Thomas Dolby: "Love Is a Loaded Pistol"

78,732 views ใƒป 2010-05-07

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Gabriela Elazar ืžื‘ืงืจ: Shlomo Adam
00:21
I've been playing TED for nearly a decade,
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ืื ื™ ืžื•ืคื™ืข ื‘ TED ื›ืžืขื˜ ืขืฉืจ ืฉื ื™ื
00:24
and I've very rarely played
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ื•ืœืขื™ืชื™ื ื ื“ื™ืจื•ืช ื”ืฉืžืขืชื™
00:27
any new songs of my own.
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ืฉื™ืจื™ื ื—ื“ืฉื™ื ืžืฉืœื™.
00:30
And that was largely because there weren't any.
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ื‘ืขื™ืงืจ ื›ื™ ืœื ื”ื™ื• ื›ืืœื”...
00:33
(Laughter)
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(ืฆื—ื•ืง)
00:35
So I've been busy with a couple of projects,
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ื”ื™ื™ืชื™ ืขืกื•ืง ื‘ืžืกืคืจ ืคืจื•ื™ื™ืงื˜ื™ื,
00:37
and one of them was this:
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ื•ื–ื” ืื—ื“ ืžื”ื,
00:39
The Nutmeg.
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"ืื’ื•ื– ื”ืžื•ืกืงื˜"
00:41
A 1930s ship's lifeboat,
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ืกื™ืจืช ื”ืฆืœื” ืžืฉื ื•ืช ื”-30,
00:43
which I've been restoring in the garden
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ืื•ืชื” ืฉื™ืคืฆืชื™ ื‘ื’ื™ื ื”
00:45
of my beach house in England.
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ืฉืœ ื‘ื™ืช ื”ื—ื•ืฃ ืฉืœื™ ื‘ืื ื’ืœื™ื”.
00:47
And, so now,
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ื›ืš ืฉืขื›ืฉื™ื•,
00:49
when the polar ice caps melt,
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ื›ืฉื›ื™ืคื•ืช ื”ืงืจื— ื‘ืงื˜ื‘ื™ื ื™ื™ืžืกื•,
00:52
my recording studio will rise up like an ark,
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ืื•ืœืคืŸ ื”ื”ืงืœื˜ื•ืช ืฉืœื™ ื™ืชืจื•ืžื ื›ืžื• ืชื™ื‘ื”
00:56
and I'll float off into the drowned world
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ื•ืื ื™ ืืฆื•ืฃ ืœื™ ืืœ ืขื‘ืจ ื”ืขื•ืœื ื”ืฉืงื•ืข
00:58
like a character from a J.G. Ballard novel.
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ื›ื“ืžื•ืช ืžืชื•ืš ืกืคืจ ืฉืœ ื’'. ื’. ื‘ืœืืจื“
01:01
During the day,
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ื‘ืžืฉืš ื”ื™ื•ื,
01:03
the Nutmeg collects energy
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"ืื’ื•ื– ื”ืžื•ืกืงื˜" ืื•ื’ืจืช ืื ืจื’ื™ื”
01:05
from solar panels on the roof of the wheelhouse,
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ื“ืจืš ื”ืœื•ื—ื•ืช ื”ืกื•ืœืืจื™ื™ื ืฉืขืœ ื’ื’ ืชื-ื”ื”ื’ื”,
01:08
and from a 450 watt turbine
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ื•ื‘ืืžืฆืขื•ืช ื˜ื•ืจื‘ื™ื ื” ื‘ืช 450 ื•ื•ืื˜
01:10
up the mast.
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ื”ืžื•ืชืงื ืช ืขืœ ื”ืชื•ืจืŸ.
01:12
So that when it gets dark,
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ื›ืš ืฉืขื ืจื“ืช ื”ื—ืฉื™ื›ื”,
01:14
I've got plenty of power.
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ื™ืฉ ืœื™ ื—ืฉืžืœ ื‘ืฉืคืข.
01:16
And I can light up the Nutmeg like a beacon.
