English Conversation Exercise - Is Rachel Stressed? Ben Franklin Exericse

798,348 views ใƒป 2015-01-28

Rachel's English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
>> Here with my friend Tom, my favorite Rachelโ€™s English teacher, besides myself.
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>> ๋‚˜ ์™ธ์— ๋‚ด๊ฐ€ ๊ฐ€์žฅ ์ข‹์•„ํ•˜๋Š” Rachel์˜ ์˜์–ด ์„ ์ƒ๋‹˜์ธ ๋‚ด ์นœ๊ตฌ Tom๊ณผ ํ•จ๊ป˜ .
00:04
>> Of course. >> Weโ€™re going to have a little conversation
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>> ๋ฌผ๋ก ์ž…๋‹ˆ๋‹ค. >> ์šฐ๋ฆฌ๋Š” ์•ฝ๊ฐ„์˜ ๋Œ€ํ™”๋ฅผ ๋‚˜๋ˆˆ
00:06
and then turn it into a Ben Franklin exercise.
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๋‹ค์Œ Ben Franklin ์—ฐ์Šต์œผ๋กœ ์ „ํ™˜ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:21
>> Are you stressed about anything, Rach? Can I call you Rach?
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>> ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”?
00:24
>> You can call me Rach. >> Um, sort, of, but in a very good way. You
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค. >> ์Œ, ์ผ์ข…์˜, ํ•˜์ง€๋งŒ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
00:30
know Iโ€™m leaving for Europe. >> Yes, thatโ€™s right. How long are you going
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๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑธ ์•Œ์ž–์•„. >> ๋„ค, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š”
00:33
to be gone for? >> Iโ€™m going to be gone for five weeks.
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? >> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค.
00:34
>> Thatโ€™s a good long time. >> Itโ€™s a good long time. Iโ€™m leaving
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>> ์˜ค๋žœ๋งŒ์ด๋„ค์š”. >> ์˜ค๋žœ๋งŒ์ž…๋‹ˆ๋‹ค.
00:37
in 10 days. So it feels like thereโ€™s a lot to be done.
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10์ผ ํ›„์— ๋– ๋‚ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ํ•  ์ผ์ด ๋งŽ๋‹ค๊ณ  ๋Š๊ปด์ง‘๋‹ˆ๋‹ค .
00:44
>> Are you stressed about anything, Rach? [2x]
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>> ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? [2x]
00:47
Are you stressed about anything, Rach? Every word there was quite fast except for the word
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์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? 'you'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์ œ์™ธํ•˜๊ณ  ๋ชจ๋“  ๋‹จ์–ด๊ฐ€ ์ƒ๋‹นํžˆ ๋น ๋ฆ…๋‹ˆ๋‹ค
00:53
โ€˜youโ€™. Itโ€™s a little uncommon to stress a function word like this. Normally, I think
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. ์ด์™€ ๊ฐ™์ด ๊ธฐ๋Šฅ์–ด๋ฅผ ๊ฐ•์กฐํ•˜๋Š” ๊ฒƒ์€ ๋‹ค์†Œ ๋“œ๋ฌธ ์ผ์ž…๋‹ˆ๋‹ค . ๋ณดํ†ต์€
01:00
I would stress the word โ€˜stressedโ€™. Are you stressed about anything, Rach? But the
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'์ŠคํŠธ๋ ˆ์Šค'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•˜๋Š” ๊ฒƒ ๊ฐ™์•„์š”. ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? ํ•˜์ง€๋งŒ
01:05
reason why Tom stressed the word โ€˜youโ€™ is because I had just asked him if he was
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Tom์ด 'you'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•œ ์ด์œ ๋Š” ๋ฐฉ๊ธˆ ๊ทธ์—๊ฒŒ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋Š” ๊ฒƒ์ด ์žˆ๋Š”์ง€ ๋ฌผ์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค
01:10
stressed about anything. So now, he was turning the question to me, and he stressed โ€˜youโ€™.
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. ๊ทธ๋ž˜์„œ ์ง€๊ธˆ์€ ๋‚˜์—๊ฒŒ ์งˆ๋ฌธ์„ ๋Œ๋ฆฌ๋ฉด์„œ '๋„ˆ'๋ฅผ ๊ฐ•์กฐํ–ˆ๋‹ค.
01:16
Are you stressed about anything, Rach?
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์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach?
01:19
>> Are you stressed about anything, Rach? [2x]
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>> ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? [2x]
01:21
A couple other things I notice about this sentence, Tom turns the T into a D, making
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์ด ๋ฌธ์žฅ์— ๋Œ€ํ•ด ๋‚ด๊ฐ€ ์•Œ์•„์ฐจ๋ฆฐ ๋ช‡ ๊ฐ€์ง€ ๋‹ค๋ฅธ ์‚ฌํ•ญ์€ Tom์ด T๋ฅผ D๋กœ ๋ฐ”๊พธ์–ด ํ”Œ๋žฉ์„ ๋งŒ๋“œ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
01:27
it a flap. About anything, about anything. Heโ€™s doing this because itโ€™s a T coming
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. ๋ฌด์—‡์ด๋“ , ๋ฌด์—‡์ด๋“ . ๋‘ ๊ฐœ์˜ ๋ชจ์Œ ์†Œ๋ฆฌ ์‚ฌ์ด์— ์˜ค๋Š” T์ด๊ธฐ ๋•Œ๋ฌธ์— ์ด๋ ‡๊ฒŒ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
01:34
between two vowel sounds. Even though itโ€™s two separate words, the T still comes between
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. ๋‘ ๊ฐœ์˜ ๋ถ„๋ฆฌ๋œ ๋‹จ์–ด์ด์ง€๋งŒ T๋Š” ์—ฌ์ „ํžˆ
01:40
two vowel sounds, which means itโ€™s a great opportunity to link the two words together
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๋‘ ๊ฐœ์˜ ๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๋ฏ€๋กœ ๋‘ ๋‹จ์–ด๋ฅผ
01:46
with a Flap T (which sounds like the American D).
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Flap T(๋ฏธ๊ตญ์‹ D์ฒ˜๋Ÿผ ๋“ค๋ฆผ )์™€ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•  ์ˆ˜ ์žˆ๋Š” ์ข‹์€ ๊ธฐํšŒ์ž…๋‹ˆ๋‹ค.
01:50
About anything [3x]. Are you stressed about anything, Rach?
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๋ฌด์—‡์ด๋“  [3x]. ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach?
01:55
>> Are you stressed about anything, Rach? [2x]
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>> ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? [2x] ๋งˆ์ง€๋ง‰์—
01:58
Did you notice how the intonation went up at the end? About anything Rach? Rach? Rach?
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์–ต์–‘์ด ์–ด๋–ป๊ฒŒ ์˜ฌ๋ผ๊ฐ”๋Š”์ง€ ๋ˆˆ์น˜์ฑ„์…จ๋‚˜์š” ? Rach์— ๋Œ€ํ•ด? ๋ผํฌ? ๋ผํฌ?
02:06
Thatโ€™s because this is a yes/no question. And yes/no questions go up in pitch at the
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์˜ˆ/์•„๋‹ˆ์˜ค ์งˆ๋ฌธ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์˜ˆ/์•„๋‹ˆ์˜ค ์งˆ๋ฌธ์€ ๋งˆ์ง€๋ง‰์— ํ”ผ์น˜๋กœ ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค
02:13
end.
