Intimacy on screen - 6 Minute English

109,791 views ใƒป 2022-04-02

BBC Learning English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:08
Hello. This is 6 Minute English from
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์•ˆ๋…•ํ•˜์„ธ์š”. BBC Learning English์˜ 6๋ถ„ ์˜์–ด์ž…๋‹ˆ๋‹ค
00:09
BBC Learning English. I'm Neil.
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. ์ €๋Š” ๋‹์ž…๋‹ˆ๋‹ค.
00:12
And I'm Georgina. When we think
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์กฐ์ง€๋‚˜์ž…๋‹ˆ๋‹ค.
00:14
about romantic Hollywood movies,
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๋กœ๋งจํ‹ฑ ํ• ๋ฆฌ์šฐ๋“œ ์˜ํ™”์— ๋Œ€ํ•ด ์ƒ๊ฐํ•  ๋•Œ
00:15
there have been some famous
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๋ช‡
00:17
examples over the years.
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๋…„ ๋™์•ˆ ๋ช‡ ๊ฐ€์ง€ ์œ ๋ช…ํ•œ ์˜ˆ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
00:19
There are classic black-and-white
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00:20
romance movies like 1951's,
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1951๋…„,
00:22
A Streetcar Named Desire,
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์š•๋ง์ด๋ผ๋Š” ์ด๋ฆ„์˜ ์ „์ฐจ
00:24
and the love affair between
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00:25
Humphrey Bogart and Ingrid
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00:27
Bergman in Casablanca, made in 1942.
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, 1942๋…„ ์นด์‚ฌ๋ธ”๋ž‘์นด์—์„œ ํ—˜ํ”„๋ฆฌ ๋ณด๊ฐ€ํŠธ์™€ ์ž‰๊ทธ๋ฆฌ๋“œ ๋ฒ„๊ทธ๋งŒ ์‚ฌ์ด์˜ ์‚ฌ๋ž‘ ์‚ฌ๊ฑด๊ณผ ๊ฐ™์€ ๊ณ ์ „์ ์ธ ํ‘๋ฐฑ ๋กœ๋งจ์Šค ์˜ํ™”
00:30
You're really showing your age, Neil!
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๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ •๋ง ๋‚˜์ด๋ฅผ ๋ณด์—ฌ์ฃผ๋„ค์š”, ๋‹!
00:32
What about more recent movies like
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00:34
When Harry met Sally or that famous
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ํ•ด๋ฆฌ๊ฐ€ ์ƒ๋ฆฌ๋ฅผ ๋งŒ๋‚ฌ์„ ๋•Œ๋‚˜
00:37
kiss between the characters
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00:38
Jack and Rose in the film, Titanic.
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์˜ํ™” ํƒ€์ดํƒ€๋‹‰์—์„œ ์žญ๊ณผ ๋กœ์ฆˆ์˜ ์œ ๋ช…ํ•œ ํ‚ค์Šค์™€ ๊ฐ™์€ ์ตœ๊ทผ ์˜ํ™”๋Š” ์–ด๋–ป์Šต๋‹ˆ๊นŒ?
00:40
In their time all these movies were
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๊ทธ ์‹œ๋Œ€์— ์ด ์˜ํ™”๋“ค์€ ๋ชจ๋‘ ๋ธ”๋ก๋ฒ„์Šคํ„ฐ ์˜ํ™”์˜€์Šต๋‹ˆ๋‹ค.
00:42
blockbusters - very popular and
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00:44
successful films which sold millions
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์ˆ˜๋ฐฑ๋งŒ ์˜ํ™” ํ‹ฐ์ผ“์„ ํŒ๋งคํ•œ ๋งค์šฐ ์ธ๊ธฐ ์žˆ๊ณ  ์„ฑ๊ณต์ ์ธ ์˜ํ™”
00:46
of cinema tickets. And this success
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์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฌํ•œ ์„ฑ๊ณต
00:48
was often due to the on-screen
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์€ ์ฃผ๋กœ ์ฃผ์—ฐ๋ฐฐ์šฐ๋“ค์˜ ํ™”๋ฉด ์† ๋กœ๋งจ์Šค ๋•๋ถ„์ด์—ˆ๋‹ค
00:50
romance between
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00:51
the leading actors.
