Are Halloween costumes too scary? 6 Minute English

130,994 views ใƒป 2022-10-27

BBC Learning English


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ. ื›ืชื•ื‘ื™ื•ืช ืžืชื•ืจื’ืžื•ืช ืžืชื•ืจื’ืžื•ืช ื‘ืžื›ื•ื ื”.

00:07
Hello. This is 6 Minute English from BBC Learning English. Iโ€™m Sam.
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ืฉืœื•ื. ื–ื•ื”ื™ 6 ื“ืงื•ืช ืื ื’ืœื™ืช ืžื‘ื™ืช BBC Learning English. ืื ื™ ืกืื.
00:11
And Iโ€™m Neil. Whoo-oo-oo! Trick or treat!
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ื•ืื ื™ ื ื™ืœ. ื•ื•ืื•-ืื•-ืื•! ืชืขืœื•ืœ ืื• ืžืžืชืง!
00:16
For listeners at home, Neil is dressed up as a ghost.
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ืขื‘ื•ืจ ื”ืžืื–ื™ื ื™ื ื‘ื‘ื™ืช, ื ื™ืœ ืœื‘ื•ืฉ ืœืจื•ื— ืจืคืื™ื.
00:20
Heโ€™s wearing a white bedsheet over his head with two holes
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ื”ื•ื ืœื•ื‘ืฉ ืกื“ื™ืŸ ืœื‘ืŸ ืžืขืœ ืจืืฉื• ืขื ืฉื ื™ ื—ื•ืจื™ื
00:23
cut out for his eyes, which must meanโ€ฆ
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ื—ืชื•ื›ื™ื ืœืขื™ื ื™ื™ื ืฉืœื•, ืžื” ืฉืื•ืžืจ ื›ื ืจืื”...
00:26
Itโ€™s Halloween! The start of autumn,
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ื–ื” ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื! ืชื—ื™ืœืช ื”ืกืชื™ื•,
00:29
when the days get shorter and leaves fall from the trees, marks Halloween,
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ื›ืฉื”ื™ืžื™ื ืžืชืงืฆืจื™ื ื•ื”ืขืœื™ื ื ื•ืฉืจื™ื ืžื”ืขืฆื™ื, ืžืฆื™ื™ื ืช ืืช ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื,
00:33
a festival which is celebrated all over the world at this time of year.
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ืคืกื˜ื™ื‘ืœ ืฉื ื—ื’ื’ ื‘ื›ืœ ื”ืขื•ืœื ื‘ืชืงื•ืคื” ื–ื• ืฉืœ ื”ืฉื ื”.
00:38
In Britain, people carve scary faces into pumpkins
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ื‘ื‘ืจื™ื˜ื ื™ื”, ืื ืฉื™ื ืžื’ืœืคื™ื ืคืจืฆื•ืคื™ื ืžืคื—ื™ื“ื™ื ืœืชื•ืš ื“ืœืขื•ืช
00:41
and children go trick-or-treating, dressing up in fancy dress costumes
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ื•ื™ืœื“ื™ื ืžืชืขืกืงื™ื, ืžืชืœื‘ืฉื™ื ื‘ืชืœื‘ื•ืฉื•ืช ื™ื•ืงืจืชื™ื•ืช
00:45
and visiting peopleโ€™s homes shouting, โ€˜trick or treat!โ€™ for sweets and candy.
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ื•ืžื‘ืงืจื™ื ื‘ื‘ืชื™ื ืฉืœ ืื ืฉื™ื ื•ืฆื•ืขืงื™ื, 'ื˜ืจื™ืง ืื• ืžืชื ื”!' ื‘ืฉื‘ื™ืœ ืžืžืชืงื™ื ื•ืžืžืชืงื™ื.
00:51
Halloween comes from an ancient festival called Samhain
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ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ืžื’ื™ืข ืžืคืกื˜ื™ื‘ืœ ืขืชื™ืง ื‘ืฉื Samhain
00:54
which celebrated the changing of the seasons,
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ืฉื—ื’ื’ ืืช ื—ื™ืœื•ืคื™ ื”ืขื•ื ื•ืช,
00:58
a time when it was believed the dead could make contact with the living,
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ืชืงื•ืคื” ืฉื‘ื” ื”ืืžื™ื ื• ืฉื”ืžืชื™ื ื™ื›ื•ืœื™ื ืœื™ืฆื•ืจ ืงืฉืจ ืขื ื”ื—ื™ื™ื,
01:01
which is why children dress up as ghosts, witches and other scary monsters.
