Animal Idioms! Conversational American English with JenniferESL

66,114 views ใƒป 2015-11-10

Rachel's English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Hi everybody! This video is going to be a little different from what youโ€™re used to
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์•ˆ๋…•ํ•˜์„ธ์š” ์—ฌ๋Ÿฌ๋ถ„! ์ด ๋น„๋””์˜ค๋Š” ์—ฌ๋Ÿฌ๋ถ„์ด
00:05
seeing on Rachelโ€™s English. This is a compilation video where Iโ€™m taking several of my videos
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Rachelโ€™s English์—์„œ ๋ณด๋˜ ๊ฒƒ๊ณผ๋Š” ์กฐ๊ธˆ ๋‹ค๋ฅผ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด๊ฒƒ์€ ์ œ๊ฐ€ ์—ฌ๋Ÿฌ ๋™์˜์ƒ์„ ๊ฐ€์ ธ์™€ ๋‹จ์ผ ์ฃผ์ œ์—
00:12
and combining them into one longer video on a single topic. Whatโ€™s really exciting is
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๋Œ€ํ•ด ํ•˜๋‚˜์˜ ๊ธด ๋™์˜์ƒ์œผ๋กœ ๊ฒฐํ•ฉํ•˜๋Š” ํŽธ์ง‘ ๋™์˜์ƒ์ž…๋‹ˆ๋‹ค . ์ •๋ง ํฅ๋ฏธ๋กœ์šด ์ ์€ ์ด ๋น„๋””์˜ค๋ฅผ
00:18
that we have another teacher helping with this video. Jennifer of JenniferESL. Sheโ€™s
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๋„์™€์ฃผ๋Š” ๋‹ค๋ฅธ ์„ ์ƒ๋‹˜์ด ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค . ์ œ๋‹ˆํผESL์˜ ์ œ๋‹ˆํผ. ๊ทธ๋…€๋Š” 2007๋…„
00:25
been a popular YouTube English teacher since 2007 and Iโ€™m really excited that sheโ€™s
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๋ถ€ํ„ฐ ์ธ๊ธฐ ์žˆ๋Š” YouTube ์˜์–ด ๊ต์‚ฌ์˜€์œผ๋ฉฐ ๊ทธ๋…€๊ฐ€
00:32
helping with this video.
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์ด ๋น„๋””์˜ค๋ฅผ ๋•๊ณ  ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์ด ์ •๋ง ๊ธฐ์ฉ๋‹ˆ๋‹ค.
00:34
Todayโ€™s topic: animal idioms.
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์˜ค๋Š˜์˜ ์ฃผ์ œ: ๋™๋ฌผ ๊ด€์šฉ๊ตฌ.
00:45
People are always asking me for more videos on idioms. So today youโ€™re going to learn
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์‚ฌ๋žŒ๋“ค์€ ํ•ญ์ƒ ๊ด€์šฉ๊ตฌ์— ๋Œ€ํ•œ ๋” ๋งŽ์€ ๋น„๋””์˜ค๋ฅผ ์š”์ฒญํ•ฉ๋‹ˆ๋‹ค . ๊ทธ๋ž˜์„œ ์˜ค๋Š˜ ์—ฌ๋Ÿฌ๋ถ„์€
00:50
a lot, all related to animals: chickens, horses, and monkeys. All of these idioms are familiar
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๋‹ญ, ๋ง, ์›์ˆญ์ด ๋“ฑ ๋™๋ฌผ๊ณผ ๊ด€๋ จ๋œ ๋งŽ์€ ๊ฒƒ์„ ๋ฐฐ์šธ ๊ฒƒ์ž…๋‹ˆ๋‹ค . ์ด ๊ด€์šฉ๊ตฌ๋Š” ๋ชจ๋‘
01:00
to Americans, and used in conversational English.
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๋ฏธ๊ตญ์ธ์—๊ฒŒ ์นœ์ˆ™ํ•˜๋ฉฐ ์˜์–ด ํšŒํ™”์—์„œ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค. ๋‹ญ๊ณผ ๊ด€๋ จ๋œ ์ˆ™์–ด์— ๋Œ€ํ•ด
01:04
Letโ€™s get started hearing from teacher JenniferESL on idioms relating to chickens.
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JenniferESL ์„ ์ƒ๋‹˜์˜ ์ด์•ผ๊ธฐ๋ฅผ ๋“ค์–ด๋ด…์‹œ๋‹ค . ๋‹ญ๊ณผ
01:20
In our first set of expressions related to chickens, we have two nouns. The first, chicken.
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๊ด€๋ จ๋œ ์ฒซ ๋ฒˆ์งธ ํ‘œํ˜„ ์„ธํŠธ์—๋Š” ๋‘ ๊ฐœ์˜ ๋ช…์‚ฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ฒซ๋ฒˆ์งธ, ์น˜ํ‚จ.
01:28
A chicken is a coward. If someone says โ€˜donโ€™t be a chickenโ€™, theyโ€™re saying, โ€˜donโ€™t
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๋‹ญ์€ ๊ฒ์Ÿ์ด์ž…๋‹ˆ๋‹ค. ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ' ๋‹ญ์ฒ˜๋Ÿผ ๊ตด์ง€ ๋งˆ'๋ผ๊ณ  ํ•˜๋ฉด '
01:36
be a cowardโ€™, donโ€™t be scared. We can say this in a teasing way, as a joke. But,
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๊ฒ์Ÿ์ด์ฒ˜๋Ÿผ ๊ตด์ง€ ๋งˆ', ๊ฒ๋‚ด์ง€ ๋ง๋ผ๋Š” ๋œป์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ์ด๊ฒƒ์„ ๋†€๋ฆฌ๋Š” ๋ฐฉ์‹์œผ๋กœ, ๋†๋‹ด์œผ๋กœ ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ
01:44
because chicken means coward, itโ€™s an insult. It can be offensive, so be careful.
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์น˜ํ‚จ์€ ๊ฒ์Ÿ์ด๋ฅผ ์˜๋ฏธํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋ชจ์š•์ž…๋‹ˆ๋‹ค. ๋ถˆ์พŒํ•  ์ˆ˜ ์žˆ์œผ๋‹ˆ ์ฃผ์˜ํ•˜์„ธ์š”. ๋‘
01:51
The second is a noun phrase, pecking order. Pecking order. To peck is an action that chickens
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๋ฒˆ์งธ๋Š” ๋ช…์‚ฌ๊ตฌ, ์ชผ์•„๋Œ€๋Š” ์ˆœ์„œ์ž…๋‹ˆ๋‹ค. ์ชผ์•„ ๋จน๋Š” ์ˆœ์„œ. ์ชผ๋Š” ๊ฒƒ์€ ๋‹ญ์ด
02:00
do with their beak, their mouth part. They can peck at the ground. Peck, peck, peck.
