Learn David Beckham's British English Accent (Cockney or Posh?)

159,418 views ใƒป 2019-02-02

Eat Sleep Dream English


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
- Footballer, fashion icon, one half of Posh and Becks, UNICEF ambassador, and he has an
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- ใƒ•ใƒƒใƒˆใƒœใƒผใƒฉใƒผใ€ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใ‚ขใ‚คใ‚ณใƒณใ€ใƒใƒƒใ‚ทใƒฅ ใจใƒ™ใƒƒใ‚ฏใ‚นใฎ็‰‡ๅ‰ฒใ‚Œใ€ใƒฆใƒ‹ใ‚ปใƒ•ๅคงไฝฟใ€
00:05
OBE from the queen. David Beckham is a man that represents modern Britain like no one
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ๅฅณ็Ž‹ใ‹ใ‚‰ใฎOBEใ‚‚ใ‚ใ‚‹ใ€‚ ใƒ‡ใƒ“ใƒƒใƒ‰ใƒปใƒ™ใƒƒใ‚ซใƒ ใฏใ€ ไป–ใฎ่ชฐใ‚ˆใ‚Šใ‚‚็พไปฃใฎ่‹ฑๅ›ฝใ‚’ไปฃ่กจใ™ใ‚‹ไบบ็‰ฉ
00:10
else. So today, we're gonna look at how his accent has changed over the years, and we're
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ใงใ™ใ€‚ ไปŠๆ—ฅใฏใ€ๅฝผใฎ ใ‚ขใ‚ฏใ‚ปใƒณใƒˆใŒไฝ•ๅนดใซใ‚‚ใ‚ใŸใฃใฆใฉใฎใ‚ˆใ†ใซๅค‰ๅŒ–ใ—ใŸใ‹ใ‚’่ฆ‹ใฆใ„ใใ€ใใฎ
00:15
gonna learn some fantastic, British English along the way. I'm excited, I hope you are
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้Ž็จ‹ใง็ด ๆ™ดใ‚‰ใ—ใ„ใ‚คใ‚ฎใƒชใ‚น่‹ฑ่ชžใ‚’ๅญฆใณ ใพใ™. ็งใฏ่ˆˆๅฅฎใ—ใฆใ„ใพใ™ใ€‚ใ‚ใชใŸใ‚‚ใใ†ใ ใจใ„ใ„ใฎใงใ™ใŒ
00:19
too, let's get going.
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ใ€ๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€‚
00:33
Welcome to Eat Sleep Dream English. If you haven't met me before,
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ใ‚คใƒผใƒˆ ใ‚นใƒชใƒผใƒ— ใƒ‰ใƒชใƒผใƒ  ใ‚คใƒณใ‚ฐใƒชใƒƒใ‚ทใƒฅใธใ‚ˆใ†ใ“ใใ€‚ ็งใซไผšใฃใŸใ“ใจใŒใชใ„ใชใ‚‰
00:35
my name is Tom, and I teach fresh, modern, British English, so that you can take your
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ใ€็งใฎๅๅ‰ใฏใƒˆใƒ  ใงใ™ใ€‚ใ‚ใชใŸใฎ
00:39
English to the next level and achieve your life goals whatever they may be. Now David
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่‹ฑ่ชžใ‚’ๆฌกใฎใƒฌใƒ™ใƒซใซๅผ•ใไธŠใ’ใ€ ไบบ็”Ÿใฎ็›ฎๆจ™ใŒไฝ•ใงใ‚ใ‚Œ้”ๆˆใงใใ‚‹ใ‚ˆใ†ใซใ€ๆ–ฐ้ฎฎใง็พไปฃ็š„ใชใ‚คใ‚ฎใƒชใ‚น่‹ฑ่ชžใ‚’ๆ•™ใˆใฆใ„ใพใ™ใ€‚ ็พๅœจใ€ใƒ‡ใƒ“ใƒƒใƒ‰ใƒป
00:43
Beckham was born in Whipps Cross University Hospital, and he grew up in Northeast London.
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ใƒ™ใƒƒใ‚ซใƒ ใฏใ‚ฆใ‚ฃใƒƒใƒ—ใ‚นใƒปใ‚ฏใƒญใ‚นๅคงๅญฆ ็—…้™ขใง็”Ÿใพใ‚Œใ€ใƒญใƒณใƒ‰ใƒณๅŒ—ๆฑ้ƒจใง่‚ฒใกใพใ—ใŸใ€‚
00:49
So he's not a Cockney in the strictest sense, but he does have a very strong London accent
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ใ—ใŸใŒใฃใฆใ€ๅฝผใฏๅŽณๅฏ†ใชๆ„ๅ‘ณใงใฎใ‚ณใƒƒใ‚ฏใƒ‹ใƒผใงใฏใ‚ใ‚Š ใพใ›ใ‚“ใŒใ€ใ‚ณใƒƒใ‚ฏใƒ‹ใƒผใฎ็‰นๅพดใ‚’ๅ‚™ใˆใŸ้žๅธธใซๅผทใ„ใƒญใƒณใƒ‰ใƒณใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใ‚’
00:54
with Cockney features. Now I'm gonna look at three interviews today, and I'm gonna show
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ๆŒใฃใฆใ„ใพใ™. ไปŠๆ—ฅใฏ3ใคใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใ‚’่ฆ‹ใฆใ€
00:58
you how his accent has changed, it's evolved, and it's softened over the years. Here's a
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ๅฝผใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใŒใฉใฎใ‚ˆใ†ใซๅค‰ๅŒ–ใ—ใ€้€ฒๅŒ– ใ—ใ€ไฝ•ๅนดใซใ‚‚ใ‚ใŸใฃใฆๆŸ”ใ‚‰ใ‹ใใชใฃใŸใ‹ใ‚’ใŠ่ฆ‹ใ›ใ—ใพใ™.
01:04
clip from an interview that he did in 1994.
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ใ“ใ‚ŒใฏๅฝผใŒ 1994 ๅนดใซ่กŒใฃใŸใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใฎใ‚ฏใƒชใƒƒใƒ—ใงใ™ใ€‚
01:11
- One of the most distinctive things about David Beckham's accent, or his voice in general,
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- ใƒ‡ใƒ“ใƒƒใƒ‰ ใƒ™ใƒƒใ‚ซใƒ ใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใ€ใพใŸใฏไธ€่ˆฌ็š„ใชๅฝผใฎๅฃฐใฎๆœ€ใ‚‚็‰นๅพด็š„ใชใ‚‚ใฎใฎ 1 ใค
01:15
is the pitch. The pitch of someone's voice is whether it's high or low. In the early
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ใฏใƒ”ใƒƒใƒใงใ™ใ€‚ ่ชฐใ‹ใฎๅฃฐใฎใƒ”ใƒƒใƒใฏใ€ ้ซ˜ใ„ใ‹ไฝŽใ„ใ‹ใงใ™ใ€‚ ๅˆๆœŸใฎ
01:19
years, certainly with David Beckham, it was quite high, surprisingly high some would say.
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้ ƒใฏใ€็ขบใ‹ใซใƒ‡ใƒ“ใƒƒใƒ‰ใƒปใƒ™ใƒƒใ‚ซใƒ ใจไธ€็ท’ใซใ€ใใ‚Œใฏ ใ‹ใชใ‚Š้ซ˜ใใ€้ฉšใใปใฉ้ซ˜ใ‹ใฃใŸใจ่จ€ใ†ไบบใ‚‚ใ„ใพใ™.