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.
02:14
>> Are you stressed about anything, Rach? Can I call you Rach?
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>> ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”?
02:16
>> You can call me Rach.
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค.
02:18
>> Can I call you Rach? >> You can call me Rach.
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”? >> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค.
02:20
These next two sentences are great examples of reducing the word โ€˜canโ€™.
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๋‹ค์Œ ๋‘ ๋ฌธ์žฅ์€ 'can'์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์ค„์ด๋Š” ์ข‹์€ ์˜ˆ์ž…๋‹ˆ๋‹ค.
02:25
>> Can I call you Rach? >> You can call me Rach.
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”? >> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค.
02:28
The word โ€˜canโ€™ is so fast there, as if it has no vowels at all. Just the K sound
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๊ฑฐ๊ธฐ์—์„œ 'can'์ด๋ผ๋Š” ๋‹จ์–ด๋Š” ๋ชจ์Œ์ด ์ „ํ˜€ ์—†๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋„ˆ๋ฌด ๋น ๋ฆ…๋‹ˆ๋‹ค. K ์†Œ๋ฆฌ
02:34
and the N sound. Kn, kn, kn. Can I call you Rach? You can call me Rach.
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์™€ N ์†Œ๋ฆฌ๋งŒ. ํฌ, ํฌ, ํฌ. Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š” ? ์ €๋ฅผ Rach๋ผ๊ณ  ๋ถ€๋ฅด์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค.
02:41
>> Can I call you Rach? >> You can call me Rach. [2x]
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”? >> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค. [2x]
02:45
Notice how everything flows together. We donโ€™t feel like we have five separate words in this
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๋ชจ๋“  ๊ฒƒ์ด ์–ด๋–ป๊ฒŒ ํ•จ๊ป˜ ํ๋ฅด๋Š”์ง€ ์ฃผ๋ชฉํ•˜์‹ญ์‹œ์˜ค. ์ด ๋ฌธ์žฅ์— ๋‹ค์„ฏ ๊ฐœ์˜ ๊ฐœ๋ณ„ ๋‹จ์–ด๊ฐ€ ์žˆ๋Š” ๊ฒƒ ๊ฐ™์ง€ ์•Š์Šต๋‹ˆ๋‹ค
02:52
sentence. Can I call you Rach? Can I call you Rach? Itโ€™s just like one long word.
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. Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”? Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š” ? ๋งˆ์น˜ ํ•˜๋‚˜์˜ ๊ธด ๋‹จ์–ด์™€ ๊ฐ™์Šต๋‹ˆ๋‹ค.
02:58
We do that by linking words together. When a word begins with a vowel, and the word before
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์šฐ๋ฆฌ๋Š” ๋‹จ์–ด๋ฅผ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜์—ฌ ๊ทธ๋ ‡๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค. ๋‹จ์–ด๊ฐ€ ๋ชจ์Œ์œผ๋กœ ์‹œ์ž‘ํ•˜๊ณ  ์•ž์˜ ๋‹จ์–ด๊ฐ€
03:03
ends in a consonant, this is an easy time to link. Just like up here, when we used a
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์ž์Œ์œผ๋กœ ๋๋‚˜๋ฉด ์—ฐ๊ฒฐํ•˜๊ธฐ ์‰ฌ์šด ๋•Œ์ž…๋‹ˆ๋‹ค . ์—ฌ๊ธฐ ์œ„์—์„œ Flap T๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ์—ฐ๊ฒฐํ–ˆ์„ ๋•Œ์™€ ๊ฐ™์Šต๋‹ˆ๋‹ค
03:08
Flap T to link. Can I. [3x] Linking an ending consonant to a beginning vowel helps smooth
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. Can I. [3x] ๋ ์ž์Œ์„ ์‹œ์ž‘ ๋ชจ์Œ์— ์—ฐ๊ฒฐํ•˜๋ฉด ์ค„์„ ๋งค๋„๋Ÿฝ๊ฒŒ ๋งŒ๋“œ๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค
03:17
out the line. Can I. Can I call you Rach? You can call me Rach. Again, the word โ€˜canโ€™
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. Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”? ์ €๋ฅผ Rach๋ผ๊ณ  ๋ถ€๋ฅด์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ๋„ 'can'์ด๋ผ๋Š” ๋‹จ์–ด๊ฐ€
03:24
is almost lost here. Kn, kn. You can call me Rach.
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๊ฑฐ์˜ ์‚ฌ๋ผ์กŒ์Šต๋‹ˆ๋‹ค. ํฌ, ํฌ. ์ €๋ฅผ Rach๋ผ๊ณ  ๋ถ€๋ฅด์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค.
03:28
>> Can I call you Rach? >> You can call me Rach. [2x]
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”? >> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค. [2x] ๋ฌธ์žฅ์—์„œ ์œ ์ผํ•œ ๋™์‚ฌ๊ฐ€ ์•„๋‹Œ
03:33
We reduce the word โ€˜canโ€™ like this when itโ€™s not the only verb in the sentence.
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๊ฒฝ์šฐ 'can'์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์ด๋ ‡๊ฒŒ ์ค„์ž…๋‹ˆ๋‹ค .
03:38
In these two sentences, the main verb is โ€˜callโ€™. That means the word โ€˜canโ€™ is a helping
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์ด ๋‘ ๋ฌธ์žฅ์—์„œ ๋ณธ๋™์‚ฌ๋Š” '๋ถ€๋ฅด๋‹ค'์ž…๋‹ˆ๋‹ค. ์ฆ‰, 'can'์ด๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ์กฐ๋™์‚ฌ๋ผ๋Š” ๋œป์ž…๋‹ˆ๋‹ค
03:45
verb. Thatโ€™s a function word, itโ€™s not as important as the main verb โ€˜callโ€™.
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. ๊ทธ๊ฒƒ์€ ๊ธฐ๋Šฅ์–ด์ด๊ณ  ์ฃผ๋™์‚ฌ์ธ 'call'๋งŒํผ ์ค‘์š”ํ•˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค.
03:50
The word โ€˜canโ€™ is usually a helping verb. When you pronounce it reduced, kn, kn, it
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'can'์ด๋ผ๋Š” ๋‹จ์–ด๋Š” ์ผ๋ฐ˜์ ์œผ๋กœ ์กฐ๋™์‚ฌ์ž…๋‹ˆ๋‹ค. ์ค„์—ฌ์„œ kn, kn์œผ๋กœ ๋ฐœ์Œํ•˜๋ฉด
03:56
will help you sound more American. Can I call you Rach? You can call me Rach. Kn, kn.
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๋” ๋ฏธ๊ตญ์‹์œผ๋กœ ๋ฐœ์Œํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š” ? ์ €๋ฅผ Rach๋ผ๊ณ  ๋ถ€๋ฅด์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค. ํฌ, ํฌ.
04:03
>> Can I call you Rach? >> You can call me Rach.
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”? >> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค.
04:08
>> Um, sort of, but in a very good way.