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.
00:53
In romantic movies, love is in
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๋กœ๋งจํ‹ฑ ์˜ํ™”์—์„œ ์‚ฌ๋ž‘
00:55
the air. Couples hold hands
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์€ ๊ณต๊ธฐ ์ค‘์— ์žˆ์Šต๋‹ˆ๋‹ค. ์ปคํ”Œ์€ ์†์„
00:57
and kiss, or in other words they
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์žก๊ณ  ํ‚ค์Šคํ•˜๊ฑฐ๋‚˜ ๋‹ค๋ฅธ ๋ง๋กœ
00:58
show intimacy - a close romantic,
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์นœ๋ฐ€๊ฐ์„ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค. ์นœ๋ฐ€ํ•œ ๋กœ๋งจํ‹ฑ
01:01
or sexual relationship.
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๋˜๋Š” ์„ฑ์  ๊ด€๊ณ„์ž…๋‹ˆ๋‹ค.
01:03
But while real couples kiss
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ํ•˜์ง€๋งŒ ์‹ค์ œ ์ปคํ”Œ์€ ํ‚ค์Šค
01:05
and hold hands all the time,
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๋ฅผ ํ•˜๊ณ  ์†์„ ๊ผญ ์žก๊ณ  ์žˆ๋Š” ๋ฐ˜๋ฉด,
01:07
actors in movies are just
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์˜ํ™” ์† ๋ฐฐ์šฐ๋“ค์€
01:08
pretending to be intimate,
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์นœ๊ทผํ•œ ์ฒ™๋งŒ ํ•˜๊ธฐ
01:10
and this can lead to problems.
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๋•Œ๋ฌธ์— ๋ฌธ์ œ๊ฐ€ ์ƒ๊ธธ ์ˆ˜ ์žˆ๋‹ค.
01:12
Yes, whether it's a kiss or a
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๋„ค, ํ‚ค์Šค
01:14
full-nudity sex scene, filming
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๋“  ๋‚˜์ฒด ์„น์Šค ์žฅ๋ฉด์ด๋“ ,
01:16
intimate scenes for movies and
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์˜ํ™”์™€ TV์šฉ ์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์„ ์ดฌ์˜
01:18
TV is a delicate business,
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ํ•˜๋Š” ๊ฒƒ์€ ์„ฌ์„ธํ•œ ์ž‘์—…์ž…๋‹ˆ๋‹ค. ์ด ํ”„๋กœ๊ทธ๋žจ
01:20
as we ll be finding out in
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์—์„œ ์•Œ๊ฒŒ ๋  ๊ฒƒ
01:21
this programme.
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์ž…๋‹ˆ๋‹ค.
01:23
But first, Georgina, I have a
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ํ•˜์ง€๋งŒ ๋จผ์ € Georgina,
01:24
quiz question for you.
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ํ€ด์ฆˆ ์งˆ๋ฌธ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
01:26
Let me guess...
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์ถ”์ธกํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค...
01:27
Another black-and-white
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01:28
classic from the 1950s?
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1950๋…„๋Œ€์˜ ๋˜ ๋‹ค๋ฅธ ํ‘๋ฐฑ ๊ณ ์ „?
