Hypnotism - 6 Minute English

63,341 views ใƒป 2021-07-08

BBC Learning English


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ. ื›ืชื•ื‘ื™ื•ืช ืžืชื•ืจื’ืžื•ืช ืžืชื•ืจื’ืžื•ืช ื‘ืžื›ื•ื ื”.

00:07
Hello. This is 6 Minute
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ืฉืœื•ื. ื–ื•ื”ื™ 6 ื“ืงื•ืช
00:09
English from BBC Learning
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ืื ื’ืœื™ืช ืžื‘ื™ืช BBC Learning
00:11
English. I'm Rob.
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English. ืื ื™ ืจื•ื‘.
00:13
And I'm Sam.
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ื•ืื ื™ ืกื.
00:14
Now, Sam, look into my
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ืขื›ืฉื™ื•, ืกื, ืชืกืชื›ืœ ืœืชื•ืš
00:15
eyes! You are feeling
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ืขื™ื ื™ื™! ืืชื” ืžืจื’ื™ืฉ
00:16
sleepy! Relax!
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ื™ืฉื ื•ื ื™! ืœึฐื”ึดืจึธื’ึทืข!
00:17
What are you doing, Rob?
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ืžื” ืืชื” ืขื•ืฉื”, ืจื•ื‘?
00:20
Trying to hypnotise me?
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ืžื ืกื” ืœื”ืคื ื˜ ืื•ืชื™?
00:23
Well, since hypnotism is
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ื•ื‘ื›ืŸ, ืžื›ื™ื•ื•ืŸ ืฉื”ื™ืคื ื•ื–ื” ื”ื™ื
00:24
the topic of this programme,
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ื”ื ื•ืฉื ืฉืœ ื”ืชื•ื›ื ื™ืช ื”ื–ื•,
00:26
I thought I'd give it a try! So
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ื—ืฉื‘ืชื™ ืœื ืกื•ืช ืื•ืชื”! ืื–
00:28
how do you feel, Sam?
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ืื™ืš ืืชื” ืžืจื’ื™ืฉ, ืกื?
00:29
Are you under my spell?
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ืืชื” ืชื—ืช ื”ื›ื™ืฉื•ืฃ ืฉืœื™?
00:30
Hmmm, I don't think so, Rob.
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ื”ืžืž, ืื ื™ ืœื ื—ื•ืฉื‘ ื›ืš, ืจื•ื‘.
00:33
It's not so easy to put me into
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ื–ื” ืœื ื›ืœ ื›ืš ืงืœ ืœื”ื›ื ื™ืก ืื•ืชื™
00:35
a hypnotic trance - that's the
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ืœื˜ืจืื ืก ื”ื™ืคื ื•ื˜ื™ โ€“ ื–ื•
00:38
word to describe the state of
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ื”ืžื™ืœื” ืœืชืืจ ืืช ืžืฆื‘ื•
00:40
mind of someone who's been
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ื”ืชื•ื“ืขืชื™ ืฉืœ ืžื™ืฉื”ื• ืฉืขื‘ืจ
00:42
hypnotised and isn't
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ืžื”ื•ืคื ื˜ ื•ืœื
00:43
completely in control.
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ืœื’ืžืจื™ ืฉื•ืœื˜ ื‘ื•.
00:45
You mean like those stage
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ืืชื” ืžืชื›ื•ื•ืŸ ื›ืžื• ืงื•ืกืžื™ ื”ื‘ืžื” ื”ืืœื”
00:46
magicians who trick people
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ืฉืžืขืจื™ื ืขืœ ืื ืฉื™ื
00:48
into clucking like a chicken
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ืœืฆืงืฆืง ื›ืžื• ืชืจื ื’ื•ืœืช
00:50
or playing an imaginary violin?
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ืื• ืœื ื’ืŸ ื‘ื›ื™ื ื•ืจ ื“ืžื™ื•ื ื™?