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>> ์Œ, ์ผ์ข…์˜, ํ•˜์ง€๋งŒ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
04:12
Did you notice? Another Flap T here, linking the word โ€˜sortโ€™ and โ€˜ofโ€™. Sort of,
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๋ˆˆ์น˜์ฑ„์…จ๋‚˜์š”? ๋˜ ๋‹ค๋ฅธ Flap T๋Š” 'sort'์™€ 'of'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค. ์ผ์ข…์˜,
04:17
sort of, sort of. So it sounded like an American D. I just said that when the T comes between
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์ผ์ข…์˜, ์ผ์ข…์˜. ๊ทธ๋ž˜์„œ ๋ฏธ๊ตญ์‹ D์ฒ˜๋Ÿผ ๋“ค๋ ธ์Šต๋‹ˆ๋‹ค. ๋‘ ๋ชจ์Œ ์‚ฌ์ด์— T๊ฐ€ ์˜ฌ ๋•Œ
04:23
two vowel sounds, it turns into a Flap T and can link words. But R is not a vowel sound.
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Flap T๋กœ ๋ฐ”๋€Œ๊ณ  ๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•  ์ˆ˜ ์žˆ๋‹ค๊ณ  ๋ฐฉ๊ธˆ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ R์€ ๋ชจ์Œ ์†Œ๋ฆฌ๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
04:31
The rule is, if the T comes between two vowels, or after an R, before a vowel, that it becomes
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๊ทœ์น™์€ T๊ฐ€ ๋‘ ๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๊ฑฐ๋‚˜ R ๋’ค, ๋ชจ์Œ ์•ž์— ์˜ค๋ฉด ํ”Œ๋žฉ
04:37
a Flap T. Sort of. [3x] If we think of this as one word, stress is on the first syllable.
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T๊ฐ€ ๋œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ผ์ข…์˜ ํ”Œ๋žฉ T๊ฐ€ ๋ฉ๋‹ˆ๋‹ค. [3x] ์ด๊ฒƒ์„ ํ•œ ๋‹จ์–ด๋กœ ์ƒ๊ฐํ•˜๋ฉด ๊ฐ•์„ธ๋Š” ์ฒซ ์Œ์ ˆ์— ์žˆ์Šต๋‹ˆ๋‹ค.
04:45
Sor-duv. And the second syllable is very fast. It has the schwa, not a full vowel. Sort of. [2x]
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Sor-duv. ๊ทธ๋ฆฌ๊ณ  ๋‘ ๋ฒˆ์งธ ์Œ์ ˆ์€ ๋งค์šฐ ๋น ๋ฆ…๋‹ˆ๋‹ค. ์ „์ฒด ๋ชจ์Œ์ด ์•„๋‹Œ ์Šˆ์™€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ผ์ข…์˜. [2x]
04:54
>> Um, sort of, but in a very good way.
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>> ์Œ, ์ผ์ข…์˜, ํ•˜์ง€๋งŒ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
04:57
Letโ€™s go back for a second. I left something important out. The word โ€˜umโ€™. This is
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์ž ์‹œ ๋Œ์•„๊ฐ€ ๋ด…์‹œ๋‹ค. ๋‚˜๋Š” ์ค‘์š”ํ•œ ๊ฒƒ์„ ๋‚จ๊ฒผ๋‹ค . '์Œ'์ด๋ผ๋Š” ๋‹จ์–ด. ์ด๊ฒƒ์€ ์šฐ๋ฆฌ๊ฐ€
05:03
the word we use when weโ€™re thinking. Um or uh. These thinking sounds use the UH as
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์ƒ๊ฐํ•  ๋•Œ ์‚ฌ์šฉํ•˜๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. ์Œ ๋˜๋Š” ์–ด. ์ด๋Ÿฌํ•œ ์ƒ๊ฐ ์†Œ๋ฆฌ๋Š” BUTTER ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด UH๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค
05:11
in BUTTER vowel. Uh, uh. I call this the core sound of American English. Everything in the
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. ์–ด, ์–ด. ์ €๋Š” ์ด๊ฒƒ์„ ๋ฏธ๊ตญ ์˜์–ด์˜ ํ•ต์‹ฌ ์†Œ๋ฆฌ๋ผ๊ณ  ๋ถ€๋ฆ…๋‹ˆ๋‹ค.
05:19
mouth, face, neck, throat is extremely relaxed. Uh, um. That allows the placement to be lower
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์ž…, ์–ผ๊ตด, ๋ชฉ, ๋ชฉ์˜ ๋ชจ๋“  ๊ฒƒ์ด ๊ทน๋„๋กœ ์ด์™„๋ฉ๋‹ˆ๋‹ค. ์–ด, ์Œ. ๊ทธ๊ฒƒ์€ ๋ฐฐ์น˜๊ฐ€
05:28
in the body, less in the face. Very American. Um, uh.
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๋ชธ์—์„œ ๋” ๋‚ฎ๊ณ  ์–ผ๊ตด์—์„œ ๋” ์ ๊ฒŒ ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค. ๋งค์šฐ ๋ฏธ๊ตญ์ ์ž…๋‹ˆ๋‹ค. ์Œ, ์–ด.
05:35
>> Um, sort of, but in a very good way. [2x]
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>> ์Œ, ์ผ์ข…์˜, ํ•˜์ง€๋งŒ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค. [2x]
05:43
The first syllable of the word โ€˜veryโ€™, ver-, and the word โ€˜wayโ€™, but in a very
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๋‹จ์–ด 'very'์˜ ์ฒซ ์Œ์ ˆ์ธ ' ver-'์™€ ๋‹จ์–ด 'way'๋Š” ๋งค์šฐ
05:48
good way, are the most stressed. Do you hear how fast this string of function words is?
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์ข‹์€ ์˜๋ฏธ๋กœ ๊ฐ€์žฅ ๊ฐ•์„ธ๋ฅผ ๋ฐ›์Šต๋‹ˆ๋‹ค. ์ด ๊ธฐ๋Šฅ ๋‹จ์–ด ๋ฌธ์ž์—ด์ด ์–ผ๋งˆ๋‚˜ ๋น ๋ฅธ์ง€ ๋“ค๋ฆฌ์‹ญ๋‹ˆ๊นŒ?
05:56
But in a. [4x] But in a very good way. They all link together. Again, we have ending consonant
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๊ทธ๋Ÿฌ๋‚˜ ์—์„œ. [4x] ํ•˜์ง€๋งŒ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์œผ๋กœ์š”. ๊ทธ๋“ค์€ ๋ชจ๋‘ ํ•จ๊ป˜ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค. ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ,
06:04
linking into a beginning vowel, ending consonant linking into a beginning vowel. Both of these
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์‹œ์ž‘ ๋ชจ์Œ์— ์—ฐ๊ฒฐ๋˜๋Š” ๋ ์ž์Œ, ์‹œ์ž‘ ๋ชจ์Œ์— ์—ฐ๊ฒฐ๋˜๋Š” ๋ ์ž์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ด ๋‘
06:10
links help to make it sound like one word, very smooth. But in a, but in a. Again, this
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๋งํฌ๋Š” โ€‹โ€‹๋ชจ๋‘ ํ•œ ๋‹จ์–ด์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๋„๋ก ๋„์™€์ค๋‹ˆ๋‹ค. ๋งค์šฐ ๋งค๋„๋Ÿฝ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ a์—, ๊ทธ๋Ÿฌ๋‚˜ a์—. ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ด
06:17
T is turning into a Flap T, or, a D sound. But in a, but in a. But in a very good way.
