A one-man musical phenomenon | Jacob Collier

1,087,689 views ใƒป 2018-02-07

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Eunnara Cho ๊ฒ€ํ† : Jihyeon J. Kim
00:14
(Music)
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(์Œ์•…)
01:34
(Singing) I was walking down the line,
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(๋…ธ๋ž˜)๊ธธ์„ ๋”ฐ๋ผ ๊ฑท๊ณ  ์žˆ์—ˆ์–ด์š”.
01:41
trying to find some peace of mind.
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๋งˆ์Œ์˜ ํ‰ํ™”๋ฅผ ์ฐพ์œผ๋ ค ์• ์“ฐ๊ณ  ์žˆ์—ˆ์ฃ .
01:47
Then I saw you.
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๊ทธ๋Ÿฌ๋‹ค ๋‹น์‹ ์„ ๋ณด์•˜์ฃ .
01:51
You were takin' it slow and walkin' it one step at a time.
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์ฒœ์ฒœํžˆ ํ•œ ๊ฑธ์Œ ํ•œ ๊ฑธ์Œ ์˜ฎ๊ธฐ๋˜ ๋‹น์‹ ์„์š”.
02:00
I said, "Listen, stranger,
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๋‚œ ๋งํ–ˆ์–ด์š”. "๋“ค์–ด๋ด์š”, ๋‚ฏ์„  ์ด์—ฌ,
02:04
I'm feeling low now.
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์ „ ์ง€๊ธˆ ์˜๊ธฐ์†Œ์นจํ•ด์š”.
02:07
I don't know which way to go."
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๋‚ด๊ฐ€ ๊ฐ€์•ผ ํ•  ๊ธธ์„ ์•Œ ์ˆ˜ ์—†์–ด์š”."
02:14
I said, "If you're lost now,
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๋‚œ ๋งํ–ˆ์ฃ . "๋‹น์‹ ์ด ๊ธธ์„ ์žƒ์—ˆ๋‹ค๋ฉด,
02:18
maybe I could help you along and sing you a song,
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์–ด์ฉŒ๋ฉด ์ œ๊ฐ€ ๋‹น์‹  ๊ณ์—์„œ ๋„์šฐ๋ฉฐ ๋˜ ๋…ธ๋ž˜๋„ ๋ถˆ๋Ÿฌ์ฃผ๊ณ ,
02:21
and move you on and on and on."
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์ด ๊ณ„์† ๋‚˜์•„๊ฐ€๋„๋ก ํ• ๊ฒŒ์š”."
02:27
Singing down the line.
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๊ธธ์„ ๋”ฐ๋ผ ๋…ธ๋ž˜๋ฅผ ๋ถˆ๋Ÿฌ์š”.
02:32
Where shall we go? Where shall we go?
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์šฐ๋ฆฐ ์–ด๋””๋กœ ๊ฐ€์•ผํ• ๊นŒ? ์šฐ๋ฆฐ ์–ด๋””๋ฅผ ํ–ฅํ•ด์•ผ์ง€?
02:42
She said, "I'm looking for a kind of shelter.
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๊ทธ๋…€๋Š” ๋งํ–ˆ์–ด์š”. "๋‚œ ์‰ด ๊ณณ์„ ์ฐพ๊ณ  ์žˆ์–ด์š”.
02:46
A place for me to call my own.
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๋‚ด ์ง‘ ๊ฐ™์ด ํŽธํ•œ ๊ทธ๊ณณ์„์š”.
02:50
I've been walking all night long,
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๋ฐค์„ ์ง€์ƒˆ๋ฉฐ ๊ฑธ์–ด์˜ค๋Š” ๊ธธ์ด์—์š”.
02:52
but I don't know where to call my home."
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ํ•˜์ง€๋งŒ ๋‚˜์˜ ์ง‘์ด ์–ด๋””์ธ์ง€ ์•Œ ์ˆ˜ ์—†์–ด์š”.
02:57
"The only way to find that place
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๊ทธ ๊ณณ์„ ์ฐพ์„ ์ˆ˜ ์žˆ๋Š” ๋‹จ ํ•˜๋‚˜์˜ ๊ธธ์€
02:59
is close to where my heart is.
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๋‚ด ๋งˆ์Œ์ด ํ–ฅํ•˜๋Š” ๊ทธ ๊ธธ์— ๊ฐ€๊นŒ์šธ ๊ฑฐ์—์š”.
03:03
I know I'm gonna get there,
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๋‚œ ๊ทธ ๊ณณ์— ๊ฐ€๋ฆฌ๋ผ๋Š” ๊ฑธ ์•Œ์•„์š”.
03:06
but I've got to keep on walking down the line."
