Intimacy on screen - 6 Minute English

111,710 views ใƒป 2022-04-02

BBC Learning English


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ. ื›ืชื•ื‘ื™ื•ืช ืžืชื•ืจื’ืžื•ืช ืžืชื•ืจื’ืžื•ืช ื‘ืžื›ื•ื ื”.

00:08
Hello. This is 6 Minute English from
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ืฉืœื•ื. ื–ื•ื”ื™ 6 ื“ืงื•ืช ืื ื’ืœื™ืช ืžื‘ื™ืช
00:09
BBC Learning English. I'm Neil.
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BBC Learning English. ืื ื™ ื ื™ืœ.
00:12
And I'm Georgina. When we think
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ื•ืื ื™ ื’'ื•ืจื’'ื™ื ื”. ื›ืฉืื ื—ื ื• ื—ื•ืฉื‘ื™ื
00:14
about romantic Hollywood movies,
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ืขืœ ืกืจื˜ื™ื ื”ื•ืœื™ื•ื•ื“ื™ื™ื ืจื•ืžื ื˜ื™ื™ื,
00:15
there have been some famous
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ื”ื™ื• ื›ืžื”
00:17
examples over the years.
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ื“ื•ื’ืžืื•ืช ืžืคื•ืจืกืžื•ืช ืœืื•ืจืš ื”ืฉื ื™ื.
00:19
There are classic black-and-white
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ื™ืฉ ืกืจื˜ื™ ืจื•ืžื ื˜ื™ืงื” ืงืœืืกื™ื™ื ื‘ืฉื—ื•ืจ-ืœื‘ืŸ
00:20
romance movies like 1951's,
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ื›ืžื• 1951, "
00:22
A Streetcar Named Desire,
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ื—ืฉืžืœื™ืช ื•ืฉืžื” ืชืฉื•ืงื”",
00:24
and the love affair between
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ื•ืจื•ืžืŸ ื”ืื”ื‘ื” ื‘ื™ืŸ
00:25
Humphrey Bogart and Ingrid
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ื”ืžืคืจื™ ื‘ื•ื’ืจื˜ ืœืื™ื ื’ืจื™ื“ ื‘ืจื’ืžืŸ
00:27
Bergman in Casablanca, made in 1942.
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ื‘ืงื–ื‘ืœื ืงื”, ืฉื ืขืฉื” ื‘ืฉื ืช 1942.
00:30
You're really showing your age, Neil!
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ืืชื” ื‘ืืžืช ืžืจืื” ืืช ื’ื™ืœืš, ื ื™ืœ!
00:32
What about more recent movies like
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ืžื” ืœื’ื‘ื™ ืกืจื˜ื™ื ืขื“ื›ื ื™ื™ื ื™ื•ืชืจ ื›ืžื•
00:34
When Harry met Sally or that famous
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ื›ืฉื”ืืจื™ ืคื’ืฉ ืืช ืกืืœื™ ืื• ืื•ืชื”
00:37
kiss between the characters
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ื ืฉื™ืงื” ืžืคื•ืจืกืžืช ื‘ื™ืŸ ื”ื“ืžื•ื™ื•ืช
00:38
Jack and Rose in the film, Titanic.
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ื’'ืง ื•ืจื•ื– ื‘ืกืจื˜, ื˜ื™ื˜ืื ื™ืง.