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๋ถ€๋ฆฌ, ์ž… ๋ถ€๋ถ„์œผ๋กœ ํ•˜๋Š” ํ–‰๋™์ž…๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ๋•…์„ ์ชผ์•„ ๋จน์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํŽ™, ํŽ™, ํŽ™.
02:08
Pecking order refers to behavior within a group. Not a group of chickens, but a group
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์ชผ๊ฐœ๊ธฐ ์ˆœ์„œ๋Š” ๊ทธ๋ฃน ๋‚ด์˜ ํ–‰๋™์„ ๋‚˜ํƒ€๋ƒ…๋‹ˆ๋‹ค . ๋‹ญ์˜ ๋ฌด๋ฆฌ๊ฐ€ ์•„๋‹ˆ๋ผ, ํ•œ ๋ฌด๋ฆฌ
02:14
of people. Pecking order is hierarchy, itโ€™s everyoneโ€™s status within a group. If we
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์˜ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค. ์ชผ์•„ ๋จน๋Š” ์ˆœ์„œ๋Š” ๊ณ„์ธต ๊ตฌ์กฐ์ด๋ฉฐ ๊ทธ๋ฃน ๋‚ด ๋ชจ๋“  ์‚ฌ๋žŒ์˜ ์ƒํƒœ์ž…๋‹ˆ๋‹ค.
02:23
ask, โ€œWhatโ€™s the pecking order?โ€, weโ€™re asking whatโ€™s the ranking within a particular
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"์ˆœ์œ„๊ฐ€ ์–ด๋–ป๊ฒŒ ๋˜๋‚˜์š”?"๋ผ๊ณ  ๋ฌป๋Š”๋‹ค๋ฉด ํŠน์ • ์‚ฌํšŒ ์ง‘๋‹จ ๋‚ด์—์„œ ์ˆœ์œ„๊ฐ€ โ€‹โ€‹์–ด๋–ป๊ฒŒ ๋˜๋Š”์ง€ ๋ฌป๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
02:30
social group.
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. ๋‹ญ๊ณผ
02:37
In our second set of expressions related to chickens, we have four verbs. The first, chicken
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๊ด€๋ จ๋œ ๋‘ ๋ฒˆ์งธ ํ‘œํ˜„ ์„ธํŠธ์—๋Š” ๋„ค ๊ฐœ์˜ ๋™์‚ฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ฒซ ๋ฒˆ์งธ, ์น˜ํ‚จ
02:43
out. Chicken out. I already explained that a chicken is a coward. So to โ€˜chicken outโ€™
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์•„์›ƒ. ์น˜ํ‚จ ์•„์›ƒ. ๋‚˜๋Š” ์ด๋ฏธ ๋‹ญ์ด ๊ฒ์Ÿ์ด๋ผ๊ณ  ์„ค๋ช…ํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ 'chicken out'์€
02:52
is to decide not to do something because youโ€™re a coward. So if you chickened out, you didnโ€™t
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๋‹น์‹ ์ด ๊ฒ์Ÿ์ด์ด๊ธฐ ๋•Œ๋ฌธ์— ์–ด๋–ค ์ผ๋„ ํ•˜์ง€ ์•Š๊ธฐ๋กœ ๊ฒฐ์ •ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค . ๊ฒ์ด ๋‚ฌ๋‹ค๋ฉด
03:00
do something because you were too afraid.
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๋„ˆ๋ฌด ๋‘๋ ค์›Œ์„œ ์•„๋ฌด๊ฒƒ๋„ ํ•˜์ง€ ์•Š์€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:02
Next, flew the coop, usually said in the past tense. Flew the coop. A coop is a structure
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๋‹ค์Œ์œผ๋กœ, ์ผ๋ฐ˜์ ์œผ๋กœ ๊ณผ๊ฑฐ ์‹œ์ œ๋กœ ๋งํ–ˆ๋˜ ๋‹ญ์žฅ์„ ๋‚ ์•„๊ฐ”์Šต๋‹ˆ๋‹ค . ๋‹ญ์žฅ์„ ๋‚ ์•˜๋‹ค. ๋‹ญ์žฅ์€
03:13
where we keep chickens. Itโ€™s where they live. If the chickens flew the coop, they
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์šฐ๋ฆฌ๊ฐ€ ๋‹ญ์„ ํ‚ค์šฐ๋Š” ๊ตฌ์กฐ์ž…๋‹ˆ๋‹ค. ๊ทธ๋“ค์ด ์‚ฌ๋Š” ๊ณณ์ž…๋‹ˆ๋‹ค . ๋‹ญ์ด ๋‹ญ์žฅ์„ ๋‚ ๋ฉด
03:18
got out. If someone flew the coop, they left, theyโ€™re gone for good. And it usually implies
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๋ฐ–์œผ๋กœ ๋‚˜๊ฐ‘๋‹ˆ๋‹ค. ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ๋‹ญ์žฅ์„ ๋‚ ์•˜๋‹ค๋ฉด ๊ทธ๋“ค์€ ๋– ๋‚ฌ๊ณ  ์˜์›ํžˆ ์‚ฌ๋ผ์กŒ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๋ณดํ†ต
03:27
some sort of escape to freedom.
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์ผ์ข…์˜ ์ž์œ ๋ฅผ ํ–ฅํ•œ ๋„ํ”ผ๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
03:30
Next, run around like a chicken with its head cut off. Itโ€™s a very colorful and maybe
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๋‹ค์Œ์—๋Š” ๋จธ๋ฆฌ๊ฐ€ ์ž˜๋ฆฐ ๋‹ญ์ฒ˜๋Ÿผ ๋›ฐ์–ด๋‹ค๋‹™๋‹ˆ๋‹ค . ๋งค์šฐ ๋‹ค์ฑ„๋กญ๊ณ 
03:38
not-so-pleasant. But to run around like a chicken with its head cut off means that someone
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๊ทธ๋ฆฌ ์œ ์พŒํ•˜์ง€ ์•Š์„ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋จธ๋ฆฌ๊ฐ€ ์ž˜๋ฆฐ ๋‹ญ์ฒ˜๋Ÿผ ๋›ฐ์–ด๋‹ค๋‹Œ๋‹ค๋Š” ๊ฒƒ์€ ์–ด๋–ค ์‚ฌ๋žŒ์ด
03:45
is going around in a crazy rush with little direction and no clear thinking. Theyโ€™re
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๋ฐฉํ–ฅ๋„ ์—†๊ณ  ๋ช…ํ™•ํ•œ ์ƒ๊ฐ๋„ ์—†์ด ์ •์‹ ์—†์ด ๋Œ์ง„ํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค. ๊ทธ๋“ค์€
03:53
very stressed and worried. Theyโ€™re running around like a chicken with itโ€™s head cut
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๋งค์šฐ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๊ณ  ๊ฑฑ์ •ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ๋จธ๋ฆฌ๊ฐ€ ์ž˜๋ฆฐ ๋‹ญ์ฒ˜๋Ÿผ ๋›ฐ์–ด๋‹ค๋‹™๋‹ˆ๋‹ค
03:58
off.