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ํ•˜์ง€๋งŒ ์ง€๊ธˆ์€ ๊ณ„์† ์ด ๊ธธ์„ ๋”ฐ๋ผ ๊ฑธ์–ด์•ผ๋งŒ ํ•ด์š”.
03:28
Down the line.
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์ด ๊ธธ์„ ๋”ฐ๋ผ
03:44
Down the line.
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์ด ๊ธธ์„ ๋”ฐ๋ผ
04:00
Thank you so much.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
04:01
(Applause)
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(๋ฐ•์ˆ˜)
04:08
How's everybody feeling today? You feeling good?
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๋‹ค๋“ค ์˜ค๋Š˜ ์–ด๋– ์„ธ์š”? ์ข‹์€๊ฐ€์š”?
04:11
(Cheers)
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(ํ™˜ํ˜ธ)
04:12
Fantastic. Would everybody mind singing with me for just one second?
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์ข‹๋„ค์š”. ์ œ๊ฐ€ ์ž ๊น๋งŒ ์—ฌ๋Ÿฌ๋ถ„๊ณผ ๊ฐ™์ด ๋…ธ๋ž˜ํ•ด๋„ ๋ ๊นŒ์š”?
04:15
Could you sing something? Could you sing a D?
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๋…ธ๋ž˜ํ•  ์ˆ˜ ์žˆ๊ฒ ์–ด์š”? D ์ฝ”๋“œ ๋‚ผ ์ˆ˜ ์žˆ์„๊นŒ์š”?
04:17
Sing "Ooh."
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"์šฐ" ํ•ด๋ด์š”.
04:19
(Audience hums)
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(ํฅ์–ผ๊ฑฐ๋ฆฌ๋Š” ๊ด€๊ฐ๋“ค)
04:27
Oh -- louder for me, louder for me.
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์˜ค, ์กฐ๊ธˆ ๋” ํฌ๊ฒŒ์š”. ์กฐ๊ธˆ ๋” ํฌ๊ฒŒ.
04:29
(Singing) Oh.
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(๋…ธ๋ž˜ํ•˜๋“ฏ) ์˜ค.
04:36
Now, please, if you could sing,
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๋…ธ๋ž˜ํ•˜์‹ค ์ˆ˜ ์žˆ๋Š” ๋ถ„๋“ค์€ ํ•ด์ฃผ์„ธ์š”
04:38
"Oh oh oh."
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"์˜ค ์˜ค ์˜ค"
04:41
Audience: Oh oh oh.
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(์˜ค ์˜ค ์˜ค)
04:44
Jacob Collier: Whoa oh oh.
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์›Œ ์˜ค ์˜ค
04:47
Audience: Whoa oh oh.
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(์›Œ ์˜ค ์˜ค)
04:50
JC: Sing, "Whoa oh."
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์šฐ์›Œ ์˜ค
04:53
Audience: Whoa oh.
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(์šฐ์›Œ ์˜ค)
04:55
JC: Oh oh oh.
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์˜ค ์˜ค ์˜ค
04:58
Audience: Oh oh oh.
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(์˜ค ์˜ค ์˜ค)
05:01
JC: Sing, "Whoa oh oh."
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๋…ธ๋ž˜ํ•ด์ฃผ์„ธ์š”. "์›Œ ์˜ค ์˜ค"
05:04
Audience: Whoa oh oh.
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(์›Œ ์˜ค ์˜ค)
05:06
JC: Sing, "Whoa oh oh."
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"์›Œ์–ด ์˜ค ์˜ค"
05:10
Audience: Whoa oh oh.
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(์›Œ์–ด ์˜ค ์˜ค)
05:12
JC: Whoa oh oh.
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"์›Œ์–ด ์˜ค ์˜ค"
05:15
Audience: Whoa oh oh.
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(์›Œ์–ด ์˜ค ์˜ค)
05:18
JC: Sing, "Whoa oh oh."
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"์›Œ์–ด ์˜ค ์˜ค"
05:22
Audience: Whoa oh oh.
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(์›Œ์–ด ์˜ค ์˜ค)
05:28
Thank you so much. That's beautiful. Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ์•„๋ฆ„๋‹ค์›Œ์š”. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
05:30
(Applause)
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(๋ฐ•์ˆ˜)
05:32
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
05:33
So do you feel that motion?
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๋‹ค๋“ค ์›€์ง์ž„์„ ๋Š๋ผ์…จ๋‚˜์š”?
05:35
Do you feel yourself as part of that motion,
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์ž์‹ ์ด ๊ทธ ์›€์ง์ž„์˜ ์ผ๋ถ€๋ผ๊ณ  ๋Š๋ผ์…จ๋‚˜์š”?
05:37
things moving underneath the surface?
