BOX SET: 6 Minute English - 'Art & Culture' English mega-class! Thirty minutes of new vocabulary!

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2022-10-30 ใƒป BBC Learning English


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BOX SET: 6 Minute English - 'Art & Culture' English mega-class! Thirty minutes of new vocabulary!

296,410 views ใƒป 2022-10-30

BBC Learning English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:05
Hello. Welcome to 6 Minute English, I'm Neil.
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์•ˆ๋…•ํ•˜์„ธ์š”. 6 Minute English์— ์˜ค์‹  ๊ฒƒ์„ ํ™˜์˜ํ•ฉ๋‹ˆ๋‹ค. ์ €๋Š” Neil์ž…๋‹ˆ๋‹ค.
00:08
And hello, I'm Rob.
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์•ˆ๋…•ํ•˜์„ธ์š”, ์ €๋Š” Rob์ž…๋‹ˆ๋‹ค.
00:09
Now Rob, how creative are you?
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์ด์ œ Rob, ๋‹น์‹ ์€ ์–ผ๋งˆ๋‚˜ ์ฐฝ์˜์ ์ž…๋‹ˆ๊นŒ?
00:12
Very creative, I think.
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๋งค์šฐ ์ฐฝ์˜์ ์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
00:14
Creativity is in my bones!
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์ฐฝ์˜๋ ฅ์€ ๋‚ด ๋ผˆ์— ์žˆ์Šต๋‹ˆ๋‹ค!
00:15
Look at this wonderful script that I wrote and
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์ œ๊ฐ€ ์ž‘์„ฑํ•˜๊ณ  ์ง€๊ธˆ ๋ฐœํ‘œํ•˜๊ณ  ์žˆ๋Š” ์ด ๋ฉ‹์ง„ ๋Œ€๋ณธ์„ ๋ณด์„ธ์š”
00:17
we're presenting right now.
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.
00:19
You are what we could call 'a creative' โ€“ a noun
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๋‹น์‹ ์€ ์šฐ๋ฆฌ๊ฐ€ 'ํฌ๋ฆฌ์—์ดํ‹ฐ๋ธŒ'๋ผ๊ณ  ๋ถ€๋ฅผ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด ๋ช…์‚ฌ
00:22
which means someone with a lot of imagination
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๋Š” ๋งŽ์€ ์ƒ์ƒ๋ ฅ๊ณผ ์•„์ด๋””์–ด๋ฅผ ๊ฐ€์ง„ ์‚ฌ๋žŒ์„ ์˜๋ฏธ
00:25
and ideas.
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ํ•ฉ๋‹ˆ๋‹ค.
00:26
In our job we have to create โ€“ or make โ€“
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์šฐ๋ฆฌ ์ง์—…์—์„œ ์šฐ๋ฆฌ๋Š”
00:29
content that teaches English creatively.
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์ฐฝ์˜์ ์œผ๋กœ ์˜์–ด๋ฅผ ๊ฐ€๋ฅด์น˜๋Š” ์ฝ˜ํ…์ธ ๋ฅผ ๋งŒ๋“ค์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
00:31
Creativity is becoming more important for everyone.
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์ฐฝ์˜์„ฑ์€ ๋ชจ๋‘์—๊ฒŒ ๋”์šฑ ์ค‘์š”ํ•ด์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
00:34
The World Economic Forum forecasts that by 2020,
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์„ธ๊ณ„๊ฒฝ์ œํฌ๋Ÿผ(World Economic Forum)์€ 2020๋…„๊นŒ์ง€
00:37
creativity will be in the top three most important skills
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์ฐฝ์˜์„ฑ์ด ๋ฏธ๋ž˜ ์ผ์ž๋ฆฌ์—์„œ ๊ฐ€์žฅ ์ค‘์š”ํ•œ 3๋Œ€ ๊ธฐ์ˆ 
00:41
for future jobs.
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์ด ๋  ๊ฒƒ์ด๋ผ๊ณ  ์˜ˆ์ธกํ•ฉ๋‹ˆ๋‹ค.
00:43
This is particularly relevant for younger
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์ด๋Š” ํŠนํžˆ
00:44
people who will be entering the world of work soon โ€“
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๊ณง ์ง์—… ์„ธ๊ณ„์— ์ž…๋ฌธํ•  ์ Š์€ ์‚ฌ๋žŒ๋“ค๊ณผ ๊ด€๋ จ
00:47
and that's what we'll be discussing today.
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์ด ์žˆ์œผ๋ฉฐ ์˜ค๋Š˜ ์šฐ๋ฆฌ๊ฐ€ ๋…ผ์˜ํ•  ๋‚ด์šฉ์ž…๋‹ˆ๋‹ค.
00:49
But before we do, Neil, have you created a
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ํ•˜์ง€๋งŒ ๊ทธ ์ „์— ๋‹,
00:52
question for us to answer?
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์šฐ๋ฆฌ๊ฐ€ ๋Œ€๋‹ตํ•  ์งˆ๋ฌธ์„ ๋งŒ๋“ค์—ˆ๋‚˜์š”?
00:53
Yes, and it's about the very creative artist Banksy.
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์˜ˆ, ๋งค์šฐ ์ฐฝ์˜์ ์ธ ์˜ˆ์ˆ ๊ฐ€ Banksy์— ๊ด€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:57
He created a well-known piece of artwork that
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๊ทธ๊ฐ€ ์ตœ๊ทผ์— ํ™”์ œ๊ฐ€ ๋œ ์œ ๋ช…ํ•œ ์ž‘ํ’ˆ์„ ๋งŒ๋“ค์—ˆ๋Š”๋ฐ
00:59
has been in the news recently,
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,
01:00
but do you know what it is called?
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๊ทธ๊ฒƒ์ด ๋ฌด์—‡์ธ์ง€ ์•„์‹ญ๋‹ˆ๊นŒ?
01:03
Is itโ€ฆ
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๊ทธ๊ฒƒ์€โ€ฆ
01:04
a) Girl with Balloon
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01:05
b) Girl with Red Balloon
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01:07
c) Balloon Girl
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01:08
I can see the picture in my head โ€“
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01:10
so I think it's c) Balloon girl.
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01:13
OK, and we'll find out the answer later.
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์ข‹์Šต๋‹ˆ๋‹ค. ๋‚˜์ค‘์— ๋‹ต์„ ์ฐพ์•„๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
01:16
But now back to our discussion about
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ํ•˜์ง€๋งŒ ์ด์ œ ์ฐฝ์˜์„ฑ์— ๋Œ€ํ•œ ๋…ผ์˜๋กœ ๋Œ์•„๊ฐ‘๋‹ˆ๋‹ค
01:17
creativity.
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.
01:18
Experts say that students need
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์ „๋ฌธ๊ฐ€๋“ค์€ ํ•™์ƒ๋“ค์ด ์ทจ์—…
01:20
to focus more on creativity to help them
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์— ๋„์›€์ด ๋˜๋ ค๋ฉด ์ฐฝ์˜์„ฑ์— ๋” ์ง‘์ค‘ํ•ด์•ผ ํ•œ๋‹ค๊ณ  ๋งํ•œ๋‹ค
01:23
get a job.
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.
01:24
That's perhaps surprising in the UK,
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์˜ˆ๋ฅผ ๋“ค์–ด
01:26
when some of our creative industries โ€“
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01:28
that's businesses that make music, art
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์Œ์•…, ์˜ˆ์ˆ  ๋ฐ TV๋ฅผ ๋งŒ๋“œ๋Š” ๋น„์ฆˆ๋‹ˆ์Šค์™€ ๊ฐ™์€ ์ผ๋ถ€ ์ฐฝ์กฐ ์‚ฐ์—…
01:30
and TV for example โ€“ are world famous.
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์ด ์„ธ๊ณ„์ ์œผ๋กœ ์œ ๋ช…ํ•œ ์˜๊ตญ์—์„œ๋Š” ์•„๋งˆ๋„ ๋†€๋ผ์šด ์ผ์ด ์•„๋‹ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
01:33
We are creative people, Rob!
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์šฐ๋ฆฌ๋Š” ์ฐฝ์˜์ ์ธ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค, Rob!
01:35
Of course, but there's not such a focus on
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๋ฌผ๋ก , ํ•˜์ง€๋งŒ
01:38
being creative in education now and that
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์ง€๊ธˆ์€ ๊ต์œก์—์„œ ์ฐฝ์˜์ ์ด ๋˜๋Š” ๋ฐ ์ดˆ์ ์„ ๋งž์ถ”์ง€ ์•Š๊ณ  ์žˆ๊ณ  ๊ทธ๊ฒƒ์ด
01:40
might have an effect in the future.
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๋ฏธ๋ž˜์— ์˜ํ–ฅ์„ ๋ฏธ์น  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
01:43
It's something Bernadette Duffy, an early
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์ดˆ์ฐฝ๊ธฐ ์ปจ์„คํ„ดํŠธ์ธ Bernadette Duffy
01:45
years consultant, has been discussing
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01:47
on BBC Radio 4's Bringing up Britain programme.
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๊ฐ€ BBC ๋ผ๋””์˜ค 4์˜ Bringing up Britain ํ”„๋กœ๊ทธ๋žจ์—์„œ ๋…ผ์˜ํ•œ ๋‚ด์šฉ์ž…๋‹ˆ๋‹ค.
01:50
What does she say we have been
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๊ทธ๋…€๋Š” ์šฐ๋ฆฌ๊ฐ€ ํ•™๊ต์—์„œ ๋„ˆ๋ฌด ์ง‘์ค‘ํ•ด ์™”๋‹ค๊ณ  ๋ฌด์—‡์„ ๋ง
01:51
focusing too much on in schools?
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ํ•ฉ๋‹ˆ๊นŒ?
01:54
We focus on the things that are legitimately
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์šฐ๋ฆฌ๋Š” ํ•ฉ๋ฒ•์ ์œผ๋กœ ์ค‘์š”ํ•œ ๊ฒƒ์— ์ดˆ์ ์„ ๋งž์ถ”์ง€
01:57
important but we teach them in a way that
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01:58
makes them easier to measure.
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๋งŒ ์ธก์ •ํ•˜๊ธฐ ๋” ์‰ฌ์šด ๋ฐฉ์‹์œผ๋กœ ๊ฐ€๋ฅด์นฉ๋‹ˆ๋‹ค.
01:59
I think we
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02:00
need to redress the balance that puts the
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02:01
focus purely on gaining the skills and far
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์ˆœ์ „ํžˆ ๊ธฐ์ˆ ์„ ์Šต๋“ํ•˜๋Š” ๋ฐ ์ดˆ์ ์„
02:04
far more on actually using them in a creative
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๋งž์ถ”๊ณ  ์‹ค์ œ๋กœ ๊ธฐ์ˆ ์„ ์ฐฝ์˜์ ์ธ ๋ฐฉ์‹์œผ๋กœ ์‚ฌ์šฉํ•˜๋Š” ๋ฐ ํ›จ์”ฌ ๋” ์ค‘์ ์„ ๋‘๋Š” ๊ท ํ˜•์„ ๋ฐ”๋กœ์žก์•„์•ผ ํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
02:07
way because that's what's going to
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๊ทธ๊ฒƒ์ด ๋ฏธ๋ž˜๋ฅผ ๋ณ€ํ™”์‹œํ‚ฌ ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค
02:08
make a difference for the future.
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.
02:10
So Bernadette feels we teach skills
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๋”ฐ๋ผ์„œ Bernadette๋Š” ์šฐ๋ฆฌ
02:12
in a way that can be easily measured
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๊ฐ€ ์‰ฝ๊ฒŒ ์ธก์ •ํ•˜๊ณ  ํ…Œ์ŠคํŠธํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐฉ์‹์œผ๋กœ ๊ธฐ์ˆ ์„ ๊ฐ€๋ฅด์นœ๋‹ค๊ณ  ์ƒ๊ฐ
02:14
and tested.
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ํ•ฉ๋‹ˆ๋‹ค.
02:15
She says we teach these skills
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๊ทธ๋…€๋Š” ์šฐ๋ฆฌ๊ฐ€ ์ด๋Ÿฌํ•œ ๊ธฐ์ˆ ์„ ํ•ฉ๋ฒ•์ ์œผ๋กœ ๊ฐ€๋ฅด์นœ๋‹ค๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค.
02:16
legitimately โ€“ which here means fairly and reasonably
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์—ฌ๊ธฐ์„œ๋Š” ๊ณต์ •ํ•˜๊ณ  ํ•ฉ๋ฆฌ์ ์ด๋ผ๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค.
02:20
But she feels we don't teach a
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋…€๋Š” ์šฐ๋ฆฌ๊ฐ€
02:22
creative approach to learning skills.
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๊ธฐ์ˆ  ํ•™์Šต์— ๋Œ€ํ•œ ์ฐฝ์˜์ ์ธ ์ ‘๊ทผ ๋ฐฉ์‹์„ ๊ฐ€๋ฅด์น˜์ง€ ์•Š๋Š”๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
02:24
So we mean things like problem solving.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๋ฌธ์ œ ํ•ด๊ฒฐ๊ณผ ๊ฐ™์€ ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
02:26
I guess, even tasks like data inputting and
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๋ฐ์ดํ„ฐ๋ฅผ ์ž…๋ ฅ
02:29
preparing spreadsheets can be approached creatively.
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ํ•˜๊ณ  ์Šคํ”„๋ ˆ๋“œ์‹œํŠธ๋ฅผ ์ž‘์„ฑํ•˜๋Š” ์ž‘์—…๋„ ์ฐฝ์˜์ ์œผ๋กœ ์ ‘๊ทผํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ ๊ฐ™์•„์š”.
02:33
In any job, it's sometimes good
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์–ด๋–ค ์ง์—…์ด๋“ 
02:35
to 'think outside the box' or find new ways
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'๊ณ ์ •๊ด€๋…์—์„œ ๋ฒ—์–ด๋‚˜ ์ƒ๊ฐ'ํ•˜๊ฑฐ๋‚˜
02:37
of doing things.
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์ผ์„ ํ•˜๋Š” ์ƒˆ๋กœ์šด ๋ฐฉ๋ฒ•์„ ์ฐพ๋Š” ๊ฒƒ์ด ๋•Œ๋•Œ๋กœ ์ข‹์Šต๋‹ˆ๋‹ค.
02:39
Bernadette thinks we should move away
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Bernadette๋Š” ์šฐ๋ฆฌ๊ฐ€
02:40
from just learning skills and start using
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๋‹จ์ˆœํžˆ ๊ธฐ์ˆ ์„ ๋ฐฐ์šฐ๋Š” ๊ฒƒ์—์„œ ๋ฒ—์–ด๋‚˜
02:43
these skills creatively โ€“ she used the
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์ด๋Ÿฌํ•œ ๊ธฐ์ˆ ์„ ์ฐฝ์˜์ ์œผ๋กœ ์‚ฌ์šฉํ•˜๊ธฐ ์‹œ์ž‘ํ•ด์•ผ ํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š”
02:45
expression 'redress the balance' which
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'๊ท ํ˜•์„ ๊ต์ •ํ•˜๋‹ค'๋ผ๋Š” ํ‘œํ˜„์„ ์‚ฌ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค. ์ด๋Š”
02:47
means 'change things to make them
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'
02:48
fairer and more equal'.
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๋” ๊ณต์ •ํ•˜๊ณ  ํ‰๋“ฑํ•˜๊ฒŒ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ์‚ฌ๋ฌผ์„ ๋ฐ”๊พธ๋‹ค'๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
02:50
Well, here at the BBC we have to creative.
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์ž, ์—ฌ๊ธฐ BBC์—์„œ ์šฐ๋ฆฌ๋Š” ์ฐฝ์˜์ ์ด์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
02:53
In fact one of our values states that
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์‚ฌ์‹ค ์šฐ๋ฆฌ์˜ ๊ฐ€์น˜ ์ค‘ ํ•˜๋‚˜๋Š”
02:55
'creativity is the lifeblood of our organisation'.
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'์ฐฝ์˜์„ฑ์€ ์šฐ๋ฆฌ ์กฐ์ง์˜ ์ƒ๋ช…์„ '์ž…๋‹ˆ๋‹ค.
02:59
Lifeblood here means 'the most important
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์—ฌ๊ธฐ์„œ Lifeblood๋Š” '
03:01
thing to make something a success'.
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๋ฌด์–ธ๊ฐ€๋ฅผ ์„ฑ๊ณต์‹œํ‚ค๊ธฐ ์œ„ํ•ด ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๊ฒƒ'์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
03:03
Rob, I can see creativity is in your blood โ€“
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Rob, ์ฐฝ์˜์„ฑ์ด ๋‹น์‹ ์˜ ํ”ผ ์†์—
03:06
but on an everyday level how can we all
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์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ผ์ƒ์ ์ธ ์ˆ˜์ค€์—์„œ ์–ด๋–ป๊ฒŒ ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€
03:08
improve our creativity โ€“ be more like you?!
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์ฐฝ์˜๋ ฅ์„ ํ–ฅ์ƒ์‹œํ‚ฌ ์ˆ˜ ์žˆ์Šต๋‹ˆ๊นŒ? ๋‹น์‹ ์ฒ˜๋Ÿผ ๋  ์ˆ˜ ์žˆ์„๊นŒ์š”?!
03:11
Well, Neil, I'm no expert but Innovation Manager,
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Neil, ์ €๋Š” ์ „๋ฌธ๊ฐ€๊ฐ€ ์•„๋‹ˆ์ง€๋งŒ ํ˜์‹  ๊ด€๋ฆฌ์ž
03:14
Nick Skillicorn is.
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Nick Skillicorn์€ ์ „๋ฌธ๊ฐ€์ž…๋‹ˆ๋‹ค.
03:16
He's also been speaking to the
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๊ทธ๋Š” ๋˜ํ•œ BBC์™€ ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์œผ๋ฉฐ
03:17
BBC and explaining what we can do to help ourselves.
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์šฐ๋ฆฌ๊ฐ€ ์Šค์Šค๋กœ ๋„์šธ ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์„ ์„ค๋ช…ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
03:21
What does he suggest?
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๊ทธ๋Š” ๋ฌด์—‡์„ ์ œ์•ˆํ•ฉ๋‹ˆ๊นŒ?