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ื•ื–ื• ื”ืกื™ื‘ื” ืฉื™ืœื“ื™ื ืžืชื—ืคืฉื™ื ืœืจื•ื—ื•ืช, ืžื›ืฉืคื•ืช ื•ืžืคืœืฆื•ืช ืžืคื—ื™ื“ื•ืช ืื—ืจื•ืช.
01:06
But recently, online shops have removed several Halloween costumes
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ืื‘ืœ ืœืื—ืจื•ื ื”, ื—ื ื•ื™ื•ืช ืžืงื•ื•ื ื•ืช ื”ืกื™ืจื• ื›ืžื” ืชื—ืคื•ืฉื•ืช ืฉืœ ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื,
01:11
including creepy clown masks and real-life serial killer costumes
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ื›ื•ืœืœ ืžืกื›ื•ืช ืœื™ืฆื ื™ื ืžืฆืžืจืจื•ืช ื•ืชื—ืคื•ืฉื•ืช ืฉืœ ืจื•ืฆื— ืกื“ืจืชื™ ื‘ื—ื™ื™ื ื”ืืžื™ืชื™ื™ื,
01:15
after parents complained they were too frightening.
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ืœืื—ืจ ืฉื”ื•ืจื™ื ื”ืชืœื•ื ื ื• ืฉื”ื ืžืคื—ื™ื“ื™ื ืžื“ื™.
01:19
In this programme, weโ€™ll be discussing whether Halloween is no longer harmless fun,
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ื‘ืชื•ื›ื ื™ืช ื–ื•, ื ื“ื•ืŸ ืื ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ืื™ื ื• ืขื•ื“ ื›ื™ืฃ ืœื ืžื–ื™ืง,
01:23
and as usual, weโ€™ll be learning some new vocabulary as well.
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ื•ื›ืจื’ื™ืœ, ื ืœืžื“ ื’ื ืื•ืฆืจ ืžื™ืœื™ื ื—ื“ืฉ.
01:27
But before that, and since youโ€™re all dressed up as a ghost, Neil,
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ืื‘ืœ ืœืคื ื™ ื›ืŸ, ื•ืžื›ื™ื•ื•ืŸ ืฉื›ื•ืœื›ื ื”ืชื—ืคืฉืชื ืœืจื•ื— ืจืคืื™ื, ื ื™ืœ,
01:30
my question is this
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ื”ืฉืืœื” ืฉืœื™ ื”ื™ื ื–ื•
01:32
โ€“ why did people traditionally dress up in costumes on Halloween?
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- ืžื“ื•ืข ืื ืฉื™ื ื”ืชื—ืคืฉื• ื‘ืื•ืคืŸ ืžืกื•ืจืชื™ ื‘ืชื—ืคื•ืฉื•ืช ื‘ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื?
01:36
Was it: a) to scare their neighbours as a joke
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ื”ืื ื–ื” ื”ื™ื”: ื) ืœื”ืคื—ื™ื“ ืืช ืฉื›ื ื™ื”ื ื›ื‘ื“ื™ื—ื”
01:40
b) to use up their old clothes, or c) to hide from ghosts
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ื‘) ืœื”ืฉืชืžืฉ ื‘ื‘ื’ื“ื™ื ื”ื™ืฉื ื™ื ืฉืœื”ื, ืื• ื’) ืœื”ืกืชืชืจ ืžืจื•ื—ื•ืช,
01:45
I think it was to hide from ghosts.
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ืื ื™ ื—ื•ืฉื‘ ืฉื–ื” ื”ื™ื” ื›ื“ื™ ืœื”ืกืชืชืจ ืžืจื•ื—ื•ืช.
01:47
OK, Neil. Weโ€™ll find out the answer later in the programme.
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ื‘ืกื“ืจ, ื ื™ืœ. ืืช ื”ืชืฉื•ื‘ื” ื ื’ืœื” ื‘ื”ืžืฉืš ื”ืชื•ื›ื ื™ืช.