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ํ‘œ๋ฉด ์•„๋ž˜๋กœ ์›€์ง์ด๋Š” ๊ทธ ๋Š๋‚Œ์ด์š”.
05:39
So the language of musical harmony is an absolutely extraordinary one.
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์Œ์•…์  ํ™”์„ฑ์ด ์ฃผ๋Š” ์–ธ์–ด๋Š” ์ •๋ง ํŠน๋ณ„ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค
05:42
It's a way of navigating one's emotional frameworks,
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์‚ฌ๋žŒ์˜ ๊ฐ์ •์  ๋ผˆ๋Œ€๋ฅผ ํƒ์ƒ‰ํ•˜๋Š” ๋ฐฉ๋ฒ•์ด์ฃ .
05:44
but without the need to put things into words,
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ํ•˜์ง€๋งŒ ๊ทธ๊ฒƒ์„ ๋ง๋กœ ์˜ฎ๊ธธ ํ•„์š”๋Š” ์—†์Šต๋‹ˆ๋‹ค
05:47
and I think that, as with many other languages,
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์ €๋Š” ๋‹ค๋ฅธ ๋งŽ์€ ์–ธ์–ด๋“ค์ด ๊ทธ๋ ‡๋“ฏ
05:49
it doesn't matter how much you know about a language.
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์—ฌ๋Ÿฌ๋ถ„์ด ๊ทธ ์–ธ์–ด๋ฅผ ์–ผ๋งˆ๋‚˜ ์•„๋Š๋ƒ๋Š” ์ค‘์š”ํ•˜์ง€ ์•Š๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
05:51
It doesn't matter how many words you can say,
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์–ผ๋งˆ๋‚˜ ๋งŽ์€ ๋‹จ์–ด๋ฅผ ๋ง ํ•  ์ˆ˜ ์žˆ๋Š”์ง€๋Š” ์ค‘์š”์น˜ ์•Š์•„์š”
05:53
how many phrases you know.
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์–ผ๋งˆ๋‚˜ ๋งŽ์€ ๊ตฌ๋ฅผ ์•Œ๊ณ  ์žˆ๋Š”์ง€๋„์š”.
05:55
What matters is the emotional choices you make with this language.
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์ค‘์š”ํ•œ ๊ฒƒ์€ ์—ฌ๋Ÿฌ๋ถ„์ด ์ด ์–ธ์–ด์™€ ๋งŒ๋“ค์–ด๋‚ด๋Š” ๊ฐ์ •์ ์ธ ์„ ํƒ์ž…๋‹ˆ๋‹ค
05:58
So I encourage us to embrace this idea as a community,
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๊ทธ๋ž˜์„œ ์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„์ด ์ด ์•„์ด๋””์–ด๋ฅผ ํ•˜๋‚˜์˜ ์ปค๋ฎค๋‹ˆํ‹ฐ๋กœ ๋ฐ›์•„๋“ค์ด๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค
06:00
which is the thing which in time may grow us towards
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์šฐ๋ฆฌ๋ฅผ ์ด์œฝ๊ณ  ๋‚˜์•„๊ฐ€๊ฒŒ ํ•ด์ฃผ๋Š” ๊ฒƒ์œผ๋กœ์š”
06:03
as opposed to away from our own humanity.
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์šฐ๋ฆฌ์˜ ์ธ๊ฐ„์ ์ธ ๋ฉด๊ณผ๋Š” ๋ฐ˜๋Œ€์˜ ๋ฐฉํ–ฅ์œผ๋กœ์š”.
06:05
Thank you so much.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
06:06
(Applause)
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(๋ฐ•์ˆ˜)
06:11
(Music)
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(์Œ์•…)
06:24
(Singing) Take me
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(๋…ธ๋ž˜) ๋‚˜๋ฅผ ๋ฐ๋ ค๊ฐ€์š”
06:32
anywhere you want to go.
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๊ทธ๋Œ€๊ฐ€ ์›ํ•˜๋Š” ๊ณณ ์–ด๋””๋“ ์ง€
06:41
You know that my love is strong.
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๋‚ด ์‚ฌ๋ž‘์ด ๊ฐ•ํ•˜๋‹จ ๊ฑธ ๋‹น์‹ ์€ ์•Œ๊ณ  ์žˆ์ฃ .
06:47
In my hideaway.
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์ˆจ๊ฒจ์ง„ ๋‚ด ๊นŠ์€ ๊ณณ์—์„œ.
06:55
Softly,
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๋ถ€๋“œ๋Ÿฝ๊ฒŒ,
07:02
like the calm that follows storms,
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ํญํ’ ๋’ค์— ์˜ค๋Š” ๊ณ ์š”์ฒ˜๋Ÿผ
07:09
Find what I've been searching for all along.