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ื•ืื ื™ ื™ื›ื•ืœ ืœื”ืื™ืจ ืืช "ืื’ื•ื– ื”ืžื•ืกืงื˜" ื›ืžื• ืžืฉื•ืื”
01:19
And so I go in there until the early hours of the morning,
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ืื ื™ ื ืฉืืจ ื‘ืคื ื™ื ืขื“ ืฉืขื•ืช ื”ื‘ื•ืงืจ ื”ืžื•ืงื“ืžื•ืช
01:22
and I work on new songs.
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ื•ืขื•ื‘ื“ ืขืœ ืฉื™ืจื™ื ื—ื“ืฉื™ื.
01:25
I'd like to play to you guys,
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ืื ื™ ืจื•ืฆื” ืœื ื’ืŸ ืœื›ื,
01:27
if you're willing to be the first audience to hear it.
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ืื ืชื•ืื™ืœื• ื‘ื˜ื•ื‘ื›ื ืœื”ื™ื•ืช ื”ืงื”ืœ ื”ืจืืฉื•ืŸ ืฉืฉื•ืžืข ืฉื™ืจ ื–ื”.
01:29
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
01:35
It's about Billie Holiday.
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ื”ื•ื ืžืกืคืจ ืขืœ ื‘ื™ืœื™ ื”ื•ืœื™ื“ื™ื™.
01:37
And it appears that,
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ื•ืžืกืชื‘ืจ,
01:39
some night in 1947
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ืฉืœื™ืœื” ืื—ื“ ื‘ืฉื ืช 1947,
01:42
she left her physical space
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ื”ื™ื ื ื˜ืฉื” ืืช ื”ืžืจื—ื‘ ื”ืคื™ื–ื™ ืฉืœื”
01:45
and was missing all night,
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ื•ื ืขื“ืจื” ืœื™ืœื” ืฉืœื,
01:47
until she reappeared in the morning.
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ืขื“ ืฉืฉื‘ื” ื•ื”ื•ืคื™ืขื” ืœืžื—ืจืช ื”ื‘ื•ืงืจ.
01:50
But I know where she was.
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ืื‘ืœ ืื ื™ ื™ื•ื“ืข ืื™ืคื” ื”ื™ื ื”ื™ืชื”.
01:52
She was with me on my lifeboat.
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ื”ื™ื ื”ื™ืชื” ืื™ืชื™, ื‘ืกื™ืจืช ื”ื”ืฆืœื” ืฉืœื™.
01:55
And she was hot.
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ื•ื”ื™ื ื”ื™ืชื” ืœื•ื”ื˜ืช.
02:00
(Music)
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(ืžื•ื–ื™ืงื”)
02:27
โ™ซ Billie crept softly โ™ซ
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โ™ซ ื‘ื™ืœื™ ื”ืชื’ื ื‘ื” ื‘ืจื›ื•ืช โ™ซ
02:30
โ™ซ into my waking arms โ™ซ
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โ™ซ ืืœ ื‘ื™ืŸ ื–ืจื•ืขื•ืชื™ ื”ืžืชืขื•ืจืจื•ืช โ™ซ
02:34
โ™ซ warm like a sip of sour mash โ™ซ
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โ™ซ ื—ืžื” ื›ืœื’ื™ืžืช ืฉื™ื›ืจ โ™ซ
02:40
โ™ซ Strange fruit for โ™ซ
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ืžืฉื•ื ื”, ืคื™ืจื•ืชื™ืช
02:43
โ™ซ a sweet hunk of trash โ™ซ
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โ™ซ ื›ื’ื•ืฉ ื–ื‘ืœ ืžืชื•ืง โ™ซ
02:51
โ™ซ Panic at the stage door โ™ซ
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โ™ซ ื‘ื”ืœื” ื‘ื›ื ื™ืกืช ื”ื‘ืžื” โ™ซ
02:54
โ™ซ of Carnegie Hall โ™ซ
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โ™ซ ืฉืœ ื”"ืงืจื ื’ื™ ื”ื•ืœ" โ™ซ