01:24
And you can hear that in that interview. Here he says, rumors floating about. Now the huge
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ใใ—ใฆใ€ใใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใงใใ‚Œใ‚’่žใใ“ใจใŒใงใใพใ™ใ€‚ ใ“ใ“ใง ๅฝผใฏ่จ€ใ„ใพใ™ใ€ใ†ใ‚ใ•ใŒ้ฃ›ใณไบคใฃใฆใ„ใพใ™ใ€‚
01:28
feature of the Cockney accent and many accents, as many of you will know, is the dropping
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ใ‚ณใƒƒใ‚ฏใƒ‹ใƒผใ‚ขใ‚ฏใ‚ปใƒณใƒˆใจๅคšใใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใฎๅคงใใช็‰นๅพดใฏ ใ€ๅคšใใฎไบบใŒ็Ÿฅใฃใฆใ„ใ‚‹ใ‚ˆใ†
01:32
of the T, we call it a glottal T. Instead of saying about, it's abou'. Abou', so it
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ใซใ€T ใฎใƒ‰ใƒญใƒƒใƒ—ใงใ™ใ€‚็งใŸใกใฏใ“ใ‚Œใ‚’ๅฃฐ้–€ T ใจๅ‘ผใณใพใ™ ใ€‚ Abou'ใชใฎใงใ€
01:38
stops just before you pronounce it. You just stop it in your throat there. Now a glottal
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็™บ้Ÿณใ™ใ‚‹็›ดๅ‰ใงๆญขใพใ‚Šใพใ™ใ€‚ ใใ“ใงๅ–‰ใงๆญขใ‚ใ‚‹ใ ใ‘ใงใ™ใ€‚ ๅฃฐ้–€
01:42
T is something that I've talked about a lot on this channel. It's a sound that we use
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T ใซใคใ„ใฆใฏใ€ใ“ใฎใƒใƒฃใƒณใƒใƒซใงไฝ•ๅบฆใ‚‚่ฉฑใ—ใฆใใพใ—ใŸ ใ€‚ ใ“ใ‚Œ
01:46
to replace the T in a word, which can either be in the middle of the word or at the end
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ใฏใ€ๅ˜่ชžใฎ้€”ไธญใพใŸใฏๅ˜่ชžใฎๆœซๅฐพ
01:51
of a word. Now this is a feature that's common in a lot of British accents, particularly
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ใซใ‚ใ‚‹ T ใ‚’็ฝฎใๆ›ใˆใ‚‹ใŸใ‚ใซไฝฟ็”จใ™ใ‚‹้Ÿณใงใ™ใ€‚ ใ“ใ‚Œใฏ ๅคšใใฎ่‹ฑๅ›ฝ่จ›ใ‚Šใ€
01:57
in the Cockney accent.
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็‰นใซใ‚ณใƒƒใ‚ฏใƒ‹ใƒผ่จ›ใ‚Šใซๅ…ฑ้€šใ™ใ‚‹็‰นๅพดใงใ™ใ€‚
02:02
- So here he said floa'ing. Flo'ing and abou'. So in floating, the T is in the middle of
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- ใ ใ‹ใ‚‰ใ“ใ“ใงๅฝผใฏๆตฎใ„ใฆใ„ใ‚‹ใจ่จ€ใฃใŸ. Flo'ing and abou'. ใคใพใ‚Šใ€ใƒ•ใƒญใƒผใƒ†ใ‚ฃใƒณใ‚ฐใงใฏใ€T ใฏๅ˜่ชžใฎ็œŸใ‚“ไธญ
02:08
the word, and with about, the T is at the end of the word. Note that we never use a
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ใซใ‚ใ‚Šใ€about ใงใฏใ€T ใฏ ๅ˜่ชžใฎๆœ€ๅพŒใซใ‚ใ‚Šใพใ™ใ€‚ ๅ˜่ชžใฎๅ…ˆ้ ญใซๅฃฐ้–€ T ใ‚’ไฝฟ็”จใ—ใชใ„ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„
02:13
glottal T at the beginning of a word. It's always a true T sound.
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ใ€‚ ใใ‚Œใฏ ๅธธใซ็œŸใฎ T ใ‚ตใ‚ฆใƒณใƒ‰ใงใ™ใ€‚
02:20
- Let's look at the glottal T in floating. Now you got two syllables there, floa-ting,
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ใƒปใƒ•ใƒญใƒผใƒ†ใ‚ฃใƒณใ‚ฐใงๅฃฐ้–€Tใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ใ“ใ‚Œใงใ€2 ใคใฎ้Ÿณ็ฏ€ใŒใงใใพใ—ใŸ
02:24
floating. The stress is on the first syllable, floa, floa, and the T is a part of the second
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ใ€‚ใƒ•ใƒญใƒผใƒ†ใ‚ฃใƒณใ‚ฐใ€ใƒ•ใƒญใƒผใƒ†ใ‚ฃใƒณใ‚ฐใงใ™ใ€‚ ใ‚นใƒˆใƒฌใ‚นใฏๆœ€ๅˆใฎ้Ÿณ็ฏ€ใงใ‚ใ‚‹ floaใ€floa ใซใ‚ใ‚Šใ€T
02:31
syllable, which is unstressed. So when there is an unstressed syllable, including a T,
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ใฏใ‚นใƒˆใƒฌใ‚นใฎใชใ„ 2 ็•ช็›ฎใฎ้Ÿณ็ฏ€ใฎไธ€้ƒจใงใ™ใ€‚ ใ—ใŸใŒใฃใฆ ใ€T ใ‚’ๅซใ‚€ๅผทๅ‹ขใฎใชใ„้Ÿณ็ฏ€ใŒใ‚ใ‚‹
02:37
then we can use the glottal T there, so floa'ing. Floa'ing. With about, it's at the end of the
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ๅ ดๅˆใ€ใใ“ใงๅฃฐ้–€ T ใ‚’ไฝฟ็”จใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ ๆตฎใ„ใฆใพใ™ใ€‚ about ใฏๅ˜่ชžใฎๆœ€ๅพŒใซใ‚ใ‚Šใ€ใใฎ
02:45
word, and you've got a vowel in front of it, so it's common for a glottal T to be used
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ๅ‰ใซๆฏ้ŸณใŒใ‚ใ‚‹ใŸใ‚ใ€ ใใ“ใงใ‚‚ๅฃฐ้–€ T ใŒไฝฟ็”จใ•ใ‚Œใ‚‹ใฎใŒไธ€่ˆฌ็š„ใงใ™
02:49
there as well.
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ใ€‚
02:59
- We've got a nice bit of British English slang there, chuffed, chuffed, this is an
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- ใกใ‚‡ใฃใจใ—ใŸใ‚คใ‚ฎใƒชใ‚น่‹ฑ่ชžใฎ ใ‚นใƒฉใƒณใ‚ฐใŒใ‚ใ‚Šใพใ™ใ€‚chuffedใ€chuffedใ€
03:03
adjective, and it means very pleased, you're very pleased with an outcome or a situation.
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ใ“ใ‚Œใฏๅฝขๅฎน่ฉžใงใ€ ้žๅธธใซๆบ€่ถณใ—ใฆใ„ใ‚‹ใ€็ตๆžœใ‚„็Šถๆณใซ้žๅธธใซๆบ€่ถณใ—ใฆใ„ใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใ™ใ€‚
03:09
So if you passed your driving test, you might say, oh I'm really chuffed you've passed your
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ใ—ใŸใŒใฃใฆใ€้‹่ปขๅ…่จฑ่ฉฆ้จ“ใซๅˆๆ ผใ—ใŸๅ ดๅˆใ€้‹่ปขๅ…่จฑ่ฉฆ้จ“ใซๅˆๆ ผใ— ใฆๆœฌๅฝ“ใซใ‚ˆใ‹ใฃใŸใจ่จ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
03:13
driving test. Or here, I think he scored a goal, so he's chuffed that he scored a goal,
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ใ€‚ ใพใŸใฏใ€ใ“ใ“ใงใ€ๅฝผใฏใ‚ดใƒผใƒซใ‚’ๆฑบใ‚ใŸใจๆ€ใ† ใฎใงใ€ๅฝผใฏใ‚ดใƒผใƒซใ‚’ๆฑบใ‚ใŸใ“ใจ
03:17
he's very pleased that he scored a goal. Chuffed, very British, that one. Nice bit of British
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ใซๆบ€่ถณใ—ใฆใ„ใพใ™ใ€‚ใ‚ดใƒผใƒซใ‚’ๆฑบใ‚ใŸใ“ใจใ‚’้žๅธธใซๅ–œใ‚“ใงใ„ใพใ™ใ€‚ ใตใฃใใ‚‰ใ—ใŸใ€ ใจใฆใ‚‚่‹ฑๅ›ฝ็š„ใชใ€ใใ‚Œใ€‚ ใใ“ใซใฏใกใ‚‡ใฃใจใ—ใŸใ‚คใ‚ฎใƒชใ‚น
03:22
English slang there.