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๋‚ด๊ฐ€ ๊ทธ๋™์•ˆ ์ฐพ์•„ ํ—ค๋งค๋˜ ๊ฒƒ์„ ์ฐพ์„ ๊ฑฐ์˜ˆ์š”.
07:15
In my hideaway.
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์ˆจ๊ฒจ์ง„ ๋‚ด ๊นŠ์€ ๊ณณ์—์„œ.
07:23
Even when I close my eyes,
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๋‚ด๊ฐ€ ๋ˆˆ์„ ๊ฐ์•„๋„
07:33
darling, if you've gone astray, I'm on my way to my hideaway.
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๊ทธ๋Œ€์—ฌ, ๋‹น์‹ ์ด ํ—ค๋งจ๋‹ค๋ฉด ๋‚˜๋Š” ๊นŠ์€ ๊ณณ์œผ๋กœ ๊ฐ€๋Š” ๊ธธ์ผ ๊ฑฐ์˜ˆ์š”.
07:49
Touch me
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๋‚˜๋ฅผ ๋งŒ์ ธ์ค˜์š”.
07:55
like I've never loved before,
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๋‚ด๊ฐ€ ํ•œ ๋ฒˆ๋„ ์‚ฌ๋ž‘ํ•œ ์ ์ด ์—†๋Š” ๊ฒƒ์ฒ˜๋Ÿผ
08:02
in the place that I adore,
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๋‚ด๊ฐ€ ์ข‹์•„ํ•˜๋Š” ๊ณณ์—์„œ
08:08
in my hideaway.
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๋‚˜์˜ ๊นŠ์€ ๊ณณ์—์„œ
08:16
I know
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๋‚˜๋Š” ์•Œ์•„์š”.
08:22
whichever way the wind may blow,
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์–ด๋””๋กœ ๋ฐ”๋žŒ์ด ๋ถˆ๋”๋ผ๋„
08:29
there will be a place for me to go
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๋‚ด๊ฐ€ ๊ฐ€์•ผํ•  ๊ณณ์€ ์žˆ์„ ๊ฑฐ์˜ˆ์š”.
08:35
in my hideaway.
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๋‚˜์˜ ์ˆจ๊ฒจ์ง„ ๊นŠ์€ ๊ณณ์—๋Š”
08:41
My hideaway.
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๋‚˜์˜ ์ˆจ๊ฒจ์ง„ ๊นŠ์€ ๊ณณ์—๋Š”
09:42
Sticks and stones
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๋ง‰๋Œ€๊ธฐ์™€ ๋Œ๋ฉฉ์ด๋“ค
09:46
I won't hide from you no more.
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๋‚œ ๋”์ด์ƒ ๋‹น์‹ ์œผ๋กœ๋ถ€ํ„ฐ ์ˆจ์ง€ ์•Š์„ ๊ฑฐ์˜ˆ์š”.
09:53
And in time
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๊ทธ๋ฆฌ๊ณ  ๋งˆ์นจ๋‚ด
09:57
I find what I've been searching for.
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๋‚œ ์ฐพ์•„ ํ—ค๋ฉ”๋˜ ๊ฒƒ์„ ์ฐพ์•˜์–ด์š”.
10:03
Heard your voice
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๋‹น์‹ ์˜ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋“ค์—ˆ์ฃ 
10:08
calling out to me.
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๋‚˜๋ฅผ ๋ถ€๋ฅด๋Š” ์†Œ๋ฆฌ๋ฅผ
10:13
I'm on my way
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๋‚˜๋Š” ๊ฐ€๊ณ  ์žˆ์–ด์š”
10:18
to where I can be free.
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๋‚ด๊ฐ€ ์ž์œ ๋กœ์›Œ์งˆ ์ˆ˜ ์žˆ๋Š” ๊ณณ์œผ๋กœ
10:24
And if she won't wait for me, do it right, don't look back,
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๊ทธ๋…€๊ฐ€ ๋‚  ๊ธฐ๋‹ค๋ ค์ฃผ์ง€ ์•Š๋Š”๋‹ค๋ฉด ๋’ค๋Œ์•„๋ณด์ง€ ์•Š์„ ๊ฑฐ์˜ˆ์š”.
10:28
keep my heart on the future.
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๋‚˜์˜ ๋งˆ์Œ์„ ๋ฏธ๋ž˜์— ๋‘˜ ๊ฑฐ์˜ˆ์š”.
10:32
On the soles of my shoes all the places I've been
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๋‚ด ์‹ ๋ฐœ ๋ฐ‘์ฐฝ์—๋Š” ๋‚ด๊ฐ€ ๊ฐ”๋˜ ๋ชจ๋“  ๊ณณ๋“ค์ด ์žˆ์–ด์š”.