03:23
On a daily basis, everyone should take fifteen
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๋งค์ผ ๋ชจ๋“  ์‚ฌ๋žŒ์€
03:25
minutes of what I call unfocused time โ€“
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๋‚ด๊ฐ€ ์ง‘์ค‘ํ•˜์ง€ ์•Š๋Š” ์‹œ๊ฐ„์ด๋ผ๊ณ  ๋ถ€๋ฅด๋Š” ์‹œ๊ฐ„์ธ 15๋ถ„์„ ๊ฐ€์ ธ์•ผ
03:29
time that they're not looking at any screen,
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ํ•ฉ๋‹ˆ๋‹ค. ํ™”๋ฉด
03:31
time that they can essentially get back into
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์„ ๋ณด์ง€ ์•Š๋Š” ์‹œ๊ฐ„, ๋ณธ์งˆ์ ์œผ๋กœ
03:33
their own head, slow down a bit, and start
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์ž์‹ ์˜ ๋จธ๋ฆฌ๋กœ ๋Œ์•„๊ฐ€ ์•ฝ๊ฐ„์˜ ์†๋„๋ฅผ ๋Šฆ์ถ”๊ณ 
03:36
forming these new connections between
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์ƒˆ๋กœ์šด ๊ฒƒ์„ ํ˜•์„ฑํ•˜๊ธฐ ์‹œ์ž‘ํ•  ์ˆ˜ ์žˆ๋Š” ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค.
03:38
disparate ideas that result in
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์„œ๋กœ ๋‹ค๋ฅธ
03:40
divergent new original ideas.
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์ƒˆ๋กœ์šด ๋…์ฐฝ์ ์ธ ์•„์ด๋””์–ด๋ฅผ ๋‚ณ๋Š” ์ด์งˆ์ ์ธ ์•„์ด๋””์–ด ๊ฐ„์˜ ์—ฐ๊ฒฐ.
03:42
So we need free time to collect all our
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์šฐ๋ฆฌ์˜ ๋จธ๋ฆฌ ์†์— ์šฐ๋ฆฌ์˜ ๋ชจ๋“  ๋‹ค๋ฅธ ์ƒ๊ฐ์„ ์ˆ˜์ง‘ํ•  ์ž์œ  ์‹œ๊ฐ„์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค.
03:45
different thoughts in our head โ€“ what
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03:47
Nick calls disparate ideas to create new
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Nick์€ ์ƒˆ๋กญ๊ณ  ๋†€๋ผ์šด ์•„์ด๋””์–ด๋ฅผ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ์ด์งˆ์ ์ธ ์•„์ด๋””์–ด๋ผ๊ณ  ๋ถ€๋ฆ…๋‹ˆ๋‹ค
03:49
and amazing ideas.
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.
03:51
Disparate ideas are very different ideas,
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์ด์งˆ์ ์ธ ์•„์ด๋””์–ด๋Š”
03:53
all unrelated.
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์ „ํ˜€ ๊ด€๋ จ์ด ์—†๋Š” ๋งค์šฐ ๋‹ค๋ฅธ ์•„์ด๋””์–ด์ž…๋‹ˆ๋‹ค.
03:55
And we need what we might
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ํ—ค๋“œ์ŠคํŽ˜์ด์Šค๋ผ๊ณ  ๋ถ€๋ฅด๋Š” ๊ฒƒ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค.
03:56
call headspace โ€“ that's when your mind is in
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๊ทธ๋•Œ๋Š” ๋งˆ์Œ
03:58
a good state and you can think clearly.
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์ด ์ข‹์€ ์ƒํƒœ์— ์žˆ๊ณ  ๋ช…ํ™•ํ•˜๊ฒŒ ์ƒ๊ฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:00
For me, I have headspace when I'm lying in the bath
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์ €์—๊ฒŒ๋Š” ์š•์กฐ์— ๋ˆ„์›Œ
04:03
or out riding my bike โ€“ there are no interruptions.
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์žˆ๊ฑฐ๋‚˜ ์ž์ „๊ฑฐ๋ฅผ ํƒˆ ๋•Œ ํ—ค๋“œ์ŠคํŽ˜์ด์Šค๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ๋ฐฉํ•ด๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.
04:06
Well, you certainly don't get your ideas sitting
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์Œ,
04:08
at a desk, focusing on one task โ€“ we all need
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์ฑ…์ƒ์— ์•‰์•„ ํ•œ ๊ฐ€์ง€ ์ž‘์—…์— ์ง‘์ค‘ํ•˜๋ฉด์„œ ์•„์ด๋””์–ด๋ฅผ ์–ป์„ ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ ๋ชจ๋‘
04:11
some downtime to get creative.
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๋Š” ์ฐฝ์˜๋ ฅ์„ ๋ฐœํœ˜ํ•˜๊ธฐ ์œ„ํ•ด ์•ฝ๊ฐ„์˜ ํœด์‹ ์‹œ๊ฐ„์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค.
04:13
But children
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๊ทธ๋Ÿฌ๋‚˜
04:14
going into school now will grow up to do a job
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์ง€๊ธˆ ํ•™๊ต์— ๋“ค์–ด๊ฐ€๋Š” ์•„์ด๋“ค์€ ์ž๋ผ์„œ ์•„์ง ์กด์žฌํ•˜์ง€ ์•Š๋Š” ์ผ์„ ํ•˜๊ฒŒ ๋  ๊ฒƒ
04:16
that doesn't yet exist.
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์ž…๋‹ˆ๋‹ค.
04:18
And faced with the
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๊ทธ๋ฆฌ๊ณ 
04:19
challenges of AI, automation, green issues and
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AI, ์ž๋™ํ™”, ๋…น์ƒ‰ ๋ฌธ์ œ
04:22
an ageing population, creativity
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๋ฐ ๊ณ ๋ นํ™” ์ธ๊ตฌ์˜ ๋ฌธ์ œ์— ์ง๋ฉดํ•˜์—ฌ ์ฐฝ์˜์„ฑ
04:24
and imagination will be vital.
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๊ณผ ์ƒ์ƒ๋ ฅ์ด ํ•„์ˆ˜์ ์ž…๋‹ˆ๋‹ค.
04:26
Right, well, let's get back to talking about
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์ž, ์ด์ œ ๋‹ค์‹œ Banksy์˜ ์ฐฝ์˜์„ฑ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•ด ๋ด…์‹œ๋‹ค
04:28
the creativity of Banksy now.
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.
04:31
Ah yes, because earlier I asked you which
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์•„, ์˜ˆ, ์ „์— ์ œ๊ฐ€
04:33
one of his well-known pieces of artwork
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๊ทธ์˜ ์œ ๋ช…ํ•œ ์ž‘ํ’ˆ
04:35
has been in the news recently?
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์ค‘ ์ตœ๊ทผ์— ๋‰ด์Šค์— ๋‚˜์˜จ ์ž‘ํ’ˆ์ด ๋ฌด์—‡์ธ์ง€ ๋ฌผ์—ˆ๊ฑฐ๋“ ์š”?
04:37
Is itโ€ฆ
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๊ทธ๊ฒƒ์€...
04:38
a) Girl with Balloon
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a) ํ’์„ ์„ ๋“ 
04:39
b) Girl with Red Balloon
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์†Œ๋…€ b) ๋นจ๊ฐ„ ํ’์„ ์„
04:41
c) Balloon Girl
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๋“  ์†Œ๋…€ c) ํ’์„  ์†Œ๋…€
04:44
And I said c) Balloon Girl.
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” c) ํ’์„  ์†Œ๋…€๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
04:46
I know it was a girl and a balloon.
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๋‚˜๋Š” ๊ทธ๊ฒƒ์ด ์†Œ๋…€์™€ ํ’์„ ์ด๋ผ๋Š” ๊ฒƒ์„ ์••๋‹ˆ๋‹ค.
04:49
Not quite right, Rob.
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์˜ณ์ง€ ์•Š์•„, ๋กญ.
04:50
The artwork is
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์ž‘ํ’ˆ
04:51
titled 'Girl with Balloon.'
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์ œ๋ชฉ์€ 'ํ’์„ ์„ ๋“  ์†Œ๋…€'์ž…๋‹ˆ๋‹ค.
04:53
This was recently
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์ด๊ฒƒ์€ ์ตœ๊ทผ
04:54
auctioned in London but amazingly shredded
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๋Ÿฐ๋˜์—์„œ ๊ฒฝ๋งค
04:57
in its frame as someone's winning bid was accepted!
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๋˜์—ˆ์ง€๋งŒ ๋ˆ„๊ตฐ๊ฐ€์˜ ๋‚™์ฐฐ์ด ๋ฐ›์•„๋“ค์—ฌ์ง€๋ฉด์„œ ๋†€๋ผ์šธ ์ •๋„๋กœ ํ”„๋ ˆ์ž„์ด ์ž˜๋ ค๋‚˜๊ฐ”์Šต๋‹ˆ๋‹ค!
05:00
Wow, that's a very creative way to destroy
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์™€์šฐ, ๊ทธ๊ฒƒ์€ ์‚ฌ์ง„์„ ํŒŒ๊ดดํ•˜๋Š” ๋งค์šฐ ์ฐฝ์˜์ ์ธ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค
05:03
a picture!
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!
05:04
I will do the same with this script
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๋‚˜๋Š” ๊ณง ์ด ๋Œ€๋ณธ์œผ๋กœ ๊ฐ™์€ ์ผ์„ ํ• 
05:05
soon but not before we have recapped some
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๊ฒƒ์ด์ง€๋งŒ ์˜ค๋Š˜์˜ ์–ดํœ˜ ์ค‘ ์ผ๋ถ€๋ฅผ ์š”์•ฝํ•˜๊ธฐ ์ „์—๋Š” ํ•˜์ง€ ์•Š์„ ๊ฒƒ
05:08
of today's vocabulary.
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์ž…๋‹ˆ๋‹ค.
05:10
Starting with 'a creative' -
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'ํฌ๋ฆฌ์—์ดํ‹ฐ๋ธŒ'๋กœ ์‹œ์ž‘ํ•˜์—ฌ ๋ฏธ๋””์–ด๋‚˜ ๊ด‘๊ณ  ๋ถ„์•ผ์—์„œ ์ผํ•˜๋Š” ์‚ฌ๋žŒ์ฒ˜๋Ÿผ
05:11
that's a person whose job is to use a lot of
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05:14
imagination and come up with new ideas,
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์ƒ์ƒ๋ ฅ์„ ๋งŽ์ด ๋ฐœํœ˜ํ•˜๊ณ  ์ƒˆ๋กœ์šด ์•„์ด๋””์–ด๋ฅผ ๋‚ด๋Š” ์ผ
05:16
such as someone who works in the media or advertising.
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์„ ํ•˜๋Š” ์‚ฌ๋žŒ์ž…๋‹ˆ๋‹ค.
05:19
Then we mentioned legitimately โ€“
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๊ทธ๋Ÿฐ ๋‹ค์Œ ํ•ฉ๋ฒ•์ ์œผ๋กœ ์–ธ๊ธ‰ํ–ˆ์Šต๋‹ˆ๋‹ค.
05:21
which describes doing something fairly
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์ด๋Š” ๊ณต์ •ํ•˜๊ณ  ํ•ฉ๋ฆฌ์ ์œผ๋กœ ์ž‘์—…์„ ์ˆ˜ํ–‰ํ•˜๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค
05:23
and reasonably.
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.
05:24
Next we heard the expression 'redress the balance'.
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๋‹ค์Œ์œผ๋กœ ์šฐ๋ฆฌ๋Š” '๊ท ํ˜•์„ ๋ฐ”๋กœ์žก๋‹ค'๋ผ๋Š” ํ‘œํ˜„์„ ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
05:27
This means to make things fairer and more equal.
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์ด๊ฒƒ์€ ์ผ์„ ๋” ๊ณต์ •ํ•˜๊ณ  ํ‰๋“ฑํ•˜๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
05:30
We also talked about creativity being the
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์šฐ๋ฆฌ๋Š” ๋˜ํ•œ ์ฐฝ์˜์„ฑ
05:32
lifeblood of the BBC.
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์ด BBC์˜ ์ƒ๋ช…์ค„์ด๋ผ๊ณ  ์ด์•ผ๊ธฐํ–ˆ์Šต๋‹ˆ๋‹ค.
05:34
Lifeblood here means
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์—ฌ๊ธฐ์„œ Lifeblood
05:36
the most important thing to make something
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๋Š” ๋ฌด์–ธ๊ฐ€๋ฅผ ์„ฑ๊ณต์‹œํ‚ค๊ธฐ ์œ„ํ•ด ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค
05:37
a success.
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.
05:38
And I know creativity is
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ์ฐฝ์˜๋ ฅ
05:40
running through your veins, Rob!
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์ด ๋‹น์‹ ์˜ ํ˜ˆ๊ด€์„ ํ†ตํ•ด ํ๋ฅด๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์••๋‹ˆ๋‹ค, Rob!
05:41
Thanks, Neil.
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๊ณ ๋งˆ์›Œ, ๋‹.
05:42
We also heard the word disparate,
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์šฐ๋ฆฌ๋Š” ๋˜ํ•œ
05:44
meaning very different and unrelated.
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๋งค์šฐ ๋‹ค๋ฅด๊ณ  ๊ด€๋ จ์ด ์—†๋‹ค๋Š” ์˜๋ฏธ์˜ ์ด์งˆ์ ์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
05:46
And we talked about headspace, which is when
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ
05:49
your mind is in a good state and you can think clearly.
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๋Š” ์ •์‹ ์ด ์ข‹์€ ์ƒํƒœ์— ์žˆ๊ณ  ๋ช…ํ™•ํ•˜๊ฒŒ ์ƒ๊ฐํ•  ์ˆ˜ ์žˆ๋Š” ํ—ค๋“œ์ŠคํŽ˜์ด์Šค์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ–ˆ์Šต๋‹ˆ๋‹ค.
05:52
Before we head off to find some headspace,
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ํ—ค๋“œ์ŠคํŽ˜์ด์Šค๋ฅผ ์ฐพ๊ธฐ ์œ„ํ•ด ์ถœ๋ฐœํ•˜๊ธฐ ์ „์—, ๋” ํ›Œ๋ฅญํ•œ ์˜์–ด ํ•™์Šต ์ฝ˜ํ…์ธ 
05:54
don't forget to visit our website at bbclearningenglish.com
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๋ฅผ ์œ„ํ•ด ์ €ํฌ ์›น์‚ฌ์ดํŠธ bbclearningenglish.com์„ ๋ฐฉ๋ฌธํ•˜๋Š” ๊ฒƒ์„ ์žŠ์ง€ ๋งˆ์„ธ์š”
05:57
for more great learning English content.
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.
06:00
Thatโ€™s all we have time for now.
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๊ทธ๊ฒŒ ์ง€๊ธˆ ์šฐ๋ฆฌ๊ฐ€ ๊ฐ€์ง„ ์ „๋ถ€์ž…๋‹ˆ๋‹ค.
06:01
Do join us again though.
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๊ทธ๋ž˜๋„ ๋‹ค์‹œ ๊ฐ€์ž…ํ•˜์„ธ์š”.
06:02
Goodbye.
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์•ˆ๋…•ํžˆ ๊ฐ€์„ธ์š”.
06:03
Bye bye!
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์•ˆ๋…•!
06:09
Hello.
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์•ˆ๋…•ํ•˜์„ธ์š”.
06:10
This is 6 Minute English from
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BBC Learning English์˜ 6๋ถ„ ์˜์–ด์ž…๋‹ˆ๋‹ค
06:11
BBC Learning English.
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.
06:13
Iโ€™m Neil.
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์ €๋Š” ๋‹์ž…๋‹ˆ๋‹ค.
06:14
And Iโ€™m Sam.
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์ƒ˜์ž…๋‹ˆ๋‹ค.
06:15
If you browse through a library, youโ€™ll
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๋„์„œ๊ด€์„ ๋’ค์ง€๋ฉด ์†Œ์„ค์—์„œ ๋ฒ”์ฃ„, ๋กœ๋งจ์Šค
06:17
find a variety of different books, from
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์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๋‹ค์–‘ํ•œ ์ฑ…์„ ์ฐพ์„ ์ˆ˜
06:19
fiction to crime to romance.
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์žˆ์Šต๋‹ˆ๋‹ค.
06:22
And if you walk through a city youโ€™ll see a
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๊ทธ๋ฆฌ๊ณ  ๋„์‹œ๋ฅผ ๊ฑท๋‹ค ๋ณด๋ฉด
06:23
variety of people of different ages, body
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๋‚˜์ด, ์ฒดํ˜•, ํ”ผ๋ถ€์ƒ‰, ์„ฑ๋ณ„์ด ๋‹ค๋ฅธ ๋‹ค์–‘ํ•œ ์‚ฌ๋žŒ๋“ค์„ ๋ณด๊ฒŒ
06:26
shapes, skin colours and genders.
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๋ฉ๋‹ˆ๋‹ค.
06:29
In this 6 Minute English, weโ€™ll be hearing
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์ด 6๋ถ„ ์˜์–ด์—์„œ ์šฐ๋ฆฌ๋Š”
06:31
about an unusual library where the books
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์ฑ…
06:34
are people, made of flesh and bone instead of paper.
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์ด ์ข…์ด ๋Œ€์‹  ์‚ด๊ณผ ๋ผˆ๋กœ ๋งŒ๋“ค์–ด์ง„ ์‚ฌ๋žŒ์ธ ํŠน์ดํ•œ ๋„์„œ๊ด€์— ๋Œ€ํ•ด ๋“ฃ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:37
Itโ€™s called The Human Library and the
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๊ทธ๊ฒƒ์€ ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ๋ผ๊ณ  ๋ถˆ๋ฆฌ๋ฉฐ
06:39
โ€˜booksโ€™ are individuals who have faced prejudice โ€“
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'์ฑ…'์€ ํŠน์ • ์œ ํ˜•์˜ ์‚ฌ๋žŒ๋“ค์— ๋Œ€ํ•œ ๋ถˆํ•ฉ๋ฆฌํ•œ ํ˜์˜ค๋ฅผ ์˜๋ฏธํ•˜๋Š” ํŽธ๊ฒฌ์— ์ง๋ฉดํ•œ ๊ฐœ์ธ์ž…๋‹ˆ๋‹ค
06:43
which means an unreasonable dislike
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06:45
of certain types of people.
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.
06:48
Readers may borrow these โ€˜booksโ€™, who
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๋…์ž๋“ค์€ ๊ฐ๊ณ„๊ฐ์ธต์˜ ์‚ฌ๋žŒ๋“ค์ธ ์ด '์ฑ…'์„ ๋นŒ๋ ค
06:51
are people from all walks of life, for a thirty minute conversation.
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30๋ถ„๊ฐ„์˜ ๋Œ€ํ™”๋ฅผ ๋‚˜๋ˆŒ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
06:56
The book titles are
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์ฑ…
06:57
short and to the point - titles like โ€˜transgenderโ€™,
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์ œ๋ชฉ์€ 'ํŠธ๋žœ์Šค์  ๋”',
07:00
โ€˜former criminalโ€™ or โ€˜immigrantโ€™.
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'์ „๋ฒ”' ๋˜๋Š” '์ด๋ฏผ์ž'์™€ ๊ฐ™์ด ์งง๊ณ  ํ•ต์‹ฌ์ ์ž…๋‹ˆ๋‹ค.
