Michael Moschen: Juggling rhythm and motion

183,588 views ใƒป 2008-05-12

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Chihyun Moon ๊ฒ€ํ† : InHyuk Song
00:19
I started juggling a long time ago,
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์ „ ์ €๊ธ€๋ง์„ ์˜ค๋ž˜์ „์— ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค
00:21
but long before that, I was a golfer, and that's what I was, a golfer.
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๊ทธ ์ „์—๋Š” ๊ณจํ”„์„ ์ˆ˜์˜€๊ตฌ์š”
00:27
And as a golfer and as a kid,
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ํ’‹๋‚ด๊ธฐ ๊ณจํ”„์„ ์ˆ˜๋กœ์„œ
00:31
one of the things that really sort of seeped into my pores,
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์ œ ๋•€๊ตฌ๋ฉ์œผ๋กœ ์Šค๋ฉฐ๋“ค์—ˆ๋˜ ๊ฒƒ์€
00:34
that I sort of lived my whole life, is process.
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๋งํ•˜์ž๋ฉด ์ผ์ข…์˜ '๊ณผ์ •'์ž…๋‹ˆ๋‹ค
00:37
And it's the process of learning things.
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ํ•™์Šต์˜ ๊ณผ์ •์ด์ฃ 
00:39
One of the great things was that my father was an avid golfer, but he was lefty.
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์•„๋ฒ„์ง€๋Š” ๋Œ€๋‹จํžˆ ์—ด์„ฑ์ ์ธ ๊ณจํผ์…จ๋Š”๋ฐ, ์ขŒ์ต์ด์…จ์ฃ 
00:43
And he had a real passion for golf,
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๊ทธ๋ถ„์€ ๊ณจํ”„์— ์ง„์ •ํ•œ ์—ด์ •์„ ๊ฐ–๊ณ  ๊ณ„์…จ๊ณ 
00:45
and he also created this whole mythology
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๋ฒค ํ˜ธ๊ฐ„๊ณผ ๋‹ค์–‘ํ•œ ์ผ๋“ค์— ๋Œ€ํ•œ
00:48
about Ben Hogan and various things.
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์ด ๋ชจ๋“  ์‹ ํ™”๋ฅผ ๋งŒ๋“ค์–ด ๋‚ด์…จ์ฃ 
00:50
Well, I learned a lot about interesting things
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์ €๋Š” ์žฌ๋ฏธ์žˆ๋Š” ๊ฒƒ๋“ค์„ ๋งŽ์ด ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค
00:52
that I knew nothing about at the time, but grew to know stuff about.
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ํ•œ๋ฒˆ์— ์•Œ ์ˆ˜๋Š” ์—†๋‹ค๋Š” ์ ๊ณผ ์ ์  ์•Œ๊ฒŒ ๋œ๋‹ค๋Š” ๊ฒƒ์„์š”
00:56
And that was the mythology of skill.
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๊ทธ๊ฑด ๊ธฐ์ˆ ์— ๊ด€ํ•œ ์‹ ํ™”์˜€์Šต๋‹ˆ๋‹ค
00:59
So, one of the things that I love to do is to explore skill.
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ ์ข‹์•„ํ•˜๋Š” ๊ฒƒ์€ ๊ธฐ์ˆ ์„ ํƒ๊ตฌํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
01:02
And since Richard put me on this whole thing with music --
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๋ฆฌ์ฐจ๋“œ๋Š” ์ด ๋ชจ๋“  ๊ฒƒ์— ์Œ์•…์„ ๋”ํ•ด์คฌ๊ณ 
01:06
I'm supposed to actually be doing a project with Tod Machover
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๊ทธ๋ž˜์„œ MIT ๋ฏธ๋””์–ด ๋žฉ์˜ ํ† ๋“œ ๋งค์ฝ”๋ฒ„ ๊ต์ˆ˜์™€
01:09
with the MIT Media Lab -- it relates a lot to music.
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์Œ์•…๊ณผ ๊ด€๋ จํ•œ ํ”„๋กœ์ ํŠธ๋ฅผ ์ง„ํ–‰ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
01:11
But Tod couldn't come and the project is sort of somewhere,
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ํ† ๋“œ๋Š” ์˜ฌ ์ˆ˜ ์—†์—ˆ๊ตฌ์š”, ํ”„๋กœ์ ํŠธ๋Š” ์–ด๋”˜๊ฐ€์— ์žˆ๋Š”๋ฐ
01:14
I'm not sure whether it's happening the way we thought, or not.
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์šฐ๋ฆฌ๊ฐ€ ์ƒ๊ฐํ–ˆ๋˜ ๋ฐฉํ–ฅ์œผ๋กœ ๊ฐ€๋Š”์ง€ ์ž˜ ๋ชจ๋ฅด๊ฒ ์Šต๋‹ˆ๋‹ค
01:17
But I'm going to explore skill, and juggling,
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ํ•˜์ง€๋งŒ ์ €๋Š” ๊ธฐ์ˆ ๊ณผ ์ €๊ธ€๋ง, ๊ทธ๋ฆฌ๊ณ  ๋น„์ฅฌ์–ผ ๋ฎค์ง์— ๋Œ€ํ•œ
01:21
and basically visual music, I guess.
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ํƒ๊ตฌ๋ฅผ ๊ณ„์†ํ•  ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค
01:28
OK, you can start the music, thanks.
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OK, ์Œ์•… ํ‹€์–ด์ฃผ์„ธ์š”. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
01:30
(Music)
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(์Œ์•…)
04:28
(Applause)
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(๋ฐ•์ˆ˜)
04:31
Thanks. Thank you. Now, juggling can be a lot of fun;
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ์ €๊ธ€๋ง์€ ์ƒ๋‹นํžˆ ์žฌ๋ฏธ์žˆ๋Š”๋ฐ์š”
04:40
play with skill and play with space, play with rhythm.
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๊ธฐ์ˆ ๊ณผ ๊ณต๊ฐ„๊ณผ ๋ฆฌ๋“ฌ์„ ๋‹ค๋ฃจ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
04:44
And you can turn the mike on now. I'm going to do a couple of pieces.
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๋งˆ์ดํฌ ๊บผ์ฃผ์‹œ๋ฉด ๋˜๊ตฌ์š”, ๋ช‡๊ฐ€์ง€๋ฅผ ํ•  ๊ฒ๋‹ˆ๋‹ค
04:47
I do a big piece in a triangle
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ํฐ ์‚ผ๊ฐํ˜•์—์„œ ์ €๊ธ€๋ง๋„ ํ•˜๊ตฌ์š”
04:50
and these are three sections from it.
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์„ธ๊ฐ€์ง€ ์„น์…˜์œผ๋กœ ์ง„ํ–‰ํ•  ๊ฑด๋ฐ
04:52
Part of the challenge was to try to understand rhythm and space
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๋„์ „ ์„น์…˜์—์„œ๋Š” ๋ฆฌ๋“ฌ๊ณผ ๊ณต๊ฐ„์˜ ์ดํ•ด๋ฅผ ๋‹ค๋ฃฐ ๊ฑฐ๊ณ 
04:55
using not just my hands -- because a lot of juggling is hand-oriented --
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์†๋งŒ ์‚ฌ์šฉํ•˜๋Š” ๊ฒŒ ์•„๋‹ˆ๋ผ, ์™œ๋ƒํ•˜๋ฉด ๋Œ€๊ฐœ์˜ ์ €๊ธ€๋ง์€ ์† ์œ„์ฃผ์ง€์š”
04:59
but using the rhythm of my body and feet,
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์ œ ๋ชธ๊ณผ ๋‹ค๋ฆฌ์˜ ๋ฆฌ๋“ฌ์„ ์‚ฌ์šฉํ•  ๊ฒ๋‹ˆ๋‹ค
05:01
and controlling the balls with my feet.
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๋‹ค๋ฆฌ๋กœ ๊ณต์„ ๋‹ค๋ฃจ๊ธฐ๋„ ํ•˜๊ตฌ์š”
06:22
(Applause)
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(๋ฐ•์ˆ˜)
06:27
Thanks. Now, this next section was an attempt to explore space.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๋‹ค์Œ์€ ๊ณต๊ฐ„์— ๋Œ€ํ•œ ํƒ๊ตฌ๋ฅผ ์‹œ๋„ํ•ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค
06:35
You see, I think Richard said something about people that are against something.
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์•„์‹œ๋‹ค์‹œํ”ผ ๋ฆฌ์ฐจ๋“œ๋Š” ์‚ฌ๋žŒ๋“ค์ด ์‚ฌ๋ฌผ์— ์ €ํ•ญํ•œ๋‹ค๊ณ  ํ–ˆ์ฃ 
06:39
Well, a lot of people think jugglers defy gravity or do stuff.
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๋งŽ์€ ์‚ฌ๋žŒ๋“ค์€ ์ €๊ธ€๋Ÿฌ๊ฐ€ ์ค‘๋ ฅ์— ๋„์ „ํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค
06:45
Well, I kind of, from my childhood and golf and all that,
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์ œ ๊ฒฝ์šฐ์—๋Š” ์œ ๋…„์‹œ์ ˆ, ๊ณจํผ์‹œ์ ˆ ๋“ฑ ๋ชจ๋“  ์‹œ๊ฐ„์ด
06:48
it's a process of joining with forces.
