Songs that bring history to life | Rhiannon Giddens

513,760 views ・ 2017-06-23

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(Sings)
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Water
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Boy
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(Guitar strum)
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where are you hidin'?
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(Guitar strum)
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If you don't come right here,
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I'm gonna tell
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your pa on you.
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(Guitar strum)
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There ain't no hammer --
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(Guitar strum)
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that's on this mountain
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(Guitar strum)
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That ring like mine, boy --
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(Guitar strum)
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that ring like mine.
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(Guitar strum)
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I'm gonna bust this rock, boy --
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(Guitar strum)
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from here to Macon.
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(Guitar strum)
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All the way to the jail, boy --
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(Guitar strum)
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all the way to the jail.
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(Guitar strum)
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You jack of diamonds --
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(Music)
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you jack of diamonds
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I know you of old boy,
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I know you of old.
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You done robbed my pocket,
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you done robbed my pocket
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of silver and gold, boy,
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of silver and gold.
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Water Boy,
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where are you hidin'?
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If you don't come right here,
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I'm gonna tell your pa on you.
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There ain't no hammer
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that's on this mountain
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that ring like mine, boy,
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that ring like mine.
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I'm gonna bust this rock, boy,
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from here to Macon.
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All the way to the jail, boy,
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all the way to the jail.
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Water
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Boy
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(Guitar strum)
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where are you hidin'?
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(Guitar strum)
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If you don't come right here,
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if you don't come right here,
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if you don't come right here,
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I'm gonna tell
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your pa
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on you.
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(Guitar strum)
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(Applause)
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Thank you.
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That was a song based on numerous work songs,
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and it was arranged by Odetta,
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a hero of mine.
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And this next song, well,
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I do a lot of historical music,
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starting with the Carolina Chocolate Drops
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and continuing on in my solo endeavors.
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And I believe that knowing your history as a musician
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is super important --
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it's important as a person,
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it's important as a country,
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it's important as a people.
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So I read a lot about where the music comes from
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and where this country comes from.
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I've been reading a lot about the Civil War
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and about slavery.
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And it's really tough.
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You know?
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It's really tough reading.
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And so as an artist, what I do with all that emotion,
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reading these people's stories,
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not just, "Oh, slavery was terrible."
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Yes, it was.
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But it's reading individual narratives of how it was for these people.
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You know?
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Then it's like, "Yeah, that could've been me."
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And it is people now. You know?
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So what you do with all that emotion
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is you've got to do something with it.
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As an artist, I write.
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So I wrote a song based on some of those narratives that I read,
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and it's called, "Come Love Come."
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We're going to do it for you now.
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(Claps)
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(Sings) Come love come,
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the road lies low,
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the way is long and hard, I know.
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Come love come,
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the road lies free,
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I'll wait for you in Tennessee.
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(Music)
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(Sings) When I was four,
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my loving mam was cornered by the boss's man.
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She turned her head and got struck down,
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they buried her in the cold, cold ground.
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Come love come,
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the road lies low,
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the way is long and hard, I know.
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Come love come,
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the road lies free,
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I'll wait for you in Tennessee.
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(Music)
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When I was 12,
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my father dear
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was strong of arm and free of fear
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until the day he raised his hand,
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then he was sold to Alabama.
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Come love come,
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the road lies low,
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the way is long and hard, I know.
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Come love come,
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the road lies free,
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I'll wait for you in Tennessee.
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(Music)
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When I was 16, found my bloom
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and found my man,
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we jumped the broom.
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We pledged each other the rest of our lives
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and on Saturday nights we were man and wife.
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Come love come,
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the road lies low,
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the way is long and hard, I know.
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Come love come,
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the road lies free,
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I'll wait for you in Tennessee.
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(Music)
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When I was 18,
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bugles called
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and boys in blue came o'er the wall.
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I took my chance and followed free,
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they led the way to Tennessee.
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Come love come,
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the road lies low,
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the way is long and hard, I know.
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Come love come,
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the road lies free,
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I'll wait for you in Tennessee.
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(Music)
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Now here I sit in a tiny shack
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with 13 others at my back.
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I've sent you word,
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so all I can do
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is wait and wait and wait and wait
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and wait
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and wait for you.