01:30
Yes - 1953 to be exact, which
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์˜ˆ - ์ •ํ™•ํžˆ 1953๋…„,
01:33
was the year this movie won the
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์ด ์˜ํ™”๊ฐ€
01:35
Oscar for Best Picture. The film
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์˜ค์Šค์นด ์ตœ์šฐ์ˆ˜ ์ž‘ํ’ˆ์ƒ์„ ์ˆ˜์ƒํ•œ ํ•ด์ž…๋‹ˆ๋‹ค. ์ด ์˜ํ™”
01:37
thrilled audiences with a famous
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01:39
beach kiss between actors,
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๋Š” ๋ฐฐ์šฐ
01:40
Burt Lancaster, and Deborah Kerr,
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Burt Lancaster์™€ Deborah Kerr์˜ ์œ ๋ช…ํ•œ ํ•ด๋ณ€ ํ‚ค์Šค
01:42
as they rolled around in the
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๋กœ ๊ด€๊ฐ๋“ค์„ ์ „์œจ
01:44
waves - but what was the
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์‹œ์ผฐ์Šต๋‹ˆ๋‹ค
01:45
movie? Was it:
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.
01:47
a) West Side Story?, b) From
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a) West Side Story?, b) From
01:49
Here to Eternity?, or
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Here to Eternity?, ๋˜๋Š”
01:51
c) Singin' in the Rain?
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c) Singin' in the Rain?
01:53
Well, 1953 was long before
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๊ธ€์Ž„์š”, 1953๋…„์€
01:55
I was born but I'll guess,
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์ œ๊ฐ€ ํƒœ์–ด๋‚˜๊ธฐ ํ›จ์”ฌ ์ „์ด์ง€๋งŒ ์ œ ์ถ”์ธก์œผ๋กœ๋Š”
01:57
b) From Here to Eternity.
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b) ์—ฌ๊ธฐ์—์„œ ์˜์›๊นŒ์ง€.
01:59
OK Georgina, we'll find out later
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์•Œ์•˜์–ด ์กฐ์ง€๋‚˜,
02:01
on if that s right. In 1953 an
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๊ทธ๊ฒŒ ๋งž๋Š”์ง€ ๋‚˜์ค‘์— ์•Œ์•„๋ณด์ž. 1953๋…„
02:04
on-screen kiss was still
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์— ํ™”๋ฉด์ƒ์˜ ํ‚ค์Šค๋Š” ์—ฌ์ „ํžˆ
02:05
considered a little naughty.
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์•ฝ๊ฐ„ ์žฅ๋‚œ์Šค๋Ÿฌ์šด ๊ฒƒ์œผ๋กœ ์—ฌ๊ฒจ์กŒ์Šต๋‹ˆ๋‹ค.
02:07
But by 2020 and the filming
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๊ทธ๋Ÿฌ๋‚˜ 2020๋…„๊ณผ
02:09
of the BBC television dramas,
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BBC TV ๋“œ๋ผ๋งˆ์ธ
02:11
Normal People and I May
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Normal People๊ณผ I May
02:13
Destroy You, things had changed.
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Destroy You๋ฅผ ์ดฌ์˜ํ•˜๋ฉด์„œ ์ƒํ™ฉ์ด ๋ฐ”๋€Œ์—ˆ์Šต๋‹ˆ๋‹ค.
02:15
Nudity and sexual content had
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๊ณผ๋„ํ•œ ๋…ธ์ถœ๊ณผ ์„ฑ์  ์ฝ˜ํ…์ธ 
02:17
become commonplace.
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๊ฐ€ ๋ณดํŽธํ™”๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:19
Ita O'Brien worked on both these
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Ita O'Brien์€ ์ด ๋‘ BBC ๋“œ๋ผ๋งˆ์— ์ฐธ์—ฌํ–ˆ์Šต๋‹ˆ๋‹ค
02:21
BBC dramas. She describes
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. ๊ทธ๋…€๋Š”
02:23
herself as an 'intimacy coordinator' -
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์ž์‹ ์„ ๋ฐฐ์šฐ์™€ ๊ฐ๋…์ด ์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์„ ๊ณ„ํšํ•˜๊ณ  ์ดฌ์˜ํ•˜๋Š” ๋ฐ ๋„์›€์„ ์ฃผ๋Š” '์ธํ‹ฐ๋จธ์‹œ ์ฝ”๋””๋„ค์ดํ„ฐ'๋ผ๊ณ  ์„ค๋ช…
02:26
someone who helps actors and
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02:27
directors plan and film
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02:29
intimate scenes.