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่‹ฑ่ชžใฎใ‚นใƒฉใƒณใ‚ฐใŒใ‚ใ‚Šใพใ™ใ€‚
03:27
- Interesting little feature here. He says knew, K-N-E-W, the past of know, and he says
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- ใ“ใ“ใซ่ˆˆๅ‘ณๆทฑใ„ๅฐใ•ใชๆฉŸ่ƒฝใŒใ‚ใ‚Šใพใ™ใ€‚ ๅฝผใฏ ็Ÿฅใฃใฆใ„ใŸใ€K-N-E-Wใ€็Ÿฅใฃใฆใ„ใ‚‹ใจใ„ใ†้ŽๅŽปใ‚’่จ€ใ„ใ€
03:33
it, knew, knew. Now in received pronunciation and many other accents, you might have knyew,
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ใใ‚Œใฏ็Ÿฅใฃใฆใ„ใŸใ€็Ÿฅใฃใฆใ„ใŸใจ่จ€ใ„ใพใ™ใ€‚ ็พๅœจใ€ๅ—ใ‘ๅ…ฅใ‚Œใ‚‰ใ‚Œใฆใ„ใ‚‹็™บ้Ÿณ ใจไป–ใฎๅคšใใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใงใฏใ€knyewใ€
03:39
knyew, that yuh sound, knyew. But he just says knew, knew, so no yuh sound in there.
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knyewใ€ใใฎ้Ÿณใ€knyew ใŒใ‚ใ‚‹ๅ ดๅˆใŒใ‚ใ‚Šใพใ™ใ€‚ ใ—ใ‹ใ—ใ€ๅฝผใฏใŸใ  ็Ÿฅใฃใฆใ„ใŸใ€็Ÿฅใฃใฆใ„ใŸใฎใงใ€ใใ“ใซใฏ้Ÿณใฏ่žใ“ใˆใชใ„ใจ่จ€ใ„ใพใ—ใŸใ€‚ ๅคใ„ใ€ๆ–ฐใ—ใ„
03:47
That's also true of new as in the opposite of old, new. So New York, so later on, he
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ใฎๅๅฏพใฎใ‚ˆใ†ใซใ€ใใ‚Œใฏๆ–ฐใ—ใ„ใซใ‚‚ๅฝ“ใฆใฏใพใ‚Šใพใ™ ใ€‚ ใ ใ‹ใ‚‰ใƒ‹ใƒฅใƒผใƒจใƒผใ‚ฏใ€ใ ใ‹ใ‚‰ๅพŒใงใ€ๅฝผ
03:54
says, New York, instead of Nyew York. So this is another little feature of a Cockney accent
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ใฏใƒ‹ใƒฅใƒผใƒจใƒผใ‚ฏใฎไปฃใ‚ใ‚Šใซใƒ‹ใƒฅใƒผใƒจใƒผใ‚ฏใจ่จ€ใ„ใพใ™ใ€‚ ใ“ใ‚Œ ใฏใ€็งใŒ็‰นใซ่ˆˆๅ‘ณๆทฑใ„ใจๆ€ใ†ใ‚ณใƒƒใ‚ฏใƒ‹ใƒผ ใ‚ขใ‚ฏใ‚ปใƒณใƒˆใฎใ‚‚ใ† 1 ใคใฎๅฐใ•ใช็‰นๅพดใงใ™
03:59
that I particularly find interesting.
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ใ€‚
04:06
- Here's just a curious little bit of British English, and that, and that, and he says,
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- ใ“ใ“ใซใ‚คใ‚ฎใƒชใ‚น่‹ฑ่ชžใฎใกใ‚‡ใฃใจใ—ใŸๅฅ‡ๅฆ™ใช่ฉฑใŒ
04:09
I'd seen it in the papers, and that. And that means, kind of everything connected to that
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ใ‚ใ‚Šใพใ™ใ€‚ ใคใพใ‚Šใ€ใ™ในใฆใŒใใฎใƒ†ใƒผใƒžใซ้–ข้€ฃใ—ใฆ
04:14
subject so I'd seen it in the papers, maybe on TV, in the magazines, whatever it might
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ใ„ใ‚‹ใฎใงใ€็งใฏใใ‚Œใ‚’ๆ–ฐ่žใงใ€ ใŠใใ‚‰ใใƒ†ใƒฌใƒ“ใงใ€้›‘่ชŒใงใ€ใใ‚ŒใŒไฝ•ใง
04:20
be, on the radio. So everything connected to the thing that I just mentioned. He uses
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ใ‚ใ‚Œใ€ใƒฉใ‚ธใ‚ชใง่ฆ‹ใŸ. ใคใพใ‚Šใ€ใ™ในใฆใŒ ไปŠ่ฟฐในใŸใ“ใจใซ้–ข้€ฃใ—ใฆใ„ใพใ™ใ€‚ ๅฝผใฏ
04:25
it a couple of times here, and it's, yeah, super informal British English.
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ใ“ใ“ใงไฝ•ๅบฆใ‹ไฝฟใฃใฆใ„ใพใ™ใŒใ€ใจใฆใ‚‚ ใ‚คใƒณใƒ•ใ‚ฉใƒผใƒžใƒซใชใ‚คใ‚ฎใƒชใ‚น่‹ฑ่ชžใงใ™ใ€‚
04:34
- Nice, headbutted. So headbutt, someone is to use your head to hit someone, but you can
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- ใ„ใ„ใญใ€้ ญ็ชใใ€‚ ใ ใ‹ใ‚‰้ ญ็ชใใ€่ชฐใ‹ใŒ ใ‚ใชใŸใฎ้ ญใ‚’ไฝฟใฃใฆ่ชฐใ‹ใ‚’ๆฎดใ‚‹ใฎใงใ™ใŒใ€ใ‚ใชใŸใฏ
04:39
do it by accident. Here he's talking about his dad doing it by accident. He uses two
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ๅถ็„ถใซใใ‚Œใ‚’ใ™ใ‚‹ใ“ใจใŒใงใใพใ™. ใ“ใ“ใงใ€ ๅฝผใฏ็ˆถ่ฆชใŒๅถ็„ถใซใใ‚Œใ‚’ใ—ใŸใ“ใจใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹. ๅฝผใฏ
04:43
features here, of a Cockney accent. First of all, he used that glottal T again, so headbutted,
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ใ“ใ“ใงใ€ใ‚ณใƒƒใ‚ฏใƒ‹ใƒผ่จ›ใ‚Šใฎ 2 ใคใฎ็‰นๅพดใ‚’ไฝฟ็”จใ—ใฆใ„ใพใ™ใ€‚ ใพใš็ฌฌไธ€ ใซใ€ๅฝผใฏๅ†ใณใใฎๅฃฐ้–€ T ใ‚’ไฝฟ็”จใ—ใŸใฎใงใ€้ ญ็ชใใ‚’ใ—ใŸ
04:49
bu'ed. And then, the H, where did it go? It disappeared, right? So it's 'eadbu'ed, not
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ใ€‚ ใใ—ใฆใ€Hใฏใฉใ“ใธ่กŒใฃใŸใฎใงใ™ใ‹๏ผŸ ๆถˆใˆใพใ—ใŸใ‚ˆใญ๏ผŸ ใคใพใ‚Šใ€
04:55
headbutted, 'eadbu'ed. 'Eadbu'ed, 'eadbu'ed, he 'eadbu'ed the man the man behind him, 'eadbu'ed.
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้ ญ็ชใใงใฏใชใใ€Œeadbuใ€ใงใ™ใ€‚ 'Eadbu'edใ€'eadbu'edใ€ๅฝผใฏ'eadbu'edใ€ ๅฝผใฎๅพŒใ‚ใฎ็”ทใฏ'edbu'ed.
05:01
This feature here of a Cockney accent, you will find dropping that H at the beginning,
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ใ“ใฎใ‚ณใƒƒใ‚ฏใƒ‹ใƒผ ใ‚ขใ‚ฏใ‚ปใƒณใƒˆใฎ็‰นๅพดใฏใ€ๅ˜่ชž ใฎๅ…ˆ้ ญใพใŸใฏๅฎŸ้š›ใซๅ˜่ชžใฎ้€”ไธญใงใใฎ H ใ‚’ๅ‰Š้™คใ—ใฆใ„ใ‚‹ใ“ใจใซๆฐ—ไป˜ใใงใ—ใ‚‡ใ†
05:05
or indeed in the middle of a word. In fact, let's look look at an example of that.
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ใ€‚ ๅฎŸ้š›ใซใ€ ใใฎไพ‹ใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
05:11
- The person be'ind him. Be'ind, not behind, be'ind. So dropping that H in the middle position
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- ๅฝผใฎใใฐใซใ„ใ‚‹ไบบใ€‚ ๅพŒใ‚ใ˜ใ‚ƒใชใใฆ ใญใ€ใญใ€‚ ใใฎ
05:18
of a word as well as at the beginning. Now remember that word behind and the way that
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ใŸใ‚ใ€ๅ˜่ชžใฎๅ…ˆ้ ญใ ใ‘ใงใชใใ€ๅ˜่ชžใฎไธญ้–“ไฝ็ฝฎใซใ‚‚ใใฎ H ใ‚’ใƒ‰ใƒญใƒƒใƒ—ใ—ใพใ™ใ€‚ ่ƒŒๅพŒใซใ‚ใ‚‹่จ€่‘‰
05:22
he says it in this interview, because we're gonna see it again in a later interview.