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T๋Š” ํ”Œ๋žฉ T ๋˜๋Š” D ์‚ฌ์šด๋“œ๋กœ ๋ฐ”๋€๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ a์—, ๊ทธ๋Ÿฌ๋‚˜ a์—. ๊ทธ๋Ÿฌ๋‚˜ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์œผ๋กœ.
06:24
>> Um, sort of, but in a very good way. You know Iโ€™m leaving for Europe.
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>> ์Œ, ์ผ์ข…์˜, ํ•˜์ง€๋งŒ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค. ๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑธ ์•Œ์ž–์•„.
06:29
You know Iโ€™m leaving for Europe. What do you hear as the most stressed syllables in
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๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑธ ์•Œ์ž–์•„. ์ด ๋ฌธ์žฅ ์—์„œ ๊ฐ€์žฅ ๊ฐ•์„ธ๋ฅผ ๋ฐ›๋Š” ์Œ์ ˆ์€ ๋ฌด์—‡์ž…๋‹ˆ๊นŒ
06:34
this sentence? I hear โ€˜knowโ€™, โ€˜leav-โ€˜, โ€˜Eur-โ€˜. You know Iโ€™m leaving for Europe.
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? '์•Œ๋‹ค', '๋– ๋‚˜๋‹ค-', ' ์œผ-' ์†Œ๋ฆฌ๊ฐ€ ๋“ค๋ฆฐ๋‹ค. ๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑธ ์•Œ์ž–์•„.
06:45
>> You know Iโ€™m leaving for Europe. [2x]
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>> ๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑฐ ์•Œ์ž–์•„. [2x]
06:48
These are all the most important parts of the sentence, the content words. Content words
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์ด๋“ค์€ ๋ชจ๋‘ ๋ฌธ์žฅ์˜ ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ธ ๋‚ด์šฉ์–ด์ž…๋‹ˆ๋‹ค. ๋‚ด์šฉ์–ด๋Š”
06:55
are nouns, verbs, adjectives, and adverbs. Here we have verb, verb, and proper noun.
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๋ช…์‚ฌ, ๋™์‚ฌ, ํ˜•์šฉ์‚ฌ, ๋ถ€์‚ฌ์ž…๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์— ๋™์‚ฌ, ๋™์‚ฌ, ๊ณ ์œ  ๋ช…์‚ฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
07:04
You know Iโ€™m leaving for Europe. Notice that in a content word, for example, leaving,
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๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑธ ์•Œ์ž–์•„. ์˜ˆ๋ฅผ ๋“ค์–ด, ๋– ๋‚˜๋Š” ๊ฒƒ๊ณผ ๊ฐ™์€ ๋‚ด์šฉ์–ด์—์„œ๋Š”
07:11
that only the stressed syllable is stressed. Even though this is an important word, and
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๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ์Œ์ ˆ๋งŒ ๊ฐ•์„ธ๋ฅผ ๋ฐ›๋Š”๋‹ค๋Š” ์ ์— ์œ ์˜ํ•˜์‹ญ์‹œ์˜ค. ์ด๊ฒƒ์€ ์ค‘์š”ํ•œ ๋‹จ์–ด์ด๊ณ 
07:16
itโ€™s a stressed word in the sentence, the unstressed syllable, the โ€“ing ending, is
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๋ฌธ์žฅ์—์„œ ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด์ด์ง€๋งŒ ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ์Œ์ ˆ์ธ โ€“ing ์–ด๋ฏธ์—๋Š”
07:22
not stressed. So, unstressed syllables, even in stressed words, are still unstressed syllables.
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๊ฐ•์„ธ๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ์Œ์ ˆ์€ ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด์—์„œ๋„ ์—ฌ์ „ํžˆ ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ์Œ์ ˆ์ž…๋‹ˆ๋‹ค.
07:30
>> You know Iโ€™m leaving for Europe. [2x]
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>> ๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑฐ ์•Œ์ž–์•„. [2x]
07:34
Notice I use the contraction Iโ€™m. Some of my students donโ€™t like to use contractions
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๋‚˜๋Š” ์ค„์ž„๋ง I'm์„ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค. ์ œ ํ•™์ƒ๋“ค ์ค‘ ์ผ๋ถ€๋Š” ์ถ•์•ฝ์–ด๊ฐ€ ๋ช…ํ™•ํ•˜์ง€ ์•Š๋‹ค๊ณ  ์ƒ๊ฐํ•˜๊ธฐ ๋•Œ๋ฌธ์— ์ถ•์•ฝ์–ด ์‚ฌ์šฉ์„ ์ข‹์•„ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค
07:40
because they donโ€™t think theyโ€™re clear enough. They will say โ€˜I amโ€™. You know
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. ๊ทธ๋“ค์€ '๋‚˜๋Š”'์ด๋ผ๊ณ  ๋งํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:45
Iโ€™m leaving for Europe. But using a contraction, like Iโ€™m, is just like up here, where we
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๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑธ ์•Œ์ž–์•„. ํ•˜์ง€๋งŒ ์ €์ฒ˜๋Ÿผ ์ถ•์•ฝํ˜•์„ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ์€ ์—ฌ๊ธฐ์—์„œ ์šฐ๋ฆฌ๊ฐ€
07:50
took these three words and linked them together and made them very fast. But in a. So, contractions
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์ด ์„ธ ๋‹จ์–ด๋ฅผ ๊ฐ€์ ธ์™€ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜์—ฌ ๋งค์šฐ ๋น ๋ฅด๊ฒŒ ๋งŒ๋“  ๊ฒƒ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์—์„œ. ๋”ฐ๋ผ์„œ ์ถ•์•ฝํ˜•์€
07:57
are words we reduce and link together in writing and in speech. Iโ€™m, Iโ€™m.
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๊ธ€๊ณผ ๋ง์—์„œ ์šฐ๋ฆฌ๊ฐ€ ์ถ•์†Œํ•˜๊ณ  ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค . ๋‚˜๋Š”, ๋‚˜๋Š”.
08:03
>> You know Iโ€™m leaving for Europe. [2x]
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>> ๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑฐ ์•Œ์ž–์•„. [2x]
08:07
Reducing and contracting words will help you sound very American. Thereโ€™s actually one more
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๋‹จ์–ด๋ฅผ ์ค„์ด๊ฑฐ๋‚˜ ์ค„์ด๋ฉด ๋งค์šฐ ๋ฏธ๊ตญ์ ์œผ๋กœ ๋“ค๋ฆฌ๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค . ์‹ค์ œ๋กœ
08:12
example of a reduction in this sentence. Itโ€™s the word โ€˜forโ€™. For Europe. For Europe.
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์ด ๋ฌธ์žฅ์—์„œ ์ถ•์•ฝ์˜ ์˜ˆ๊ฐ€ ํ•˜๋‚˜ ๋” ์žˆ์Šต๋‹ˆ๋‹ค. '์œ„ํ•ด'๋ผ๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. ์œ ๋Ÿฝ์˜ ๊ฒฝ์šฐ. ์œ ๋Ÿฝ์˜ ๊ฒฝ์šฐ.