07:04
The human books are volunteers, and
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ํœด๋จผ ๋ถ์€ ์ž์› ๋ด‰์‚ฌ์ž๋“ค์ด๋ฉฐ
07:06
visiting readers are encouraged to ask
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๋ฐฉ๋ฌธํ•˜๋Š” ๋…์ž๋“ค์€
07:08
those awkward or embarrassing questions
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07:10
theyโ€™ve always wondered about.
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๊ทธ๋“ค์ด ํ•ญ์ƒ ๊ถ๊ธˆํ–ˆ๋˜ ์–ด์ƒ‰ํ•˜๊ฑฐ๋‚˜ ๋‚œ์ฒ˜ํ•œ ์งˆ๋ฌธ์„ ํ•˜๋„๋ก ๊ถŒ์žฅ๋ฉ๋‹ˆ๋‹ค.
07:13
This means the Human Library needs to
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์ด๊ฒƒ์€ ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ
07:15
be a safe space โ€“ a place where people feel
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๊ฐ€ ์•ˆ์ „ํ•œ ๊ณต๊ฐ„, ์ฆ‰ ์‚ฌ๋žŒ๋“ค์ด
07:18
protected from danger and harm.
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์œ„ํ—˜๊ณผ ์œ„ํ—˜์œผ๋กœ๋ถ€ํ„ฐ ๋ณดํ˜ธ๋ฐ›๋Š”๋‹ค๊ณ  ๋Š๋ผ๋Š” ๊ณณ์ด์–ด์•ผ ํ•œ๋‹ค๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
07:20
Itโ€™s a fascinating idea but before we find
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ํฅ๋ฏธ๋กœ์šด ์ƒ๊ฐ์ด์ง€๋งŒ
07:23
out more, I have a question for you, Sam.
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๋” ์•Œ์•„๋ณด๊ธฐ ์ „์— Sam์—๊ฒŒ ์งˆ๋ฌธ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
07:25
The Human Library started out in Denmark
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Human Library๋Š” ๋ด๋งˆํฌ์—์„œ ์‹œ์ž‘
07:28
but soon spread across Europe and the world.
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๋˜์—ˆ์ง€๋งŒ ๊ณง ์œ ๋Ÿฝ๊ณผ ์ „ ์„ธ๊ณ„๋กœ ํผ์กŒ์Šต๋‹ˆ๋‹ค.
07:31
So how many countries have a Human Library now?
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๊ทธ๋ ‡๋‹ค๋ฉด ํ˜„์žฌ ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ๊ฐ€ ์žˆ๋Š” ๊ตญ๊ฐ€๋Š” ๋ช‡ ๊ฐœ๊ตญ์ž…๋‹ˆ๊นŒ?
07:34
Is it:
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๊ทธ๊ฒƒ์€:
07:35
a) 75?
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a) 75?
07:36
b) 85?
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๋น„) 85?
07:38
or, c) 95?
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๋˜๋Š” c) 95?
07:40
Well, everyone likes to hear a story โ€“
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๊ธ€์Ž„์š”, ๋ชจ๋‘๊ฐ€ ์ด์•ผ๊ธฐ ๋“ฃ๊ธฐ๋ฅผ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค โ€“
07:43
so Iโ€˜ll guess, c) 95.
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ ์ถ”์ธกํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค
07:45
OK, Sam, weโ€™ll find out if thatโ€™s right
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07:47
later in the programme.
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.
07:49
The first Human Library was founded
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์ตœ์ดˆ์˜ ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ
07:51
in Copenhagen by Ronni Abergel.
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๋Š” Ronni Abergel์ด ์ฝ”ํŽœํ•˜๊ฒ์—์„œ ์„ค๋ฆฝํ–ˆ์Šต๋‹ˆ๋‹ค.
07:54
Here he is telling BBC World Service programme
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์—ฌ๊ธฐ์—์„œ ๊ทธ๋Š” BBC World Service ํ”„๋กœ๊ทธ๋žจ์ธ
07:57
People Fixing the World about the
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People Fixing the World์—์„œ
07:59
inspiration behind his original idea:
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์ž์‹ ์˜ ๋…์ฐฝ์ ์ธ ์•„์ด๋””์–ด ๋’ค์— ์ˆจ์€ ์˜๊ฐ
08:04
We donโ€™t have time on the street to stop
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08:06
and get to know everyone, so we drop
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์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:08
people in little boxesโ€ฆ so itโ€™s instinct thatโ€™s
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08:10
guiding us, and we never get beyond the
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ
08:12
instinct if we donโ€™t get to know the personโ€ฆ
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๋Š” ๊ทธ ์‚ฌ๋žŒ์„ ์•Œ์ง€ ๋ชปํ•œ๋‹ค๋ฉด ๋ณธ๋Šฅ์„ ๋„˜์–ด์„œ์ง€ ๋ชปํ•ฉ๋‹ˆ๋‹ค.
08:14
so in our library, we recommend sitting down
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ ๋„์„œ๊ด€์—์„œ๋Š”
08:17
and meeting some of the people that you
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08:18
normally might actually not feel interested in
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์ผ๋ฐ˜์ ์œผ๋กœ ์‹ค์ œ๋กœ ํ•จ๊ป˜ ์•‰๋Š” ๋ฐ ๊ด€์‹ฌ์ด ์—†์„ ์ˆ˜๋„ ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค์„
08:22
sitting down with because thereโ€™s something
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์•‰์•„์„œ ๋งŒ๋‚  ๊ฒƒ์„ ๊ถŒ์žฅํ•ฉ๋‹ˆ๋‹ค.
08:24
about them that you may feel a little bit
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๋‹น์‹ ์ด ์กฐ๊ธˆ ๋ถˆํŽธํ•˜๊ฒŒ ๋Š๋‚„ ์ˆ˜ ์žˆ๋Š” ๊ทธ๋“ค
08:27
uncomfortable about.
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์— ๋Œ€ํ•ด.
08:28
You learn tremendously
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08:29
not only about them, but also about yourself.
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๊ทธ๋“ค๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ž์‹ ์— ๋Œ€ํ•ด์„œ๋„ ์—„์ฒญ๋‚˜๊ฒŒ ๋ฐฐ์›๋‹ˆ๋‹ค.
08:34
When we meet someone new, we often already
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์ƒˆ๋กœ์šด ์‚ฌ๋žŒ์„ ๋งŒ๋‚  ๋•Œ ์šฐ๋ฆฌ๋Š” ์ข…์ข…
08:36
have ideas about what they are like.
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๊ทธ๋“ค์ด ์–ด๋–ค ์‚ฌ๋žŒ์ธ์ง€ ์ด๋ฏธ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:39
Ronni says we put someone in a box โ€“ an expression
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Ronni๋Š” ์šฐ๋ฆฌ๊ฐ€ ๋ˆ„๊ตฐ๊ฐ€๋ฅผ ์ƒ์ž์— ๋„ฃ์—ˆ๋‹ค๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค.
08:43
meaning to judge what kind of person someone
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์ด๋Š” ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์–ด๋–ค ์ข…๋ฅ˜์˜ ์‚ฌ๋žŒ์ธ์ง€๋ฅผ
08:45
is based on their appearance or on a limited
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์™ธ๋ชจ๋‚˜ ์ œํ•œ๋œ
08:48
understanding of who they are.
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์ดํ•ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํŒ๋‹จํ•œ๋‹ค๋Š” ์˜๋ฏธ์˜ ํ‘œํ˜„์ž…๋‹ˆ๋‹ค.
08:50
He recommends meeting people who you
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๊ทธ๋Š”
08:52
wouldnโ€™t usually spend time with, even if this
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ํ‰์†Œ์— ํ•จ๊ป˜ ์‹œ๊ฐ„์„ ๋ณด๋‚ด์ง€ ์•Š๋Š” ์‚ฌ๋žŒ๋“ค์„ ๋งŒ๋‚  ๊ฒƒ์„ ๊ถŒ์žฅํ•ฉ๋‹ˆ๋‹ค. ๋น„๋ก
08:55
makes you feel uncomfortable โ€“ feel slightly
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์ด๊ฒƒ์ด ๋ถˆํŽธํ•˜๋”๋ผ๋„ โ€“
08:58
worried or embarrassed in a social situation.
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์‚ฌํšŒ์  ์ƒํ™ฉ์—์„œ ์•ฝ๊ฐ„ ๊ฑฑ์ •๋˜๊ฑฐ๋‚˜ ๋ถ€๋„๋Ÿฌ์›€์„ ๋Š๋ผ์‹ญ์‹œ์˜ค.
09:02
So the main idea of the Human Library is
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ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ์˜ ์ฃผ์š” ์•„์ด๋””์–ด๋Š”
09:04
to challenge the assumptions and stereotypes
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09:07
that we all have about other people.
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์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์— ๋Œ€ํ•ด ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ๊ฐ€์ •๊ณผ ๊ณ ์ •๊ด€๋…์— ๋„์ „ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
09:09
Ronni uses social media to find volunteers
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Ronni๋Š” ๋ˆ„๊ตฌ๋‚˜ ์ฐธ์„ํ•  ์ˆ˜ ์žˆ๋Š” ๊ณต๊ฐœ ํšŒ์˜์—์„œ ์ž์‹ ์˜ ์‚ถ์— ๋Œ€ํ•ด ๊ธฐ๊บผ์ด ์ด์•ผ๊ธฐํ•  ์ž์› ๋ด‰์‚ฌ์ž๋ฅผ ์ฐพ๊ธฐ ์œ„ํ•ด ์†Œ์…œ ๋ฏธ๋””์–ด๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค
09:12
who are willing to talk about their lives at
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09:14
public meetings, which anyone can attend.
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.
09:17
As the Human Library spreads around the
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ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ๊ฐ€
09:20
world, more money is needed to keep the
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์ „ ์„ธ๊ณ„๋กœ ํ™•์‚ฐ๋จ์— ๋”ฐ๋ผ ํ”„๋กœ์ ํŠธ๋ฅผ ๊ณ„์† ์ง„ํ–‰ํ•˜๋ ค๋ฉด ๋” ๋งŽ์€ ์ž๊ธˆ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค
09:22
project going.
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09:23
This mostly comes from hosting
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์ด๊ฒƒ์€ ์ฃผ๋กœ Google๊ณผ ๊ฐ™์€ ์œ ๋ช…
09:24
events for private companies,
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๊ธฐ์—…์„ ํฌํ•จํ•˜์—ฌ ๋ฏผ๊ฐ„ ๊ธฐ์—…์„ ์œ„ํ•œ ์ด๋ฒคํŠธ๋ฅผ ์ฃผ์ตœํ•จ์œผ๋กœ์จ ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค
09:26
including famous businesses like Google.
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.
09:29
Transgender volunteer Katy Jon Went is
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ํŠธ๋žœ์Šค์  ๋” ์ž์›๋ด‰์‚ฌ์ž์ธ Katy Jon Went
09:32
a regular host for the Human Libraryโ€™s business events.
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๋Š” ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ์˜ ๋น„์ฆˆ๋‹ˆ์Šค ํ–‰์‚ฌ๋ฅผ ์ •๊ธฐ์ ์œผ๋กœ ์ฃผ์ตœํ•ฉ๋‹ˆ๋‹ค.
09:35
Listen to this clip of her
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๊ทธ๋…€
09:37
introducing the project to a group of Dutch
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09:39
businessmen from BBC World Service
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๊ฐ€ BBC World Service
09:41
programme, People Fixing the World:
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ํ”„๋กœ๊ทธ๋žจ์ธ People Fixing the
09:46
When weโ€™re in the workplace or on
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World์—์„œ ๋„ค๋œ๋ž€๋“œ ์‚ฌ์—…๊ฐ€ ๊ทธ๋ฃน์—๊ฒŒ ํ”„๋กœ์ ํŠธ๋ฅผ ์†Œ๊ฐœํ•˜๋Š” ์ด ํด๋ฆฝ์„ ๋“ค์–ด๋ณด์„ธ์š”.
09:48
social media, what we often find is weโ€™re
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09:50
walking on eggshells around diversity
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๋‹ค์–‘์„ฑ
09:51
and difference, and many people donโ€™t
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๊ณผ ์ฐจ์ด, ๊ทธ๋ฆฌ๊ณ  ๋งŽ์€
09:53
want to get it wrong, quite understandably.
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์‚ฌ๋žŒ๋“ค์ด ์ž˜๋ชป ์•Œ๊ณ  ์‹ถ์–ดํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
09:55
The important thing to remember is that
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๊ธฐ์–ตํ•ด์•ผ ํ•  ์ค‘์š”ํ•œ ์ ์€
09:58
you can ask them anything โ€“ theyโ€™re never
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๋‹น์‹ ์ด ๊ทธ๋“ค์—๊ฒŒ ๋ฌด์—‡์ด๋“  ๋ฌผ์–ด๋ณผ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ๋‹น์‹ ์ด ์˜ค๋Š˜ ๋ฌป๋Š”
10:00
going to make to feel wrong for the question
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์งˆ๋ฌธ์— ๋Œ€ํ•ด ๊ฒฐ์ฝ” ํ‹€๋ ธ๋‹ค๊ณ  ๋Š๋ผ์ง€ ์•Š์„ ๊ฒƒ
10:02
you ask today, which is an incredibly rare offer.
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์ž…๋‹ˆ๋‹ค. ์ด๊ฒƒ์€ ๋งค์šฐ ๋“œ๋ฌธ ์ œ์•ˆ์ž…๋‹ˆ๋‹ค.
10:07
When meeting someone with completely
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์ „ํ˜€
10:09
different life experiences, people can be
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๋‹ค๋ฅธ ์‚ถ์˜ ๊ฒฝํ—˜์„ ๊ฐ€์ง„ ์‚ฌ๋žŒ์„ ๋งŒ๋‚  ๋•Œ ์‚ฌ๋žŒ๋“ค์€
10:11
worried about saying the wrong thing or
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์ž˜๋ชป๋œ ๋ง์„ ํ•˜๊ฑฐ๋‚˜
10:13
asking embarrassing questions.
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๋‚œ์ฒ˜ํ•œ ์งˆ๋ฌธ์„ ํ• ๊นŒ๋ด ๊ฑฑ์ •ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
10:15
Katy says they are walking on eggshells โ€“ an expression
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Katy๋Š” ๊ทธ๋“ค์ด ๋‹ฌ๊ฑ€ ๊ป์งˆ ์œ„๋ฅผ ๊ฑท๊ณ  ์žˆ๋‹ค๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค
10:19
which means to be very careful about what
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10:21
you do and say because you donโ€™t want to
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10:23
offend or upset anyone.
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. ๋‹ค๋ฅธ ์‚ฌ๋žŒ์˜ ๊ธฐ๋ถ„์„ ์ƒํ•˜๊ฒŒ ํ•˜๊ฑฐ๋‚˜ ํ™”๋‚˜๊ฒŒ ํ•˜๊ณ  ์‹ถ์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์— ํ–‰๋™๊ณผ ๋ง์— ๋งค์šฐ ์ฃผ์˜ํ•œ๋‹ค๋Š” ์˜๋ฏธ์˜ ํ‘œํ˜„์ž…๋‹ˆ๋‹ค.
10:25
But in fact the human โ€˜booksโ€™ are rarely offended.
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๊ทธ๋Ÿฌ๋‚˜ ์‚ฌ์‹ค ์ธ๊ฐ„์˜ '์ฑ…'์€ ์ข€์ฒ˜๋Ÿผ ๋ถˆ์พŒํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
10:29
The event is all about celebrating peopleโ€™s
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์ด ํ–‰์‚ฌ๋Š” ์‚ฌ๋žŒ๋“ค์˜
10:32
difference and diversity โ€“ a term which describes
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์ฐจ์ด์™€ ๋‹ค์–‘์„ฑ์„ ์ถ•ํ•˜
10:34
how many different types of people are included together.
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ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ๋งŽ์€ ๋‹ค๋ฅธ ์œ ํ˜•์˜ ์‚ฌ๋žŒ๋“ค์ด ํ•จ๊ป˜ ํฌํ•จ๋˜์–ด ์žˆ๋Š”์ง€๋ฅผ ์„ค๋ช…ํ•˜๋Š” ์šฉ์–ด์ž…๋‹ˆ๋‹ค.
10:38
Exactly. Itโ€™s a celebration for everyone
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์ •ํ™•ํžˆ.
10:41
regardless of race, age or genderโ€ฆ
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์ธ์ข…, ๋‚˜์ด, ์„ฑ๋ณ„์— ๊ด€๊ณ„์—†์ด ๋ชจ๋‘๋ฅผ ์œ„ํ•œ ์ถ•ํ•˜ ํ–‰์‚ฌ์ž…๋‹ˆ๋‹ค...
10:44
Or nationalityโ€ฆ and that reminds me โ€“
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๋˜๋Š” ๊ตญ์ ... ๊ทธ๋ฆฌ๊ณ  ์ƒ๊ฐ๋‚ฉ๋‹ˆ๋‹ค.
10:46
what was the answer to your question, Neil?
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๊ท€ํ•˜์˜ ์งˆ๋ฌธ์— ๋Œ€ํ•œ ๋‹ต์€ ๋ฌด์—‡์ด์—ˆ์Šต๋‹ˆ๊นŒ, ๋‹?
10:48
Oh yes, I asked how many counties today
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๋„ค, ์˜ค๋Š˜๋‚  ์–ผ๋งˆ๋‚˜ ๋งŽ์€ ์นด์šดํ‹ฐ
10:51
have a Human Library.
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์— ํœด๋จผ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ๊ฐ€ ์žˆ๋Š”์ง€ ๋ฌผ์—ˆ์Šต๋‹ˆ๋‹ค.
10:52
What did you say, Sam?
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๋ญ๋ผ๊ณ  ํ–ˆ์–ด, ์ƒ˜?
10:53
I guessed it was c) 95 countries.
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๋‚˜๋Š” ๊ทธ๊ฒƒ์ด c) 95๊ฐœ๊ตญ์ด๋ผ๊ณ  ์ถ”์ธกํ–ˆ๋‹ค.
10:56
Which wasโ€ฆ the wrong answer Iโ€™m afraid.
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๊ทธ๊ฒŒ... ์ œ๊ฐ€ ์œ ๊ฐ์Šค๋Ÿฝ๊ฒŒ๋„ ์˜ค๋‹ต์ด์—ˆ์Šต๋‹ˆ๋‹ค.
10:59
The correct answer was b) 85 countries,
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์ •๋‹ต์€ b)
11:02
from Norway and Hungary all the way to
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๋…ธ๋ฅด์›จ์ด์™€ ํ—๊ฐ€๋ฆฌ์—์„œ
11:04
Australia and Mongolia!
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ํ˜ธ์ฃผ์™€ ๋ชฝ๊ณจ๊นŒ์ง€ 85๊ฐœ๊ตญ์ด์—ˆ์Šต๋‹ˆ๋‹ค!
11:06
Wow! I bet that makes a lot of interesting stories!
