How to Use Your Voice in ENGLISH to Sound Powerful and Confident

142,374 views ใƒป 2020-05-12

Accent's Way English with Hadar


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
Hey everyone, thank you so much for joining me. My name is Hadar, and today we are going
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ใ“ใ‚“ใซใกใฏใ€็งใซๅ‚ๅŠ ใ—ใฆใใ‚Œใฆใ‚ใ‚ŠใŒใจใ† ใ€‚ ็งใฎๅๅ‰ใฏใƒใƒ€ใƒผใƒซใงใ™ใ€‚ไปŠๆ—ฅใฏ
00:04
to talk about your voice in English. Yes, you heard me. Your voice.
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ใ‚ใชใŸใฎๅฃฐใซใคใ„ใฆ่‹ฑ่ชžใง่ฉฑใ—ใพใ™ใ€‚ ใฏใ„ใ€ ่žใ“ใˆใพใ—ใŸใ€‚ ใ‚ใชใŸใฎๅฃฐใ€‚
00:11
If you are a speaker of English as a second language or third language or fourth language,
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ใ‚ใชใŸใŒ็ฌฌไบŒ ่จ€่ชžใ€็ฌฌไธ‰่จ€่ชžใ€ใพใŸใฏ็ฌฌๅ››่จ€่ชžใจใ—ใฆ
00:16
then you must have had this experience where you wanted to communicate in English, you
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่‹ฑ่ชžใ‚’่ฉฑใ™ไบบใงใ‚ใ‚Œใฐใ€่‹ฑ่ชžใงใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใ‚’ๅ–ใ‚ŠใŸใ„ใ€
00:20
wanted to speak up, but your voice was just not there for you. It was a little soft, it
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็Ž‡็›ดใซ่ฉฑใ—ใŸใ„ใจๆ€ใฃใŸใฎใซใ€ ่‡ชๅˆ†ใฎๅฃฐใŒๅฑŠใ‹ใชใ‹ใฃใŸใจใ„ใ†็ตŒ้จ“ใ‚’ใ—ใŸใ“ใจใŒใ‚ใ‚‹ใฏใšใงใ™ใ€‚ ๅฐ‘ใ—ๆŸ”ใ‚‰ใ‹ใ‹ใฃใŸใ‚Šใ€
00:26
was too low, it was shaky, and you just didn't know what to do. And obviously, it has affected
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ไฝŽใ™ใŽใŸใ‚Šใ€ๆบใ‚ŒใŸใ‚Šใ—ใฆใ„ใฆใ€ใฉใ† ใ™ใ‚Œใฐใ„ใ„ใฎใ‹ใ‚ใ‹ใ‚‰ใชใ‹ใฃใŸ. ใใ—ใฆๆ˜Žใ‚‰ใ‹ใซใ€ใใ‚Œใฏ
00:33
your confidence and prevented you from communicating powerfully and confidently.
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ใ‚ใชใŸใฎ่‡ชไฟกใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใ€ๅŠ›ๅผทใ่‡ชไฟกใ‚’ๆŒใฃใฆใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใ™ใ‚‹ใ“ใจใ‚’ๅฆจใ’ใพใ—ใŸ .
00:39
So, in this video, I'm going to give you a few exercises that you can do before you have
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ใใ“ใงใ€ใ“ใฎใƒ“ใƒ‡ใ‚ชใงใฏใ€
00:45
to do a Zoom call or before you have a job interview or a public talk that you're a little
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Zoom ้€š่ฉฑใ‚’่กŒใ†ๅ‰ใ€ใพใŸใฏๅฐฑ่ทใฎ ้ขๆŽฅใ‚„ๅฐ‘ใ—็ทŠๅผตใ—ใฆใ„ใ‚‹ๅ…ฌ้–‹่ฌ›ๆผ”ใ‚’่กŒใ†ๅ‰ใ€
00:51
nervous about, or just something you can do every day to free up your voice in English,
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ใพใŸใฏๅ˜ใซ ่‹ฑ่ชžใ ใ‘ใงใชใใ€
00:57
but also in your native language. But before we go into the exercises, if you
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ๆฏๅ›ฝ่ชžใงใ‚‚ๅฃฐใ‚’่งฃๆ”พใ™ใ‚‹ใŸใ‚ใซๆฏŽๆ—ฅใงใใ‚‹ใ“ใจใงใ™ใ€‚ ใ—ใ‹ใ—ใ€ๆผ”็ฟ’ใซๅ…ฅใ‚‹ๅ‰ใซใ€
01:01
are new to my channel, then welcome, first of all, and second, I want you to know that
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็งใฎใƒใƒฃใƒณใƒใƒซใ‚’ๅˆใ‚ใฆไฝฟ็”จใ™ใ‚‹ๅ ดๅˆใฏใ€ใพใšๆญ“่ฟŽใ—ใพใ™ใ€‚ ๆฌกใซใ€
01:07
this is the place for you to improve your communication skills and boost your confidence
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ใ“ใ“ใŒใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณ ใ‚นใ‚ญใƒซใ‚’ๅ‘ไธŠใ•ใ› ใ€่‹ฑ่ชžใซๅฏพใ™ใ‚‹่‡ชไฟกใ‚’้ซ˜ใ‚ใ‚‹ใŸใ‚ใฎๅ ดๆ‰€ใงใ‚ใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ‚‚ใ‚‰ใ„ใŸใ„ใจๆ€ใ„ใพใ™ใ€‚ ่‹ฑ่ชžใงใฎ
01:12
in English, because we are going to make you feel really good about how you communicate
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ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณๆ–นๆณ•ใซใคใ„ใฆใ€ๆœฌๅฝ“ใซๆฐ—ๅˆ†ใŒ่‰ฏใใชใ‚‹ใ‹ใ‚‰ใงใ™
01:18
in English. So be sure to subscribe to my channel and also subscribe to get the notifications,
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ใ€‚ ็งใฎใƒใƒฃใƒณใƒใƒซใ‚’่ณผ่ชญใ—ใฆ ใ€้€š็Ÿฅใ‚’ๅ—ใ‘ๅ–ใ‚‹ใŸใ‚ใซใ‚‚่ณผ่ชญใ—ใฆใใ ใ•ใ„ใ€‚
01:24
so you know when I release a new video every single week.
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ๆฏŽ้€ฑๆ–ฐใ—ใ„ใƒ“ใƒ‡ใ‚ชใ‚’ใ„ใคใƒชใƒชใƒผใ‚นใ™ใ‚‹ใ‹ใŒใ‚ใ‹ใ‚Šใพใ™ ใ€‚
01:28
Okay. So the first thing you need to know about your voice in English is that when you
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ใ‚ใ‹ใฃใŸใ€‚ ใ—ใŸใŒใฃใฆใ€่‹ฑ่ชžใงใฎๅฃฐใซใคใ„ใฆๆœ€ๅˆใซ็ŸฅใฃใฆใŠใๅฟ…่ฆใŒใ‚ใ‚‹ใฎใฏใ€
01:33
hold tension in your body, it will affect your voice. Now, sometimes we hold tension
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ไฝ“ใซ็ทŠๅผตใŒใ‹ใ‹ใ‚‹ใจๅฃฐใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใ‚‹ใจใ„ใ†ใ“ใจใงใ™ ใ€‚ ใ•ใฆใ€็ฟ’ๆ…ฃใ ใ‹ใ‚‰ใจใ„ใฃใฆใ€็ทŠๅผตใ‚’ๆŠฑใˆใฆใ„ใ‚‹ใ“ใจใŒใ‚ใ‚Šใพใ™
01:39
just because it's a habit. Sometimes we hold tension because we're nervous when communicating,
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ใ€‚ ่‹ฑ่ชžใงใฎ ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใซใฏ็ทŠๅผตใ‚’็”Ÿใ‚€
01:44
because there's this whole other aspect of communicating in English that creates tension.
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ๅˆฅใฎๅด้ขใŒใ‚ใ‚‹ใŸใ‚ใ€ ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใฎ้š›ใซ็ทŠๅผตใ™ใ‚‹ใŸใ‚ใซ็ทŠๅผตใ‚’ๆ„Ÿใ˜ใ‚‹ใ“ใจใŒใ‚ใ‚Šใพใ™ใ€‚
01:49
Like, "What if I can't find the right words? What if I get stuck? What are they going to
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ใŸใจใˆใฐใ€ใ€Œๆญฃใ—ใ„่จ€่‘‰ใŒ่ฆ‹ใคใ‹ใ‚‰ใชใ‹ใฃใŸใ‚‰ใฉใ†ใ—ใ‚ˆใ†? ่กŒใ่ฉฐใพใฃใŸใ‚‰ใฉใ†ใ—ใ‚ˆใ†?
01:54
think about my accent? I don't feel like myself in English because I can't really express
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็งใฎใ‚ขใ‚ฏใ‚ปใƒณใƒˆใซใคใ„ใฆๅฝผใ‚‰ใฏใฉใ†ๆ€ใ†ใ ใ‚ใ†? ่‡ชๅˆ†ใ‚’ ่กจ็พใงใใชใ„ใฎใงใ€่‹ฑ่ชžใง่‡ชๅˆ†ใฎใ‚ˆใ†ใซๆ„Ÿใ˜ใ‚‰ใ‚Œใชใ„
01:58
myself?" And all of these thoughts that go through your head when you speak English,
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?ใ€ ใใ—ใฆใ€ ่‹ฑ่ชžใ‚’่ฉฑใ™ใจใใซ้ ญใ‚’ใ‚ˆใŽใ‚‹ใ“ใ‚Œใ‚‰ใ™ในใฆใฎ่€ƒใˆใฏใ€
02:04
they affect your body and your voice because it creates tension and nervous energy, and
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ไฝ“ใจๅฃฐใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใพใ™ใ€‚ ็ทŠๅผตใจ็ฅž็ตŒ่ณชใชใ‚จใƒใƒซใ‚ฎใƒผใŒ็”Ÿใพใ‚Œใ€
02:11
the voice is highly affected by the nervous system.
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ๅฃฐใฏ็ฅž็ตŒ็ณปใฎๅฝฑ้Ÿฟใ‚’ๅคงใใๅ—ใ‘ใ‚‹ใ‹ใ‚‰ใงใ™ ใ€‚
02:14
So if you feel that your voice is stuck and stifled and weak, it's probably first and
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ใ—ใŸใŒใฃใฆใ€ๅฃฐใŒ่ฉฐใพใฃใฆๆฏ่‹ฆใ—ใใฆๅผฑใ„ใจๆ„Ÿใ˜ใ‚‹ๅ ดๅˆใฏ ใ€ใŠใใ‚‰ใไฝ•ใ‚ˆใ‚Šใ‚‚ใพใšใ€
02:22
foremost because of the tension that you hold in your body and your nervous system. The
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ไฝ“ใจ็ฅž็ตŒ็ณปใซ็ทŠๅผตใŒ็”Ÿใ˜ใฆใ„ใ‚‹ใŸใ‚ใงใ™.
02:26
second thing I want you to know is that voice is frequencies and vibrations. And our voices
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ๆฌกใซ็ŸฅใฃใฆใŠใ„ใฆใปใ—ใ„ใฎใฏใ€ๅฃฐใฏ ๅ‘จๆณขๆ•ฐใจๆŒฏๅ‹•ใ ใจใ„ใ†ใ“ใจใงใ™ใ€‚ ใใ—ใฆ็งใŸใกใฎๅฃฐใฏใ€็ฉบ้–“ใŒใ‚ใ‚‹ใจใ“ใ‚ใชใ‚‰ใฉใ“ใงใ‚‚
02:32
resonate in different places in our body wherever there is space. Okay?