00:40
In their time all these movies were
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ื‘ืชืงื•ืคืชื ื›ืœ ื”ืกืจื˜ื™ื ื”ืœืœื• ื”ื™ื•
00:42
blockbusters - very popular and
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ืฉื•ื‘ืจื™ ืงื•ืคื•ืช - ืกืจื˜ื™ื ืคื•ืคื•ืœืจื™ื™ื ื•ืžืฆืœื™ื—ื™ื ืžืื•ื“
00:44
successful films which sold millions
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ืฉื ืžื›ืจื• ื‘ืžื™ืœื™ื•ื ื™
00:46
of cinema tickets. And this success
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ื›ืจื˜ื™ืกื™ื ืœืงื•ืœื ื•ืข. ื•ื”ื”ืฆืœื—ื” ื”ื–ื•
00:48
was often due to the on-screen
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ื ื‘ืขื” ืœืขืชื™ื ืงืจื•ื‘ื•ืช ืžื”ืจื•ืžื ื˜ื™ืงื” ืขืœ ื”ืžืกืš
00:50
romance between
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ื‘ื™ืŸ
00:51
the leading actors.
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ื”ืฉื—ืงื ื™ื ื”ืžื•ื‘ื™ืœื™ื.
00:53
In romantic movies, love is in
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ื‘ืกืจื˜ื™ื ืจื•ืžื ื˜ื™ื™ื, ืื”ื‘ื”
00:55
the air. Couples hold hands
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ื‘ืื•ื•ื™ืจ. ื–ื•ื’ื•ืช ืžื—ื–ื™ืงื™ื ื™ื“ื™ื™ื
00:57
and kiss, or in other words they
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ื•ืžืชื ืฉืงื™ื, ืื• ื‘ืžื™ืœื™ื ืื—ืจื•ืช ื”ื
00:58
show intimacy - a close romantic,
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ืžืจืื™ื ืื™ื ื˜ื™ืžื™ื•ืช โ€“ ืงืฉืจ ืจื•ืžื ื˜ื™, ืื• ืžื™ื ื™ ืงืจื•ื‘
01:01
or sexual relationship.
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.
01:03
But while real couples kiss
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ืื‘ืœ ื‘ืขื•ื“ ืฉื–ื•ื’ื•ืช ืืžื™ืชื™ื™ื ืžืชื ืฉืงื™ื
01:05
and hold hands all the time,
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ื•ืžื—ื–ื™ืงื™ื ื™ื“ื™ื™ื ื›ืœ ื”ื–ืžืŸ,
01:07
actors in movies are just
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ืฉื—ืงื ื™ื ื‘ืกืจื˜ื™ื ืคืฉื•ื˜
01:08
pretending to be intimate,
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ืžืขืžื™ื“ื™ื ืคื ื™ื ืฉื”ื ืื™ื ื˜ื™ืžื™ื™ื,
01:10
and this can lead to problems.
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ื•ื–ื” ื™ื›ื•ืœ ืœื”ื•ื‘ื™ืœ ืœื‘ืขื™ื•ืช.
01:12
Yes, whether it's a kiss or a
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ื›ืŸ, ื‘ื™ืŸ ืื ื–ื• ื ืฉื™ืงื” ืื•
01:14
full-nudity sex scene, filming
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ืกืฆื ืช ืžื™ืŸ ื‘ืขื™ืจื•ื ืžืœื, ืฆื™ืœื•ื
01:16
intimate scenes for movies and
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ืกืฆื ื•ืช ืื™ื ื˜ื™ืžื™ื•ืช ืœืกืจื˜ื™ื ื•ืœื˜ืœื•ื•ื™ื–ื™ื”
01:18
TV is a delicate business,
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ื”ื•ื ืขืกืง ืขื“ื™ืŸ,
01:20
as we ll be finding out in
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ื›ืคื™ ืฉื ื’ืœื” ื‘ืชื•ื›ื ื™ืช
01:21
this programme.
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ื–ื•.
01:23
But first, Georgina, I have a
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ืื‘ืœ ืงื•ื“ื, ื’'ื•ืจื’'ื™ื ื”, ื™ืฉ ืœื™
01:24
quiz question for you.
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ืฉืืœืช ื—ื™ื“ื•ืŸ ืืœื™ืš.
01:26
Let me guess...
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ืชืŸ ืœื™ ืœื ื—ืฉ...