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๋ฌผ๋ฆฌ๋ ฅ๊ณผ ๊ฒฐํ•ฉํ•ด๊ฐ€๋Š” ๊ณผ์ •์ด์—ˆ์Šต๋‹ˆ๋‹ค
06:51
And so what I'd like to do is try to figure out
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์ €๋Š” ๊ธฐ์ˆ ์„ ํ†ตํ•ด์„œ
06:52
how to join with the space through the technique.
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๊ณต๊ฐ„๊ณผ ํ•˜๋‚˜๋˜๋Š” ๋ฐฉ๋ฒ•์„ ํ„ฐ๋“ํ•˜๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค
06:55
So juggling gravity -- up, down.
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์ค‘๋ ฅ์— ๋”ฐ๋ผ ์ €๊ธ€๋ง์„ ํ•ฉ๋‹ˆ๋‹ค. ์œ„ ์•„๋ž˜๋กœ
07:00
If you figure out what up and down really are,
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์—ฌ๋Ÿฌ๋ถ„์ด ์œ„ ์•„๋ž˜์˜ ์ง„์ •ํ•œ ์˜๋ฏธ๋ฅผ ์•Œ๊ฒŒ๋˜๋ฉด
07:07
it's a complex physical set of skills
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๊ทธ๊ฑด ๊ณต์„ ์œ„ ์•„๋ž˜ ๋“ฑ์œผ๋กœ ๋˜์งˆ ์ˆ˜ ์žˆ๋Š”
07:09
to be able to throw a ball down and up and everything,
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๋ณต์žกํ•œ ๋ฌผ๋ฆฌ์  ๊ธฐ์ˆ ์˜ ์ง‘ํ•ฉ์ด ๋ฉ๋‹ˆ๋‹ค
07:12
but then you add in sideways.
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๊ทธ๋ฆฌ๊ณ ๋Š” ์ขŒ์šฐ๋ฐฉํ–ฅ์„ ์ถ”๊ฐ€ํ•˜๊ฒŒ ๋˜์ฃ 
07:37
(Applause)
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(๋ฐ•์ˆ˜)
07:43
Now, I look at it somewhat as a way -- when you learn juggling
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์ž, ์ด์ œ ์—ฌ๋Ÿฌ๋ถ„์ด ์ €๊ธ€๋ง์„ ๋ฐฐ์šด๋‹ค๋Š” ๊ด€์ ์—์„œ ์ œ๊ฐ€ ํ•ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค
07:48
what you learn is how to feel with your eyes, and see with your hands
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์—ฌ๋Ÿฌ๋ถ„์€ ๋ˆˆ์œผ๋กœ ๋Š๋ผ๋Š” ๋ฐฉ๋ฒ•๊ณผ ์†์œผ๋กœ ๋ณด๋Š” ๋ฐฉ๋ฒ•์„ ๋ฐฐ์šฐ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
07:52
because you're not looking at your hands,
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์™œ๋ƒํ•˜๋ฉด ์—ฌ๋Ÿฌ๋ถ„์€ ์†์„ ๋ณด๋Š”๊ฒŒ ์•„๋‹ˆ๋ผ
07:54
you're looking at where the balls are or you're looking at the audience.
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๊ณต์˜ ์œ„์น˜์™€ ์ฒญ์ค‘์„ ๋ณด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค
07:57
So this next part is really a way of understanding space and rhythm,
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์ž ๋‹ค์Œ์€ ๋‹ค๋ฆฌ๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๋ช…๋ฐฑํ•œ ์‚ฌ๋ก€๋ฅผ ํ†ตํ•œ
08:02
with the obvious reference to the feet,
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๊ณต๊ฐ„๊ณผ ๋ฆฌ๋“ฌ์„ ์ดํ•ดํ•˜๋Š” ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค
08:04
but it's also time -- where the feet were, where the balls were.
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๋ฐœ์ด ์žˆ์—ˆ๋˜, ๊ณต์ด ์žˆ์—ˆ๋˜ ์‹œ๊ฐ„์ด๊ธฐ๋„ ํ•˜์ฃ 
09:25
(Applause)
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(๋ฐ•์ˆ˜)
09:35
Thanks. So, visual music: rhythm and complexity.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๋น„์ฅฌ์–ผ ๋ฎค์ง, ๋ฆฌ๋“ฌ๊ณผ ๋ณต์žก์„ฑ์ž…๋‹ˆ๋‹ค
09:40
I'm going to build towards complexity now.
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์ด์ œ ๋ณต์žก์„ฑ์„ ํ–ฅํ•ด ๊ฐ€๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค
09:42
Juggling three balls is simple and normal.
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๊ณต 3๊ฐœ๋ฅผ ์ €๊ธ€๋งํ•˜๋Š” ๊ฑด ์‰ฝ๊ณ  ํ‰๋ฒ”ํ•ฉ๋‹ˆ๋‹ค
09:46
(Laughter)
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(์›ƒ์Œ)
09:48
Excuse me.
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์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค
09:50
(Laughter)
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(์›ƒ์Œ)
09:52
We're jugglers, OK. And remember, you're transposing,
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์šฐ๋ฆฌ๋Š” ์ €๊ธ€๋Ÿฌ์ž…๋‹ˆ๋‹ค. ๊ธฐ์–ตํ•˜์„ธ์š”
09:55
you're getting into a subculture here.
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์—ฌ๋Ÿฌ๋ถ„์€ ์ง€๊ธˆ ์ €๊ธ€๋Ÿฌ์˜ ์„ธ๊ณ„์— ๋ฐœ์„ ๋“ค์—ฌ๋†“๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
09:57
(Laughter)
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์—ฌ๋Ÿฌ๋ถ„์€ ์ง€๊ธˆ ์ €๊ธ€๋Ÿฌ์˜ ์„ธ๊ณ„์— ๋ฐœ์„ ๋“ค์—ฌ๋†“๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
09:58
And juggling -- the balls cross and all that.
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๊ณต์„ ๊ต์ฐจํ•˜๊ธฐ๋„ ํ•˜์ฃ 
10:01
OK, if you keep them in their assigned paths you get parallel lines
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๊ณต์„ ์ •ํ•ด์ง„ ๊ฒฝ๋กœ๋กœ๋งŒ ๋˜์ง„๋‹ค๋ฉด ํ‰ํ–‰ํ•œ ์„ ์„ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
10:05
of different heights, but then hopefully even rhythm.
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๋‹ค๋ฅธ ๋†’์ด, ๊ณ ๋ฅธ ๋ฆฌ๋“ฌ์„ ๋งŒ๋“ค ์ˆ˜๋„ ์žˆ๊ฒ ์ฃ 
10:08
And you can change the rhythm -- good, Michael.
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๋ฆฌ๋“ฌ์„ ๋ฐ”๊ฟ€ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
10:12
You can change the rhythm, if you get out of the lights.
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๋ฆฌ๋“ฌ์„ ๋ฐ”๊ฟ€ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
10:14
OK? Change the rhythm, so it's even.
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๋ฆฌ๋“ฌ์„ ๋ฐ”๊ฟ”๋„ ์•ˆ์ •์ ์ž…๋‹ˆ๋‹ค
10:18
Or you can go back and change the height. Now, skill.
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๋‹ค์‹œ ๋Œ์•„๊ฐ€์„œ ๋†’์ด๋ฅผ ๋ณ€ํ™”์‹œํ‚ฌ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
10:24
But you're boxed in, if you can only do it up and down that way.
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์œ„์•„๋ž˜๋กœ๋งŒ ํ•˜๋ฉด ํ•œ๊ณ„์— ๋ถ€๋”ชํž™๋‹ˆ๋‹ค
10:28
So, you've got to go after the space down there.
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๊ทธ๋ž˜์„œ ์ €๊ธฐ ์•„๋ž˜ ๊ณต๊ฐ„์œผ๋กœ ๊ฐ€์•ผ ๋ฉ๋‹ˆ๋‹ค
10:37
OK, then you've got to combine them,
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๊ทธ๋ฆฌ๊ณ ๋Š” ์ด ๋‘˜์„ ๊ฒฐํ•ฉํ•ฉ๋‹ˆ๋‹ค
10:40
because then you have the whole spatial palette in front of you.
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๊ทธ๋ž˜์•ผ ๋‹น์‹  ์•ž์˜ ๋ชจ๋“  ๊ณต๊ฐ„์ ์ธ ํŒ”๋ ˆํŠธ๋ฅผ ๊ฐ–๊ฒŒ ๋˜๊ธฐ ๋•Œ๋ฌธ์ด์ฃ 
10:49
And then you get crazy.
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๊ทธ๋ฆฌ๊ณ ๋Š” ๋ฏธ์น˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
10:59
(Applause)
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(๋ฐ•์ˆ˜)
11:03
Now, I'm actually going to ask you to try something,
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์ž, ์ด์ œ ๋ญ”๊ฐ€ ํ•ด๋ด…์‹œ๋‹ค
11:07
so you've got to pay attention. Complexity:
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์ง‘์ค‘ํ•ด์ฃผ์„ธ์š”
11:10
if you spend enough time doing something, time slows down
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์—ฌ๋Ÿฌ๋ถ„์ด ์ถฉ๋ถ„ํ•œ ์‹œ๊ฐ„์„ ๋“ค์ด๋ฉด, ์‹œ๊ฐ„์ด ์ฒœ์ฒœํžˆ ํ๋ฅด๊ณ 
11:14
or your skill increases, so your perceptions change.