08:18
I reduced that vowel to the schwa. And the schwa-R together make one sound, rr. Rr, rr,
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๋‚˜๋Š” ๊ทธ ๋ชจ์Œ์„ ์Šˆ์™€๋กœ ์ค„์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  schwa-R์€ ํ•จ๊ป˜ ํ•˜๋‚˜์˜ ์†Œ๋ฆฌ, rr์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค. RR, RR,
08:26
fr, fr. For Europe, for Europe. And again, here we have an ending consonant linking into
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FR, FR. ์œ ๋Ÿฝ์„ ์œ„ํ•ด, ์œ ๋Ÿฝ์„ ์œ„ํ•ด. ๊ทธ๋ฆฌ๊ณ  ๋‹ค์‹œ, ์—ฌ๊ธฐ์— ์‹œ์ž‘ ๋ชจ์Œ์œผ๋กœ ์—ฐ๊ฒฐ๋˜๋Š” ๋ ์ž์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค
08:34
a beginning vowel. For Europe. [3x] So those two words glide together very easily. For
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. ์œ ๋Ÿฝ์˜ ๊ฒฝ์šฐ. [3x] ๋”ฐ๋ผ์„œ ์ด ๋‘ ๋‹จ์–ด๋Š” ๋งค์šฐ ์‰ฝ๊ฒŒ ํ•จ๊ป˜ ๋ฏธ๋„๋Ÿฌ์ง‘๋‹ˆ๋‹ค.
08:43
Europe, for Europe.
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์œ ๋Ÿฝ์„ ์œ„ํ•ด, ์œ ๋Ÿฝ์„ ์œ„ํ•ด.
08:47
>> You know Iโ€™m leaving for Europe. >> Yes, thatโ€™s right. How long are you going
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>> ๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑฐ ์•Œ์ž–์•„. >> ๋„ค, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š”
08:50
to be gone for?
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?
08:51
This was all very fast. Yes, thatโ€™s right. How long are you going to be gone for? Wow.
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์ด๊ฒƒ์€ ๋ชจ๋‘ ๋งค์šฐ ๋นจ๋ž์Šต๋‹ˆ๋‹ค. ์˜ˆ, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š”? ์šฐ์™€.
08:57
Tom didnโ€™t even really finish the word โ€˜rightโ€™. Yes thatโ€™s right how long? He certainly
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Tom์€ '์˜ฌ๋ฐ”๋ฅธ'์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๋๋‚ด์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๋„ค ๋งž์•„์š” ์–ธ์ œ๊นŒ์ง€? ๊ทธ๋Š” ํ™•์‹คํžˆ
09:03
didnโ€™t pronounce a full T. He moved on to the next sentence before he even finished
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์™„์ „ํ•œ T๋ฅผ ๋ฐœ์Œํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š” ๊ทธ ๋‹จ์–ด๋ฅผ ๋๋‚ด๊ธฐ๋„ ์ „์— ๋‹ค์Œ ๋ฌธ์žฅ์œผ๋กœ ๋„˜์–ด๊ฐ”์Šต๋‹ˆ๋‹ค
09:08
that word.
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.
09:09
>> Yes, thatโ€™s right. How long are you going to be gone for?
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>> ๋„ค, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š” ?
09:11
So there was no real break here between sentences. You probably noticed he took โ€˜going toโ€™
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๋”ฐ๋ผ์„œ ์—ฌ๊ธฐ์—์„œ๋Š” ๋ฌธ์žฅ ์‚ฌ์ด์— ์‹ค์ œ ๋Š๊น€์ด ์—†์—ˆ์Šต๋‹ˆ๋‹ค. ์•„๋งˆ ๊ทธ๊ฐ€ 'going to'๋ฅผ
09:18
and turned it into โ€˜gonnaโ€™. How long are you gonna? You gonna? [3x] How long are you
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'gona'๋กœ ๋ฐ”๊พผ ๊ฒƒ์„ ๋ˆˆ์น˜์ฑ„์…จ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์–ธ์ œ๊นŒ์ง€ ํ• ๊ฑฐ์•ผ? ํ• ๊ฑฐ์•ผ? [3x] ์–ธ์ œ๊นŒ์ง€
09:25
gonna be gone for?
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๊ฐˆ ๊ฑด๊ฐ€์š”?
09:26
>> Yes, thatโ€™s right. How long are you going to be gone for? [2x]
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>> ๋„ค, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š” ? [2x]
09:30
Did you notice Tom did not reduce the word โ€˜forโ€™ to the schwa. Well, I just said
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Tom์ด 'for'๋ผ๋Š” ๋‹จ์–ด๋ฅผ schwa๋กœ ์ค„์ด์ง€ ์•Š์€ ๊ฒƒ์„ ๋ˆˆ์น˜์ฑ„์…จ๋‚˜์š”? ๊ธ€์Ž„, ๋‚˜๋Š”
09:35
that thatโ€™s something that we want to do with this word in order to make it sound more
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๊ทธ๊ฒƒ์ด ๋” ๋ฏธ๊ตญ์ ์œผ๋กœ ๋“ค๋ฆฌ๋„๋ก ํ•˜๊ธฐ ์œ„ํ•ด ์šฐ๋ฆฌ๊ฐ€ ์ด ๋‹จ์–ด๋กœ ํ•˜๊ณ  ์‹ถ์€ ๊ฒƒ์ด๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค
09:39
American. But, I do need to add: we donโ€™t reduce words like โ€˜forโ€™ when theyโ€™re
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. ํ•˜์ง€๋งŒ ๋ง๋ถ™์ผ ํ•„์š”๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. 'for'์™€ ๊ฐ™์€ ๋‹จ์–ด๊ฐ€ ๋ฌธ์žฅ ๋์— ์žˆ์„ ๋•Œ๋Š” ์ค„์ด์ง€ โ€‹โ€‹์•Š์Šต๋‹ˆ๋‹ค
09:45
at the end of a sentence.
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.
09:46
>> Yes, thatโ€™s right. How long are you going to be gone for?
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>> ๋„ค, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š” ?
09:48
There, they need to be fully pronounced. Even though it was still very fast, it wasnโ€™t
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๊ฑฐ๊ธฐ์—์„œ ๊ทธ๋“ค์€ ์™„์ „ํžˆ ๋ฐœ์Œ๋˜์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์—ฌ์ „ํžˆ ๋งค์šฐ ๋น ๋ฅด์ง€๋งŒ
09:53
a stressed word, it did have the full vowel.
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๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด๊ฐ€ ์•„๋‹ˆ๋ผ ์ „์ฒด ๋ชจ์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
09:59
>> Yes, thatโ€™s right. How long are you going to be gone for?
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>> ๋„ค, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š” ?
10:00
>> Iโ€™m going to be gone for five weeks.
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค.
10:03
Iโ€™m going to be gone for five weeks. [2x] Again, I used โ€˜Iโ€™mโ€™ instead of โ€˜I
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5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. [2x] ์ด๋ฒˆ์—๋„ 'I am' ๋Œ€์‹  'I'm'์„ ์‚ฌ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค
10:10
amโ€™. That helped me make it fast and less important, compared to the more important
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. ๊ทธ๊ฒƒ์€ ๋ฌธ์žฅ์—์„œ ๋” ์ค‘์š”ํ•œ ๋‹จ์–ด์— ๋น„ํ•ด ๋น ๋ฅด๊ณ  ๋œ ์ค‘์š”ํ•˜๊ฒŒ ๋งŒ๋“œ๋Š” ๋ฐ ๋„์›€์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค
10:15
words in the sentence.