00:52
Yes, some hypnotists make
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ื›ืŸ, ื›ืžื” ืžื”ืคื ื˜ื™ื ื’ื•ืจืžื™ื ืœืื ืฉื™ื
00:54
people do silly things for
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ืœืขืฉื•ืช ื“ื‘ืจื™ื ืžื˜ื•ืคืฉื™ื ื‘ืฉื‘ื™ืœ
00:55
entertainment but hypnotism
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ื‘ื™ื“ื•ืจ, ืื‘ืœ ืœื”ื™ืคื ื•ื˜
00:57
has real benefits as
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ื™ืฉ ื’ื ื™ืชืจื•ื ื•ืช ืืžื™ืชื™ื™ื
00:59
well - curing phobias,
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- ืจื™ืคื•ื™ ืคื•ื‘ื™ื•ืช,
01:01
for example.
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ืœืžืฉืœ.
01:03
Maybe so, but for other people
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ืื•ืœื™ ื›ืŸ, ืื‘ืœ ืขื‘ื•ืจ ืื ืฉื™ื ืื—ืจื™ื
01:04
the very idea of a hypnotic
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ืขืฆื ื”ืจืขื™ื•ืŸ ืฉืœ
01:06
trance is nonsense. And even if
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ื˜ืจืื ืก ื”ื™ืคื ื•ื˜ื™ ื”ื•ื ืฉื˜ื•ื™ื•ืช. ื•ื’ื ืื
01:09
hypnotism is real, why would you
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ื”ื™ืคื ื•ื–ื” ืืžื™ืชื™ืช, ืœืžื”
01:11
let a complete stranger
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ืฉืชื›ื ื™ืก ืœืื“ื ื–ืจ ืžื•ื—ืœื˜
01:13
inside your head?
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ืœืจืืฉ ืฉืœืš?
01:14
Don't worry, Rob. I won't
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ืืœ ืชื“ืื’, ืจื•ื‘. ืื ื™ ืœื
01:16
make you cluck like a chicken!
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ืื’ืจื•ื ืœืš ืœืฆืงืฆืง ื›ืžื• ืชืจื ื’ื•ืœืช!
01:18
Please don't! At least, not
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ื‘ื‘ืงืฉื” ืืœ! ืœืคื—ื•ืช, ืœื
01:20
before my quiz question,
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ืœืคื ื™ ืฉืืœืช ื”ื—ื™ื“ื•ืŸ ืฉืœื™,
01:21
which is about a well-known
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ืฉืขื•ืกืงืช
01:23
20th century hypnotist.
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ื‘ืžื”ืคื ื˜ ื™ื“ื•ืข ืžื”ืžืื” ื”-20.
01:26
One of the first Europeans
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ืื—ื“ ื”ืื™ืจื•ืคื™ื ื”ืจืืฉื•ื ื™ื
01:27
to hypnotise people, this
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ืฉื”ืคื ื˜ ืื ืฉื™ื,
01:28
man became so famous that
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ื”ืื™ืฉ ื”ื–ื” ื”ืชืคืจืกื ืขื“ ื›ื“ื™ ื›ืš ืฉืฉืžื• ื ืงืฉืจ
01:30
his name is forever associated
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ืœื ืฆื—
01:32
with hypnotic trances - but
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ื‘ื˜ืจื ืกื™ื ื”ื™ืคื ื•ื˜ื™ื™ื - ืื‘ืœ
01:35
who was he? Was it:
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ืžื™ ื”ื•ื ื”ื™ื”? ื”ืื ื–ื” ื”ื™ื”:
01:37
a) Sigmund Freud?,
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ื) ื–ื™ื’ืžื•ื ื“ ืคืจื•ื™ื“?,
01:38
b) Franz Mesmer?, or
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ื‘) ืคืจื ืฅ ืžืกืžืจ?, ืื•
01:40
c) Harry Houdini?
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ื’) ื”ืืจื™ ื”ื•ื“ื™ื ื™?
01:42
Well, people who want to
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ื•ื‘ื›ืŸ, ืื ืฉื™ื ืฉืจื•ืฆื™ื
01:44
quit smoking sometimes use
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ืœื”ืคืกื™ืง ืœืขืฉืŸ ืžืฉืชืžืฉื™ื ืœืคืขืžื™ื
01:46
a kind of therapy involving
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ื‘ืกื•ื’ ืฉืœ ื˜ื™ืคื•ืœ ื”ื›ืจื•ืš
01:49
hypnotism, so maybe it's
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ื‘ื”ื™ืคื ื•ื–ื”, ืื– ืื•ืœื™ ื–ื”
01:50
a) Sigmund Freud!