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ไฝ“ใฎใ•ใพใ–ใพใชๅ ดๆ‰€ใงๅ…ฑ้ณดใ—ใพใ™ ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
02:39
So you can resonate your voice in your chest. You can resonate your voice in your nasal
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ๅฃฐใ‚’่ƒธใซ้Ÿฟใ‹ใ›ใ‚‹ใ“ใจใŒใงใใ‚‹ใ‚ˆใ†ใซใ€‚ ้ ญใฎ ้ผป่…”ใซๅฃฐใ‚’้Ÿฟใ‹ใ›ใ‚‹ใ“ใจใŒใงใใพใ™ใ‚ˆ
02:43
cavities in your head, right? This is where the voice resonates. So the bigger the resonance
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ใญ๏ผŸ ๅฃฐใŒ้Ÿฟใใจใ“ใ‚ใงใ™ใ€‚ ใคใพใ‚Šใ€ๅ…ฑ้ณด
02:50
box is, the bigger your voice is. But sometimes the voice quality of your native
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็ฎฑใŒๅคงใใ„ใปใฉใ€ใ‚ใชใŸใฎๅฃฐใฏๅคงใใใชใ‚Šใพใ™ใ€‚ ใ—ใ‹ใ—ใ€ๆฏๅ›ฝ่ชžใฎๅฃฐ่ณชใŒ
02:57
language affects your voice quality in English. Because for some languages, you only resonate
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่‹ฑ่ชžใงใฎๅฃฐ่ณชใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใ‚‹ใ“ใจใŒใ‚ใ‚Šใพใ™ใ€‚ ไธ€้ƒจใฎ่จ€่ชžใงใฏใ€ๅฃฐใ‚’ 1 ใ‹ๆ‰€ใงใ—ใ‹ๅ…ฑ้ณดใ•ใ›ใชใ„ใŸใ‚ใงใ™
03:02
your voice in one place. Some languages resonate the voice mostly in the nose and head. Some
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ใ€‚ ไธ€้ƒจใฎ่จ€่ชžใงใฏใ€ ไธปใซ้ผปใจ้ ญใงๅฃฐใŒๅ…ฑ้ณดใ—ใพใ™ใ€‚
03:09
languages, my language Hebrew resonates mostly in the throat and chest, so it's a lot more
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่จ€่ชžใซใ‚ˆใฃใฆใฏใ€็งใฎ่จ€่ชžใงใ‚ใ‚‹ใƒ˜ใƒ–ใƒฉใ‚ค่ชžใฏไธปใซ
03:15
throaty and usually lower. Ideally, for English, you want your voice
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ๅ–‰ใจ่ƒธใซ้Ÿฟใใพใ™ใ€‚ ็†ๆƒณ็š„ใซใฏใ€่‹ฑ่ชžใฎๅ ดๅˆใ€ๅฃฐใฏ
03:19
to be somewhere between your chest voice and your head voice. Because when you speak, you
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่ƒธใฎๅฃฐใจ้ ญใฎๅฃฐใฎ้–“ใฎใฉใ“ใ‹ใซใ‚ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ . ่ฉฑใ™ใจใใฏใ€
03:24
want to have that perfect ring - that's how my voice teacher used to call it when I was
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ๅฎŒ็’งใช้ŸฟใใŒๆฌฒใ—ใใชใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚ ็งใŒๆผ”ๆŠ€ๅญฆๆ กใซใ„ใŸใจใใ€็งใฎๅฃฐใฎๅ…ˆ็”Ÿใฏใใ†ๅ‘ผใ‚“ใงใ„ใŸใฎใงใ™ใ€‚
03:30
in acting school - that perfect ring that is a blend of the lower frequencies and the
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ไฝŽใ„ๅ‘จๆณขๆ•ฐใจ
03:38
higher frequencies. So you don't want your voice to be stuck up
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้ซ˜ใ„ๅ‘จๆณขๆ•ฐใŒๆททใ–ใ‚ŠๅˆใฃใŸๅฎŒ็’งใช้Ÿฟใใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใ‚ใชใŸใฎๅฃฐใŒใ“ใ“ใง็ซ‹ใกๅพ€็”Ÿใ—ใŸใใชใ„ใ—ใ€
03:41
here and you don't want also your voice to be all the way down here, and without a lot
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ใ‚ใชใŸใฎๅฃฐใŒ ใ“ใ“ใพใงใšใฃใจไธ‹ใŒใฃใฆใ—ใพใ†ใฎใ‚‚ๅซŒใงใ™ใ€‚ใใ—ใฆใ€
03:47
of breadth supporting it cause then you will fry your voice. This is called the vocal fry.
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ใใ‚Œใ‚’ใ‚ตใƒใƒผใƒˆใ™ใ‚‹ๅคšใใฎๅน…ใŒใชใ‘ใ‚Œใฐใ€ใ‚ใชใŸใฏใ‚ใชใŸ ใฎๅฃฐใ‚’ๆšใ’ใฆใ—ใพใ„ใพใ™. ใ“ใ‚Œใ‚’ใƒœใƒผใ‚ซใƒซใƒ•ใƒฉใ‚คใจๅ‘ผใณใพใ™ใ€‚
03:53
So you want to find the perfect placement for your voice for it to come out naturally.
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ใใฎใŸใ‚ใ€ ๅฃฐใŒ่‡ช็„ถใซๅ‡บใ‚‹ใ‚ˆใ†ใซใ€่‡ชๅˆ†ใฎๅฃฐใซๆœ€้ฉใชไฝ็ฝฎใ‚’่ฆ‹ใคใ‘ใŸใ„ใจ่€ƒใˆใฆใ„ใพใ™ใ€‚
04:02
And here's the thing, sometimes we do change our voices depending on the situation. So
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ใใ—ใฆใ€ ็Šถๆณใซๅฟœใ˜ใฆๅฃฐใ‚’ๅค‰ใˆใ‚‹ใ“ใจใ‚‚ใ‚ใ‚Šใพใ™ใ€‚ ใคใพใ‚Šใ€
04:06
this vocal fry is something that often happens at the end of sentences or when you're really,
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ใ“ใฎใƒœใƒผใ‚ซใƒซใƒ•ใƒฉใ‚คใฏใ€ ๆ–‡ใฎ็ต‚ใ‚ใ‚Šใ‚„ใ€
04:11
really tired. But if you use the deliberately, first of
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ๆœฌๅฝ“ใซ็–ฒใ‚Œใฆใ„ใ‚‹ใจใใซใ‚ˆใ็™บ็”Ÿใ™ใ‚‹ใ‚‚ใฎใงใ™. ใ—ใ‹ใ—ใ€ๆ„ๅ›ณ็š„ใซ ใ‚’ไฝฟ็”จใ™ใ‚‹ใจใ€ใพใš็ฌฌไธ€
04:14
all, they say it's not that healthy for your voice, but also your voice is not going to
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ใซใ€ใใ‚Œใฏใ‚ใชใŸใฎๅฃฐใซใจใฃใฆใใ‚Œใปใฉๅฅๅบท็š„ใงใฏใชใใ€่กจ็พๅŠ›ใซๆฌ ใ‘ใ‚‹ใจ่จ€ใ‚ใ‚Œใฆใ„ใพใ™
04:18
be as expressive. There are less emotion that you can carry over when your voice is down
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ใ€‚ ใ‚ใชใŸใฎๅฃฐใŒใ“ใ“ใซไธ‹ใŒใฃใฆใ„ใ‚‹ใจใใ€ใ‚ใชใŸใŒๆŒใก่ถŠใ™ใ“ใจใŒใงใใ‚‹ๆ„Ÿๆƒ…ใฏๅฐ‘ใชใใชใ‚Šใพใ™ใ‚ˆ
04:24
here, right? So, this is why you want to have the ability
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ใญ๏ผŸ ใ ใ‹ใ‚‰ใ€ใ“ใ‚ŒใŒใ‚ใชใŸใŒ่‡ชๅˆ†ใฎๅฃฐใ‚’ใ‚ณใƒณใƒˆใƒญใƒผใƒซใงใใ‚‹ใ‚ˆใ†ใซใ—ใŸใ„็†็”ฑใงใ™
04:28
to control your voice, and then you can choose whatever you like most. But the most important
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ใ€‚ ใ—ใ‹ใ—ใ€ๆœ€ใ‚‚้‡่ฆใช
04:32
thing. Is that you have the power to control it and the exercise that we're going to do
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ใ“ใจใ€‚ ใ‚ใชใŸใซใฏใใ‚Œใ‚’ๅˆถๅพกใ™ใ‚‹ๅŠ›ใŒใ‚ใ‚‹ใจใ„ใ†ใ“ใจใงใ™ใ€‚ใ“ใ‚Œใ‹ใ‚‰ ่กŒใ†ๆผ”็ฟ’ใฏใ€
04:37
in a second are going to help you identify the different places.
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ใ•ใพใ–ใพใชๅ ดๆ‰€ใ‚’็‰นๅฎšใ™ใ‚‹ใฎใซๅฝน็ซ‹ใกใพใ™ใ€‚ ๅฃฐใฎๆฝœๅœจ่ƒฝๅŠ›ใ‚’ๅๅˆ†ใซ
04:41
The last reason why you may not be using your full vocal potential could be cultural. In
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็™บๆฎใงใใชใ„ๆœ€ๅพŒใฎ็†็”ฑใฏใ€ ๆ–‡ๅŒ–็š„ใชใ‚‚ใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚
04:48
some cultures it is considered to be rude, inappropriate, and unacceptable sometimes
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ไธ€้ƒจใฎๆ–‡ๅŒ–ใงใฏใ€ๅคงๅฃฐใง่ฉฑใ™ใ“ใจใฏๅคฑ็คผใง ไธ้ฉๅˆ‡ใงใ‚ใ‚Šใ€ๆ™‚ใซใฏๅ—ใ‘ๅ…ฅใ‚Œใ‚‰ใ‚Œใชใ„ใจ่ฆ‹ใชใ•ใ‚Œใพใ™
04:55
to speak at a higher volume. If you grew up hearing around you all of the
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ใ€‚
05:00
time, "You gotta be quiet", "You speak too loudly, shut up", then of course, it's going
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ใ€Œ้™ใ‹ใซใ—ใชใใ‚ƒใ€ใ€Œ ๅคงๅฃฐใงใ—ใ‚ƒในใ‚‹ใ‹ใ‚‰้ป™ใฃใฆใ€ใชใฉใจๅ‘จใ‚Šใงใ„ใคใ‚‚่žใ„ใฆ่‚ฒใฃใŸใจใ—ใŸใ‚‰ใ€ใ‚‚ใกใ‚ใ‚“ใ€ใใ‚Œใฏ
05:06
to affect the voice that you have as an adult. So the first thing is to be aware of that,
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ๅคงไบบใจใ—ใฆใฎๅฃฐใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใ‚‹ใงใ—ใ‚‡ใ†ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ๆœ€ๅˆใซใใ‚Œใ‚’่ช่ญ˜ใ—ใ€ๅ‘จๅ›ฒ
05:12
and to know that what you have heard from the surroundings does not mean that it is
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ใ‹ใ‚‰่žใ„ใŸใ“ใจใŒ็œŸๅฎŸใงใ‚ใ‚‹ใจใฏ ้™ใ‚‰ใšใ€ใใ‚ŒใŒ
05:18
true and it is the right thing to do, especially when you need to communicate in English. And
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ๆญฃใ—ใ„ใ“ใจใงใ‚ใ‚‹ใจใฏ้™ใ‚‰ใชใ„ใ“ใจใ‚’็Ÿฅใ‚‹ใ“ใจใงใ™ใ€‚็‰นใซ ่‹ฑ่ชžใงใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใ‚’ใจใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ๅ ดๅˆใฏใใ†ใงใ™ใ€‚ ใใ—ใฆ
05:24
English is a language that is vocally expressive. You express a lot of emotions in English.
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่‹ฑ่ชžใฏๅฃฐใซๅ‡บใ—ใฆ่กจ็พๅŠ›่ฑŠใ‹ใช่จ€่ชžใงใ™ใ€‚ ใ‚ใชใŸใฏ่‹ฑ่ชžใงใŸใใ•ใ‚“ใฎๆ„Ÿๆƒ…ใ‚’่กจ็พใ—ใพใ™ใ€‚
05:30
And if you want to be a powerful communicator, and if you want for people to hear you, you
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ๅผทๅŠ›ใชใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ฟใƒผใซใชใ‚ŠใŸใ„ๅ ดๅˆใ€ ใใ—ใฆไบบใ€…ใซ่‡ชๅˆ†ใฎๅฃฐใ‚’่žใ„ใฆใ‚‚ใ‚‰ใ„ใŸใ„ๅ ดๅˆใฏใ€ๅฃฐใ‚’
05:36
got to have those tools to speak up and use your voice fully. So, it's not only a physical
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ไธŠใ’ใฆ็™บ่จ€ใ™ใ‚‹ใŸใ‚ใฎใƒ„ใƒผใƒซใŒๅฟ…่ฆใงใ™ ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใใ‚Œใฏ็‰ฉ็†็š„ใชใ“ใจใ ใ‘ใงใชใ
05:43
thing, it is also a mental thing. So you want to cut those ties with those ideas that have
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ใ€็ฒพ็ฅž็š„ใชใ“ใจใงใ‚‚ใ‚ใ‚Šใพใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€
05:49
led to your fear of using your full voice. And the way I see it, it's not a matter of
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่‡ชๅˆ†ใฎๅฃฐใ‚’ใƒ•ใƒซใซไฝฟใ†ใ“ใจใธใฎๆๆ€–ใซใคใชใŒใฃใŸใ‚ขใ‚คใƒ‡ใ‚ขใจใฎ็ตใณใคใใ‚’ๆ–ญใกๅˆ‡ใ‚ŠใŸใ„ใฎใงใ™ใ€‚ ใใ—ใฆใ€็งใฎ่ฆ‹ๆ–นใงใฏใ€ใใ‚Œใฏ
05:56
being angry at it or resentful or frustrated, it is how it is. There are some beautiful
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ๆ€’ใฃใŸใ‚Šใ€ๆ†คๆ…จใ—ใŸใ‚Šใ€ไธๆบ€ใ‚’ๆ„Ÿใ˜ใŸใ‚Šใ™ใ‚‹ใ“ใจใงใฏใชใใ€ใใฎ ้€šใ‚Šใงใ™ใ€‚
06:02
things about your culture that serve you so well, but some things may not serve you that
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ใ‚ใชใŸใฎๆ–‡ๅŒ–ใซใฏใ€ใ‚ใชใŸใซๅฝน็ซ‹ใค็พŽใ—ใ„ใ‚‚ใฎใŒใ„ใใคใ‹ใ‚ใ‚Šใพใ™ ใŒใ€ใ‚ใชใŸใซใใ‚Œใปใฉๅฝน็ซ‹ใŸใชใ„ใ‚‚ใฎใ‚‚ใ‚ใ‚Šใพใ™
06:07
well. So as an adult, it's okay to say, "I want
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. ๅคงไบบใจใ—ใฆใ€ใ€Œ็งใฏ
06:10
to take this, but I don't want to take that anymore because this has been limiting for
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ใ“ใ‚Œใ‚’ๅ–ใ‚ŠใŸใ„ใŒใ€ใ“ใ‚Œใฏใ‚‚ใ†ๅ–ใ‚ŠใŸใใชใ„ใ€‚ ใชใœใชใ‚‰ใ€ใ“ใ‚Œใฏ
06:15
me as my adult self, and I don't want to use that anymore". And with the exercises I'm
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็งใฎๅคงไบบใจใ—ใฆใฎ็งใซใจใฃใฆๅˆถ้™็š„ใงใ‚ใ‚Šใ€็งใฏ ใ‚‚ใ†ใใ‚Œใ‚’ไฝฟใ„ใŸใใชใ„ใ‹ใ‚‰ใงใ™ใ€ใจ่จ€ใ†ใฎใฏๅคงไธˆๅคซใงใ™. .