02:58
โ™ซ "Famous Jazz Singer Gone AWOL" โ™ซ
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โ™ซ ื–ืžืจืช ื’'ืื– ืžืคื•ืจืกืžืช ื ืคืงื“ืช โ™ซ
03:05
โ™ซ Must have left the building โ™ซ
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โ™ซ ื‘ื•ื•ื“ืื™ ืขื–ื‘ื” ืืช ื”ื‘ื ื™ื™ืŸ โ™ซ
03:09
โ™ซ body and soul โ™ซ
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โ™ซ ื‘ื’ื•ืฃ ื•ื‘ื ืคืฉ โ™ซ
03:16
โ™ซ On a creaky โ™ซ
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โ™ซ ืขืœ ืฉืจืคืจืฃ ืคืกื ืชืจ ื—ื•ืจืง โ™ซ
03:19
โ™ซ piano stool tonight โ™ซ
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โ™ซ ื”ืœื™ืœื” โ™ซ
03:22
โ™ซ as the moon is my โ™ซ
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โ™ซ ื›ื™ ื”ื™ืจื— โ™ซ
03:24
โ™ซ only witness โ™ซ
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โ™ซ ื”ื•ื ืขื“ื™ ื”ื™ื—ื™ื“ โ™ซ
03:29
โ™ซ She was breathing โ™ซ
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โ™ซ ื”ื™ื ื ืฉืžื” โ™ซ
03:32
โ™ซ in my ear โ™ซ
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โ™ซ ื‘ืื•ื–ื ื™ โ™ซ
03:35
โ™ซ "This time it's love" โ™ซ
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โ™ซ ื”ืคืขื ื–ืืช ืื”ื‘ื” โ™ซ
03:42
โ™ซ But love is a loaded pistol โ™ซ
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โ™ซ ืื‘ืœ ื”ืื”ื‘ื” ื”ื™ื ืืงื“ื— ื˜ืขื•ืŸ โ™ซ
03:46
โ™ซ By daybreak she's gone โ™ซ
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โ™ซ ืขื ืื•ืจ ื”ื‘ื•ืงืจ ื”ื™ื ืขื–ื‘ื” โ™ซ
03:50
โ™ซ Over the frozen river, home โ™ซ
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โ™ซ ืžืขืœ ื”ื ื”ืจ ื”ืงืคื•ื, ื”ื‘ื™ืชื” โ™ซ
03:56
โ™ซ Me and Johnny Walker โ™ซ
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โ™ซ ืื ื™ ื•"ื’'ื•ื ื™ ื•ื•ืงืจ" โ™ซ
03:59
โ™ซ See in the new age โ™ซ
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โ™ซ ื ื™ืขื•ืจื™ื ืืœ ื”ืขื™ื“ืŸ ื”ื—ื“ืฉ โ™ซ
04:02
โ™ซ alone โ™ซ
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โ™ซ ืœื‘ื“ โ™ซ
04:08
โ™ซ Stay with me โ™ซ
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โ™ซ ื”ื™ืฉืืจื™ ืื™ืชื™ โ™ซ
04:11
โ™ซ again tonight โ™ซ
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โ™ซ ืฉื•ื‘, ื”ืœื™ืœื” โ™ซ
04:14
โ™ซ Billie, time, โ™ซ
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โ™ซ ื‘ื™ืœื™, ื”ื–ืžืŸ โ™ซ
04:16
โ™ซ time is a wily trickster โ™ซ
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โ™ซ ื”ื–ืžืŸ ื”ื•ื ื ื•ื›ืœ ืขืจืžื•ืžื™ โ™ซ
04:21
โ™ซ Still an echo โ™ซ
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โ™ซ ื•ืขื“ื™ื™ืŸ, ื”ื“ โ™ซ
04:24
โ™ซ in my heart says, โ™ซ
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โ™ซ ื‘ืœื™ื‘ื™ ืื•ืžืจ, โ™ซ
04:27
โ™ซ "This time it's love" โ™ซ
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โ™ซ ื”ืคืขื ื–ืืช ืื”ื‘ื” โ™ซ
04:40
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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