01:27
Another black-and-white
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ืขื•ื“ ืงืœืืกื™ืงื” ื‘ืฉื—ื•ืจ-ืœื‘ืŸ
01:28
classic from the 1950s?
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ืžืฉื ื•ืช ื”ื—ืžื™ืฉื™ื?
01:30
Yes - 1953 to be exact, which
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ื›ืŸ - 1953 ืœื™ืชืจ ื“ื™ื•ืง, ืฉื”ื™ื™ืชื”
01:33
was the year this movie won the
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ื”ืฉื ื” ืฉื‘ื” ื”ืกืจื˜ ื”ื–ื” ื–ื›ื”
01:35
Oscar for Best Picture. The film
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ื‘ืื•ืกืงืจ ืœืกืจื˜ ื”ื˜ื•ื‘ ื‘ื™ื•ืชืจ. ื”ืกืจื˜
01:37
thrilled audiences with a famous
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ืจื™ื’ืฉ ืืช ื”ืงื”ืœ ืขื
01:39
beach kiss between actors,
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ื ืฉื™ืงืช ื—ื•ืฃ ืžืคื•ืจืกืžืช ื‘ื™ืŸ ืฉื—ืงื ื™ื,
01:40
Burt Lancaster, and Deborah Kerr,
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ื‘ืจื˜ ืœื ืงืกื˜ืจ ื•ื“ื‘ื•ืจื” ืงืจ,
01:42
as they rolled around in the
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ื›ืฉื”ื ื”ืชื’ืœื’ืœื• ื‘ื™ืŸ
01:44
waves - but what was the
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ื”ื’ืœื™ื - ืื‘ืœ ืžื” ื”ื™ื”
01:45
movie? Was it:
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ื”ืกืจื˜? ื”ืื ื–ื” ื”ื™ื”:
01:47
a) West Side Story?, b) From
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ื) West Side Story?, ื‘)
01:49
Here to Eternity?, or
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ืžื›ืืŸ ื•ืขื“ ื”ื ืฆื—?, ืื•
01:51
c) Singin' in the Rain?
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ื’) Singin' in the Rain?
01:53
Well, 1953 was long before
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ื•ื‘ื›ืŸ, 1953 ื”ื™ื™ืชื” ื”ืจื‘ื” ืœืคื ื™
01:55
I was born but I'll guess,
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ืฉื ื•ืœื“ืชื™ ืื‘ืœ ืื ื™ ืžื ื—ืฉ,
01:57
b) From Here to Eternity.
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ื‘) ืžื›ืืŸ ื•ืขื“ ื”ื ืฆื—.
01:59
OK Georgina, we'll find out later
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ื‘ืกื“ืจ ื’'ื•ืจื’'ื™ื ื”, ื ื’ืœื” ืžืื•ื—ืจ ื™ื•ืชืจ
02:01
on if that s right. In 1953 an
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ืื ื–ื” ื ื›ื•ืŸ. ื‘-1953
02:04
on-screen kiss was still
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ื ืฉื™ืงื” ืขืœ ื”ืžืกืš ืขื“ื™ื™ืŸ
02:05
considered a little naughty.
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ื ื—ืฉื‘ื” ืงืฆืช ืฉื•ื‘ื‘ื”.
02:07
But by 2020 and the filming
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ืื‘ืœ ืขื“ 2020 ื•ื”ืฆื™ืœื•ืžื™ื
02:09
of the BBC television dramas,
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ืฉืœ ื“ืจืžื•ืช ื”ื˜ืœื•ื•ื™ื–ื™ื” ืฉืœ ื”-BBC,
02:11
Normal People and I May
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Normal People ื•-I May
02:13
Destroy You, things had changed.
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Destroy You, ื“ื‘ืจื™ื ื”ืฉืชื ื•.
02:15
Nudity and sexual content had
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ืขื™ืจื•ื ื•ืชื›ื ื™ื ืžื™ื ื™ื™ื
02:17
become commonplace.