01:51
In recent years, Halloween has become more influenced by American horror movies
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ื‘ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช, ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ื”ืคืš ืœื”ื™ื•ืช ืžื•ืฉืคืข ื™ื•ืชืจ ืžืกืจื˜ื™ ืื™ืžื” ืืžืจื™ืงืื™ื
01:55
like โ€˜Friday the Thirteenthโ€™ or โ€˜Screamโ€™.
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ื›ืžื• 'ืฉื™ืฉื™ ื”ืฉืœื•ืฉ ืขืฉืจื”' ืื• 'ืฆืขืงื”'.
01:58
Some parents now think Halloween costumes are too scary and over the top
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ื™ืฉ ื”ื•ืจื™ื ืฉื—ื•ืฉื‘ื™ื ื›ืขืช ืฉืชื—ืคื•ืฉื•ืช ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ืžืคื—ื™ื“ื•ืช ืžื“ื™ ื•ืžื•ื’ื–ืžื•ืช
02:03
โ€“ a phrase meaning too extreme and unsuitable.
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- ื‘ื™ื˜ื•ื™ ืฉืžืฉืžืขื•ืชื• ืงื™ืฆื•ื ื™ ืžื“ื™ ื•ืœื ืžืชืื™ื.
02:06
Mother of two, Joanne Oโ€™Connell, was shocked when she took her 10- year-old daughters
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ืืžื ืœืฉื ื™ื™ื, ื’'ื•ืืŸ ืื•ืงื•ื ืœ, ื”ื™ื™ืชื” ื‘ื”ืœื ื›ืฉืœืงื—ื” ืืช ื‘ื ื•ืชื™ื” ื‘ื ื•ืช ื”-10
02:11
shopping for Halloween costumes. Here she explains
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ืœืงื ื™ื•ืช ืขื‘ื•ืจ ืชื—ืคื•ืฉื•ืช ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื. ื›ืืŸ ื”ื™ื ืžืกื‘ื™ืจื”
02:13
what she saw to BBC Radio 4 programme, You and Yours.
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ืžื” ื”ื™ื ืจืืชื” ืœืชื•ื›ื ื™ืช BBC Radio 4, You and Yours.
02:17
They've seen decorations of small children
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ื”ื ืจืื• ืขื™ื˜ื•ืจื™ื ืฉืœ ื™ืœื“ื™ื ืงื˜ื ื™ื
02:20
holding a teddy bear covered in blood.
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ืื•ื—ื–ื™ื ื‘ื“ื•ื‘ื•ืŸ ืžื›ื•ืกื” ื‘ื“ื.
02:23
They've seen what's described as a standing animated decoration
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ื”ื ืจืื• ืžื” ืฉืžืชื•ืืจ ื›ืงื™ืฉื•ื˜ ืื ื™ืžืฆื™ื” ืขื•ืžื“
02:27
which looks like a dead girl carrying a knife
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ืฉื ืจืื” ื›ืžื• ื™ืœื“ื” ืžืชื” ืฉืกื•ื—ื‘ืช ืกื›ื™ืŸ
02:30
and various Grim Reapers, creepy clowns,
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ื•ืžื™ื ื™ ืจื™ืคืจื™ื, ืœื™ืฆื ื™ื ืžืคื—ื™ื“ื™ื
02:34
and stuff that kids are now finding frightening, and even to an adult,
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ื•ื“ื‘ืจื™ื ืฉื™ืœื“ื™ื ืžื•ืฆืื™ื ืขื›ืฉื™ื• ืžืคื—ื™ื“ื™ื, ื•ืืคื™ืœื• ืœืžื‘ื•ื’ืจ,
02:40
they look pretty vile, actually. And I think it feels like
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ื”ื ื ืจืื™ื ื“ื™ ืžื’ืขื™ืœื™ื, ืœืžืขืฉื”. ื•ืื ื™ ื—ื•ืฉื‘ ืฉื–ื” ืžืจื’ื™ืฉ ื›ืื™ืœื•
02:43
retailers are in some kind of race to the bottom
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ืงืžืขื•ื ืื™ื ื ืžืฆืื™ื ื‘ืกื•ื’ ืฉืœ ืžื™ืจื•ืฅ ืœืชื—ืชื™ืช
02:46
for the grimmest, most vile, sickening outfit
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ืื—ืจ ื”ืชืœื‘ื•ืฉืช ื”ืงื•ื“ืจืช, ื”ืฉืคืœื” ื•ื”ืžื—ืœื™ืื” ื‘ื™ื•ืชืจ,
02:50
so that they can just make money out of.