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ใจใ€ใ“ใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใงใฎๅฝผใฎ่จ€ใ„ๆ–นใ‚’ ๆ€ใ„ๅ‡บใ—ใฆใใ ใ•ใ„ใ€‚ๅพŒใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใงใพใŸ่ฆ‹ใ‚‹ใ“ใจใซใชใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
05:30
You 'afta give up a lot of things. Right, there's a lot going on here. So you hafta,
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ใ‚ใชใŸใฏๅคšใใฎใ“ใจใ‚’ใ‚ใใ‚‰ใ‚ใพใ™ใ€‚ ใใ†ใงใ™ใญใ€ใ“ใ“ใงใฏๅคšใใฎใ“ใจใŒ่ตทใ“ใฃใฆใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ‚ใชใŸใฏ
05:34
you 'afta, so he's dropped the H of have, and then put those two together. He's using
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ใƒใƒ•ใ‚ฟใ€ใ‚ใชใŸใฏใ‚ขใƒ•ใ‚ฟใ€ใ ใ‹ใ‚‰ๅฝผใฏๆŒใฃใฆใ„ใ‚‹ใฎHใ‚’่ฝใจใ—ใฆใ€ ใใ‚Œใ‚‰2ใคใ‚’ไธ€็ท’ใซใ—ใพใ—ใŸใ€‚ ๅฝผ
05:38
the weak form of to there, so 'afta. 'Afta, not have to, 'afta. Very common in spoken
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ใฏ to there ใฎๅผฑใ„ๅฝขใ‚’ไฝฟใฃใฆใ„ใ‚‹ใฎใงใ€'afta. 'ใ‚ขใƒ•ใ‚ฟใƒผใ€ใ™ใ‚‹ๅฟ…่ฆ ใฏใ‚ใ‚Šใพใ›ใ‚“ใ€'ใ‚ขใƒ•ใ‚ฟใƒผใ€‚ ๅฃ่ชž
05:46
English to use a weak form on the to there, so 'afta, And then things. He says fings,
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่‹ฑ่ชžใงใฏใ€ใใ“ใซๅผฑใ„ๅฝขใ‚’ไฝฟ็”จใ™ใ‚‹ใฎใŒ้žๅธธใซไธ€่ˆฌ็š„ ใงใ™ใ€‚ ๅฝผใฏใ€
05:54
not things, fings. So he's using a fuh sound rather than a thuh sound. Again, really common
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็‰ฉใ€ๆŒ‡ใงใฏใชใใ€ๆŒ‡ใจ่จ€ใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ๅฝผใฏthuh้Ÿณใงใฏใชใfuh้Ÿณใ‚’ไฝฟใฃใฆใ„ใ‚‹ ใ€‚ ็นฐใ‚Š่ฟ”ใ—ใซใชใ‚Šใพใ™ใŒ
06:02
on that TH, thuh, for a Cockney accent to use fuh, fuh. So fings, fank you, fought,
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ใ€ใใฎ TH ใงใฏ้žๅธธใซไธ€่ˆฌ ็š„ใงใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ๆŒ‡ใ€ใƒ•ใ‚กใƒณใ‚ฏใ€ๆˆฆใฃใŸใ€
06:11
all that kinda stuff. So that F sound replacing the thuh sound.
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ใใฎใ‚ˆใ†ใชใ‚‚ใฎใ™ในใฆใ€‚ ใใฎใŸใ‚ใ€F ใฎ้Ÿณ ใฏ Thuh ใฎ้Ÿณใซ็ฝฎใๆ›ใ‚ใ‚Šใพใ™ใ€‚
06:15
- You know, you have to give up a lot of things.
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- ๅคšใใฎใ“ใจใ‚’ใ‚ใใ‚‰ใ‚ใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“ใ€‚
06:17
- Okay, so you can see how strong his London accent is, back in 1994, let's move on to
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- ใ•ใฆใ€ๅฝผใฎใƒญใƒณใƒ‰ใƒณ่จ›ใ‚ŠใŒใ„ใ‹ใซๅผทใ„ใ‹ใŠๅˆ†ใ‹ใ‚Šใ„ใŸใ ใ‘ใ‚‹ใจๆ€ใ„
06:24
2000, where it's starting to change. So obviously he's got more famous, and in turn, his accent
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ใพใ™. ๆ˜Žใ‚‰ใ‹ ใซๅฝผใฏใ‚ˆใ‚Šๆœ‰ๅใซใชใ‚Šใ€ๅฝผใฎ่จ›ใ‚Š
06:31
is starting to evolve.
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ใ‚‚้€ฒๅŒ–ใ—ๅง‹ใ‚ใฆใ„ใพใ™ใ€‚
06:35
- The first thing you'll notice there is that the pitch of his voice is still quite high,
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- ๆœ€ๅˆใซๆฐ—ไป˜ใใฎใฏ
06:38
similar to his interview in 1994. You'll also notice that he's still using that glottal
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ใ€1994 ๅนดใฎๅฝผใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใจๅŒๆง˜ใซใ€ๅฝผใฎๅฃฐใฎใƒ”ใƒƒใƒใŒใพใ ้žๅธธใซ้ซ˜ใ„ใ“ใจใงใ™ใ€‚ใพใŸ ใ€ๅฝผใŒใพใ ๅฃฐ้–€ T ใ‚’ไฝฟ็”จใ—ใฆใ„ใ‚‹ใ“ใจ
06:43
T, so sor' of suppor'. So not sort of support, those Ts disappear.
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ใซใ‚‚ๆฐ—ไป˜ใใงใ—ใ‚‡ใ†ใ€‚ ใ‚ใ‚‹็จฎใฎใ‚ตใƒใƒผใƒˆใงใฏใชใใ€ ใใ‚Œใ‚‰ใฎ T ใฏๆถˆใˆใพใ™ใ€‚
06:57
- Aha, let's look at the H sound here. So having, he's using the H sound there, so it's
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โ€•โ€•ใ‚ใฏใฏใ€ใ“ใ“ใงH้Ÿณใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ๆŒใฃใฆใ„ใ‚‹ใ€ๅฝผใฏใใ“ใง H ้Ÿณใ‚’ไฝฟ็”จใ—ใฆใ„ใ‚‹ใฎใง
07:01
not 'aving, it's having. But then in the next word, behind, he's dropping that H again,
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ใ€ใ€Œavingใ€ใงใฏใชใใ€ใ€Œhavingใ€ใงใ™ใ€‚ ใ—ใ‹ใ—ใ€ๆฌกใฎ ๅ˜่ชžใฎๅพŒใ‚ใงใ€ๅฝผใฏๅ†ใณใใฎ H ใ‚’่ฝใจใ—ใฆใ„
07:08
be'ind. So he's using the H in the first word there, dropping it in the second word. Hmm,
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ใพใ™ใ€be'ind. ใคใพใ‚Šใ€ๆœ€ๅˆใฎๅ˜่ชžใง H ใ‚’ไฝฟ็”จ ใ—ใ€2 ็•ช็›ฎใฎๅ˜่ชžใงใใ‚Œใ‚’ๅ‰Š้™คใ—ใฆใ„ใพใ™ใ€‚ ใ†ใƒผใ‚“
07:15
so starting to mix his accents slightly or just change or evolve, if you will.
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ใ€ๅฝผใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใ‚’ๅฐ‘ใ—ๆททใœๅง‹ใ‚ ใŸใ‚Šใ€ๅฟ…่ฆใซๅฟœใ˜ใฆๅค‰ๆ›ดใพใŸใฏ้€ฒๅŒ–ใ—ใŸใ‚Šใ—ใฆใ„ใพใ™.
07:27
- This is such a British English phrase, to get stick. To get stick, this means to get
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- ใ“ใ‚Œใฏใ€ๅ›บๅŸทใ™ใ‚‹ใŸใ‚ใซใ€ใใฎใ‚ˆใ†ใช่‹ฑๅ›ฝ่‹ฑ่ชžใฎใƒ•ใƒฌใƒผใ‚บ ใงใ™ใ€‚ ใ‚นใƒ†ใ‚ฃใƒƒใ‚ฏใ‚’ๅพ—ใ‚‹ใซใฏใ€ใ“ใ‚Œใฏ
07:32
criticism or abuse or something from people. So if you do something wrong, then you stick.