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๊ธฐ์ˆ ์ด ํ–ฅ์ƒ๋˜๋ฉด์„œ ์ธ์‹์— ๋ณ€ํ™”๊ฐ€ ์ƒ๊น๋‹ˆ๋‹ค
11:17
It's learning skills -- like being in a high-speed car crash.
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๊ณ ์†์ฃผํ–‰ ์ฐจ๋Ÿ‰์ด ์ถฉ๋Œํ•˜๋Š” ๋“ฏํ•œ ๊ธฐ์ˆ ์„ ๋ฐฐ์šฐ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
11:21
Things slow down as you learn, as you learn, as you learn.
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๋ฐฐ์›€์ด ๋Š˜๋ฉด์„œ ์‚ฌ๋ฌผ๋“ค์€ ๋Š๋ ค์ง‘๋‹ˆ๋‹ค
11:24
You may not be able to affect it, it almost drifts on you. It goes.
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์—ฌ๋Ÿฌ๋ถ„์ด ์‚ฌ๋ฌผ์— ์˜ํ–ฅ์„ ๋ฏธ์น  ์ˆ˜๋Š” ์—†๊ณ  ์‚ฌ๋ฌผ์ด ๋‹น์‹ ์—๊ฒŒ์„œ ์ฒœ์ฒœํžˆ ์›€์ง์ž…๋‹ˆ๋‹ค
11:28
But that's the closest approximation I can have to it.
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์ œ๊ฐ€ ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฐ€์žฅ ๊ทผ์ ‘ํ•œ ํ‘œํ˜„์ž…๋‹ˆ๋‹ค
11:31
So, complexity. Now, how many here are jugglers?
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๋ณต์žก์„ฑ. ์ž, ์—ฌ๊ธฐ ์ €๊ธ€๋Ÿฌ๊ฐ€ ๋ช‡ ๋ช… ์žˆ๋‚˜์š”?
11:37
OK, so most of you are going to have a similar reaction to this.
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์—ฌ๋Ÿฌ๋ถ„ ๋Œ€๋ถ€๋ถ„์€ ์ด์— ๋Œ€ํ•ด ๋น„์Šทํ•œ ๋ฐ˜์‘์„ ๋ณด์ผ ๊ฒ๋‹ˆ๋‹ค
11:48
OK? And whoever laughed there --
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๊ฑฐ๊ธฐ ์›ƒ์œผ์‹  ๋ถ„์€
11:50
you understood it completely, right?
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์™„๋ฒฝํ•˜๊ฒŒ ์ดํ•ดํ•˜์…จ์ฃ  ๊ทธ์ฃ ?
11:52
(Laughter)
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(์›ƒ์Œ)
11:54
No, it looks like a mess. It looks like a mess with a guy there,
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์•„๋‹ˆ๋ผ๊ตฌ์š”? ์—‰๋ง๊ฐ™์ด ๋ณด์ด์ฃ 
11:57
who's got his hands around that mess, OK.
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์—‰๋ง์ธ ๊ฒƒ๋“ค์— ์†์„ ๋‘๊ณ  ์žˆ๋Š” ์‚ฌ๋žŒ์ฒ˜๋Ÿผ ๋ณด์ผ ๊ฒ๋‹ˆ๋‹ค
12:00
Well, that's what juggling is about, right?
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์ด๊ฒŒ ์ €๊ธ€๋ง์ด์ฃ  ๊ทธ์ฃ ?
12:02
It's being able to do something that other people can't do or can't understand.
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๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์€ ์ดํ•ดํ•˜๊ฑฐ๋‚˜ ๋”ฐ๋ผ ํ•˜๋Š”๊ฒŒ ๋ถˆ๊ฐ€๋Šฅํ•œ ๊ฒƒ๋“ค์„ ํ•˜๋Š” ๊ฒ๋‹ˆ๋‹ค
12:06
All right. So, that's one way of doing it, which is five balls down.
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์ข‹์•„์š”. 5๊ฐœ ๊ณต์œผ๋กœ ํ•˜๋Š” ๋ฐฉ๋ฒ• ์ค‘์˜ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค
12:09
OK? Another way is the outside.
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๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์€ ๋ฐ”๊นฅ์ชฝ์œผ๋กœ ํ•˜๋Š” ๊ฑฐ์ฃ 
12:14
And you could play with the rhythm.
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๋ฆฌ๋“ฌ์„ ๋งž์ถฐ ํ•  ์ˆ˜ ์žˆ๋„ ์žˆ๊ตฌ์š”
12:18
Same pattern.
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๊ฐ™์€ ๋ชจ์–‘์œผ๋กœ
12:21
Make it faster and smaller.
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๋” ๋นจ๋ฆฌ ์ž‘๊ฒŒ ํ•˜์„ธ์š”
12:24
Make it wider.
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๋„“ํžˆ๊ณ 
12:27
Make it narrower.
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์ขํ˜€์„œ ํ•˜์„ธ์š”
12:32
Bring it back up.
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๋‹ค์‹œ ๋Œ์•„์˜ต๋‹ˆ๋‹ค
12:35
OK. It's done. Thanks.
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๋„ค, ๋์Šต๋‹ˆ๋‹ค. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
12:38
(Applause)
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(๋ฐ•์ˆ˜)
12:41
Now, what I wanted to get to is that you're all very bright, very tactile.
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์—ฌ๋Ÿฌ๋ถ„์€ ๋ชจ๋‘ ์ฐธ ์˜๋ฆฌํ•˜๊ณ  ์ด‰๊ฐ๋„ ๋ฐœ๋‹ฌํ–ˆ๊ตฐ์š”
12:48
I have no idea how computer-oriented or three-dimensionally-oriented you are,
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์—ฌ๋Ÿฌ๋ถ„์ด ์–ผ๋‚˜๋งˆ ์ปดํ“จํ„ฐ๋‚˜ 3์ฐจ์›์— ๊ธฐ๋ฐ˜ํ•œ์ง€ ๋ชจ๋ฅด๊ฒ ์ง€๋งŒ
12:53
but let's try something.
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๋˜ ๋‹ค๋ฅธ ๊ฑธ ์‹œ๋„ํ•ด๋ณด์ฃ 
12:55
OK, so since you all don't understand what the five-ball pattern is,
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์—ฌ๋Ÿฌ๋ถ„ ๋ชจ๋‘๊ฐ€ ๋‹ค์„ฏ๊ฐœ ๊ณต์ด ๋งŒ๋“œ๋Š” ํŒจํ„ด์„ ์ดํ•ดํ•˜์ง€๋Š” ๋ชปํ• ํ…Œ๋‹ˆ
13:01
I'm going to give you a little clue.
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ํžŒํŠธ๋ฅผ ์กฐ๊ธˆ ๋“œ๋ฆฌ์ง€์š”
13:14
Enough of a clue? So, you get the pattern, right? OK.
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์ถฉ๋ถ„ํ•œ ํžŒํŠธ์ง€์š”? ์ž ์ด์ œ ํŒจํ„ด์„ ์•„์…จ์ง€์š”? ๊ทธ์ฃ ?
13:18
(Laughter)
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(์›ƒ์Œ)
13:21
You're not getting off that easy. All right?
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์‰ฝ๊ฒŒ ์ดํ•ดํ•˜์‹œ๊ธฐ ํž˜๋“ค๊ฒ๋‹ˆ๋‹ค. ๋งž์ฃ ?
13:26
Now, do me a favor: follow the ball that I ask you to follow.
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๋ถ€ํƒ๋“œ๋ฆฝ๋‹ˆ๋‹ค. ์ œ๊ฐ€ ๋”ฐ๋ผ๊ฐ€๋ผ๊ณ  ํ•˜๋Š” ๊ณต์„ ๋”ฐ๋ผ๊ฐ€์„ธ์š”
13:31
Green.
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๋…น์ƒ‰
13:33
Yellow.
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๋…ธ๋ž€์ƒ‰
13:35
Pink.
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๋ถ„ํ™์ƒ‰
13:37
White.
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ํฐ์ƒ‰
13:40
OK, you can do that? Yeah? OK.
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ํ•  ์ˆ˜ ์žˆ์ฃ ?
13:43
Now, let's actually learn something.
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์ž, ์ด์ œ ๋ญ”๊ฐ€ ์ •๋ง ๋ฐฐ์›Œ๋ด…์‹œ๋‹ค
13:46
Actually, let me put you in that area of learning, which is very insecure.
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์‚ฌ์‹ค ์ด ๋ถ€๋ถ„์„ ์•Œ๋ ค๋“œ๋ฆฌ๋Š” ๊ฒƒ์€ ์ž์‹ ์ด ์—†๋„ค์š”
13:51
You want to do it? Yeah? OK.
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๋ฐฐ์šฐ๊ธธ ์›ํ•˜์„ธ์š”? ์ข‹์Šต๋‹ˆ๋‹ค
13:55
Hands out in front of you. Palms up, together.
