
Christie describes Hercule
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ื›ืจื™ืกื˜ื™ ืžืชืืจืช โ€‹โ€‹ืืช ื”ืจืงื•ืœ
03:54
Poirot as a very strange
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ืคื•ืืจื• ื›ืื“ื ืžื•ื–ืจ ืžืื•ื“
03:56
or eccentric man.
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ืื• ืืงืกืฆื ื˜ืจื™.
03:57
The author, Sophie Hannah,
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ื”ืžื—ื‘ืจืช, ืกื•ืคื™ ื”ืื ื”,
03:59
has written several new
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ื›ืชื‘ื” ื›ืžื”
04:00
Poirot stories based on
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ืกื™ืคื•ืจื™ื ื—ื“ืฉื™ื ืฉืœ ืคื•ืืจื• ื”ืžื‘ื•ืกืกื™ื ืขืœ
04:02
the characters invented by
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ื”ื“ืžื•ื™ื•ืช ืฉื”ืžืฆื™ืื”
04:03
Agatha Christie before her
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ืื’ืชื” ื›ืจื™ืกื˜ื™ ืœืคื ื™
04:05
death in 1976.
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ืžื•ืชื” ื‘-1976.
04:07
Here she is
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ื›ืืŸ ื”ื™ื
04:08
describing more of Hercule
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ืžืชืืจืช โ€‹โ€‹ื™ื•ืชืจ ืžื”ืžืืคื™ื™ื ื™ื
04:10
Poirot's strange
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ื”ืžื•ื–ืจื™ื ืฉืœ ื”ืจืงื•ืœ ืคื•ืืจื•
04:11
characteristics to BBC
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04:13
World Service Programme,
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ืœืชื•ื›ื ื™ืช ื”ืฉื™ืจื•ืช ื”ืขื•ืœืžื™ ืฉืœ ื”-BBC,
04:15
World Book Club.
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World Book Club.
04:17
There's the sort of the
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ื™ืฉ ืืช ื”ืกื•ื’ ืฉืœ
04:18
outward things, his
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ื”ื“ื‘ืจื™ื ื”ื—ื™ืฆื•ื ื™ื™ื,
04:19
appearance which is very
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ื”ืžืจืื” ืฉืœื• ืฉื”ื•ื ืžืื•ื“
04:20
striking and very unusual,
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ื‘ื•ืœื˜ ื•ืžืื•ื“ ื™ื•ืฆื ื“ื•ืคืŸ,
04:23
and his sort of, I suppose
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ื•ืกื•ื’ ื”ืคื’ืžื™ื ืฉืœื•, ืื ื™ ืžื ื™ื—
04:24
foibles is the best thing
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ืฉื”ื•ื ื”ื“ื‘ืจ ื”ื˜ื•ื‘ ื‘ื™ื•ืชืจ
04:26
to call them, he likes
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ืœืงืจื•ื ืœื”ื, ื”ื•ื ืื•ื”ื‘
04:27
neatness, he likes order,
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ื ืงื™ื•ืŸ, ื”ื•ื ืื•ื”ื‘ ืกื“ืจ,
04:29
he approaches thing very
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ื”ื•ื ื ื™ื’ืฉ ืœื“ื‘ืจื™ื ื‘ืฆื•ืจื” ืžืื•ื“
04:31
methodically, he's very
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ืฉื™ื˜ืชื™ืช, ื”ื•ื ืžืื•ื“
04:32
proud of his luxuriant
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ื’ืื” ื‘ืฉืคืžื™ื ื”ืฉื•ืคืขื™ื ืฉืœื•
04:34
moustaches, you know,
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, ืืชื” ื™ื•ื“ืข,
04:35
all of that.
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ื›ืœ ื–ื”.