06:20
going to share in the video, you will be able to find different expressions for your voice.
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ๅ‹•็”ปใง็ดนไป‹ใ™ใ‚‹ใ‚จใ‚ฏใ‚ตใ‚ตใ‚คใ‚บใ‚’ไฝฟใˆใฐใ€ ่‡ชๅˆ†ใฎๅฃฐใฎใ•ใพใ–ใพใช่กจ็พใ‚’่ฆ‹ใคใ‘ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
06:25
The first thing we're going to do is to start with a facial warmup. So you want to identify
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ๆœ€ๅˆใซใ‚„ใ‚ใ†ใจใ—ใฆใ„ใ‚‹ใฎใฏใ€ ้ก”ใฎใ‚ฆใ‚ฉใƒผใƒ ใ‚ขใƒƒใƒ—ใ‹ใ‚‰ๅง‹ใ‚ใ‚‹ใ“ใจใงใ™ใ€‚
06:31
if you have some stress in your jaw, so maybe around here. And maybe move your jaw with
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ใ‚ใ”ใซใ‚นใƒˆใƒฌใ‚นใŒใ‚ใ‚‹ใ‹ใฉใ†ใ‹ใ‚’็‰นๅฎšใ—ใŸใ„ใฎใงใ€ใŠใใ‚‰ใ ใ“ใฎใ‚ใŸใ‚Šใงใ™ใ€‚ ใใ—ใฆใ€ๆ‰‹ใง้กŽใ‚’ๅ‹•ใ‹ใ—
06:42
your hand, slide your fingers down so your jaw dropped. And then you can also release
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ใ€ๆŒ‡ใ‚’ไธ‹ใซใ‚นใƒฉใ‚คใƒ‰ใ•ใ›ใฆ ้กŽใ‚’่ฝใจใ—ใพใ™ใ€‚ ใใ—ใฆใ€
06:49
a sound - 'aaahhh'. Now try to make the sound come out of your gut, of your belly, of your
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ใ€Œใ‚ใ‚ใ‚ใ‚ใ€ใจใ„ใ†้Ÿณใ‚’ๅ‡บใ™ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ไปŠๅบฆใฏใ€ ่…ธใ€ใŠ่…นใ€่ƒธใ‹ใ‚‰้ŸณใŒๅ‡บใ‚‹ใ‚ˆใ†ใซใ—ใฆใฟใฆ
06:57
chest - 'aaahhh', don't lock it and massage your jaw.
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ใใ ใ•ใ„ ใ€‚
07:05
The next thing you want to do is to release that tension. So I want you to take your hands
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ๆฌกใซใ‚„ใ‚ŠใŸใ„ใ“ใจใฏใ€ใใฎ็ทŠๅผตใ‚’่งฃๆ”พใ™ใ‚‹ใ“ใจใงใ™ ใ€‚ ใ ใ‹ใ‚‰ๆ‰‹ใ‚’ใจใฃใฆ
07:09
and grab your chin like that. And first of all, see if you can move your chin freely.
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ใ‚ใ”ใ‚’ๆŽดใ‚“ใงใปใ—ใ„ใ€‚ ใพใšใ€ใ‚ใ”ใŒ่‡ช็”ฑใซๅ‹•ใ‹ใ›ใ‚‹ใ‹ใฉใ†ใ‹ใ‚’็ขบ่ชใ—ใพใ™ใ€‚
07:19
If what happens is this - your hands are moving, but your jaw is not moving at all, which is
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ใ“ใ‚ŒใŒ่ตทใ“ใฃใŸๅ ดๅˆ - ใ‚ใชใŸใฎๆ‰‹ใฏๅ‹•ใ„ใฆใ„ใพใ™ ใŒใ€ใ‚ใชใŸใฎ้กŽใฏใพใฃใŸใๅ‹•ใ„ใฆใ„ใพใ›ใ‚“. ใ“ใ‚Œใฏ
07:25
usually the case, than you, first of all, want to be aware of it, right, and relax a
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้€šๅธธใฎๅ ดๅˆใงใ™
07:30
bit more. And see how you can let go of the control of your jaw. So you want to be very
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. ใใ—ใฆใ€้กŽใฎใ‚ณใƒณใƒˆใƒญใƒผใƒซใ‚’ๆ‰‹ๆ”พใ™ๆ–นๆณ•ใ‚’่ฆ‹ใฆใใ ใ•ใ„ ใ€‚ ใใฎใŸใ‚ใ€
07:41
aware of what's going on there. And then you want to release air. And as you
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ใใ“ใงไฝ•ใŒ่ตทใ“ใฃใฆใ„ใ‚‹ใฎใ‹ใ‚’ๅๅˆ†ใซ่ช่ญ˜ใ—ใฆใŠใๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚ ใใ—ใฆใ€ใ‚ใชใŸใฏ็ฉบๆฐ—ใ‚’่งฃๆ”พใ—ใŸใ„.
07:47
release air, you want to move the jaw really fast, like this. Let's do it again. So I'm
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็ฉบๆฐ—ใ‚’ๆŠœใใจใใฏใ€ใ“ใฎใ‚ˆใ†ใซ้กŽใ‚’้žๅธธใซ้€Ÿใๅ‹•ใ‹ใ—ใพใ™ ใ€‚ ใ‚‚ใ†ไธ€ๅบฆใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚ ใจใ„ใ†ใ‚ใ‘ใง
07:56
going to do it from here. Look, take a deep breath, and release air. So again, if this
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ใ“ใ“ใ‹ใ‚‰ใ‚„ใฃใฆใ„ใใพใ™ใ€‚ ่ฆ‹ใฆใ€ๆทฑๅ‘ผๅธใ—ใฆ ใ€็ฉบๆฐ—ใ‚’ๆŠœใ„ใฆใ€‚ ็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€ใ“ใ‚ŒใŒ
08:05
is what's happening - you are just moving your hands and your elbows, then your jaw
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่ตทใ“ใฃใฆใ„ใ‚‹ๅ ดๅˆ - ๆ‰‹ใจ่‚˜ใ‚’ๅ‹•ใ‹ใ—ใฆใ„ใ‚‹ใ ใ‘ใง ใ€้กŽใฏ
08:13
is still locked and you want to relax it. It will really help you with all those open
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ใพใ ใƒญใƒƒใ‚ฏใ•ใ‚Œใฆใ„ใ‚‹ใฎใงใ€ใƒชใƒฉใƒƒใ‚ฏใ‚นใ—ใŸใ„. ใ‚ใ”ใ‚’้–‹ใ„ใฆใ‚นใƒ ใƒผใ‚บใซๅ‹•ใ‹ใ•ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ใ€
08:18
vowel sounds like 'aa' and 'ei' and 'ow', where you have to open and move your jaw
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ใ€Œใ‚ใƒผใ€ใ€ใ€Œใˆใ„ใ€ใ€ใ€ŒใŠใƒผใ€ใชใฉใฎใ™ในใฆใฎ้–‹ๆ”พๆฏ้Ÿณใซๆœฌๅฝ“ใซๅฝน็ซ‹ใกใพใ™
08:24
smoothly. But also it will help you with not holding tension that affects your vocal quality.
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ใ€‚ ใพใŸใ€ ๅฃฐใฎ่ณชใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใ‚‹็ทŠๅผตใ‚’ๆŠ‘ใˆใ‚‹ใฎใซใ‚‚ๅฝน็ซ‹ใกใพใ™ใ€‚
08:33
And now I want you to add voice to it like we did at the beginning when we massaged the
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ใใ—ใฆใ€ๆœ€ๅˆใซ้กŽใ‚’ใƒžใƒƒใ‚ตใƒผใ‚ธใ—ใŸใจใใฎใ‚ˆใ†ใซใ€้Ÿณๅฃฐใ‚’่ฟฝๅŠ ใ—ใฆใปใ—ใ„
08:38
jaw. You hear that funny voice that comes out? Yeah, you can laugh, it's okay.
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. ๅ‡บใฆใใ‚‹ๅค‰ใชๅฃฐใŒ่žใ“ใˆใพใ™ใ‹ ๏ผŸ ใ†ใ‚“ใ€็ฌ‘ใˆใ‚‹ใ‚ˆใ€ๅคงไธˆๅคซใ€‚
08:49
Now I want you to relax everything and release everything with <Lip trill>. Now, you want
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ไปŠใฏใ™ในใฆใ‚’ใƒชใƒฉใƒƒใ‚ฏใ‚นใ•ใ›ใฆ ๏ผœใƒชใƒƒใƒ—ใƒˆใƒชใƒซ๏ผžใงใ™ในใฆใ‚’่งฃๆ”พใ—ใฆใปใ—ใ„ใ€‚ ใ“ใ“ใงใ€
08:58
to go up and down to explore the entire range of your voice. <Lip trill>
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ไธŠไธ‹ใซ็งปๅ‹•ใ—ใฆใ€ๅฃฐใฎๅ…จ็ฏ„ๅ›ฒใ‚’ๆŽข็ดขใ—ใพใ™ ใ€‚ <ใƒชใƒƒใƒ—ใƒˆใƒชใƒซ>
09:05
Now you may feel tickles like I'm feeling right now. You can do the same with a tongue
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ไปŠใ€็งใŒไปŠๆ„Ÿใ˜ใฆใ„ใ‚‹ใ‚ˆใ†ใชใƒ ใ‚บใƒ ใ‚บใ‚’ๆ„Ÿใ˜ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ .