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ื›ืš ืฉื”ื ื™ื›ื•ืœื™ื ืคืฉื•ื˜ ืœื”ืจื•ื•ื™ื— ืžืžื ื” ื›ืกืฃ.
02:52
Joanne was horrified by Halloween costumes of the Grim Reaper
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ื’'ื•ืืŸ ื ื—ืจื“ื” ืžืชืœื‘ื•ืฉื•ืช ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ืฉืœ ื”-Grim Reaper
02:56
โ€“ an imaginary skeleton who wears a long black cloak,
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- ืฉืœื“ ื“ืžื™ื•ื ื™ ืฉืœื•ื‘ืฉ ื’ืœื™ืžื” ืฉื—ื•ืจื” ืืจื•ื›ื”,
02:59
carries a sharp cutting tool
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ื ื•ืฉื ื›ืœื™ ื—ื™ืชื•ืš ื—ื“
03:01
and represents Death. Sheโ€™s worried that costumes like this
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ื•ืžื™ื™ืฆื’ ืืช ื”ืžื•ื•ืช. ื”ื™ื ื—ื•ืฉืฉืช ืฉืชื—ืคื•ืฉื•ืช ื›ืืœื”
03:05
are too frightening for little children.
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ืžืคื—ื™ื“ื•ืช ืžื“ื™ ืขื‘ื•ืจ ื™ืœื“ื™ื ืงื˜ื ื™ื.
03:07
Nowadays, Halloween is big business and Joanne thinks that
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ื›ื™ื•ื, ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ื”ื•ื ืขืกืง ื’ื“ื•ืœ ื•ื’'ื•ืืŸ ื—ื•ืฉื‘ืช ืฉื”ื”ืชืžืงื“ื•ืช
03:10
the focus on money encourages shops
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ื‘ื›ืกืฃ ืžืขื•ื“ื“ืช ื—ื ื•ื™ื•ืช
03:13
in a race to the bottom, a phrase which describes a situation
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ื‘ืžื™ืจื•ืฅ ืœืชื—ืชื™ืช, ื‘ื™ื˜ื•ื™ ืฉืžืชืืจ ืžืฆื‘
03:17
where companies compete with each other to sell as many products as cheaply as possible.
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ืฉื‘ื• ื—ื‘ืจื•ืช ืžืชื—ืจื•ืช ื‘ื™ื ื™ื”ืŸ ื›ื“ื™ ืœืžื›ื•ืจ ื›ืžื” ืฉื™ื•ืชืจ ืžื•ืฆืจื™ื ื‘ื–ื•ืœ ื›ื›ืœ ื”ืืคืฉืจ.
03:22
The phrase is connected to the idea of standards getting worse and worse.
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ื”ื‘ื™ื˜ื•ื™ ืงืฉื•ืจ ืœืจืขื™ื•ืŸ ืฉื”ืกื˜ื ื“ืจื˜ื™ื ื”ื•ืœื›ื™ื ื•ืžื—ืžื™ืจื™ื.
03:26
But come on, Sam! Isnโ€™t this going too far?
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ืื‘ืœ ืงื“ื™ืžื”, ืกื! ื”ืื ื–ื” ืœื ื”ื•ืœืš ืจื—ื•ืง ืžื“ื™?
03:29
I mean, Halloween is supposed to be scary!
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ื›ืœื•ืžืจ, ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ืืžื•ืจ ืœื”ื™ื•ืช ืžืคื—ื™ื“!
