LISTEN like a NATIVE SPEAKER - English Lesson

130,120 views ใƒป 2019-05-28

Rachel's English


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
Today, we're going to talk about music.
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ไปŠๆ—ฅใฏ้Ÿณๆฅฝใซใคใ„ใฆใŠ่ฉฑใ—ใพใ™ใ€‚
00:02
The music of language of English and how native speakers listen to it.
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่‹ฑ่ชžใฎ่จ€่ชžใฎ้Ÿณๆฅฝใจใƒใ‚คใƒ†ใ‚ฃใƒ–ใ‚นใƒ”ใƒผใ‚ซใƒผใŒใใ‚Œใ‚’่žใๆ–นๆณ•ใ€‚
00:07
The stress, the up-down shape is the anchor for me when I'm listening, and it gives me that familiar structure.
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ใ‚นใƒˆใƒฌใ‚นใ€ไธŠไธ‹ใฎๅฝขใŒ็งใŒ่žใ„ใฆใ„ใ‚‹ใจใใฎใ‚ขใƒณใ‚ซใƒผใงใ‚ใ‚Šใ€ใใ‚Œใฏ็งใซใใฎใชใ˜ใฟใฎใ‚ใ‚‹ๆง‹้€ ใ‚’ไธŽใˆใฆใใ‚Œใพใ™ใ€‚
00:14
Everything that I hear fits within this structure of stress.
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็งใŒ่žใใ‚‚ใฎใฏใ™ในใฆใ€ใ“ใฎใ‚นใƒˆใƒฌใ‚นใฎๆง‹้€ ใฎไธญใซๅŽใพใ‚Šใพใ™ใ€‚
00:19
Tom's going to teach you how to identify what native speakers identify when they're listening to English,
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ใƒˆใƒ ใฏใ€ใƒใ‚คใƒ†ใ‚ฃใƒ–ใ‚นใƒ”ใƒผใ‚ซใƒผใŒ่‹ฑ่ชžใ‚’่žใ„ใฆใ„ใ‚‹ใจใใซไฝ•ใ‚’่ญ˜ๅˆฅใ™ใ‚‹ใ‹ใ‚’่ญ˜ๅˆฅใ™ใ‚‹ๆ–นๆณ•ใจใ€
00:25
and how to use that to your advantage to be more easily understood when you're speaking English.
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่‹ฑ่ชžใ‚’่ฉฑใ—ใฆใ„ใ‚‹ใจใใซ็†่งฃใ—ใ‚„ใ™ใใ™ใ‚‹ใŸใ‚ใซใใ‚Œใ‚’ๆดป็”จใ™ใ‚‹ๆ–นๆณ•ใ‚’ๆ•™ใˆใพใ™ใ€‚
00:30
Who's Tom?
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ใƒˆใƒ ใฏ่ชฐใงใ™ใ‹๏ผŸ
00:31
He's a standout teacher in Rachel's English academy, he coaches students every day,
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ๅฝผใฏใƒฌใ‚คใƒใ‚งใƒซใฎ่‹ฑ่ชžใ‚ขใ‚ซใƒ‡ใƒŸใƒผใงๅ‚‘ๅ‡บใ—ใŸๆ•™ๅธซใงใ‚ใ‚Šใ€ๆฏŽๆ—ฅ็”Ÿๅพ’ใ‚’ๆŒ‡ๅฐŽ
00:35
and I have seen and heard the amazing progress that students can make when working with him.
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ใ—ใฆใ„ใพใ™ใ€‚็งใฏใ€็”Ÿๅพ’ใŒๅฝผใจไธ€็ท’ใซไป•ไบ‹ใ‚’ใ™ใ‚‹ใจใใซ้ฉšใในใ้€ฒๆญฉใ‚’้‚ใ’ใ‚‹ใ“ใจใŒใงใใ‚‹ใฎใ‚’่ฆ‹่žใใ—ใพใ—ใŸใ€‚
00:41
First, he's going to talk about the music of English
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ๆœ€ๅˆใซๅฝผใฏ่‹ฑ่ชžใฎ้Ÿณๆฅฝใซใคใ„ใฆ่ฉฑใ—
00:43
and then he's going to use some clips from movies to illustrate what he's teaching you.
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ใ€ๆฌกใซๅฝผใŒใ‚ใชใŸใซๆ•™ใˆใฆใ„ใ‚‹ใ“ใจใ‚’่ชฌๆ˜Žใ™ใ‚‹ใŸใ‚ใซๆ˜ ็”ปใ‹ใ‚‰ใฎใ„ใใคใ‹ใฎใ‚ฏใƒชใƒƒใƒ—ใ‚’ไฝฟ็”จใ™ใ‚‹ใคใ‚‚ใ‚Šใงใ™ใ€‚
00:48
I know.
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็Ÿฅใฃใฆใ„ใ‚‹ใ€‚
00:50
I know.
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็Ÿฅใฃใฆใ„ใ‚‹ใ€‚
00:51
I know.
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็Ÿฅใฃใฆใ„ใ‚‹ใ€‚
00:52
I know.
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็Ÿฅใฃใฆใ„ใ‚‹ใ€‚
00:53
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00:55
Hi! I'm Tom Kelly, a Rachel's English teacher with Rachel's English academy.
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ใ‚„ใ‚๏ผ ใƒฌใ‚คใƒใ‚งใƒซใฎ่‹ฑ่ชžใ‚ขใ‚ซใƒ‡ใƒŸใƒผใฎใƒฌใ‚คใƒใ‚งใƒซใฎ่‹ฑ่ชžๆ•™ๅธซใ€ใƒˆใƒ ใƒปใ‚ฑใƒชใƒผใงใ™ใ€‚
00:59
I work with students all over the world,
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็งใฏไธ–็•Œไธญใฎๅญฆ็”Ÿใจไป•ไบ‹ใ‚’ใ—
01:02
and there's one thing that I think really helps students speak more like native speakers,
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ใฆใ„ใพใ™ใŒใ€ๅญฆ็”ŸใŒใƒใ‚คใƒ†ใ‚ฃใƒ–ใ‚นใƒ”ใƒผใ‚ซใƒผใฎใ‚ˆใ†ใซ่ฉฑใ™ใฎใซๆœฌๅฝ“ใซๅฝน็ซ‹ใคใจๆ€ใ†ใ“ใจใŒ1ใคใ‚ใ‚Šใพใ™ใ€‚
01:08
and it has nothing to do with actually speaking.
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ใใ‚Œใฏใ€ๅฎŸ้š›ใซ่ฉฑใ™ใ“ใจใจใฏไฝ•ใฎ้–ขไฟ‚ใ‚‚ใ‚ใ‚Šใพใ›ใ‚“ใ€‚
01:11
It comes before speaking, and it's all about listening.
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ใใ‚Œใฏ่ฉฑใ™ๅ‰ใซๆฅใพใ™ใ€ใใ—ใฆใใ‚Œใฏใ™ในใฆ่žใใ“ใจใซใคใ„ใฆใงใ™ใ€‚
01:15
In order to speak like a native speaker, you really want to be able to listen like a native speaker.
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ๆฏๅ›ฝ่ชž่ฉฑ่€…ใฎใ‚ˆใ†ใซ่ฉฑใ™ใŸใ‚ใซใฏใ€ๆฏๅ›ฝ่ชž่ฉฑ่€…ใฎใ‚ˆใ†ใซ่žใใ“ใจใŒใงใใ‚‹ใ‚ˆใ†ใซใชใ‚ŠใŸใ„ใฎใงใ™ใ€‚
01:20
And that's what this video is all about.
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ใใ—ใฆใ€ใใ‚ŒใŒใ“ใฎใƒ“ใƒ‡ใ‚ชใฎใ™ในใฆใงใ™ใ€‚
01:23
Let's get started.
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ๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€‚
01:24
So what does it mean to listen like a native speaker?
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ใงใฏใ€ๆฏๅ›ฝ่ชž่ฉฑ่€…ใฎใ‚ˆใ†ใซ่žใใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ
01:27
Well, the first thing we want to think about is the fact that English is a stress timed language.