09:11
trill - <rrr> - like an R in some languages. <R trill>
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ใ„ใใคใ‹ใฎ่จ€่ชžใฎ R ใฎใ‚ˆใ†ใช่ˆŒใฎใƒˆใƒชใƒซ (<rrr>) ใงใ‚‚ๅŒใ˜ใ“ใจใŒใงใใพใ™ใ€‚ <R trill>
09:18
And now you want to exaggerate chewing a big piece of bubble gum. Exaggerate it, like you're
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ใใ—ใฆไปŠใ€ใ‚ใชใŸใฏ่ช‡ๅผตใ—ใฆๅคงใใช ้ขจ่ˆนใ‚ฌใƒ ใ‚’ๅ™›ใ‚“ใงใ„ใพใ™. ใ‚ใชใŸใŒใใ‚Œใ‚’ใ‚„ใ‚Š้ŽใŽใฆใ„ใ‚‹ใ‚ˆใ†ใซใ€ใใ‚Œใ‚’่ช‡ๅผตใ—ใฆใใ ใ•ใ„
09:28
overdoing it. Like you're a three-year-old and you just got a big piece of bubblegum,
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ใ€‚ ใ‚ใชใŸใŒ 3 ๆญณใฎใจใใ€ ๅคงใใช้ขจ่ˆนใ‚ฌใƒ ใ‚’ๆ‰‹ใซๅ…ฅใ‚ŒใŸใฐใ‹ใ‚Šใงใ€
09:32
and it's hard for you to break it down. And you can hum. And then close your lips and
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ใใ‚Œใ‚’ๅˆ†่งฃใ™ใ‚‹ใฎใŒ้›ฃใ—ใ„ใจใ—ใพใ™ใ€‚ ใใ—ใฆใ€ ใ‚ใชใŸใฏใƒใƒŸใƒณใ‚ฐใงใใพใ™ใ€‚ ใใ—ใฆใ€ๅ”‡ใ‚’้–‰ใ˜ใฆ
09:43
keep on chewing. Good. The next thing you want to do is to loosen
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ๅ™›ใฟ็ถšใ‘ใพใ™ใ€‚ ่‰ฏใ„ใ€‚ ๆฌกใซใ‚„ใ‚ŠใŸใ„ใ“ใจใฏใ€
09:52
up your body and to feel a bit more powerful and in control. Because if you hold tension,
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ไฝ“ใ‚’็ทฉใ‚ใฆใ€ใ‚‚ใ†ๅฐ‘ใ—ใƒ‘ใƒฏใƒ•ใƒซใง ใ‚ณใƒณใƒˆใƒญใƒผใƒซใงใใ‚‹ใ‚ˆใ†ใซใ™ใ‚‹ใ“ใจใงใ™. ็ทŠๅผตใ‚’ไฟใฆใฐใ€
09:58
it will show up in your voice, but also in your confidence. Because when you feel that
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ๅฃฐใ ใ‘ใงใชใ่‡ชไฟกใซใ‚‚่กจใ‚Œใ‚‹ใ‹ใ‚‰ใงใ™ ใ€‚
10:02
you've all fired up, of course it's going to affect the way you communicate in a second
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ๅ…จๅ“กใŒๆฐ—ๅˆใ‚’ๅ…ฅใ‚ŒใŸใจๆ„Ÿใ˜ใ‚‹ใจใ€ใ‚‚ใกใ‚ใ‚“ใ€ ็ฌฌไบŒ่จ€่ชžใงใฎใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณๆ–นๆณ•ใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใ‚‹ใ‹ใ‚‰ใงใ™
10:08
language. So, what I want you to do now is to dance.
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ใ€‚ ใ ใ‹ใ‚‰ใ€ไปŠใ‚ใชใŸใซใ‚„ใฃใฆใ‚‚ใ‚‰ใ„ใŸใ„ใฎใฏใƒ€ใƒณใ‚นใงใ™ใ€‚
10:13
Yes! Dancing is so incredibly powerful. So stand up, we're going to do it together. I'm
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ใฏใ„๏ผ ใƒ€ใƒณใ‚นใฏใจใฆใ‚‚ใƒ‘ใƒฏใƒ•ใƒซใงใ™ใ€‚ ใ ใ‹ใ‚‰ ็ซ‹ใกไธŠใŒใฃใฆใ€ไธ€็ท’ใซใ‚„ใ‚ใ†ใ€‚ ็งใฏ
10:19
going to play my favorite song, but you are going to play your favorite song when it's
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็งใฎๅฅฝใใชๆ›ฒใ‚’ๆผ”ๅฅใ—ใพใ™ใŒใ€ใ‚ใชใŸใฏๆ™‚้–“ใซ ใชใฃใŸใ‚‰ใ‚ใชใŸใฎๅฅฝใใชๆ›ฒใ‚’ๆผ”ๅฅใ—ใพใ™
10:23
time. A song that kinda like gets you all grooving and enjoying it. Are you ready? Let's
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. ใกใ‚‡ใฃใจๅฅฝใใชๆ›ฒใฏใ€ใฟใ‚“ใชใ‚’ ใ‚ฐใƒซใƒผใƒดใ•ใ›ใฆๆฅฝใ—ใ‚“ใงใ‚‚ใ‚‰ใ„ใพใ™ใ€‚ ๆบ–ๅ‚™ใฏใงใใŸใ‹๏ผŸ
10:31
do this. Yes, yes, even you that you're sitting right
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ใ“ใ‚Œใ‚’ใ‚„ใ‚ใ†ใ€‚ ใฏใ„ใ€ใฏใ„ใ€ไปŠๅบงใฃใฆใ„ใ‚‹ใ‚ใชใŸใ‚‚
10:33
now watching me? Now I want you to stand up and tell everyone in the house to go to the
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็งใ‚’่ฆ‹ใฆใ„ใพใ™ใ‹๏ผŸ ็ซ‹ใกไธŠใŒใฃใฆใ€ ๅฎถใฎใฟใ‚“ใชใซ
10:38
kitchen or something and dance with me. Are you ready? Let's do this.
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ใ‚ญใƒƒใƒใƒณใ‹ไฝ•ใ‹ใซ่กŒใฃใฆ็งใจไธ€็ท’ใซ่ธŠใ‚‹ใ‚ˆใ†ใซ่จ€ใฃใฆใใ ใ•ใ„ใ€‚ ๆบ–ๅ‚™ใฏใงใใŸใ‹ ๏ผŸ ใ“ใ‚Œใ‚’ใ‚„ใ‚ใ†ใ€‚
10:47
That felt good. Let's move on. After you got done with your dancing and you
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ใใ‚Œใฏใ„ใ„ๆ„Ÿใ˜ใงใ—ใŸใ€‚ ๆฌกใธ็งปใ‚Šใพใ—ใ‚‡ใ†ใ€‚ ใƒ€ใƒณใ‚นใ‚’็ต‚ใˆใฆใ‚ณใƒƒใƒ—
11:00
had a glass of water, I want you to explore your voice. What does that mean? You want
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ไธ€ๆฏใฎๆฐดใ‚’้ฃฒใ‚“ใ ใ‚‰ใ€่‡ชๅˆ†ใฎๅฃฐใ‚’ๆŽขๆฑ‚ใ—ใฆใปใ—ใ„ . ใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ ใ‚ใชใŸใฏ่‡ชๅˆ†ใฎไฝ“ใฎไธญใง
11:05
to find the different places of resonance in your body.
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ๅ…ฑ้ณดใ™ใ‚‹ใ•ใพใ–ใพใชๅ ดๆ‰€ใ‚’่ฆ‹ใคใ‘ใŸใ„ใจๆ€ใฃใฆใ„ใพใ™ ใ€‚
11:09
So first of all, start with just releasing sound. Good. Now do it again, and as you do
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ใชใฎใงใ€ใพใšใฏ้Ÿณใ‚’ๅ‡บใ™ใจใ“ใ‚ใ‹ใ‚‰ใ‚นใ‚ฟใƒผใƒˆ ใ€‚ ่‰ฏใ„ใ€‚ ใ‚‚ใ†ไธ€ๅบฆใ‚„ใ‚Š็›ดใ—ใฆใ€
11:20
it, just tap on your chest. Try to kind of like release that voice that
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่ƒธใ‚’ใŸใŸใ„ใฆใใ ใ•ใ„ใ€‚ ใ“ใ“ใซ้–‰ใ˜่พผใ‚ใ‚‰ใ‚ŒใŸ ๅฃฐใ‚’่งฃๆ”พใ—ใฆใฟใฆใใ ใ•ใ„
11:25
is locked in here. And when you do it, hold your palms like this and, thankfully, I don't
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ใ€‚ ใใ—ใฆใ€ใ‚ใชใŸใŒใใ‚Œใ‚’ใ™ใ‚‹ใจใใ€ ใ‚ใชใŸใฎๆ‰‹ใฎใฒใ‚‰ใ‚’ใ“ใฎใ‚ˆใ†ใซๆŒใฃใฆใใ ใ•ใ„ใ€ใใ—ใฆใ‚ใ‚ŠใŒใŸใ„ใ“ใจใซใ€็งใฏ
11:37
have a neck mic. And try to release it and to bring the voice to all those weird places
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ใƒใƒƒใ‚ฏใƒžใ‚คใ‚ฏใ‚’ๆŒใฃใฆใ„ใพใ›ใ‚“. ใใ—ใฆใ€ใใ‚Œใ‚’่งฃๆ”พใ—ใฆใ€่‡ชๅˆ†ใฎๅฃฐใŒๅ…ฑ้ณดใ™ใ‚‹ในใใ ใจๆ€ใฃใฆใ„ใชใ‹ใฃใŸ ใ™ในใฆใฎๅฅ‡ๅฆ™ใชๅ ดๆ‰€ใซๅฃฐใ‚’ๅฑŠใ‘ใ‚‹ใ‚ˆใ†ใซใ—ใฆใใ ใ•ใ„
11:44
that you never thought your voice should resonate in.
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ใ€‚
11:52
And go a little lower. So if your voice is going to be here <high voice> - I mean, it's
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ใใ—ใฆใ€ๅฐ‘ใ—ไฝŽใใ—ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใ‚ใชใŸใฎๅฃฐใŒ ใ“ใ“ใซๆฅใ‚‹ใชใ‚‰ <้ซ˜ใ„ๅฃฐ> - ใคใพใ‚Šใ€
11:58
still okay, but it's not going to find that natural place of resonance, which is in the
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ใใ‚Œใงใ‚‚ๅคงไธˆๅคซใงใ™ใŒใ€่ƒธใซใ‚ใ‚‹่‡ช็„ถใชๅ…ฑ้ณดๅ ดๆ‰€ใ‚’่ฆ‹ใคใ‘ใ‚‹ใ“ใจใฏใงใใพใ›ใ‚“
12:03
chest. The chest likes lower tones, lower frequencies, like to resonate in a larger
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. ่ƒธใฏไฝŽใ„้Ÿณใ€ไฝŽใ„ ๅ‘จๆณขๆ•ฐใ‚’ๅฅฝใฟใ€่ƒธใฎๅบƒใ„็ฉบ้–“ใงๅ…ฑ้ณดใ™ใ‚‹ใฎใŒๅฅฝใใงใ™
12:10
space in the chest. So let's do it again. Good.