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ื”ืคื›ื• ืœื“ื‘ืจ ืฉื‘ืฉื’ืจื”.
02:19
Ita O'Brien worked on both these
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ืื™ื˜ื” ืื•ื‘ืจื™ืืŸ ืขื‘ื“ื” ืขืœ ืฉืชื™
02:21
BBC dramas. She describes
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ื”ื“ืจืžื•ืช ื”ืœืœื• ืฉืœ ื”-BBC. ื”ื™ื ืžืชืืจืช โ€‹โ€‹ืืช
02:23
herself as an 'intimacy coordinator' -
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ืขืฆืžื” ื›'ืจื›ื–ืช ืื™ื ื˜ื™ืžื™ื•ืช' โ€“
02:26
someone who helps actors and
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ื›ื–ื• ืฉืขื•ื–ืจืช ืœืฉื—ืงื ื™ื
02:27
directors plan and film
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ื•ื‘ืžืื™ื ืœืชื›ื ืŸ ื•ืœืฆืœื
02:29
intimate scenes.
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ืกืฆื ื•ืช ืื™ื ื˜ื™ืžื™ื•ืช.
02:30
Listen as she gives her definition
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ื”ืงืฉื‘ ื‘ื–ืžืŸ ืฉื”ื™ื ื ื•ืชื ืช ืืช ื”ื”ื’ื“ืจื” ืฉืœื”
02:32
of intimacy to BBC World Service
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ืœืื™ื ื˜ื™ืžื™ื•ืช ืœืชื•ื›ื ื™ืช ื”ืฉื™ืจื•ืช ื”ืขื•ืœืžื™ ืฉืœ ื”-BBC
02:34
programme, The Conversation:
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, The Conversation:
02:37
A hand hold, a stroke of the cheek,
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ืื—ื™ื–ื” ื‘ื™ื“, ืžื›ืช ืœื—ื™,
02:40
you know, through to a hug, and
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ืืชื” ื™ื•ื“ืข, ืขื“ ืœื—ื™ื‘ื•ืง,
02:42
then obviously, right the way
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ื•ืื– ื‘ืจื•ืจ,
02:43
through to intimate content -
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ืขื“ ืœืชื•ื›ืŸ ืื™ื ื˜ื™ืžื™ -
02:45
it might be familial content of
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ื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช ืชื•ื›ืŸ ืžืฉืคื—ืชื™ ืฉืœ
02:48
an adult to a child; it could be
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ืžื‘ื•ื’ืจ ืœื™ืœื“; ื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช
02:51
the content of perhaps a medical
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ืชื•ื›ืŸ ืื•ืœื™ ืฉืœ
02:52
procedure, someone having a
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ื”ืœื™ืš ืจืคื•ืื™, ืžื™ืฉื”ื• ืฉืขื•ื‘ืจ
02:55
mammogram, or it could be
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ืžืžื•ื’ืจืคื™ื”, ืื• ืฉื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช
02:57
right the way through to intimacy,
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ืžืžืฉ ื”ื“ืจืš ืœืื™ื ื˜ื™ืžื™ื•ืช,
02:59
simulated sexual content.
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ืชื•ื›ืŸ ืžื™ื ื™ ืžื“ื•ืžื”.
03:02
Ita's definition of intimacy is
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ื”ื”ื’ื“ืจื” ืฉืœ ืื™ื˜ื” ืœืื™ื ื˜ื™ืžื™ื•ืช ื”ื™ื
03:04
very wide, including hugging
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ืžืื•ื“ ืจื—ื‘ื”, ื›ื•ืœืœ ื—ื™ื‘ื•ืง
03:06
and stroking - gently touching
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ื•ืœื™ื˜ื•ืฃ - ื ื’ื™ืขื” ืขื“ื™ื ื”
03:08
someone in a pleasurable way.
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ื‘ืžื™ืฉื”ื• ื‘ืฆื•ืจื” ืžืขื ื’ืช.