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ํ•ฉ๋‹ˆ๋‹ค.
02:30
Listen as she gives her definition
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๊ทธ๋…€๊ฐ€
02:32
of intimacy to BBC World Service
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BBC World Service
02:34
programme, The Conversation:
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ํ”„๋กœ๊ทธ๋žจ์ธ The
02:37
A hand hold, a stroke of the cheek,
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Conversation์—์„œ ์นœ๋ฐ€๊ฐ์— ๋Œ€ํ•œ ๊ทธ๋…€์˜ ์ •์˜๋ฅผ ์„ค๋ช…ํ•˜๋Š”
02:40
you know, through to a hug, and
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02:42
then obviously, right the way
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02:43
through to intimate content -
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02:45
it might be familial content of
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๊ฒƒ์„ ๋“ค์–ด๋ณด์„ธ์š”.
02:48
an adult to a child; it could be
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์„ฑ์ธ์ด ์•„๋™์—๊ฒŒ ๋ณด๋‚ด๋Š” ๊ฐ€์กฑ ์ฝ˜ํ…์ธ ; ๊ทธ๊ฒƒ์€
02:51
the content of perhaps a medical
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์•„๋งˆ๋„ ์˜๋ฃŒ ์ ˆ์ฐจ์˜ ๋‚ด์šฉ์ผ ์ˆ˜๋„ ์žˆ๊ณ 
02:52
procedure, someone having a
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, ๋ˆ„๊ตฐ๊ฐ€๊ฐ€
02:55
mammogram, or it could be
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์œ ๋ฐฉ์กฐ์˜์ˆ ์„ ๋ฐ›๋Š” ๊ฒƒ์ผ ์ˆ˜๋„ ์žˆ๊ณ 
02:57
right the way through to intimacy,
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, ์นœ๋ฐ€๊ฐ, ๋ชจ์˜ ์„ฑ์  ๋‚ด์šฉ์œผ๋กœ ๊ฐ€๋Š” ์˜ฌ๋ฐ”๋ฅธ ๊ธธ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
02:59
simulated sexual content.
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.
03:02
Ita's definition of intimacy is
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Ita์˜ ์นœ๋ฐ€๊ฐ์— ๋Œ€ํ•œ ์ •์˜๋Š”
03:04
very wide, including hugging
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ํฌ์˜น
03:06
and stroking - gently touching
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๊ณผ ์“ฐ๋‹ค๋“ฌ๊ธฐ(
03:08
someone in a pleasurable way.
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์ฆ๊ฑฐ์šด ๋ฐฉ์‹์œผ๋กœ ๋ˆ„๊ตฐ๊ฐ€๋ฅผ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ๋งŒ์ง€๋Š” ๊ฒƒ)๋ฅผ ํฌํ•จํ•˜์—ฌ ๋งค์šฐ ๊ด‘๋ฒ”์œ„ํ•ฉ๋‹ˆ๋‹ค.
03:10
It also includes simulated sex.
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์‹œ๋ฎฌ๋ ˆ์ด์…˜ ์„น์Šค๋„ ํฌํ•จ๋ฉ๋‹ˆ๋‹ค.
03:13
Movie actors aren't really
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์˜ํ™” ๋ฐฐ์šฐ๋Š” ์‹ค์ œ๋กœ
03:14
having sex, they're simulating it -
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์„น์Šค๋ฅผ ํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์‹œ๋ฎฌ๋ ˆ์ด์…˜
03:17
pretending to do something so
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03:18
that it looks real but is not.