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์šฐ์™€! ์žฌ๋ฏธ์žˆ๋Š” ์ด์•ผ๊ธฐ๊ฐ€ ๋งŽ์ด ๋‚˜์˜ฌ ๊ฒƒ ๊ฐ™์•„์š”!
11:10
OK, letโ€™s recap the vocabulary for
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์ข‹์•„,
11:12
this programme about people sharing their
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11:15
experience of facing prejudice โ€“ the
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ํŽธ๊ฒฌ์— ์ง๋ฉดํ•œ ๊ฒฝํ—˜์„ ๊ณต์œ 
11:18
unreasonable dislike of certain groups of people.
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ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค์— ๋Œ€ํ•œ ์ด ํ”„๋กœ๊ทธ๋žจ์˜ ์–ดํœ˜๋ฅผ ์š”์•ฝํ•ด ๋ณด์ž.
11:21
A safe space is place where you feel
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์•ˆ์ „ํ•œ ๊ณต๊ฐ„์€
11:23
protected from danger and harm.
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์œ„ํ—˜๊ณผ ํ”ผํ•ด๋กœ๋ถ€ํ„ฐ ๋ณดํ˜ธ๋ฐ›๋Š”๋‹ค๊ณ  ๋Š๋ผ๋Š” ๊ณณ์ž…๋‹ˆ๋‹ค.
11:26
When we put someone in a box, we judge
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์šฐ๋ฆฌ๋Š” ๋ˆ„๊ตฐ๊ฐ€๋ฅผ ์ƒ์ž์— ๋„ฃ์„
11:29
them based on their appearance or a
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๋•Œ ์™ธ๋ชจ๋‚˜
11:31
limited understanding of them.
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์ œํ•œ๋œ ์ดํ•ด๋กœ ๊ทธ๋ฅผ ํŒ๋‹จํ•ฉ๋‹ˆ๋‹ค.
11:33
If you feel uncomfortable, you feel slightly
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๋ถˆํŽธํ•จ์„ ๋Š๋ผ๋ฉด
11:35
worried or embarrassed in a social situation.
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์‚ฌํšŒ์  ์ƒํ™ฉ์—์„œ ์•ฝ๊ฐ„ ๊ฑฑ์ •๋˜๊ฑฐ๋‚˜ ๋ถ€๋„๋Ÿฌ์›Œ์ง‘๋‹ˆ๋‹ค.
11:38
The expression walking on eggshells means
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walking on eggshells๋ผ๋Š” ํ‘œํ˜„
11:41
being very careful about what you do and say
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์€
11:44
because you donโ€™t want to offend anyone.
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๋‹ค๋ฅธ ์‚ฌ๋žŒ์˜ ๊ธฐ๋ถ„์„ ์ƒํ•˜๊ฒŒ ํ•˜๊ณ  ์‹ถ์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์— ํ–‰๋™๊ณผ ๋ง์— ๋งค์šฐ ์กฐ์‹ฌํ•œ๋‹ค๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค.
11:47
And finally, diversity is a term describing
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๊ทธ๋ฆฌ๊ณ  ๋งˆ์ง€๋ง‰์œผ๋กœ ๋‹ค์–‘์„ฑ์€
11:49
many different types of people being included together.
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ํ•จ๊ป˜ ํฌํ•จ๋˜๋Š” ๋งŽ์€ ๋‹ค๋ฅธ ์œ ํ˜•์˜ ์‚ฌ๋žŒ๋“ค์„ ์„ค๋ช…ํ•˜๋Š” ์šฉ์–ด์ž…๋‹ˆ๋‹ค.
11:52
Well, itโ€™s time to return these human books
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์ž, 6๋ถ„์ด ๋‹ค ๋˜์—ˆ๊ธฐ ๋•Œ๋ฌธ์— ์ด ์ธ๊ฐ„ ์ฑ…
11:55
back to the library shelves because our
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์„ ๋„์„œ๊ด€ ์„œ๊ฐ€๋กœ ๋‹ค์‹œ ๋Œ๋ ค๋†“์„ ์‹œ๊ฐ„
11:57
six minutes are up!
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์ž…๋‹ˆ๋‹ค! BBC Learning English์˜ 6๋ถ„ ์˜์–ด์—์„œ
11:59
Join us again for more real-life stories
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๋” ๋งŽ์€ ์‹ค์ œ ์ด์•ผ๊ธฐ์™€ ์ฃผ์ œ๋ณ„ ์–ดํœ˜๋ฅผ ๋ณด๋ ค๋ฉด ๋‹ค์‹œ ์ฐธ์—ฌํ•˜์„ธ์š”
12:01
and topical vocabulary here at 6 Minute English
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12:04
from BBC Learning English.
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.
12:06
Goodbye for now!
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12:06
Bye!
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์ง€๊ธˆ์€ ์•ˆ๋…•!
์•ˆ๋…•!
12:13
Hello. This is 6 Minute English from
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์•ˆ๋…•ํ•˜์„ธ์š”. BBC Learning English์˜ 6๋ถ„ ์˜์–ด์ž…๋‹ˆ๋‹ค
12:15
BBC Learning English.
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.
12:16
Iโ€™m Neil.
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์ €๋Š” ๋‹์ž…๋‹ˆ๋‹ค.
12:17
And Iโ€™m Georgina.
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์กฐ์ง€๋‚˜์ž…๋‹ˆ๋‹ค. ๋กœ๋งจํ‹ฑ ํ• ๋ฆฌ์šฐ๋“œ ์˜ํ™”
12:18
When we think about
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์— ๋Œ€ํ•ด ์ƒ๊ฐํ•  ๋•Œ
12:19
romantic Hollywood movies, there have
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12:22
been some famous examples over the years.
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๋ช‡ ๋…„ ๋™์•ˆ ๋ช‡ ๊ฐ€์ง€ ์œ ๋ช…ํ•œ ์˜ˆ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
12:24
There are classic black-and-white romance
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12:26
movies like 1951โ€™s, โ€˜A Streetcar Named Desireโ€™,
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1951๋…„์˜ '์š•๋ง์ด๋ผ๋Š” ์ด๋ฆ„์˜ ์ „์ฐจ'์™€ ๊ฐ™์€ ๊ณ ์ „์ ์ธ ํ‘๋ฐฑ ๋กœ๋งจ์Šค ์˜ํ™”์™€
12:30
and the love affair between Humphrey Bogart
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12:32
and Ingrid Bergman in โ€˜Casablancaโ€™, made in 1942.
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1942๋…„์˜ '์นด์‚ฌ๋ธ”๋ž‘์นด'์—์„œ ํ—˜ํ”„๋ฆฌ ๋ณด๊ฐ€ํŠธ์™€ ์ž‰๊ทธ๋ฆฌ๋“œ ๋ฒ„๊ทธ๋งŒ์˜ ์‚ฌ๋ž‘ ์ด์•ผ๊ธฐ๊ฐ€
12:35
Youโ€™re really showing your age, Neil!
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์žˆ์Šต๋‹ˆ๋‹ค. ์ •๋ง ๋‚˜์ด๋ฅผ ๋ณด์—ฌ์ฃผ๋„ค์š”, ๋‹!
12:38
What about more recent movies like
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12:40
โ€˜When Harry met Sallyโ€™ or that famous
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'ํ•ด๋ฆฌ๊ฐ€ ์ƒ๋ฆฌ๋ฅผ ๋งŒ๋‚ฌ์„ ๋•Œ'์™€ ๊ฐ™์€ ์ตœ์‹  ์˜ํ™”๋‚˜
12:42
kiss between the characters Jack and Rose in the film, โ€˜Titanicโ€™.
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์˜ํ™” 'ํƒ€์ดํƒ€๋‹‰'์—์„œ ์žญ๊ณผ ๋กœ์ฆˆ์˜ ์œ ๋ช…ํ•œ ํ‚ค์Šค๋Š” ์–ด๋–ป์Šต๋‹ˆ๊นŒ?
12:46
In their time all these movies were
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๊ทธ ์‹œ๋Œ€์— ์ด ์˜ํ™”๋“ค์€ ๋ชจ๋‘ ๋ธ”๋ก๋ฒ„์Šคํ„ฐ ์˜ํ™”์˜€์Šต๋‹ˆ๋‹ค.
12:48
blockbusters โ€“ very popular and successful
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๋งค์šฐ ์ธ๊ธฐ ์žˆ๊ณ  ์„ฑ๊ณต์ ์ธ
12:50
films which sold millions of cinema tickets.
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์˜ํ™”๋กœ ์ˆ˜๋ฐฑ๋งŒ ์žฅ์˜ ์˜ํ™” ํ‹ฐ์ผ“์ด ํŒ”๋ ธ์Šต๋‹ˆ๋‹ค.
12:53
And this success was often due to the
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๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฌํ•œ ์„ฑ๊ณต์€ ์ฃผ๋กœ
12:55
on-screen romance between the leading actors.
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์ฃผ์—ฐ๋ฐฐ์šฐ๋“ค์˜ ํ™”๋ฉด ์† ๋กœ๋งจ์Šค ๋•๋ถ„์ด์—ˆ๋‹ค.
12:58
In romantic movies, love is in the air.
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๋กœ๋งจํ‹ฑ ์˜ํ™”์—์„œ ์‚ฌ๋ž‘์€ ๊ณต๊ธฐ ์ค‘์— ์žˆ์Šต๋‹ˆ๋‹ค.
13:01
Couples hold hands and kiss, or in other
338
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์ปคํ”Œ์€ ์†์„ ์žก๊ณ  ํ‚ค์Šค๋ฅผ ํ•ฉ๋‹ˆ๋‹ค. ๋‹ค๋ฅธ
13:03
words they show intimacy โ€“
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๋ง๋กœ ์นœ๋ฐ€ํ•จ,
13:05
a close romantic, or sexual relationship.
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์ฆ‰ ์นœ๋ฐ€ํ•œ ๋กœ๋งจํ‹ฑ ๋˜๋Š” ์„ฑ์  ๊ด€๊ณ„๋ฅผ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค.
13:09
But while real couples kiss and hold
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ํ•˜์ง€๋งŒ ์‹ค์ œ ์ปคํ”Œ์€ ํ‚ค์Šค๋ฅผ ํ•˜๊ณ 
13:11
hands all the time, actors in movies are
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์†์„ ๊ผญ ์žก๊ณ  ์žˆ๋Š” ๋ฐ˜๋ฉด, ์˜ํ™” ์† ๋ฐฐ์šฐ
13:13
just pretending to be intimate, and this can lead to problems.
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๋“ค์€ ์นœ๊ทผํ•œ ์ฒ™๋งŒ ํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋ฌธ์ œ๊ฐ€ ์ƒ๊ธธ ์ˆ˜ ์žˆ๋‹ค.
13:18
Yes, whether itโ€™s a kiss or a full-nudity
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๋„ค, ํ‚ค์Šค๋“  ๋‚˜์ฒด
13:20
sex scene, filming intimate scenes for
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์„น์Šค ์žฅ๋ฉด์ด๋“  ์˜ํ™”์™€ TV์šฉ ์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์„ ์ดฌ์˜
13:23
movies and TV is a delicate business, as
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ํ•˜๋Š” ๊ฒƒ์€ ์„ฌ์„ธํ•œ ์ž‘์—…
13:26
weโ€™ll be finding out in this programme.
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์ž…๋‹ˆ๋‹ค. ์ด ํ”„๋กœ๊ทธ๋žจ์—์„œ ์•Œ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
13:29
But first, Georgina, I have a quiz question for you.
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ํ•˜์ง€๋งŒ ๋จผ์ € Georgina, ํ€ด์ฆˆ ์งˆ๋ฌธ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
13:32
Let me guessโ€ฆ
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1950๋…„๋Œ€์˜
13:33
Another black-and-white
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๋˜ ๋‹ค๋ฅธ ํ‘๋ฐฑ
13:34
classic from the 1950s?
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๊ณ ์ „?
13:36
Yes - 1953 to be exact.
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์˜ˆ - ์ •ํ™•ํžˆ 1953๋…„์ž…๋‹ˆ๋‹ค.
13:38
Which was the year this movie won the Oscar for Best Picture.
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์ด ์˜ํ™”๊ฐ€ ์˜ค์Šค์นด ์ตœ์šฐ์ˆ˜ ์ž‘ํ’ˆ์ƒ์„ ์ˆ˜์ƒํ•œ ํ•ด์˜€์Šต๋‹ˆ๋‹ค.
13:42
The film thrilled audiences with a famous beach kiss
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์ด ์˜ํ™”
13:45
between actors, Burt Lancaster, and
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๋Š” ๋ฐฐ์šฐ Burt Lancaster์™€
13:47
Deborah Kerr, as they rolled around
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1990
Deborah Kerr ์‚ฌ์ด์˜ ์œ ๋ช…ํ•œ ํ•ด๋ณ€ ํ‚ค์Šค๋กœ ๊ด€๊ฐ๋“ค์„
13:49
in the waves โ€“ but what was the movie?
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์ „์œจ์‹œ์ผฐ์Šต๋‹ˆ๋‹ค.
13:52
Was it: a) West Side Story?,
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a) West Side Story?,
13:54
b) From Here to Eternity?, or
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b) From Here to Eternity?, ๋˜๋Š”
13:56
c) Singinโ€™ in the Rain?
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c) Singin' in the Rain?
13:58
Well, 1953 was long before I was
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๊ธ€์Ž„์š”, 1953๋…„์€ ์ œ๊ฐ€ ํƒœ์–ด๋‚˜๊ธฐ ํ›จ์”ฌ ์ „
14:01
born but Iโ€™ll guess, b) From Here to Eternity.
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์ด์ง€๋งŒ ์ œ ์ถ”์ธก์œผ๋กœ๋Š” b) ์—ฌ๊ธฐ์—์„œ ์˜์›๊นŒ์ง€.
14:04
OK Georgina, weโ€™ll find out later on if thatโ€™s right.
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์•Œ์•˜์–ด ์กฐ์ง€๋‚˜, ๊ทธ๊ฒŒ ๋งž๋Š”์ง€ ๋‚˜์ค‘์— ์•Œ์•„๋ณด์ž.
14:08
In 1953 an on-screen kiss
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1953๋…„์— ํ™”๋ฉด์ƒ์˜ ํ‚ค์Šค
14:10
was still considered a little naughty.
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๋Š” ์—ฌ์ „ํžˆ ์•ฝ๊ฐ„ ์žฅ๋‚œ์Šค๋Ÿฌ์šด ๊ฒƒ์œผ๋กœ ์—ฌ๊ฒจ์กŒ์Šต๋‹ˆ๋‹ค.
14:13
But by 2020 and the filming of the BBC
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ํ•˜์ง€๋งŒ 2020๋…„ BBC
14:15
television dramas, โ€˜Normal Peopleโ€™ and
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TV ๋“œ๋ผ๋งˆ '๋ณดํ†ต ์‚ฌ๋žŒ๋“ค'๊ณผ
14:18
โ€˜I May Destroy Youโ€™, things had changed.
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'๋‚˜๋Š” ๋‹น์‹ ์„ ํŒŒ๊ดดํ• ์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค' ์ดฌ์˜์œผ๋กœ ์ƒํ™ฉ์ด ๋‹ฌ๋ผ์กŒ์Šต๋‹ˆ๋‹ค.
14:21
Nudity and sexual content had become commonplace.
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๊ณผ๋„ํ•œ ๋…ธ์ถœ๊ณผ ์„ฑ์  ์ฝ˜ํ…์ธ ๊ฐ€ ๋ณดํŽธํ™”๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
14:25
Ita O'Brien worked on both these BBC dramas.
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Ita O'Brien์€ ์ด ๋‘ BBC ๋“œ๋ผ๋งˆ์— ์ฐธ์—ฌํ–ˆ์Šต๋‹ˆ๋‹ค.
14:28
She describes herself as an
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๊ทธ๋…€๋Š” ์ž์‹ ์„
14:29
โ€˜intimacy coordinatorโ€™ - someone who
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14:32
helps actors and directors plan and film intimate scenes.
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๋ฐฐ์šฐ์™€ ๊ฐ๋…์ด ์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์„ ๊ณ„ํšํ•˜๊ณ  ์ดฌ์˜ํ•˜๋Š” ๋ฐ ๋„์›€์„ ์ฃผ๋Š” '์ธํ‹ฐ๋จธ์‹œ ์ฝ”๋””๋„ค์ดํ„ฐ'๋ผ๊ณ  ์„ค๋ช…ํ•ฉ๋‹ˆ๋‹ค.
14:36
Listen as she gives her definition of
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๊ทธ๋…€๊ฐ€
14:38
intimacy to BBC World Service
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BBC World Service
14:40
programme, The Conversation:
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ํ”„๋กœ๊ทธ๋žจ์ธ The
14:42
A hand hold, a stroke of the cheek,
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Conversation์—์„œ ์นœ๋ฐ€๊ฐ์— ๋Œ€ํ•œ ๊ทธ๋…€์˜ ์ •์˜๋ฅผ ์„ค๋ช…ํ•˜๋Š”
14:46
you know, through to a hug, and then
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14:48
obviously, right the way through to
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14:50
intimate content โ€“ it might be familial
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๊ฒƒ์„ ๋“ค์–ด๋ณด์„ธ์š”.
14:51
content of an adult to a child; it could
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์„ฑ์ธ์ด ์•„๋™์—๊ฒŒ ๋ณด๋‚ด๋Š” ๊ฐ€์กฑ ์ฝ˜ํ…์ธ ; ๊ทธ๊ฒƒ์€
14:55
be the content of perhaps a medical
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์•„๋งˆ๋„ ์˜๋ฃŒ ์ ˆ์ฐจ์˜ ๋‚ด์šฉ์ผ ์ˆ˜๋„ ์žˆ๊ณ 
14:58
procedure, someone having a mammogram,
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, ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์œ ๋ฐฉ์กฐ์˜์ˆ 
15:02
or it could be right the way through to
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902180
1991
์„ ๋ฐ›๋Š” ๊ฒƒ์ผ ์ˆ˜๋„ ์žˆ๊ณ 
15:04
intimacy, simulated sexual content.
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, ์นœ๋ฐ€๊ฐ, ๋ชจ์˜ ์„ฑ์  ๋‚ด์šฉ์œผ๋กœ ๊ฐ€๋Š” ์˜ฌ๋ฐ”๋ฅธ ๊ธธ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
15:07
Itaโ€™s definition of intimacy is very wide,
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Ita์˜ ์นœ๋ฐ€๊ฐ์— ๋Œ€ํ•œ ์ •์˜๋Š”
15:11
including hugging and stroking โ€“ gently
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ํฌ์˜น๊ณผ ์“ฐ๋‹ค๋“ฌ๊ธฐ๋ฅผ ํฌํ•จํ•˜์—ฌ ๋งค์šฐ ๊ด‘๋ฒ”์œ„
15:13
touching someone in a pleasurable way.