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.
03:59
And last, we have โ€˜walk on egg shellsโ€™, often used in the progressive, walking on
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๋งˆ์ง€๋ง‰์œผ๋กœ ์ง„๋ณด์—์„œ ์ž์ฃผ ์‚ฌ์šฉํ•˜๋Š” '๋‹ฌ๊ฑ€ ๊ป์งˆ ์œ„๋ฅผ ๊ฑท๋‹ค'๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค
04:06
eggshells. Egg shells break, they crack easily. If youโ€™re trying not to crack these eggshells,
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. ๋‹ฌ๊ฑ€ ๊ป์งˆ์€ ๊นจ์ง€๊ณ  ์‰ฝ๊ฒŒ ๊นจ์ง‘๋‹ˆ๋‹ค. ์ด ๋‹ฌ๊ฑ€ ๊ป์งˆ์„ ๊นจ์ง€ ์•Š์œผ๋ ค๊ณ  ํ•œ๋‹ค๋ฉด
04:14
youโ€™re walking carefully. If youโ€™re walking on eggshells, youโ€™re trying to be very careful.
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์กฐ์‹ฌ์Šค๋Ÿฝ๊ฒŒ ๊ฑท๊ณ  ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋‹ฌ๊ฑ€ ๊ป์งˆ ์œ„๋ฅผ ๊ฑท๊ณ  ์žˆ๋‹ค๋ฉด ๋งค์šฐ ์กฐ์‹ฌํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
04:22
Youโ€™re afraid that maybe something you say or something that you do could offend or upset
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๋‹น์‹ ์€ ๋‹น์‹ ์ด ํ•˜๋Š” ๋ง ์ด๋‚˜ ํ–‰๋™์ด ๋ˆ„๊ตฐ๊ฐ€๋ฅผ ํ™”๋‚˜๊ฒŒ ํ•˜๊ฑฐ๋‚˜ ํ™”๋‚˜๊ฒŒ ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ๋‘๋ ค์›Œํ•ฉ๋‹ˆ๋‹ค
04:30
someone. So if youโ€™re walking on eggshells, youโ€™re being very careful not to upset anyone.
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. ๋”ฐ๋ผ์„œ ๋‹ฌ๊ฑ€ ๊ป์งˆ ์œ„๋ฅผ ๊ฑท๊ณ  ์žˆ๋‹ค๋ฉด ๋ˆ„๊ตฌ์—๊ฒŒ๋„ ํ™”๋ฅผ ๋‚ด์ง€ ์•Š๋„๋ก ๋งค์šฐ ์กฐ์‹ฌํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:39
One time I got to see a chicken being slaughtered, so I literally got to see a chicken run around
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ํ•œ ๋ฒˆ์€ ๋‹ญ์ด ๋„์‚ด๋˜๋Š” ๊ฒƒ์„ ๋ณด๊ฒŒ ๋˜์—ˆ๋Š”๋ฐ, ๋ง ๊ทธ๋Œ€๋กœ ๋‹ญ์ด ๋จธ๋ฆฌ๊ฐ€ ์ž˜๋ฆฐ ์ฑ„ ๋›ฐ์–ด๋‹ค๋‹ˆ๋Š” ๊ฒƒ์„ ๋ณด๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค
04:46
with itโ€™s head cut off. It was pretty out of control. Thanks so much to Jennifer for
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. ๊ฝค ํ†ต์ œ ๋ถˆ๋Šฅ์ด์—ˆ์Šต๋‹ˆ๋‹ค. ๊ด€์šฉ๊ตฌ๋ฅผ ๊ฐ€๋ฅด์ณ์ค€ ์ œ๋‹ˆํผ์—๊ฒŒ ์ •๋ง ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
04:52
teaching us those idioms. Theyโ€™re all idioms that are well-known and used, so donโ€™t chicken
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. ๊ทธ๊ฒƒ๋“ค์€ ๋ชจ๋‘ ์ž˜ ์•Œ๋ ค์ ธ ์žˆ๊ณ  ์‚ฌ์šฉ๋˜๋Š” ์ˆ™์–ด๋“ค์ด๋ฏ€๋กœ ๊ฒ๋‚ด์ง€ ๋ง๊ณ 
04:59
out, do try using them in speech.
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์—ฐ์„ค์—์„œ ์‚ฌ์šฉํ•ด๋ณด์‹ญ์‹œ์˜ค.
05:04
Because people used to use horses a lot for work and transportation, there are a lot of
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์‚ฌ๋žŒ๋“ค์€ ๋ง์„ ์ผ๊ณผ ๊ตํ†ต์ˆ˜๋‹จ์œผ๋กœ ๋งŽ์ด ์‚ฌ์šฉํ–ˆ๊ธฐ ๋•Œ๋ฌธ์—
05:09
horse idioms. One night a couple of years ago, I was wearing a big horse mask in lower
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๋ง ๊ด€์šฉ๊ตฌ๊ฐ€ ๋งŽ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๋ช‡ ๋…„ ์ „ ์–ด๋Š ๋‚  ๋ฐค , ์ €๋Š” ๋งจํ•ดํŠผ ๋‚จ๋ถ€์—์„œ ํฐ ๋ง ๊ฐ€๋ฉด์„ ์“ฐ๊ณ  ์žˆ์—ˆ๊ณ 
05:16
Manhattan and got inspired with my friends to come up with as many horse idioms as we
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์นœ๊ตฌ๋“ค๊ณผ ํ•จ๊ป˜ ๊ฐ€๋Šฅํ•œ ํ•œ ๋งŽ์€ ๋ง ๊ด€์šฉ๊ตฌ๋ฅผ ์ƒ๊ฐํ•ด ๋‚ด๋„๋ก ์˜๊ฐ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค
05:23
could.