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์„ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์‹ค์ œ์ฒ˜๋Ÿผ ๋ณด์ด์ง€๋งŒ ์‚ฌ์‹ค์ด ์•„๋‹Œ ํ–‰๋™์„ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:21
Just like dance sequences in
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03:22
musicals, intimate movie scenes
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๋ฎค์ง€์ปฌ์˜ ๋Œ„์Šค ์‹œํ€€์Šค์ฒ˜๋Ÿผ ์นœ๋ฐ€ํ•œ ์˜ํ™” ์žฅ๋ฉด
03:24
are planned and choreographed
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03:26
beforehand so that the director,
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์€ ๊ฐ๋…,
03:28
film crew and, above all, the
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์ดฌ์˜ ์Šคํƒœํ”„, ๊ทธ๋ฆฌ๊ณ  ๋ฌด์—‡๋ณด๋‹ค
03:29
actors are comfortable with
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๋ฐฐ์šฐ๋“ค์ด ํŽธ์•ˆํ•˜๊ฒŒ
03:31
what's being filmed.
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์ดฌ์˜ํ•  ์ˆ˜ ์žˆ๋„๋ก ์‚ฌ์ „์— ๊ณ„ํš๋˜๊ณ  ์•ˆ๋ฌด๋ฉ๋‹ˆ๋‹ค.
03:32
But recent scandals about the
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๊ทธ๋Ÿฌ๋‚˜
03:34
on-set behaviour of some British
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์ผ๋ถ€ ์˜๊ตญ ๋ฐ ๋ฏธ๊ตญ ์˜ํ™” ๋ฐฐ์šฐ์˜ ์ดˆ๊ธฐ ํ–‰๋™์— ๋Œ€ํ•œ ์ตœ๊ทผ ์Šค์บ”๋“ค์€ ์ด๊ฒƒ์ด
03:36
and American film stars have
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03:38
highlighted how delicate
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์–ผ๋งˆ๋‚˜ ์„ฌ์„ธํ•œ ๊ท ํ˜•์ธ์ง€๋ฅผ ๊ฐ•์กฐํ–ˆ์Šต๋‹ˆ๋‹ค
03:39
a balance this is.
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.
03:42
Here's Ita O Brien again talking
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Ita O Brien์ด ๋‹ค์‹œ
03:43
to BBC World Service's, The
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BBC World Service์˜ The
03:45
Conversation, about the different
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Conversation๊ณผ ์ด์•ผ๊ธฐ๋ฅผ ๋‚˜๋ˆ„๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์˜๊ตญ๊ณผ ๋ฏธ๊ตญ์˜ ๋Œ€์„œ์–‘ ์–‘์ชฝ์—์„œ
03:47
ways that intimate scenes are
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์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์ด ์ดฌ์˜๋˜๋Š” ๋‹ค์–‘ํ•œ ๋ฐฉ์‹์— ๋Œ€ํ•ด ๋ง์ž…๋‹ˆ๋‹ค
03:48
filmed on either side of the
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03:50
Atlantic, in Britain and the US.
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.
03:54
With actors from the US, what they
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๋ฏธ๊ตญ์˜ ๋ฐฐ์šฐ๋“ค๊ณผ ํ•จ๊ป˜ ๊ทธ๋“ค์ด
03:56
do have, what they put in
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๊ฐ€์ง€๊ณ  ์žˆ๋Š” ๊ฒƒ, ๊ทธ๋“ค์ด ์ œ์ž๋ฆฌ์—
03:57
place is that with each and
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๋‘๋Š” ๊ฒƒ์€ ๊ฐ๊ฐ์˜
03:58
every intimate scene we create
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๋ชจ๋“  ์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์—์„œ ์šฐ๋ฆฌ๊ฐ€ ๋ชจ๋“  ์žฅ๋ฉด
04:01
a nudity / simulated sex waiver,
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์— ๋Œ€ํ•ด ๋ˆ„๋“œ/์‹œ๋ฎฌ๋ ˆ์ด์…˜๋œ ์„น์Šค ๋ฉด์ œ๋ฅผ ์ƒ์„ฑ
04:03
for each and every scene and I
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04:05
actually really like that way of
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ํ•œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ €๋Š” ์‹ค์ œ๋กœ ๊ทธ๋Ÿฌํ•œ ์ž‘์—… ๋ฐฉ์‹์„ ์ •๋ง ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค
04:07
working. In the UK actors are
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. ์˜๊ตญ์—์„œ ๋ฐฐ์šฐ๋“ค์€
04:09
asked to sign a nudity clause
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๊ณผ๋„ํ•œ ๋…ธ์ถœ ์กฐํ•ญ์— ์„œ๋ช…ํ•˜๋„๋ก ์š”์ฒญ
04:11
and generally that's an overall,
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๋ฐ›์œผ๋ฉฐ ์ผ๋ฐ˜์ ์œผ๋กœ
04:13
for the whole of a production.