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ื) ื–ื™ื’ืžื•ื ื“ ืคืจื•ื™ื“!
01:53
OK, we'll find out if that's right
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ื‘ืกื“ืจ, ื ื’ืœื” ืื ื–ื” ื ื›ื•ืŸ
01:55
at the end of the programme.
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ื‘ืกื•ืฃ ื”ืชื•ื›ื ื™ืช.
01:58
One question that's often
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ืฉืืœื” ืื—ืช ืฉื ืฉืืœืช ืœืขืชื™ื ืงืจื•ื‘ื•ืช
01:59
asked is whether anyone can
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ื”ื™ื ื”ืื ื›ืœ ืื—ื“ ื™ื›ื•ืœ
02:01
be hypnotised - or are there
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ืœื”ื™ื•ืช ืžื”ื•ืคื ื˜ - ืื• ืฉื™ืฉ
02:03
people, maybe like you, Sam,
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ืื ืฉื™ื, ืื•ืœื™ ื›ืžื•ืš, ืกื,
02:05
who are less hypnotisable
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ืฉืคื—ื•ืช ื ื™ืชื ื™ื ืœื”ืคื ื˜
02:07
than others?
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ืžืื—ืจื™ื?
02:08
Professor Amir Raz is a
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ืคืจื•ืคืกื•ืจ ืืžื™ืจ ืจื– ื”ื•ื
02:09
psychiatrist at The Brain
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ืคืกื™ื›ื™ืื˜ืจ
02:11
Institute in Orange County,
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ื‘ืžื›ื•ืŸ ื”ืžื•ื— ื‘ืžื—ื•ื– ืื•ืจื ื’',
02:13
California. According to him,
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ืงืœื™ืคื•ืจื ื™ื”. ืœื“ื‘ืจื™ื•,
02:15
there are two things which
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ื™ืฉื ื ืฉื ื™ ื“ื‘ืจื™ื
02:17
explain what makes one
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ืฉืžืกื‘ื™ืจื™ื ืžื” ื”ื•ืคืš
02:18
person more or less
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ืื“ื ืื—ื“ ืœื™ื•ืชืจ ืื• ืคื—ื•ืช
02:21
hypnotisable than another,
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ืžื”ืคื ื˜ ืžืื—ืจ,
02:23
as he told BBC World
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ื›ืคื™ ืฉืืžืจ ืœืชื•ื›ื ื™ืช BBC World
02:25
Service programme,
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Service,
02:26
The Why Factor.
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The Why Factor.
02:27
And listen out for the
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ื•ื”ืงืฉื™ื‘ื•
02:28
first thing he mentions:
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ืœื“ื‘ืจ ื”ืจืืฉื•ืŸ ืฉื”ื•ื ืžื–ื›ื™ืจ:
02:31
Initially people thought
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ื‘ืชื—ื™ืœื” ืื ืฉื™ื ื—ืฉื‘ื•
02:32
that if you're very intelligent
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ืฉืื ืืชื” ืžืื•ื“ ืื™ื ื˜ืœื™ื’ื ื˜ื™,
02:33
you're likely to be less
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ืกื‘ื™ืจ ืœื”ื ื™ื— ืฉืชื”ื™ื” ืคื—ื•ืช
02:34
suggestible; if you are male
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ืจืžื–; ืื ืืชื” ื–ื›ืจ,
02:36
you're likely to be less
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ืกื‘ื™ืจ ืœื”ื ื™ื— ืฉืชื”ื™ื” ืคื—ื•ืช
02:37
suggestible than if you're
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ืจืžื– ืžืืฉืจ ืื ืืชื”
02:39
female; and so on. These
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ื ืงื‘ื”; ื•ื›ื•ืœื™. ืืœื”
02:40
have been largely dismissed.