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.
05:24
Would you believe we came up with almost 20 phrases and idioms that use the word horse,
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์šฐ๋ฆฌ๊ฐ€ ๋ง์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์‚ฌ์šฉํ•˜๊ฑฐ๋‚˜
05:31
or somehow reference horses. And, Iโ€™m sure there are more.
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์–ด๋–ป๊ฒŒ๋“  ๋ง์„ ์–ธ๊ธ‰ํ•˜๋Š” ๊ฑฐ์˜ 20๊ฐœ์˜ ๊ด€์šฉ๊ตฌ์™€ ์ˆ™์–ด๋ฅผ ์ƒ๊ฐํ•ด๋ƒˆ๋‹ค๋ฉด ๋ฏฟ์œผ์‹œ๊ฒ ์Šต๋‹ˆ๊นŒ? ๊ทธ๋ฆฌ๊ณ  ๋” ๋งŽ์€ ๊ฒƒ์ด ์žˆ๋‹ค๊ณ  ํ™•์‹ ํ•ฉ๋‹ˆ๋‹ค.
05:36
>>Get off your high horse. >> Get off your high horse. Thatโ€™s a perfect one.
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>>๋†’์€ ๋ง์—์„œ ๋‚ด๋ ค๋ผ. >> ๋†’์€ ๋ง์—์„œ ๋‚ด๋ฆฌ์‹ญ์‹œ์˜ค. ๊ทธ๊ฒƒ์€ ์™„๋ฒฝํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:39
>> Lori ... >> Stop horsing around.
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>> ๋กœ๋ฆฌ... >> ๋ง์žฅ๋‚œ ๊ทธ๋งŒํ•ด.
05:41
>> These are, you have so many idioms! >> Yeah, Iโ€™m cheating.
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>> ์ด๊ฒƒ์€ ๊ด€์šฉ๊ตฌ๊ฐ€ ๋„ˆ๋ฌด ๋งŽ์Šต๋‹ˆ๋‹ค! >> ์˜ˆ, ๋ฐ”๋žŒ์„ ํ”ผ์šฐ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
05:45
Get off your high horse. To be on a โ€˜high horseโ€™ is to have an attitude of arrogance,
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๋†’์€ ๋ง์—์„œ ๋‚ด๋ฆฌ์‹ญ์‹œ์˜ค. '๋†’์€ ๋ง'์„ ํƒ€๋Š” ๊ฒƒ์€ ์˜ค๋งŒํ•˜๊ณ  ๋…์„ ์ ์ธ ํƒœ๋„๋ฅผ ๊ฐ–๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
05:51
of self-righteousness. โ€˜Get off your high horseโ€™ means, stop being so arrogant. You
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. Get off your high horse๋Š” ๊ฑฐ๋งŒํ•˜์ง€ ๋ง๋ผ๋Š” ๋œป์ž…๋‹ˆ๋‹ค.
05:57
have a couple options with the T in โ€˜getโ€™. You can either make it a flap T, connecting
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'get'์˜ T์—๋Š” ๋ช‡ ๊ฐ€์ง€ ์˜ต์…˜์ด ์žˆ์Šต๋‹ˆ๋‹ค. ํ”Œ๋žฉ T๋กœ ๋งŒ๋“ค๊ฑฐ๋‚˜
06:02
it to the word โ€˜offโ€™, get off, get off. Or, if youโ€™re really emphasizing and going
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๋‹จ์–ด 'off'์— ์—ฐ๊ฒฐํ•˜์—ฌ get off, get off๋ฅผ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋˜๋Š” ์ •๋ง ๊ฐ•์กฐํ•˜๊ณ 
06:08
to make a pause, you can make it a stop T. Get off. Get off your high horse. Stop horsing
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์ผ์‹œ ์ค‘์ง€ํ•˜๋ ค๋Š” ๊ฒฝ์šฐ ์ค‘์ง€ T๋กœ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‚ด๋ฆฌ์„ธ์š”. ๋†’์€ ๋ง์—์„œ ๋‚ด๋ฆฌ์‹ญ์‹œ์˜ค.
06:17
around. Horsing around is rough or rowdy play, usually in good fun. My mom often accused
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์žฅ๋‚œ ๊ทธ๋งŒํ•ด. ๋– ๋Œ์•„๋‹ค๋‹ˆ๋Š” ๊ฒƒ์€ ๊ฑฐ์น ๊ฑฐ๋‚˜ ๋‚œํญํ•œ ๋†€์ด์ด๋ฉฐ, ๋Œ€๊ฐœ๋Š” ์ฆ๊ฑฐ์šด ๋งˆ์Œ์œผ๋กœ ํ•ฉ๋‹ˆ๋‹ค. ์šฐ๋ฆฌ ์—„๋งˆ๋Š” ์ข…์ข…
06:26
my brother and I of horsing around.
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๋‚ด ๋™์ƒ๊ณผ ๋‚ด๊ฐ€ ์žฅ๋‚œ์„ ์ณค๋‹ค๊ณ  ๋น„๋‚œํ–ˆ์Šต๋‹ˆ๋‹ค.
06:28
>> Horse idioms. We have: donโ€™t look a gift horse in the mouthโ€ฆ
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>> ๋ง ๊ด€์šฉ๊ตฌ. ์„ ๋ฌผ๋ฐ›์€ ๋ง์„ ์ž…์— ๋Œ€์ง€ ๋งˆ์„ธ์š”โ€ฆ >> โ€ฆ
06:35
>> โ€ฆyou can lead a horse to water, but you canโ€™t make it drink,
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๋ง์„ ๋ฌผ๊ฐ€๋กœ ๋Œ๊ณ  ๊ฐˆ ์ˆ˜๋Š” ์žˆ์ง€๋งŒ ๋ฌผ์„ ๋งˆ์‹œ๊ฒŒ ํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค
06:38
>> โ€ฆhoofing it.
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.