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ใ•ใฆใ€็งใŸใกใŒๆœ€ๅˆใซ่€ƒใˆใŸใ„ใฎใฏใ€่‹ฑ่ชžใŒใ‚นใƒˆใƒฌใ‚นๆ™‚้™่จ€่ชžใงใ‚ใ‚‹ใจใ„ใ†ไบ‹ๅฎŸใงใ™ใ€‚
01:33
So what does that mean? It means that our syllables are going to be different lengths from one another.
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ใงใฏใ€ใใ‚Œใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ ใ“ใ‚Œใฏใ€้Ÿณ็ฏ€ใฎ้•ทใ•ใŒไบ’ใ„ใซ็•ฐใชใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚
01:40
Now, we're gonna have stressed syllables which are the longer syllables,
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ใ“ใ“ใงใ€้•ทใ„้Ÿณ็ฏ€ใงใ‚ใ‚‹
01:44
and we're going to have unstressed syllables which are shorter.
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ๅผทๅ‹ขใฎใ‚ใ‚‹้Ÿณ็ฏ€ใ‚’ไฝฟ็”จใ—ใ€็Ÿญใ„้Ÿณ็ฏ€ใงใ‚ใ‚‹ๅผทๅ‹ขใฎใชใ„้Ÿณ็ฏ€ใ‚’ไฝฟ็”จใ—ใพใ™ใ€‚
01:47
I'm going to pop in for a minute to try something new.
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ใกใ‚‡ใฃใจ็ซ‹ใกๅฏ„ใฃใฆใ€ไฝ•ใ‹ๆ–ฐใ—ใ„ใ“ใจใ‚’่ฉฆใ—ใฆใฟใพใ™ใ€‚
01:50
We have a sponsor for this video, the good people at skillshare.
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ใ“ใฎใƒ“ใƒ‡ใ‚ชใฎใ‚นใƒใƒณใ‚ตใƒผใฏใ€skillshareใฎๅ„ช็ง€ใชไบบใ€…ใงใ™ใ€‚
01:54
Now, I know you already do a lot of online learning
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ไปŠใ€็งใฏใ‚ใชใŸใŒใ™ใงใซๅคšใใฎใ‚ชใƒณใƒฉใ‚คใƒณๅญฆ็ฟ’
01:57
and you know that the internet can connect you to experts in any field anywhere in the world.
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ใ‚’ใ—ใฆใ„ใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ„ใพใ™ใ€ใใ—ใฆใ‚ใชใŸใฏใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใŒใ‚ใชใŸใ‚’ไธ–็•Œไธญใฎใ‚ใ‚‰ใ‚†ใ‚‹ๅˆ†้‡Žใฎๅฐ‚้–€ๅฎถใซๆŽฅ็ถšใงใใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ„ใพใ™ใ€‚
02:02
I myself do a lot of learning online.
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็ง่‡ช่บซใ€ใ‚ชใƒณใƒฉใ‚คใƒณใงๅคšใใฎใ“ใจใ‚’ๅญฆใณใพใ™ใ€‚
02:04
Skillshare is a site where you can take classes in anything: from writing, to photography,
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Skillshareใฏใ€ใƒฉใ‚คใƒ†ใ‚ฃใƒณใ‚ฐใ‹ใ‚‰ๅ†™็œŸๆ’ฎๅฝฑใ€ใƒ“ใ‚ธใƒใ‚นใฎๆง‹็ฏ‰ใพใงใ€ใ‚ใ‚‰ใ‚†ใ‚‹ๅˆ†้‡Žใงใ‚ฏใƒฉใ‚นใ‚’ๅ—่ฌ›ใงใใ‚‹ใ‚ตใ‚คใƒˆใงใ™
02:09
to building a business.
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ใ€‚
02:10
You can learn with their website or use their app. I, myself, am really interested in growing food.
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ใ‚ใชใŸใฏๅฝผใ‚‰ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใงๅญฆใถใ‹ใ€ๅฝผใ‚‰ใฎใ‚ขใƒ—ใƒชใ‚’ไฝฟใ†ใ“ใจใŒใงใใพใ™ใ€‚ ็ง่‡ช่บซใ€้ฃŸใน็‰ฉใ‚’่‚ฒใฆใ‚‹ใฎใซๆœฌๅฝ“ใซ่ˆˆๅ‘ณใŒใ‚ใ‚Šใพใ™ใ€‚
02:15
So that's the first thing I searched for and I found some great classes.
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ใใ‚ŒใŒ็งใŒๆœ€ๅˆใซๆคœ็ดขใ—ใŸใ‚‚ใฎใงใ‚ใ‚Šใ€ใ„ใใคใ‹ใฎ็ด ๆ™ดใ‚‰ใ—ใ„ใ‚ฏใƒฉใ‚นใ‚’่ฆ‹ใคใ‘ใพใ—ใŸใ€‚
02:19
Yeah, I'm probably going to take that gelato making class too.
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ใˆใˆใ€็งใ‚‚ใใฎใ‚ธใ‚งใƒฉใƒผใƒˆไฝœใ‚Šใฎใ‚ฏใƒฉใ‚นใ‚’ๅ—่ฌ›ใ™ใ‚‹ใคใ‚‚ใ‚Šใงใ™ใ€‚
02:23
Follow this link or the link in the video description for your own code to get two months free.
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ใ“ใฎใƒชใƒณใ‚ฏใพใŸใฏใƒ“ใƒ‡ใ‚ชใฎ่ชฌๆ˜Žใซใ‚ใ‚‹็‹ฌ่‡ชใฎใ‚ณใƒผใƒ‰ใฎใƒชใƒณใ‚ฏใ‚’ใŸใฉใ‚‹ใจใ€2ใ‹ๆœˆ้–“็„กๆ–™ใซใชใ‚Šใพใ™ใ€‚
02:28
Check them out, let's thank them for supporting this channel. If you find a course you like,
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ใใ‚Œใ‚‰ใ‚’ใƒใ‚งใƒƒใ‚ฏใ—ใฆใใ ใ•ใ„ใ€ใ“ใฎใƒใƒฃใƒณใƒใƒซใ‚’ใ‚ตใƒใƒผใƒˆใ—ใฆใใ‚ŒใŸๅฝผใ‚‰ใซๆ„Ÿ่ฌใ—ใพใ—ใ‚‡ใ†ใ€‚ ๆฐ—ใซๅ…ฅใฃใŸใ‚ณใƒผใ‚นใ‚’่ฆ‹ใคใ‘ใŸใ‚‰ใ€
02:33
let me know in the video comments below.
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ไธ‹ใฎใƒ“ใƒ‡ใ‚ชใ‚ณใƒกใƒณใƒˆใง็Ÿฅใ‚‰ใ›ใฆใใ ใ•ใ„ใ€‚
02:35
Okay, let's get back to the lesson.
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ใงใฏใ€ใƒฌใƒƒใ‚นใƒณใซๆˆปใ‚Šใพใ—ใ‚‡ใ†ใ€‚
02:38
Here's how I like to think about stressed and unstressed syllables.
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ๅผทๅ‹ขใฎใ‚ใ‚‹้Ÿณ็ฏ€ใจๅผทๅ‹ขใฎใชใ„้Ÿณ็ฏ€ใซใคใ„ใฆใ€็งใฏๆฌกใฎใ‚ˆใ†ใซ่€ƒใˆใฆใ„ใพใ™ใ€‚
02:41
Unstressed syllables are quicker, they're flatter in vocal pitch, they use less energy.
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ใ‚นใƒˆใƒฌใ‚นใฎใชใ„้Ÿณ็ฏ€ใฏใ‚ˆใ‚Š้€Ÿใใ€ใƒœใƒผใ‚ซใƒซใƒ”ใƒƒใƒใŒใ‚ˆใ‚Šใƒ•ใƒฉใƒƒใƒˆใงใ€ใ‚ˆใ‚Šๅฐ‘ใชใ„ใ‚จใƒใƒซใ‚ฎใƒผใ‚’ไฝฟ็”จใ—ใพใ™ใ€‚
02:47
Often that means they don't use as much movement from your articulators, your jaw, your tongue, your lips.