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์†์„ ์•ž์œผ๋กœ ์†๋ฐ”๋‹ฅ์€ ์œ„๋กœ, ์ž ๋ชจ๋‘์š”
14:00
What you're going to learn is this.
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์—ฌ๋Ÿฌ๋ถ„์ด ๋ฐฐ์šธ ๊ฒƒ์€ ์ด๊ฒ๋‹ˆ๋‹ค
14:03
(Laughter)
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(์›ƒ์Œ)
14:05
OK? So what I want you to do is just listen to me and do it.
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๋์ฃ ? ์—ฌ๋Ÿฌ๋ถ„์€ ๋‹จ์ง€ ์ž˜ ๋“ค์œผ์‹œ๊ณ  ๊ทธ๋Œ€๋กœ ํ•˜์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค
14:09
Index finger, middle finger, ring, little.
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์ง‘๊ฒŒ์†๊ฐ€๋ฝ, ์ค‘์ง€, ์•ฝ์ง€, ์ƒˆ๋ผ์†๊ฐ€๋ฝ
14:12
Little, ring, middle, index. And then open.
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์ƒˆ๋ผ์†๊ฐ€๋ฝ, ์•ฝ์ง€, ์ค‘์ง€, ์ง‘๊ฒŒ์†๊ฐ€๋ฝ, ๊ทธ๋ฆฌ๊ณ  ํ…๋‹ˆ๋‹ค
14:16
Finger, finger, finger, finger, finger, finger, finger, finger.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ...
14:20
A little bit faster.
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์กฐ๊ธˆ ๋น ๋ฅด๊ฒŒ
14:22
Finger, finger, finger, finger, finger, finger, finger, finger.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ...
14:24
Finger, finger, finger, finger, finger, finger, finger, finger.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ...
14:28
(Laughter)
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(์›ƒ์Œ)
14:29
All right. A lot of different learning processes going on in here.
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์ข‹์Šต๋‹ˆ๋‹ค. ๋‹ค์–‘ํ•œ ํ•™์Šต ๊ณผ์ •์ด ๋ณด์ด๋Š” ๊ตฐ์š”
14:33
(Laughter)
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(์›ƒ์Œ)
14:35
One learning process that I see is this --
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์ œ๊ฐ€ ๋ณด๋Š” ํ•œ๊ฐ€์ง€ ํ•™์Šต ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค
14:38
(Laughter)
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(์›ƒ์Œ)
14:40
OK. Another learning process that I see is this --
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๋‹ค๋ฅธ ํ•™์Šต ๋ฐฉ๋ฒ•์€ ์ด๋ ‡๊ตฐ์š”
14:45
(Laughter)
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(์›ƒ์Œ)
14:48
OK. So, everybody take a deep breath in, breath out. OK.
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์ข‹์•„์š”, ๋ชจ๋‘ ์ˆจ์„ ๊นŠ๊ฒŒ ๋“ค์ด ์‰ฌ๊ณ  ๋‚ด์‰ฌ์„ธ์š”
14:53
Now, one more time, and --
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ํ•œ๋ฒˆ ๋” ํ•˜์‹œ๊ณ 
14:55
finger, finger, finger, finger, finger, finger, finger, finger. Open.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ...ํŽด์„ธ์š”
14:59
Finger, finger, finger, finger, finger, finger, finger, finger. OK.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ...์ข‹์Šต๋‹ˆ๋‹ค
15:02
Shake your hands out.
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์†์„ ํ„ธ์–ด๋ฒ„๋ฆฌ์„ธ์š”
15:04
Now, I assume a lot of you spend a lot of time at a computer.
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์•„๋งˆ๋„ ์—ฌ๋Ÿฌ๋ถ„์€ ๋งŽ์€ ์‹œ๊ฐ„์„ ์ปดํ“จํ„ฐ์™€ ๋ณด๋‚ด์‹œ์ฃ ?
15:07
OK? So, what you're doing is, you're going la, la, la,
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์ด์ œ ์—ฌ๋Ÿฌ๋ถ„์ด ํ•  ๊ฒƒ์€,
15:10
and you're getting this. OK?
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๊ทธ๋ฆฌ๊ณ ๋Š” ์ด๋ ‡๊ฒŒ ๋˜์ฃ 
15:12
So that's exactly what I'm going to ask you to do,
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์ด๊ฒƒ์ด ๋ฐ”๋กœ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์ œ๊ฐ€ ํ•ด์ฃผ์‹ญ์‚ฌ ํ•˜๋Š” ๊ฒ๋‹ˆ๋‹ค
15:14
but in a slightly different way. You're going to combine it.
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ํ•˜์ง€๋งŒ ๋ฐฉ๋ฒ•์€ ์•ฝ๊ฐ„ ๋‹ค๋ฅด์ฃ . ์—ฌ๋Ÿฌ๋ถ„์€ ๊ทธ๊ฑธ ๊ฒฐํ•ฉํ•  ๊ฒ๋‹ˆ๋‹ค
15:17
So what I want you to do is -- fingers.
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์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์š”์ฒญ๋“œ๋ฆฌ๋Š” ๊ฒƒ์€ ์†๊ฐ€๋ฝ๋“ค์ž…๋‹ˆ๋‹ค
15:20
I'll tell you what to do with your fingers, same thing.
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์†๊ฐ€๋ฝ๋“ค๋กœ ํ–ˆ๋˜ ๊ฒƒ๊ณผ ๊ฐ™์€ ๊ฒ๋‹ˆ๋‹ค
15:22
But I want you to do is also, with your eyes,
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๋ˆˆ์œผ๋กœ
15:25
is follow the colored ball that I ask you to follow.
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์ œ๊ฐ€ ์ง€์‹œํ•˜๋Š” ์ƒ‰๊น”์˜ ๊ณต๋“ค์„ ์ซ“์•„๊ฐ€๋Š” ๊ฒ๋‹ˆ๋‹ค
15:28
(Laughter)
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(์›ƒ์Œ)
15:30
OK? Here we go.
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์ž ๊ฐ‘๋‹ˆ๋‹ค
15:32
So, we're going to start off looking at the white ball --
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ํฐ ๊ณต์„ ๋ณด๋Š” ๊ฒƒ์œผ๋กœ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค
15:34
and I'm going to tell you which color,
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๊ทธ๋ฆฌ๊ณ  ์ œ๊ฐ€ ์ƒ‰๊น”์„ ๋ง์”€๋“œ๋ฆด๊ฑฐ๊ณ 
15:36
and I'm also going to tell you to go with your fingers. OK?
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๋˜ํ•œ ์†๊ฐ€๋ฝ๋„ ๋ง์”€๋“œ๋ฆด๊ฒ๋‹ˆ๋‹ค. ์ค€๋น„๋์ฃ ?
15:38
So white ball and --
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ํฐ๊ณต
15:41
finger, finger, finger, finger, finger, finger, finger, finger. Pink.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ... ๋ถ„ํ™์ƒ‰
15:46
Finger, finger, finger, finger, finger, finger, finger, finger. Green.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ... ๋…น์ƒ‰
15:51
Finger, finger, finger, finger. Yellow.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ... ๋…ธ๋ž‘์ƒ‰
15:54
Finger, finger, finger, pink or finger.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ... ๋ถ„ํ™์ƒ‰
15:57
Pink, finger, finger, finger, finger, finger, finger, finger.
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์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ, ์†๊ฐ€๋ฝ...
16:02
All right.
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๋์Šต๋‹ˆ๋‹ค
16:04
(Applause)
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(๋ฐ•์ˆ˜)
16:07
How did you do? Well? OK. The reason I wanted you to do this is
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์–ด๋• ๋‚˜์š”? ์ž˜๋๋‚˜์š”? ์ œ๊ฐ€ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์ด๊ฑธ ๊ถŒํ•œ ์ด์œ ๋Š”
16:12
because that's actually what most people face throughout their lives,
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์ด๋Ÿฐ ๊ฒฝํ—˜์ด ์‹ค์ œ ๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์ด ์‚ด์•„๊ฐ€๋ฉด์„œ
16:17
a moment of learning, a moment of challenge.
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ํ•™์Šต์˜ ์ˆœ๊ฐ„์—, ๋„์ „์˜ ์ˆœ๊ฐ„์— ๊ฒช๋Š” ์ผ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค
16:20
It's a moment that you can't make sense of.
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์ดํ•ดํ•  ์ˆ˜ ์—†๋Š” ์ˆœ๊ฐ„์ด์ฃ 
16:22
Why the hell should I learn this? OK?
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๋Œ€์ฒด ์ด๊ฑธ ์™œ ๋ฐฐ์›Œ์•ผ ํ•˜์ง€?
16:25
Does it really have anything to do with anything in my life?
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๋‚ด ์‚ถ์— ๋ญ”๊ฐ€ ์กฐ๊ธˆ์ด๋ผ๋„ ์˜๋ฏธ๊ฐ€ ์žˆ๋Š” ๊ฑด๊ฐ€?
16:29
You know, I can't decipher -- is it fun? Is it challenging? Am I supposed to cheat?
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์‚ฌ์‹ค, ์ €๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค. ์žฌ๋ฏธ๊ฐ€ ์žˆ๋‚˜? ๋„์ „์ ์ธ๊ฐ€? ์‚ฌ๊ธฐ์น˜๋Š” ๊ฑด๊ฐ€?