03:32
Parents donโ€™t want to stop people having fun,
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ื”ื•ืจื™ื ืœื ืจื•ืฆื™ื ืœืขืฆื•ืจ ืื ืฉื™ื ืœื™ื”ื ื•ืช,
03:34
but over the top costumes are too scary for younger children,
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ืื‘ืœ ื”ืชื—ืคื•ืฉื•ืช ืžืคื—ื™ื“ื•ืช ืžื“ื™ ืขื‘ื•ืจ ื™ืœื“ื™ื ืฆืขื™ืจื™ื ื™ื•ืชืจ,
03:39
and some mums say they will no longer open the door
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ื•ื›ืžื” ืืžื”ื•ืช ืื•ืžืจื•ืช ืฉื”ืŸ ืœื ื™ืคืชื—ื• ื™ื•ืชืจ ืืช ื”ื“ืœืช
03:42
to trick-or-treaters because the costumes are giving children nightmares.
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ืœื˜ืจื™ืงื™ื, ื›ื™ ื”ืชื—ืคื•ืฉื•ืช ื’ื•ืจืžื•ืช ืœื™ืœื“ื™ื ืกื™ื•ื˜ื™ื.
03:46
Siobhan Freegard, founder of the parenting website, Channel Mum,
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ืกื™ื•ื‘ืืŸ ืคืจื™ื’ืืจื“, ืžื™ื™ืกื“ ืืชืจ ื”ื”ื•ืจื•ืช, ืขืจื•ืฅ ืืžื,
03:50
thinks a compromise is needed. Here she is talking to BBC Radio 4โ€™s, You and Yours:
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ื—ื•ืฉื‘ ืฉื™ืฉ ืฆื•ืจืš ื‘ืคืฉืจื”. ื”ื ื” ื”ื™ื ืžื“ื‘ืจืช ืขื ืจื“ื™ื• 4 ืฉืœ ื”-BBC, You and Yours:
03:55
There's a sort of a halfway house, isn't there? I mean,
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ื™ืฉ ืžืขื™ืŸ ื‘ื™ืช ืืžืฆืข, ืœื? ื›ืœื•ืžืจ,
03:58
I know everyone refers to the new generation as the snowflake generation,
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ืื ื™ ื™ื•ื“ืข ืฉื›ื•ืœื ืžืชื™ื™ื—ืกื™ื ืœื“ื•ืจ ื”ื—ื“ืฉ ื›ืืœ ื“ื•ืจ ืคืชื™ืชื™ ื”ืฉืœื’,
04:03
and we shouldn't be so worried about our little darlings,
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ื•ืื ื• ืœื ืฆืจื™ื›ื™ื ืœื”ื™ื•ืช ื›ืœ ื›ืš ืžื•ื“ืื’ื™ื ืžื”ื™ืงื™ืจื™ื ื”ืงื˜ื ื™ื ืฉืœื ื•,
04:06
but thereโ€™s a point beyond which it becomes tasteful or appropriate.
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ืื‘ืœ ื™ืฉ ื ืงื•ื“ื” ืฉืžืขื‘ืจ ืœื” ื–ื” ื”ื•ืคืš ืœื˜ื•ื‘ ื˜ืขื ืื• ืžืชืื™ื.
04:11
Siobhan thinks that scary costumes are okay for teenagers
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ืกื™ื•ื‘ืืŸ ื—ื•ืฉื‘ืช ืฉืชืœื‘ื•ืฉื•ืช ืžืคื—ื™ื“ื•ืช ื”ืŸ ื‘ืกื“ืจ ืขื‘ื•ืจ ื‘ื ื™ ื ื•ืขืจ,
04:15
but she also wants to protect younger children.
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ืื‘ืœ ื”ื™ื ื’ื ืจื•ืฆื” ืœื”ื’ืŸ ืขืœ ื™ืœื“ื™ื ืฆืขื™ืจื™ื ื™ื•ืชืจ.
04:17
She thinks we need to find a halfway house
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ื”ื™ื ื—ื•ืฉื‘ืช ืฉืื ื—ื ื• ืฆืจื™ื›ื™ื ืœืžืฆื•ื ื‘ื™ืช ืืžืฆืข
04:20
- a compromise, or arrangement which includes features of two opposing ideas.
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- ืคืฉืจื”, ืื• ื”ืกื“ืจ ื”ื›ื•ืœืœ ืžืืคื™ื™ื ื™ื ืฉืœ ืฉื ื™ ืจืขื™ื•ื ื•ืช ืžื ื•ื’ื“ื™ื.