06:39
Donโ€™t look a gift horse in the mouth. This means, donโ€™t be ungrateful or suspicious
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์ž…์—์„œ ์„ ๋ฌผ ๋ง์„ ๋ณด์ง€ ๋งˆ์‹ญ์‹œ์˜ค. ์ฆ‰,
06:46
when someone gives you something. A friend said this to me recently when I was talking
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ๋‹น์‹ ์—๊ฒŒ ๋ฌด์–ธ๊ฐ€๋ฅผ ์ค„ ๋•Œ ๋ฐฐ์€๋ง๋•ํ•˜๊ฑฐ๋‚˜ ์˜์‹ฌํ•˜์ง€ ๋งˆ์‹ญ์‹œ์˜ค. ์ตœ๊ทผ์— ์‚ฌ์—…์„ ๋„์™€๋‹ฌ๋ผ๋Š” ๋ˆ„๊ตฐ๊ฐ€์˜ ์ œ์•ˆ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•  ๋•Œ ์นœ๊ตฌ๊ฐ€ ์ด๋Ÿฐ ๋ง์„ ํ–ˆ์Šต๋‹ˆ๋‹ค
06:51
about an offer that I got from someone to help me with my business. And I was a little
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. ๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ์กฐ๊ธˆ
06:55
suspicious. He said, โ€œYou know, Rachel, donโ€™t look a gift horse in the mouth.โ€
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์˜์‹ฌ์Šค๋Ÿฌ์› ๋‹ค. ๊ทธ๋Š” "๋ ˆ์ด์ฒผ, ์„ ๋ฌผ ๋ง์„ ์ž…์— ๋Œ€๊ณ  ๋ณด์ง€ ๋งˆ์‹ญ์‹œ์˜ค."๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
07:00
You can lead a horse to water, but you canโ€™t make it drink. This basically means, you canโ€™t
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๋ง์„ ๋ฌผ๊ฐ€๋กœ ๋Œ๊ณ  ๊ฐˆ ์ˆ˜๋Š” ์žˆ์–ด๋„ ๋ฌผ์„ ๋จน์ผ ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค . ์ด๊ฒƒ์€ ๊ธฐ๋ณธ์ ์œผ๋กœ
07:06
make people do what they donโ€™t want to do. Letโ€™s talk a little bit about the pronunciation.
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์‚ฌ๋žŒ๋“ค์ด ์›ํ•˜์ง€ ์•Š๋Š” ์ผ์„ ํ•˜๋„๋ก ๋งŒ๋“ค ์ˆ˜ ์—†๋‹ค๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ๋ฐœ์Œ์— ๋Œ€ํ•ด ์กฐ๊ธˆ ์ด์•ผ๊ธฐ ํ•ด ๋ด…์‹œ๋‹ค.
07:13
You can lead a horse. So the main verb here is the word โ€˜leadโ€™. That means โ€˜canโ€™
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๋‹น์‹ ์€ ๋ง์„ ์ด๋Œ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์—ฌ๊ธฐ์„œ ๋ณธ๋™์‚ฌ๋Š” '๋ฆฌ๋“œ'๋ผ๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ 'can'์ด
07:20
is a helping verb. So we donโ€™t want to say โ€˜canโ€™. We instead want to reduce that
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์กฐ๋™์‚ฌ๋ผ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” 'ํ•  ์ˆ˜ ์žˆ๋‹ค'๊ณ  ๋งํ•˜๊ณ  ์‹ถ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๋Œ€์‹  ๊ทธ
07:25
word to โ€˜knโ€™, โ€˜knโ€™. You can lead. You can lead a horse to water. But you canโ€™t
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๋‹จ์–ด๋ฅผ 'kn', 'kn'์œผ๋กœ ์ค„์ด๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ์ด๋Œ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋ง์„ ๋ฌผ๊ฐ€๋กœ ๋Œ๊ณ  ๊ฐˆ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ
07:33
make it drink. You might hear a CH sound happening between โ€˜butโ€™ and โ€˜youโ€™, but you,
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๋งˆ์‹œ๊ฒŒ ํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค. ' ํ•˜์ง€๋งŒ'๊ณผ '๋„ˆ๋Š”' ์‚ฌ์ด์— CH ์†Œ๋ฆฌ๊ฐ€ ๋‚˜๋Š” ๊ฒƒ์„ ๋“ค์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
07:39
but you. This can happen when the T is followed by the Y consonant, but you, but you. But
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. ์ด๊ฒƒ์€ T ๋‹ค์Œ์— Y ์ž์Œ์ด ์˜ฌ ๋•Œ ๋ฐœ์ƒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค . ํ•˜์ง€๋งŒ
07:48
you canโ€™t make it drink. You can lead a horse to water, but you canโ€™t make it drink.
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๋งˆ์‹œ๊ฒŒ ํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค. ๋ง์„ ๋ฌผ๊ฐ€๋กœ ๋Œ๊ณ  ๊ฐˆ ์ˆ˜๋Š” ์žˆ์–ด๋„ ๋ฌผ์„ ๋จน์ผ ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค.
07:53
Hoofing it means to be moving really fast, to be running somewhere. For example, I hoofed
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Hoofing์€ ์ •๋ง ๋น ๋ฅด๊ฒŒ ์›€์ง์ด๋Š” ๊ฒƒ, ์–ด๋”˜๊ฐ€๋กœ ๋‹ฌ๋ฆฌ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด, ๋‚˜๋Š”
08:00
it to work because I overslept. Note that the double-O here is pronounced as the UH
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๋Šฆ์ž ์„ ์žค๊ธฐ ๋•Œ๋ฌธ์— ์ž‘๋™ํ•˜๋„๋ก ๋ฐœ๊ตฝ์„ ๋Œ”์Šต๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ double-O๋Š”
08:07
vowel, just like cook, book, and Brooklyn.
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cook, book, Brooklyn์ฒ˜๋Ÿผ UH ๋ชจ์Œ์œผ๋กœ ๋ฐœ์Œ๋ฉ๋‹ˆ๋‹ค.
08:11
>> Straight from the horseโ€™s mouth. >> Making hay.
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>> ๋ง์˜ ์ž…์—์„œ ๋ฐ”๋กœ ๋‚˜์˜ต๋‹ˆ๋‹ค. >> ๊ฑด์ดˆ ๋งŒ๋“ค๊ธฐ.
08:16
>> A charlie horse.
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>> ์ฐฐ๋ฆฌ ๋ง.
08:18
Straight from the horseโ€™s mouth means that youโ€™ve something from the most authoritative
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๋ง์˜ ์ž…์—์„œ ๋ฐ”๋กœ ๋‚˜์™”๋‹ค๋Š” ๊ฒƒ์€ ๊ฐ€์žฅ ๊ถŒ์œ„ ์žˆ๊ฑฐ๋‚˜
08:25
or dependable source. For example:
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์‹ ๋ขฐํ•  ์ˆ˜ ์žˆ๋Š” ์ถœ์ฒ˜์—์„œ ๋‚˜์˜จ ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์˜ˆ:
08:28
>> Did you hear Jane is quitting her job? >> No way. Where did you hear that?