16:32
(Laughter)
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(์›ƒ์Œ)
16:33
You know, what are you supposed to do?
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๋ญ˜ ํ•˜๋ ค๊ณ  ํ•˜๋Š” ๊ฑฐ์ฃ ?
16:35
You've got somebody up here who is the operative principle
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์—ฌ๊ธฐ ์žˆ๋Š” ์‚ฌ๋žŒ์€ ๊ทธ์˜ ์ „ ์ƒ์• ๋ฅผ
16:39
of doing that for his whole life. OK?
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๊ฑธ์ณ ์ž‘์—…์„ ํ•ด์™”๋Š”๋ฐ ๋ง์ด์ฃ 
16:42
Trying to figure that stuff out. But is it going to get you anywhere?
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๊ทธ๊ฑธ ์ดํ•ดํ•ด๋ณด๋ ค๊ณ  ํ•ด๋ณด์„ธ์š”. ์ดํ•ด๊ฐ€ ๊ฐ€๋‚˜์š”?
16:45
It's just a moment. That's all it is, a moment. OK?
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๊ทธ๊ฑด ๋‹จ์ง€ ์ˆœ๊ฐ„์ผ ๋ฟ์ž…๋‹ˆ๋‹ค. ๋ชจ๋‘ '์ˆœ๊ฐ„'์— ๊ด€ํ•œ ๊ฒ๋‹ˆ๋‹ค.
16:48
I'm going to change the script for one second. Just let me do this.
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์ž ์‹œ๋งŒ ๊ฐ๋ณธ์„ ๋ฐ”๊พธ๊ฒ ์Šต๋‹ˆ๋‹ค. ํ•˜๊ฒŒ ํ•ด์ฃผ์„ธ์š”
16:51
I don't need music for it. Talking about time in a moment.
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์Œ์•…์€ ํ•„์š” ์—†๊ตฌ์š”. ์‹œ๊ฐ„์— ๋Œ€ํ•ด ์ž ์‹œ๋งŒ ์–˜๊ธฐํ•˜์ฃ 
16:54
There's a piece that I recently developed which was all about that,
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์ œ๊ฐ€ ์ตœ๊ทผ์— '์ˆœ๊ฐ„'์— ๊ด€ํ•ด ๊ฐœ๋ฐœํ•œ ๊ฒƒ์ด ์ข€ ์žˆ์Šต๋‹ˆ๋‹ค.
16:58
a moment. And what I do as a creative artist
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์ฐฝ์˜์ ์ธ ์˜ˆ์ˆ ๊ฐ€๋กœ์„œ ํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์€
17:01
is I develop vocabularies or languages of moving objects.
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์‚ฌ๋ฌผ์˜ ์›€์ง์ž„์— ๊ด€ํ•œ '์–ธ์–ด'๋ฅผ ๊ฐœ๋ฐœํ•˜๋Š” ๊ฑฐ์ฃ 
17:05
What I've done for you here, I developed a lot of those tricks
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๋งŽ์€ ๊ธฐ๊ต๋“ค์„ ๊ฐœ๋ฐœํ–ˆ๊ณ 
17:08
and I put the choreography together,
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๋ฌด์šฉ์— ๋Œ€ํ•œ ๊ธฐ์ˆ ๊นŒ์ง€ ๊ฐ€๋ฏธํ–ˆ์ง€๋งŒ
17:10
but they're not original techniques.
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๋…์ž์ ์ธ ๊ธฐ์ˆ ์€ ์—†์Šต๋‹ˆ๋‹ค
17:12
Now, I'm going to start showing you some original techniques
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์ž, ์ด์ œ ์ œ๊ฐ€ ๊ฐœ๋ฐœํ–ˆ๋˜ ์ž‘์—…์— ๊ด€ํ•œ
17:14
that come from the work that I've developed. OK?
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๋…์ฐฝ์ ์ธ ๊ธฐ์ˆ ์„ ๋ณด์‹œ๊ฒ ์Šต๋‹ˆ๋‹ค
17:16
So, a moment, how would you define a moment?
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์ˆœ๊ฐ„, ์ˆœ๊ฐ„์„ ์–ด๋–ป๊ฒŒ ์ •์˜ํ•˜์‹œ๊ฒ ์Šต๊นŒ?
17:19
Well, as a juggler, what I wanted to do was create something
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์ €๊ธ€๋Ÿฌ๋กœ์„œ ์ €๋Š” ์ˆœ๊ฐ„์„ ์žˆ๋Š” ๊ทธ๋Œ€๋กœ ํ‘œํ˜„ํ•˜๋Š”
17:24
that was representational of a moment.
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๋ฌด์–ธ๊ฐ€๋ฅผ ์ฐฝ์กฐํ•˜๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค
17:30
Ahhh.
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์•„์•„!
17:33
All right, I'm going to get on my knees and do it.
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๋ฌด๋ฆŽ์„ ๊ฟ‡๊ณ  ํ•˜์ง€์š”
17:36
So, a moment.
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์ž, '์ˆœ๊ฐ„'
17:38
(Rattling)
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(์†Œ๋ฆฌ)
17:45
OK? And then, what I did as a juggler was say,
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์ €๊ธ€๋กœ๋กœ์„œ ์ œ๊ฐ€ ํ•œ ๊ฒƒ์€
17:48
OK, what can I do to make that something
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๋‹ค๋ฅธ ๊ฒƒ, ๋‹ค๋ฅธ ์—ญํ•™์— ๊ธฐ๋ฐ˜ํ•œ
17:50
that is dependent on something else, another dynamic.
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๋ฌด์–ธ๊ฐ€๋ฅผ ๋งŒ๋“ค๊ณ ์ž ํ–ˆ์Šต๋‹ˆ๋‹ค
17:59
(Rattling)
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(์†Œ๋ฆฌ)
18:09
So, a moment.
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์ˆœ๊ฐ„
18:13
(Rattling)
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์ˆœ๊ฐ„
18:15
Another moment.
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๋˜๋‹ค๋ฅธ ์ˆœ๊ฐ„
18:17
(Rattling)
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๋˜๋‹ค๋ฅธ ์ˆœ๊ฐ„
18:23
Excuse me, still getting there. A moment that travels.
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์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค. ์ด๋™ํ•˜๋Š” ์ˆœ๊ฐ„
18:28
(Rattling)
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์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค. ์ด๋™ํ•˜๋Š” ์ˆœ๊ฐ„
18:34
A moment -- no, we'll try that again. It separates, and comes back together.
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์ˆœ๊ฐ„. ๋‹ค์‹œ ํ•˜์ง€์š”. ๋–จ์–ด์กŒ๋‹ค๊ฐ€ ํ•ฉ์ณ์ง‘๋‹ˆ๋‹ค
18:41
Time. How can you look at time?
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์‹œ๊ฐ„. ์‹œ๊ฐ„์„ ์–ด๋–ป๊ฒŒ ๋ณผ ์ˆ˜ ์žˆ์ฃ ?
18:44
And what do you dedicate it to, in exploring a particular thing?
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ํŠน๋ณ„ํ•œ ๊ฒƒ์„ ํƒ๊ตฌํ•  ๋•Œ ๋ฌด์Šจ ๋…ธ๋ ฅ์„ ํ•˜๋‚˜์š”?
18:48
Well, obviously, there's something in here,
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๋ช…๋ฐฑํ•˜๊ฒŒ ์—ฌ๊ธฐ์— ๋ญ”๊ฐ€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค
18:51
and you can all have a guess as to what it is.
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๊ทธ๊ฒƒ์ด ๋ฌด์—‡์ผ์ง€ ์ถ”์ธกํ•  ์ˆ˜ ์žˆ์ง€์š”
18:53
There's a mystery. There's a mystery in the moment.
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๋น„๋ฐ€, ์ˆœ๊ฐ„์—๋Š” ๋น„๋ฐ€์ด ์žˆ์Šต๋‹ˆ๋‹ค
18:55
And it has to settle. And then it's dependent on something else.
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๊ณ ์ •์ด ๋ผ์•ผ ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ ๋Š” ๋‹ค๋ฅธ ๊ฒƒ์— ์˜์กดํ•˜๊ฒŒ ๋˜์ฃ 
18:59
And then it comes to rest. Just a little thing about time.
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๊ทธ๋ฆฌ๊ณ  ์‰ฌ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ์‹œ๊ฐ„์— ๊ด€ํ•ด ์กฐ๊ธˆ ๋ณด์…จ์Šต๋‹ˆ๋‹ค
19:07
Now, this has expanded into a much bigger piece,
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์ž, ์ด์ œ ํ›จ์”ฌ ์ปค๋‹ค๋ž€ ๋ฌผ๊ฑด์œผ๋กœ ํ™•์žฅํ•ฉ๋‹ˆ๋‹ค
19:09
because I use ramps of different parabolas that I roll the balls on
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์ €๋Š” ๊ณต์„ ๊ตด๋ฆฌ๋Š”๋ฐ ๋‹ค๋ฅธ ํฌ๋ฌผ์„ ์˜ ๊ฒฝ์‚ฌ๋กœ๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค
19:12
while I'm keeping time with this.