10:35
that I've known since I knew her.
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๋‚ด๊ฐ€ ๊ทธ๋…€๋ฅผ ์•Œ์•˜๊ธฐ์— ์•Œ ์ˆ˜ ์žˆ์—ˆ๋˜ ๊ณณ๋“ค์„.
10:40
'Cause it's you, don't you know that you're making me guess
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๋‚˜๋ฅผ ์ƒ๊ฐํ•˜๊ฒŒ ํ•˜๋Š” ๊ฒŒ ๋‹น์‹ ์ด๋‹ˆ๊นŒ์š”.
10:42
that you're the one for me.
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๋‹น์‹ ์ด ๋‚ด ์‚ฌ๋žŒ์ด๋ผ๋Š” ๊ฒƒ์„์š”.
10:45
That it's you that I guess that I wanted to know all along.
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๋‚ด๊ฐ€ ๋ชจ๋“  ๊ฒƒ์„ ์•Œ๊ณ  ์‹ถ์—ˆ๋˜ ๊ฒƒ์€ ๋‹น์‹ ์ด๋ผ๋Š” ๊ฒƒ์„
10:50
Girl, it's you that I want, that makes me complete,
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๊ทธ๋Œ€์—ฌ, ๋‚ด๊ฐ€ ์›ํ•˜๋Š” ๊ฒƒ์€ ๋ฐ”๋กœ ๋‹น์‹ , ๋‹น์‹ ์€ ๋‚˜๋ฅผ ์™„์„ฑ์‹œ์ผœ์š”.
10:53
cause you're the one for me.
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๋‹น์‹ ์€ ๋‚ด๊ฐ€ ์›ํ•˜๋˜ ์‚ฌ๋žŒ์ด์ฃ .
10:55
It's thanks to you that I guess that I want you to know I belong.
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๋‚ด๊ฐ€ ์†ํ•˜๊ณ  ์‹ถ๋‹ค๋Š” ๊ฑธ ์•Œ์•˜์œผ๋ฉด ํ•ด์š”.
11:17
One, two, three, four, five.
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ํ•˜๋‚˜, ๋‘˜, ์…‹, ๋„ท, ๋‹ค์„ฏ
11:59
(Applause)
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(๋ฐ•์ˆ˜)
12:03
Thank you so much. Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค, ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
12:05
(Applause)
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(๋ฐ•์ˆ˜)
12:19
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
12:22
Thanks so much. Thank you guys.
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๋Œ€๋‹จํžˆ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค, ์—ฌ๋Ÿฌ๋ถ„.
12:34
Kelly Stoetzel: OK, Jacob. Wow.
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์ผˆ๋ฆฌ ์Šคํ† ์ฒผ: ์ œ์ด์ฝฅ. ์šฐ์™€.
12:38
OK, we have some questions. JC: OK.
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์งˆ๋ฌธ์ด ๋ช‡ ๊ฐœ ์žˆ์–ด์š”. ์ œ์ด์ฝฅ: ๋„ค.
12:40
KS: That was spectacular.
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์ผˆ๋ฆฌ: ์ •๋ง ๋ฉ‹์žˆ๋˜๋ฐ์š”.
12:42
JC: Thank you, Kelly. Thank you.
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์ œ์ด์ฝฅ: ๊ณ ๋ง™์Šต๋‹ˆ๋‹ค, ์ผˆ๋ฆฌ. ๊ณ ๋ง™์Šต๋‹ˆ๋‹ค.
12:44
KS: Those visualizations we just saw,
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์ผˆ๋ฆฌ: ๋ฐฉ๊ธˆ ๋ดค๋˜ ์‹œ๊ฐํ™”๋Š”
12:46
those were happening in real time, yeah?
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๋ชจ๋‘ ์‹ค์‹œ๊ฐ„์œผ๋กœ ์ด๋ค„์ง€๋Š” ๊ฑฐ์ฃ , ๊ทธ๋ ‡์ฃ ?
12:48
JC: Yeah, so everything visual
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์ œ์ด์ฝฅ: ๋„ค, ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์‹œ๊ฐ์ ์ธ ๊ฒƒ์€ ๋ชจ๋‘
12:51
takes cues from things which are audial, or something, if that's a word,
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์Œํ–ฅ์—์„œ ๋˜๋Š” ๋‹ค๋ฅธ ๋ฌด์—‡์—์„œ ์ž…๋ ฅ ์‹ ํ˜ธ๋ฅผ ๋ฐ›์•„์š”.
12:54
and so everything is real time.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ๋ชจ๋“  ๊ฒƒ์ด ์‹ค์‹œ๊ฐ„์œผ๋กœ ์ด๋ค„์ง€๋Š” ๊ฑฐ์ฃ .