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ใ€‚ ใใ‚Œใงใฏใ€ใ‚‚ใ†ไธ€ๅบฆใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚ ่‰ฏใ„ใ€‚
12:19
Now you want to do the same thing with your voice, cause some people tend to go too low
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ๅฃฐใŒไฝŽใใชใ‚Šใ™ใŽใฆใ€
12:24
and kind of like their voices locked here. So for those of you who feel that this is
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ๅฃฐใŒใ“ใ“ใงใƒญใƒƒใ‚ฏใ•ใ‚Œใฆใ—ใพใ†ๅ‚พๅ‘ใŒใ‚ใ‚‹ไบบใ‚‚ใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใ“ใ“ใซ
12:29
where your voice is, I want you to bring it up here. And kind of like tap on the nasal
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่‡ชๅˆ†ใฎๅฃฐใŒใ‚ใ‚‹ใจๆ„Ÿใ˜ใฆใ„ใ‚‹ไบบใฏใ€ ใ“ใ“ใงๅ–ใ‚ŠไธŠใ’ใฆใปใ—ใ„ใ€‚ ใใ—ใฆใ€
12:39
cavities here. Maybe go to the nose and deliberately create
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ใ“ใ“ใฎ้ผป่…”ใ‚’่ปฝใใŸใŸใใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚ ใŸใถใ‚“ใ€้ผปใซ่กŒใฃใฆใ€ๆ„ๅ›ณ็š„ใซ้ผป
12:45
sound in the nose. Just to identify how you can control your voice and move it between
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ใง้Ÿณใ‚’ๅ‡บใ—ใพใ™ใ€‚ ่‡ชๅˆ†ใฎๅฃฐใ‚’ใฉใฎใ‚ˆใ†ใซๅˆถๅพกใ—ใ€
12:54
different places in your body. So nose. You can kind of like hold it and feel the vibrations
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ไฝ“ใฎใ•ใพใ–ใพใชๅ ดๆ‰€ใซ็งปๅ‹•ใงใใ‚‹ใ‹ใ‚’็‰นๅฎšใ™ใ‚‹ใ ใ‘ใงใ™ใ€‚ ใ ใ‹ใ‚‰้ผปใ€‚ ใ“ใ“ใงๆ‰‹ใซ ๆŒใฃใฆๆŒฏๅ‹•ใ‚’ๆ„Ÿใ˜ใ‚‹ใ“ใจใŒใงใใพใ™
13:02
here. And then move it to your cheeks. And maybe feel it in your throat. And bring it
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ใ€‚ ใใ—ใฆใ€้ ฌใซๅ‹•ใ‹ใ—ใพใ™ใ€‚ ใใ—ใฆใ€ ๅ–‰ใงๆ„Ÿใ˜ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ใใ—ใฆ
13:12
to your chest. And also tap on all your organs just to wake it up, wake up your body. It's
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่ƒธใซๅฏ„ใ›ใฆใ€‚ ใพใŸใ€ใ™ในใฆใฎ่‡“ๅ™จใ‚’ใ‚ฟใƒƒใƒ—ใ—ใฆ ็›ฎ่ฆšใ‚ใ•ใ›ใ€ไฝ“ใ‚’็›ฎ่ฆšใ‚ใ•ใ›ใพใ™ใ€‚ ใใ‚Œใฏ
13:26
good. Okay. Roll your shoulders back. And now we're
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่‰ฏใ„ใงใ™ใ€‚ ใ‚ใ‹ใฃใŸใ€‚ ่‚ฉใ‚’ๅพŒใ‚ใซๅ›žใ—ใพใ™ใ€‚ ใใ—ใฆไปŠใ€
13:30
going to work on expanding your chest to allow more space here. So kinda like roll your shoulders
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่ƒธใ‚’ๅบƒใ’ใฆใ€ ใ“ใ“ใซใ‚ˆใ‚Šๅคšใใฎใ‚นใƒšใƒผใ‚นใ‚’็ขบไฟใ™ใ‚‹ใ“ใจใซๅ–ใ‚Š็ต„ใฟใพใ™. ่‚ฉใ‚’ๅพŒใ‚ใซๅ›žใ—ใฆ
13:35
back and expand your chest. Good. And you can release sound as well. And give yourself
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่ƒธใ‚’ๅผตใ‚‹ใ‚ˆใ†ใชๆ„Ÿใ˜ใงใ™ใ€‚ ่‰ฏใ„ใ€‚ ใพใŸใ€ใ‚ตใ‚ฆใƒณใƒ‰ใ‚’ใƒชใƒชใƒผใ‚นใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ใใ—ใฆใ€
13:44
permission to feel that, to make a sound. Okay, good. The next thing we're going to
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ใใ‚Œใ‚’ๆ„Ÿใ˜ใ€้Ÿณใ‚’ๅ‡บใ™่จฑๅฏใ‚’่‡ชๅˆ†ใซไธŽใˆใฆใใ ใ•ใ„ใ€‚ ใ‚ใ‹ใ‚Šใพใ—ใŸใ€‚ ๆฌกใซ
13:55
do is to explore the versatility of your voice. So I want you to take one sentence and use
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่กŒใ†ใ“ใจใฏใ€ใ‚ใชใŸใฎๅฃฐใฎๅคšๆง˜ๆ€งใ‚’ๆŽขใ‚‹ใ“ใจใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€1ใคใฎๆ–‡ใ‚’ๅ–ใ‚ŠไธŠใ’ใฆใ€
14:00
it in all of the different voices that you have. I want you to experiment with it. And
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ใ‚ใชใŸใŒๆŒใฃใฆใ„ใ‚‹ใ•ใพใ–ใพใชๅฃฐใฎใ™ในใฆใงใใ‚Œใ‚’ไฝฟ็”จใ—ใฆใใ ใ•ใ„ . ๅฎŸ้จ“ใ—ใฆใปใ—ใ„ใ€‚ ใใ—ใฆใ€
14:06
really don't judge yourself, and don't do it around people that might ridicule you because
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ๆœฌๅฝ“ใซ่‡ชๅˆ†่‡ช่บซใ‚’ๅˆคๆ–ญใ—ใชใ„ใงใใ ใ•ใ„ใ€‚ใพใŸใ€ ใ‚ใชใŸใ‚’ๅ˜ฒ็ฌ‘ใ™ใ‚‹ๅฏ่ƒฝๆ€งใฎใ‚ใ‚‹ไบบใ€…ใฎๅ‘จใ‚Šใงใใ‚Œใ‚’ใ—ใชใ„ใงใใ ใ•ใ„ใ€‚
14:11
this is not helpful. And anyway you want to give them a piece of
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ใ“ใ‚Œใฏๅฝนใซ็ซ‹ใŸใชใ„ใ‹ใ‚‰ใงใ™. ใจใซใ‹ใใ€ๅฝผใ‚‰ใŒ
14:15
your mind if they make fun of you. Because they are the ones sitting and watching other
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ใ‚ใชใŸใ‚’ใ‹ใ‚‰ใ‹ใ†ใชใ‚‰ใ€ใ‚ใชใŸใฏๅฝผใ‚‰ใซใ‚ใชใŸใฎๅฟƒใฎไธ€้ƒจใ‚’ไธŽใˆใŸใ„. ๅฝผใ‚‰ใฏๅบงใฃใฆไป–ใฎ
14:20
people doing the work. And you are doing the work. Just saying.
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ไบบใŒไป•ไบ‹ใ‚’ใ—ใฆใ„ใ‚‹ใฎใ‚’่ฆ‹ใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚ ใใ—ใฆใ€ใ‚ใชใŸใฏไป•ไบ‹ใ‚’ใ—ใฆใ„ใพใ™ ใ€‚ ใŸใ ่จ€ใฃใฆใ€‚
14:25
So let's take this one phrase, one simple phrase. Let's try "What do you want?" And
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ใใ‚Œใงใฏใ€ใ“ใฎ 1 ใคใฎใƒ•ใƒฌใƒผใ‚บใ€1 ใคใฎๅ˜็ด”ใชใƒ•ใƒฌใƒผใ‚บใ‚’ๅ–ใ‚ŠไธŠใ’ใพใ—ใ‚‡ใ† ใ€‚ ใ€Œไฝ•ใŒๆฌฒใ—ใ„ใฎ๏ผŸใ€ใ‚’่ฉฆใ—ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ใใ—ใฆ
14:29
say it in your normal voice - "What do you want?" And then I want you to explore it with
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ใ„ใคใ‚‚ใฎๅฃฐใงใ€Œไฝ•ใŒ ๆฌฒใ—ใ„ใฎ๏ผŸใ€ใจ่จ€ใฃใฆใใ ใ•ใ„ใ€‚ ใใ—ใฆใ€
14:34
different emotions, different attitudes, and different placements in your body. "What do
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ใ•ใพใ–ใพใชๆ„Ÿๆƒ…ใ€ใ•ใพใ–ใพใชๆ…‹ๅบฆใ€ ไฝ“ใฎใ•ใพใ–ใพใช้…็ฝฎใงใใ‚Œใ‚’ๆŽขๆฑ‚ใ—ใฆใปใ—ใ„. "ใชใ‚“ใงใ—ใ‚‡
14:38
you want?" "What do you want?" "What do you want?" "What do you want?" "What do you want?"
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ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸ"
14:44
So try different voices too. "What do you want?" "What do you want?" "What do you want?"
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ใงใ™ใ‹ใ‚‰ใ€ๅˆฅใฎๅฃฐใ‚‚่ฉฆใ—ใฆใฟใฆใใ ใ•ใ„ใ€‚ "ใชใ‚“ใงใ—ใ‚‡ ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸ"
14:48
"What do you want?" "What do you want?" "What do you want?" Okay. So you are exploring and
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"ใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸ" "ใชใ‚“ใงใ—ใ‚‡ ใ†๏ผŸ" ใ‚ใ‹ใฃใŸใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใ‚ใชใŸใฏ
14:54
showing yourself that you do have different voices. And if this is hard for you, you got
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่‡ชๅˆ†ใŒ็•ฐใชใ‚‹ๅฃฐใ‚’ๆŒใฃใฆใ„ใ‚‹ใ“ใจใ‚’ๆŽขๆฑ‚ใ—ใ€็คบใ—ใฆใ„ใพใ™ ใ€‚ ใ“ใ‚ŒใŒ้›ฃใ—ใ„ๅ ดๅˆใฏใ€
14:59
to practice it because your voice is capable of having this variety.
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ๅฃฐใซ ๅคšๆง˜ๆ€งใŒใ‚ใ‚‹ใŸใ‚ใ€็ทด็ฟ’ใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
15:04
And if you feel that you only have one voice is just because you haven't explored it yet.
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่‡ชๅˆ†ใฎๅฃฐใŒ 1 ใคใ—ใ‹ใชใ„ใจๆ„Ÿใ˜ใฆใ„ใ‚‹ๅ ดๅˆใ€ ใใ‚Œใฏใพใ ๆŽขๆฑ‚ใ—ใฆใ„ใชใ„ใ‹ใ‚‰ใงใ™ใ€‚
15:09
But if you are a human, you should have a very, very wide range of sounds that you can
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ใ—ใ‹ใ—ใ€ใ‚ใชใŸใŒไบบ้–“ใชใ‚‰ใ€ ้žๅธธใซๅน…ๅบƒใ„้Ÿณใ‚’
15:15
create. Because we all have the same spaces in our bodies, and we also have the same muscle
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ไฝœใ‚Šๅ‡บใ™ใ“ใจใŒใงใใ‚‹ใฏใšใงใ™ใ€‚ ็งใŸใกใฏ็š†ใ€ไฝ“ใฎไธญใซๅŒใ˜็ฉบ้–“ใ‚’ๆŒใฃใฆใŠใ‚Š ใ€
15:21
here, the vocal chords that create the voice. Another thing you could do is to take a piece
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ๅฃฐใ‚’็”Ÿใฟๅ‡บใ™ๅฃฐๅธฏใงใ‚ใ‚‹ๅŒใ˜็ญ‹่‚‰ใ‚‚ใ“ใ“ใซใ‚ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚ ใ‚ใชใŸใŒใงใใ‚‹ใ‚‚ใ†ไธ€ใคใฎใ“ใจใฏใ€ใƒ†ใ‚ญใ‚นใƒˆใ‚’ๅ–ใ‚‹ใ“ใจใงใ™
15:26
of text. It could be an email you just received, or it could be a story or an article or a
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ใ€‚ ๅ—ใ‘ๅ–ใฃใŸใฐใ‹ใ‚Šใฎใƒกใƒผใƒซใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ—ใ€ ใ‚นใƒˆใƒผใƒชใƒผใ‚„่จ˜ไบ‹ใ€
15:33
transcript of a TED talk. And you want to say it as if you were telling it to a little
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TED ใƒˆใƒผใ‚ฏใฎใƒˆใƒฉใƒณใ‚นใ‚ฏใƒชใƒ—ใƒˆใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ใใ—ใฆใ€ใพใ‚‹ใง ๅฐใ•ใชๅญไพ›ใซ่ฉฑใ—ใฆใ„ใ‚‹ใ‹ใฎใ‚ˆใ†ใซใใ‚Œใ‚’่จ€ใ„ใŸใ„ใฎใงใ™
15:39
child, and make it very animated and exaggerated just for you to explore the different placements
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ใ€‚่‡ชๅˆ†ใฎๅฃฐใฎใ•ใพใ–ใพใช้…็ฝฎใ‚’ๆŽขใ‚‹ใŸใ‚ใ ใ‘ใซใ€้žๅธธใซ็”Ÿใ็”Ÿใใจใ—ใŸ่ช‡ๅผตใ—ใŸใ‚‚ใฎใซใ—ใพใ™
15:45
of your voice. For example. "It pains me to offend you, but
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ใ€‚ ไพ‹ใˆใฐใ€‚ ใ€Œใ‚ใชใŸใ‚’ๆ€’ใ‚‰ใ›ใฆใ—ใพใ†ใฎใฏๅฟƒ่‹ฆใ—ใ„ใฎใงใ™ใŒใ€ใ‚ใชใŸใŒ่ฟ‘่ฆช่€…ใฎ
15:51
amidst your concern for the defects of your nearest relations, and your displeasure at
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ๆฌ ็‚นใ‚’ๅฟƒ้…ใ—ใ€
15:58
this representation of them, let it give you consolation to consider that, to have conducted
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ๅฝผใ‚‰ใฎใ“ใฎ่กจ็พใซไธๅฟซๆ„Ÿใ‚’่ฆšใˆใ‚‹ไธญใงใ€ ใใ‚Œใ‚’่€ƒๆ…ฎใ—ใฆๆ…ฐใ‚ใ‚’ไธŽใˆใฆใใ ใ•ใ„ใ€‚ ้ž้›ฃ
16:06
yourself so as to avoid any share of the like censure, is praise no less generally bestowed
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ใจๅŒใ˜ใ‚ˆใ†ใซ ใ€ใ‚ใชใŸใซไธ€่ˆฌ็š„ใซไธŽใˆใ‚‰ใ‚Œใ‚‹็งฐ่ณ›ใ‚‚ๅŒๆง˜ใงใ™
16:15
on you..." You see where I'm going. So you want to exaggerate it as if you are
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...ใ€ใ‚ใชใŸใฏ็งใŒใฉใ“ใซ่กŒใใฎใ‹ๅˆ†ใ‹ใ‚Šใพใ™. ใคใพใ‚Šใ€ใ‚ใชใŸใฏใ€่‡ชๅˆ†ใŒๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซไธ‹ๆ‰‹ใชใƒŠใƒฌใƒผใ‚ฟใƒผใงใ‚ใ‚‹ใ‹ใฎใ‚ˆใ†ใซ่ช‡ๅผตใ—ใฆใ€
16:19
a really, really bad narrator, and you're reading this book with overly pathos. But
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ใ“ใฎๆœฌใ‚’้Žๅบฆใซๅ“€ๆ„ใ‚’ๅธฏใณใฆ่ชญใ‚“ใงใ„ใ‚‹ใจใ—ใพใ™ใ€‚ ใ—ใ‹ใ—
16:26
again, when you exaggerate something and you find versatility, you find variety, and then
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ใ€็นฐใ‚Š่ฟ”ใ—ใซใชใ‚Šใพใ™ใŒใ€ไฝ•ใ‹ใ‚’่ช‡ๅผตใ—ใฆ ๅคš็”จ้€”ๆ€งใ‚’่ฆ‹ใคใ‘ใ‚‹ใจใ€ๅคšๆง˜ๆ€งใŒ่ฆ‹ใคใ‹ใ‚Šใ€ใƒˆใƒผใƒณ
16:32
it's a lot easier to tone it down. When I teach pronunciation, I always say it's
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ใƒ€ใ‚ฆใƒณใ™ใ‚‹ใฎใŒใฏใ‚‹ใ‹ใซ็ฐกๅ˜ใซใชใ‚Šใพใ™. ็งใŒ็™บ้Ÿณใ‚’ๆ•™ใˆใ‚‹ใจใใฏใ€
16:36
okay to exaggerate. When you go into speaking, you tone it down anyway. So you might as well
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่ช‡ๅผตใ—ใฆใ‚‚ใ„ใ„ใจใ„ใคใ‚‚่จ€ใฃใฆใ„ใพใ™ใ€‚ ่ฉฑใ—ๅง‹ใ‚ใ‚‹ใจใใฏใ€ ใจใซใ‹ใใƒˆใƒผใƒณใƒ€ใ‚ฆใƒณใ—ใพใ™ใ€‚ ใ—ใŸใŒใฃใฆใ€
16:41
practice it in an exaggerated fashion. So when you tone it down, it probably would still
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ๅคงใ’ใ•ใชๆ–นๆณ•ใง็ทด็ฟ’ใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ใ—ใŸใŒใฃใฆใ€ ใƒˆใƒผใƒณใƒ€ใ‚ฆใƒณใ™ใ‚‹ใจใ€ใŠใใ‚‰ใ
16:47
be a little less than what you should express, but at least it's closer.