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์ด๊ฑธ ํ•˜๋ฉด์„œ ์‹œ๊ฐ„์„ ๋ณด๋‚ด์ฃ 
19:14
But I just thought I'd talk about a moment.
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์ž ์‹œ ์–˜๊ธฐํ•˜๊ณ  ์‹ถ์—ˆ์–ด์š”
19:17
(Applause)
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(๋ฐ•์ˆ˜)
19:20
All right. OK. Can we show the video of the triangle?
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์ข‹์Šต๋‹ˆ๋‹ค. ์‚ผ๊ฐํ˜• ๋น„๋””์˜ค๋ฅผ ๋ณด์—ฌ์ฃผ์‹œ๊ฒ ์–ด์š”?
19:26
Are we ready to do that? Yes?
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ํ•  ์ค€๋น„๊ฐ€ ๋๋‚˜์š”?
19:28
This is the piece that I told you about.
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์ด๊ฒŒ ์ œ๊ฐ€ ์–˜๊ธฐํ–ˆ๋˜ ๊ฒƒ์ž…๋‹ˆ๋‹ค
19:30
It's a much bigger piece that I do exploring the space of a geometric triangle.
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๋” ํฐ ๋ฌผ๊ฑด์„ ์ด์šฉํ•˜์—ฌ ๊ธฐํ•˜ํ•™์ ์ธ ์‚ผ๊ฐํ˜• ๊ณต๊ฐ„์„ ํƒ๊ตฌํ•œ ์˜ˆ์ž…๋‹ˆ๋‹ค
20:29
(Applause)
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(๋ฐ•์ˆ˜)
20:34
Thanks. The only thing I'll say about the last session is,
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๋งˆ์ง€๋ง‰ ์„ธ์…˜์— ๋Œ€ํ•ด์„œ ํ•œ๋ง์”€๋งŒ ๋“œ๋ฆฌ๋ฉด
20:38
you ever try juggling and driving the car with your knees
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๋ฌด๋ฆ…์œผ๋กœ ์‹œ์† 190km ์ฐจ๋ฅผ ์šด์ „ํ•˜๋ฉฐ
20:42
at 120 miles an hour?
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์ €๊ธ€๋ง์„ ํ•ด๋ณด์‹  ์  ์žˆ๋‚˜์š”?
20:44
(Laughter)
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(์›ƒ์Œ)
20:46
The only other thing is, it was a real shock.
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๋˜ ๋‹ค๋ฅธ ์ •๋ง ์ถฉ๊ฒฉ์ ์ธ ๊ฒƒ์€,
20:48
I always drove motorcycles. And when I bought my first car, it shocked me
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์ „ ํ•ญ์ƒ ์˜คํ† ๋ฐ”์ด๋ฅผ ํƒ‘๋‹ˆ๋‹ค. ์ฒ˜์Œ ์ œ ์ฐจ๋ฅผ ์ƒ€์„ ๋•Œ ๋†€๋ž๋Š”๋ฐ,
20:52
that it cost three times more than my parents' house. Interesting.
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๋ถ€๋ชจ๋‹˜์˜ ์ง‘๋ณด๋‹ค 3๋ฐฐ๊ฐ€ ๋น„์‹ผ๊ฑฐ์—์š”. ํฅ๋ฏธ๋กญ์ฃ 
20:57
Anyway, balance:
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์–ด์จŒ๋“ , ๊ท ํ˜•..
20:59
constant movement to find an approach to stillness.
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๊ณ ์š”์— ๋‹ค๊ฐ€๊ฐ€๋Š” ๋ฐฉ๋ฒ•์„ ์ฐพ๊ธฐ์œ„ํ•œ ์ผ์ •ํ•œ ์›€์ง์ž„
21:06
Cheating.
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์†์ž„์ˆ˜
21:07
(Laughter)
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(์›ƒ์Œ)
21:10
Balance: making up the rules so you can't cheat,
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๊ท ํ˜•..๊ทœ์น™์„ ๋งŒ๋“ค์–ด ์†์ด์ง€ ๋ชปํ•˜๊ฒŒ ํ• ์ˆ˜๋„ ์žˆ์ง€์š”
21:14
so you learn to approach stillness with different parts of your body.
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๋ชธ์˜ ๋‹ค๋ฅธ ๋ถ€๋ถ„๋“ค์„ ์ด์šฉํ•ด ๊ณ ์š”์— ๋‹ค๊ฐ€๊ฐ€๋Š” ๋ฐฉ๋ฒ•์„ ๋ฐฐ์›๋‹ˆ๋‹ค
21:25
To have a conversation with it. To speak. To listen.
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๋Œ€ํ™”๋ฅผ ๋‚˜๋ˆ„๊ธฐ๋„ ํ•˜์ง€์š”. ๋งํ•˜๊ณ , ๋“ฃ๊ณ 
21:35
(Laughter)
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(์›ƒ์Œ)
21:36
Hup. Now, it's dependent on rhythm,
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์ž, ๋ฆฌ๋“ฌ์— ๋‹ฌ๋ ธ๊ตฌ์š”
21:39
and keeping a center of balance. When it falls, going underneath.
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๋„˜์–ด์ง€๋ ค ํ•˜๋ฉด ๊ท ํ˜•์˜ ์ค‘์‹ฌ์„ ์œ ์ง€ํ•˜์„ธ์š”, ์•„๋ž˜๋กœ ๊ฐ€๋ฉด์„œ์š”
21:47
So, there's a rhythm to it.
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๋ฆฌ๋“ฌ์„ ์ฃผ์„ธ์š”
21:51
The rhythm can get much smaller.
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๋ฆฌ๋“ฌ์„ ์ฃผ๋ฉด ๋” ์ž‘์€ ๊ฒƒ๋„ ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
22:01
As your skill increases, you learn to find those tinier spaces,
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๊ธฐ์ˆ ์ด ํ–ฅ์ƒ๋˜๋ฉด์„œ ๋งค์šฐ ์ž‘์€ ์›€์ง์ž„ ์†์—์„œ
22:07
those tinier movements. Thanks.
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๋งค์šฐ ์ž‘์€ ๊ณต๊ฐ„๋“ค์„ ์ฐพ๋Š” ๋ฐฉ๋ฒ•์„ ๋ฐฐ์šฐ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
22:11
(Applause)
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(๋ฐ•์ˆ˜)
22:15
Now, I'm going to show you the beginnings of a piece
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์ž, ๊ท ํ˜•์— ๊ด€ํ•œ ๊ธฐ์ดˆ ์ €๊ธ€๋ง์„ ๋ณด์—ฌ๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค
22:17
that is about balance in some ways, and also --
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์–ด๋–ค ์ ์—์„œ๋Š” ๊ท ํ˜•์— ๊ด€ํ•œ ๊ฑฐ๊ตฌ์š”
22:24
oh, actually, if you're bored, not here, here's one use for it.
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์‚ฌ์‹ค ์ง€๋ฃจํ•˜์‹œ๋ฉด, ์—ฌ๊ธฐ ๋ง๊ณ , ์—ฌ๊ธฐ ์“ธ๋งŒํ•œ๊ฒŒ ์žˆ๋„ค์š”
22:30
(Laughter)
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(์›ƒ์Œ)
22:40
You can go with the "Sticks One" music.
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์Œ์•… ํ‹€์–ด์ฃผ์„ธ์š”
22:47
(Music)
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(์Œ์•…)
24:11
(Applause)
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(๋ฐ•์ˆ˜)
24:18
Thanks. That has a certain kind of balance to it, which is all about plumb.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ์ˆ˜์ง ๋ง‰๋Œ€๊ธฐ ๊ท ํ˜•์žก๊ธฐ ์ž…๋‹ˆ๋‹ค
24:24
I apprenticed with a carpenter and learned about plumb, square and level.
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์ €๋Š” ๋ชฉ์ˆ˜ ๊ฒฌ์Šต์„ ํ–ˆ์—ˆ๊ณ , ์ˆ˜์ง ๋ง‰๋Œ€๊ธฐ, ์ง๊ฐ์ž, ์ˆ˜ํ‰๊ณ„๋ฅผ ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค
24:30
And they influenced that, and this next piece, which I'll do a little segment of.
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๊ทธ๊ฒƒ๋“ค์—์„œ ์˜ํ–ฅ์„ ๋ฐ›์•„ ๋‹ค์Œ์— ์ผ๋ถ€ ๋ณด์—ฌ๋“œ๋ฆด ์ €๊ธ€๋ง์„ ํ–ˆ์Šต๋‹ˆ๋‹ค
24:33
"Two Sticks," you can go with it. Thanks.
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'๋ง‰๋Œ€๊ธฐ ๋‘๊ฐœ' ๋…ธ๋ž˜ ํ‹€์–ด์ฃผ์„ธ์š”
24:39
Which is again exploring space, or the lines in space.
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์ด ๋˜ํ•œ ๊ณต๊ฐ„ ๋˜๋Š” ๊ณต๊ฐ„ ์•ˆ์—์„œ์˜ ์„ ์„ ํƒ๊ตฌํ•ฉ๋‹ˆ๋‹ค
24:43
(Music)
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(์Œ์•…)
25:44
(Applause)
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(๋ฐ•์ˆ˜)
25:46
Working with space and the lines in space in a different way.