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ํ•ฉ๋‹ˆ๋‹ค. ์ฆ๊ฑฐ์šด ๋ฐฉ์‹์œผ๋กœ ๋ˆ„๊ตฐ๊ฐ€๋ฅผ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ๋งŒ์ง€๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
15:16
It also includes simulated sex.
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์‹œ๋ฎฌ๋ ˆ์ด์…˜ ์„น์Šค๋„ ํฌํ•จ๋ฉ๋‹ˆ๋‹ค.
15:18
Movie actors arenโ€™t really having sex, theyโ€™re
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์˜ํ™” ๋ฐฐ์šฐ๋Š” ์‹ค์ œ๋กœ ์„น์Šค๋ฅผ ํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ
15:21
simulating it โ€“ pretending to do
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์‹œ๋ฎฌ๋ ˆ์ด์…˜
15:23
something so that it looks real but is not.
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์„ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์‹ค์ œ์ฒ˜๋Ÿผ ๋ณด์ด์ง€๋งŒ ์‚ฌ์‹ค์ด ์•„๋‹Œ ํ–‰๋™์„ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
15:26
just like dance sequences in musicals,
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๋ฎค์ง€์ปฌ์˜ ๋Œ„์Šค ์‹œํ€€์Šค์ฒ˜๋Ÿผ
15:29
intimate movie scenes are planned and
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์นœ๋ฐ€ํ•œ ์˜ํ™” ์žฅ๋ฉด์€ ๋ฏธ๋ฆฌ ๊ณ„ํš๋˜๊ณ 
15:30
choreographed beforehand so that the
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์•ˆ๋ฌด๋˜์–ด
15:32
director, film crew and, above all, the
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๊ฐ๋…, ์ดฌ์˜ ์Šคํƒœํ”„, ๋ฌด์—‡๋ณด๋‹ค
15:35
actors are comfortable with whatโ€™s being filmed.
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๋ฐฐ์šฐ๊ฐ€ ์ดฌ์˜๋˜๋Š” ๋‚ด์šฉ์— ํŽธ์•ˆํ•ฉ๋‹ˆ๋‹ค.
15:38
But recent scandals about the on-set
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๊ทธ๋Ÿฌ๋‚˜
15:40
behaviour of some British and American
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์ผ๋ถ€ ์˜๊ตญ ๋ฐ ๋ฏธ๊ตญ ์˜ํ™” ๋ฐฐ์šฐ์˜ ์ดˆ๊ธฐ ํ–‰๋™์— ๋Œ€ํ•œ ์ตœ๊ทผ ์Šค์บ”๋“ค์€ ์ด๊ฒƒ์ด
15:42
film stars have highlighted how
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์–ผ๋งˆ๋‚˜ ์„ฌ์„ธํ•œ ๊ท ํ˜•์ธ์ง€๋ฅผ ๊ฐ•์กฐํ–ˆ์Šต๋‹ˆ๋‹ค
15:44
delicate a balance this is.
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.
15:47
Hereโ€™s Ita Oโ€™Brien again talking to
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Ita O'Brien์ด
15:49
BBC World Serviceโ€™s, The Conversation,
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BBC World Service์˜ The Conversation๊ณผ ์˜๊ตญ๊ณผ ๋ฏธ๊ตญ
15:51
about the different ways that intimate
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15:54
scenes are filmed on either side of the
405
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์˜ ๋Œ€์„œ์–‘ ์–‘์ชฝ์—์„œ ์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์„ ์ดฌ์˜ํ•˜๋Š” ๋‹ค์–‘ํ•œ ๋ฐฉ๋ฒ•์— ๋Œ€ํ•ด ๋‹ค์‹œ ์ด์•ผ๊ธฐํ•ฉ๋‹ˆ๋‹ค
15:56
Atlantic, in Britain and the US.
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.
15:59
With actors from the US, what they do
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๋ฏธ๊ตญ์˜ ๋ฐฐ์šฐ๋“ค๊ณผ ํ•จ๊ป˜ ๊ทธ๋“ค์ด ๊ฐ€์ง€๊ณ  ์žˆ๋Š”
16:02
have, what they put in place is that with
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๊ฒƒ, ๊ทธ๋“ค์ด ์ œ์ž๋ฆฌ์— ๋‘๋Š” ๊ฒƒ์€
16:04
each and every intimate scene we
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๊ฐ๊ฐ์˜ ๋ชจ๋“  ์นœ๋ฐ€ํ•œ ์žฅ๋ฉด์—์„œ ์šฐ๋ฆฌ๊ฐ€ ๋ชจ๋“  ์žฅ๋ฉด
16:06
create a nudity / simulated sex waiver,
410
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์— ๋Œ€ํ•ด ๋ˆ„๋“œ/์‹œ๋ฎฌ๋ ˆ์ด์…˜๋œ ์„น์Šค ๋ฉด์ œ๋ฅผ ์ƒ์„ฑ
16:09
for each and every scene and I actually
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16:11
really like that way of working.
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ํ•œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ €๋Š” ์‹ค์ œ๋กœ ๊ทธ๋Ÿฌํ•œ ์ž‘์—… ๋ฐฉ์‹์„ ์ •๋ง ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
16:13
In the UK, actors are asked to sign a nudity clause
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์˜๊ตญ์—์„œ๋Š” ๋ฐฐ์šฐ๊ฐ€ ๋ˆ„๋“œ ์กฐํ•ญ์— ์„œ๋ช…ํ•˜๋„๋ก ์š”์ฒญ
16:16
and generally thatโ€™s an overall, for the
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๋ฐ›์œผ๋ฉฐ ์ผ๋ฐ˜์ ์œผ๋กœ
16:19
whole of a production.
415
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์ „์ฒด ํ”„๋กœ๋•์…˜์— ๋Œ€ํ•œ ์ „์ฒด ์กฐํ•ญ์ž…๋‹ˆ๋‹ค.
16:21
British actors sign only one document
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์˜๊ตญ ๋ฐฐ์šฐ
16:23
with a nudity clause to cover the whole film.
417
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๋“ค์€ ์˜ํ™” ์ „์ฒด๋ฅผ ๋‹ค๋ฃจ๊ธฐ ์œ„ํ•ด ๊ณผ๋„ํ•œ ๋…ธ์ถœ ์กฐํ•ญ์ด ํฌํ•จ๋œ ๋‹จ ํ•˜๋‚˜์˜ ๋ฌธ์„œ์— ์„œ๋ช…ํ•ฉ๋‹ˆ๋‹ค.
16:26
But in the US, actors sign a waiver โ€“
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๊ทธ๋Ÿฌ๋‚˜ ๋ฏธ๊ตญ์—์„œ๋Š” ํ–‰์œ„์ž๊ฐ€ ์ผ๋ฐ˜์ ์œผ๋กœ ์ˆ˜ํ–‰๋˜๋Š” ๋ฐฉ์‹๊ณผ ๋‹ค๋ฅธ ํ–‰๋™
16:29
a legal document that allows or prevents
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์„ ํ—ˆ์šฉํ•˜๊ฑฐ๋‚˜ ๊ธˆ์ง€ํ•˜๋Š” ๋ฒ•์  ๋ฌธ์„œ์ธ ํฌ๊ธฐ ๊ฐ์„œ์— ์„œ๋ช…ํ•ฉ๋‹ˆ๋‹ค
16:31
an action that is different from
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16:33
how things are usually done.
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.
16:34
Ita thinks itโ€™s better if the actors agree
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Ita๋Š” ๋ฐฐ์šฐ๋“ค์ด ๋ชจ๋“  ์žฅ๋ฉด์— ๋™์˜ํ•˜๋Š” ๊ฒƒ์ด ๋” ์ข‹๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
16:37
to each and every scene โ€“
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16:39
and she uses the phrase, โ€˜each and everyโ€™
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๊ทธ๋…€๋Š” ๋ชจ๋“  ์žฅ๋ฉด์„ ์˜๋ฏธํ•œ๋‹ค๊ณ  ๊ฐ•์กฐํ•˜๊ธฐ ๋•Œ๋ฌธ์— '๊ฐ๊ฐ'์ด๋ผ๋Š” ๋ฌธ๊ตฌ๋ฅผ ์‚ฌ์šฉ
16:42
because it emphasises that she means every single one.
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ํ•ฉ๋‹ˆ๋‹ค.
16:45
In this way there is no confusion about
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์ด๋Ÿฐ ์‹
16:47
what should or shouldnโ€™t happen on set,
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์œผ๋กœ ์„ธํŠธ์žฅ์—์„œ ์ผ์–ด๋‚˜์•ผ ํ•  ์ผ๊ณผ ์ผ์–ด๋‚˜์ง€ ๋ง์•„์•ผ ํ•  ์ผ์— ๋Œ€ํ•œ ํ˜ผ๋ž€์ด ์—†์–ด
16:50
leaving the director and actors free to
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๊ฐ๋…๊ณผ ๋ฐฐ์šฐ
16:52
make dramatic and romantic blockbusters.
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๊ฐ€ ๋“œ๋ผ๋งˆํ‹ฑํ•˜๊ณ  ๋‚ญ๋งŒ์ ์ธ ๋ธ”๋ก๋ฒ„์Šคํ„ฐ๋ฅผ ์ž์œ ๋กญ๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
16:55
You mean like that famous beach scene,
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๊ทธ ์œ ๋ช…ํ•œ ํ•ด๋ณ€ ์žฅ๋ฉด์ฒ˜๋Ÿผ,
16:57
kissing and rolling in the waves, Neil?
431
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ํ‚ค์Šคํ•˜๊ณ  ํŒŒ๋„์—์„œ ๊ตด๋Ÿฌ๋‹ค๋‹ˆ๋Š” ๊ฑฐ ๋ง์ด์—์š”, ๋‹?
16:59
Ah, you mean my quiz question when
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์•„, ๋‚ด๊ฐ€ ๋‹น์‹ ์—๊ฒŒ ์งˆ๋ฌธํ–ˆ์„ ๋•Œ ๋‚ด ํ€ด์ฆˆ ์งˆ๋ฌธ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๊นŒ?
17:01
I asked you: What was the name of the
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17:03
1953 movie featuring a famous beach
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17:06
kiss between movie stars Burt Lancaster
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์˜ํ™” ๋ฐฐ์šฐ Burt Lancaster
17:09
and Deborah Kerr?
436
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์™€ Deborah Kerr ์‚ฌ์ด์˜ ์œ ๋ช…ํ•œ ํ•ด๋ณ€ ํ‚ค์Šค๋ฅผ ๋‹ค๋ฃฌ 1953๋…„ ์˜ํ™”์˜ ์ด๋ฆ„์€ ๋ฌด์—‡์ž…๋‹ˆ๊นŒ?
17:10
What did you say, Georgina?
437
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๋ญ๋ผ๊ณ  ํ–ˆ์–ด, ์กฐ์ง€๋‚˜?
17:12
I said it was b), From Here to Eternity.
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๋‚˜๋Š” ๊ทธ๊ฒƒ์ด b), From Here to Eternity๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
17:15
Which isโ€ฆ the right answer!
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์–ด๋Š ๊ฒƒ์ดโ€ฆ ์ •๋‹ต์ž…๋‹ˆ๋‹ค!
17:17
Well done, Georgina โ€“ so you do like classic
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์ž˜ํ–ˆ์–ด, Georgina โ€“
17:20
black-and-white movies after all!
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๊ฒฐ๊ตญ ๊ณ ์ „ ํ‘๋ฐฑ ์˜ํ™”๋ฅผ ์ข‹์•„ํ•˜๋Š”๊ตฌ๋‚˜!
17:22
Not really, Neil, but I remember my
442
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๊ทธ๋ ‡์ง€๋Š” ์•Š์•„์š”, ๋‹. ํ•˜์ง€๋งŒ ํ• ์•„๋ฒ„์ง€๊ฐ€ ๊ทธ๊ฑธ ๋ณด์…จ๋˜ ๊ธฐ์–ต์ด ๋‚˜์š”
17:23
grandad watching it!
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!
17:25
OK, letโ€™s recap
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์ข‹์•„,
17:26
the vocabulary from this programme
445
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์ด ํ”„๋กœ๊ทธ๋žจ
17:28
about intimacy โ€“ a close romantic
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์—์„œ ์นœ๋ฐ€๊ฐ, ์ฆ‰ ์นœ๋ฐ€ํ•œ ๋กœ๋งจํ‹ฑ
17:30
or sexual relationship.
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๋˜๋Š” ์„ฑ์  ๊ด€๊ณ„์— ๋Œ€ํ•œ ์–ดํœ˜๋ฅผ ์š”์•ฝํ•ด ๋ด…์‹œ๋‹ค.
17:32
A blockbuster is a very popular and
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๋ธ”๋ก๋ฒ„์Šคํ„ฐ๋Š” ๋งค์šฐ ์ธ๊ธฐ ์žˆ๊ณ 
17:34
successful movie or a book that
449
1054500
1800
์„ฑ๊ณต์ ์ธ ์˜ํ™” ๋˜๋Š” ๋งŽ์€ ์‚ฌ๋ณธ์ด ํŒ๋งค๋˜๋Š” ์ฑ…์ž…๋‹ˆ๋‹ค
17:36
sells many copies.
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.
17:38
If you stroke someoneโ€™s face, you
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๋ˆ„๊ตฐ๊ฐ€์˜ ์–ผ๊ตด์„ ์“ฐ๋‹ค๋“ฌ๋Š”๋‹ค๋ฉด
17:40
touch it gently in a pleasurable way.
452
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์ฆ๊ฑฐ์šด ๋ฐฉ์‹์œผ๋กœ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ๋งŒ์ง€๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
17:43
To simulate means to do or make
453
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์‹œ๋ฎฌ๋ ˆ์ดํŠธํ•œ๋‹ค๋Š” ๊ฒƒ์€
17:44
something that looks real but is not.
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์‹ค์ œ์ฒ˜๋Ÿผ ๋ณด์ด์ง€๋งŒ ์‹ค์ œ๊ฐ€ ์•„๋‹Œ ๊ฒƒ์„ ์ˆ˜ํ–‰ํ•˜๊ฑฐ๋‚˜ ๋งŒ๋“œ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
17:47
In the US, a waiver is a legal document
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๋ฏธ๊ตญ์—์„œ ๋ฉด์ œ
17:50
to either allow or prevent something
456
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17:52
being done in a different way from usual.
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๋Š” ํ‰์†Œ์™€ ๋‹ค๋ฅธ ๋ฐฉ์‹์œผ๋กœ ์ˆ˜ํ–‰๋˜๋Š” ๊ฒƒ์„ ํ—ˆ์šฉํ•˜๊ฑฐ๋‚˜ ๋ฐฉ์ง€ํ•˜๋Š” ๋ฒ•์  ๋ฌธ์„œ์ž…๋‹ˆ๋‹ค.
17:55
And you can use the phrase, each and
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๊ทธ๋ฆฌ๊ณ  each and every๋ผ๋Š” ๋ฌธ๊ตฌ๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌด์–ธ๊ฐ€์˜ ๋ชจ๋“ 
17:57
every to emphasise that you mean
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๊ฒƒ์„ ์˜๋ฏธํ•œ๋‹ค๋Š” ๊ฒƒ์„ ๊ฐ•์กฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
17:58
every single one of something.
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.
18:01
Thatโ€™s all for this romantic edition of
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6 Minute English์˜ ์ด ๋‚ญ๋งŒ์ ์ธ ์—๋””์…˜์€
18:03
6 Minute English but join us here again
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์—ฌ๊ธฐ๊นŒ์ง€
18:05
soon for more topical chat and useful vocabulary.
463
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์ž…๋‹ˆ๋‹ค. ๋” ๋งŽ์€ ์ฃผ์ œ๋ณ„ ์ฑ„ํŒ…๊ณผ ์œ ์šฉํ•œ ์–ดํœ˜๋ฅผ ์œ„ํ•ด ๊ณง ๋‹ค์‹œ ์—ฌ๊ธฐ์— ์ฐธ์—ฌํ•˜์„ธ์š”.
18:09
Bye for now!
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์ง€๊ธˆ์€ ์•ˆ๋…•!
18:10
Bye!
465
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์•ˆ๋…•!
18:16
Hello. This is 6 Minute English from
466
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์•ˆ๋…•ํ•˜์„ธ์š”. BBC Learning English์˜ 6๋ถ„ ์˜์–ด์ž…๋‹ˆ๋‹ค
18:18
BBC Learning English.
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.
18:20
Iโ€™m Rob.
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์ €๋Š” ๋กญ์ž…๋‹ˆ๋‹ค.
18:21
And Iโ€™m Georgina.
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์กฐ์ง€๋‚˜์ž…๋‹ˆ๋‹ค.
18:22
Now, Georgina, you recently mentioned
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์ž, Georgina, ๋‹น์‹ ์€ ์ตœ๊ทผ NFT
18:24
in one 6 Minute English programme
471
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1990
์— ๋Œ€ํ•œ 6๋ถ„ ์˜์–ด ํ”„๋กœ๊ทธ๋žจ
18:26
about NFTs and that you had a collection of
472
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์—์„œ ๋‹น์‹ ์ด ์–ด๋ ธ์„ ๋•Œ ํฌ์ผ“๋ชฌ ์นด๋“œ ์ปฌ๋ ‰์…˜์„ ๊ฐ€์ง€๊ณ  ์žˆ์—ˆ๋‹ค๊ณ  ์–ธ๊ธ‰ํ–ˆ์Šต๋‹ˆ๋‹ค
18:29
Pokemon cards when you were younger.
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.
18:31
Yes โ€“ I did, and I still canโ€™t find them.
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์˜ˆ โ€“ ์ฐพ์•˜์ง€๋งŒ ์—ฌ์ „ํžˆ ์ฐพ์„ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
18:34
Why did you bring that up?
475
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์™œ ๊ทธ๋Ÿฐ ๊ฑธ ๊บผ๋ƒˆ์–ด?
18:37
Well, Pokemon started out as a video
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์Œ, Pokemon์€ ๋ฌด์—‡๋ณด๋‹ค๋„
18:39
game series that turned into anime movies
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์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ํ™”์™€ ํŠธ๋ ˆ์ด๋”ฉ ์นด๋“œ๋กœ ๋ณ€ํ•œ ๋น„๋””์˜ค ๊ฒŒ์ž„ ์‹œ๋ฆฌ์ฆˆ๋กœ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
18:42
and trading cards among other things โ€“
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18:45
and in this programme weโ€™re talking about
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๊ทธ๋ฆฌ๊ณ  ์ด ํ”„๋กœ๊ทธ๋žจ์—์„œ ์šฐ๋ฆฌ
18:47
a video game character that is iconic โ€“
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๋Š” ์ƒ์ง•์ ์ธ ๋น„๋””์˜ค ๊ฒŒ์ž„ ์บ๋ฆญํ„ฐ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐ
18:50
a word which means widely known and recognised.
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ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
18:53
That characterโ€™s name is Super Mario.