03:10
It also includes simulated sex.
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ื–ื” ื›ื•ืœืœ ื’ื ืกืงืก ืžื“ื•ืžื”.
03:13
Movie actors aren't really
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ืฉื—ืงื ื™ ืงื•ืœื ื•ืข ืœื ื‘ืืžืช
03:14
having sex, they're simulating it -
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ืžืงื™ื™ืžื™ื ื™ื—ืกื™ ืžื™ืŸ, ื”ื ืžื“ืžื™ื ืืช ื–ื” -
03:17
pretending to do something so
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ืžืขืžื™ื“ื™ื ืคื ื™ื ืฉื”ื ืขื•ืฉื™ื ืžืฉื”ื• ื›ื“ื™
03:18
that it looks real but is not.
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ืฉื–ื” ื™ื™ืจืื” ืืžื™ืชื™ ืื‘ืœ ืœื.
03:21
Just like dance sequences in
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ื‘ื“ื™ื•ืง ื›ืžื• ืงื˜ืขื™ ืจื™ืงื•ื“ ื‘ืžื—ื–ื•ืช
03:22
musicals, intimate movie scenes
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ื–ืžืจ, ืกืฆื ื•ืช ืงื•ืœื ื•ืข ืื™ื ื˜ื™ืžื™ื•ืช
03:24
are planned and choreographed
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ืžืชื•ื›ื ื ื•ืช ื•ืžื•ื›ื ื•ืช
03:26
beforehand so that the director,
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ืžืจืืฉ ื›ืš ืฉื”ื‘ืžืื™,
03:28
film crew and, above all, the
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ืฆื•ื•ืช ื”ืฆื™ืœื•ื ื•ื‘ืขื™ืงืจ
03:29
actors are comfortable with
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ื”ืฉื—ืงื ื™ื ืžืจื’ื™ืฉื™ื ื‘ื ื•ื— ืขื
03:31
what's being filmed.
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ืžื” ืฉืžืฆื•ืœื.
03:32
But recent scandals about the
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ืื‘ืœ ืฉืขืจื•ืจื™ื•ืช ืื—ืจื•ื ื•ืช ืœื’ื‘ื™
03:34
on-set behaviour of some British
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ื”ืชื ื”ื’ื•ืชื ืขืœ ื”ืกื˜ ืฉืœ ื›ืžื”
03:36
and American film stars have
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ื›ื•ื›ื‘ื™ ืงื•ืœื ื•ืข ื‘ืจื™ื˜ื™ื ื•ืืžืจื™ืงืื™ื
03:38
highlighted how delicate
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ื”ื“ื’ื™ืฉื• ืขื“ ื›ืžื” ืžื“ื•ื‘ืจ
03:39
a balance this is.
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ื‘ืื™ื–ื•ืŸ ืขื“ื™ืŸ.
03:42
Here's Ita O Brien again talking
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ื”ื ื” ืื™ื˜ื” ืื• ื‘ืจื™ืืŸ ืฉื•ื‘ ืžื“ื‘ืจืช
03:43
to BBC World Service's, The
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ืขื ืฉื™ืจื•ืช ื”-BBC World Service, The
03:45
Conversation, about the different
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Conversation, ืขืœ
03:47
ways that intimate scenes are
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ื”ื“ืจื›ื™ื ื”ืฉื•ื ื•ืช ืฉื‘ื”ืŸ ืžืฆื•ืœืžื™ื ืกืฆื ื•ืช ืื™ื ื˜ื™ืžื™ื•ืช
03:48
filmed on either side of the
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ืžืฉื ื™ ืฆื“ื™ ื”ืื•ืงื™ื™ื ื•ืก
03:50
Atlantic, in Britain and the US.
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ื”ืื˜ืœื ื˜ื™, ื‘ื‘ืจื™ื˜ื ื™ื” ื•ื‘ืืจื”"ื‘.
