The AI-Powered Tools Supercharging Your Imagination | Bilawal Sidhu | TED
71,246 views ・ 2023-09-01
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譯者: 麗玲 辛
00:04
All right. Good afternoon, y’all.
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好的,大家下午好。
00:06
Let's talk about blending
reality and imagination.
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讓我們來談談如何融合現實和想像。
00:10
But first, let's take
a step back in time to 2001.
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但首先,讓我們回到 2001 年。
00:14
As an 11-year-old in India,
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當時我 11 歲,住在印度,
00:16
I became obsessed
with computer graphics and visual effects.
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迷上了電腦繪圖和視覺效果。
00:20
Of course, at that age,
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當然,在那個年紀,
00:21
it meant making cheesy videos
kind of like this.
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這意味著製作像這樣有點幼稚的影片。
00:24
But therein started
a foundational theme in my life,
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不過,從那時我就展開
我生命中的一個基本主題,
00:28
the quest to blend reality
and imagination.
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追求現實與想像的融合。
00:31
And that quest has stayed with me
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這個追求一直伴隨著我,
00:33
and permeated across
my decade-long career in tech,
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貫穿了我長達十年的科技職涯,
00:36
working as a product manager
at companies like Google
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我曾在 Google 等公司
擔任產品經理,
00:39
and as a content creator
on platforms like YouTube and TikTok.
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在 YouTube、TikTok 等
平台上擔任內容創作者。
00:44
So today, let's deconstruct this quest
to blend reality and imagination
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今天,讓我們來解構
這個融合現實與想像的追求,
00:49
and explore how it’s getting
supercharged -- buzzword alert --
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並探索人工智慧如何增強
——流行語警報——這一追求。
00:53
by artificial intelligence.
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00:55
Let's start with the reality bit.
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讓我們從現實部分開始談起。
00:58
You probably heard about photogrammetry.
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你也許聽說過攝影測量學。
這是一門藝術兼科學,
使用照片和其他感測器
01:01
It's the art and science
of measuring stuff in the real world
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01:04
using photos and other sensors.
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來測量現實世界中的東西。
01:07
What required massive data centers
and teams of experts in the 2000s
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在 2000 年代,這需要
大規模的數據中心和專家團隊,
01:12
became increasingly
democratized by the 2010s.
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但到了 2010 年代,
這變得越來越大眾化。
01:16
Then, of course,
machine learning came along
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接著,當然,機器學習出現了,
01:18
and took things to a whole new level
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使用神經輻射場
(NeRFs)等技術,
01:20
with techniques like
neural radiance fields, or NeRFs.
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技術提升到了全新的水平。
這裡你看到的是一個 AI 模型,
01:25
What you're seeing here is an AI model
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01:27
creating a ground-up
volumetric 3D representation
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僅使用 2D 圖像,就能從零開始
創建一個 3D 立體再現。
01:31
using 2D images alone.
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01:33
But unlike older techniques
for reality capture,
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但不同於舊的現實捕捉技術,
01:36
NeRFs do a really good job
of encapsulating the sheer complexity
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NeRF 在封裝現實的複雜性
01:41
and nuance of reality.
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和細微差別方面做得非常好。
01:43
The vibe, if you will.
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如果你想,可以做出氛圍。
01:46
Twelve months later,
you can do all of this stuff
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十二個月後,你可以使用
口袋裡的 iPhone,
01:48
using the iPhone in your pocket,
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使用 Luma 等應用程式
來完成這些事情。
01:50
using apps like Luma.
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01:52
It's like 3D screenshots
for the real world.
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這就像現實世界的 3D 螢幕截圖。
01:55
Capture anything once and reframe it
infinitely in postproduction,
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捕捉任何物體的影像後,
就可以在後製中無限地重新建構,
01:59
so you can start building that collection
of spaces, places and objects
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你可以開始打造你的影像集,
放入你喜歡的空間、地點和物體,
02:04
that you truly care about
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02:05
and conjure them up
in your future creations.
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並在未來的創作中將它們召喚出來。
02:09
So that's the reality bit.
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以上是現實的方面。
02:11
As NeRFs were popping off last year,
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隨著去年 NeRF 的興起,
02:13
the AI summer was also in full effect,
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AI 夏季也全面展開,
02:16
with Midjourney, DALL-E 2,
Stable Diffusion
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Midjourney、DALL-E 2、
Stable Diffusion
02:20
all hitting the market
around the same time.
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幾乎同時上市。
但我愛上的是修復技術。
02:23
But what I fell in love with
was inpainting.
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02:26
This technique allows you
to take existing imagery
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你可用這種技術隨心所欲地
增強現有的圖像,
02:29
and augment it with whatever you like,
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02:31
and the results are
photorealistically fantastic.
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結果非常逼真。
02:35
It blew my mind
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這讓我大為驚訝,
02:36
because stuff that would have taken me
like three hours in classical workflows
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因為在傳統工作流程中
可能需要我三個小時的事情,
02:40
I could pull off in just three minutes.
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現在只需要三分鐘就能完成。
02:44
But I wanted more.
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但我想要更多。
02:45
Enter ControlNet,
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介紹一下 ControlNet,
02:46
a game-changing technique
by Stanford researchers
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這是史丹佛大學研究人員提出的
顛覆傳統規則的技術,
02:49
that allows you to use
various input conditions
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你可以使用各種輸入條件
02:53
to guide and control the
AI image generation process.
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來引導和控制 AI 影像生成的過程。
02:57
So in my case, I could take
the depth information
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就我而言,我可以從 3D 掃描中
03:00
and the texture detail from my 3D scans
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獲取深度資訊和紋理細節,
03:03
and use it to literally reskin reality.
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並用來一絲一毫地重塑現實。
03:06
Now, this isn't just cool video.