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ๅคšใใฎๅ ดๅˆใ€ใใ‚Œใฏๅฝผใ‚‰ใŒใ‚ใชใŸใฎๅ’ฌๅˆๅ™จใ€ใ‚ใชใŸใฎ้กŽใ€ใ‚ใชใŸใฎ่ˆŒใ€ใ‚ใชใŸใฎๅ”‡ใ‹ใ‚‰ใฎๅ‹•ใใ‚’ใ‚ใพใ‚Šไฝฟใ‚ใชใ„ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚
02:54
And they can be just a little less clear often than stressed syllables.
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ใใ—ใฆใ€ใใ‚Œใ‚‰ใฏๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใ‚ˆใ‚Šใ‚‚ๅฐ‘ใ—ใ ใ‘ใฏใฃใใ‚Šใ—ใชใ„ใ“ใจใŒใ‚ˆใใ‚ใ‚Šใพใ™ใ€‚
02:58
Alright, so that leaves stressed syllables.
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ไบ†่งฃใ—ใพใ—ใŸใ€‚ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใŒๆฎ‹ใ‚Šใพใ™ใ€‚
03:01
What are they?
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ๅฝผใ‚‰ใฏไฝ•ใงใ™ใ‹๏ผŸ
03:02
They're longer, they have more energy, they use more movement from the articulators, they're clearer.
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ๅฝผใ‚‰ใฏใ‚ˆใ‚Š้•ทใใ€ใ‚ˆใ‚Šๅคšใใฎใ‚จใƒใƒซใ‚ฎใƒผใ‚’ๆŒใฃใฆใŠใ‚Šใ€ใ‚ขใƒผใƒ†ใ‚ฃใ‚ญใƒฅใƒฌใƒผใ‚ฟใƒผใ‹ใ‚‰ใฎใ‚ˆใ‚Šๅคšใใฎๅ‹•ใใ‚’ไฝฟ็”จใ—ใ€ใ‚ˆใ‚Šๆ˜Ž็ขบใงใ™ใ€‚
03:07
And I think, probably, the most important part of a stressed syllable is the curve in the pitch of the voice.
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ใใ—ใฆใ€ใŠใใ‚‰ใใ€ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใฎๆœ€ใ‚‚้‡่ฆใช้ƒจๅˆ†ใฏใ€ๅฃฐใฎใƒ”ใƒƒใƒใฎใ‚ซใƒผใƒ–ใ ใจๆ€ใ„ใพใ™ใ€‚
03:14
Rachel calls this the shape of stress.
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ใƒฌใ‚คใƒใ‚งใƒซใฏใ“ใ‚Œใ‚’ใ‚นใƒˆใƒฌใ‚นใฎๅฝขใจๅ‘ผใ‚“ใงใ„ใพใ™ใ€‚
03:17
It's an up and down musical curve in the voice that happens on stressed syllables in American English.
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ใ“ใ‚Œใฏใ€ใ‚ขใƒกใƒชใ‚ซ่‹ฑ่ชžใฎๅผทๅ‹ขใฎใ‚ใ‚‹้Ÿณ็ฏ€ใง็™บ็”Ÿใ™ใ‚‹ๅฃฐใฎไธŠไธ‹ใฎ้Ÿณๆฅฝๆ›ฒ็ทšใงใ™ใ€‚
03:24
So those stressed syllables with that up-down shape, those are my anchors,
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ใ ใ‹ใ‚‰ใ€ใใฎไธŠไธ‹ใฎๅฝขใงๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใ€ใใ‚Œใ‚‰ใฏ็งใฎใ‚ขใƒณใ‚ซใƒผใงใ‚ใ‚Šใ€ใใ‚Œใฏ็ง
03:28
and that's what gives me a familiar structure when I'm listening to English.
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ใŒ่‹ฑ่ชžใ‚’่žใ„ใฆใ„ใ‚‹ใจใใซ็งใซ้ฆดๆŸ“ใฟใฎใ‚ใ‚‹ๆง‹้€ ใ‚’ไธŽใˆใ‚‹ใ‚‚ใฎใงใ™ใ€‚
03:33
So great!
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ใจใฆใ‚‚็ด ๆ™ดใ‚‰ใ—ใ„๏ผ
03:34
We know that stress syllables are longer,
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ใ‚นใƒˆใƒฌใ‚น้Ÿณ็ฏ€ใฏ้•ทใ
03:36
they have this musical element with this up-and-down curve in the voice, and that unstressed syllables
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ใ€ใ“ใฎ้Ÿณๆฅฝ็š„่ฆ็ด ใŒใ‚ใ‚Šใ€ๅฃฐใฎไธŠไธ‹ใฎใ‚ซใƒผใƒ–ใŒใ‚ใ‚Šใ€ใ‚นใƒˆใƒฌใ‚นใฎใชใ„้Ÿณ็ฏ€
03:41
are quicker, and flatter in vocal pitch.
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ใฏใ‚ˆใ‚Š้€Ÿใใ€ใƒœใƒผใ‚ซใƒซใƒ”ใƒƒใƒใŒใ‚ˆใ‚Šใƒ•ใƒฉใƒƒใƒˆใงใ‚ใ‚‹ใ“ใจใ‚’็งใŸใกใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚
03:43
Now what?
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ใใ‚Œใง๏ผŸ
03:45
Well now, I have to tell you
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ใ•ใฆใ€
03:46
that syllables are more important than words when it comes to spoken American English.
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ใ‚ขใƒกใƒชใ‚ซ่‹ฑ่ชžใ‚’่ฉฑใ™ๅ ดๅˆใ€้Ÿณ็ฏ€ใฏๅ˜่ชžใ‚ˆใ‚Šใ‚‚้‡่ฆใงใ‚ใ‚‹ใจ่จ€ใ‚ใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“ใ€‚
03:53
Now, what does that mean?
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ใ•ใฆใ€ใใ‚Œใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ
03:56
When you are reading English and you're looking at all the words on a page, the words are very important.
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ใ‚ใชใŸใŒ่‹ฑ่ชžใ‚’่ชญใ‚“ใงใ„ใฆใ€ใ‚ใชใŸใŒใƒšใƒผใ‚ธไธŠใฎใ™ในใฆใฎๅ˜่ชžใ‚’่ฆ‹ใฆใ„ใ‚‹ใจใใ€ใใฎๅ˜่ชžใฏ้žๅธธใซ้‡่ฆใงใ™ใ€‚
04:01
It's the words that are giving you that information
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ใใ‚Œใฏใ‚ใชใŸใซใใฎๆƒ…ๅ ฑใ‚’ไธŽใˆใฆใ„ใ‚‹่จ€่‘‰ใงใ‚ใ‚Šใ€
04:04
and you need them to be spaced out in order to read more easily.
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ใ‚ใชใŸใฏใ‚ˆใ‚Š่ชญใฟใ‚„ใ™ใใ™ใ‚‹ใŸใ‚ใซใใ‚Œใ‚‰ใ‚’้–“้š”ใ‚’็ฉบใ‘ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
04:07
Well, when we speak English, we don't really worry about any of those breaks in between words, do we?
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ใˆใˆใจใ€็งใŸใกใŒ่‹ฑ่ชžใ‚’่ฉฑใ™ใจใใ€็งใŸใกใฏๅ˜่ชžใฎ้–“ใฎใใ‚Œใ‚‰ใฎ้€”ๅˆ‡ใ‚Œใซใคใ„ใฆๆœฌๅฝ“ใซๅฟƒ้…ใ—ใพใ›ใ‚“ใญ๏ผŸ
04:13
We kind of mash everything together into one long word.
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ใ™ในใฆใ‚’1ใคใฎ้•ทใ„ๅ˜่ชžใซใพใจใ‚ใพใ™ใ€‚
04:17
Yes, I was just working on a video on this topic!