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ื ื“ื—ื• ื‘ืจื•ื‘ื.
02:42
In fact, it's about two things.
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ืœืžืขืฉื”, ืžื“ื•ื‘ืจ ื‘ืฉื ื™ ื“ื‘ืจื™ื.
02:44
First, absorption.
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ืจืืฉื™ืช, ืกืคื™ื’ื”.
02:46
Your ability to get engrossed
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ื”ื™ื›ื•ืœืช ืฉืœืš ืœื”ื™ื•ืช ืฉืงื•ืขื”
02:48
in a particular activity - we
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ื‘ืคืขื™ืœื•ืช ืžืกื•ื™ืžืช -
02:49
all know people who are
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ื›ื•ืœื ื• ืžื›ื™ืจื™ื ืื ืฉื™ื ืฉืžืกื•ื’ืœื™ื
02:50
capable of reading a book
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ืœืงืจื•ื ืกืคืจ
02:52
and losing track of time, we
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ื•ืœืื‘ื“ ืืช ืชื—ื•ืฉืช ื”ื–ืžืŸ, ืื ื—ื ื•
02:54
know the same thing about
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ื™ื•ื“ืขื™ื ืื•ืชื• ื“ื‘ืจ ืขืœ
02:55
people who are watching
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ืื ืฉื™ื ืฉืฆื•ืคื™ื
02:56
a film and beginning to cry,
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ื‘ืกืจื˜ ื•ืžืชื—ื™ืœื™ื ืœื‘ื›ื•ืช,
02:58
having all these emotional
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ืฉื™ืฉ ืœื”ื ืืช ื›ืœ ื”ืชื’ื•ื‘ื•ืช ื”ืจื’ืฉื™ื•ืช ื”ืืœื”
02:59
reactions, again getting very
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, ืฉื•ื‘ ื ืฉืื‘ ืžืื•ื“
03:00
much sucked into the
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03:01
scene and being riveted.
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ืœืกืฆื™ื ื” ื•ื ืจืชื.
03:04
People often think you
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ืœืขืชื™ื ืงืจื•ื‘ื•ืช ืื ืฉื™ื ื—ื•ืฉื‘ื™ื ืฉืืชื”
03:05
can be easily hypnotised
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ื™ื›ื•ืœ ืœื”ื™ื•ืช ืžื”ื•ืคื ื˜ ื‘ืงืœื•ืช
03:07
if you are suggestible, or
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ืื ืืชื” ื–ืžื™ืŸ, ืื•
03:10
easily influenced by others.
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ืžื•ืฉืคืข ื‘ืงืœื•ืช ืžืื—ืจื™ื.
03:12
In fact, hypnotism is
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ืœืžืขืฉื”, ื”ื™ืคื ื•ื–ื”
03:14
about two things. Did
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ืขื•ืกืงืช ื‘ืฉื ื™ ื“ื‘ืจื™ื.
03:15
you hear the first thing, Sam?
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ืฉืžืขืช ืืช ื”ื“ื‘ืจ ื”ืจืืฉื•ืŸ, ืกื?
03:17
Yes - it's getting absorbed;
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ื›ืŸ - ื–ื” ื”ื•ืœืš ื•ื ืงืœื˜;
03:20
so absorbed that you lose
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ื›ืœ ื›ืš ื ืงืœื˜ ืฉืืชื” ืžืื‘ื“ ืืช
03:22
track of time - become so
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ืชื—ื•ืฉืช ื”ื–ืžืŸ - ื”ื•ืคืš ื›ืœ ื›ืš
03:24
occupied with something
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ืขืกื•ืง ื‘ืžืฉื”ื•
03:25
that you are unaware of
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ืฉืืชื” ืœื ืžื•ื“ืข
03:27
the passing time.
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ืœื–ืžืŸ ื”ื—ื•ืœืฃ.
03:28
And getting absorbed
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ื•ืœื”ื™ืกืคื’
03:30
can also mean you get
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ื™ื›ื•ืœ ืœื”ื™ื•ืช ื’ื ืื•ืžืจ ืฉืืชื”
03:31
sucked into something -
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ื ืฉืื‘ ืœืžืฉื”ื• -
03:33
become involved in a
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ืœื”ื™ื•ืช ืžืขื•ืจื‘
03:34
situation when you do
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ื‘ืžืฆื‘ ืฉืืชื”
03:35
not want to be involved.