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>> Jane์ด ์ง์žฅ์„ ๊ทธ๋งŒ๋‘”๋‹ค๋Š” ์†Œ์‹์„ ๋“ค์—ˆ์Šต๋‹ˆ๊นŒ? >> ์•ˆ๋ผ. ์–ด๋””์„œ ๋“ค์—ˆ์–ด?
08:34
>> From Jane herself. Straight from the horseโ€™s mouth.
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>> ์ œ์ธ ์ž์‹ ์—๊ฒŒ์„œ. ๋ง์˜ ์ž…์—์„œ ๋ฐ”๋กœ .
08:38
Making hay, or, making hay while the sun shines. This is to make the most of current opportunities.
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๊ฑด์ดˆ ๋งŒ๋“ค๊ธฐ, ๋˜๋Š” ํƒœ์–‘์ด ๋น„์น˜๋Š” ๋™์•ˆ ๊ฑด์ดˆ ๋งŒ๋“ค๊ธฐ. ์ด๊ฒƒ์€ ํ˜„์žฌ์˜ ๊ธฐํšŒ๋ฅผ ์ตœ๋Œ€ํ•œ ํ™œ์šฉํ•˜๊ธฐ ์œ„ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:46
If you put doing something off, you may loose the opportunity to do it. For example, letโ€™s
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์–ด๋–ค ์ผ์„ ๋ฏธ๋ฃจ๋ฉด ๊ทธ ์ผ์„ ํ•  ๊ธฐํšŒ๋ฅผ ๋†“์น  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด, ๋‹ค์‹œ ๋น„๊ฐ€
08:53
make hay and go for a run before it starts raining again.
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๋‚ด๋ฆฌ๊ธฐ ์ „์— ๊ฑด์ดˆ๋ฅผ ๋งŒ๋“ค๊ณ  ๋‹ฌ๋ฆฌ๊ธฐ๋ฅผ ํ•ฉ์‹œ๋‹ค .
08:56
A charlie horse. This phrase is used for muscle cramps in the legs. You might hear this phrase
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์ฐฐ๋ฆฌ ๋ง. ์ด ํ‘œํ˜„์€ ๋‹ค๋ฆฌ์˜ ๊ทผ์œก ๊ฒฝ๋ จ์— ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค. ์ด๋ฒˆ ์—ฌ๋ฆ„ ์˜ฌ๋ฆผํ”ฝ์„ ๋ณด๋ฉด์„œ ์ด ๋ง์„ ๋“ฃ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค
09:04
as you watch the Olympics this summer.
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.
09:06
>> I could eat a horse. >> Iโ€™m so hungry I could eat a horse. Thatโ€™s
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>> ๋‚˜๋Š” ๋ง์„ ๋จน์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. >> ๋ฐฐ๊ฐ€ ๋„ˆ๋ฌด ๊ณ ํŒŒ์„œ ๋ง์„ ๋จน์„ ์ˆ˜ ์žˆ์–ด์š”.
09:09
true. >> Did we say donโ€™t beat a dead horse? Donโ€™t
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์‚ฌ์‹ค์ž…๋‹ˆ๋‹ค. >> ์šฐ๋ฆฌ๊ฐ€ ์ฃฝ์€ ๋ง์„ ๋•Œ๋ฆฌ์ง€ ๋ง๋ผ๊ณ  ํ–ˆ๋‚˜์š”?
09:13
beat a dead horse.
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์ฃฝ์€ ๋ง์„ ๋•Œ๋ฆฌ์ง€ ๋งˆ์‹ญ์‹œ์˜ค.
09:14
I could eat a horse. Well, this means, of course, that youโ€™re very very hungry. Notice
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๋‚˜๋Š” ๋ง์„ ๋จน์„ ์ˆ˜ ์žˆ์—ˆ๋‹ค. ๊ธ€์Ž„, ์ด๊ฒƒ์€ ๋ฌผ๋ก  ๋‹น์‹ ์ด ๋งค์šฐ ๋ฐฐ๊ณ ํ”„๋‹ค๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
09:20
the T at the end of the word โ€˜eatโ€™ links to the next word, a, a schwa sound, so itโ€™s
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'๋จน๋‹ค'๋ผ๋Š” ๋‹จ์–ด ๋์— ์žˆ๋Š” T๋Š” ๋‹ค์Œ ๋‹จ์–ด์ธ a, ์Šˆ์™€ ์†Œ๋ฆฌ์™€ ์—ฐ๊ฒฐ๋˜๋ฏ€๋กœ
09:28
a flap T or a light D sound. Eat a, eat a, eat a. I could eat a horse.
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ํ”Œ๋žฉ T ๋˜๋Š” ๊ฐ€๋ฒผ์šด D ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค. ๋จน๋‹ค, ๋จน๋‹ค, ๋จน๋‹ค. ๋‚˜๋Š” ๋ง์„ ๋จน์„ ์ˆ˜ ์žˆ์—ˆ๋‹ค.
09:35
>> Rachel, are you hungry? >> Yeah, I skipped lunch, so I could eat a
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>> ๋ ˆ์ด์ฒผ, ๋ฐฐ๊ณ ํ”„๋‹ˆ? >> ๋„ค, ์ ์‹ฌ์„ ๊ฑฐ๋ฅด๊ณ  ๋ง์„ ๋จน์„ ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค
09:40
horse.
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.
09:41
Donโ€™t beat a dead horse. You might say this to someone who canโ€™t let a situation go.
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์ฃฝ์€ ๋ง์„ ๋•Œ๋ฆฌ์ง€ ๋งˆ์‹ญ์‹œ์˜ค. ์ƒํ™ฉ์„ ๋†“์น  ์ˆ˜ ์—†๋Š” ์‚ฌ๋žŒ์—๊ฒŒ ์ด๋ ‡๊ฒŒ ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
09:49
If you think someone needs to accept things as they are, and they just keep talking about
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์žˆ๋Š” ๊ทธ๋Œ€๋กœ ๋ฐ›์•„๋“ค์—ฌ์•ผ ํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•˜๊ณ  ๊ณ„์†ํ•ด์„œ
09:54
โ€˜what if?โ€™, โ€˜what if?โ€™, then you might say: Look, donโ€™t beat a dead horse. Itโ€™s
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'๋งŒ์•ฝ์—?', '๋งŒ์•ฝ์—?'์— ๋Œ€ํ•ด์„œ๋งŒ ์ด์•ผ๊ธฐํ•œ๋‹ค๋ฉด ์ด๋ ‡๊ฒŒ ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋ณด์„ธ์š”, ์ฃฝ์€ ๋ง์„ ์ด๊ธฐ์ง€ ๋งˆ์„ธ์š”.