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์ „์ฒด ํ”„๋กœ๋•์…˜์— ๋Œ€ํ•œ ์ „์ฒด ์กฐํ•ญ์ž…๋‹ˆ๋‹ค.
04:16
British actors sign only one
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์˜๊ตญ ๋ฐฐ์šฐ
04:17
document with a nudity clause
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04:19
to cover the whole film. But in
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๋“ค์€ ์˜ํ™” ์ „์ฒด๋ฅผ ๋‹ค๋ฃจ๊ธฐ ์œ„ํ•ด ๊ณผ๋„ํ•œ ๋…ธ์ถœ ์กฐํ•ญ์ด ํฌํ•จ๋œ ๋‹จ ํ•˜๋‚˜์˜ ๋ฌธ์„œ์— ์„œ๋ช…ํ•ฉ๋‹ˆ๋‹ค.
04:21
the US, actors sign a waiver -
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๊ทธ๋Ÿฌ๋‚˜ ๋ฏธ๊ตญ์—์„œ๋Š” ํ–‰์œ„์ž๊ฐ€ ์ผ๋ฐ˜์ ์œผ๋กœ ์ˆ˜ํ–‰๋˜๋Š” ๋ฐฉ์‹๊ณผ ๋‹ค๋ฅธ ํ–‰๋™
04:23
a legal document that allows or
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์„ ํ—ˆ์šฉํ•˜๊ฑฐ๋‚˜ ๊ธˆ์ง€ํ•˜๋Š” ๋ฒ•์  ๋ฌธ์„œ์ธ ํฌ๊ธฐ ๊ฐ์„œ์— ์„œ๋ช…ํ•ฉ๋‹ˆ๋‹ค
04:25
prevents an action that is
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04:26
different from how things
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04:28
are usually done.
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.
04:29
Ita thinks it's better if the actors
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Ita๋Š” ๋ฐฐ์šฐ๋“ค์ด
04:31
agree to each and every scene -
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๋ชจ๋“  ์žฅ๋ฉด์— ๋™์˜ํ•˜๋Š” ๊ฒƒ์ด ๋” ์ข‹๋‹ค๊ณ  ์ƒ๊ฐ
04:33
and she uses the phrase, 'each
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ํ•˜๊ณ  ๊ทธ๋…€๊ฐ€ ๋ชจ๋“  ์žฅ๋ฉด์„ ์˜๋ฏธํ•œ๋‹ค๋Š” ๊ฒƒ์„ ๊ฐ•์กฐํ•˜๊ธฐ ๋•Œ๋ฌธ์— '๊ฐ๊ฐ'์ด๋ผ๋Š” ๋ฌธ๊ตฌ๋ฅผ ์‚ฌ์šฉ
04:35
and every' because it emphasises
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04:37
that she means every single one.
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ํ•ฉ๋‹ˆ๋‹ค.