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ืœื ืจื•ืฆื” ืœื”ื™ื•ืช ืžืขื•ืจื‘.
03:37
Stage hypnotists often
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ืžื”ืคื ื˜ื™ ื‘ืžื” ืžื“ื‘ืจื™ื ืœืขืชื™ื ืงืจื•ื‘ื•ืช
03:38
speak in a soothing, gentle
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03:40
ways to help this process
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ื‘ื“ืจื›ื™ื ืžืจื’ื™ืขื•ืช ื•ืขื“ื™ื ื•ืช ื›ื“ื™ ืœืขื–ื•ืจ ืœืชื”ืœื™ืš ื”ื–ื”
03:42
of getting someone
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ืฉืœ
03:43
absorbed or sucked in!
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ืœื”ื™ืกืคื’ ืื• ืœื”ื™ืฉืื‘ ืคื ื™ืžื” ืฉืœ ืžื™ืฉื”ื•!
03:45
But according to Professor
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ืื‘ืœ ืœื“ื‘ืจื™ ืคืจื•ืคืกื•ืจ
03:47
Raz, there's a second
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ืจื–, ื™ืฉ
03:48
important part to
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ื—ืœืง ื—ืฉื•ื‘ ืฉื ื™
03:49
being hypnotised: attention.
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ื‘ื”ืคื ื˜: ืชืฉื•ืžืช ืœื‘.
03:53
Listen to the definition
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ื”ืงืฉื™ื‘ื• ืœื”ื’ื“ืจืช
03:54
of attention Professor
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ืชืฉื•ืžืช ื”ืœื‘ ืฉืคืจื•ืคืกื•ืจ
03:55
Raz gives to BBC World
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ืจื– ื ื•ืชืŸ ืœืชื•ื›ื ื™ืช ื”ืฉื™ืจื•ืช ื”ืขื•ืœืžื™ ืฉืœ ื”-BBC
03:57
Service programme,
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,
03:58
The Why Factor:
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The Why Factor:
04:00
The ability to get
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ื”ื™ื›ื•ืœืช
04:01
focused, to concentrate
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ืœื”ืชืจื›ื–, ืœื”ืชืจื›ื–
04:03
and hone in on
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ื•ืœื—ื“ื“
04:05
particular, select pieces
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ืคื™ืกื•ืช
04:07
of information to the
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ืžื™ื“ืข ืกืคืฆื™ืคื™ื•ืช, ืœืœื
04:08
exclusion of others.
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ื”ื“ืจืช ืื—ืจื™ื.
04:11
Besides the relaxed,
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ืžืœื‘ื“
04:12
dream-like feeling of
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ื”ืชื—ื•ืฉื” ื”ื ื™ื ื•ื—ื” ื•ื”ื—ืœื•ืžื™ืช ืฉืœ
04:14
being absorbed, what's
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ื ืกืคื’ื™ื, ืžื”
04:15
also needed is the
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ืฉื“ืจื•ืฉ ื’ื ื”ื•ื
04:16
concentration to
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ื”ืจื™ื›ื•ื– ื›ื“ื™
04:18
hone in on something,
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ืœื—ื“ื“ ืžืฉื”ื•,
04:20
in other words, to give
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ื‘ืžื™ืœื™ื ืื—ืจื•ืช, ืœืชืช
04:21
it your full attention.
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ืœื• ืืช ืžืœื•ื ืชืฉื•ืžืช ื”ืœื‘.
04:22
What you hone in on
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ืžื” ืฉืืชื” ืžื—ื“ื“
04:24
could be the way the
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ื™ื›ื•ืœ ืœื”ื™ื•ืช ื”ื“ืจืš ื‘ื”
04:25
hypnotist speaks, like
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ื”ืžื”ืคื ื˜ ืžื“ื‘ืจ, ื›ืžื•
04:27
how Rob said, 'Look into
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ืื™ืš ืจื•ื‘ ืืžืจ, 'ืชืกืชื›ืœ ืœืชื•ืš
04:29
my eyes!' at the beginning
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ืขื™ื ื™ื™!' ื‘ืชื—ื™ืœืช
04:31
of the programme.