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ๆ‰นๅˆคใ‚„่™ๅพ…ใ€ใพใŸใฏไฝ•ใ‹ใ‚’ไบบใ€…ใ‹ใ‚‰ๅพ—ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™. ใ ใ‹ใ‚‰ใ€ไฝ•ใ‹้–“้•ใฃใŸใ“ใจใ‚’ใ—ใŸใ‚‰ใ€ใ‚ใชใŸใฏๅ›บๅŸทใ—ใพใ™ใ€‚
07:39
People criticize that action. It's commonly used in a football context, but of course
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ไบบใ€…ใฏใใฎ่กŒๅ‹•ใ‚’ๆ‰นๅˆคใ—ใพใ™ใ€‚ ใ‚ตใƒƒใ‚ซใƒผใฎๆ–‡่„ˆใงไธ€่ˆฌ็š„ใซ ไฝฟ็”จใ•ใ‚Œใพใ™ใŒใ€
07:42
it can be used in any context really, where criticism is given. So, Theresa May gets a
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ใ‚‚ใกใ‚ใ‚“ใ€ๆ‰นๅˆคใŒไธŽใˆใ‚‰ใ‚Œใ‚‹ใ‚ใ‚‰ใ‚†ใ‚‹ๆ–‡่„ˆใงไฝฟ็”จใงใใพใ™ . ใ—ใŸใŒใฃใฆใ€ใŸใจใˆใฐใ€ใƒ†ใƒฌใ‚ตใƒปใƒกใ‚คใฏใ€
07:48
lot of stick for here Brexit plans, for example. So yeah, to get criticism, really informal
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ใ“ใ“ใงใฎBrexit่จˆ็”ปใซๅคšใใฎๆ”ฏๆŒใ‚’้›†ใ‚ใฆใ„ใพใ™ใ€‚ ใˆใˆใ€ๆ‰นๅˆคใ‚’ๅพ—ใ‚‹ใŸใ‚ใซใ€
07:54
phrase to say that.
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ใใ‚Œใ‚’่จ€ใ†ใŸใ‚ใฎๆœฌๅฝ“ใซ้žๅ…ฌๅผใช่จ€ใ„ๅ›žใ—ใงใ™ใ€‚
07:59
- Alright, deep down he knew. So dropping the H there, 'e, so still keeping that Cockney
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- ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ๅฝผใฏๆทฑใ็Ÿฅใฃใฆใ„ใพใ—ใŸใ€‚ H ใ‚’ใใ“ใซ่ฝใจใ—ใฆใ€'eใ€ใพใ 
08:03
drop of the H. Knew, again, the same pronunciation as before. I 'ad, dropping the H again, and
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H ใฎใ‚ณใƒƒใ‚ฏใƒ‹ใƒผ ใƒ‰ใƒญใƒƒใƒ—ใ‚’็ถญๆŒใ—ใพใ™ใ€‚ใพใŸใ€ไปฅๅ‰ใจๅŒใ˜็™บ้Ÿณใ‚’็Ÿฅใฃใฆใ„ใพใ—ใŸ ใ€‚ ็งใฏใ€H ใ‚’ๅ†ใณ่ฝใจใ—ใฆใ‹ใ‚‰
08:10
then ability, he's using the true T, so still lots of features of our typical Cockney accent,
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ใ€่ƒฝๅŠ›ใ€ๅฝผใฏ็œŸใฎ T ใ‚’ไฝฟ็”จใ—ใฆใ„ใ‚‹ใฎใง ใ€็งใŸใกใฎๅ…ธๅž‹็š„ใชใ‚ณใƒƒใ‚ฏใƒ‹ใƒผใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใฎๅคšใใฎๆฉŸ่ƒฝใŒใพใ ใ‚ใ‚Šใพใ™ใŒใ€่ƒฝๅŠ›ใฎ
08:17
but there is slight changes with things like ability. Alright, now lets move on to an interview
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ใ‚ˆใ†ใชใ‚‚ใฎใซใฏใ‚ใšใ‹ใชๅค‰ๅŒ–ใŒใ‚ใ‚Š ใพใ™. ใ‚ˆใ—ใ€
08:21
he did in 2018, and let's see what changes we can see in his accent.
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2018ๅนดใซๅฝผใŒ่กŒใฃใŸใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใซ็งปใ‚Šใ€ๅฝผใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใซใฉใฎใ‚ˆใ†ใชๅค‰ๅŒ–ใŒ่ฆ‹ใ‚‰ใ‚Œใ‚‹ใ‹่ฆ‹ใฆใฟใพใ—ใ‚‡ใ† .
08:30
- Okay, can you hear it? Can you hear the pitch of his voice has lowered significantly?
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- ใ‚ใ‹ใ‚Šใพใ—ใŸใ€่žใ“ใˆใพใ™ใ‹? ๅฝผใฎๅฃฐใฎใƒ”ใƒƒใƒใŒๅคงๅน…ใซไธ‹ใŒใฃใŸใฎใŒใ‚ใ‹ใ‚Šใพใ™ใ‹?
08:37
I think, anyway. So it used to be quite high, like this.
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ใจใซใ‹ใใ€ใจๆ€ใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใ“ใฎใ‚ˆใ†ใซใ€ไปฅๅ‰ใฏใ‹ใชใ‚Š้ซ˜ใ‹ใฃใŸใฎ ใงใ™ใ€‚
08:41
- I think, deep down he knew that I had a bit of ability.
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- ๅฟƒใฎๅบ•ใงใฏใ€ๅฝผใฏ็งใซๅฐ‘ใ—่ƒฝๅŠ›ใŒใ‚ใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ„ใŸใจๆ€ใ„ใพใ™ ใ€‚
08:45
- And now it sounds like this.
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-ใใ—ใฆไปŠใ€ใใ‚Œใฏใ“ใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™ใ€‚
08:46
- Don't dislike it, to be honest, you know.
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-ๆญฃ็›ดใ€ๅซŒใ„ใ˜ใ‚ƒใชใ„ใงใ™ใ€‚
08:48
- You can hear the difference, right? So why has his pitch changed, well I guess there's
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- ้•ใ„ใŒๅˆ†ใ‹ใ‚Šใพใ™ใ‚ˆใญ๏ผŸ ใงใฏใ€ ใชใœๅฝผใฎใƒ”ใƒƒใƒใŒๅค‰ใ‚ใฃใŸใฎใ‹ใจใ„ใ†ใจ
08:52
lots of different reasons. It could be just a natural change in his voice, as we get older,
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ใ€ใ•ใพใ–ใพใช็†็”ฑใŒใ‚ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ ใใ‚Œใฏ ๅฝผใฎๅฃฐใฎ่‡ช็„ถใชๅค‰ๅŒ–
08:57
perhaps the pitch of our voice gets lower. It could be coaching or training, maybe he's
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ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“.ๅนดใ‚’ใจใ‚‹ใซใคใ‚Œใฆใ€ใŠใใ‚‰ใๅฃฐใฎใƒ”ใƒƒใƒใŒไฝŽใใชใ‚Šใพใ™. ใใ‚Œใฏใ‚ณใƒผใƒใƒณใ‚ฐใ‚„ใƒˆใƒฌใƒผใƒ‹ใƒณใ‚ฐใ‹ใ‚‚ใ—ใ‚Œใพใ›
09:02
being very aware of it. So, yeah, could be a variety of reasons. But it's really significant
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ใ‚“ใ€‚ ใใ†ใงใ™ใญใ€ใ•ใพใ–ใพใช็†็”ฑใŒ่€ƒใˆใ‚‰ใ‚Œใพใ™ ใ€‚ ใ—ใ‹ใ—ใ€ใใ‚Œใฏๆœฌๅฝ“ใซ้‡่ฆ
09:09
and distinct isn't it? Going from his first interview to this interview. Also the way
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ใง็‹ฌ็‰นใงใ™ใ‚ˆใญ๏ผŸ ๆœ€ๅˆใฎ ใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใ‹ใ‚‰ไปŠๅ›žใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใพใงใ€‚ ใพใŸใ€
09:13
he holds himself is different. You can kinda tell he's more of a statesman now. He's used
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ๅฝผใฏ่‡ชๅˆ†่‡ช่บซใ‚’ไฟๆŒใ™ใ‚‹ๆ–นๆณ•ใŒ็•ฐใชใ‚Šใพใ™ใ€‚ ๅฝผใฏไปŠใงใฏๆ”ฟๆฒปๅฎถใซใชใฃใฆใ„ใ‚‹ใจ่จ€ใˆใพใ™ใ€‚ ๅฝผใฏ
09:19
to giving interviews and talking, and, I guess, again, that comes with experience and with
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ใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใ‚’ใ—ใŸใ‚Š่ฉฑใ—ใŸใ‚Šใ™ใ‚‹ใ“ใจใซๆ…ฃใ‚Œใฆ ใ„ใพใ™ใŒใ€ใ“ใ‚Œใ‚‚็ตŒ้จ“ใจๅนด้ฝขใซใ‚ˆใ‚‹ใ‚‚ใฎใ ใจๆ€ใ„
09:23
age. And the way that he uses stress, he's much more accomplished and confident in the
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ใพใ™ใ€‚ ใใ—ใฆใ€ๅฝผใฎใ‚นใƒˆใƒฌใ‚น ใฎ
09:29
way he uses stress to change meaning. So for example.