04:39
In this way there is no confusion
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์ด๋Ÿฐ ์‹
04:41
about what should or shouldn't
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04:43
happen on set, leaving the director
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์œผ๋กœ ์„ธํŠธ์žฅ์—์„œ ์ผ์–ด๋‚˜์•ผ ํ•  ์ผ๊ณผ ์ผ์–ด๋‚˜์ง€ ๋ง์•„์•ผ ํ•  ์ผ์— ๋Œ€ํ•œ ํ˜ผ๋ž€์ด ์—†์–ด ๊ฐ๋…
04:45
and actors free to make dramatic
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๊ณผ ๋ฐฐ์šฐ๊ฐ€ ๋“œ๋ผ๋งˆํ‹ฑ
04:47
and romantic blockbusters.
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ํ•˜๊ณ  ๋‚ญ๋งŒ์ ์ธ ๋ธ”๋ก๋ฒ„์Šคํ„ฐ๋ฅผ ์ž์œ ๋กญ๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:49
You mean like that famous
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๊ทธ ์œ ๋ช…ํ•œ
04:51
beach scene, kissing and
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ํ•ด๋ณ€ ์žฅ๋ฉด์ฒ˜๋Ÿผ, ํ‚ค์Šค
04:52
rolling in the waves, Neil?
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ํ•˜๊ณ  ํŒŒ๋„์—์„œ ๊ตด๋Ÿฌ๋‹ค๋‹ˆ๋Š” ๊ฑฐ ๋ง์ด์—์š”, ๋‹?
04:54
Ah, you mean my quiz question
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์•„,
04:56
when I asked you: What was the
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๋‚ด๊ฐ€ ๋‹น์‹ ์—๊ฒŒ ์งˆ๋ฌธํ–ˆ์„ ๋•Œ ๋‚ด ํ€ด์ฆˆ ์งˆ๋ฌธ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๊นŒ?
04:57
name of the 1953 movie
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04:59
featuring a famous beach kiss
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05:01
between movie stars Burt
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์˜ํ™” ๋ฐฐ์šฐ Burt
05:02
Lancaster and Deborah Kerr?
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Lancaster์™€ Deborah Kerr ์‚ฌ์ด์˜ ์œ ๋ช…ํ•œ ํ•ด๋ณ€ ํ‚ค์Šค๋ฅผ ๋‹ค๋ฃฌ 1953๋…„ ์˜ํ™”์˜ ์ด๋ฆ„์€ ๋ฌด์—‡์ž…๋‹ˆ๊นŒ?
05:05
What did you say, Georgina?
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๋ญ๋ผ๊ณ  ํ–ˆ์–ด, ์กฐ์ง€๋‚˜?
05:06
I said it was b) From Here to Eternity.
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b) ์—ฌ๊ธฐ์—์„œ ์˜์›๊นŒ์ง€.
05:09
Which is the right answer! Well done,
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์ •๋‹ต์€ ๋ฌด์—‡์ž…๋‹ˆ๊นŒ! ์ž˜ํ–ˆ์–ด,
05:12
Georgina - so you do like classic
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Georgina -
05:14
black-and-white movies after all!
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๊ฒฐ๊ตญ ๊ณ ์ „ ํ‘๋ฐฑ ์˜ํ™”๋ฅผ ์ข‹์•„ํ•˜๋Š”๊ตฌ๋‚˜!
05:16
Not really, Neil, but I remember my
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๊ทธ๋ ‡์ง€๋Š” ์•Š์•„์š”, ๋‹. ํ•˜์ง€๋งŒ ํ• ์•„๋ฒ„์ง€๊ฐ€ ๊ทธ๊ฑธ ๋ณด์…จ๋˜ ๊ธฐ์–ต์ด ๋‚˜์š”
05:18
grandad watching it! OK, let's recap
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! ์ข‹์•„์š”, ์นœ๋ฐ€๊ฐ์— ๋Œ€ํ•œ
05:20
the vocabulary from this
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์ด ํ”„๋กœ๊ทธ๋žจ์˜ ์–ดํœ˜๋ฅผ ์š”์•ฝํ•ด ๋ด…์‹œ๋‹ค
05:22
programme about intimacy -
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05:23
a close romantic or
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- ์นœ๋ฐ€ํ•œ ๋กœ๋งจํ‹ฑ ๋˜๋Š”
05:25
sexual relationship.