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๊ทธ ์บ๋ฆญํ„ฐ์˜ ์ด๋ฆ„์€ ์Šˆํผ๋งˆ๋ฆฌ์˜ค.
18:56
Ahhh I spent many hours of my childhood
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์•„์•„ ์ €๋Š” ์–ด๋ฆฐ ์‹œ์ ˆ์˜ ๋งŽ์€ ์‹œ๊ฐ„
18:59
playing with Nintendoโ€™s Super Mario or
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์„ Nintendo์˜ Super Mario๋‚˜
19:01
his rival, Segaโ€™s Sonic the Hedgehog.
485
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๊ทธ์˜ ๋ผ์ด๋ฒŒ์ธ Sega์˜ Sonic the Hedgehog์™€ ํ•จ๊ป˜ ๋ณด๋ƒˆ์Šต๋‹ˆ๋‹ค.
19:05
Now, these days, video games are
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์˜ค๋Š˜๋‚  ๋น„๋””์˜ค ๊ฒŒ์ž„์€
19:07
everywhere, and people of all ages enjoy playing them.
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์–ด๋””์—๋‚˜ ์žˆ๊ณ  ๋ชจ๋“  ์—ฐ๋ น๋Œ€์˜ ์‚ฌ๋žŒ๋“ค์ด ๊ฒŒ์ž„์„ ์ฆ๊น๋‹ˆ๋‹ค.
19:11
Thereโ€™s also competitive
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19:13
e-sports events where gamers compete
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๊ฒŒ์ด๋จธ๋“ค์ด ์ข…์ข… ์ƒ๋‹นํ•œ ๊ธˆ์•ก์„ ๋†“๊ณ  ๊ฒฝ์Ÿํ•˜๋Š” ๊ฒฝ์Ÿ e์Šคํฌ์ธ  ์ด๋ฒคํŠธ๋„ ์žˆ์Šต๋‹ˆ๋‹ค
19:16
for what are often considerable
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19:17
amounts of money.
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.
19:19
Yes, and there are also streamers that
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์˜ˆ, ๊ทธ๋ฆฌ๊ณ 
19:22
appear on platforms like Twitch and
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Twitch ๋ฐ YouTube์™€ ๊ฐ™์€ ํ”Œ๋žซํผ์— ์ถœ์—ฐ
19:24
YouTube who have become celebrities in their own right.
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ํ•˜์—ฌ ์Šค์Šค๋กœ ์œ ๋ช…์ธ์ด ๋œ ์ŠคํŠธ๋ฆฌ๋จธ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
19:29
Talking about celebrities, I have a
495
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์—ฐ์˜ˆ์ธ ์–˜๊ธฐ๊ฐ€ ๋‚˜์™€์„œ ๋ง์ธ๋ฐ, ์ด ํ”„๋กœ๊ทธ๋žจ์—์„œ
19:31
question about the famous character
496
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์ด์•ผ๊ธฐํ•˜๋Š” ์œ ๋ช…์ธ ์บ๋ฆญํ„ฐ์— ๋Œ€ํ•ด ๊ถ๊ธˆํ•œ ๊ฒŒ
19:33
weโ€™re talking about in this programme.
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์žˆ์–ด์š”.
19:36
Many people remember Super Mario Bros.
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๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ์Šˆํผ ๋งˆ๋ฆฌ์˜ค ๋ธŒ๋ผ๋”์Šค
19:39
as being the first time we saw Mario,
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๋ฅผ ์šฐ๋ฆฌ๊ฐ€ ๋งˆ๋ฆฌ์˜ค๋ฅผ ์ฒ˜์Œ ๋ณธ ๊ฒƒ์œผ๋กœ ๊ธฐ์–ต
19:43
but he first appeared in another game โ€“
500
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ํ•˜์ง€๋งŒ, ๊ทธ๋Š” ๋‹ค๋ฅธ ๊ฒŒ์ž„์— ์ฒ˜์Œ ๋“ฑ์žฅํ–ˆ์Šต๋‹ˆ๋‹ค. ์–ด๋–ค ๊ฒŒ์ž„
19:45
which was it?
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์ด์—ˆ๋‚˜์š”?
19:46
Was it:
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19:47
a) The Legend of Zelda
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a) ์ ค๋‹ค์˜ ์ „์„ค
19:49
b) Donkey Kong; or
504
1189320
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b) Donkey Kong; ๋˜๋Š”
19:51
c) Pokemon
505
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1341
c) Pokemon
19:52
Iโ€™m not sure about that โ€“ I canโ€™t remember
506
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์ž˜ ๋ชจ๋ฅด๊ฒ ์Šต๋‹ˆ๋‹ค.
19:55
him being in Pokemon, so Iโ€™ll go for a) The Legend of Zelda.
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๊ทธ๊ฐ€ Pokemon์— ์žˆ์—ˆ๋˜ ๊ฒƒ์„ ๊ธฐ์–ตํ•  ์ˆ˜ ์—†์œผ๋ฏ€๋กœ a) The Legend of Zelda๋กœ ๊ฐ€๊ฒ ์Šต๋‹ˆ๋‹ค.
20:00
OK, Georgina, weโ€™ll find out if youโ€™re right
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์ข‹์•„์š”, Georgina, ๋‹น์‹ ์ด
20:03
at the end of the programme.
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ํ”„๋กœ๊ทธ๋žจ์˜ ๋์—์„œ ๋งž๋Š”์ง€ ์•Œ์•„๋‚ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
20:05
So, we established at the start of the programme
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š”
20:07
that these days the video games industry is thriving.
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์š”์ฆ˜ ๋น„๋””์˜ค ๊ฒŒ์ž„ ์‚ฐ์—…์ด ๋ฒˆ์ฐฝํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ํ”„๋กœ๊ทธ๋žจ ์ดˆ๋ฐ˜์— ํ™•๋ฆฝํ–ˆ์Šต๋‹ˆ๋‹ค.
20:12
True โ€“ but it wasnโ€™t always that way.
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์‚ฌ์‹ค์ด์ง€๋งŒ ํ•ญ์ƒ ๊ทธ๋Ÿฐ ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค.
20:14
Itโ€™s hard to imagine now, but in the 1980s
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์ง€๊ธˆ์€ ์ƒ์ƒํ•˜๊ธฐ ์–ด๋ ต์ง€๋งŒ 1980
20:18
the console market was struggling,
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๋…„๋Œ€์— ์ฝ˜์†” ์‹œ์žฅ์€ ํŠนํžˆ ๋ฏธ๊ตญ์—์„œ ์–ด๋ ค์›€์„ ๊ฒช๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค
20:20
particularly in the US.
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. Guardian ์‹ ๋ฌธ์˜
20:22
Keza MacDonalds, video games editor
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๋น„๋””์˜ค ๊ฒŒ์ž„ ํŽธ์ง‘์ž์ธ Keza MacDonalds
20:24
for the Guardian newspaper, explains
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20:27
what was happening in the early 1980s.
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๋Š” 1980๋…„๋Œ€ ์ดˆ์— ๋ฌด์Šจ ์ผ์ด ์žˆ์—ˆ๋Š”์ง€ ์„ค๋ช…ํ•ฉ๋‹ˆ๋‹ค.
20:29
Here she is on BBC World Service
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์—ฌ๊ธฐ ๊ทธ๋…€๋Š” BBC World Service
20:32
programme You and Yours, speaking with Peter White.
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ํ”„๋กœ๊ทธ๋žจ You and Yours์—์„œ Peter White์™€ ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
20:35
Well, back then, especially in America,
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์Œ, ๊ทธ ๋‹น์‹œ, ํŠนํžˆ ๋ฏธ๊ตญ์—์„œ๋Š” ํ’ˆ์งˆ
20:38
there had been a flood of games that
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์ด ์ข‹์ง€ ์•Š์€ ๊ฒŒ์ž„์ด ๋„˜์ณ
20:40
were just not very high quality.
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๋‚ฌ์Šต๋‹ˆ๋‹ค. ๋ถ•๊ดด
20:42
One of the games thatโ€™s often cited as a factor
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์˜ ์š”์ธ์œผ๋กœ ์ž์ฃผ ์ธ์šฉ๋˜๋Š” ๊ฒŒ์ž„ ์ค‘ ํ•˜๋‚˜๋Š”
20:45
in the collapse was this game called ET
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20:47
on the Atari, which was so bad they ended
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Atari์˜ ET๋ผ๋Š” ๊ฒŒ์ž„์ด์—ˆ๋Š”๋ฐ, ์•„๋ฌด๋„ ์ข‹์•„ํ•˜์ง€ ์•Š์•˜๊ธฐ ๋•Œ๋ฌธ์—
20:50
up burying thousands of copies of it in
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๊ฒฐ๊ตญ ์ˆ˜์ฒœ ์žฅ์˜ ๋ณต์‚ฌ๋ณธ
20:52
the desert, because nobody liked it.
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์„ ์‚ฌ๋ง‰์— ๋ฌป๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
20:53
And, so weโ€™d had that, especially in America,
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ํŠนํžˆ ๋ฏธ๊ตญ์—์„œ
20:56
this didn't happen so much in Europe,
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์ด๋Ÿฐ ์ผ์ด ์œ ๋Ÿฝ์—์„œ๋Š” ๊ทธ๋ ‡๊ฒŒ ๋งŽ์ด ์ผ์–ด๋‚˜์ง€
20:57
but in America just been lots and lots of software.
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์•Š์•˜์ง€๋งŒ ๋ฏธ๊ตญ์—์„œ๋Š” ์•„์ฃผ ๋งŽ์€ ์†Œํ”„ํŠธ์›จ์–ด๊ฐ€ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
21:00
None of it was all that great.
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๊ทธ ์–ด๋Š ๊ฒƒ๋„ ๊ทธ๋‹ค์ง€ ํ›Œ๋ฅญํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
21:01
There hadn't been anything really revolutionary
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๋ช‡ ๋…„ ๋™์•ˆ ์ •๋ง ํ˜๋ช…์ ์ธ ๊ฒƒ์ด
21:03
in some years, so the video game boom was
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์—†์—ˆ๊ธฐ ๋•Œ๋ฌธ์— ๋น„๋””์˜ค ๊ฒŒ์ž„ ๋ถ์€
21:05
really falling off a cliff and Nintendo is
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์ •๋ง๋กœ ์ ˆ๋ฒฝ์—์„œ ๋–จ์–ด์ง€๊ณ  ์žˆ์—ˆ๊ณ  Nintendo
21:07
what rescued in the US especially.
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๋Š” ํŠนํžˆ ๋ฏธ๊ตญ์—์„œ ๊ตฌ์กฐ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
21:10
Keza MacDonald used the term a flood of โ€“
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Keza MacDonald๋Š” ์ถœ์‹œ๋˜๋Š” ๊ฒŒ์ž„์˜ ์ˆ˜๋ฅผ ์„ค๋ช…ํ•˜๊ธฐ
21:14
meaning a large number in a short period
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์œ„ํ•ด ์งง์€ ์‹œ๊ฐ„์— ๋งŽ์€ ์ˆ˜๋ฅผ ์˜๋ฏธํ•˜๋Š” ํ™์ˆ˜๋ผ๋Š” ์šฉ์–ด๋ฅผ ์‚ฌ์šฉ
21:16
of time โ€“ to describe the number of
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21:18
games that were coming out.
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ํ–ˆ์Šต๋‹ˆ๋‹ค.
21:20
She used cited, which means referenced
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๊ทธ๋…€
21:23
or noted, when talking about the game ET
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๋Š” ๊ฒŒ์ž„ ET
21:27
being a reference for a factor in the
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๊ฐ€ ์ฝ˜์†” ์‹œ์žฅ ๋ถ•๊ดด์˜ ์š”์ธ์— ๋Œ€ํ•œ ์ฐธ์กฐ๊ฐ€ ๋˜๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์–ธ๊ธ‰ํ•  ๋•Œ ์ธ์šฉ ๋˜๋Š” ์–ธ๊ธ‰์„ ์˜๋ฏธํ•˜๋Š” ์ธ์šฉ์„ ์‚ฌ์šฉ
21:29
collapse of the console market.
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ํ–ˆ์Šต๋‹ˆ๋‹ค.
21:32
And she said boom โ€“ a sudden period of growth.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ํ˜ธํ™ฉ, ์ฆ‰ ๊ธ‰๊ฒฉํ•œ ์„ฑ์žฅ๊ธฐ๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
21:35
So as ET was mentioned as a factor in the collapse,
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๊ทธ๋ž˜์„œ ET๊ฐ€ ๋ชฐ๋ฝ์˜ ์š”์ธ์œผ๋กœ ์–ธ๊ธ‰๋˜๋ฉด์„œ
21:39
many people say that Super Mario Bros.
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๋งŽ์€ ์‚ฌ๋žŒ๋“ค์€ ์Šˆํผ ๋งˆ๋ฆฌ์˜ค ๋ธŒ๋ผ๋”์Šค
21:42
was the reason that video games really
548
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๊ฐ€ ํŠนํžˆ ๋ฏธ๊ตญ์—์„œ ๋น„๋””์˜ค ๊ฒŒ์ž„์ด ์‹ค์ œ๋กœ ๋– ์˜ค๋ฅธ ์ด์œ ๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค
21:44
took off, especially in the US.
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.
21:47
Itโ€™s interesting to consider what might
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21:50
have been if his creator, Shigeru Miyamoto,
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๊ทธ์˜ ์ œ์ž‘์ž์ธ ๋ฏธ์•ผ๋ชจํ†  ์‹œ๊ฒŒ๋ฃจ
21:53
had never created that character.
552
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๊ฐ€ ๊ทธ ์บ๋ฆญํ„ฐ๋ฅผ ๋งŒ๋“ค์ง€ ์•Š์•˜๋‹ค๋ฉด ์–ด๋• ์„์ง€ ์ƒ๊ฐํ•ด๋ณด๋Š” ๊ฒƒ์€ ํฅ๋ฏธ๋กœ์šด ์ผ์ž…๋‹ˆ๋‹ค.
21:56
The question is, why is that game so popular,
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๋ฌธ์ œ๋Š” ๊ทธ ๊ฒŒ์ž„์ด ์™œ ๊ทธ๋ ‡๊ฒŒ ์ธ๊ธฐ๊ฐ€ ์žˆ๊ณ ,
21:59
what made it so fun to play?
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๋ฌด์—‡์ด ์ด ๊ฒŒ์ž„์„ ๊ทธ๋ ‡๊ฒŒ ์žฌ๋ฏธ์žˆ๊ฒŒ ๋งŒ๋“ค์—ˆ๋Š”์ง€์ž…๋‹ˆ๋‹ค.
22:02
Here is Keza Macdonald speaking again
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์—ฌ๊ธฐ Keza Macdonald
22:04
with Peter White, on BBC World Service
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๊ฐ€ BBC World Service
22:06
programme, You and Yours, explaining why
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ํ”„๋กœ๊ทธ๋žจ์ธ You and Yours์—์„œ Peter White์™€ ๋‹ค์‹œ ์ด์•ผ๊ธฐ๋ฅผ ๋‚˜๋ˆ„๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
22:09
Mario is just so popular and what makes
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Mario๊ฐ€ ์™œ ๊ทธ๋ ‡๊ฒŒ ์ธ๊ธฐ๊ฐ€
22:12
the original game so satisfying to play.
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์žˆ๊ณ  ์˜ค๋ฆฌ์ง€๋„ ๊ฒŒ์ž„์ด ํ”Œ๋ ˆ์ดํ•˜๊ธฐ์— ๋งŒ์กฑ์Šค๋Ÿฌ์šด ์ด์œ ๋Š” ๋ฌด์—‡์ธ์ง€ ์„ค๋ช…ํ•ฉ๋‹ˆ๋‹ค.
22:15
Itโ€™s just such a joy to play.
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๋…ธ๋Š” ๊ฒƒ์€ ์ •๋ง ๊ธฐ์จ์ž…๋‹ˆ๋‹ค.
22:18
It's running and
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๋›ฐ๊ณ 
22:19
jumping, and it's the joy of movement.
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๋›ฐ๊ณ , ์›€์ง์ด๋Š” ์ฆ๊ฑฐ์›€์ด๋‹ค.
22:20
When, when you play, even the original
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์˜ค๋ฆฌ์ง€๋„
22:22
Super Mario Bros, you just feel this sense
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Super Mario Bros๋ฅผ ํ”Œ๋ ˆ์ดํ•  ๋•Œ์—๋„ ์›€์ง์ž„์—์„œ ์ด๋Ÿฌํ•œ ๊ธฐ์จ์„ ๋Š๋‚„ ์ˆ˜ ์žˆ์œผ๋ฉฐ
22:24
of joy in your movement, and it's one of
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22:27
the greatest games ever made.
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์ง€๊ธˆ๊นŒ์ง€ ๋งŒ๋“ค์–ด์ง„ ์ตœ๊ณ ์˜ ๊ฒŒ์ž„ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค.
22:29
And a lot of games from 35 years ago are basically
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๊ทธ๋ฆฌ๊ณ  35๋…„ ์ „์˜ ๋งŽ์€ ๊ฒŒ์ž„์€ ํ˜„์žฌ ๊ธฐ๋ณธ์ ์œผ๋กœ
22:31
unplayable now. They might have been a
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ํ”Œ๋ ˆ์ดํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๋“ค์€
22:33
step to something greater, but Mario was
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๋” ํฐ ๋ฌด์–ธ๊ฐ€๋ฅผ ํ–ฅํ•œ ๋ฐœ๊ฑธ์Œ์ด์—ˆ์„์ง€ ๋ชจ๋ฅด์ง€๋งŒ, ๋งˆ๋ฆฌ์˜ค
22:35
one of those few that really holds up today as it did then.
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๋Š” ๊ทธ๋•Œ์ฒ˜๋Ÿผ ์˜ค๋Š˜๋‚ ์—๋„ ์ฐธ์„ ์ˆ˜ ์žˆ๋Š” ๋ช‡ ์•ˆ ๋˜๋Š” ์‚ฌ๋žŒ ์ค‘ ํ•˜๋‚˜์˜€์Šต๋‹ˆ๋‹ค.
22:39
Keza Macdonald said that some games
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Keza Macdonald
22:41
from 35 years ago are unplayable โ€“
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๋Š” 35๋…„ ์ „์˜ ์ผ๋ถ€ ๊ฒŒ์ž„์€ ํ”Œ๋ ˆ์ดํ•  ์ˆ˜
22:44
so, not possible to play them.
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์—†์œผ๋ฏ€๋กœ ํ”Œ๋ ˆ์ดํ•  ์ˆ˜ ์—†๋‹ค๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
22:46
But she said that Mario holds up โ€“
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋…€๋Š” Mario๊ฐ€ ๋ฒ„ํ‹ฐ๊ณ 
22:49
a term used to say that somethingโ€™s standards
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์žˆ๋‹ค๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ์–ด๋–ค ๊ฒƒ์˜ ํ‘œ์ค€์ด๋‚˜ ํ’ˆ์งˆ์ด ๋–จ์–ด์ง€์ง€ ์•Š์•˜๋‹ค๋Š” ๊ฒƒ์„ ๋งํ•˜๋Š” ๋ฐ ์‚ฌ์šฉ๋˜๋Š” ์šฉ์–ด
22:52
or quality has not lessened.