04:25
She also uses the expression the snowflake generation,
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ื”ื™ื ื’ื ืžืฉืชืžืฉืช ื‘ื‘ื™ื˜ื•ื™ ื“ื•ืจ ืคืชื™ืชื™ ื”ืฉืœื’,
04:29
a phrase which is sometimes used to describe the generation of young people
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ื‘ื™ื˜ื•ื™ ื”ืžืฉืžืฉ ืœืขืชื™ื ืœืชื™ืื•ืจ ื“ื•ืจ ื”ืฆืขื™ืจื™ื
04:33
who became adults in or after the 2010s,
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ืฉื”ืคื›ื• ืœืžื‘ื•ื’ืจื™ื ื‘ืฉื ื•ืช ื”-2010 ืื• ืื—ืจื™ื”,
04:36
and who are considered by some to be easily upset and offended.
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ื•ืืฉืจ ื ื—ืฉื‘ื™ื ื‘ืขื™ื ื™ ื—ืœืงื ืœื›ืขื•ืกื™ื ื•ื ืขืœื‘ื™ื ื‘ืงืœื•ืช.
04:40
Now I can see how some costumes
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ืขื›ืฉื™ื• ืื ื™ ื™ื›ื•ืœ ืœืจืื•ืช ื›ืžื” ืชื—ืคื•ืฉื•ืช
04:42
are over the top and I donโ€™t want to spoil Halloween for anyone,
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ืžื•ื’ื–ืžื•ืช ื•ืื ื™ ืœื ืจื•ืฆื” ืœืงืœืงืœ ืืช ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ืœืืฃ ืื—ื“,
04:46
so Iโ€™ll stick with my bedsheet ghost.
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ืื– ืื ื™ ืืฉืืจ ืขื ืจื•ื— ื”ืจืคืื™ื ืฉืœ ื”ืกื“ื™ืŸ ืฉืœื™.
04:49
Anyway, isnโ€™t it time for you to reveal the answer to your question, Sam?
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ื‘ื›ืœ ืžืงืจื”, ื”ืื ืœื ื”ื’ื™ืข ื”ื–ืžืŸ ืฉืชื’ืœื” ืืช ื”ืชืฉื•ื‘ื” ืœืฉืืœืชืš, ืกื?
04:52
Yes, I asked why people started dressing up at Halloween in the first place,
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ื›ืŸ, ืฉืืœืชื™ ืœืžื” ืื ืฉื™ื ื”ืชื—ื™ืœื• ืœื”ืชืœื‘ืฉ ื‘ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ืžืœื›ืชื—ื™ืœื”,
04:57
and you said it was to hide from ghosts,
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ื•ืืžืจืช ืฉื–ื” ื›ื“ื™ ืœื”ืกืชืชืจ ืžืจื•ื—ื•ืช ืจืคืื™ื,
04:59
which wasโ€ฆ the correct answer!
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ื•ื–ื• ื”ื™ื™ืชื”... ื”ืชืฉื•ื‘ื” ื”ื ื›ื•ื ื”!
05:02
Hundreds of years ago, people thought that ghosts would try to return
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ืœืคื ื™ ืžืื•ืช ืฉื ื™ื, ืื ืฉื™ื ื—ืฉื‘ื• ืฉืจื•ื—ื•ืช ืจืคืื™ื ื™ื ืกื• ืœื—ื–ื•ืจ
05:06
to their old homes at Halloween.
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ืœื‘ืชื™ื”ื ื”ื™ืฉื ื™ื ื‘ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื.
05:07
People wore masks so that the ghosts would mistake them for other spirits!
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ืื ืฉื™ื ืœื‘ืฉื• ืžืกื›ื•ืช ื›ื“ื™ ืฉื”ืจื•ื—ื•ืช ื™ื˜ืขื• ื‘ื”ืŸ ืจื•ื—ื•ืช ืื—ืจื•ืช!