10:00
done. >> Donโ€™t put the cart before the horse.
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๋๋‚ฌ๋‹ค. >> ๋ง ์•ž์— ์ˆ˜๋ ˆ๋ฅผ ๋‘์ง€ ๋งˆ์‹ญ์‹œ์˜ค.
10:04
>> Thatโ€™s a horse of a different color.
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>> ์ €๊ฑด ์ƒ‰๊น”์ด ๋‹ค๋ฅธ ๋ง์ž…๋‹ˆ๋‹ค.
10:08
Donโ€™t put the cart before the horse. This means be patient and do things the right way,
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๋ง ์•ž์— ์ˆ˜๋ ˆ๋ฅผ ๋‘์ง€ ๋งˆ์‹ญ์‹œ์˜ค. ์ด๊ฒƒ์€ ์ธ๋‚ด์‹ฌ์„ ๊ฐ–๊ณ  ์ผ์„ ์˜ฌ๋ฐ”๋ฅธ ์ˆœ์„œ๋กœ ์˜ฌ๋ฐ”๋ฅธ ๋ฐฉ๋ฒ•์œผ๋กœ ์ˆ˜ํ–‰ํ•˜๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค
10:14
in the right order. Sometimes itโ€™s very tempting to do things out of order and skip
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. ๋•Œ๋•Œ๋กœ ์ผ์„ ์ˆœ์„œ๋Œ€๋กœ ํ•˜์ง€ ์•Š๊ณ  ๊ฑด๋„ˆ๋›ฐ๊ณ  ์‹ถ์€ ์œ ํ˜น์ด ๋งค์šฐ ํฝ๋‹ˆ๋‹ค
10:20
ahead. But it doesnโ€™t always get the best results. Someone might say to you: do it right,
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. ๊ทธ๋Ÿฌ๋‚˜ ํ•ญ์ƒ ์ตœ์ƒ์˜ ๊ฒฐ๊ณผ๋ฅผ ์–ป๋Š” ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค . ๋ˆ„๊ตฐ๊ฐ€ ๋‹น์‹ ์—๊ฒŒ ์ด๋ ‡๊ฒŒ ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค: ์ œ๋Œ€๋กœ ํ•˜์„ธ์š”. ๋ง๋ณด๋‹ค
10:26
donโ€™t put the cart before the horse.
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์ˆ˜๋ ˆ๋ฅผ ์•ž์„ธ์šฐ์ง€ ๋งˆ์„ธ์š”.
10:29
A horse of a different color. That is when you bring something up that is unlike that
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๋‹ค๋ฅธ ์ƒ‰๊น”์˜ ๋ง. ๊ทธ๊ฒƒ์€ ๋‹น์‹ ์ด ์ด๋ฏธ ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ๊ณผ๋Š” ๋‹ค๋ฅธ ๊ฒƒ์„ ๊ฐ€์ ธ์˜ฌ ๋•Œ์ž…๋‹ˆ๋‹ค
10:35
which you are already talking about. For example, to me, writing and spelling are easy. But
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. ์˜ˆ๋ฅผ ๋“ค์–ด, ์ €์—๊ฒŒ๋Š” ์“ฐ๊ธฐ์™€ ์ฒ ์ž๊ฐ€ ์‰ฝ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜
10:41
math, thatโ€™s a horse of a different color. Meaning, to me, math is very hard.
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์ˆ˜ํ•™, ๊ทธ๊ฒƒ์€ ๋‹ค๋ฅธ ์ƒ‰์˜ ๋ง์ž…๋‹ˆ๋‹ค. ์˜๋ฏธ, ๋‚˜์—๊ฒŒ ์ˆ˜ํ•™์€ ๋งค์šฐ ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
10:47
>> Oh, there are so many idioms with โ€˜horseโ€™! >> Hold your horses!
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>> ์•„, '๋ง'์ด ๋ถ™์€ ๊ด€์šฉ๊ตฌ๊ฐ€ ์ •๋ง ๋งŽ๋„ค์š”! >> ๋ง์„ ์žก์•„!
10:52
>> Hold your horses! >> Thatโ€™s a great one.
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>> ๋ง์„ ์žก์•„! >> ํ›Œ๋ฅญํ•ฉ๋‹ˆ๋‹ค.
10:55
Hold your horses. That means hold on, be patient, stop what youโ€™ve just started. Itโ€™s among
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๋‹น์‹ ์˜ ๋ง์„ ๋ณด์œ . ์ฆ‰, ์ธ๋‚ด์‹ฌ์„ ๊ฐ–๊ณ  ๋ฐฉ๊ธˆ ์‹œ์ž‘ํ•œ ๊ฒƒ์„ ์ค‘์ง€ํ•˜์‹ญ์‹œ์˜ค. ์ด๊ฒƒ์€
11:01
the most common of these horse idioms. Notice Iโ€™mreducing the word โ€˜yourโ€™ to โ€˜yerโ€™,
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์ด๋Ÿฌํ•œ ๋ง ๊ด€์šฉ๊ตฌ ์ค‘ ๊ฐ€์žฅ ์ผ๋ฐ˜์ ์ธ ๊ฒƒ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค. 'your'๋ผ๋Š” ๋‹จ์–ด๋ฅผ 'yer',
11:08
โ€˜yerโ€™. Hold your horses.
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'yer'๋กœ ์ค„์˜€์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์˜ ๋ง์„ ๋ณด์œ .
11:11
>> This is a one-horse town. Put a horse out to pasture.
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>> ์ด๊ฒƒ์€ ํ•œ ๋งˆ๋ฆฌ์˜ ๋ง ๋งˆ์„์ž…๋‹ˆ๋‹ค. ๋ชฉ์žฅ์— ๋ง์„ ๋„ฃ์–ด.
11:17
A one-horse town is a small, maybe insignificant town. For example, heโ€™s very overwhelmed
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ํ•œ ๋งˆ๋ฆฌ ๋ง์ด ์‚ฌ๋Š” ๋งˆ์„์€ ์ž‘๊ณ  ๋ณ„ ๋ณผ์ผ ์—†๋Š” ๋งˆ์„์ž…๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด, ๊ทธ๋Š”
11:25
by the city, he comes from a one-horse town.
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๋„์‹œ์— ์••๋„๋˜์–ด ๋ง ํ•œ ๋งˆ๋ฆฌ ๋งˆ์„์—์„œ ์™”์Šต๋‹ˆ๋‹ค.