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์ž…๋‹ˆ๋‹ค.
22:54
It certainly does hold up โ€“ in fact,
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๊ทธ๊ฒƒ์€ ํ™•์‹คํžˆ ๋ฒ„ํ‹ฐ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์‚ฌ์‹ค ์ €๋ฒˆ
22:57
I played it the other day and I had lots of
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์— ํ”Œ๋ ˆ์ดํ–ˆ๊ณ  ์ •๋ง
22:59
fun with it โ€“ it reminded me of my childhood,
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์žฌ๋ฏธ์žˆ๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์ œ ์–ด๋ฆฐ ์‹œ์ ˆ์ด
23:02
and itโ€™s still as good now as it was then.
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์ƒ๊ฐ๋‚ฌ๊ณ  ์ง€๊ธˆ๋„ ๊ทธ๋•Œ๋‚˜ ์ง€๊ธˆ์ด๋‚˜ ์ข‹์Šต๋‹ˆ๋‹ค.
23:05
Which reminds me of your quiz question, Rob.
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๋‹น์‹ ์˜ ํ€ด์ฆˆ ์งˆ๋ฌธ์ด ์ƒ๊ฐ๋‚˜๋„ค์š”, Rob.
23:07
Yes, in my quiz question I asked Georgina
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์˜ˆ, ํ€ด์ฆˆ ์งˆ๋ฌธ์—์„œ ์ €๋Š” Georgina์—๊ฒŒ ๊ทธ ์œ ๋ช…ํ•œ ๋ฐฐ๊ด€๊ณต Mario
23:10
which game had the first appearance
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๊ฐ€ ์ฒ˜์Œ ๋“ฑ์žฅํ•œ ๊ฒŒ์ž„์ด ๋ฌด์—‡์ธ์ง€ ๋ฌผ์—ˆ์Šต๋‹ˆ๋‹ค
23:13
of that famous plumber, Mario.
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.
23:15
I went for a) The Legend of Zelda.
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๋‚˜๋Š” a) ์ ค๋‹ค์˜ ์ „์„ค์— ๊ฐ”๋‹ค.
23:19
Which is wrong, Iโ€™m afraid!
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๋ญ๊ฐ€ ์ž˜๋ชป ๋์–ด, ์œ ๊ฐ์ด์•ผ!
23:21
Marioโ€™s first appearance was in Donkey Kong,
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Mario์˜ ์ฒซ ๋“ฑ์žฅ์€ Donkey Kong
23:24
and his creator, Shigeru Miyamoto,
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์ด์—ˆ๊ณ  ๊ทธ์˜ ์ œ์ž‘์ž์ธ Shigeru Miyamoto
23:27
never thought he would be that popular.
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๋Š” ๊ทธ๊ฐ€ ๊ทธ๋ ‡๊ฒŒ ์ธ๊ธฐ๊ฐ€ ์žˆ์„ ๊ฒƒ์ด๋ผ๊ณ ๋Š” ์ƒ๊ฐํ•˜์ง€ ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค.
23:29
Well, I guess weโ€™ve all really learnt
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์Œ, ์˜ค๋Š˜ ์šฐ๋ฆฌ ๋ชจ๋‘ ์ •๋ง
23:31
something today.
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๋ญ”๊ฐ€๋ฅผ ๋ฐฐ์šด ๊ฒƒ ๊ฐ™์•„์š”.
23:32
Letโ€™s recap the vocabulary
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23:34
from todayโ€™s programme about Super Mario,
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์˜ค๋Š˜ ํ”„๋กœ๊ทธ๋žจ์—์„œ Super Mario์— ๋Œ€ํ•œ ์–ดํœ˜๋ฅผ ์š”์•ฝํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
23:36
starting with iconic โ€“ famously associated
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์ƒ์ง•์ ์ธ ๊ฒƒ์œผ๋กœ ์‹œ์ž‘
23:40
with something and instantly recognisable.
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ํ•˜์—ฌ ๋ฌด์–ธ๊ฐ€์™€ ๊ด€๋ จ์ด ์žˆ๊ณ  ์ฆ‰์‹œ ์•Œ์•„๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์œผ๋กœ ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค.
23:43
Then we had a flood of which means a large
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๊ทธ๋Ÿฐ ๋‹ค์Œ
23:45
amount of something in a short space of time.
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์งง์€ ์‹œ๊ฐ„์— ๋งŽ์€ ์–‘์˜ ๋ฌด์–ธ๊ฐ€๋ฅผ ์˜๋ฏธํ•˜๋Š” ํ™์ˆ˜๊ฐ€ ๋ฐœ์ƒํ–ˆ์Šต๋‹ˆ๋‹ค.
23:49
Cited means reference as or noted.
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์ธ์šฉ์€ ์ฐธ๊ณ ๋ฌธํ—Œ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
23:52
Boom relates to explosion and means a
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Boom์€ ํญ๋ฐœ๊ณผ ๊ด€๋ จ์ด ์žˆ์œผ๋ฉฐ
23:54
short period of sudden growth.
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์งง์€ ๊ธฐ๊ฐ„์˜ ๊ธ‰๊ฒฉํ•œ ์„ฑ์žฅ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
23:57
Unplayable describes something that canโ€™t be
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Unplayable์€ ํ”Œ๋ ˆ์ดํ•  ์ˆ˜
23:59
played or a game that is very difficult to enjoy.
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์—†๊ฑฐ๋‚˜ ์ฆ๊ธฐ๊ธฐ๊ฐ€ ๋งค์šฐ ์–ด๋ ค์šด ๊ฒŒ์ž„์„ ๋งํ•ฉ๋‹ˆ๋‹ค.
24:03
And finally, holds up means that the quality
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๊ทธ๋ฆฌ๊ณ  ๋งˆ์ง€๋ง‰์œผ๋กœ hold up์€ ์–ด๋–ค ๊ฒƒ์˜ ํ’ˆ์งˆ
24:06
or standards of something hasnโ€™t changed
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์ด๋‚˜ ๊ธฐ์ค€์ด ๋ณ€๊ฒฝ๋˜์ง€
24:09
and still looks good or plays well.
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์•Š์•˜๊ณ  ์—ฌ์ „ํžˆ ์ข‹์•„ ๋ณด์ด๊ฑฐ๋‚˜ ์ž˜ ์ž‘๋™ํ•œ๋‹ค๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
24:11
Thatโ€™s all for this programme.
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์ด๊ฒƒ์ด ์ด ํ”„๋กœ๊ทธ๋žจ์˜ ์ „๋ถ€์ž…๋‹ˆ๋‹ค.
24:13
Bye for now!
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์ง€๊ธˆ์€ ์•ˆ๋…•!
24:14
Bye!
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์•ˆ๋…•!
24:20
Hello. This is 6 Minute English from
609
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์•ˆ๋…•ํ•˜์„ธ์š”. BBC Learning English์˜ 6๋ถ„ ์˜์–ด์ž…๋‹ˆ๋‹ค
24:22
BBC Learning English.
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.
24:23
Iโ€™m Neil.
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์ €๋Š” ๋‹์ž…๋‹ˆ๋‹ค.
24:24
And Iโ€™m Sam.
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์ƒ˜์ž…๋‹ˆ๋‹ค.
24:25
Do you think robots could ever
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๋กœ๋ด‡์ด ๋˜‘๋˜‘ํ•ด์งˆ ์ˆ˜ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•˜์„ธ์š”
24:26
become intelligent, Sam?
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, ์ƒ˜?
24:28
Well, if you believe Hollywood movies
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๊ธ€์Ž„์š”,
24:30
like โ€˜Robocopโ€™, robots will grow more
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'๋กœ๋ณด์บ…'๊ณผ ๊ฐ™์€ ํ• ๋ฆฌ์šฐ๋“œ ์˜ํ™”๋ฅผ ๋ฏฟ๋Š”๋‹ค๋ฉด ๋กœ๋ด‡
24:32
powerful than their human creators and take control.
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์€ ์ธ๊ฐ„ ์ฐฝ์กฐ์ž๋ณด๋‹ค ๋” ๊ฐ•๋ ฅํ•˜๊ฒŒ ์„ฑ์žฅํ•˜๊ณ  ํ†ต์ œํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
24:35
Youโ€™ve been watching too many
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๊ณต์ƒ๊ณผํ•™ ์˜ํ™”๋ฅผ ๋„ˆ๋ฌด ๋งŽ์ด ๋ดค์–ด์š”
24:36
sci-fi movies, Sam!
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, ์ƒ˜!
24:38
But seriously - do you
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๊ทธ๋Ÿฌ๋‚˜ ์ง„์ง€ํ•˜๊ฒŒ -
24:39
think robots will ever be able to think or dream?
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๋กœ๋ด‡์ด ์ƒ๊ฐํ•˜๊ฑฐ๋‚˜ ๊ฟˆ์„ ๊ฟ€ ์ˆ˜ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•˜์‹ญ๋‹ˆ๊นŒ?
24:43
Could they fall in love or create art?
622
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๊ทธ๋“ค์€ ์‚ฌ๋ž‘์— ๋น ์ง€๊ฑฐ๋‚˜ ์˜ˆ์ˆ ์„ ์ฐฝ์กฐํ•  ์ˆ˜ ์žˆ์„๊นŒ์š”?
24:44
Itโ€™s hard to say but because of the huge
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๋งํ•˜๊ธฐ๋Š” ์–ด๋ ต์ง€๋งŒ ์ง€๋‚œ 10๋…„
24:47
advances in artificial intelligence over
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๋™์•ˆ ์ธ๊ณต ์ง€๋Šฅ์˜ ์—„์ฒญ๋‚œ ๋ฐœ์ „์œผ๋กœ ์ธํ•ด
24:49
the last ten years, questions like these
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์ด์™€ ๊ฐ™์€ ์งˆ๋ฌธ์ด
24:52
are being asked more and more.
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์ ์  ๋” ๋งŽ์ด ์ œ๊ธฐ๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
24:55
In this programme weโ€™ll be meeting a
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์ด ํ”„๋กœ๊ทธ๋žจ์—์„œ ์šฐ๋ฆฌ๋Š”
24:56
very unusual โ€˜personโ€™ (if thatโ€™s the right word)
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25:00
who could help answer some of these questions.
629
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์ด๋Ÿฌํ•œ ์งˆ๋ฌธ ์ค‘ ์ผ๋ถ€์— ๋‹ตํ•˜๋Š” ๋ฐ ๋„์›€์„ ์ค„ ์ˆ˜ ์žˆ๋Š” ๋งค์šฐ ํŠน์ดํ•œ '์‚ฌ๋žŒ'(๋งž๋Š” ๋‹จ์–ด์ธ ๊ฒฝ์šฐ)์„ ๋งŒ๋‚  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
25:02
Sheโ€™s called Ai-Da, sheโ€™s an
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๊ทธ๋…€๋Š” Ai-Da๋ผ๊ณ  ๋ถˆ๋ฆฝ๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š”
25:04
artist who can draw, paint and
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๊ทธ๋ฆผ์„ ๊ทธ๋ฆฌ๊ณ  ์น ํ•˜๊ณ 
25:06
create sculptures โ€“ and sheโ€™s a robot.
632
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์กฐ๊ฐํ’ˆ์„ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š” ์˜ˆ์ˆ ๊ฐ€์ด์ž ๋กœ๋ด‡์ž…๋‹ˆ๋‹ค.
25:09
Yes, the humanoid robot, Ai-Da, uses
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์˜ˆ, ํœด๋จธ๋…ธ์ด๋“œ ๋กœ๋ด‡์ธ Ai-Da
25:12
a robotic arm and a pencil to draw what
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๋Š” ๋กœ๋ด‡ ํŒ”๊ณผ ์—ฐํ•„์„
25:14
it sees with a camera in its eye.
635
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์‚ฌ์šฉํ•˜์—ฌ ์นด๋ฉ”๋ผ๊ฐ€ ๋ˆˆ์— ๋ณด์ด๋Š” ๊ฒƒ์„ ๊ทธ๋ฆฝ๋‹ˆ๋‹ค.
25:17
Itโ€™s very life-like and can even talk to the people
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๊ทธ๊ฒƒ์€ ๋งค์šฐ ์‹ค์ œ์™€ ๊ฐ™์œผ๋ฉฐ ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฌ๋Š” ์‚ฌ๋žŒ๋“ค๊ณผ ๋Œ€ํ™”ํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
25:20
whose picture itโ€™s drawing.
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.
25:22
Weโ€™ll hear more about this extraordinary
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์šฐ๋ฆฌ๋Š” ๊ณง ์ด ํŠน๋ณ„ํ•œ
25:24
robot and the team of inventors behind
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๋กœ๋ด‡๊ณผ ๊ทธ๋…€์˜ ๋ฐฐํ›„์— ์žˆ๋Š” ๋ฐœ๋ช…๊ฐ€ ํŒ€์— ๋Œ€ํ•ด ๋” ๋งŽ์ด ๋“ฃ๊ฒŒ
25:26
her soon, but first I have a quiz question.
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๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ๋จผ์ € ํ€ด์ฆˆ ์งˆ๋ฌธ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
25:29
The name, Ai-Da, uses the abbreviation
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Ai-Da๋ผ๋Š” ์ด๋ฆ„
25:31
for โ€˜artificial intelligenceโ€™ - AI - to make a
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์€ ์—ฌ์„ฑ์˜ ์ด๋ฆ„์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด '์ธ๊ณต ์ง€๋Šฅ'์˜ ์•ฝ์–ด์ธ AI๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค
25:35
womanโ€™s first name, but which famous,
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. ํ•˜์ง€๋งŒ
25:38
real-life Ada was the robot named after?
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๋กœ๋ด‡์˜ ์ด๋ฆ„์„ ๋”ด ์œ ๋ช…ํ•œ ์‹ค์ œ Ada๋Š” ๋ˆ„๊ตฌ์ž…๋‹ˆ๊นŒ?
25:41
Was it:
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25:42
a) Ada Brown?,
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a) Ada Brown?,
25:43
b) Ada Lovelace?
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b) Ada Lovelace?
25:44
or,
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๋˜๋Š”
25:45
c) Ada Maris?
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c) ์—์ด๋‹ค ๋งˆ๋ฆฌ์Šค?
25:47
I think it must be, b) Ada Lovelace.
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b) ์—์ด๋‹ค ๋Ÿฌ๋ธŒ๋ ˆ์ด์Šค.
25:49
OK, Sam, weโ€™ll find out if thatโ€™s right later.
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์ข‹์•„, ์ƒ˜. ๊ทธ๊ฒŒ ๋งž๋Š”์ง€ ๋‚˜์ค‘์— ์•Œ์•„๋ณด์ž.
25:53
Of course building a realistic
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๋ฌผ๋ก 
25:54
robot that can see, hold a pencil
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๋ณผ ์ˆ˜ ์žˆ๊ณ  ์—ฐํ•„์„ ์ฅ๊ณ 
25:56
and draw is not easy.
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๊ทธ๋ฆผ์„ ๊ทธ๋ฆด ์ˆ˜ ์žˆ๋Š” ํ˜„์‹ค์ ์ธ ๋กœ๋ด‡์„ ๋งŒ๋“œ๋Š” ๊ฒƒ์€ ์‰ฝ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
25:58
Behind the creation of Ai-Da was a
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Ai-Da์˜ ํƒ„์ƒ ๋’ค์—๋Š”
26:00
team led by Cornish robotics company,
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Cornish ๋กœ๋ด‡ ํšŒ์‚ฌ์ธ Engineered Arts๊ฐ€ ์ด๋„๋Š” ํŒ€์ด
26:03
Engineered Arts, and supported by
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์žˆ์—ˆ๊ณ 
26:05
engineers in Leeds who built her robotic
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26:08
arms using AI systems developed at Oxford University.
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์˜ฅ์Šคํผ๋“œ ๋Œ€ํ•™์—์„œ ๊ฐœ๋ฐœํ•œ AI ์‹œ์Šคํ…œ์„ ์‚ฌ์šฉํ•˜์—ฌ ๋กœ๋ด‡ ํŒ”์„ ๋งŒ๋“  Leeds์˜ ์—”์ง€๋‹ˆ์–ด๋“ค์ด ์ง€์›ํ–ˆ์Šต๋‹ˆ๋‹ค.
26:12
Hereโ€™s chief engineer, Marcus Hold,
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์—ฌ๊ธฐ ์ˆ˜์„ ์—”์ง€๋‹ˆ์–ด์ธ Marcus Hold
26:15
introducing presenter, Karl Bos, to the still
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๊ฐ€ ์ง„ํ–‰์ž Karl Bos์—๊ฒŒ ์•„์ง
26:17
unfinished Ai -Da for the first time for
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์™„์„ฑ๋˜์ง€ ์•Š์€ Ai -Da๋ฅผ
26:20
BBC World Service programme, In The Studio:
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BBC World Service ํ”„๋กœ๊ทธ๋žจ์ธ In The
26:23
Itโ€™s very strange because on first glance
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Studio์—์„œ ์ฒ˜์Œ์œผ๋กœ ์†Œ๊ฐœ
26:25
she looks incredibly scary, a bit like a
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ํ•ฉ๋‹ˆ๋‹ค.
26:28
dystopian robot from the future but when
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๋ฏธ๋ž˜์˜ ๋””์Šคํ† ํ”ผ์•„ ๋กœ๋ด‡์ด์ง€๋งŒ
26:31
you see her move and express she becomes incredibly cute.
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๊ทธ๋…€์˜ ์›€์ง์ž„๊ณผ ํ‘œํ˜„์„ ๋ณด๋ฉด ๊ทธ๋…€๋Š” ์—„์ฒญ๋‚˜๊ฒŒ ๊ท€์—ฌ์›Œ์ง‘๋‹ˆ๋‹ค.
26:35
People tend to refer to them as โ€˜heโ€™ or โ€˜sheโ€™,
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์‚ฌ๋žŒ๋“ค์€ ๊ทธ๋“ค์„ '๊ทธ' ๋˜๋Š” '๊ทธ๋…€'๋ผ๊ณ  ๋ถ€๋ฅด๋Š” ๊ฒฝํ–ฅ
26:38
theyโ€™re drawn to the robots.
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์ด ์žˆ์œผ๋ฉฐ ๋กœ๋ด‡์— ๋Œ๋ฆฝ๋‹ˆ๋‹ค.
26:41
So much of our
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์šฐ๋ฆฌ์˜
26:42
communication is non-verbal โ€“ Iโ€™m gesturing
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์˜์‚ฌ์†Œํ†ต์˜ ๋งŽ์€ ๋ถ€๋ถ„์ด ๋น„์–ธ์–ด์ ์ž…๋‹ˆ๋‹ค.
