A Lens on Georgia’s Survival in the Shadow of a Superpower | Daro Sulakauri | TED

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2024-10-28 ・ TED


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A Lens on Georgia’s Survival in the Shadow of a Superpower | Daro Sulakauri | TED

18,343 views ・ 2024-10-28

TED


Please double-click on the English subtitles below to play the video.

00:06
It’s very confusing and unsettling to wake up
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and have only 72 hours to make that really hard decision
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to either leave your house or stay on the Russian occupied territory.
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Overnight, the border has been unofficially redrawn
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by the occupied forces.
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Your bedroom is now located in a different country,
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while your living room and kitchen
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are still in the country where you fell asleep.
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The borders are not marked,
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so you might end up being kidnapped or detained by the Russian-backed forces.
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Director: Is that a reality for many people?
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00:45
Daro Sulakauri: It is a reality for many people in Georgia.
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In fact, about 20 percent of Georgia is occupied by Russia.
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Georgia is not heard or seen in the world,
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and many don't even know the location of the country.
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01:01
It's important to know what is going on today in Georgia
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because yeah, it happens in one region,
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but you never know when it's going to happen in your country
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or in your region.
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So we have to pay more attention.
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My name is Daro Sulakauri.
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I'm a Georgian photojournalist.
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I started taking pictures when I was 14.
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I was talking with my camera.
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It was like an intermediary of me expressing myself.
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I had like a turning point
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when I did my first photo project on Chechen refugees.
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My great grandmother was a Chechen woman,
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and I was always told stories about her.
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And during the time there was this stereotype on Chechens in Georgia,
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that they were all like criminals and terrorists.
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And I wanted to destroy the stereotype.
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When I finished the story, I got emails from people saying that,
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thank you for showing Chechens in a different way.
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And so I think that was the moment I realized what power photography had
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and how it can really change consciousness in people
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and let them think differently.
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From that moment, I concentrated on stories in my country
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that touched on taboo topics such as early marriages
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and conditions faced by mine workers,
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stories about minorities,
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post-Soviet health care system that created pandemic of stolen babies,
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and how conflict with Russia led to the surreal border dynamics
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I described earlier.
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There are so many topics to cover in Georgia,
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and I feel like it's not been covered.
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By photographing these topics and talking about it
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the dialogue starts,
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and I think from this dialogue the change comes.
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One journey I documented a 14-year-old boy telling the story
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about how he had to cross the occupied border
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onto the Russian-controlled territory to visit his ill grandmother,
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and kind of risking his life.
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And I went with him on this one trip
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that took us four hours to crawl, walk,
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hide and cross irrigation canals.
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We had to hide from both the Russian-backed militants
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and also Georgian border police.
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It's really dangerous for, especially journalists,
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because they don't know where the border is.
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I could not make any mistakes
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or I would be detained by the Russian-backed militants.
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He symbolized for me our people's resilience
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because he loves his grandmother so much.
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He kind of killed the fear in him and took this road.
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I think it matters to not just be a photographer
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who goes there and leaves and never comes back,
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but to actually have this connection with the people.
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It's not just a story that's told by a photographer,
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but it's a story that's told by the people who live in Georgia.
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It's like an archive
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that will let the future generation also understand
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what it was like to live close to the occupied territories.
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Soviet Union tried to demolish our identity,
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but they couldn't manage because our roots are very strong,
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like, traditions and culture and language.
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So I think it's very important to tell the story of my people.
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I want us to be heard.
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