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ใฏใ„ใ€็งใฏใ“ใฎใƒˆใƒ”ใƒƒใ‚ฏใซ้–ขใ™ใ‚‹ใƒ“ใƒ‡ใ‚ชใซๅ–ใ‚Š็ต„ใ‚“ใงใ„ใพใ—ใŸ๏ผ
04:21
When you read, the unit that you focus on is a word but when you're listening or speaking,
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ใ‚ใชใŸใŒ่ชญใ‚€ใจใใ€ใ‚ใชใŸใŒ็„ฆ็‚นใ‚’ๅˆใ‚ใ›ใ‚‹ๅ˜ไฝใฏๅ˜่ชžใงใ™ใŒใ€ใ‚ใชใŸใŒ่žใ„ใŸใ‚Š่ฉฑใ—ใŸใ‚Šใ—ใฆใ„ใ‚‹ใจใใ€
04:27
the unit isn't the word, it's a thought group.
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ใใฎๅ˜ไฝใฏๅ˜่ชžใงใฏใชใใ€ๆ€่€ƒใ‚ฐใƒซใƒผใƒ—ใงใ™ใ€‚
04:30
And a thought group is any collection of words between breaks when speaking.
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ใใ—ใฆใ€ๆ€่€ƒใ‚ฐใƒซใƒผใƒ—ใฏใ€่ฉฑใ™ใจใใฎไผ‘ๆ†ฉใฎ้–“ใฎๅ˜่ชžใฎ้›†ใพใ‚Šใงใ™ใ€‚
04:34
It can be really short, you can have a one-word thought group, like 'hi!'
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ใใ‚Œใฏๆœฌๅฝ“ใซ็Ÿญใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€ใ‚ใชใŸใฏใ€Œใ“ใ‚“ใซใกใฏ๏ผใ€ใฎใ‚ˆใ†ใชไธ€่จ€ใฎๆ€่€ƒใ‚ฐใƒซใƒผใƒ—ใ‚’ๆŒใคใ“ใจใŒใงใใพใ™ใ€‚
04:39
or it can be much longer, a very long sentence with no breaks.
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ใพใŸใฏใ€ใใ‚Œใฏใฏใ‚‹ใ‹ใซ้•ทใใ€้€”ๅˆ‡ใ‚Œใฎใชใ„้žๅธธใซ้•ทใ„ๆ–‡ใซใชใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ใ€‚
04:43
or it can be much longer, a very long sentence with no breaks.
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ใพใŸใฏใ€ใใ‚Œใฏใฏใ‚‹ใ‹ใซ้•ทใใ€้€”ๅˆ‡ใ‚Œใฎใชใ„้žๅธธใซ้•ทใ„ๆ–‡ใซใชใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ใ€‚
04:46
For example...
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ใŸใจใˆใฐ...
04:47
Let's take the phrase: I'll see you later.
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ใƒ•ใƒฌใƒผใ‚บใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†๏ผšๅพŒใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚
04:50
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
04:52
How many words are in there?
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ใใ“ใซใฏใ„ใใคใฎๅ˜่ชžใŒใ‚ใ‚Šใพใ™ใ‹๏ผŸ
04:54
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
04:57
There's four words.
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4ใคใฎ่จ€่‘‰ใŒใ‚ใ‚Šใพใ™ใ€‚
04:59
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:01
But when we speak it: I'll see you later.
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ใ—ใ‹ใ—ใ€็งใŸใกใŒใใ‚Œใ‚’่ฉฑใ™ใจใ๏ผšๅพŒใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚
05:03
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:05
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:06
There's really only sounds, like there's one word.
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ไธ€่จ€ใฎใ‚ˆใ†ใซใ€ๆœฌๅฝ“ใซ้Ÿณใ ใ‘ใŒใ‚ใ‚Šใพใ™ใ€‚
05:09
So the syllables, these stressed syllables are the important part.
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ใ—ใŸใŒใฃใฆใ€้Ÿณ็ฏ€ใ€ใ“ใ‚Œใ‚‰ใฎๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใฏ้‡่ฆใช้ƒจๅˆ†ใงใ™ใ€‚
05:14
That's what we want to bring out in our sentences, in our phrases, so that our listeners can understand us,
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ใใ‚ŒใŒ็งใŸใกใฎๆ–‡็ซ ใ‚„ใƒ•ใƒฌใƒผใ‚บใง็งใŸใกใŒๅผ•ใๅ‡บใ—ใŸใ„ใ‚‚ใฎใงใ‚ใ‚Šใ€ใƒชใ‚นใƒŠใƒผใŒ็งใŸใกใ‚’็†่งฃใงใใ‚‹ใ‚ˆใ†ใซใ™ใ‚‹
05:20
and that's what native speakers are listening for.
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ใŸใ‚ใงใ™ใ€‚ใใ—ใฆใใ‚ŒใŒใƒใ‚คใƒ†ใ‚ฃใƒ–ใ‚นใƒ”ใƒผใ‚ซใƒผใŒ่žใ„ใฆใ„ใ‚‹ใ“ใจใงใ™ใ€‚
05:23
They're listening for the stressed syllables.
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ๅฝผใ‚‰ใฏๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใ‚’่žใ„ใฆใ„ใพใ™ใ€‚
05:25
Now, I'll see you later.
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ใ•ใฆใ€ๅพŒใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚
05:27
How can we tell what the stressed syllables are?
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ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใŒไฝ•ใงใ‚ใ‚‹ใ‹ใ‚’ใฉใฎใ‚ˆใ†ใซ็Ÿฅใ‚‹ใ“ใจใŒใงใใพใ™ใ‹๏ผŸ
05:31
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:32
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:35
What did we say about stressed syllables?
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ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใซใคใ„ใฆ็งใŸใกใฏไฝ•ใจ่จ€ใ„ใพใ—ใŸใ‹๏ผŸ
05:37
They have that up-and-down curve in the pitch of the voice.
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ๅฝผใ‚‰ใฏๅฃฐใฎใƒ”ใƒƒใƒใซใใฎไธŠไธ‹ใฎใ‚ซใƒผใƒ–ใ‚’ๆŒใฃใฆใ„ ใพใ™ใ€‚
05:40
How many up-and-down curves in my voice do you hear?
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็งใฎๅฃฐใฎไธŠไธ‹ใฎใ‚ซใƒผใƒ–ใฏใ„ใใค่žใ“ใˆใพใ™ใ‹๏ผŸ
05:44
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:47
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:50
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
05:51
Two.
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ไบŒใ€‚
05:52
See, la--, those are the important syllables.
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ใปใ‚‰ใ€ใƒฉ-ใ€ใใ‚Œใ‚‰ใฏ้‡่ฆใช้Ÿณ็ฏ€ใงใ™ใ€‚
05:56
Those are the stressed syllables in the content words in that phrase.
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ใใ‚Œใ‚‰ใฏใ€ใใฎใƒ•ใƒฌใƒผใ‚บใฎๅ†…ๅฎน่ชžใฎๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใงใ™ใ€‚
06:00
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
06:02
I'll see you later.
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ๅพŒใงไผšใ„ใพใ—ใ‚‡ใ†ใ€‚
06:04
Now, another thing to think about that proves again
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ใ•ใฆใ€ใใ‚Œใซใคใ„ใฆ่€ƒใˆใ‚‹ใ‚‚ใ†ไธ€ใคใฎใ“ใจ
06:07
that syllables are more important than words
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ใฏใ€้Ÿณ็ฏ€ใŒๅ˜่ชžใ‚ˆใ‚Šใ‚‚้‡่ฆใง
06:10
is that a four-word phrase can take the exact same amount of time that it takes a four syllable word to say.
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ใ‚ใ‚‹ใ“ใจใ‚’ๅ†ใณ่จผๆ˜Žใ—ใพใ™ใ€‚4ๅ˜่ชžใฎใƒ•ใƒฌใƒผใ‚บใฏใ€4้Ÿณ็ฏ€ใฎๅ˜่ชžใŒ่จ€ใ†ใฎใจใพใฃใŸใๅŒใ˜ๆ™‚้–“ใŒใ‹ใ‹ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใจใ„ใ†ใ“ใจใงใ™ใ€‚
06:19
What did I just say?