03:54
With actors from the US, what they
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ืขื ืฉื—ืงื ื™ื ืžืืจื”"ื‘, ืžื” ืฉื›ืŸ
03:56
do have, what they put in
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ื™ืฉ ืœื”ื, ืžื” ืฉื”ื ืฉืžื™ื
03:57
place is that with each and
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ื–ื” ืฉื‘ื›ืœ
03:58
every intimate scene we create
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ืกืฆื ื” ืื™ื ื˜ื™ืžื™ืช ืื ื—ื ื• ื™ื•ืฆืจื™ื
04:01
a nudity / simulated sex waiver,
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ืขื™ืจื•ื / ื•ื™ืชื•ืจ ืขืœ ืžื™ืŸ ืžื“ื•ืžื”,
04:03
for each and every scene and I
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ืœื›ืœ ืกืฆื ื” ื•ืกืฆื ื” ื•ืื ื™
04:05
actually really like that way of
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ืžืžืฉ ืื•ื”ื‘ ืืช ืื•ืคืŸ
04:07
working. In the UK actors are
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ื”ืขื‘ื•ื“ื” ื”ื–ื”. ื‘ื‘ืจื™ื˜ื ื™ื” ืฉื—ืงื ื™ื
04:09
asked to sign a nudity clause
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ืžืชื‘ืงืฉื™ื ืœื—ืชื•ื ืขืœ ืกืขื™ืฃ ืขื™ืจื•ื
04:11
and generally that's an overall,
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ื•ื‘ืื•ืคืŸ ื›ืœืœื™ ื–ื” ื›ื•ืœืœ,
04:13
for the whole of a production.
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ืขื‘ื•ืจ ื”ื”ืคืงื” ื›ื•ืœื”.
04:16
British actors sign only one
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ืฉื—ืงื ื™ื ื‘ืจื™ื˜ื™ื ื—ื•ืชืžื™ื ืจืง ืขืœ
04:17
document with a nudity clause
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ืžืกืžืš ืื—ื“ ืขื ืกืขื™ืฃ ืขื™ืจื•ื
04:19
to cover the whole film. But in
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ืฉื™ื›ืกื” ืืช ื”ืกืจื˜ ื›ื•ืœื•. ืื‘ืœ
04:21
the US, actors sign a waiver -
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ื‘ืืจื”"ื‘, ืฉื—ืงื ื™ื ื—ื•ืชืžื™ื ืขืœ ื•ื™ืชื•ืจ -
04:23
a legal document that allows or
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ืžืกืžืš ืžืฉืคื˜ื™ ื”ืžืืคืฉืจ ืื•
04:25
prevents an action that is
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ืžื•ื ืข ืคืขื•ืœื”
04:26
different from how things
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ืฉื•ื ื” ืžื”ืื•ืคืŸ ืฉื‘ื• ื”ื“ื‘ืจื™ื
04:28
are usually done.
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ื ืขืฉื™ื ื‘ื“ืจืš ื›ืœืœ.
04:29
Ita thinks it's better if the actors
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ืื™ื˜ื” ื—ื•ืฉื‘ืช ืฉืขื“ื™ืฃ ืฉื”ืฉื—ืงื ื™ื
04:31
agree to each and every scene -
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ื™ืกื›ื™ืžื• ืœื›ืœ ืกืฆื ื” ื•ืกืฆื ื” -
04:33
and she uses the phrase, 'each
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ื•ื”ื™ื ืžืฉืชืžืฉืช ื‘ื‘ื™ื˜ื•ื™ 'ื›ืœ ืื—ื“
04:35
and every' because it emphasises
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ื•ืื—ื“' ื›ื™ ื–ื” ืžื“ื’ื™ืฉ
04:37
that she means every single one.
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ืฉื”ื™ื ืžืชื›ื•ื•ื ืช ืœื›ืœ ืื—ื“.