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์„ฑ์  ๊ด€๊ณ„.
05:26
A blockbuster is a very popular
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๋ธ”๋ก๋ฒ„์Šคํ„ฐ๋Š” ๋งค์šฐ ์ธ๊ธฐ
05:28
and successful movie or a
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์žˆ๊ณ  ์„ฑ๊ณต์ ์ธ ์˜ํ™” ๋˜๋Š”
05:30
book that sells many copies.
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๋งŽ์€ ์‚ฌ๋ณธ์ด ํŒ๋งค๋˜๋Š” ์ฑ…์ž…๋‹ˆ๋‹ค.
05:32
If you stroke someone's face,
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๋ˆ„๊ตฐ๊ฐ€์˜ ์–ผ๊ตด
05:34
you touch it gently in
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์„ ์“ฐ๋‹ค๋“ฌ์œผ๋ฉด ๊ธฐ๋ถ„ ์ข‹๊ฒŒ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ๋งŒ์ง€๋Š”
05:35
a pleasurable way.
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๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:37
To simulate means to do
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์‹œ๋ฎฌ๋ ˆ์ดํŠธํ•œ๋‹ค๋Š” ๊ฒƒ์€
05:38
or make something that
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05:40
looks real but is not.
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์‹ค์ œ์ฒ˜๋Ÿผ ๋ณด์ด์ง€๋งŒ ์‹ค์ œ๊ฐ€ ์•„๋‹Œ ๊ฒƒ์„ ์ˆ˜ํ–‰ํ•˜๊ฑฐ๋‚˜ ๋งŒ๋“œ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
05:42
In the US, a waiver is a legal
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๋ฏธ๊ตญ์—์„œ ๋ฉด์ œ
05:44
document to either allow or
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05:46
prevent something being done
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05:47
in a different way from usual.
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๋Š” ํ‰์†Œ์™€ ๋‹ค๋ฅธ ๋ฐฉ์‹์œผ๋กœ ์ˆ˜ํ–‰๋˜๋Š” ๊ฒƒ์„ ํ—ˆ์šฉํ•˜๊ฑฐ๋‚˜ ๋ฐฉ์ง€ํ•˜๋Š” ๋ฒ•์  ๋ฌธ์„œ์ž…๋‹ˆ๋‹ค.
05:49
And you can use the phrase,
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๊ทธ๋ฆฌ๊ณ  each and every๋ผ๋Š” ๋ฌธ๊ตฌ๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌด์–ธ๊ฐ€์˜
05:51
each and every to emphasise
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05:52
that you mean every single
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๋ชจ๋“  ๊ฒƒ์„ ์˜๋ฏธํ•œ๋‹ค๋Š” ๊ฒƒ์„ ๊ฐ•์กฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
05:54
one of something.
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.
05:55
That's all for this romantic
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6 Minute English์˜ ์ด ๋‚ญ๋งŒ์ ์ธ
05:57
edition of 6 Minute English
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์—๋””์…˜์€
05:58
but join us here again soon
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์—ฌ๊ธฐ๊นŒ์ง€
06:00
for more topical chat
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์ž…๋‹ˆ๋‹ค. ๋” ๋งŽ์€ ์ฃผ์ œ๋ณ„ ์ฑ„ํŒ…
06:02
and useful vocabulary.
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๊ณผ ์œ ์šฉํ•œ ์–ดํœ˜๋ฅผ ์œ„ํ•ด ๊ณง ๋‹ค์‹œ ์—ฌ๊ธฐ์— ์ฐธ์—ฌํ•˜์„ธ์š”.
06:03
Bye for now!
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์ง€๊ธˆ์€ ์•ˆ๋…•!
06:04
Bye!
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์•ˆ๋…•!
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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