12:56
I cue the loops, I play the instruments
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์ œ๊ฐ€ ์›์„ ๊ทธ๋ฆฌ๊ฑฐ๋‚˜ ์•…๊ธฐ๋ฅผ ์—ฐ์ฃผํ•˜๋ฉด,
12:58
and then the tree, for example, that you saw grow,
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์˜ˆ๋ฅผ ๋“ค์–ด, ์•„๊นŒ ๋‚˜๋ฌด ์ž๋ผ๋‚˜๋Š” ๊ฒƒ ๋ณด์…จ์ฃ .
13:00
grows in such a way that it takes low long notes
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๊ทธ๊ฒŒ ์ž๋ผ๋Š” ๋ฐฉ์‹์ด ๋ญ๋ƒ๋ฉด, ๋‚ฎ๊ณ  ๊ธด ์Œ์ด ๋“ค์–ด์˜ฌ ๋•Œ๋Š”
13:02
and grows thick long branches,
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๋‘๊ป๊ณ  ๊ธด ๊ฐ€์ง€๋ฅผ ๋ป—๊ณ ,
13:05
and it takes high, quiet notes, whatever, and then it grows thin, small branches.
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๋†’์€, ์กฐ์šฉํ•œ, ๊ทธ๋Ÿฐ ์Œ์ด ๋“ค์–ด์˜ค๋ฉด ๊ฐ€๋Š˜๊ณ  ์ž‘์€ ๊ฐ€์ง€๋ฅผ ๋ป—๋Š” ๊ฑฐ์ฃ .
13:09
And then my singing voice
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๊ทธ ๋‹ค์Œ ๋…ธ๋ž˜ํ•˜๋Š” ์ œ ๋ชฉ์†Œ๋ฆฌ๊ฐ€
13:11
sort of blows wind against the tree.
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๋‚˜๋ฌด์— ๋ฐ”๋žŒ์„ ๋ถ€๋Š” ๊ฒƒ ๊ฐ™์ด ๋ผ์š”.
13:13
KS: So you're 22 years old. JC: Yes, indeed.
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์ผˆ๋ฆฌ: 22์‚ด์ด์‹œ์ฃ ? ์ œ์ด์ฝฅ: ๋„ค, ๋งž์•„์š”.
13:16
Moderator: You played all of that by yourself.
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์ผˆ๋ฆฌ: ํ˜ผ์ž์„œ ์ €๊ธฐ ์žˆ๋Š” ์•…๊ธฐ๋ฅผ ๋ชจ๋‘ ์—ฐ์ฃผํ•˜๋˜๋ฐ์š”.
13:19
How did you get started and how did this all evolve?
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์–ด๋–ป๊ฒŒ ์‹œ์ž‘ํ•˜๊ฒŒ ๋๊ณ , ์ด ๋ชจ๋“  ๊ฒŒ ์–ด๋–ป๊ฒŒ ๋ฐœ์ „ํ•ด ์™”๋‚˜์š”?
13:23
JC: I have this magical room in my house
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์ œ์ด์ฝฅ: ์ง‘์— ๋งˆ๋ฒ•์˜ ๋ฐฉ์ด ์žˆ๋Š”๋ฐ์š”.
13:25
in North London, which is, like, over there.
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์ง‘์€ ๋Ÿฐ๋˜ ๋ถ๋ถ€, ๋Œ€๋žต ์ €์ชฝ์ด์—์š”.
13:27
(Cheers)
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(ํ™˜ํ˜ธ)
13:28
Thank you. Represent North London.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๋Ÿฐ๋˜ ๋ถ๋ถ€๋ฅผ ๋Œ€ํ‘œํ•˜๋Š” ๋ถ„์ด๊ตฐ์š”.
13:30
And this room -- I mean, this is my family home.
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๊ทธ๋ฆฌ๊ณ  ์ด ๋ฐฉ์€, ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ๊ฐ€์กฑ๋“ค๊ณผ ์‚ฌ๋Š” ์ง‘์„ ๋งํ•˜๋Š” ๊ฑด๋ฐ์š”.
13:33
I grew up in this room filled with musical instruments,
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์ €๋Š” ์•…๊ธฐ๋กœ ๊ฐ€๋“ํ•œ ๋ฐฉ์—์„œ ์ž๋ผ๋‚ฌ๊ณ ์š”,
13:36
but most importantly, I had a family
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๋ฌด์—‡๋ณด๋‹ค๋„ ์ €ํฌ ๊ฐ€์กฑ์€
13:38
who encouraged me to invest in my own imagination,
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์ œ ์ƒ์ƒ๋ ฅ์„ ํŽผ์น˜๋„๋ก ๋ถ๋‹์•„์ฃผ์—ˆ์–ด์š”.