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.
10:16
>> Iโ€™m going to be gone for five weeks. [2x]
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. [2x]
10:20
You also may have noticed, I also took โ€˜going toโ€™ and pronounced it โ€˜gonnaโ€™.
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๋ˆˆ์น˜์ฑ„์…จ์„ ์ˆ˜๋„ ์žˆ๊ฒ ์ง€๋งŒ, ์ €๋„ 'going to'๋ฅผ 'gonna'๋ผ๊ณ  ๋ฐœ์Œํ–ˆ์Šต๋‹ˆ๋‹ค.
10:25
Iโ€™m gonna [3x].
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๋‚˜๋Š” [3x] ํ• ๊ฑฐ์•ผ.
10:27
>> Iโ€™m going to be gone for five weeks. [2x]
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. [2x]
10:31
How do you hear this word โ€˜forโ€™? Listen again.
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'for'๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ์–ด๋–ป๊ฒŒ ๋“ค๋ฆฌ๋‚˜์š”? ๋‹ค์‹œ ๋“ค์–ด๋ณด์„ธ์š” .
10:34
>> Iโ€™m going to be gone for five weeks. [2x]
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. [2x]
10:38
Youโ€™re right, itโ€™s reduced. For, for, for, for five, for five. For five weeks.
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๋‹น์‹  ๋ง์ด ๋งž์•„์š”, ๊ฐ์†Œํ–ˆ์Šต๋‹ˆ๋‹ค. ๋‹ค์„ฏ์„ ์œ„ํ•ด, ๋‹ค์„ฏ์„ ์œ„ํ•ด, ๋‹ค์„ฏ์„ ์œ„ํ•ด. 5์ฃผ ๋™์•ˆ.
10:44
>> Iโ€™m going to be gone for five weeks. [2x]
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. [2x]
10:48
So, the most important words there, the loudest, the clearest, are โ€˜goneโ€™, โ€˜fiveโ€™,
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๊ทธ๋ž˜์„œ ๊ฐ€์žฅ ์ค‘์š”ํ•˜๊ณ  ๊ฐ€์žฅ ํฌ๊ณ  ๋ถ„๋ช…ํ•œ ๋‹จ์–ด๋Š” '์‚ฌ๋ผ์ง€๋‹ค', '๋‹ค์„ฏ',
10:58
and โ€˜weeksโ€™. Those are the words that carry the actual meaning of the sentence.
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'์ฃผ'์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ๋“ค์€ ๋ฌธ์žฅ์˜ ์‹ค์ œ ์˜๋ฏธ๋ฅผ ์ „๋‹ฌํ•˜๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค.
11:03
So, we donโ€™t reduce these more important words. But if we say all the other words fast,
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๋”ฐ๋ผ์„œ ๋” ์ค‘์š”ํ•œ ๋‹จ์–ด๋ฅผ ์ค„์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค . ํ•˜์ง€๋งŒ ์šฐ๋ฆฌ๊ฐ€ ๋‹ค๋ฅธ ๋ชจ๋“  ๋‹จ์–ด๋ฅผ ๋นจ๋ฆฌ ๋งํ•˜๋ฉด
11:10
reduce them, then it makes these more important words stand out the most. Iโ€™m going to be
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์ค„์ด๋ฉด ๋” ์ค‘์š”ํ•œ ๋‹จ์–ด๊ฐ€ ๊ฐ€์žฅ ๋ˆˆ์— ๋„๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
11:16
gone for five weeks.
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5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค.
11:17
>> Iโ€™m going to be gone for five weeks. >> Thatโ€™s a good long time.
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. >> ์˜ค๋žœ๋งŒ์ด๋„ค์š”.
11:21
Thatโ€™s a good long time. Tom didnโ€™t really pronounce the TH here. He reduced the word
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์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค. Tom์€ ์—ฌ๊ธฐ์„œ TH๋ฅผ ์‹ค์ œ๋กœ ๋ฐœ์Œํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š”
11:27
โ€˜thatโ€™sโ€™ to just the schwa-TS sound. Utsa, utsa, utsa good long time. [2x]
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'๊ทธ๊ฒƒ'์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๊ทธ๋ƒฅ ์Šˆ์™€-TS ์†Œ๋ฆฌ๋กœ ์ค„์˜€์Šต๋‹ˆ๋‹ค. ์›ƒ์‚ฌ, ์›ƒ์‚ฌ, ์›ƒ์‚ฌ ์˜ค๋žœ๋งŒ์ด์•ผ. [2x]
11:34
>> Iโ€™m going to be gone for five weeks. >> Thatโ€™s a good long time. [2x]
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>> 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. >> ์˜ค๋žœ๋งŒ์ด๋„ค์š”. [2x]
11:40
We reduce thatโ€™s, itโ€™s, whatโ€™s, at the beginning of a sentence like this a lot. And
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์šฐ๋ฆฌ๋Š” ์ด์™€ ๊ฐ™์€ ๋ฌธ์žฅ์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์—์„œ that's, it's, what's๋ฅผ ๋งŽ์ด ์ค„์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ 
11:46
look, we have an ending consonant beginning vowel to link. Thatโ€™s a, [3x]
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๋ณด์„ธ์š”, ์—ฐ๊ฒฐํ•  ๋์ž์Œ ์‹œ์ž‘ ๋ชจ์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ [3x]
11:52
thatโ€™s a good long time. He stressed the last three words.
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์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค. ๊ทธ๋Š” ๋งˆ์ง€๋ง‰ ์„ธ ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ–ˆ๋‹ค.
11:56
>> Iโ€™m going to be gone for five weeks. >> Thatโ€™s a good long time. [2x]
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. >> ์˜ค๋žœ๋งŒ์ด๋„ค์š”. [2x]
12:03
We have adjective, adjective, noun.
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ํ˜•์šฉ์‚ฌ, ํ˜•์šฉ์‚ฌ, ๋ช…์‚ฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
12:15
The three content words are stressed, longer, clearer.
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์„ธ ๊ฐ€์ง€ ๋‚ด์šฉ ๋‹จ์–ด๋Š” ๊ฐ•์กฐ๋˜๊ณ  ๊ธธ๊ณ  ๋ช…ํ™•ํ•ฉ๋‹ˆ๋‹ค.
12:20
>> Iโ€™m going to be gone for five weeks. >> Thatโ€™s a good long time.
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>> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. >> ์˜ค๋žœ๋งŒ์ด๋„ค์š”.
12:23
>> Itโ€™s a good long time. Iโ€™m leaving in ten days.
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>> ์˜ค๋žœ๋งŒ์ž…๋‹ˆ๋‹ค. ์—ดํ˜ ํ›„์— ๋– ๋‚ฉ๋‹ˆ๋‹ค.
12:26
I reduced the word โ€˜itโ€™sโ€™ by dropping the vowel. Tsa, tsa, itโ€™s a good long time.
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๋‚˜๋Š” ๋ชจ์Œ์„ ๋–จ์–ด๋œจ๋ ค 'it's'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์ค„์˜€์Šต๋‹ˆ๋‹ค . Tsa, tsa, ์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค.