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ไฝฟใ„ๆ–นใฏใ€ใ‚นใƒˆใƒฌใ‚นใ‚’ไฝฟใฃใฆๆ„ๅ‘ณใ‚’ๅค‰ใˆใ‚‹ๆ–นๆณ•ใซใ€ใฏใ‚‹ใ‹ใซ็†Ÿ็ทดใ—ใ€่‡ชไฟกใ‚’ๆŒใฃใฆใ„ใพใ™ใ€‚ ใŸใจใˆใฐใ€‚
09:32
- Don't dislike it, to be honest, you know.
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-ๆญฃ็›ดใ€ๅซŒใ„ใ˜ใ‚ƒใชใ„ใงใ™ใ€‚
09:33
- They don't dislike it, to be honest. He's using stress and intonation there, to play
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-ๆญฃ็›ดใชใจใ“ใ‚ใ€ๅฝผใ‚‰ใฏใใ‚Œใ‚’ๅซŒใ„ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ๅฝผใฏ ใใ“ใงๅผทๅ‹ขใจใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใ‚’ไฝฟใฃ
09:38
with the meaning of a sentence. In a much more nuanced, sophisticated way than he would've
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ใฆใ€ๆ–‡ใฎๆ„ๅ‘ณใ‚’ใ„ใ˜ใฃใฆใ„ใพใ™ใ€‚ ๅฝผใŒ่‹ฅใ„้ ƒใ‚ˆใ‚Šใ‚‚ใฏใ‚‹ใ‹ใซๅพฎๅฆ™ใงๆด—็ทดใ•ใ‚ŒใŸๆ–นๆณ•ใง
09:45
done, when he was younger.
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ใ€‚
09:49
- The word, about, and it. Now we've seen how he pronounces about, as a youngster. Here,
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- ่จ€่‘‰ใ€็ด„ใ€ใใ—ใฆใใ‚Œใ€‚ ไปŠใ€็งใŸใกใฏ ๅฝผใŒ่‹ฅ่€…ใจใ—ใฆใฉใฎใ‚ˆใ†ใซ็™บ้Ÿณใ™ใ‚‹ใ‹ใ‚’่ฆ‹ใฆใใพใ—ใŸ. ใ“ใ“ใงใ€
09:56
he's kind of joining those two words, about it, with almost like a little D sound, that
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ๅฝผใฏใ“ใฎ 2 ใคใฎๅ˜่ชžใ‚’ๅฐ‘ใ— D ใฎ้ŸณใงใคใชใŽๅˆใ‚ใ›ใฆใ„ใพใ™ใ€‚ ใ“ใ‚Œ
10:03
is, perhaps more common in American English. Aboud it, aboud it. No, I'm not trying to
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ใฏใ€ใŠใใ‚‰ใใ‚ขใƒกใƒชใ‚ซ่‹ฑ่ชžใงใ‚ˆใ‚Šไธ€่ˆฌ็š„ใงใ™ใ€‚ ใใ‚Œใซใคใ„ใฆใ€ใใ‚Œใซใคใ„ใฆใ€‚ ใ„ใ„ใˆใ€็งใฏใใ“ใซใ‚ขใƒกใƒชใ‚ซใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใ‚’ๅ…ฅใ‚Œใ‚ˆใ†ใจใ—ใฆใ„ใ‚‹ใ‚ใ‘ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใŒใ€
10:08
do an American accent in there, but there is a slight connecting of those two words
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ใ“ใ‚Œใ‚‰ใฎ2ใคใฎๅ˜่ชžใŒใ‚ใšใ‹ใซๆŽฅ็ถšใ•ใ‚Œใฆ
10:11
with a duh sound, like a tiny duh. So that's something that, again, wouldn't've been a
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ใŠใ‚Šใ€ๅฐใ•ใชๅฝ“ใŸใ‚Šๅ‰ใฎใ‚ˆใ†ใชๅฝ“ใŸใ‚Šๅ‰ใฎ้ŸณใŒใ‚ใ‚Šใพใ™. ใ“ใ‚Œใ‚‚ ใพใŸใ€
10:15
feature of his earlier accent. And maybe again, that's because of time spent in America and
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ๅฝผใฎไปฅๅ‰ใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใฎ็‰นๅพดใงใฏใชใ‹ใฃใŸใ“ใจใงใ™ใ€‚ ็นฐใ‚Š่ฟ”ใ—ใซใชใ‚Šใพใ™ใŒใ€ ใใ‚Œใฏใ‚ขใƒกใƒชใ‚ซใจใƒญใ‚ตใƒณใ‚ผใƒซใ‚นใง้Žใ”ใ—ใŸๆ™‚้–“ใ€
10:23
L.A. or just the general internationalizing of his British accent.
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ใพใŸใฏๅฝผใฎ่‹ฑๅ›ฝ่จ›ใ‚Šใฎไธ€่ˆฌ็š„ใชๅ›ฝ้š› ๅŒ–ใซใ‚ˆใ‚‹ใ‚‚ใฎใงใ™ใ€‚
10:31
- Aha, now benefits, here, he says it with a true T, benefits. Doesn't say benefi', benefits.
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- ใ‚ใฏใฏใ€ไปŠใฏๅˆฉ็›Šใงใ™ใ€ใ“ใ“ใงใ€ๅฝผใฏใใ‚Œ ใ‚’ๆœฌๅฝ“ใฎTใ€ๅˆฉ็›Šใง่จ€ใ„ใพใ™ ใƒ™ใƒใƒ•ใ‚ฃใƒผใ€ใƒ™ใƒใƒ•ใ‚ฃใƒƒใƒˆใจใฏ่จ€ใ„ใพใ›ใ‚“ใ€‚
10:37
He also does something that we all do, well at least a lot of people I know do, is that
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ๅฝผใฏใพใŸใ€็งใŸใกๅ…จๅ“กใŒใ™ใ‚‹ ใ“ใจใ€ๅฐ‘ใชใใจใ‚‚็งใŒ็Ÿฅใฃใฆใ„ใ‚‹ๅคšใใฎไบบ
10:42
little grammatical mistake, where there is a lot of benefits. So you're using a singular
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ใŒใ™ใ‚‹ใ“ใจใฏใ€ๅคšใใฎๅˆฉ็‚นใŒใ‚ใ‚‹ๅฐใ•ใชๆ–‡ๆณ•ไธŠใฎ้–“้•ใ„ ใงใ™. ใคใพใ‚Š
10:47
form of is with a plural noun, so benefits. It should be, of course, there are a lot of
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ใ€is ใฎๅ˜ๆ•ฐๅฝขใ‚’่ค‡ๆ•ฐๅ่ฉžใงไฝฟ็”จใ—ใฆใ„ใ‚‹ใฎใงใ€ใƒกใƒชใƒƒใƒˆใŒใ‚ใ‚Šใพใ™ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€ๅคšใใฎๅˆฉ็‚นใŒใ‚ใ‚‹ใฏใš
10:54
benefits, but it's really common to say there is a lot of benefits, or there's, because
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ใงใ™ใŒใ€ๅคšใใฎๅˆฉ็‚นใŒใ‚ใ‚‹ใ€ใพใŸใฏใ‚ใ‚‹ใจ่จ€ใ†ใฎใฏ
10:57
you're using the contraction, you're probably saying there is, there's a lot of benefits.