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๊ณต๊ฐ„๊ณผ ๊ณต๊ฐ„ ์•ˆ์—์„œ์˜ ์„ ์— ๋Œ€ํ•œ ๋‹ค๋ฅธ ์ž‘์—…์ž…๋‹ˆ๋‹ค
25:54
Oh, let's see here.
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์—ฌ๊ธฐ ๋ณด์‹œ์ฃ 
26:27
(Applause)
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(๋ฐ•์ˆ˜)
26:29
So, I'll come back to that in a second. But working with one ball,
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๊ธˆ์ƒˆ ๋Œ์•„์˜ฌ๊ฒ๋‹ˆ๋‹ค. ์ด์   ๊ณต 1๊ฐœ๊ฐ€ ์•„๋‹Œ
26:34
now, what if you attach something to it, or change it.
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๋ญ”๊ฐ€๋ฅผ ๋ถ™์ด๊ฑฐ๋‚˜ ๋ฐ”๊พธ๋ฉด ์–ด๋–จ๊นŒ์š”
26:41
This is a little thing that I made
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์ด๊ฑด ์ œ๊ฐ€ ๋งŒ๋“ ๊ฑด๋ฐ
26:43
because I really like the idea of curves and balls together.
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์ €๋Š” ๊ณก์„ ๊ณผ ๊ณต์ด ์–ด์šฐ๋Ÿฌ์ง„๊ฑธ ์ •๋ง ์ข‹์•„ํ•˜๊ฑฐ๋“ ์š”
26:49
And then creating space and the rhythm of space,
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๊ณต๊ณผ ํŒ”์˜ ํ‘œ๋ฉด์„ ์‚ฌ์šฉํ•ด
26:55
using the surface of the balls, the surface of the arms.
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๊ณต๊ฐ„๊ณผ ๊ณต๊ฐ„์˜ ๋ฆฌ๋“ฌ์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค
27:00
Just a little toy. Which leads me to the next thing,
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๋‹จ์ˆœํ•œ ์žฅ๋‚œ๊ฐ์ด์ง€์š”. ์ด๊ฒƒ์—์„œ ๋‹ค์Œ๊ฒƒ์ด ๋‚˜์™”๋Š”๋ฐ
27:04
which is --
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๋ญ๋ƒ๋ฉด
27:06
what have I got here? OK. All right.
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์ด๊ฒŒ ๋ญ์ง€์š”? ์ข‹์•„์š”
27:19
I'm actually leading up to something,
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์ „ ์‹ค์ œ ๋ญ”๊ฐ€๋ฅผ ํ–ฅํ•ด ๊ฐ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
27:20
the newest thing that I'm working on. This is not it.
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์ €์˜ ๊ฐ€์žฅ ์ตœ์‹  ์ž‘์—…์ด์ฃ . ์ด๊ฑด ์•„๋‹ˆ๊ตฌ์š”
27:24
This is exploring geometry and the rhythm of shape.
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์ด๊ฑด ๊ธฐํ•˜ํ•™๊ณผ ๊ณต๊ฐ„์˜ ๋ฆฌ๋“ฌ์— ๋Œ€ํ•œ ํƒ๊ตฌ์ž‘์—… ์ž…๋‹ˆ๋‹ค
28:13
(Applause)
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(๋ฐ•์ˆ˜)
28:20
Now, what I just did was I worked with the mathematics --
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๋ฐฉ๊ธˆ ๊ฒƒ์€ ์ง๊ฒฝ๊ณผ ์›์ฃผ์˜ ์ˆ˜ํ•™์— ๊ด€ํ•œ ์ž‘์—…์ด์—ˆ์Šต๋‹ˆ๋‹ค
28:23
the diameter and the circumference.
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๋ฐฉ๊ธˆ ๊ฒƒ์€ ์ง๊ฒฝ๊ณผ ์›์ฃผ์˜ ์ˆ˜ํ•™์— ๊ด€ํ•œ ์ž‘์—…์ด์—ˆ์Šต๋‹ˆ๋‹ค
28:26
Sometimes these pieces are mathematical, in that way
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๋•Œ๋กœ ์ด๋Ÿฐ ์ž‘์—…๋“ค์€ ์ˆ˜ํ•™์ ์ธ ๋ฐฉ๋ฒ•์œผ๋กœ
28:29
that I look at a shape and say, what about if I use this and this and this.
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๋ชจ์–‘์„ ๋ณด๊ณ  ์ด๋Ÿฐ ๊ฒƒ, ์ด๋Ÿฐ ๊ฒƒ์„ ์‚ฌ์šฉํ•ด ๋ณด๋ฉด ์–ด๋–จ๊นŒ ํ•ฉ๋‹ˆ๋‹ค
28:32
Sometimes what happens in life affects my choice
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๋•Œ๋กœ๋Š” ์‚ด์•„๊ฐ€๋ฉด์„œ ์ผ์–ด๋‚˜๋Š” ์ผ๋“ค์ด
28:37
of objects that I try to work with.
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์ €๊ธ€๋ง ํ•˜๋ ค๋Š” ๋ฌผ๊ฑด์„ ์„ ํƒํ•˜๋Š”๋ฐ ์˜ํ–ฅ์„ ์ฃผ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค
28:39
The next piece that I'm going to do -- which is the cylinders piece,
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๋‹ค์Œ์— ํ•  ๊ฒƒ์€, ์›ํ†ตํ˜• ๋ฌผ๊ฑด์ž…๋‹ˆ๋‹ค
28:42
if you want to get that up --
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์›ํ•˜์‹ ๋‹ค๋ฉด ๋ง์ด์ฃ 
28:44
it has to do with cylinder seals from about 5,000 years ago,
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์ง„ํ™์— ๊ตด๋ ค์„œ ๋ฌธ์–‘์„ ๋„ฃ์€ ๋Œ๋กœ ๋งŒ๋“ 
28:51
which were stones with designs that were used to roll over wet clay
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5์ฒœ๋…„ ๋œ ์›ํ†ต ๋„์žฅ์ด ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค
28:56
with all sorts of great designs. I love ceramics and all of that.
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๋ชจ๋“  ์ข…๋ฅ˜์˜ ๋Œ€๋‹จํ•œ ๋””์ž์ธ์ด ์žˆ์—ˆ์ฃ . ์ „ ๋„์ž๊ธฐ ์ข…๋ฅ˜๋ผ๋ฉด ๋ญ๋“  ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
29:00
It's a combination of that, the beauty of that, the shape,
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์ด ์ €๊ธ€๋ง์€ ๊ทธ์— ์–ฝํžŒ ์ด์•ผ๊ธฐ, ๋ชจ์–‘,
29:04
and the stories that were involved in it,
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์•„๋ฆ„๋‹ค์›€๋“ค์˜ ์กฐํ•ฉ์ž…๋‹ˆ๋‹ค
29:09
as well as the fact that they protected the contents.
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๊ทธ๊ฒƒ์€ ์•ˆ์˜ ๋‚ด์šฉ๋ฌผ์„ ๋ณดํ˜ธํ•˜๊ธฐ๋„ ํ•˜์ฃ 
29:13
The second influence on this piece came from recycling
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๋‘๋ฒˆ์งธ, ์ด ์ €๊ธ€๋ง์€ ์žฌํ™œ์šฉ์—์„œ ์˜ํ–ฅ ๋ฐ›์•˜๋Š”๋ฐ
29:18
and looking into a tin can recycling bin
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์บ”๊นกํ†ต ์žฌํ™œ์šฉํ†ต์„ ๋ดค๋Š”๋ฐ
29:21
and seeing all that beautiful emptiness.
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ํ…… ๋นˆ ๊ณต๊ฐ„์ด ๋ฌด์ฒ™ ์•„๋ฆ„๋‹ค์› ์Šต๋‹ˆ๋‹ค
29:24
So, if you want to go with the music for cylinders.
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์›ํ†ต ์Œ์•… ํ‹€์–ด์ฃผ์„ธ์š”
29:27
(Music)
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(์Œ์•…)
32:17
(Applause)
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(๋ฐ•์ˆ˜)
32:20
Talking about geometry and everything,
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๊ธฐํ•˜ํ•™๊ณผ ์—ฐ๊ด€๋œ ๋ชจ๋“  ๊ฑธ ๋‹ค๋ฃจ๊ณ  ์žˆ๋Š”๋ฐ์š”
32:23
if you take the circle and you split it in half --
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์›์„ ๊ฐ–๊ณ  ๋ฐ˜์œผ๋กœ ๋‚˜๋ˆ ๋ณด์ง€์š”
32:28
can you run "S-Curve music?"
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'S๊ณก์„ ' ์Œ์•… ํ‹€์–ด์ฃผ์‹ค๋ž˜์š”?
32:30
I'm going to do just a short version of it.
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์งง์€ ๋ฒ„์ „์œผ๋กœ ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค
32:35
Circles split in half and rotated, and mythology.
