Jorge Mañes Rubio: What should humans take to space (and leave behind)? | TED Fellows

30,464 views ・ 2021-07-07

TED


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00:14
[SHAPE YOUR FUTURE]
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We are at the beginning of a new era for the future exploration
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and commercialization of space.
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First it will be the Moon and from there, Mars and the rest of the solar system.
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I've always been fascinated by space exploration,
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but at the same time troubled by its multiple implications.
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Historically, human exploration has led
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to an aggressive exploitation of people, land and resources.
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This ongoing colonization process
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has shaped the unfair world we live in today.
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So how can we make sure
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we stop perpetuating the same old colonial patterns?
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When I was appointed artist in residence at the European Space Agency,
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I thought it was a unique opportunity to make a bold statement, to rethink:
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as human beings, what do we really need to take with us on this space journey?
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And perhaps even more importantly,
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what should we leave behind?
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As a privileged white male individual born and raised in Europe
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I grew up in a world where Western arts, science and technology
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are presumed superior over every other form of knowledge.
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However, visiting many museums
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and their vast collections, products of our colonial heritage,
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I was introduced to a wide range of cultures
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and unique ways to understand the world we live in.
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Humanity's greatest achievement was not landing on the Moon,
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but our cultural diversity,
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the rituals, beliefs and knowledge woven within it.
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This rich legacy does not belong in the past
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but is very much alive,
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sometimes even thriving.
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We rarely talk about cultural,
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ethical or even spiritual matters
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when discussing space exploration,
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but I believe it's precisely culture that will give us a purpose in the future.
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Through my artistic practice,
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learning to appreciate multiple cultural dimensions
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without the nostalgia or condescension
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that historically has been projected upon these cultures,
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their knowledge and their significance.
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This is Kim Keum-Hwa,
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Korea's most iconic shaman who passed last year.
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I met Kim Keum-Hwa at her shrine in Ganghwa Island,
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where I witnessed her last ritual,
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a celebration to bless her 70th anniversary as a shaman
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and to prepare her departure to the spirit world.
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Dating back to prehistoric times,
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Korean shamanism has remained a resilient form of spiritual practice
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and a source of empowerment for many women.
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This is Jeong Soon-deok, the shaman of the people,
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during a ceremony that lasted several days and nights.
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I remember bowing to her,
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surrounded by blades and colorful costumes and offerings.
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Everyday objects were being elevated,
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acquiring a new dimension right in front of my eyes.
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I saw her becoming a god,
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her body transformed through dance, prayer and ritual.
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What's interesting is that despite their position of power,
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Korean shamans remain graceful, humble human beings.
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Through these women,
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I could clearly see the power within ancient forms of knowledge.
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The role our cultures play in maintaining a fragile cosmic balance.
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This is Don Ramón,
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a local healer from the Center for Indigenous Arts in Veracruz, Mexico,
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where Totonac culture is being taught to future generations.
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The center's director, Humberto García, was proud,
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describing an educational model
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where disciplines like art, communication or medicine
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are not independent but entangled with each other.
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Totonac cosmovision revolves around this ever-changing,
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interconnected dimension.
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There is a natural rhythm that infuses every activity here,
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be it cooking or weaving or healing.
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Nothing is trivial or decorative.
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Every gesture, every action has a meaning.
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These traditions, beliefs and rituals, they're far from being immobile.
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They're the result of thousands of years of practice
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in a painful regenerative process.
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These are unique pieces of wisdom
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we must definitely bring with us into the future.
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And this is what I'm doing to make that happen.
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I want to challenge our current model of space colonization,
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and I decided to start with a big gesture --
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to recognize the Moon
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as a universal symbol of rebirth and renewal.
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As part of the European Space Agency's plans
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to support a permanent human presence on the Moon,
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I'm proposing to build the Moon Temple,
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a future space for diverse cultural projections,
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traditions and scientific research.
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The Moon Temple will stand on the rim of the Shackleton crater,
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a gigantic impact crater featuring peaks of eternal light and perpetual darkness.
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Its design takes advantage of lunar microgravity,
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the use of local resources
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and the complex celestial mechanics
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that operate on the south pole of the moon.
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Sheltered in its interior,
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we can find traces from an intriguing new material culture,
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a series of objects made with moon dust and rare aerospace materials,
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symbolizing humanity's ancestral wisdom and all its complexity.
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These masks, vessels and other ritual artifacts,
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they're powerful objects that imply deep personal transformations,
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sometimes even becoming a bridge to distant worlds.
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They represent the vast diversity embedded in the human experience.
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These objects carry within them thousands of stories yet to be written.
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Some provide protection,
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while others relate to the harsh conditions
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that people will endure outside our planet.
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But even if these objects come from a place far away from here,
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we can still recognise a familiar human quality within them.
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The Moon Temple celebrates the Moon as the measure of all things.
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It is a monument to humanity's reason and imagination.
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It represents our chance
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to bring together once again science, art and ritual.
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This may be a personal,
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even utopian vision for our interplanetary future,
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but perhaps through these utopian exercises
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we can break free from many of our prejudices here on Earth,
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because we need more diverse personal narratives for our future,
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a future where we don't turn our backs to our cultures
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and the role they play in shaping who we are today.
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A future that does not perpetuate the survival of the most privileged
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at the expense of the most vulnerable,
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but instead acknowledges our fragile position in this universe
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and our responsibilities towards it.
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