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ื”ืชื•ื›ื ื™ืช.
04:33
Or it could be some
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ืื• ืฉื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช
04:34
other object, like a
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ื—ืคืฅ ืื—ืจ, ื›ืžื•
04:35
moving finger, a
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ืืฆื‘ืข ื ืขื”,
04:36
pendulum or a swinging
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ืžื˜ื•ื˜ืœืช ืื•
04:37
watch that some
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ืฉืขื•ืŸ ืžืชื ื“ื ื“ ืฉื—ืœืง
04:39
hypnotists use.
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ืžื”ืคื ื˜ื™ื ืžืฉืชืžืฉื™ื ื‘ื•.
04:40
Well, I don't feel
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ื•ื‘ื›ืŸ, ืื ื™ ืœื ืžืจื’ื™ืฉ
04:42
hypnotised, Rob, but
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ืžื”ื•ืคื ื˜, ืจื•ื‘, ืื‘ืœ
04:43
I'm certainly focused
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ืื ื™ ื‘ื”ื—ืœื˜ ืžืจื•ื›ื–
04:44
on one thing - my lunch!
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ื‘ื“ื‘ืจ ืื—ื“ - ืืจื•ื—ืช ื”ืฆื”ืจื™ื™ื ืฉืœื™!
04:46
So come on, tell me -
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ืื– ื™ืืœืœื”, ืชื’ื™ื“ ืœื™ -
04:48
what's the correct answer
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ืžื” ื”ืชืฉื•ื‘ื” ื”ื ื›ื•ื ื”
04:49
to the quiz question?
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ืœืฉืืœืช ื”ื—ื™ื“ื•ืŸ?
04:50
OK, Sam. I asked you
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ื‘ืกื“ืจ, ืกื. ืฉืืœืชื™ ืื•ืชืš
04:52
which hypnotist was
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ืื™ื–ื” ืžื”ืคื ื˜ ื”ื™ื”
04:53
so famous that his name
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ื›ืœ ื›ืš ืžืคื•ืจืกื ืฉืฉืžื•
04:55
became used as a verb.
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ื”ืคืš ืœืคื•ืขืœ.
04:56
And what did you say?
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ื•ืžื” ืืžืจืช?
04:58
I guessed it was
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ื ื™ื—ืฉืชื™ ืฉื–ื”
04:59
a) Sigmund Freud.
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ื) ื–ื™ื’ืžื•ื ื“ ืคืจื•ื™ื“.
05:00
It was a good guess -
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ื–ื” ื”ื™ื” ื ื™ื—ื•ืฉ ื˜ื•ื‘ -
05:02
but the correct answer
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ืื‘ืœ ื”ืชืฉื•ื‘ื” ื”ื ื›ื•ื ื”
05:03
was b) a German doctor
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ื”ื™ื™ืชื” ื‘) ืจื•ืคื ื’ืจืžื ื™
05:04
called, Franz Mesmer.
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ื”ืชืงืฉืจ, ืคืจื ืฅ ืžืกืžืจ.
05:06
Of course! And the
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ื›ืžื•ื‘ืŸ!
05:08
word named after him
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ื•ื”ืžื™ืœื” ืฉื ืงืจืืช ืขืœ ืฉืžื•
05:09
was mesmerised - to
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ื”ื™ื™ืชื” ืžื”ื•ืคื ื˜ืช - ื›ื“ื™ ืฉืชืฉื•ืžืช
05:11
have your attention
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ื”ืœื‘ ืฉืœืš ืชื”ื™ื”
05:12
completely fixed so
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ืงื‘ื•ืขื” ืœื’ืžืจื™ ื›ื“ื™
05:14
that you can't
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ืฉืœื ืชื•ื›ืœ
05:15
think of anything else.
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ืœื—ืฉื•ื‘ ืขืœ ืฉื•ื ื“ื‘ืจ ืื—ืจ.