12:32
>> Itโ€™s a good long time. Iโ€™m leaving in ten days.
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>> ์˜ค๋žœ๋งŒ์ž…๋‹ˆ๋‹ค. ์—ดํ˜ ํ›„์— ๋– ๋‚ฉ๋‹ˆ๋‹ค.
12:34
Itโ€™s a good long time. Linking the TS cluster into the schwa. Tsa, tsa, itโ€™s a good long
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์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค. TS ํด๋Ÿฌ์Šคํ„ฐ๋ฅผ schwa์— ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค. Tsa, tsa, ์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค
12:42
time. Itโ€™s a good long time. Again, these three words are stressed, good long time.
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. ์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค. ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ด ์„ธ ๋‹จ์–ด๋Š” ๊ฐ•์„ธ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
12:48
I stressed the word โ€˜goodโ€™ the most. Itโ€™s a good long time. Itโ€™s a good long time.
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์ €๋Š” '์ข‹์€'์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๊ฐ€์žฅ ๊ฐ•์กฐํ–ˆ์Šต๋‹ˆ๋‹ค. ์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค. ์ข‹์€ ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค.
12:54
Just like Tom did earlier, I didnโ€™t really leave a sentence break here, did I? I went
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Tom์ด ์ด์ „์— ํ–ˆ๋˜ ๊ฒƒ์ฒ˜๋Ÿผ, ์—ฌ๊ธฐ์— ๋ฌธ์žฅ ๋ถ„๋ฆฌ๋ฅผ ๋‘์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ฃ ? ๋‚˜๋Š”
12:59
straight on to my next thought.
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๊ณง๋ฐ”๋กœ ๋‹ค์Œ ์ƒ๊ฐ์œผ๋กœ ๋„˜์–ด๊ฐ”๋‹ค.
13:01
>> Itโ€™s a good long time. Iโ€™m leaving in ten days.
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>> ์˜ค๋žœ๋งŒ์ž…๋‹ˆ๋‹ค. ์—ดํ˜ ํ›„์— ๋– ๋‚ฉ๋‹ˆ๋‹ค.
13:05
Look. Another contraction. The most important syllables in that sentence: leav-, ten, days.
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๋ฐ”๋ผ๋ณด๋‹ค. ๋˜ ๋‹ค๋ฅธ ์ˆ˜์ถ•. ๊ทธ ๋ฌธ์žฅ์—์„œ ๊ฐ€์žฅ ์ค‘์š”ํ•œ ์Œ์ ˆ: leav-, ten, days.
13:13
Iโ€™m leaving in ten days. [4x] Again, theyโ€™re the most important parts of the sentence for
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์—ดํ˜ ํ›„์— ๋– ๋‚ฉ๋‹ˆ๋‹ค. [4x] ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ๋‚ด์šฉ์— ๋Œ€ํ•œ ๋ฌธ์žฅ์˜ ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค
13:24
content. The verb leaving, and the time amount, ten days.
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. ๋– ๋‚˜๋Š” ๋™์‚ฌ์™€ ์‹œ๊ฐ„์€ 10์ผ์ž…๋‹ˆ๋‹ค.
13:28
>> Iโ€™m leaving in ten days, so it feels like thereโ€™s a lot to be done.
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>> ์—ดํ˜ ๋’ค์— ๋– ๋‚˜๋‹ˆ๊นŒ ํ•  ์ผ์ด ๋งŽ์€ ๊ฒƒ ๊ฐ™์•„์š”.
13:33
I notice the word โ€˜itโ€™ is not very clear. So it feels. [2x]
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๋‚˜๋Š” 'it'์ด๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ๋ช…ํ™•ํ•˜์ง€ ์•Š๋‹ค๋Š” ๊ฒƒ์„ ์•Œ์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค. [2x]
13:38
>> Iโ€™m leaving in ten days, so it feels like thereโ€™s a lot to be done.
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>> ์—ดํ˜ ๋’ค์— ๋– ๋‚˜๋Š”๋ฐ ํ•  ์ผ์ด ๋งŽ์€ ๊ฒƒ ๊ฐ™์•„์š”.
13:42
So it feels like. The word โ€˜itโ€™ begins with a vowel. Here, the word before ends with
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๊ทธ๋ž˜์„œ ๊ทธ๋Ÿฐ ๋Š๋‚Œ์ž…๋‹ˆ๋‹ค. '๊ทธ๊ฒƒ'์€ ๋ชจ์Œ์œผ๋กœ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ ๋‹จ์–ด before๋Š” ๋ชจ์Œ์œผ๋กœ ๋๋‚ฉ๋‹ˆ๋‹ค
13:47
a vowel. So we can link vowel to vowel. So it. [3x] So it feels like. Itโ€™s a very smooth
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. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๋ชจ์Œ์— ๋ชจ์Œ์„ ์—ฐ๊ฒฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ . [3x] ๊ทธ๋Ÿฐ ๋Š๋‚Œ์ž…๋‹ˆ๋‹ค. ๋งค์šฐ ๋ถ€๋“œ๋Ÿฌ์šด
13:55
transition. And it can feel like I go through the glide consonant W. So it. [3x] That helps
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์ „ํ™˜์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ธ€๋ผ์ด๋“œ ์ž์Œ W๋ฅผ ํ†ตํ•˜๋Š” ๋“ฏํ•œ ๋Š๋‚Œ์„ ๋ฐ›์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค . [3x]
14:03
me link them together. So it feels like.
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๊ทธ๊ฒƒ๋“ค์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋Ÿฐ ๋Š๋‚Œ์ž…๋‹ˆ๋‹ค.
14:06
Whatโ€™s happening with the T in โ€˜itโ€™? Itโ€™s a Stop T. So it, so it, so it feels.
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'it'์˜ T์— ๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋‚˜์š”? Stop T์ž…๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ฒŒ, ๊ทธ๋ ‡๊ฒŒ, ๊ทธ๋ ‡๊ฒŒ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค.
14:13
So it feels like. The T is not fully pronounced, tt. So it, so it. But instead, I stop the
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๊ทธ๋ž˜์„œ ๊ทธ๋Ÿฐ ๋Š๋‚Œ์ž…๋‹ˆ๋‹ค. T๋Š” ์™„์ „ํžˆ ๋ฐœ์Œ๋˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค, tt. ๊ทธ๋ž˜์„œ, ๊ทธ๋ ‡๊ฒŒ. ํ•˜์ง€๋งŒ ๋Œ€์‹  ๊ณต๊ธฐ๋ฅผ ๋ฉˆ์ถฅ๋‹ˆ๋‹ค
14:21
air. So it. In general, we pronounce Tโ€™s this way when the next sound is a consonant.
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. ๊ทธ๋ž˜์„œ. ์ผ๋ฐ˜์ ์œผ๋กœ T๋Š” ๋‹ค์Œ ์†Œ๋ฆฌ๊ฐ€ ์ž์Œ์ผ ๋•Œ ์ด๋ ‡๊ฒŒ ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค.