04:39
In this way there is no confusion
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ื‘ื“ืจืš ื–ื• ืื™ืŸ ื‘ืœื‘ื•ืœ
04:41
about what should or shouldn't
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ืœื’ื‘ื™ ืžื” ืฆืจื™ืš ืื• ืœื ืฆืจื™ืš
04:43
happen on set, leaving the director
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ืœืงืจื•ืช ืขืœ ื”ืกื˜, ืžื” ืฉืžื•ืชื™ืจ ืืช ื”ื‘ืžืื™
04:45
and actors free to make dramatic
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ื•ื”ืฉื—ืงื ื™ื ื—ื•ืคืฉื™ื™ื ืœื™ืฆื•ืจ ืฉื•ื‘ืจื™
04:47
and romantic blockbusters.
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ืงื•ืคื•ืช ื“ืจืžื˜ื™ื™ื ื•ืจื•ืžื ื˜ื™ื™ื.
04:49
You mean like that famous
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ืืชื” ืžืชื›ื•ื•ืŸ ื›ืžื•
04:51
beach scene, kissing and
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ืกืฆื ืช ื”ื—ื•ืฃ ื”ืžืคื•ืจืกืžืช ื”ื”ื™ื, ืžืชื ืฉืงืช ื•ืžืชื’ืœื’ืœืช
04:52
rolling in the waves, Neil?
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ื‘ื’ืœื™ื, ื ื™ืœ?
04:54
Ah, you mean my quiz question
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ืื”, ืืชื” ืžืชื›ื•ื•ืŸ ืœืฉืืœืช ื”ื—ื™ื“ื•ืŸ ืฉืœื™
04:56
when I asked you: What was the
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ื›ืฉืฉืืœืชื™ ืื•ืชืš: ืžื” ื”ื™ื”
04:57
name of the 1953 movie
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ืฉืžื• ืฉืœ ื”ืกืจื˜ ืžืฉื ืช 1953
04:59
featuring a famous beach kiss
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ื”ื›ื•ืœืœ ื ืฉื™ืงืช ื—ื•ืฃ ืžืคื•ืจืกืžืช
05:01
between movie stars Burt
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ื‘ื™ืŸ ื›ื•ื›ื‘ื™ ื”ืงื•ืœื ื•ืข ื‘ืจื˜
05:02
Lancaster and Deborah Kerr?
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ืœื ืงืกื˜ืจ ื•ื“ื‘ื•ืจื” ืงืจ?
05:05
What did you say, Georgina?
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ืžื” ืืžืจืช, ื’'ื•ืจื’'ื™ื ื”?
05:06
I said it was b) From Here to Eternity.
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ืืžืจืชื™ ืฉื–ื” ื‘) ืžื›ืืŸ ื•ืขื“ ื”ื ืฆื—.
05:09
Which is the right answer! Well done,
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ืžื”ื™ ื”ืชืฉื•ื‘ื” ื”ื ื›ื•ื ื”! ื›ืœ ื”ื›ื‘ื•ื“,
05:12
Georgina - so you do like classic
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ื’'ื•ืจื’'ื™ื ื” - ืื– ืืช ื›ืŸ ืื•ื”ื‘ืช
05:14
black-and-white movies after all!
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ืกืจื˜ื™ื ืงืœืืกื™ื™ื ื‘ืฉื—ื•ืจ-ืœื‘ืŸ!
05:16
Not really, Neil, but I remember my
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ืœื ืžืžืฉ, ื ื™ืœ, ืื‘ืœ ืื ื™ ื–ื•ื›ืจ
05:18
grandad watching it! OK, let's recap
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ืฉืกื‘ื ืฉืœื™ ืฆืคื” ื‘ื–ื”! ื‘ืกื“ืจ, ื‘ื•ืื• ื ืกื›ื ืืช ืื•ืฆืจ
05:20
the vocabulary from this
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ื”ืžื™ืœื™ื ืžื”ืชื•ื›ื ื™ืช ื”ื–ื•
05:22
programme about intimacy -
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ืขืœ ืื™ื ื˜ื™ืžื™ื•ืช - ืงืฉืจ
05:23
a close romantic or
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ืจื•ืžื ื˜ื™ ืื•
05:25
sexual relationship.