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่กจ็พใ™ในใใ‚‚ใฎใ‚ˆใ‚Šใ‚‚ๅฐ‘ใ—ๅฐ‘ใชใใชใ‚‹ใงใ—ใ‚‡ใ†ใŒใ€ ๅฐ‘ใชใใจใ‚‚ใใ‚Œใซ่ฟ‘ใ„ใ‚‚ใฎใซใชใ‚Šใพใ™.
16:52
Now, one of the first thing you should also think about is your breath. Your voice is
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ใ•ใฆใ€ใ‚ใชใŸใŒๆœ€ๅˆใซ่€ƒใˆใ‚‹ในใใ“ใจใฎ1ใคใฏใ€ ใ‚ใชใŸใฎๅ‘ผๅธใงใ™. ใ‚ใชใŸใฎๅฃฐใฏ
16:56
connected to your breath. And if your breath is short, if you're not breathing deeply,
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ๅ‘ผๅธใจใคใชใŒใฃใฆใ„ใพใ™ใ€‚ ๆฏใŒ ็Ÿญใใ€ๆทฑใๅ‘ผๅธใ—ใฆใ„ใชใ„ใจใ€
17:01
then it's going to affect your voice. So I want you to now breathe into your belly.
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ๅฃฐใซๅฝฑ้ŸฟใŒๅ‡บใพใ™ใ€‚ ใ ใ‹ใ‚‰ไปŠใ€ใ‚ใชใŸใฎ่…นใซๆฏใ‚’ๅนใ่พผใ‚“ใงใปใ—ใ„ใ€‚
17:05
Put your palm on your belly and breathe into your palm. A lot of times we just breathe
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ๆ‰‹ใฎใฒใ‚‰ใ‚’ใŠ่…นใซ็ฝฎใใ€ๆ‰‹ใฎใฒใ‚‰ใซๆฏใ‚’ๅนใ่พผใฟใพใ™ ใ€‚ ๅคšใใฎๅ ดๅˆใ€่ƒธใซๆฏใ‚’ๅนใ่พผใ‚€ใ ใ‘ใงใ€
17:12
into the chest and then our breath is very limited. There's a lot more space in the chest.
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ๆฏใŒ้žๅธธใซ ๅˆถ้™ใ•ใ‚Œใพใ™. ่ƒธใฎใ‚นใƒšใƒผใ‚นใŒใ‹ใชใ‚Šๅบƒใใชใ‚Šใพใ—ใŸใ€‚
17:16
I know you might think it's different, but when you breathe through your belly, you drop
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้•ใ†ใจๆ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€ ่…นๅผๅ‘ผๅธใ‚’ใ™ใ‚‹ใจใ€
17:20
the diaphragm and more air enters your body. So you want to breathe, it's like yoga breathing.
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ๆจช้š”่†œใŒไธ‹ใŒใ‚Šใ€ใ‚ˆใ‚Šๅคšใใฎ็ฉบๆฐ—ใŒไฝ“ๅ†…ใซๅ…ฅใ‚Šใพใ™ใ€‚ ๆฏใ‚’ใ—ใŸใ„ใจใ„ใ†ใ“ใจใฏใ€ใƒจใ‚ฌใฎๅ‘ผๅธใฎใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚
17:26
You want to breathe into your belly, and when you release the sound, you want to release
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ใŠ่…นใซๆฏใ‚’ๅนใ่พผใฟใŸใ„ใ—ใ€ ้Ÿณใ‚’ๆ”พใคใจใใฏๆฏใงๆ”พใ—ใŸใ„
17:31
it on your breath. And when you run out of breath, you got to take another breath, and
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ใ€‚ ใใ—ใฆใ€ๆฏใŒๅˆ‡ใ‚ŒใŸใ‚‰ ใ€ใ‚‚ใ†ไธ€ๅบฆๆฏใ‚’ๅธใฃใฆใ€
17:37
then to speak on your breath. I'm probably going to make a different video
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ๆฏใ‚’ๅใๅ‡บใ•ใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“ใ€‚ ๅ‘ผๅธใซใคใ„ใฆใฏ ๅˆฅใฎใƒ“ใƒ‡ใ‚ชใ‚’ไฝœใ‚‹ใคใ‚‚ใ‚Šใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
17:41
about breath, but I just wanted to mention that. So that if you feel that your breath
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ใŒใ€ ใใ‚Œใซใคใ„ใฆ่จ€ๅŠใ—ใŸใ‹ใฃใŸใ ใ‘ใงใ™ใ€‚ ๅ‘ผๅธใŒ
17:47
is a little shallow, you want to work on that, especially, it also calms you down when you
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ๅฐ‘ใ—ๆต…ใ„ใจๆ„Ÿใ˜ใŸใ‚‰ใ€็‰นใซใใ‚Œใซๅ–ใ‚Š็ต„ใฟใŸใ„ใจๆ€ใ„ใพใ™ใ€‚ ็‰นใซใ€
17:52
breathe in and when you fill up your body with oxygen. Of course, it's going to. Help
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ๆฏใ‚’ๅธใฃใŸใ‚Šใ€ไฝ“ใซ ้…ธ็ด ใ‚’ๆบ€ใŸใ—ใŸใ‚Šใ™ใ‚‹ใจ่ฝใก็€ใใพใ™ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€ใใ†ใชใ‚Šใพใ™ใ€‚
17:57
your nerves to calm down. Ahhh, okay, good. If you feel that it's hard for you to connect
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็ฅž็ตŒใ‚’่ฝใก็€ใ‹ใ›ใ‚‹ใฎใซๅฝน็ซ‹ใกใพใ™ใ€‚ ใ‚ใ‚ใ€ใ„ใ„ใ€ใ„ใ„ใ€‚
18:08
with your core and with your lower voice, and you feel that your voice is really soft
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ใ‚ณใ‚ขใจไฝŽใ„ๅฃฐใŒใคใชใŒใ‚Šใซใใใ€ ๅฃฐใŒ้žๅธธใซๅฐใ•ใ„ใ€
18:16
or stuck up here. Or maybe it is down below, but it's stifled like you feel it doesn't
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ใพใŸใฏใ“ใ“ใง่ฉฐใพใฃใฆใ„ใ‚‹ใจๆ„Ÿใ˜ใ‚‹ๅ ดๅˆใ€‚ ใพใŸใฏใ€ใใ‚Œใฏไธ‹ใซใ‚ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ ใŒใ€ๅ…ฑ้ณดใ—ใชใ„ใจๆ„Ÿใ˜ใ‚‹ใ‚ˆใ†ใซๆฏ่‹ฆใ—ใใชใ‚Š
18:22
resonate, you don't have that ring, ring of a voice that is fully expressed. You don't
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ใ€ใใฎใƒชใƒณใ‚ฐใ€ ๅฎŒๅ…จใซ่กจ็พใ•ใ‚ŒใŸๅฃฐใฎใƒชใƒณใ‚ฐใŒใ‚ใ‚Šใพใ›ใ‚“ใ€‚
18:28
hear the voice bounced back to you from the walls of your home, then another great tactic
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ๅฃฐใŒๅฎถใฎๅฃใ‹ใ‚‰่ทณใญ่ฟ”ใฃใฆใใ‚‹ใฎใŒ่žใ“ใˆใชใ„ ๅ ดๅˆใฏใ€็ฌ‘ใฃใฆ่ฉฑใ™ใจใ„ใ†ๅˆฅใฎๅ„ชใ‚ŒใŸๆˆฆ่ก“ใŒ
18:34
is to laugh and to speak. What does that mean? When you laugh, it's
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ใ‚ใ‚Šใพใ™ใ€‚ ใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ ใ‚ใชใŸใŒ็ฌ‘ใ†ใจใใ€ใใ‚Œใฏ
18:39
primal, right? You're activating your core muscles. Let's try it out, it's a lot of fun.
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ใƒ—ใƒฉใ‚คใƒžใƒซใงใ™ใ‚ˆใญ๏ผŸ ไฝ“ๅนนใฎ็ญ‹่‚‰ใ‚’ๆดปๆ€งๅŒ–ใ—ใฆใ„ใพใ™ ใ€‚ ใ‚„ใฃใฆใฟใพใ—ใ‚‡ใ†ใ€ใจใฆใ‚‚ๆฅฝใ—ใ„ใงใ™ใ€‚ ็„ก็†ใ‚„ใ‚Š
18:45
Let's try to force ourselves to laugh. <Laughing> It's real. So, and it's contagious, I know.
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็ฌ‘ใ‚ใ›ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ <็ฌ‘> ๆœฌๅฝ“ใงใ™ใ€‚ ใใ‚Œใงใ€ใใ‚ŒใฏไผๆŸ“ๆ€งใงใ™ใ€็งใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚
19:13
So when you do that, you feel that your voice is expressed a little differently when you
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ใใ†ใ™ใ‚‹ใจใ€่ฉฑใ™ใจใใฎๅฃฐใฎ ่กจ็พใŒๅฐ‘ใ—้•ใ†ใ‚ˆใ†ใซๆ„Ÿใ˜ใพใ™
19:18
speak. So you want to force yourself to laugh and then say something. 'That is so true.
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ใ€‚ ใ ใ‹ใ‚‰ใ€็„ก็†ใ‚„ใ‚Š็ฌ‘ใฃใฆใ‹ใ‚‰ ไฝ•ใ‹่จ€ใ„ใŸใใชใ‚‹ใ€‚ 'ใใ‚Œใฏๆœฌๅฝ“ใงใ™ใ€‚
19:28
So funny. You are so stupid'. And then you want to speak and say something.
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ใจใฆใ‚‚้ข็™ฝใ„ใ€‚ ใ‚ใชใŸใฏใจใฆใ‚‚ๆ„šใ‹ใงใ™ใ€‚ ใใ—ใฆใ€ใ‚ใชใŸใฏไฝ•ใ‹ใ‚’่ฉฑใ—ใŸใ„ใจๆ€ใฃใฆใ„ใพใ™ใ€‚
19:41
'I am so awesome'. Right? And you say it as you're connected with your deep voice. And
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ใ€Œ็งใฏใจใฆใ‚‚็ด ๆ™ดใ‚‰ใ—ใ„ใงใ™ใ€ใ€‚ ๅณ๏ผŸ ใใ—ใฆใ€ใ‚ใชใŸใฏ ๆทฑใ„ๅฃฐใจใคใชใŒใ‚ŠใชใŒใ‚‰ใใ‚Œใ‚’่จ€ใ„ใพใ™ใ€‚ ใใ—ใฆใ€
19:49
it usually happens spontaneously when you laugh. Ah, okay. That was fun.