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ไฝ•ใฆ่จ€ใฃใŸใฎ๏ผŸ
06:20
Four words will take just as long to say as one word?
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4ใคใฎๅ˜่ชžใฏ1ใคใฎๅ˜่ชžใจๅŒใ˜ใใ‚‰ใ„้•ทใใ‹ใ‹ใ‚Šใพใ™ใ‹๏ผŸ
06:24
Yes! Because it's the syllables that are important.
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ใฏใ„๏ผ ้‡่ฆใชใฎใฏ้Ÿณ็ฏ€ใ ใ‹ใ‚‰ใงใ™ใ€‚
06:27
Let's take an example like: vulnerable, vulnerable.
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ๆฌกใฎใ‚ˆใ†ใชไพ‹ใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†๏ผš่„†ๅผฑใ€่„†ๅผฑใ€‚
06:31
There's four syllables in that word: vulnerable.
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ใใฎ่จ€่‘‰ใซใฏ4ใคใฎ้Ÿณ็ฏ€ใŒใ‚ใ‚Šใพใ™๏ผš่„†ๅผฑใงใ™ใ€‚
06:35
How many stressed syllables do you hear?
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ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใฏใ„ใใค่žใ“ใˆใพใ™ใ‹๏ผŸ
06:37
Vulnerable.
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่„†ๅผฑใ€‚
06:39
Vulnerable.
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่„†ๅผฑใ€‚
06:41
Just one, right?
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1ใคใ ใ‘ใงใ™ใ‚ˆใญ๏ผŸ
06:42
That first syllable has that up-and-down quality in the voice.
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ใใฎๆœ€ๅˆใฎ้Ÿณ็ฏ€ใฏใ€ๅฃฐใฎไธŠไธ‹ใฎ่ณชใ‚’ๆŒใฃใฆใ„ใพใ™ใ€‚
06:45
Vul-- vulnerable.
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Vul--่„†ๅผฑใงใ™ใ€‚
06:48
Vulnerable.
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่„†ๅผฑใ€‚
06:49
Now, let's take a phrase: give it to me.
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ใ•ใฆใ€ใƒ•ใƒฌใƒผใ‚บใ‚’ๅ–ใ‚Šใพใ—ใ‚‡ใ†๏ผš็งใซใใ‚Œใ‚’ไธŽใˆใฆใใ ใ•ใ„ใ€‚
06:52
Give it to me.
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็งใซใใ‚Œใ‚’ใใ ใ•ใ„ใ€‚
06:53
Four words, each word is one syllable, so four syllables in that phrase.
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4ใคใฎๅ˜่ชžใ€ๅ„ๅ˜่ชžใฏ1้Ÿณ็ฏ€ใชใฎใงใ€ใใฎใƒ•ใƒฌใƒผใ‚บใซใฏ4ใคใฎ้Ÿณ็ฏ€ใŒๅซใพใ‚Œใพใ™ใ€‚
06:58
Give it to me.
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็งใซใใ‚Œใ‚’ใใ ใ•ใ„ใ€‚
07:00
Give it to me.
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็งใซใใ‚Œใ‚’ใใ ใ•ใ„ใ€‚
07:01
Again, can you hear the up-and-down quality in one of those words?
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็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€ใใ‚Œใ‚‰ใฎ่จ€่‘‰ใฎ1ใคใงไธŠไธ‹ใฎๅ“่ณชใ‚’่žใใ“ใจใŒใงใใพใ™ใ‹๏ผŸ
07:04
Give it to me.
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็งใซใใ‚Œใ‚’ใใ ใ•ใ„ใ€‚
07:06
Give, give it to me.
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ไธŽใˆใฆใ€็งใซใใ‚Œใ‚’ไธŽใˆใชใ•ใ„ใ€‚
07:08
So we have the first word, the first syllable, stressed.
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ใคใพใ‚Šใ€ๆœ€ๅˆใฎๅ˜่ชžใ€ๆœ€ๅˆใฎ้Ÿณ็ฏ€ใŒๅผท่ชฟใ•ใ‚Œใฆใ„ใพใ™ใ€‚
07:12
Give, give it to me.
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ไธŽใˆใฆใ€็งใซใใ‚Œใ‚’ไธŽใˆใชใ•ใ„ใ€‚
07:14
Vulnerable.
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่„†ๅผฑใ€‚
07:16
Vulnerable.
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่„†ๅผฑใ€‚
07:17
Give it to me.
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็งใซใใ‚Œใ‚’ใใ ใ•ใ„ใ€‚
07:18
They both have the exact same music and they both take the exact same amount of time to say.
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ๅฝผใ‚‰ใฏไธกๆ–นใจใ‚‚ใพใฃใŸใๅŒใ˜้Ÿณๆฅฝใ‚’ๆŒใฃใฆใŠใ‚Šใ€ๅฝผใ‚‰ใฏไธกๆ–นใจใ‚‚่จ€ใ†ใฎใซใพใฃใŸใๅŒใ˜ๆ™‚้–“ใ‚’่ฆใ—ใพใ™ใ€‚
07:23
Once you know the music and rhythm pattern of a phrase or word like that,
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ใใฎใ‚ˆใ†ใชใƒ•ใƒฌใƒผใ‚บใ‚„ๅ˜่ชžใฎ้Ÿณๆฅฝใ‚„ใƒชใ‚บใƒ ใฎใƒ‘ใ‚ฟใƒผใƒณใŒใ‚ใ‹ใ‚Œ
07:30
all of a sudden, you can speak the music of a bunch of different phrases and words.
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ใฐใ€็ช็„ถใ€ใ•ใพใ–ใพใชใƒ•ใƒฌใƒผใ‚บใ‚„ๅ˜่ชžใฎ้Ÿณๆฅฝใ‚’่ฉฑใ™ใ“ใจใŒใงใใพใ™ใ€‚
07:36
Let's look at a few of them.
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ใใ‚Œใ‚‰ใฎใ„ใใคใ‹ใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
07:38
Confession.
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ๅ‘Š็™ฝใ€‚
07:40
Confession.
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ๅ‘Š็™ฝใ€‚
07:43
I love it.
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ๅคงๅฅฝใใงใ™ใ€‚
07:44
I love it.
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ๅคงๅฅฝใใงใ™ใ€‚
07:47
I'll have one.
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ๆŒใฃใฆใ„ใใพใ™ใ€‚
07:49
I'll have one.
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ๆŒใฃใฆใ„ใใพใ™ใ€‚
07:50
Uhh--
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ใ†ใƒผใ‚“
07:52
Uhh--
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-ใ†ใƒผใ‚“-
07:53
Do you hear that it's the same music under all of these phrases and words?
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ใ“ใ‚Œใ‚‰ใฎใƒ•ใƒฌใƒผใ‚บใ‚„ๅ˜่ชžใฎใ™ในใฆใงๅŒใ˜้Ÿณๆฅฝใ ใจ่žใใพใ—ใŸใ‹๏ผŸ
07:57
He did it.
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ๅฝผใฏใใ‚Œใ‚’ใ—ใพใ—ใŸใ€‚
07:59
He did it.
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ๅฝผใฏใใ‚Œใ‚’ใ—ใพใ—ใŸใ€‚
08:01
I know that.
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ใใ‚“ใชใ“ใจ็Ÿฅใฃใฆใ‚‹ใ€‚
08:03
I know that.
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ใใ‚“ใชใ“ใจ็Ÿฅใฃใฆใ‚‹ใ€‚
08:04
Uhh--
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ใ†ใƒผใ‚“-
08:06
Productive.
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็”Ÿ็”ฃ็š„ใ€‚
08:08
Productive.
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็”Ÿ็”ฃ็š„ใ€‚
08:09
Uhh--
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08:11
Let's listen to all of them right in a row.
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ใˆใƒผใจใ€ๅ…จ้ƒจ็ถšใ‘ใฆ่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
08:13
Confession. I love it. I'll have one. He did it. I know that. Productive.