04:38
Sophie calls Poirot's
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ืกื•ืคื™ ืžื›ื ื” ืืช ื”ื”ืชื ื”ื’ื•ืช ื”ื—ืจื™ื’ื” ืฉืœ ืคื•ืืจื•
04:39
unusual behaviour his
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ื”ื—ืกืจื•ื ื•ืช ืฉืœื•
04:40
foibles - habits or
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- ื”ืจื’ืœื™ื ืื•
04:42
characteristics which are
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ืžืืคื™ื™ื ื™ื ืฉื ื—ืฉื‘ื™ื
04:43
considered strange or
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ืžื•ื–ืจื™ื ืื•
04:44
foolish but which
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ืžื˜ื•ืคืฉื™ื ืืš ืื™ื ื
04:45
harm no-one.
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ืคื•ื’ืขื™ื ื‘ืื™ืฉ.
04:46
Yes, unlike the fictional
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ื›ืŸ, ื‘ื ื™ื’ื•ื“
04:48
murderers he uncovers,
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ืœืจื•ืฆื—ื™ื ื”ื‘ื“ื™ื•ื ื™ื™ื ืฉื”ื•ื ื—ื•ืฉืฃ,
04:49
Poirot's foibles do no
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ื”ื—ืกืจื•ื ื•ืช ืฉืœ ืคื•ืืจื• ืื™ื ื ื’ื•ืจืžื™ื
04:52
harm, but it makes me
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ื ื–ืง, ืื‘ืœ ื–ื” ื’ื•ืจื ืœื™
04:53
wonder if Agatha Christie's
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ืœืชื”ื•ืช ืื ืœื‘ืœืฉ ื”ืžืคื•ืจืกื ื”ื ื•ืกืฃ ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™
04:55
other famous detective
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04:56
also had unusual habits.
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ื”ื™ื• ื’ื ื”ืจื’ืœื™ื ื™ื•ืฆืื™ ื“ื•ืคืŸ.
04:58
Well, first you'll have
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ื•ื‘ื›ืŸ, ืจืืฉื™ืช ืชืฆื˜ืจืš
04:59
to reveal the answer to
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ืœื—ืฉื•ืฃ ืืช ื”ืชืฉื•ื‘ื”
05:01
your quiz question, Sam.
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ืœืฉืืœืช ื”ื—ื™ื“ื•ืŸ ืฉืœืš, ืกื.
05:02
You asked me for the name
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ื‘ื™ืงืฉืช ืžืžื ื™ ืืช ืฉืžื”
05:04
of Agatha Christie's other
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ืฉืœ ื”ื‘ืœืฉื™ืช ื”ืžืคื•ืจืกืžืช ื”ืื—ืจืช ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™
05:05
famous detective, and I
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, ื•ื ื™ื—ืฉืชื™
05:07
guessed it was
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ืฉื–ื”
05:08
a) Hetty Wainthropp.
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ื) ื”ื˜ื™ ื•ื•ื™ื™ื ื˜ืจื•ืค.
05:09
Well, I'm afraid that was
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ื•ื‘ื›ืŸ, ืื ื™ ื—ื•ืฉืฉ ืฉื–ื• ื”ื™ื™ืชื”
05:11
the wrong answer!
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ื”ืชืฉื•ื‘ื” ื”ืฉื’ื•ื™ื”!
05:12
In fact,
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ืœืžืขืฉื”,
05:13
Miss Marple was the name
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ืžื™ืก ืžืืจืคืœ ื”ื™ื” ืฉืžื”
05:15
of Agatha Christie's
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ืฉืœ ื“ืžื•ืชื” ื”ืฉื ื™ื™ื” ื”ื›ื™ ืžืคื•ืจืกืžืช ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™
05:16
second most famous
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05:17
character - although Hetty
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- ืœืžืจื•ืช ืฉื”ื˜ื™
05:19
Wainthropp is a
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ื•ื•ื™ื™ื ื˜ืจื•ืค ื”ื™ื
05:20
fictional detective on TV.
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ื‘ืœืฉื™ืช ื‘ื“ื™ื•ื ื™ืช ื‘ื˜ืœื•ื•ื™ื–ื™ื”.