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ๆœฌๅฝ“ใซไธ€่ˆฌ็š„ใงใ™ใ€‚ ๅˆฉ็‚นใ€‚
11:02
It's a silly little mistake, everyone seems to make it. If you make it, I wouldn't worry
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ใฐใ‹ใ’ใŸๅฐใ•ใช้–“้•ใ„ใงใ™ใ€‚่ชฐใ‚‚ใŒ้–“้•ใ„ใ‚’็Šฏใ™ ใ‚ˆใ†ใงใ™ใ€‚ ใใ‚Œใ•ใˆใงใใ‚Œใฐใ€ใพใฃใŸใๆฐ—ใซใชใ‚‰ใชใ„
11:07
about it at all.
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ใ€‚
11:12
- Alright, he uses well there, he says well. He says it, still with that same Cockney well.
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- ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ๅฝผใฏใใ“ใงใ†ใพใไฝฟใ„ใพใ™ใ€ๅฝผใฏใ‚ˆใ่จ€ใ„ใพใ™ใ€‚ ๅฝผใฏใ€ๅŒใ˜ใ‚ณใƒƒใ‚ฏใƒ‹ใƒผไบ•ๆˆธใงใ€ใใ‚Œใ‚’่จ€ใ„ใพใ™ใ€‚
11:17
Almost like with the L sound, particularly at the end of a word, it might be almost a
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L ใฎ้ŸณใจๅŒใ˜ใ‚ˆใ†ใซใ€ ็‰นใซๅ˜่ชžใฎๆœซๅฐพใงใฏใ€ใปใผ wuh ใฎ้Ÿณใซใชใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™
11:25
wuh sound. So weww, weww, so instead of using that dark L, well, well, he's saying, he's
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ใ€‚ ใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆใˆ
11:32
using almost like a wuh sound, so weww, weww. So that is a feature that has remained within
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ใงใ™ใ‹ใ‚‰ใ€ใใ‚Œใฏๅฝผใฎ่จ›ใ‚Šใฎไธญใซๆฎ‹ใฃใฆใ„ใŸ็‰นๅพดใงใ‚ใ‚Š
11:38
his accent, that he would've had as a young man and growing up. So he said well, now it's
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ใ€ๅฝผใŒ่‹ฅใ„้ ƒใ€ๆˆ้•ทใ—ใŸใจใใซๆŒใฃใฆใ„ใŸใงใ‚ใ‚ใ†็‰นๅพดใงใ™ . ใใ‚Œใงๅฝผใฏใ‚ˆใ่จ€ใฃใŸใ€ไปŠใฏ
11:45
still well. He also did that in the 1994 interview, he said until. Until, so not until, it's untiw.
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ใพใ ๅ…ƒๆฐ—ใ ใ€‚ ๅฝผใฏใพใŸใ€1994ๅนดใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใงใใ‚Œใ‚’ใ—ใŸใ€ใจ ๅฝผใฏ่จ€ใฃใŸ. ใพใงใ€ใ ใ‹ใ‚‰ใ€ใพใงใงใฏใชใใ€untiw ใงใ™ใ€‚
11:52
So there are still signs of his original accent in the 2018 interview.
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ใใฎใŸใ‚ใ€2018 ๅนดใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใงใฏใ€ๅฝผใฎใ‚ชใƒชใ‚ธใƒŠใƒซใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใŒใพใ ๆฎ‹ใฃใฆใ„ ใพใ™ใ€‚
12:01
- Ah, there it is guys, do you remember how he said behind in the first two interviews?
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-ใ‚ใ‚ใ€ใใ‚Œใฏใฟใ‚“ใชใงใ™ ใ€ๆœ€ๅˆใฎ2ใคใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใงๅฝผใŒๅพŒใ‚ใงใฉใฎใ‚ˆใ†ใซ่จ€ใฃใŸใ‹่ฆšใˆใฆใ„ใพใ™ใ‹?
12:07
Be'ind, right, drop that H right out of there. This time, he says it, behind. So he's using
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ใใฎHใ‚’ใ™ใใใ“ใ‹ใ‚‰่ฝใจใ—ใฆใใ ใ•ใ„ใ€‚ ไปŠๅบฆใฏใ€ๅฝผใฏๅพŒใ‚ใงใใ‚Œใ‚’่จ€ใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ๅฝผใฏ
12:14
that H sound.
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ใใฎH้Ÿณใ‚’ไฝฟใฃใฆใ„ใพใ™ใ€‚
12:16
- And that would be more consistent with received pronunciation.
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-ใใ—ใฆใ€ใใ‚Œใฏๅ—ใ‘ๅ–ใฃใŸ็™บ้Ÿณใจใ‚ˆใ‚Šไธ€่‡ดใ™ใ‚‹ใงใ—ใ‚‡ใ† .
12:21
- Another nice bit of British English here, rib me. They rib me, that means to tease.
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- ใ“ใ“ใงใ‚‚ใ† 1 ใค็ด ๆ•ตใชใ‚คใ‚ฎใƒชใ‚น่‹ฑ่ชžใ‚’ ่ฉฑใ—ใฆใใ ใ•ใ„ใ€‚ ๅฝผใ‚‰ใฏ็งใ‚’ใ‹ใ‚‰ใ‹ใ†ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚
12:26
If you rib someone, you tease them. It's fun, it's affectionate, it's not meant to be mean
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ใ‚ใชใŸใŒ่ชฐใ‹ใ‚’ใ‚ใ–ใ‘ใ‚‹ใชใ‚‰ใ€ใ‚ใชใŸใฏๅฝผใ‚‰ใ‚’ใ‹ใ‚‰ใ‹ใ„ใพใ™ใ€‚ ใใ‚Œใฏๆฅฝใ—ใ„ใ“ใจใงใ‚ใ‚Šใ€ ๆ„›ๆƒ…ๆทฑใ„
12:33
in any way, so if you rib someone, you are just joking or you're teasing them in some
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ใ“ใจใงใ‚ใ‚Šใ€ๆฑบใ—ใฆๆ„ๅœฐๆ‚ชใงใ‚ใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใฏใ‚ใ‚Šใพใ›
12:38
way.
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ใ‚“ใ€‚
12:42
- I have in my house, the Hs are all there. They're present and correct.
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- ็งใฏๅฎถใซๆŒใฃใฆใ„ใพใ™ใ€Hใฏใ™ในใฆใใ“ใซใ‚ใ‚Šใพใ™ใ€‚ ใใ‚Œใ‚‰ใฏๅญ˜ๅœจใ—ใ€ๆญฃใ—ใ„ใงใ™ใ€‚
12:49
- Last one, daughter, he uses the true T, doesn't drop that T, daugh'er. Daughter is
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- ๆœ€ๅพŒใฎใ‚‚ใฎใ€ๅจ˜ใ€ๅฝผใฏ็œŸใฎ T ใ‚’ไฝฟ็”จใ—ใ€ ใใฎ T ใ‚’ใƒ‰ใƒญใƒƒใƒ—ใ—ใพใ›ใ‚“ใ€ๅจ˜ใ€‚ ๅจ˜ใฏ
12:55
how he says it.