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ๅ‘Š็™ฝใ€‚ ๅคงๅฅฝใใงใ™ใ€‚ ๆŒใฃใฆใ„ใใพใ™ใ€‚ ๅฝผใฏใใ‚Œใ‚’ใ—ใพใ—ใŸใ€‚ ใใ‚“ใชใ“ใจ็Ÿฅใฃใฆใ‚‹ใ€‚ ็”Ÿ็”ฃ็š„ใ€‚
08:19
Uhh-- uhh--
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ใ†ใƒผใ‚“-ใ†ใƒผใ‚“-
08:21
It's all the same music.
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ใใ‚Œใฏใ™ในใฆๅŒใ˜้Ÿณๆฅฝใงใ™ใ€‚
08:23
Listen for that stressed syllable in phrases and words and that's what you want to begin imitating,
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ใƒ•ใƒฌใƒผใ‚บใ‚„ๅ˜่ชžใงๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€
08:29
once you've started to hear it.
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ใ‚’่žใ„ใฆใใ ใ•ใ„ใ€‚ใใ‚Œใ‚’่žใๅง‹ใ‚ใŸใ‚‰ใ€ใใ‚Œใ‚’ๆจกๅ€ฃใ—ๅง‹ใ‚ใŸใ„ใจๆ€ใ„ใพใ™ใ€‚
08:30
Now, what's awesome is there is so much material out there
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ใ•ใฆใ€็ด ๆ™ดใ‚‰ใ—ใ„ใฎใฏ
08:35
that you can listen to to get a sense for the musicality, to begin listening in this way,
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ใ€้Ÿณๆฅฝๆ€งใฎๆ„Ÿ่ฆšใ‚’ใคใ‹ใ‚€ใŸใ‚ใซใ€ใ“ใฎใ‚ˆใ†ใซ่ดใๅง‹ใ‚ใ€ใƒใ‚คใƒ†ใ‚ฃใƒ–ใ‚นใƒ”ใƒผใ‚ซใƒผใฎใ‚ˆใ†ใซ่ดใๅง‹ใ‚ใ‚‹ใŸใ‚ใซ่žใใ“ใจใŒใงใใ‚‹้žๅธธใซๅคšใใฎ่ณ‡ๆ–™ใŒใ‚ใ‚‹ใ“ใจใงใ™
08:40
to begin listening like a native speaker.
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ใ€‚
08:42
So rachel actually made a video about how to use youglish.Com to practice your pronunciation.
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ใใ“ใงใƒฌใ‚คใƒใ‚งใƒซใฏใ€ๅฎŸ้š›ใซyouglish.Comใ‚’ไฝฟ็”จใ—ใฆ็™บ้Ÿณใ‚’็ทด็ฟ’ใ™ใ‚‹ๆ–นๆณ•ใซใคใ„ใฆใฎใƒ“ใƒ‡ใ‚ชใ‚’ไฝœๆˆใ—ใพใ—ใŸใ€‚
08:48
This is a great tool to use to
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ใ“ใ‚Œใฏใ€ๆฏๅ›ฝ่ชž่ฉฑ่€…ใฎใ‚ˆใ†ใซ่žใๅง‹ใ‚ใ‚‹ใŸใ‚ใซไฝฟ็”จใ™ใ‚‹ใฎใซๆœ€้ฉใชใƒ„ใƒผใƒซใงใ‚ใ‚Š
08:51
begin listening like a native speaker so that you can imitate with more precision
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ใ€ใ‚ˆใ‚Šๆญฃ็ขบ
08:55
and clarity and native speaker quality.
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ใงๆ˜Ž็žญใชๆฏๅ›ฝ่ฉฑ่€…ใฎๅ“่ณชใงๆจกๅ€ฃใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
08:57
But let's go ahead and take a little bit of time here to
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ใ—ใ‹ใ—ใ€ใ“ใ“ใงๅฐ‘ใ—ๆ™‚้–“ใ‚’ๅ–ใฃ
09:01
listen to some tv and film clips
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ใฆใ€ใƒ†ใƒฌใƒ“ใ‚„ๆ˜ ็”ปใฎใ‚ฏใƒชใƒƒใƒ—
09:03
and see if we can hear the music, hear the rhythm, hear the important stressed syllables.
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ใ‚’่ดใใ€้Ÿณๆฅฝใ‚’่ดใ„ใŸใ‚Šใ€ใƒชใ‚บใƒ ใ‚’่ดใ„ใŸใ‚Šใ€้‡่ฆใชๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใ‚’่ดใ„ใŸใ‚Šใงใใ‚‹ใ‹ใฉใ†ใ‹ใ‚’็ขบ่ชใ—ใพใ—ใ‚‡ใ†ใ€‚
09:09
The phrase is: I know.
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ใƒ•ใƒฌใƒผใ‚บใฏๆฌกใฎใจใŠใ‚Šใงใ™ใ€‚็งใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚
09:12
I know.
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็Ÿฅใฃใฆใ„ใ‚‹ใ€‚
09:13
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09:28
How many stressed syllables do you hear?
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ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใฏใ„ใใค่žใ“ใˆใพใ™ใ‹๏ผŸ
09:31
I know.
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็Ÿฅใฃใฆใ„ใ‚‹ใ€‚
09:32
Just one.
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ไธ€ใคใ ใ‘ใงใ™ใ€‚
09:33
Know, right?
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็Ÿฅใฃใฆใ‚‹ใงใ—ใ‚‡๏ผŸ
09:34
All of them are going to say the exact same musical rhythm pattern here.
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ๅฝผใ‚‰ๅ…จๅ“กใŒใ“ใ“ใงใพใฃใŸใๅŒใ˜้Ÿณๆฅฝใฎใƒชใ‚บใƒ ใƒ‘ใ‚ฟใƒผใƒณใ‚’่จ€ใ†ใคใ‚‚ใ‚Šใงใ™ใ€‚
09:38
Now, everyone is completely unique, they may shift exactly the way that they're expressing themselves
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ไปŠใงใฏใ€่ชฐใ‚‚ใŒๅฎŒๅ…จใซใƒฆใƒ‹ใƒผใ‚ฏใงใ‚ใ‚Šใ€ใ“ใ‚Œใ‚‰ใฎ่จ€่‘‰ใง่‡ชๅˆ†่‡ช่บซใ‚’่กจ็พใ™ใ‚‹ๆ–นๆณ•ใ‚’ๆญฃ็ขบใซๅค‰ใˆใ‚‹ใ“ใจใŒใงใใพใ™
09:44
with these words, but the rhythm, that's stressed syllable, that up down quality in the voice,
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ใŒใ€้Ÿณ็ฏ€ใ‚’ๅผท่ชฟใ—ใŸใƒชใ‚บใƒ ใ€ๅฃฐใฎ่ณชใฎๅ‘ไธŠใ€
09:50
that musical quality is there for all of them.
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้Ÿณๆฅฝใฎ่ณชใฏใ™ในใฆใฎไบบใซใ‚ใ‚Šใพใ™ใ€‚
09:53
Let's listen again.
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ใ‚‚ใ†ไธ€ๅบฆ่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
09:54
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10:09
How about this phrase?
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ใ“ใฎใƒ•ใƒฌใƒผใ‚บใฏใฉใ†ใงใ™ใ‹๏ผŸ
10:11
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10:23
How many stressed syllables do you hear?
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ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใฏใ„ใใค่žใ“ใˆใพใ™ใ‹๏ผŸ
10:25
You're the best.
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ใ‚ใชใŸใฏๆœ€้ซ˜ใงใ™ใ€‚
10:27
You're the best.
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ใ‚ใชใŸใฏๆœ€้ซ˜ใงใ™ใ€‚
10:28
I just hear that up and down curve in the voice on: best, best.
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ๅฃฐใฎไธŠไธ‹ใฎใ‚ซใƒผใƒ–ใŒ่žใ“ใˆใพใ™ ๏ผšๆœ€้ซ˜ใ€ๆœ€้ซ˜ใ€‚
10:32
So that's our stressed syllable, that's the important syllable.