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ใใ‚Œใฏ้€šๅธธใ€็ฌ‘ใ†ใจใใซ่‡ช็„ถใซ่ตทใ“ใ‚Šใพใ™ ใ€‚ ใ‚ใ€ใใ†ใ€‚ ใใ‚Œใฏๆฅฝใ—ใ‹ใฃใŸใ€‚
19:55
The last thing you want to talk about is the power speech. Now, hear me out all the way
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ๆœ€ๅพŒใซ่ฉฑใ—ใŸใ„ใฎใฏใ€ ใƒ‘ใƒฏใƒผใ‚นใƒ”ใƒผใƒใงใ™ใ€‚ ใงใฏใ€ๆœ€ๅพŒใพใง่žใ„ใฆใใ ใ•ใ„ใ€‚ใ“ใฎใƒ“ใƒ‡ใ‚ชใ‹ใ‚‰
20:01
to the end because if there is one thing I want you to take from this video, it is this.
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1 ใคๅ–ใ‚ŠไธŠใ’ใฆใปใ—ใ„ใ“ใจใŒใ‚ใ‚‹ใจใ™ใ‚Œใฐ ใ€ใใ‚Œใฏใ“ใ‚Œใงใ™ใ€‚ ้ŽๅŽป2ๅนด้–“ใ€
20:07
Because I have done this with my students for the past two years and the results are
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็”Ÿๅพ’ใŸใกใจไธ€็ท’ใซใ“ใ‚Œใ‚’่กŒใฃใฆใใพใ—ใŸใŒใ€ ใใฎ็ตๆžœใฏ
20:11
pretty incredible. This exercise will help you feel more confident,
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้žๅธธใซ็ด ๆ™ดใ‚‰ใ—ใ„ใ‚‚ใฎใงใ—ใŸ. ใ“ใฎใ‚จใ‚ฏใ‚ตใ‚ตใ‚คใ‚บใฏใ€่‡ชไฟกใ‚’ๆŒใฃใฆใ€
20:15
free, and powerful in English. And here's how it works. Choose a monologue from a TV
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่‡ช็”ฑใซใ€ๅŠ›ๅผทใ่‹ฑ่ชžใ‚’่ฉฑใ›ใ‚‹ใ‚ˆใ†ใซใชใ‚‹ใฎใซๅฝน็ซ‹ใกใพใ™ใ€‚ ใใ—ใฆใ€ ใ“ใ‚ŒใŒใฉใฎใ‚ˆใ†ใซๆฉŸ่ƒฝใ™ใ‚‹ใ‹ใงใ™ใ€‚ ใƒ†ใƒฌใƒ“
20:22
show or a movie that is very powerful. That the person is like really upset or excited
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็•ช็ต„ใ‚„ๆ˜ ็”ปใ‹ใ‚‰้žๅธธใซๅŠ›ๅผทใ„ใƒขใƒŽใƒญใƒผใ‚ฐใ‚’้ธใณใพใ™ใ€‚ ใใฎ ไบบใŒๆœฌๅฝ“ใซๅ‹•ๆบใ—ใŸใ‚Šใ€่ˆˆๅฅฎใ—ใŸใ‚Š
20:29
or angry, and they speak out their mind. And you want to take that part and memorize it.
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ใ€ๆ€’ใฃใŸใ‚Šใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใงใ€ๅฝผใ‚‰ใฏ่‡ชๅˆ†ใฎๅฟƒใ‚’่ฉฑใ—ใพใ™ใ€‚ ใใ—ใฆใ€ ใ‚ใชใŸใฏใใฎ้ƒจๅˆ†ใ‚’ๅ–ใ‚Šใ€ใใ‚Œใ‚’ๆš—่จ˜ใ—ใŸใ„.
20:37
And it's very important. Don't skip that part and don't just read it from the page. I mean,
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ใใ—ใฆใ€ใใ‚Œใฏ้žๅธธใซ้‡่ฆใงใ™ใ€‚ ใใฎ้ƒจๅˆ†ใ‚’ใ‚นใ‚ญใƒƒใƒ—ใ—ใŸใ‚Šใ€ ใƒšใƒผใ‚ธใ‹ใ‚‰่ชญใ‚“ใ ใ‚Šใ—ใชใ„ใงใใ ใ•ใ„ใ€‚ ใคใพใ‚Šใ€
20:41
that's also great, but that freedom that you have to use the words freely without having
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ใใ‚Œใ‚‚็ด ๆ™ดใ‚‰ใ—ใ„ใ“ใจใงใ™ใŒใ€
20:47
to analyze it as you read it, having to focus on the letters, having to focus on, "Wait,
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่ชญใ‚“ใงใ„ใ‚‹ใจใใซๅˆ†ๆžใ™ใ‚‹ๅฟ…่ฆใŒใชใใ€ ๆ–‡ๅญ—ใซ้›†ไธญใ—ใชใ‘ใ‚Œใฐใชใ‚‰ใšใ€ใ€Œๅพ…ใฃใฆใ€
20:52
what comes next?" Or, unlike speaking freely, where you have
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ๆฌกใซๆฅใ‚‹ใ‚‚ใฎใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ใพใŸใฏใ€่‡ช็”ฑใซ่ฉฑใ™ใฎใจใฏ็•ฐใชใ‚Šใ€
20:56
to kind of like retrieve the words, and 'how do I put it?', nd then there's all this judgment.
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ๅ˜่ชžใ‚’ๅ–ๅพ—ใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใ€ใ€Œใฉใฎใ‚ˆใ†ใซ ่กจ็พใ™ใ‚Œใฐใ‚ˆใ„ใ‹ใ€ใจใ„ใ†ใ‚ˆใ†ใชใ™ในใฆใฎๅˆคๆ–ญใŒใ‚ใ‚Šใพใ™ใ€‚
21:01
When you memorize a text, it really helps you to feel super expressive and that the
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ใƒ†ใ‚ญใ‚นใƒˆใ‚’ๆš—่จ˜ใ™ใ‚‹ใจใ€้žๅธธใซ ่กจ็พๅŠ›ใŒ่ฑŠใ‹ใซใชใ‚Šใ€
21:06
words flow out easily. And I know that because as an actress I had to memorize many different
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ๅ˜่ชžใŒ็ฐกๅ˜ใซๆตใ‚Œๅ‡บใ™ใ‚ˆใ†ใซใชใ‚Šใพใ™ใ€‚ ๅฅณๅ„ชใจใ—ใฆใ•ใพใ–ใพใชใ‚นใƒ”ใƒผใƒใ‚’ๆš—่จ˜ใ—ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใง
21:11
speeches, and I know it had an immense impact on my English and my fluency. Okay?
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ใ€ใใ‚ŒใŒ ็งใฎ่‹ฑ่ชžๅŠ›ใจๆตๆšขใ•ใซ่จˆใ‚Š็Ÿฅใ‚Œใชใ„ๅฝฑ้Ÿฟใ‚’ไธŽใˆใŸใ“ใจใ‚’็งใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
21:18
So memorize a really powerful speech. And we're going to put a link to a bunch of different
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ใงใ™ใ‹ใ‚‰ใ€ๆœฌๅฝ“ใซๅŠ›ๅผทใ„ใ‚นใƒ”ใƒผใƒใ‚’ๆš—่จ˜ใ—ใฆใใ ใ•ใ„ใ€‚ ใใ—ใฆใ€้ธๆŠžใงใใ‚‹ ใ•ใพใ–ใพใชใ‚นใ‚ฏใƒชใƒ—ใƒˆใธใฎใƒชใƒณใ‚ฏใ‚’ๆŽฒ่ผ‰ใ—ใพใ™
21:24
scripts that you can choose from. And just go ahead and do it, we did all the work for
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ใ€‚ ใใ—ใฆใ€ๅ…ˆใซ ้€ฒใ‚“ใงใใ‚Œใ‚’ๅฎŸ่กŒใ—ใฆใใ ใ•ใ„ใ€‚็งใŸใกใฏใ‚ใชใŸใฎใŸใ‚ใซใ™ในใฆใฎไป•ไบ‹ใ‚’ใ—ใพใ—ใŸ
21:29
you. So you can select one and memorize that speech. And then every single day, or before
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ใ€‚ ใใฎใŸใ‚ใ€1 ใคใ‚’้ธๆŠžใ—ใฆใใฎใ‚นใƒ”ใƒผใƒใ‚’ๆš—่จ˜ใงใใพใ™ ใ€‚ ใใ—ใฆใ€ๆฏŽๆ—ฅใ€ใพใŸใฏ
21:36
an important meeting, I want you to stand in front of the mirror and do it full out
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้‡่ฆใชไผš่ญฐใฎๅ‰ใซใ€้กใฎๅ‰ใซ็ซ‹ใฃใฆใ€
21:41
- with all the anger and passion and fear, or whatever is happening to that character.
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ใ™ในใฆใฎๆ€’ใ‚Šใ€ๆƒ…็†ฑใ€ๆๆ€–ใ€ ใพใŸใฏใใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซ่ตทใ“ใฃใฆใ„ใ‚‹ใ“ใจใฏไฝ•ใงใ‚‚ใ—ใฆใใ ใ•ใ„.
21:48
I want you to try and embody it and, you know, choose something that will feel fierce to
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ใใ‚Œใ‚’ๅ…ท็พๅŒ–ใ—ใฆใฟใฆใปใ—ใ„ใฎใงใ™ใŒใ€ใ”ๅญ˜ใ˜ใฎใ‚ˆใ†ใซใ€่‡ชๅˆ†ใซใจใฃใฆ ๆฟ€ใ—ใ„ใจๆ„Ÿใ˜ใ‚‹ใ‚‚ใฎ
21:56
you, that will make you get out of your own skin. Okay? That would, that it's not something
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ใ€่‡ชๅˆ†ใฎ่‚Œใ‹ใ‚‰ๆŠœใ‘ๅ‡บใ™ใ‚ˆใ†ใชใ‚‚ใฎใ‚’้ธใ‚“ใงใใ ใ•ใ„ ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใใ‚Œใฏใ€ใใ‚Œใฏ
22:02
that you usually do. I have had students telling me that they've
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ใ‚ใชใŸใŒ้€šๅธธ่กŒใ†ใ“ใจใงใฏใชใ„ใจใ„ใ†ใ“ใจใงใ™ใ€‚ ็”Ÿๅพ’ใŸใกใ‹ใ‚‰ใ€่‡ชๅˆ†ใŒๆŒใฃใฆใ„ใ‚‹ใ“ใจใ™ใ‚‰
22:07
discovered a voice that they've never knew that they even had. Because these are not
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็Ÿฅใ‚‰ใชใ‹ใฃใŸๅฃฐใ‚’็™บ่ฆ‹ใ—ใŸใจ่จ€ใฃใฆใ‚‚ใ‚‰ใ„ใพใ—ใŸ ใ€‚ ใ“ใ‚Œใ‚‰ใฏ
22:12
your words, and this is not a real situation, you give yourself a lot more permission to
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ใ‚ใชใŸใฎ่จ€่‘‰ใงใฏใชใใ€ใ“ใ‚ŒใฏๅฎŸ้š›ใฎ็Šถๆณใงใฏใชใ„ใŸใ‚ใ€ ใ‚ใชใŸใฏ่‡ชๅˆ†่‡ช่บซใซ็™บ่จ€ใ™ใ‚‹่จฑๅฏใ‚’ไธŽใˆใพใ™
22:18
speak up. And this is why I want you to do. And this is something that I have done myself.