05:22
Now that we've solved the
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ื›ืขืช, ืœืื—ืจ ืฉืคืชืจื ื• ืืช
05:23
murder and revealed the
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ื”ืจืฆื— ื•ื—ืฉืคื ื• ืืช
05:24
correct answer, let's
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ื”ืชืฉื•ื‘ื” ื”ื ื›ื•ื ื”, ื‘ื•ืื•
05:25
recap the vocabulary
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ื ืกื›ื ืืช ืื•ืฆืจ ื”ืžื™ืœื™ื
05:27
starting with whodunnit -
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ื”ื—ืœ ื‘- whodunnit -
05:29
a murder story which does
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ืกื™ืคื•ืจ ืจืฆื—
05:31
not tell you who the
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ืฉืœื ืื•ืžืจ ืœื›ื ืžื™
05:32
murderer is until the end.
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ื”ืจื•ืฆื— ืขื“ ื”ืกื•ืฃ.
05:34
In the whodunnit, 'Murder
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ื‘-whodunnit, 'ืจืฆื—
05:35
on the Orient Express',
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ื‘ืื•ืจื™ื™ื ื˜ ืืงืกืคืจืก',
05:37
the train comes to a
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ื”ืจื›ื‘ืช
05:38
grinding halt - it slows
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ื ืขืฆืจืช - ื”ื™ื
05:41
down until it
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ืžืื˜ื” ืขื“ ืฉื”ื™ื
05:42
stops altogether.
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ื ืขืฆืจืช ื›ืœื™ืœ.
05:43
A telltale sign reveals
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ืฉืœื˜ ืžืขื™ื“ ื—ื•ืฉืฃ
05:45
hidden information so
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ืžื™ื“ืข ื ืกืชืจ ื›ืš
05:46
that a secret can
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ืฉื ื™ืชืŸ
05:47
be revealed.
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ืœื—ืฉื•ืฃ ืกื•ื“.
05:49
An alibi is proof that
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ืืœื™ื‘ื™ ื”ื•ื ื”ื•ื›ื—ื” ืฉื”ื™ื™ืช
05:50
you were somewhere else
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ื‘ืžืงื•ื ืื—ืจ
05:51
when a crime was committed.
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ื›ืืฉืจ ื‘ื•ืฆืข ืคืฉืข.
05:53
To be perplexed means
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ืœื”ื™ื•ืช ืžื‘ื•ืœื‘ืœ ืคื™ืจื•ืฉื•
05:54
to be confused because
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ืœื”ื™ื•ืช ืžื‘ื•ืœื‘ืœ ื›ื™
05:55
something is difficult
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ืžืฉื”ื• ืงืฉื”
05:56
to understand.
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ืœื”ื‘ื ื”.
05:58
And finally, someone's
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ื•ืœื‘ืกื•ืฃ, ื”ื—ืกืจื•ื ื•ืช ืฉืœ ืžื™ืฉื”ื•
05:59
foibles are their strange
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ื”ื
06:01
but harmless habits
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ื”ืจื’ืœื™ื ืื• ื”ืชื ื”ื’ื•ืช ืžื•ื–ืจื™ื ืืš ื‘ืœืชื™ ืžื–ื™ืงื™ื ืฉืœื•
06:02
or behaviour.
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.
06:03
That's all for our
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ื–ื” ื”ื›ืœ
06:04
six-minute investigation
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ืœื—ืงื™ืจื” ื‘ืช ืฉืฉ ื“ืงื•ืช ืฉืœื ื•
06:05
into the mysterious world
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ืขืœ ืขื•ืœืžื” ื”ืžืกืชื•ืจื™
06:07
of Agatha Christie.
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ืฉืœ ืื’ืชื” ื›ืจื™ืกื˜ื™.
06:08
Goodbye for now.
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ืœื”ืชืจืื•ืช ืœื‘ื™ื ืชื™ื™ื.
06:11
Goodbye.
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ื”ึฑื™ื” ืฉืœื•ื.
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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