05:12
OK, letโ€™s recap the vocabulary weโ€™ve learned
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ื‘ืกื“ืจ, ื‘ื•ืื• ื ืกื›ื ืืช ืื•ืฆืจ ื”ืžื™ืœื™ื ืฉืœืžื“ื ื•
05:15
starting with trick-or-treating, the Halloween tradition
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ื”ื—ืœ ืžื˜ืจื™ืง ืื• ื˜ื™ืคื•ืœ, ืžืกื•ืจืช ืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื
05:18
of dressing up in creepy costumes and
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ืฉืœ ืœื”ืชืœื‘ืฉ ื‘ืชื—ืคื•ืฉื•ืช ืžืคื—ื™ื“ื•ืช ื•ืœื“ืคื•ืง
05:20
knocking on neighboursโ€™ doors shouting โ€˜trick or treatโ€™ for sweets and candy.
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ืขืœ ื“ืœืชื•ืช ื”ืฉื›ื ื™ื ื‘ืฆืขืงื•ืช 'ื˜ืจื™ืง ืื• ื˜ืคืœ' ืขื‘ื•ืจ ืžืžืชืงื™ื ื•ืžืžืชืงื™ื.
05:25
Over the top describes something which is too extreme,
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ืžืขืœ ืœืจืืฉ ืžืชืืจ ืžืฉื”ื• ืฉื”ื•ื ืงื™ืฆื•ื ื™ ืžื“ื™,
05:28
unsuitable or unacceptable.
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ืœื ืžืชืื™ื ืื• ืœื ืžืงื•ื‘ืœ.
05:30
The Grim Reaper is an imagined representation of Death
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ื”-Grim Reaper ื”ื•ื ื™ื™ืฆื•ื’ ื“ืžื™ื•ื ื™ ืฉืœ ื”ืžื•ื•ืช
05:34
and looks like a skeleton in a long, black cloak.
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ื•ื ืจืื” ื›ืžื• ืฉืœื“ ื‘ื’ืœื™ืžื” ืืจื•ื›ื” ื•ืฉื—ื•ืจื”.
05:37
A race to the bottom happens when companies compete with each other
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ืžื™ืจื•ืฅ ืœืชื—ืชื™ืช ืžืชืจื—ืฉ ื›ืืฉืจ ื—ื‘ืจื•ืช ืžืชื—ืจื•ืช ื‘ื™ื ื™ื”ืŸ
05:41
in order to sell as many products as cheaply as possible.
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ื›ื“ื™ ืœืžื›ื•ืจ ื›ืžื” ืฉื™ื•ืชืจ ืžื•ืฆืจื™ื ื‘ื–ื•ืœ ื›ื›ืœ ื”ืืคืฉืจ.
05:44
A halfway house is a compromise which includes
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ื‘ื™ืช ื‘ืืžืฆืข ื”ื“ืจืš ื”ื•ื ืคืฉืจื” ื”ื›ื•ืœืœืช
05:48
features of two contrasting ideas.
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ืชื›ื•ื ื•ืช ืฉืœ ืฉื ื™ ืจืขื™ื•ื ื•ืช ืžื ื•ื’ื“ื™ื.
05:50
And finally, the snowflake generation
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ื•ืœื‘ืกื•ืฃ, ื“ื•ืจ ืคืชื™ืชื™ ื”ืฉืœื’
05:52
is used by some people to refer to the present generation
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ืžืฉืžืฉ ืขืœ ื™ื“ื™ ืื ืฉื™ื ืžืกื•ื™ืžื™ื ื›ื“ื™ ืœื”ืชื™ื™ื—ืก ืœื“ื•ืจ ื”ื ื•ื›ื—ื™
05:56
of young people who they think lack resilience
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ืฉืœ ืฆืขื™ืจื™ื ืฉืœื“ืขืชื ื—ืกืจื™ ื—ื•ืกืŸ
05:58
and are easily upset.
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ื•ื”ื ื ืกืขืจื™ื ื‘ืงืœื•ืช.
06:00
Enjoy Halloween and donโ€™t get too scared!
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ืชื™ื”ื ื• ืžืœื™ืœ ื›ืœ ื”ืงื“ื•ืฉื™ื ื•ืืœ ืชืคื—ื“ื• ื™ื•ืชืจ ืžื“ื™!
06:03
Bye for now. Bye!
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ืœื”ืชืจืื•ืช ื‘ื™ื ืชื™ื™ื. ื‘ื™ื™!
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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