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. ใใ—ใฆใ€ใ“ใ‚ŒใŒ็งใŒใ‚ใชใŸใซใ‚„ใฃใฆใ‚‚ใ‚‰ใ„ใŸใ„็†็”ฑใงใ™ใ€‚ ใใ—ใฆใ€ใ“ใ‚Œใฏ็งใŒ่‡ชๅˆ†ใงใ‚„ใฃใŸใ“ใจใงใ™ใ€‚
22:22
Because when I was in school, I played lady Macbeth. And lady Macbeth is a very powerful
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ๅญฆ็”Ÿๆ™‚ไปฃใ€ใƒžใ‚ฏใƒ™ใ‚นๅคซไบบใ‚’ๆผ”ใ˜ใฆใ„ใŸใ‹ใ‚‰ใงใ™ ใ€‚ ใใ—ใฆใƒžใ‚ฏใƒ™ใ‚นๅคซไบบใฏใจใฆใ‚‚ใƒ‘ใƒฏใƒ•ใƒซใช
22:27
character. And there is one thing in particular when she kind of grabs her husband and she's
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ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใงใ™ใ€‚ ใใ—ใฆใ€ๅฝผๅฅณใŒ ๅคซใ‚’ใคใ‹ใ‚“ใงใ€
22:32
like going full out at him. And I used to take that one monologue and
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ๅฝผใซๅ…จๅŠ›ใ‚’ๅฐฝใใ™ใ‚ˆใ†ใชใ‚‚ใฎใŒใ‚ใ‚‹ใจใใ€็‰นใซ1ใคใฎใ“ใจใŒใ‚ใ‚Šใพใ™. ใใ—ใฆใ€็งใฏไธ€ไบบใฎใ‚ˆใ†ใซใ€ใใ—ใฆ่‡ชๅˆ†
22:37
do it again and again and at home, as I was like alone, and with myself when I wanted
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22:43
to feel a little better about myself. Or when I would be really, really angry and I didn't
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่‡ช่บซใซใคใ„ใฆๅฐ‘ใ—ๆฐ—ๅˆ†ใ‚’่‰ฏใใ—ใŸใ„ใจใใซใ€่‡ชๅˆ†่‡ช่บซใจไธ€็ท’ใซใ€ใใฎ1ใคใฎ็‹ฌ็™ฝใ‚’ไฝ•ๅบฆใ‚‚ไฝ•ๅบฆใ‚‚ๅฎถใง็นฐใ‚Š่ฟ”ใ—ใพใ—ใŸใ€‚ ใพใŸใฏใ€ ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซๆ€’ใฃใฆใ„ใฆใ€
22:47
know how to express my emotions. So I would go into that monologue and say
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่‡ชๅˆ†ใฎๆ„Ÿๆƒ…ใ‚’่กจ็พใ™ใ‚‹ๆ–นๆณ•ใŒใ‚ใ‹ใ‚‰ใชใ‹ใฃใŸใจใใ€‚ ใ ใ‹ใ‚‰ใ€ใใฎใƒขใƒŽใƒญใƒผใ‚ฐใซๅ…ฅใฃใฆ่จ€ใ†ใจ
22:52
it, and I felt like I'm expressing my emotions through the words of a different characters.
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ใ€้•ใ†ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฎ่จ€่‘‰ใง่‡ชๅˆ†ใฎๆ„Ÿๆƒ…ใ‚’่กจ็พใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใชๆฐ—ใŒใ—ใพใ—ใŸ ใ€‚
22:57
These are words that I would never say. And also I had to do it in a Scottish accent,
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ใ“ใ‚Œใ‚‰ใฏ็งใŒๆฑบใ—ใฆๅฃใซใ™ใ‚‹ใ“ใจใฎใชใ„่จ€่‘‰ใงใ™ใ€‚ ใพใŸใ€ใ‚นใ‚ณใƒƒใƒˆใƒฉใƒณใƒ‰่จ›ใ‚Šใงใ‚„ใ‚‰ใชใ‘ใ‚Œใฐใชใ‚‰ใšใ€ใใ‚Œ
23:03
which was kind of crazy in and of itself, but that was my experience. And I felt that
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่‡ชไฝ“ใŒใ‚ฏใƒฌใ‚คใ‚ธใƒผใงใ—ใŸ ใŒใ€ใใ‚ŒใŒ็งใฎ็ตŒ้จ“ใงใ—ใŸใ€‚ ใใ—ใฆใ€
23:08
it like, after that I felt, "Okay, I'm ready to take on the world! How about you?" Okay?
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ใ€Œใ•ใฆใ€ ไธ–็•Œใจๆˆฆใ†ๆบ–ๅ‚™ใŒใงใใพใ—ใŸ๏ผ ใ‚ใชใŸใฏใฉใ†ใงใ™ใ‹๏ผŸใ€ใจๆ„Ÿใ˜ใพใ—ใŸใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
23:16
So this is what I want you to feel. So pick your favorite fierce monologue, a powerful
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ใงใ™ใ‹ใ‚‰ใ€ใ“ใ‚Œใ‚’ๆ„Ÿใ˜ใฆใ‚‚ใ‚‰ใ„ใŸใ„ใฎใงใ™ใ€‚ ๅฅฝใใชๆฟ€ใ—ใ„ใƒขใƒŽใƒญใƒผใ‚ฐใ€ๅŠ›ๅผทใ„
23:22
speech, memorize it and do it full out. "You can't handle the truth". To wrap it up, I'm
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ใ‚นใƒ”ใƒผใƒใ‚’้ธใณใ€ใใ‚Œใ‚’ๆš—่จ˜ใ—ใฆใ€ๅ…จๅŠ›ใงใ‚„ใ‚Š้‚ใ’ใฆใใ ใ•ใ„ใ€‚ ใ€Œใ‚ใชใŸใฏ ็œŸๅฎŸใ‚’ๆ‰ฑใ†ใ“ใจใŒใงใใพใ›ใ‚“ใ€ใ€‚ ็ท ใ‚ใใใ‚Šใจใ—ใฆใ€
23:30
going to do that part of the monologue for you. Just so you see that if I can do it,
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ใƒขใƒŽใƒญใƒผใ‚ฐใฎใใฎ้ƒจๅˆ†ใ‚’่ชฌๆ˜Žใ—ใพใ™ ใ€‚ ็งใŒใงใใ‚‹ใชใ‚‰ใ€
23:36
you can do it too. And remember, do it in front of the mirror and use your imagination.
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ใ‚ใชใŸใ‚‚ใงใใ‚‹ใจใ„ใ†ใ“ใจใŒใ‚ใ‹ใ‚‹ใ‚ˆใ†ใซใ€‚ ใใ—ใฆ่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€้กใฎๅ‰ใงใใ‚Œใ‚’่กŒใ„ใ€ ใ‚ใชใŸใฎๆƒณๅƒๅŠ›ใ‚’ไฝฟใฃใฆใใ ใ•ใ„.
23:42
"What beast was't then, That made you break this enterprise to me? When you durst do it,
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ใ€Œใ‚ใฎๆ™‚ใ€ใฉใ‚“ใช้‡Ž็ฃใ˜ใ‚ƒใชใ‹ใฃใŸใฎใ€ใใ‚Œใงใ‚ใชใŸใฏ ใ“ใฎไผใฆใ‚’็งใซๆ‰“ใกๆ˜Žใ‘ใŸใฎ? ๆœฌๆฐ—ใงใ‚„ใ‚‹ใจใ—ใŸใ‚‰ใ€
23:48
then you were a man; And, to be more than what you were, you would be so much more the man.
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ใ‚ใชใŸใฏ็”ทใ ใฃใŸใ€‚ใใ—ใฆใ€ ใ‚ใชใŸใŒไฝ•ใงใ‚ใฃใŸใ‹ไปฅไธŠใซใชใ‚‹ใŸใ‚ใซใฏใ€ใ‚ใชใŸใฏใ‚‚ใฃใจ็”ทใ‚‰ใ—ใใชใ‚‹ใ ใ‚ใ†.
23:55
Nor time nor place did then adhere, you would make both!"
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ๅ ดๆ‰€ใ‚‚ๆŽฅ็€ใ—ใพใ›ใ‚“ใงใ—ใŸใ€ใ‚ใชใŸใฏ ไธกๆ–นใ‚’ไฝœใ‚‹ใงใ—ใ‚‡ใ†๏ผ
23:59
"They have made themselves! And that their fitness now does unmake you. I have given
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ใ€Œๅฝผใ‚‰ใฏ่‡ชๅˆ†่‡ช่บซใ‚’ไฝœใ‚Šใพใ—ใŸ!ใใ—ใฆใ€ๅฝผใ‚‰ใฎ ใƒ•ใ‚ฃใƒƒใƒˆใƒใ‚นใฏไปŠใ‚ใชใŸใ‚’
24:07
suck, and know how tender 'tis to love the babe that milks me. I would, while it was
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็„กๅŠ›ใซใ—ใฆใ„ใพใ™.
24:13
smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out!
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ๅฝผใฎ้ชจใฎใชใ„ๆญฏ่ŒŽใจ่„ณใฟใใ‚’ๆ‰“ใก็ •ใ„ใŸ!
24:20
Had I so sworn as you have done to this".
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ใ‚ใชใŸใŒใ“ใ‚Œใ‚’ใ—ใŸใ‚ˆใ†ใซ็งใŒ่ช“ใฃใŸใชใ‚‰ใ€.
24:22
Okay, so this is my power speech. I hope you
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ใ•ใฆใ€ใ“ใ‚ŒใŒ็งใฎใƒ‘ใƒฏใƒผใ‚นใƒ”ใƒผใƒใงใ™ใ€‚
24:25
enjoyed it. And I hope these exercises helped you understand how you can own your voice
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ๆฅฝใ—ใ‚“ใงใ„ใŸใ ใ‘ใŸใงใ—ใ‚‡ใ†ใ‹ใ€‚ ใ“ใ‚Œใ‚‰ใฎๆผ”็ฟ’ใŒใ€่‹ฑ่ชžใ ใ‘ใงใชใๆฏๅ›ฝ่ชžใงใ‚‚ ่‡ชๅˆ†ใฎๅฃฐใ‚’่‡ชๅˆ†ใฎใ‚‚ใฎใซใ™ใ‚‹ๆ–นๆณ•ใ‚’็†่งฃใ™ใ‚‹ใฎใซๅฝน็ซ‹ใคใ“ใจใ‚’้ก˜ใฃใฆใ„ใพใ™
24:31
in English, and in your native language as well.
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.
24:35
If you like this video, click "Like" and share it with your friends so they can speak up
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ใ“ใฎใƒ“ใƒ‡ใ‚ชใŒๆฐ—ใซๅ…ฅใฃใŸใ‚‰ใ€ใ€Œใ„ใ„ใญใ€ใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ—ใฆ ๅ‹้”ใจๅ…ฑๆœ‰ใ—ใฆใ€ๅฝผใ‚‰ใ‚‚ๅฃฐใ‚’ไธŠใ’ใ‚‹ใ“ใจใŒใงใใ‚‹ใ‚ˆใ†ใซใ—ใฆใใ ใ•ใ„
24:40
as well. Don't forget that in the description below, there is a list of powerful speeches
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ใ€‚ ไปฅไธ‹ใฎ่ชฌๆ˜Žใซใฏ ใ€ไฝฟ็”จใงใใ‚‹ๅผทๅŠ›ใชใ‚นใƒ”ใƒผใƒใฎใƒชใ‚นใƒˆใŒใ‚ใ‚‹ใ“ใจใ‚’ๅฟ˜ใ‚Œใชใ„ใงใใ ใ•ใ„
24:45
that you can use. And if you want to tell me what you think,
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ใ€‚ ใใ—ใฆใ€ใ‚ใชใŸใฎ่€ƒใˆใ€
24:49
what you felt, and if you want to share with me what speech you chose - come on over and
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ๆ„Ÿใ˜ใŸใ“ใจใ€ใใ—ใฆใ‚ใชใŸใŒ้ธใ‚“ใ ใ‚นใƒ”ใƒผใƒใ‚’็งใจๅ…ฑๆœ‰ใ—ใŸใ„ๅ ดๅˆใฏใ€
24:54
send me a DM on Instagram. You can find me at @hadar.accentsway. I would love to hear
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InstagramใฎDMใ‚’้€ใฃใฆใใ ใ•ใ„. @hadar.accentsway ใง็งใ‚’่ฆ‹ใคใ‘ใ‚‹ใ“ใจใŒใงใใพใ™ ใ€‚
24:59
what you think. Okay. That's it. Thank you so much for watching.
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ใ”ๆ„่ฆ‹ใ‚’ใŠๅพ…ใกใ—ใฆใŠใ‚Šใพใ™ใ€‚ ใ‚ใ‹ใฃใŸใ€‚ ใใ‚ŒใงใŠใ—ใพใ„ใ€‚ ใ”่ฆงใ„ใŸใ ใใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚
25:02
And remember, the most important thing is that you speak up - with an accent, with mistakes,
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ใใ—ใฆ่ฆšใˆใฆใŠใ„ใฆใปใ—ใ„ใฎใฏใ€ๆœ€ใ‚‚้‡่ฆใชใ“ใจใฏใ€ ใ‚ใชใŸใŒ็Ž‡็›ดใซ่ฉฑใ™ใ“ใจใ ใจใ„ใ†ใ“ใจใงใ™
25:07
with getting stuck. Because what matters is what you have to say. Okay? Take good care
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ใ€‚ ้‡่ฆใชใฎใฏ ใ‚ใชใŸใŒ่จ€ใ‚ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ใ“ใจใ ใ‹ใ‚‰ใงใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ๅๅˆ†ใซๆฐ—ใ‚’ใคใ‘ใฆ
25:13
of yourself, stay healthy, stay safe, and I'll see you next week in the next video.
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ใ€ๅฅๅบทใ‚’็ถญๆŒใ—ใ€ๅฎ‰ๅ…จใ‚’็ขบไฟใ—ใฆใใ ใ•ใ„ใ€‚ ๆฅ้€ฑใ€ๆฌกใฎใƒ“ใƒ‡ใ‚ชใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚
25:18
Bye.
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ใ•ใ‚ˆใชใ‚‰ใ€‚
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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