13:40
and so things I created, things I built were good things to be building
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ ์ง€์€ ๊ฒƒ, ๋งŒ๋“  ๊ฒƒ๋“ค์€ ๋‹จ์ง€ ์ œ๊ฐ€ ๋งŒ๋“ค์—ˆ๋‹ค๋Š” ์ด์œ ๋กœ,
13:44
just because I was making them, and I think that's such an important idea.
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์ œ๊ฐ€ ์ค‘์š”ํ•œ ์•„์ด๋””์–ด๋ผ๊ณ  ์ƒ๊ฐํ–ˆ๋‹จ ๊ฒƒ ๋งŒ์œผ๋กœ๋„ ์ถฉ๋ถ„ํžˆ ๊ฐ€์น˜ ์žˆ์—ˆ์–ด์š”.
13:48
But this room was my paradise, essentially,
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ํ•˜์ง€๋งŒ ์ด ๊ณต๊ฐ„์€ ๊ทผ๋ณธ์ ์œผ๋กœ๋Š” ์ €์˜ ์ฒœ๊ตญ์ด์ฃ .
13:50
and when I came to tour my album, which is called "In My Room,"
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๊ทธ๋ฆฌ๊ณ  ์ œ๊ฐ€ "๋‚˜์˜ ๋ฐฉ์—์„œ"๋ผ๋Š” ์•จ๋ฒ”์œผ๋กœ ํˆฌ์–ด๋ฅผ ๋Œ ๋•Œ,
13:53
I thought I'd try and tour the room on the road,
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์ €๋Š” ๊ธธ๊ฑฐ๋ฆฌ์˜ ๋ฐฉ์—์„œ ํˆฌ์–ด๋ฅผ ํ•ด๋ณผ๊นŒ ์ƒ๊ฐ์„ ํ–ˆ์–ด์š”.
13:55
and that's quite a strange idea,
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๊ฝค ์ด์ƒํ•œ ์•„์ด๋””์–ด์˜€์ฃ .
13:57
but it's something that I've been working on for a couple of years,
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ํ•˜์ง€๋งŒ ๊ทธ๊ฒƒ์€ ์ œ๊ฐ€ ๋ช‡ ๋…„๊ฐ„ ํ•ด์˜จ ์ผ์ด์—ˆ๊ณ 
14:00
and it's quite exciting to be inside the circle.
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์—ฌ๊ธฐ ๊ณต์—ฐํ•˜๋Š” ๊ฒƒ์€ ๊ฝค ์‹ ๋‚˜๋Š” ๊ฒฝํ—˜์ด์—์š”.
14:02
KS: So this is really like the setup in your room, here.
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์ผˆ๋ฆฌ: ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์ •๋ง๋กœ ๋ฐฉ์ฒ˜๋Ÿผ ์—ฌ๊ธฐ๋ฅผ ๊พธ๋ฉฐ ๋†“์€ ๊ฑฐ๋„ค์š”?
14:05
JC: It kind of is. It's similar to the room
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์ œ์ด์ฝฅ: ๊ทธ๋ ‡๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ์ฃ . ๋ฐ”๋กœ ๊ทธ๊ณณ์—์„œ ๋ฌด์–ธ๊ฐ€๋ฅผ
14:08
in the sense that I can generate things on the spot
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์ฆ‰๊ฐ์ ์œผ๋กœ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋‹ค๋Š” ์ ์—์„œ
14:10
and I can be spontaneous,
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์ œ ๋ฐฉ๊ณผ ๋น„์Šทํ•ด์š”.
14:11
which is what I think both music and all of the best ideas are all about.
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์ œ๊ฐ€ ์Œ์•…๊ณผ ๋ชจ๋“  ํ›Œ๋ฅญํ•œ ์•„์ด๋””์–ด๋“ค์˜ ์กฐ๊ฑด์ด๋ผ๊ณ  ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ๋“ค์ด์ฃ .
14:15
KS: So you won two Grammys
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์ผˆ๋ฆฌ: ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ๋ฐฉ์—์„œ ์Šค์Šค๋กœ ๋งŒ๋“  ์Œ์•…์œผ๋กœ
14:18
for a record that you made in your room by yourself.
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๊ทธ๋ž˜๋ฏธ ์ƒ์„ ๋‘ ๋ฒˆ ์ˆ˜์ƒํ–ˆ๋Š”๋ฐ,
14:23
And how is that even possible? We couldn't have done that,
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์–ด๋–ป๊ฒŒ ๊ทธ๋Ÿด ์ˆ˜๊ฐ€ ์žˆ๋‚˜์š”? ์šฐ๋ฆฌ๋Š” ๊ทธ๋Ÿด ์ˆ˜ ์—†๋Š” ๋ฐ๋‹ค๊ฐ€,
14:27
that couldn't have happened five years ago even.