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這不僅僅可以做出很酷的視頻,
03:08
There’s a lot of useful use cases, too.
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還有很多好用的用例。
03:10
For example, in this case I'm taking
a 3D scan of my parents' drawing room,
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例如,在本例中,我對我父母的
客廳進行 3D 掃描,
(我母親喜歡這樣稱呼它)
03:16
as my mother likes to call it,
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03:17
and reskinning it
to different styles of Indian decor
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並將其重新設計為
不同風格的印度裝飾,
03:21
and doing so while respecting
the spatial context and the layout
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但不改動內部空間環境和佈局。
03:25
of the interior space.
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如果你仔細觀察,我相信你可以看出
03:28
If you squint, I'm sure you can see
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03:30
how this is going
to transform architecture
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這將永遠改變建築和室內設計的方式。
03:32
and interior design forever.
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03:35
You could take that 2016 scan
of a Buddha statue
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你可以將 2016 年掃描的佛像
03:38
and reskin it to be gloriously golden
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改成華麗的金色,
03:41
while pulling off
these impossible camera moves
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同時完成任何其他方法
無法做到的運鏡方式。
03:43
you just couldn't do any other way.
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03:46
Or you could take that vacation footage
from your trip to Tokyo
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或者你可以拿你在東京旅行時
拍攝的度假片段,
03:50
and bring these cherry blossoms to life
in a whole new way.
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以全新的方式讓櫻花煥發活力。
03:54
And let me tell you, cherry blossoms
look really good during the day,
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我告訴你,櫻花白天很好看,
03:57
but they look even better at night.
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但晚上更漂亮。
04:00
Oh, my God. They sure are glowing.
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我的天啊。 他們確實在發光。
04:02
It's almost like this dreamlike quality
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就這幾乎夢幻般的特質,
04:04
where you can use AI to accentuate
the best aspects of the real world.
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你可以用 AI 來增強
現實世界最美的一面。
04:10
Natural landscapes look just as beautiful.
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自然景觀看起來同樣美麗。
04:12
Like this waterfall that
could be on another planet.
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這個瀑布看起來像是在另一個星球。
04:15
But of course, you could go
over the hills and far away
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當然,你也可以
從另一個次元越過山丘,
04:18
to the French Alps from another dimension.
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到達遙遠的法國阿爾卑斯山。
04:21
But it's not just static scenes.
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但這不僅僅是靜態場景。
04:23
You can do this stuff with video, too.
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你也可以用影片來做這些事。
04:26
I can't wait till this technology
is running at 30 frames per second
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我迫不及待地看到這項技術能夠
以每秒 30 幀的速度運作,
04:30
because it's going to transform
augmented reality and 3D rendering.
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因為這將徹底改變
擴增實境和 3D 渲染。
04:34
I mean, how soon until
we're channel-surfing realities
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我是說,要多久我們才能在現實世界上
疊加多層次的現實?
04:38
layered on top of the real world?
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04:41
Of course, just like reality capture
got democratized,
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當然,就像現實捕捉變得大眾化一樣,
04:43
all these tools from last year
are getting even easier.
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每個去年上市的工具
都變得更容易上手。
04:47
So instead of me spending hours
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不再需要花幾個小時
組合各種不同的工具,
04:49
weaving together
a bunch of different tools,
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04:51
tools like Runway and Kaiber
let you do exactly the same stuff
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像 Runway、Kaiber
這樣的工具,
只需要點擊幾下即可完成
完全相同的工作。
04:56
with just a couple clicks.
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04:57
Want to go from day to night? No problemo.
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想從白天變成夜晚嗎?沒問題。
05:00
Want to get that retro 90s aesthetic
from "Full House"?
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想感受《歡樂滿屋》中的
90 年代復古美學嗎?
你也可以做到。
05:04
You can do that too.
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05:06
But it goes beyond reality capture.
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不只現實捕捉。
許多公司,
像 Wonder Dynamics,
05:09
Companies like Wonder Dynamics
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正將影片轉變為
完美的表演捕捉形式,
05:11
are turning video into this immaculate
form of performance capture
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05:15
so you can embody fantastical creatures
using the phone in your pocket.
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讓你用口袋裡的手機
就能體現奇幻生物。
05:20
This is stuff that James Cameron
only dreamt about in the 2000s.
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這是詹姆斯·卡梅隆
在 2000 年代做夢才有的東西。
05:24
And now you could do it with your iPhone?
That’s absolutely wild to me.
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現在用 iPhone 就做得到?
對我來說,這很誇張。
05:28
So when I look back
at the past two decades
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因此,當回顧過去的二十年,
05:31
and this ill-tailored tapestry
of tools that I've had to learn,
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我得學這一大串不好用的工具,
我為下一代創作者的
未來感到樂觀。
05:36
I feel a sense of optimism
for what lies ahead
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05:38
for the next generation of creators.
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05:41
The 11-year-olds of today
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現在的 11 歲小孩
05:43
don't have to worry
about all of that crap.
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不必擔心那些瑣碎的東西。
05:45
All they need to do
is have a creative vision
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他們只需要有創造力的視野,
05:48
and a knack for working in concert
with these AI models,
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與 AI 模型協同工作的技巧,
05:52
these AI models
that are truly a distillation
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這些 AI 模型是
人類知識和創造力的真正精髓。
05:55
of human knowledge and creativity.
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05:57
And that's a future I'm excited about,
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這是我期待的未來,
05:59
a future where you can blend
reality and imagination
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一個與可靠的 AI 合作夥伴
融合現實和想像的未來。
06:02
with your trusty AI copilot.
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06:05
Thank you very much.
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非常感謝大家。
06:06
(Applause)
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(掌聲)
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