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ใ“ใ‚ŒใŒ็งใŸใกใฎๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใงใ‚ใ‚Šใ€ใใ‚ŒใŒ้‡่ฆใช้Ÿณ็ฏ€ใงใ™ใ€‚
10:35
You're the best. You're the best.
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ใ‚ใชใŸใฏๆœ€้ซ˜ใงใ™ใ€‚ ใ‚ใชใŸใฏๆœ€้ซ˜ใงใ™ใ€‚
10:38
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10:51
Are you starting to hear that music?
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ใ‚ใชใŸใฏใใฎ้Ÿณๆฅฝใ‚’่žใๅง‹ใ‚ใฆใ„ใพใ™ใ‹๏ผŸ
10:52
Awesome!
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็ด ๆ™ดใ‚‰ใ—ใ„๏ผ
10:55
So now, let's make it a little bit more complicated. Let's go to some longer sentences.
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ใงใฏใ€ใ‚‚ใ†ๅฐ‘ใ—่ค‡้›‘ใซใ—ใพใ—ใ‚‡ใ†ใ€‚ ใ‚‚ใฃใจ้•ทใ„ๆ–‡็ซ ใซ่กŒใใพใ—ใ‚‡ใ†ใ€‚
11:00
In this first clip, let's listen for where are the stressed syllables?
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ใ“ใฎๆœ€ๅˆใฎใ‚ฏใƒชใƒƒใƒ—ใงใฏใ€ๅผท่ชฟใ•ใ‚ŒใŸ้Ÿณ็ฏ€ใŒใฉใ“ใซใ‚ใ‚‹ใ‹ใ‚’่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
11:05
What are the syllables that have that up-and-down curve in the voice?
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ๅฃฐใซใใฎไธŠไธ‹ใฎๆ›ฒ็ทšใŒใ‚ใ‚‹้Ÿณ็ฏ€ใฏไฝ•ใงใ™ใ‹๏ผŸ
11:08
Everything happens for a reason.
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ใ™ในใฆใฎๅ‡บๆฅไบ‹ใซใฏๆ„ๅ‘ณใŒใ‚ใ‚‹ใ€‚
11:10
Everything happens for a reason.
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ใ™ในใฆใฎๅ‡บๆฅไบ‹ใซใฏๆ„ๅ‘ณใŒใ‚ใ‚‹ใ€‚
11:12
Did you hear it? I heard three.
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่žใใพใ—ใŸใ‹๏ผŸ ๏ผ“ใค่žใ„ใŸใ€‚
11:15
Everything happens for a reason.
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ใ™ในใฆใฎๅ‡บๆฅไบ‹ใซใฏๆ„ๅ‘ณใŒใ‚ใ‚‹ใ€‚
11:17
Uuhh-- uuhh--
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ใ†ใƒผใ‚“-ใ†ใƒผใ‚“-
11:22
you want to listen for that music. Where are the important syllables?
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ใ‚ใชใŸใฏใใฎ้Ÿณๆฅฝใ‚’่ดใใŸใ„ใงใ™ใ€‚ ้‡่ฆใช้Ÿณ็ฏ€ใฏใฉใ“ใซใ‚ใ‚Šใพใ™ใ‹๏ผŸ
11:25
One thing that can be really useful is listening to a sentence, a phrase, a word three,
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ๆœฌๅฝ“ใซๅฝน็ซ‹ใคใ“ใจใฎ1ใคใฏใ€ๆ–‡ใ€ใƒ•ใƒฌใƒผใ‚บใ€ๅ˜่ชžใ‚’
11:31
four times in a row and you begin to hear the music underneath the words.
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3ใ€4ๅ›ž็ถšใ‘ใฆ่žใใ“ใจใงใ™ใ€‚ใใ†ใ™ใ‚‹ใจใ€ๅ˜่ชžใฎไธ‹ใซใ‚ใ‚‹้ŸณๆฅฝใŒ่žใ“ใˆๅง‹ใ‚ใพใ™ใ€‚
11:35
Let's listen to this one three times in a row.
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ใ“ใ‚Œใ‚’3ๅ›ž็ถšใ‘ใฆ่ดใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
11:38
Everything happens for a reason.
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ใ™ในใฆใฎๅ‡บๆฅไบ‹ใซใฏๆ„ๅ‘ณใŒใ‚ใ‚‹ใ€‚
11:39
Everything happens for a reason.
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ใ™ในใฆใฎๅ‡บๆฅไบ‹ใซใฏๆ„ๅ‘ณใŒใ‚ใ‚‹ใ€‚
11:41
Everything happens for a reason.
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ใ™ในใฆใฎๅ‡บๆฅไบ‹ใซใฏๆ„ๅ‘ณใŒใ‚ใ‚‹ใ€‚
11:43
Uhh--
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ใ†ใƒผใ‚“-
11:45
everything happens for a reason.
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ใ™ในใฆใŒ็†็”ฑใง่ตทใ“ใ‚Šใพใ™ใ€‚
11:47
Are you beginning to hear it?
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ใ‚ใชใŸใฏใใ‚Œใ‚’่žใๅง‹ใ‚ใฆใ„ใพใ™ใ‹๏ผŸ
11:48
Let's go to another sentence.
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ๅˆฅใฎๆ–‡ใซ่กŒใใพใ—ใ‚‡ใ†ใ€‚
11:51
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11:58
Uhh--
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ใ†ใƒผใ‚“
12:00
Uhh--
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-ใ†ใƒผใ‚“-
12:02
Do you hear that? He refused to believe in coincidence.
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่žใ“ใˆใพใ™ใ‹๏ผŸ ๅฝผใฏๅถ็„ถใฎไธ€่‡ดใ‚’ไฟกใ˜ใ‚‹ใ“ใจใ‚’ๆ‹’ๅฆใ—ใŸใ€‚
12:06
Three stressed syllables, all connected into one long word,
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ๅผท่ชฟใ•ใ‚ŒใŸ3ใคใฎ้Ÿณ็ฏ€ใฏใ€ใ™ในใฆ1ใคใฎ้•ทใ„ๅ˜่ชžใซๆŽฅ็ถšใ•ใ‚Œใฆ
12:10
but those three syllables give us the meaning and the music.
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ใ„ใพใ™ใŒใ€ใ“ใ‚Œใ‚‰ใฎ3ใคใฎ้Ÿณ็ฏ€ใฏใ€ๆ„ๅ‘ณใจ้Ÿณๆฅฝใ‚’ไธŽใˆใฆใใ‚Œใพใ™ใ€‚
12:13
He refused to believe in coincidence.
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ๅฝผใฏๅถ็„ถใฎไธ€่‡ดใ‚’ไฟกใ˜ใ‚‹ใ“ใจใ‚’ๆ‹’ๅฆใ—ใŸใ€‚
12:17
Let's try one more.
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ใ‚‚ใ†1ใค่ฉฆใ—ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
12:18
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12:23
Find a happy place.
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ๅนธใ›ใชๅ ดๆ‰€ใ‚’่ฆ‹ใคใ‘ใพใ—ใ‚‡ใ†ใ€‚
12:25
Uuhh--
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ใ†ใƒผใ‚“
12:27
uuhh-- hopefully, you're beginning to hear that music underneath the American English being spoken.
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-ใ†ใƒผใ‚“-ใ†ใพใใ„ใ‘ใฐใ€ใ‚ใชใŸใฏใ‚ขใƒกใƒชใ‚ซ่‹ฑ่ชžใฎไธ‹ใง่ฉฑใ•ใ‚Œใฆใ„ใ‚‹ใใฎ้Ÿณๆฅฝใ‚’่žใๅง‹ใ‚ใฆใ„ใพใ™ใ€‚
12:35
And once you begin to hear it and really listen for it, you'll be able to imitate it with a lot more precision,
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ใใ—ใฆใ€ใใ‚Œใ‚’่žใๅง‹ใ‚ใฆๅฎŸ้š›ใซ่žใใจใ€ใฏใ‚‹ใ‹ใซๆญฃ็ขบใซใใ‚Œใ‚’ๆจกๅ€ฃใงใใ‚‹
12:42
and you'll sound much more like a native speaker, the more music you can bring in to your English.