14:28
So it feels like thereโ€™s a lot to be done. And the ending Z sound of โ€˜thereโ€™sโ€™
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๊ทธ๋ž˜์„œ ํ•  ์ผ์ด ๋งŽ๋‹ค๊ณ  ๋Š๊ปด์ง‘๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  'there's'์˜ ์—”๋”ฉ Z ์‚ฌ์šด๋“œ๋Š”
14:34
links right into the schwa sound uh. Thereโ€™s a, thereโ€™s a, thereโ€™s a lot to be done.
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์Šˆ์™€ ์‚ฌ์šด๋“œ uh๋กœ ๋ฐ”๋กœ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค. ํ•ด์•ผ ํ•  ์ผ์ด ๋งŽ์Šต๋‹ˆ๋‹ค.
14:40
>> Thereโ€™s a lot to be done. [2x]
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>> ํ•ด์•ผ ํ•  ์ผ์ด ๋งŽ์Šต๋‹ˆ๋‹ค. [2x]
14:44
How are these two words pronounced? Lot to, lot to. This is clearly not an โ€˜ooโ€™ vowel,
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์ด ๋‘ ๋‹จ์–ด๋Š” ์–ด๋–ป๊ฒŒ ๋ฐœ์Œ๋˜๋‚˜์š”? ๋งŽ์ด, ๋งŽ์ด. ์ด๊ฒƒ์€ ๋ถ„๋ช…ํžˆ '์šฐ'๋ชจ์Œ์ด ์•„๋‹ˆ๋ผ
14:51
itโ€™s a schwa. Lot to. But what about the Tโ€™s? Lot to. Iโ€™m making the first T a
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์Šˆ์™€์ž…๋‹ˆ๋‹ค. ๋กœ๋˜. ํ•˜์ง€๋งŒ T๋Š” ์–ด๋–ป์Šต๋‹ˆ๊นŒ ? ๋กœ๋˜. ๋‚˜๋Š” ์ฒซ ๋ฒˆ์งธ T๋ฅผ
14:59
Stop T. Lot. So Iโ€™m just stopping the air for a secondโ€”lot to, lot toโ€”before releasing
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Stop T๋กœ ๋งŒ๋“ค๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. Lot. ๊ทธ๋ž˜์„œ ๋‚˜๋Š” ๋‘ ๋ฒˆ์งธ T๋ฅผ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ์†์„ ๋–ผ๊ธฐ ์ „์— ์ž ์‹œ ๊ณต๊ธฐ๋ฅผ ๋ฉˆ์ท„์Šต๋‹ˆ๋‹ค.
15:08
to make the second T. Thereโ€™s a lot to be done.
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ํ•  ์ผ์ด ๋งŽ์Šต๋‹ˆ๋‹ค.
15:12
>> Thereโ€™s a lot to be done. [2x]
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>> ํ•ด์•ผ ํ•  ์ผ์ด ๋งŽ์Šต๋‹ˆ๋‹ค. [2x]
15:15
We use these three words together, a lot to, quite a bit. Letโ€™s do a quick comparison
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์šฐ๋ฆฌ๋Š” ์ด ์„ธ ๋‹จ์–ด๋ฅผ ํ•จ๊ป˜ ์•„์ฃผ ๋งŽ์ด ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค .
15:22
to โ€˜a lot ofโ€™, which we also use together frequently. Here we have an ending T consonant
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์šฐ๋ฆฌ๋„ ํ•จ๊ป˜ ์ž์ฃผ ์‚ฌ์šฉํ•˜๋Š” 'a lot of'์™€ ๊ฐ„๋‹จํžˆ ๋น„๊ตํ•ด ๋ด…์‹œ๋‹ค . ์—ฌ๊ธฐ์— ๋ T ์ž์Œ
15:29
and beginning vowel. The T comes between two vowels, so itโ€™s a Flap T or a D sound. A
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๊ณผ ์‹œ์ž‘ ๋ชจ์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค. T๋Š” ๋‘ ๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๋ฏ€ ๋กœ ํ”Œ๋žฉ T ๋˜๋Š” D ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
15:35
lot of, a lot of. So the T in โ€˜lotโ€™ is pronounced one way in this phrase, a lot to,
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๋งŽ์ด, ๋งŽ์ด. ๋”ฐ๋ผ์„œ 'lot'์˜ T๋Š” ์ด ๊ตฌ์—์„œ๋Š” a lot to๋กœ ๋ฐœ์Œ๋˜๊ณ 
15:43
and a different way in this phrase, a lot of. Letโ€™s listen to the whole bit of conversation
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์ด ๊ตฌ์—์„œ๋Š” a lot of๋กœ ๋‹ค๋ฅด๊ฒŒ ๋ฐœ์Œ๋ฉ๋‹ˆ๋‹ค. ์ „์ฒด ๋Œ€ํ™”๋ฅผ
15:49
one more time.
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ํ•œ ๋ฒˆ ๋” ๋“ค์–ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
15:51
>> Are you stressed about anything, Rach? Can I call you Rach?
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>> ์–ด๋–ค ์ผ๋กœ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋‚˜์š”, Rach? Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ ๊นŒ์š”?
15:54
>> You can call me Rach. >> Um, sort, of, but in a very good way. You
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>> Rach๋ผ๊ณ  ๋ถˆ๋Ÿฌ๋„ ๋ฉ๋‹ˆ๋‹ค. >> ์Œ, ์ผ์ข…์˜, ํ•˜์ง€๋งŒ ์•„์ฃผ ์ข‹์€ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
16:00
know Iโ€™m leaving for Europe. >> Yes, thatโ€™s right. How long are you going
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๋‚ด๊ฐ€ ์œ ๋Ÿฝ์œผ๋กœ ๋– ๋‚˜๋Š” ๊ฑธ ์•Œ์ž–์•„. >> ๋„ค, ๋งž์Šต๋‹ˆ๋‹ค. ์–ผ๋งˆ๋‚˜ ์˜ค๋ž˜ ๊ฐˆ ๊ฑด๊ฐ€์š”
16:03
to be gone for? >> Iโ€™m going to be gone for five weeks.
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? >> ์ €๋Š” 5์ฃผ ๋™์•ˆ ์ž๋ฆฌ๋ฅผ ๋น„์šธ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค.
16:04
>> Thatโ€™s a good long time. >> Itโ€™s a good long time. Iโ€™m leaving
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>> ์˜ค๋žœ๋งŒ์ด๋„ค์š”. >> ์˜ค๋žœ๋งŒ์ž…๋‹ˆ๋‹ค.
16:07
in 10 days. So it feels like thereโ€™s a lot to be done.
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10์ผ ํ›„์— ๋– ๋‚ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ํ•  ์ผ์ด ๋งŽ๋‹ค๊ณ  ๋Š๊ปด์ง‘๋‹ˆ๋‹ค .
16:11
Even with just a little bit of speech, thereโ€™s a lot to study. Thanks for studying with me.
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์•ฝ๊ฐ„์˜ ๋ง๋งŒ ํ•ด๋„ ๊ณต๋ถ€ํ•  ๊ฒƒ์ด ๋งŽ์Šต๋‹ˆ๋‹ค. ์ €์™€ ํ•จ๊ป˜ ๊ณต๋ถ€ํ•ด ์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
16:18
Thatโ€™s it, and thanks so much for using Rachelโ€™s English.
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์ด์ƒ์ž…๋‹ˆ๋‹ค. Rachel์˜ ์˜์–ด๋ฅผ ์‚ฌ์šฉํ•ด ์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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