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Come love come,
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the road lies low,
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the way is long and hard, I know.
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Come love come,
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the road lies free,
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I'll wait for you in Tennessee.
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Come love come,
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the road lies low,
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the way is long and hard, I know.
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Come love come,
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the road lies free,
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I'll wait for you in Tennessee.
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Oh,
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oh,
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oh.
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Whoa ... oh I'll wait for you.
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I'll wait for you.
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I'll wait for you
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I'll wait for you.
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(Applause)
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Thank you.
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So, with the dark you have to have the light.
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And in the African-American community,
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it's been the work of many hundreds of years
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to find a way to lift ourselves up.
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So I'm going to end with a couple of tunes from Sister Rosetta Tharpe,
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one of the more influential American music figures
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that most of you probably never heard of.
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If you have, I'm so happy.
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She's one of the innovators of rock 'n' roll guitar,
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and one of the first crossover artists from gospel to secular.
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She's an incredibly important figure,
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and I'm going to talk about her whenever I can.
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So these are a couple of her tunes.
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And don't worry -- you're going to get your chance to sing.
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(Music)
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(Sings) Look down, look down
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that lonesome road
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before you travel on.
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Look up, look up
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and greet your maker,
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for Gabriel blows his horn.
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Weary totin' such a load,
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goin' down that lonesome road.
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Look down that lonesome road,
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before you travel on.
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Look down, look down
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that lonesome road
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before you travel on.
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Look up, look up
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and greet your maker,
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for Gabriel blows his horn.
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Weary totin' such a load,
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goin' down that lonesome road.
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Look down, look down, look down, look down
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that lonesome road
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before you travel on.
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Up above my head
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up above my head
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I hear music in the air
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music in the air.
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Up above my head
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up above my head
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I hear music in the air
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I hear music in the air.
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Up above my head
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up above my head
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I hear music in the air
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music in the air
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and I really do believe
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I really do believe
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there's a Heaven somewhere.
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Up above my head
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up above my head
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I hear singin' in the air
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singin' in the air.
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Up above my head
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up above my head
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I hear singin' in the air
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I hear singin' in the air.
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Up above my head
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up above my head
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I hear singin' in the air
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singin' in the air
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and I really do believe
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I really do believe
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there's a Heaven somewhere.
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(Speaks) All right now, guitar man!
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(Guitar music)
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That's Hubby Jenkins, y'all.
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(Sings) Up above my head
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up above my head
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I hear shoutin' in the air
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shoutin' in the air.
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Up above my head
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up above my head
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I hear shoutin' in the air
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I hear shoutin' in the air.
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Up above my head
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up above my head
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I hear shoutin' in the air, that's right,
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and I really do believe I really do believe
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there's a heaven somewhere.
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(Speaks) All right now, give me some of that bass.
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(Bass solo)
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Yeah!
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Woo!
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Jason Sypher on the bass.
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Jamie Dick on those drums.
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All right now,
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I'm running out of time.
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So it's time for y'all to sing.
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This is the call-and-response.
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I call, you respond.
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There are so many songs like this, y'all know how it goes, don't you?
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You're going to sing along?
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I said, are you going to sing along?
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Audience members: Yes!
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Rhiannon Giddens: Here we go!
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(Sings) Up above my head
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AM: up above my head
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RG: music in the air
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AM: music in the air.
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RG: up above my head
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AM: up above my head
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RG: music in the air
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AM: music in the air
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RG: up above my head
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AM: up above my head
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RG: music in the air
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AM: music in the air
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RG: and I really do believe I really do believe
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there's a heaven somewhere.
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One more time!
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Up above my head
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AM: up above my head
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RG: I hear music in the air
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AM: music in the air.
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RG: Up above my head
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AM: up above my head
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RG: I hear music in the air
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AM: music in the air.
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RG: Up above my head
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AM: up above my head
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RG: I hear music in the air
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AM: music in the air
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RG: and I really do believe I really do believe
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there's a heaven somewhere.
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I said I really do believe I really do believe
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there's a heaven somewhere.
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Heaven somewhere.
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(Holds note)
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(Applause and cheers)
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(Music ends)
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(Applause)
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