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5๋…„ ์ „์ด๋ผ๋ฉด ๋”๋”์šฑ ๋ง๋„ ์•ˆ ๋˜๋Š” ์ผ์ธ๋ฐ์š”.
14:29
JC: It's a brand new world.
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์ œ์ด์ฝฅ: ์™„์ „ํžˆ ์ƒˆ๋กœ์šด ์„ธ์ƒ์ด์—์š”.
14:31
The power is now in the hands of the creator,
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์ด์ œ ๊ถŒ๋ ฅ์€ ์ฐฝ์ž‘์ž์˜ ์†์— ์žˆ์–ด์š”.
14:33
as I'm sure you guys would agree,
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์—ฌ๋Ÿฌ๋ถ„๋„ ๋™์˜ํ•˜์‹œ๊ฒ ์ง€์š”.
14:35
as opposed to the big record company executive
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๊ฑฐ๋Œ€ํ•œ ์Œ๋ฐ˜ ํšŒ์‚ฌ๋ผ๊ฑฐ๋‚˜
14:37
or the big man or something like that.
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๊ฑฐ๋Œ€ํ•œ ์‚ฌ์—…๊ฐ€, ๊ทธ๋Ÿฐ ๊ฒƒ๋“ค์— ์žˆ๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ์š”.
14:39
It's somebody with a good idea.
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์ข‹์€ ์•„์ด๋””์–ด๋ฅผ ๊ฐ€์ง„ ๋ณดํ†ต ์‚ฌ๋žŒ์ธ ๊ฑฐ์˜ˆ์š”.
14:40
Here I am at TED saying this to you guys who know this already,
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์ €๋Š” ์ง€๊ธˆ TED์—์„œ ์—ฌ๋Ÿฌ๋ถ„์ด ์ด๋ฏธ ์•„๋Š” ๋ง์„ ํ•˜๊ณ  ์žˆ์ง€๋งŒ
14:43
but it's somebody with a good idea who can sow that seed.
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๊ทธ๋Ÿฐ ์”จ์•—์„ ์‹ฌ์„ ์ˆ˜ ์žˆ์—ˆ๋˜, ์ข‹์€ ์•„์ด๋””์–ด๋ฅผ ๊ฐ€์ง„ ๋ณดํ†ต ์‚ฌ๋žŒ์ด์—์š”.
14:46
That's the person who carries the torch into the world.
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์„ธ์ƒ์œผ๋กœ ๋ถˆ๊ฝƒ์„ ๋“ค์—ฌ์˜ค๋Š” ์‚ฌ๋žŒ์ด์—์š”.
14:49
And yeah, I made this album completely on my own
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์™„์ „ํžˆ ์Šค์Šค๋กœ ์ด ์•จ๋ฒ”์„ ๋งŒ๋“ค์—ˆ์–ด์š”.
14:51
and I didn't wait for somebody to say,
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์ €์—๊ฒŒ "์ด๋ด ์ œ์ด์ฝฅ, ์Šค์Šค๋กœ ์•จ๋ฒ”์„ ๋งŒ๋“ค์–ด๋ด"
14:53
"Hey Jacob, you should make an album on your own."
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๋ผ๊ณ  ๋งํ•ด์ฃผ๊ธธ ๊ธฐ๋‹ค๋ฆฌ์ง€ ์•Š์•˜์ฃ .
14:55
I just went ahead and made it and I didn't mind what people thought,
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๊ทธ๋ƒฅ ์‹œ์ž‘ํ–ˆ๊ณ  ๋งŒ๋“ค์—ˆ๊ณ , ์‚ฌ๋žŒ๋“ค์ด ๋ญ๋ผ ์ƒ๊ฐํ•˜๋“  ์‹ ๊ฒฝ์“ฐ์ง€ ์•Š์•˜๊ณ 
14:58
and two Grammys is a massive bonus.
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๊ทธ๋ž˜๋ฏธ ์ƒ 2ํšŒ๋Š” ์•„์ฃผ ํฐ ๋ณด๋„ˆ์Šค ๊ฐ™์€ ๊ฑฐ์˜ˆ์š”.
15:00
(Applause)
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15:06
KS: Thank you so much, Jacob. JC: Thanks, Kelly. Thanks so much.
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์ผˆ๋ฆฌ: ๊ณ ๋งˆ์›Œ์š”, ์ œ์ด์ฝฅ. ์ œ์ด์ฝฅ: ๊ณ ๋งˆ์›Œ์š”, ์ผˆ๋ฆฌ. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
15:09
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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