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ใ‚ˆใ†ใซใชใ‚Šใ€ใƒใ‚คใƒ†ใ‚ฃใƒ–ใ‚นใƒ”ใƒผใ‚ซใƒผใฎใ‚ˆใ†ใซ่žใ“ใˆใ€่‹ฑ่ชžใซๅ–ใ‚Šๅ…ฅใ‚Œใ‚‹ใ“ใจใŒใงใใ‚‹้ŸณๆฅฝใŒๅข—ใˆใพใ™ใ€‚
12:48
This week take some time when you're listening to a podcast
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ไปŠ้€ฑใฏ ใ€ใƒใƒƒใƒ‰ใ‚ญใƒฃใ‚นใƒˆใ‚’่ดใ„
12:51
or watching a show or movie in American English to think about the music of what you're hearing.
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ใŸใ‚Šใ€ใ‚ขใƒกใƒชใ‚ซ่‹ฑ่ชžใฎ็•ช็ต„ใ‚„ๆ˜ ็”ปใ‚’่ฆ‹ใŸใ‚Šใ—ใฆใ€่žใ„ใฆใ„ใ‚‹้Ÿณๆฅฝใซใคใ„ใฆ่€ƒใˆใ‚‹ใฎใซๅฐ‘ใ—ๆ™‚้–“ใŒใ‹ใ‹ใ‚Šใพใ™ใ€‚
12:56
Remember how tom was taking sentences and breaking them down into uuhh,
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ใƒˆใƒ ใŒใฉใฎใ‚ˆใ†ใซๆ–‡็ซ ใ‚’ๅ–ใ‚Šใ€ใใ‚Œใ‚‰ใ‚’uuhhใซๅˆ†่งฃใ—ใŸใ‹ใ‚’ๆ€ใ„ๅ‡บใ—ใฆใใ ใ•ใ„
13:02
just the melody on a single sound, no words.
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ใ€‚ๅ˜่ชžใงใฏใชใใ€ๅ˜ไธ€ใฎ้Ÿณใฎใƒกใƒญใƒ‡ใ‚ฃใƒผใ ใ‘ใงใ™ใ€‚
13:06
Listen to what you're hearing as you're listening to that podcast and think about:
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ใใฎใƒใƒƒใƒ‰ใ‚ญใƒฃใ‚นใƒˆใ‚’่žใ„ใฆใ„ใ‚‹ใจใใซ่žใ„ใฆใ„ใ‚‹ใ“ใจใ‚’่žใ„ใฆใ€่€ƒใˆใฆใฟใฆใใ ใ•ใ„ใ€‚
13:10
what would this phrase sound like if I just set it on 'uh', if I took out all the words?
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ใ™ในใฆใฎๅ˜่ชžใ‚’ๅ–ใ‚Šๅ‡บใ—ใŸๅ ดๅˆใ€ใ“ใฎใƒ•ใƒฌใƒผใ‚บใ‚’ใ€Œใˆใˆใจใ€ใซ่จญๅฎšใ™ใ‚‹ใจใ€ใฉใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™ใ‹๏ผŸ
13:15
Uuhh--
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ใˆใˆใจ-
13:17
Again, there is so much material out there to practice with. I really recommend using youglish.Com.
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็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€็ทด็ฟ’ใ™ใ‚‹ใŸใ‚ใฎ่ณ‡ๆ–™ใฏใŸใใ•ใ‚“ใ‚ใ‚Šใพใ™ใ€‚ youglish.Comใฎไฝฟ็”จใ‚’ๅผทใใŠๅ‹งใ‚ใ—ใพใ™ใ€‚
13:23
It's a great resource to practice the words and phrases that you want to be able to say.
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่จ€ใ„ใŸใ„ๅ˜่ชžใ‚„ใƒ•ใƒฌใƒผใ‚บใ‚’็ทด็ฟ’ใ™ใ‚‹ใฎใซๆœ€้ฉใชใƒชใ‚ฝใƒผใ‚นใงใ™ใ€‚
13:30
Alright, that's everything for this video.
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ไบ†่งฃใ—ใพใ—ใŸใ€‚ใ“ใฎๅ‹•็”ปใฏไปฅไธŠใงใ™ใ€‚
13:32
Thank you so much for watching and thank you so much for using Rachel's English.
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่ฆ‹ใฆใใ‚Œใฆใ‚ใ‚ŠใŒใจใ†ใ€ใƒฌใ‚คใƒใ‚งใƒซใฎ่‹ฑ่ชžใ‚’ไฝฟใฃใฆใใ‚Œใฆใ‚ใ‚ŠใŒใจใ†ใ€‚
13:37
Huge thanks to tom for making this video.
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ใ“ใฎใƒ“ใƒ‡ใ‚ชใ‚’ไฝœใฃใฆใใ‚ŒใŸใƒˆใƒ ใซๅคงใ„ใซๆ„Ÿ่ฌใ—ใพใ™ใ€‚
13:40
You know, tom actually spends a lot more time with students these days than I do.
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ใ”ๅญ˜็Ÿฅใฎใ‚ˆใ†ใซใ€ใƒˆใƒ ใฏๆœ€่ฟ‘ใ€็งใ‚ˆใ‚Šใ‚‚ๅญฆ็”Ÿใจ้Žใ”ใ™ๆ™‚้–“ใŒๅฎŸ้š›ใซ้•ทใใชใฃใฆใ„ใพใ™ใ€‚
13:45
A lot of my time goes towards making videos for my youtube channel or running my online school.
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็งใฎๆ™‚้–“ใฎๅคšใใฏใ€YouTubeใƒใƒฃใƒณใƒใƒซใฎๅ‹•็”ปใ‚’ไฝœๆˆใ—ใŸใ‚Šใ€ใ‚ชใƒณใƒฉใ‚คใƒณใ‚นใ‚ฏใƒผใƒซใ‚’้‹ๅ–ถใ—ใŸใ‚Šใ™ใ‚‹ใ“ใจใซ่ฒปใ‚„ใ•ใ‚Œใฆใ„ใพใ™ใ€‚
13:50
Tom is actually working with students every day, coaching them,
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ใƒˆใƒ ใฏๅฎŸ้š›ใซๆฏŽๆ—ฅ็”Ÿๅพ’ใจๅ”ๅŠ›ใ—ใ€็”Ÿๅพ’ใ‚’ๆŒ‡ๅฐŽใ—ใ€็”Ÿๅพ’ใฎ
13:54
helping them improve and because of that,
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ๆ”นๅ–„ใ‚’ๆ”ฏๆดใ—ใฆใ„ใพใ™ใ€‚ใใฎใŸใ‚
13:56
I really value his opinion when it comes down to what works and what helps students.
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ใ€ไฝ•ใŒๅŠนๆžœ็š„ใงไฝ•ใŒ็”Ÿๅพ’ใ‚’ๅŠฉใ‘ใ‚‹ใ‹ใซใคใ„ใฆใฏใ€ๅฝผใฎๆ„่ฆ‹ใ‚’้žๅธธใซ้ซ˜ใ่ฉ•ไพกใ—ใฆใ„ใพใ™ใ€‚
14:02
Alright guys, thanks for studying with me and tom.
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ใ•ใฆใ€ใฟใ‚“ใชใ€็งใจใƒˆใƒ ใจไธ€็ท’ใซๅ‹‰ๅผทใ—ใฆใใ‚Œใฆใ‚ใ‚ŠใŒใจใ†ใ€‚
14:06
That's it and thanks so much for using Rachel's English.
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ใใ‚Œใ ใ‘ใงใ€ใƒฌใ‚คใƒใ‚งใƒซใฎ่‹ฑ่ชžใ‚’ไฝฟใฃใฆใใ‚Œใฆใ‚ใ‚ŠใŒใจใ†ใ€‚
14:09
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ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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