26:44
with my arms, Iโ€™m smilingโ€ฆ and our robots โ€“
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์ €๋Š” ํŒ”๋กœ ๋ชธ์ง“์„ ํ•˜๊ณ  ์›ƒ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค... ๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ ๋กœ๋ด‡
26:47
a big part of their appeal and their human nature
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์€ ๋งค๋ ฅ์˜ ํฐ ๋ถ€๋ถ„์„ ์ฐจ์ง€ํ•˜๊ณ  ๋กœ๋ด‡์˜ ์ธ๊ฐ„์„ฑ
26:52
is in the way they behave and move and
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์€ ํ–‰๋™ํ•˜๊ณ  ์›€์ง์ด๋Š”
26:55
itโ€™s great that youโ€™re picking up on that from
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๋ฐฉ์‹์— ์žˆ์Šต๋‹ˆ๋‹ค. ํ”ผ๋ถ€๊ฐ€ ์—†๋Š” ๊ฒƒ์—์„œ ๊ทธ๊ฒƒ์„ ์ง‘์–ด๋“ค๊ณ 
26:59
something that has no skin.
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์žˆ์Šต๋‹ˆ๋‹ค.
27:00
When Karl first meets Ai-Da he sees a wired-up
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Karl์ด Ai-Da๋ฅผ ์ฒ˜์Œ ๋งŒ๋‚ฌ์„ ๋•Œ ๊ทธ๋Š”
27:03
metal skull without skin.
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ํ”ผ๋ถ€๊ฐ€ ์—†๋Š” ์™€์ด์–ด๋กœ ์—ฐ๊ฒฐ๋œ ๊ธˆ์† ๋‘๊ฐœ๊ณจ์„ ๋ด…๋‹ˆ๋‹ค.
27:06
She looks like a robot
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๊ทธ๋…€๋Š”
27:07
from a dystopia - an imaginary future world
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27:10
where everything is bad โ€“ like the movie โ€˜Robocopโ€™.
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๋งˆ์น˜ ์˜ํ™” '๋กœ๋ณด์บ…'์ฒ˜๋Ÿผ ๋ชจ๋“  ๊ฒƒ์ด ๋‚˜์œ ๊ฐ€์ƒ์˜ ๋ฏธ๋ž˜ ์„ธ๊ณ„์ธ ๋””์Šคํ† ํ”ผ์•„์—์„œ ์˜จ ๋กœ๋ด‡ ๊ฐ™๋‹ค.
27:12
But as Karl spends more time with Ai-Da
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๊ทธ๋Ÿฌ๋‚˜ Karl์€ Ai-Da์™€ ๋” ๋งŽ์€ ์‹œ๊ฐ„์„
27:14
he begins to see her move and express herself.
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๋ณด๋‚ด๋ฉด์„œ ๊ทธ๋…€์˜ ์›€์ง์ž„์„ ๋ณด๊ณ  ์ž์‹ ์„ ํ‘œํ˜„ํ•˜๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
27:17
She smiles, blinks and uses facial expressions
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๊ทธ๋…€๋Š” ๋ฏธ์†Œ๋ฅผ ์ง“๊ณ  ๋ˆˆ์„ ๊นœ๋ฐ•์ด๋ฉฐ
27:20
and hand gestures known as non-verbal
685
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๋น„์–ธ์–ด์  ์˜์‚ฌ์†Œํ†ต์œผ๋กœ ์•Œ๋ ค์ง„ ํ‘œ์ •๊ณผ ์†์ง“์„ ์‚ฌ์šฉ
27:22
communication to appear more human.
686
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ํ•˜์—ฌ ๋” ์ธ๊ฐ„์ ์œผ๋กœ ๋ณด์ž…๋‹ˆ๋‹ค.
27:25
This human-like behaviour is part of Ai-Daโ€™s appeal -
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์ด ์ธ๊ฐ„๊ณผ ๊ฐ™์€ ํ–‰๋™์€ Ai-Da์˜ ๋งค๋ ฅ, ์ฆ‰ Ai-Da๋ฅผ
27:28
the quality in someone that makes them
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2090
27:31
attractive and interesting โ€“ and soon Karl
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๋งค๋ ฅ์ ์ด๊ณ  ํฅ๋ฏธ๋กญ๊ฒŒ ๋งŒ๋“œ๋Š” ํŠน์„ฑ์˜ ์ผ๋ถ€์ด๋ฉฐ ๊ณง Karl
27:34
is calling the robot โ€˜sheโ€™ instead of โ€˜itโ€™.
690
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์€ ๋กœ๋ด‡์„ 'it' ๋Œ€์‹  'she'๋ผ๊ณ  ๋ถ€๋ฆ…๋‹ˆ๋‹ค.
27:38
Former art gallery owner, Aidan Mellor,
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์ „ ๋ฏธ์ˆ ๊ด€ ์†Œ์œ ์ฃผ์ธ Aidan Mellor
27:40
manages the Ai-Da project.
692
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๊ฐ€ Ai-Da ํ”„๋กœ์ ํŠธ๋ฅผ ๊ด€๋ฆฌํ•ฉ๋‹ˆ๋‹ค.
27:42
Here he is speaking to BBC World Serviceโ€™s, In The Studio,
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์—ฌ๊ธฐ์„œ ๊ทธ๋Š” BBC World Service์˜ In The Studio์—์„œ ์ž‘๋™ํ•˜๋Š” ๋กœ๋ด‡
27:46
about the complex process involved in
694
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1980
์„ ๋งŒ๋“œ๋Š” ๊ฒƒ๊ณผ ๊ด€๋ จ๋œ ๋ณต์žกํ•œ ๊ณผ์ •์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
27:48
building a working robot:
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.
27:50
Weโ€™ve got the programmers and researchers
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27:51
working at Oxford University and Goldsmiths
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์˜ฅ์Šคํฌ๋“œ ๋Œ€ํ•™๊ณผ Goldsmiths์—์„œ ์ผํ•˜๋Š” ํ”„๋กœ๊ทธ๋ž˜๋จธ์™€ ์—ฐ๊ตฌ์›
27:55
and theyโ€™re doing their algorithmic programming,
698
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์ด ์žˆ๊ณ  ๊ทธ๋“ค์€ ์•Œ๊ณ ๋ฆฌ์ฆ˜ ํ”„๋กœ๊ทธ๋ž˜๋ฐ, AI ํ”„๋กœ๊ทธ๋ž˜๋ฐ์„ ์ˆ˜ํ–‰ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
27:57
programming the AI that is going to be eventually
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๊ทธ๊ฒƒ์€ ๊ฒฐ๊ตญ
28:00
used for the art pieces that weโ€™re doingโ€ฆ
700
1680240
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์šฐ๋ฆฌ๊ฐ€ ํ•˜๊ณ  ์žˆ๋Š” ์˜ˆ์ˆ  ์ž‘ํ’ˆ์— ์‚ฌ์šฉ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค...
28:02
But weโ€™ve also got a couple of guys who
701
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2140
ํ•˜์ง€๋งŒ
28:04
are actually working on her arm โ€“
702
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์‹ค์ œ๋กœ ๊ทธ๋…€์˜ ํŒ”, ์ฆ‰ ๊ทธ๋…€์˜ ๊ทธ๋ฆผ ๋Šฅ๋ ฅ์— ๋Œ€ํ•ด ์ž‘์—…ํ•˜๊ณ  ์žˆ๋Š” ๋‘ ์‚ฌ๋žŒ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
28:06
her ability to draw โ€“ and actually getting
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28:09
her to do a compelling drawing of what she sees.
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๊ทธ๋…€๊ฐ€ ๋ณด๋Š” ๊ฒƒ. ์‡ผ
28:12
Thereโ€™s some battles still to be won before
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์ „์— ์•„์ง ์Šน๋ฆฌํ•ด์•ผ ํ•  ๋ช‡ ๊ฐ€์ง€ ์ „ํˆฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
28:15
the show, we will eventually hopefully iron out
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๊ฒฐ๊ตญ
28:18
all the issues before that time.
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๊ทธ ์ „์— ๋ชจ๋“  ๋ฌธ์ œ๋ฅผ ํ•ด๊ฒฐํ•  ์ˆ˜ ์žˆ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
28:19
One challenge the team faced was building a
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ํŒ€์ด ์ง๋ฉดํ•œ ํ•œ ๊ฐ€์ง€ ๊ณผ์ œ
28:22
robotic arm that could allow Ai-Da to draw
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๋Š” Ai-Da
28:25
pictures that were compelling โ€“ exciting,
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๊ฐ€ ํฅ๋ฏธ๋กญ๊ณ  ํฅ๋ฏธ๋กญ๊ณ  ์ฃผ์˜๋ฅผ ๋Œ ์ˆ˜ ์žˆ๋Š” ๋งค๋ ฅ์ ์ธ ๊ทธ๋ฆผ์„ ๊ทธ๋ฆด ์ˆ˜ ์žˆ๋Š” ๋กœ๋ด‡ ํŒ”์„ ๋งŒ๋“œ๋Š” ๊ฒƒ์ด
28:28
interesting and able to keep your attention.
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์—ˆ์Šต๋‹ˆ๋‹ค.
28:31
In combining an electronic AI brain with
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์ „์ž AI ๋‘๋‡Œ๋ฅผ
28:33
mechanical robot eyes and arms there were
713
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2450
๊ธฐ๊ณ„์‹ ๋กœ๋ด‡์˜ ๋ˆˆ๊ณผ ํŒ”๊ณผ ๊ฒฐํ•ฉํ•˜๋Š”
28:36
many battles to be won โ€“ difficulties and
714
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๋ฐ๋Š” ๊ทน๋ณตํ•ด์•ผ ํ•  ์–ด๋ ค์›€๊ณผ ๊ธฐ์ˆ ์  ์žฅ์• ๋ฌผ ๋“ฑ ์Šน๋ฆฌํ•ด์•ผ ํ•  ๋งŽ์€ ์ „ํˆฌ๊ฐ€ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค
28:38
technical obstacles to be overcome.
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.
28:40
And at the time of the interview, the team
716
1720970
1990
๊ทธ๋ฆฌ๊ณ  ์ธํ„ฐ๋ทฐ ๋‹น์‹œ Ai-Da์˜ ์˜คํ”„๋‹ ์‡ผ์ธ ๋Ÿฐ๋˜์˜ ๋””์ž์ธ ๋ฐ•๋ฌผ๊ด€์—์„œ ๊ทธ๋…€์˜ ์ž‘ํ’ˆ์„ ์ „์‹œํ•˜๊ธฐ ์ „์— ํŒ€์€
28:42
still had some issues to iron out โ€“ removing
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์—ฌ์ „ํžˆ โ€‹โ€‹ํ•ด๊ฒฐํ•ด์•ผ ํ•  ๋ช‡ ๊ฐ€์ง€ ๋ฌธ์ œ๊ฐ€ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
28:46
problems by finding solutions โ€“ before Ai-Daโ€™s
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ํ•ด๊ฒฐ์ฑ…์„ ์ฐพ์•„ ๋ฌธ์ œ๋ฅผ ์ œ๊ฑฐํ•˜๋Š” ๊ฒƒ
28:49
opening show: an exhibition of her
719
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28:51
artwork at The Design Museum in London.
720
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์ž…๋‹ˆ๋‹ค.
28:54
Amazing! Itโ€™s nice to think that a robot
721
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๋†€๋ผ์šด! ์ œ์–ดํ•  ์ˆ˜
28:56
could be the next Picasso instead of an
722
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2090
์—†๋Š” SF ๊ฒฝ์ฐฐ ๋Œ€์‹  ๋กœ๋ด‡์ด ๋‹ค์Œ ํ”ผ์นด์†Œ๊ฐ€ ๋  ์ˆ˜ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์ด ์ข‹์Šต๋‹ˆ๋‹ค
28:58
out-of-control sci-fi policeman!
723
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!
29:00
Yes, and the whole project was inspired
724
1740460
1990
์˜ˆ, ์ „์ฒด ํ”„๋กœ์ ํŠธ๋Š”
29:02
by a real-life woman โ€“ whose name was?
725
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์‹ค์ œ ์—ฌ์„ฑ์—๊ฒŒ์„œ ์˜๊ฐ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค. ์ด๋ฆ„์€?
29:05
What was the answer to your quiz question, Neil?
726
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2710
ํ€ด์ฆˆ ์งˆ๋ฌธ์— ๋Œ€ํ•œ ๋‹ต์€ ๋ฌด์—‡์ด์—ˆ๋‚˜์š”, ๋‹?
29:07
Ah yes, I asked Sam which famous
727
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์•„ ๋งž๋‹ค, Sam์—๊ฒŒ ๋กœ๋ด‡ Ai
29:10
Ada was the real-life inspiration
728
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2380
-Da์˜ ์‹ค์ œ ์˜๊ฐ์„ ์ค€ ์œ ๋ช…ํ•œ Ada๊ฐ€ ๋ˆ„๊ตฌ์ธ์ง€ ๋ฌผ์—ˆ์Šต๋‹ˆ๋‹ค
29:12
behind the robot, Ai-Da.
729
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1824
.
29:14
I said, b) Ada Lovelace.
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2406
b) ์—์ด๋‹ค ๋Ÿฌ๋ธŒ๋ ˆ์ด์Šค.
29:16
Was I right?
731
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๋‚ด๊ฐ€ ๋งž์•˜์–ด?
29:17
You wereโ€ฆ right, Sam!
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1200
๋‹น์‹ ์€โ€ฆ ๋งž์•„์š”, ์ƒ˜!
29:19
Ai-Da is named after
733
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1100
Ai-Da๋Š”
29:20
Ada Lovelace, the 19th century English
734
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19์„ธ๊ธฐ ์˜๊ตญ
29:22
mathematician and first computer programmer in the world.
735
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์ˆ˜ํ•™์ž์ด์ž ์„ธ๊ณ„ ์ตœ์ดˆ์˜ ์ปดํ“จํ„ฐ ํ”„๋กœ๊ทธ๋ž˜๋จธ์ธ Ada Lovelace์˜ ์ด๋ฆ„์„ ๋”ฐ์„œ ๋ช…๋ช…๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
29:26
OK, Neil.
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์ข‹์•„, ๋‹.
29:27
Letโ€™s recap the vocabulary from
737
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1090
29:28
this programme, starting with dystopia -
738
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2900
29:31
an imaginary future society where everything is bad.
739
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๋ชจ๋“  ๊ฒƒ์ด ๋‚˜์œ ๊ฐ€์ƒ์˜ ๋ฏธ๋ž˜ ์‚ฌํšŒ์ธ ๋””์Šคํ† ํ”ผ์•„๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜์—ฌ ์ด ํ”„๋กœ๊ทธ๋žจ์˜ ์šฉ์–ด๋ฅผ ์š”์•ฝํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
29:35
Non-verbal communication is communication
740
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1720
๋น„์–ธ์–ด์  ์˜์‚ฌ์†Œํ†ต
29:37
using physical gestures and facial expressions instead of speech.
741
1777130
4270
์€ ๋ง ๋Œ€์‹  ๋ชธ์ง“๊ณผ ํ‘œ์ •์„ ์‚ฌ์šฉํ•˜๋Š” ์˜์‚ฌ์†Œํ†ต์ด๋‹ค.
29:41
The appeal of something is a quality it
742
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2170
์–ด๋–ค ๊ฒƒ์˜ ๋งค๋ ฅ
29:43
has which people find attractive.
743
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2390
์€ ์‚ฌ๋žŒ๋“ค์ด ๋งค๋ ฅ์ ์œผ๋กœ ์—ฌ๊ธฐ๋Š” ํŠน์„ฑ์ž…๋‹ˆ๋‹ค.
29:45
If something is compelling, it holds your
744
1785960
1980
๋งŒ์•ฝ ์–ด๋–ค ๊ฒƒ์ด ์„ค๋“๋ ฅ์ด ์žˆ๋‹ค๋ฉด, ๊ทธ๊ฒƒ์€
29:47
attention because you find it so interesting.
745
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๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ๋งค์šฐ ํฅ๋ฏธ๋กญ๊ฒŒ ์ƒ๊ฐํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋‹น์‹ ์˜ ๊ด€์‹ฌ์„ ๋ˆ๋‹ค.
29:50
A battle to be won means a problem to be
746
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์ด๊ฒจ์•ผ ํ•  ์ „ํˆฌ๋Š” ํ•ด๊ฒฐํ•ด์•ผ ํ• 
29:53
solved or an obstacle to overcome.
747
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๋ฌธ์ œ๋‚˜ ๊ทน๋ณตํ•ด์•ผ ํ•  ์žฅ์• ๋ฌผ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
29:56
And finally, to iron something out means to
748
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2490
๋งˆ์ง€๋ง‰์œผ๋กœ, Iron out something
29:58
remove or find solutions to a problem.
749
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2490
์€ ๋ฌธ์ œ๋ฅผ ์ œ๊ฑฐํ•˜๊ฑฐ๋‚˜ ํ•ด๊ฒฐ์ฑ…์„ ์ฐพ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
30:01
With artificial intelligence improving so fast
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์ธ๊ณต ์ง€๋Šฅ์ด ๋งค์šฐ ๋น ๋ฅด๊ฒŒ ํ–ฅ์ƒ๋จ์— ๋”ฐ๋ผ Six Minute English์˜
30:04
it may not be too long before we see robot
751
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๋กœ๋ด‡ ๋ฐœํ‘œ์ž๊ฐ€ ๋จธ์ง€ ์•Š์•„ ๋ณด์ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค
30:08
presenters of Six Minute English!
752
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2540
!
30:10
But until Sam and I are replaced by AI we
753
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2260
ํ•˜์ง€๋งŒ ์ƒ˜๊ณผ ์ œ๊ฐ€ AI๋กœ ๋Œ€์ฒด๋  ๋•Œ๊นŒ์ง€
30:12
hope youโ€™ll join us again next time for more
754
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2240
๋‹ค์Œ ๋ฒˆ์— BBC Learning English์—์„œ ๋” ๋งŽ์€
30:15
trending topics and useful vocabulary,
755
1815060
2100
์ธ๊ธฐ ์ฃผ์ œ์™€ ์œ ์šฉํ•œ ์–ดํœ˜
30:17
here at BBC Learning English.
756
1817160
1620
๋ฅผ ์œ„ํ•ด ๋‹ค์‹œ ํ•จ๊ป˜ ํ•˜์‹œ๊ธธ ๋ฐ”๋ž๋‹ˆ๋‹ค.
30:18
Bye for now!
757
1818780
872
์ง€๊ธˆ์€ ์•ˆ๋…•!
30:19
Goodbye!
758
1819652
777
์•ˆ๋…•ํžˆ ๊ฐ€์„ธ์š”!
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

https://forms.gle/WvT1wiN1qDtmnspy7