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ๅฝผใŒใใ‚Œใ‚’่จ€ใ†ๆ–นๆณ•ใงใ™ใ€‚
12:58
- I find it so fascinating how his accent has changed over the years, I hope you can
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- ๅฝผใฎ่จ›ใ‚Š ใŒไฝ•ๅนดใซใ‚‚ใ‚ใŸใฃใฆใฉใฎใ‚ˆใ†ใซๅค‰ๅŒ–ใ—ใฆใใŸใ‹ใฏ้žๅธธ
13:02
see and hear that in the different interviews, the examples that I've brought. So not only
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ใซ่ˆˆๅ‘ณๆทฑใ„ใจๆ€ใ„ใพใ™. ใคใพใ‚Š
13:07
has his pitch changed, his accent has definitely changed. He's moved from a strong London accent
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ใ€ๅฝผใฎใƒ”ใƒƒใƒใŒๅค‰ใ‚ใฃใŸใ ใ‘ใงใชใใ€ใ‚ขใ‚ฏใ‚ปใƒณใƒˆใ‚‚็ขบๅฎŸใซ ๅค‰ใ‚ใฃใŸใฎใงใ™ใ€‚ ๅฝผใฏ
13:14
with Cockney features right through to received pronunciation. Still got a London feel to
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ใ€ใ‚ณใƒƒใ‚ฏใƒ‹ใƒผใฎ็‰นๅพดใ‚’ๅ‚™ใˆใŸๅผทใ„ใƒญใƒณใƒ‰ใƒณใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใ‹ใ‚‰ใ€ๅ—ใ‘ๅ…ฅใ‚Œใ‚‰ใ‚ŒใŸ็™บ้Ÿณใซ็งป่กŒใ—ใพใ—ใŸ . ใพใ ใƒญใƒณใƒ‰ใƒณใฎ้›ฐๅ›ฒๆฐ—
13:21
it and still using some Cockney features, but it's softer. Those features are softer
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ใŒใ‚ใ‚Šใ€ใ‚ณใƒƒใ‚ฏใƒ‹ใƒผใฎๆฉŸ่ƒฝใ‚‚ใ„ใใคใ‹ไฝฟ็”จใ—ใฆใ„ใพใ™ใŒใ€ ใ‚ˆใ‚Šใ‚ฝใƒ•ใƒˆใงใ™. ใ“ใ‚Œใ‚‰ใฎๆฉŸ่ƒฝใฏ
13:27
now. His accent, in general, is a softer London accent. Small elements of American English
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ไปŠใงใฏๆŸ”ใ‚‰ใ‹ใใชใฃใฆใ„ใพใ™ใ€‚ ๅฝผใฎ่จ›ใ‚Šใฏใ€ไธ€่ˆฌ็š„ใซใ€ใ‚ˆใ‚ŠๆŸ”ใ‚‰ใ‹ใ„ใƒญใƒณใƒ‰ใƒณใฎ ่จ›ใ‚Šใงใ™ใ€‚ ใ‚ขใƒกใƒชใ‚ซ่‹ฑ่ชžใฎๅฐใ•ใช่ฆ็ด ใŒ
13:34
possibly coming in, but not hugely. It's fascinating to see and to witness that. I've said this
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ๅ…ฅใฃใฆใใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ใŒใ€ใใ‚Œใปใฉๅคงใใใฏใ‚ใ‚Šใพใ›ใ‚“. ใใ‚Œ ใ‚’่ฆ‹ใฆใ€็›ฎๆ’ƒใ™ใ‚‹ใ“ใจใฏ้ญ…ๅŠ›็š„ใงใ™ใ€‚
13:41
before, but that's a really common thing. I've seen it in a lot of famous people, I've
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ๅ‰ใซใ‚‚่จ€ใ„ใพใ—ใŸใŒใ€ใ“ใ‚Œใฏใ‚ˆใใ‚ใ‚‹ใ“ใจใงใ™ใ€‚ ็งใฏๅคšใใฎๆœ‰ๅไบบใซใใ‚Œใ‚’่ฆ‹ใฆใใพใ—
13:45
seen it in my own accent, how it evolves and changes over the years, depending on the influences
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ใŸใ€‚็งใฏ่‡ชๅˆ†ใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใงใใ‚Œใ‚’่ฆ‹ใฆใใพใ—ใŸใ€‚ใ‚ใชใŸใŒไบบ็”Ÿใซ ไธŽใˆใ‚‹ๅฝฑ้Ÿฟใซๅฟœใ˜ใฆใ€ใใ‚ŒใŒไฝ•ๅนดใซใ‚‚ใ‚ใŸใฃใฆใฉใฎใ‚ˆใ†ใซ้€ฒๅŒ–ใ—ใ€ๅค‰ๅŒ–ใ™ใ‚‹ใ‹ใ‚’่ฆ‹ใฆใใพใ—ใŸ
13:52
that you have in your life. So we've got the pitch changing, the accent changing, and the
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. ใคใพใ‚Šใ€ ใƒ”ใƒƒใƒใŒๅค‰ใ‚ใ‚Šใ€ใ‚ขใ‚ฏใ‚ปใƒณใƒˆใŒๅค‰ใ‚ใ‚Šใ€
13:55
vocabulary changing as well. Also, just with him particularly, the way he carries himself
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่ชžๅฝ™ใ‚‚ๅค‰ใ‚ใ‚Šใพใ™ใ€‚ ใพใŸใ€ ็‰นใซๅฝผใซ้–ขใ—ใฆ่จ€ใˆ
14:02
and the way he articulates himself is significantly different in 2018 to how it was in 1994. Again,
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ใฐใ€2018 ๅนดใจ 1994 ๅนดใง
14:10
that's really normal, really natural for someone in the limelight like he is, he's gonna get
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ใฏใ€ๅฝผใฎ่บซใฎใ“ใชใ—ๆ–นใ‚„่กจ็พๆ–นๆณ•ใŒๅคงใใ็•ฐใชใ‚Šใพใ™ใ€‚
14:15
training, he's gonna get help with that, to articulate himself in a clearer way. So, yeah,
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ใƒˆใƒฌใƒผใƒ‹ใƒณใ‚ฐใงใ€ๅฝผใฏใใ‚Œใ‚’ๆ‰‹ไผใฃใฆใ‚‚ใ‚‰ใ„ใ€ ่‡ชๅˆ†่‡ช่บซใ‚’ใ‚ˆใ‚Šๆ˜Ž็ขบใซ่กจ็พใงใใ‚‹ใ‚ˆใ†ใซใ—ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใˆใˆใ€
14:21
brilliant, I just love it. I love all that stuff, I'm such a language geek. I hope you
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็ด ๆ™ดใ‚‰ใ—ใ„ใ€็งใฏใใ‚ŒใŒๅคงๅฅฝใใงใ™ใ€‚ ็งใฏใใฎใ™ในใฆใŒๅคงๅฅฝใใง ใ€่จ€่ชžใ‚ชใ‚ฟใ‚ฏใงใ™ใ€‚ ใ‚ใชใŸ
14:27
are too. I guess if you're watching now, you probably are. I hope you enjoyed it guys.
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ใ‚‚ใใ†ใงใ‚ใ‚‹ใ“ใจใ‚’้ก˜ใฃใฆใ„ใพใ™ใ€‚ ไปŠใ”่ฆงใซใชใฃใฆใ„ใ‚‹ๆ–นใฏใ€ใใฃใจใใ†ใ ใจๆ€ใ„ ใพใ™ใ€‚ ๆฅฝใ—ใ‚“ใงใ„ใŸใ ใ‘ใŸใงใ—ใ‚‡ใ†ใ‹ใ€‚
14:32
If you have enjoyed it, please give it a big thumbs up. Share it with anyone that you think
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ๆฅฝใ—ใ‚“ใงใ„ใŸใ ใ‘ใพใ—ใŸใ‚‰ใ€้ซ˜่ฉ•ไพกใ‚’ใŠ้ก˜ใ„ ใ„ใŸใ—ใพใ™ใ€‚ ใใ‚Œใ‚’้ซ˜ใ่ฉ•ไพกใ—ใ€ๆฅฝใ—ใ‚“ใงใใ‚Œใ‚‹ใจๆ€ใ†ไบบใจๅ…ฑๆœ‰ใ—ใฆใใ ใ•ใ„ใ€‚
14:36
will appreciate it and enjoy it, and if they're learning English, even better. And if you
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ๅฝผใ‚‰ใŒ ่‹ฑ่ชžใ‚’ๅญฆใ‚“ใงใ„ใ‚‹ใชใ‚‰ใ€ใ•ใ‚‰ใซ่‰ฏใ„ใงใ—ใ‚‡ใ†ใ€‚ ใใ—ใฆใ€
14:41
haven't seen it yet, there is an Eat Sleep Dream English store, you can go check that
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ใพใ ่ฆ‹ใŸใ“ใจใŒใชใ„ๅ ดๅˆใฏใ€Eat Sleep Dream English ใ‚นใƒˆใ‚ขใŒใ‚ใ‚‹ใฎใงใ€ใƒใ‚งใƒƒใ‚ฏใ—ใฆใฟ
14:45
out. We've got T-shirts, all kinds of good stuff. You can go check that in the link below.
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ใฆใใ ใ•ใ„ใ€‚ Tใ‚ทใƒฃใƒ„ใชใฉใ€ใ„ใ„ใ‚‚ใฎใ‚’ๅ–ใ‚Šๆƒใˆใฆใ„ ใพใ™ใ€‚ ไปฅไธ‹ใฎใƒชใƒณใ‚ฏใง็ขบ่ชใงใใพใ™ใ€‚
14:49
Thank you so much for watching, guys. This is Tom, the chief dreamer, saying goodbye.
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ใ”่ฆงใ„ใŸใ ใใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚ ใ“ใ‚Œ ใฏใ€ใ•ใ‚ˆใชใ‚‰ใ‚’่จ€ใฃใฆใ„ใ‚‹ใƒใƒผใƒ•ใƒปใƒ‰ใƒชใƒผใƒžใƒผใฎใƒˆใƒ ใงใ™ใ€‚
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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