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ืžื™ื ื™ ืงืจื•ื‘.
05:26
A blockbuster is a very popular
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ืฉื•ื‘ืจ ืงื•ืคื•ืช ื”ื•ื
05:28
and successful movie or a
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ืกืจื˜ ืคื•ืคื•ืœืจื™ ื•ืžืฆืœื™ื— ืžืื•ื“ ืื•
05:30
book that sells many copies.
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ืกืคืจ ืฉืžื•ื›ืจ ืขื•ืชืงื™ื ืจื‘ื™ื.
05:32
If you stroke someone's face,
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ืื ืืชื” ืžืœื˜ืฃ ืืช ืคื ื™ื• ืฉืœ ืžื™ืฉื”ื•,
05:34
you touch it gently in
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ืืชื” ื ื•ื’ืข ื‘ื”ื ื‘ืขื“ื™ื ื•ืช
05:35
a pleasurable way.
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ื‘ืฆื•ืจื” ืžืขื ื’ืช.
05:37
To simulate means to do
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ืœื“ืžื•ืช ืคื™ืจื•ืฉื• ืœืขืฉื•ืช
05:38
or make something that
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ืื• ืœื™ืฆื•ืจ ืžืฉื”ื• ืฉื ืจืื”
05:40
looks real but is not.
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ืืžื™ืชื™ ืื‘ืœ ืœื.
05:42
In the US, a waiver is a legal
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ื‘ืืจื”"ื‘, ื•ื™ืชื•ืจ ื”ื•ื
05:44
document to either allow or
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ืžืกืžืš ืžืฉืคื˜ื™ ื›ื“ื™ ืœืืคืฉืจ ืื•
05:46
prevent something being done
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ืœืžื ื•ืข ืžืฉื”ื• ืฉื ืขืฉื”
05:47
in a different way from usual.
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ื‘ืฆื•ืจื” ืฉื•ื ื” ืžื”ืจื’ื™ืœ.
05:49
And you can use the phrase,
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ื•ืืชื” ื™ื›ื•ืœ ืœื”ืฉืชืžืฉ ื‘ื‘ื™ื˜ื•ื™,
05:51
each and every to emphasise
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ื›ืœ ืื—ื“ ื•ืื—ื“ ื›ื“ื™ ืœื”ื“ื’ื™ืฉ
05:52
that you mean every single
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ืฉืืชื” ืžืชื›ื•ื•ืŸ ืœื›ืœ ืื—ื“
05:54
one of something.
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ื•ืื—ื“ ืฉืœ ืžืฉื”ื•.
05:55
That's all for this romantic
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ื–ื” ื”ื›ืœ ืขื‘ื•ืจ ื”ืžื”ื“ื•ืจื” ื”ืจื•ืžื ื˜ื™ืช ื”ื–ื•
05:57
edition of 6 Minute English
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ืฉืœ 6 ื“ืงื•ืช ืื ื’ืœื™ืช,
05:58
but join us here again soon
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ืื‘ืœ ื”ืฆื˜ืจืฃ ืืœื™ื ื• ืฉื•ื‘ ื‘ืงืจื•ื‘
06:00
for more topical chat
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ืœืฆ'ืื˜ ืืงื˜ื•ืืœื™ ื™ื•ืชืจ
06:02
and useful vocabulary.
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ื•ืื•ืฆืจ ืžื™ืœื™ื ืฉื™ืžื•ืฉื™.
06:03
Bye for now!
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ืœื”ืชืจืื•ืช ื‘ื™ื ืชื™ื™ื!
06:04
Bye!
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ื‘ื™ื™!
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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