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์›์ด ๋ฐ˜์œผ๋กœ ๋‚˜๋‰˜๊ณ  ๋Œ๊ณ , ์‹ ํ™”๊ฐ€ ๋˜์ฃ 
32:39
(Music)
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(์Œ์•…)
34:17
(Applause)
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(๋ฐ•์ˆ˜)
34:24
Anyway, that piece also has a kinetic sculpture in the middle of it,
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์•”ํŠผ, ํ™œ๋™์ ์ธ ์กฐ๊ฐ์ž‘ํ’ˆ ๊ฐ™์€ ์ค‘๊ฐ„ ๋ถ€๋ถ„์€
34:29
and I dance around a small stage so --
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์ถค์ถ”๊ธฐ์—” ์—ฌ๊ธฐ ๋ฌด๋Œ€๊ฐ€ ์ข๊ตฐ์š”
34:32
two minutes, just to end? The latest piece that I'm working on --
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2๋ถ„ํ›„์— ๋๋‚ด์ฃ ? ์ž‘์—…์ค‘์ธ ๊ฐ€์žฅ ์ตœ๊ทผ์˜ ์ž‘ํ’ˆ์ธ๋ฐ
34:36
what I love is that I never know what I'm working on, why I'm working on it.
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์ €๋Š” ์ œ๊ฐ€ ์ž‘์—…ํ•˜๋Š”๊ฒŒ ๋ญ”์ง€, ์™œ ํ•˜๋Š”์ง€ ๋ชจ๋ฅด๋Š” ๊ฑธ ์ฆ๊น๋‹ˆ๋‹ค
34:40
They're not ideas, they're instincts.
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์ƒ๊ฐ์ด ์•„๋‹ˆ๋ผ ์ง๊ด€์ด์ฃ 
34:43
And the latest thing that I'm working on --
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๊ทผ๋ž˜์— ํ•˜๊ณ  ์žˆ๋Š” ์ž‘์—…์€
34:45
(Clattering) --
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๊ทผ๋ž˜์— ํ•˜๊ณ  ์žˆ๋Š” ์ž‘์—…์€
34:51
is something really -- I don't know what it is yet.
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์•„์ง ์ด๊ฒŒ ๋ญ”์ง€ ์ €๋„ ์ •๋ง ๋ชจ๋ฅด๊ฒ ์Šต๋‹ˆ๋‹ค
34:56
And that's good. I like not to know for as long as possible.
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๊ทธ์ ์ด ์ข‹์•„์š”. ์ „ ๊ฐ€๋Šฅํ•œํ•œ ๋ชจ๋ฅด๋Š” ์ƒํƒœ์ธ๊ฒŒ ์ข‹์Šต๋‹ˆ๋‹ค
35:02
Well, because then it tells me the truth,
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์™œ๋ƒํ•˜๋ฉด ๋‚ด๊ฐ€ ์–ต์ง€๋กœ ์ง„๋ฆฌ์— ๋…ธ์ถœ๋˜๋Š”๊ฒŒ ์•„๋‹ˆ๋ผ
35:04
instead of me imposing the truth.
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๋•Œ๊ฐ€ ๋˜๋ฉด ์‚ฌ๋ฌผ์ด ์ง„๋ฆฌ๋ฅผ ์–˜๊ธฐํ•ด์ฃผ๋‹ˆ๊นŒ์š”
35:07
And what it is, is working with both positive and negative space
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๋ญ๋ƒ๋ฉด, ์ด ๊ณก์„ ๋“ค์„ ์‚ฌ์šฉํ•ด์„œ
35:10
but also with these curves.
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์Œ๊ณผ ์–‘ ์–‘์ชฝ์˜ ๊ณต๊ฐ„์œผ๋กœ ์ž‘์—…ํ•˜๋Š” ๊ฒ๋‹ˆ๋‹ค
35:12
And what it involves,
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๋ญ๋ƒํ•˜๋ฉด
35:14
and I don't know if my hands are too beaten up to do it or not,
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์ œ ์†์ด ๋„ˆ๋ฌด ์ง€์ณ์„œ ํ•  ์ˆ˜ ์žˆ์„์ง€ ์—†์„์ง€ ๋ชจ๋ฅด๊ฒ ๋Š”๋ฐ
35:17
but I'll do a little bit of it.
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์กฐ๊ธˆ๋งŒ ํ•ด๋ณด์ฃ 
35:19
It initially started off with me stacking these things,
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์ฒ˜์Œ์—๋Š” ์ด๊ฒƒ๋“ค์„ ์Œ“๋Š” ๊ฒƒ์œผ๋กœ ์‹œ์ž‘ํ•ด์„œ
35:22
bunches of them, and then playing with the sense of space,
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๊ณต๊ฐ„๊ฐ์„ ๋Š๋ผ๋ฉด์„œ ๊ฐ–๊ณ  ๋†‰๋‹ˆ๋‹ค
35:28
of filling in the space. And then it started changing,
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๊ณต๊ฐ„์„ ์ฑ„์šฐ๊ณ , ๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ๋ณ€ํ™”๊ฐ€ ์ƒ๊น๋‹ˆ๋‹ค
35:37
and become folding on themselves.
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๊ทธ๊ฒƒ๋“ค๋ผ๋ฆฌ ์ ‘ํžˆ๊ณ 
35:44
And then changing levels.
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์ธต์ด ๋ฐ”๋€๋‹ˆ๋‹ค
35:48
Because my attempt is to make visual instruments,
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์ œ ์‹œ๋„๋Š” ์‹œ๊ฐ์ ์ธ ๋„๊ตฌ๋ฅผ ๋งŒ๋“œ๋Š” ๊ฑด๋ฐ
35:53
not to just make -- I'll try one other thing.
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๋งŒ๋“ค๊ธฐ๋งŒ ํ•˜๋Š” ๊ฑด ์•„๋‹ˆ๊ณ , ๋‹ค๋ฅธ ๊ฑธ ํ•ด๋ณด์ฃ 
35:58
For work in three dimensions, with your perceptions of space and time.
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๊ณต๊ฐ„๊ณผ ์‹œ๊ฐ„์— ๋Œ€ํ•œ ์ธ์‹์„ ๋ฐ”ํƒ•์œผ๋กœ 3์ฐจ์›์œผ๋กœ ์ž‘์—…์„ ํ•ฉ๋‹ˆ๋‹ค
36:04
Now, I don't know exactly where it's going,
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์ด์ œ๋Š” ์ด๊ฒŒ ์–ด๋””๋กœ ๊ฐ€๋Š”์ง€ ๋ชจ๋ฆ…๋‹ˆ๋‹ค
36:06
but I've got a bit of effort involved in this thing.
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ํ•˜์ง€๋งŒ ๋”ฐ๋ผ ๊ฐ€๋ ค๊ณ  ๋…ธ๋ ฅ์„ ํ•˜์ง€์š”
36:08
And it's going to change as I go through it.
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์ œ๊ฐ€ ๋”ฐ๋ผ๊ฐ€๋ฉด ๋˜ ๋ณ€ํ•  ๊ฒ๋‹ˆ๋‹ค
36:12
But I really like it, it feels right.
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ํ•˜์ง€๋งŒ ์ „ ์ •๋ง ์ข‹์Šต๋‹ˆ๋‹ค, ์ œ๋Œ€๋กœ ๊ฐ€๋Š”๊ฑฐ ๊ฐ™์•„์š”
36:14
This may not be the right shape, and -- look at this shape,
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๋งž๋Š” ๋ชจ์–‘์ด ์•„๋‹ ์ˆ˜๋„ ์žˆ์ง€๋งŒ, ์ œ๊ฐ€ ๋ณด๊ณ 
36:18
and then I'll show you the first design I ever put to it,
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์ฒ˜์Œ์œผ๋กœ ๋งŒ๋“œ๋Š” ๋ชจ์–‘์ด ๋‚˜์˜ค๋„ค์š”
36:22
just to see, just to play,
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๊ทธ๋ƒฅ ๋ณด๊ณ , ์›€์ง์ž…๋‹ˆ๋‹ค
36:25
because I love all different kinds of things to play with.
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์ €๋Š” ๋ชจ๋“  ๋‹ค์–‘ํ•œ ์ข…๋ฅ˜์˜ ๋ฌผ๊ฑด๋“ค๋กœ ํ•˜๋Š” ๊ฑธ ์ฆ๊น๋‹ˆ๋‹ค
36:28
Let's see here.
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๋ณด์‹œ์ฃ 
36:30
To work with the positive and negative in a different way.
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๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์œผ๋กœ ์Œ/์–‘ ์ €๊ธ€๋ง์„ ํ•ฉ๋‹ˆ๋‹ค
36:37
And to change, and to change.
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๋ณ€ํ•˜๊ณ  ๋˜ ๋ณ€ํ•˜๊ตฌ์š”
36:39
So, I'm off in my new direction with this to explore rhythm and space.
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์ด๋ ‡๊ฒŒ ๋ฆฌ๋“ฌ๊ณผ ๊ณต๊ฐ„์„ ํƒ๊ตฌํ•˜๋Š” ์ƒˆ๋กœ์šด ์ €๊ธ€๋ง์ด ๋๋‚ฌ์Šต๋‹ˆ๋‹ค
36:44
We'll see what I come up with. Thanks for having me.
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๋‹ค์Œ ์ž‘ํ’ˆ์œผ๋กœ ๋ต™์ง€์š”. ๋ด์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
36:48
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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