05:17
Well, that might be a
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ื•ื‘ื›ืŸ, ื–ื• ืขืœื•ืœื” ืœื”ื™ื•ืช
05:18
problem if you want to
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ื‘ืขื™ื” ืื ืืชื ืจื•ืฆื™ื
05:19
remember this vocabulary,
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ืœื–ื›ื•ืจ ืืช ืื•ืฆืจ ื”ืžื™ืœื™ื ื”ื–ื”,
05:21
so let's recap the words
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ืื– ื‘ื•ืื• ื ืกื›ื ืืช ื”ืžื™ืœื™ื
05:22
we've learned, starting
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ืฉืœืžื“ื ื•, ื”ื—ืœ
05:24
with trance - a state of
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ื‘ื˜ืจืื ืก - ืžืฆื‘
05:26
consciousness in which
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ืชื•ื“ืขื” ืฉื‘ื•
05:27
you are not completely
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ืื™ื ื›ื
05:29
aware or in control.
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ืžื•ื“ืขื™ื ืœื—ืœื•ื˜ื™ืŸ ืื• ื‘ืฉืœื™ื˜ื”.
05:31
Someone who is
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ืžื™ืฉื”ื• ืฉื ื™ืชืŸ
05:32
suggestible is easily
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ืœื”ืฆื™ืข
05:33
influenced by other people.
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ืžื•ืฉืคืข ื‘ืงืœื•ืช ืžืื ืฉื™ื ืื—ืจื™ื.
05:36
When you lose track of time,
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ื›ืืฉืจ ืืชื” ืžืื‘ื“ ืืช ืชื—ื•ืฉืช ื”ื–ืžืŸ,
05:37
you become so absorbed
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ืืชื” ื ืงืœื˜ ื›ืœ ื›ืš
05:39
with something that you
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ื‘ืžืฉื”ื• ืฉืืชื”
05:40
are unaware of time passing.
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ืœื ืžื•ื“ืข ืœื–ืžืŸ ืฉืขื•ื‘ืจ.
05:42
And you might get sucked in -
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ื•ืืชื” ืขืœื•ืœ ืœื”ื™ืฉืื‘ ืคื ื™ืžื” -
05:44
become involved in a
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ืœื”ื™ื•ืช ืžืขื•ืจื‘
05:45
situation that you
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ื‘ืžืฆื‘ ืฉืืชื”
05:46
don't want to.
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ืœื ืจื•ืฆื”.
05:48
Hypnotism also depends
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ื”ื™ืคื ื•ื–ื” ืชืœื•ื™ื” ื’ื
05:49
on concentration and the
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ื‘ืจื™ื›ื•ื– ื•ื‘ื™ื›ื•ืœืช
05:51
ability to hone in on
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ืœื—ื“ื“
05:52
something - to give
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ืžืฉื”ื• - ืœืชืช
05:54
something your full attention...
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ืœืžืฉื”ื• ืืช ืžืœื•ื ืชืฉื•ืžืช ื”ืœื‘ ืฉืœืš...
05:56
, ...until you're mesmerised - you
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, ... ืขื“ ืฉืืชื” ืžื”ื•ืคื ื˜ -
05:58
have your attention completely
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ืชืฉื•ืžืช ื”ืœื‘ ืฉืœืš
05:59
fixed so that you cannot
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ืžืงื•ื‘ืขืช ืœื—ืœื•ื˜ื™ืŸ ื›ืš ืฉืืชื” ืœื ื™ื›ื•ืœ
06:01
think of anything else.
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ืœื—ืฉื•ื‘ ืขืœ ืฉื•ื ื“ื‘ืจ ืื—ืจ.
06:03
That's all for this hypnotic
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ื–ื” ื”ื›ืœ ืœืžืกืข ื”ื”ื™ืคื ื•ื˜ื™ ื”ื–ื”
06:04
journey. Bye for now!
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. ืœื”ืชืจืื•ืช ื‘ื™ื ืชื™ื™ื!
06:05
Bye bye!
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ื‘ื™ื™ ื‘ื™ื™!

Original video on YouTube.com
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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