11:28
To put a horse out to pasture. This is when a racing horse is retired, but it can also
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๋ง์„ ํ’€๋ฐญ์— ๋‚ด๋†“์œผ๋ ค๋ฉด. ์ด๊ฒƒ์€ ๊ฒฝ์ฃผ๋งˆ๊ฐ€ ํ‡ด์—ญํ•  ๋•Œ์ง€๋งŒ,
11:33
be used with people, when someone is forced to retire. For example, Larry is past retirement
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ํ‡ด์—ญ์„ ๊ฐ•์š”๋‹นํ•  ๋•Œ ์‚ฌ๋žŒ๋“ค๊ณผ ํ•จ๊ป˜ ์‚ฌ์šฉํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค . ์˜ˆ๋ฅผ ๋“ค์–ด, Larry๋Š” ์€ํ‡ด
11:39
age. I think itโ€™s time to put him out to pasture.
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์—ฐ๋ น์ด ์ง€๋‚ฌ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฅผ ํ’€๋ฐญ์— ๋‚ด๋ณด๋‚ผ ๋•Œ๊ฐ€ ๋œ ๊ฒƒ ๊ฐ™์•„์š” .
11:43
>> Wild horses couldnโ€™t drag him away. >> Oh thatโ€™s a good one. I use that sometimes.
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>> ์•ผ์ƒ๋งˆ๋Š” ๊ทธ๋ฅผ ๋Œ๊ณ  ๊ฐˆ ์ˆ˜ ์—†์—ˆ์Šต๋‹ˆ๋‹ค. >> ์˜ค ์ข‹์€๋ฐ์š”. ๋‚˜๋Š” ๋•Œ๋•Œ๋กœ ๊ทธ๊ฒƒ์„ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค.
11:48
My friend used that once recently. Wild horses couldnโ€™t drag him away. This
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๋‚ด ์นœ๊ตฌ๋Š” ์ตœ๊ทผ์— ๊ทธ๊ฒƒ์„ ํ•œ ๋ฒˆ ์‚ฌ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค. ์•ผ์ƒ๋งˆ๋Š” ๊ทธ๋ฅผ ๋Œ๊ณ  ๊ฐˆ ์ˆ˜ ์—†์—ˆ์Šต๋‹ˆ๋‹ค. ์ด๊ฒƒ์€
11:53
is said when someone is very engrossed in or committed to something. Nothing can persuade
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ๋ฌด์–ธ๊ฐ€์— ๋งค์šฐ ์—ด์ค‘ํ•˜๊ฑฐ๋‚˜ ์ „๋…ํ•  ๋•Œ ๋งํ•ฉ๋‹ˆ๋‹ค . ์–ด๋–ค ๊ฒƒ๋„
11:58
him or her to leave or stop doing that thing. For example,
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๊ทธ๋ฅผ ๋– ๋‚˜๊ฑฐ๋‚˜ ๊ทธ ์ผ์„ ๊ทธ๋งŒ๋‘๋„๋ก ์„ค๋“ํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด,
12:03
>> Are you watching the Mad Men Finale tonight? >> Yes, wild horses couldnโ€™t drag me away.
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>> ์˜ค๋Š˜ ๋ฐค ๋งค๋“œ๋งจ ํ”ผ๋‚ ๋ ˆ๋ฅผ ๋ณด๊ณ  ์žˆ์Šต๋‹ˆ๊นŒ? >> ๋„ค, ์•ผ์ƒ๋งˆ๋Š” ์ €๋ฅผ ๋Œ๊ณ  ๊ฐˆ ์ˆ˜ ์—†์—ˆ์Šต๋‹ˆ๋‹ค.
12:10
>> A dark horse candidate, for example.
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>> ์˜ˆ๋ฅผ ๋“ค์–ด ๋‹คํฌํ˜ธ์Šค ํ›„๋ณด.
12:12
A dark horse is someone who is more or less unknown who emerges to a place of prominence
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๋‹คํฌํ˜ธ์Šค๋Š” ์ผ๋ฐ˜์ ์œผ๋กœ ๊ฒฝ์Ÿ์—์„œ ๋ˆˆ์— ๋„๊ฑฐ๋‚˜ ์ค‘์š”ํ•œ ์œ„์น˜์— ๋“ฑ์žฅํ•˜๋Š” ๋‹ค์†Œ ์•Œ๋ ค์ง€์ง€ ์•Š์€ ์‚ฌ๋žŒ์ž…๋‹ˆ๋‹ค
12:19
or importance, usually in a competition. This is used quite a bit to describe a candidate
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. ์ด๊ฒƒ์€ ์ •์น˜์—์„œ ํ›„๋ณด์ž๋ฅผ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ๊ฝค ๋งŽ์ด ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค
12:25
in politics.
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. ์šฐ๋ฆฌ๋Š”
12:26
After doing our idiom research, we went out to dinner, and then made our way home. Although,
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๊ด€์šฉ๊ตฌ ์—ฐ๊ตฌ๋ฅผ ๋งˆ์น˜๊ณ  ์ €๋…์„ ๋จน์œผ๋Ÿฌ ๋‚˜๊ฐ”๋‹ค๊ฐ€ ์ง‘์œผ๋กœ ๋Œ์•„์™”์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ๋ง ๊ฐ€๋ฉด์„ ์“ฐ๊ณ 
12:32
I canโ€™t really recommend riding a bike in the horse mask, because essentially, I could
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์ž์ „๊ฑฐ๋ฅผ ํƒ€๋Š” ๊ฒƒ์„ ๋ณ„๋กœ ์ถ”์ฒœํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค
12:38
not see a thing out of it.
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.
12:42
And finally, a few monkey idioms. At the YouTube space in Los Angeles, I found a monkey suit,
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๋งˆ์ง€๋ง‰์œผ๋กœ ๋ช‡ ๊ฐ€์ง€ ์›์ˆญ์ด ๊ด€์šฉ๊ตฌ์ž…๋‹ˆ๋‹ค. ๋กœ์Šค์•ค์ ค๋ ˆ์Šค์˜ YouTube ๊ณต๊ฐ„์—์„œ ์›์ˆญ์ด ์˜์ƒ์„ ๋ฐœ๊ฒฌํ–ˆ๊ณ  ์˜์ƒ์„ ์ž…์€
12:49
and couldnโ€™t resist going over a few monkey idioms in costume.
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๋ช‡ ๊ฐ€์ง€ ์›์ˆญ์ด ๊ด€์šฉ๊ตฌ๋ฅผ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์„ ์ฐธ์„ ์ˆ˜ ์—†์—ˆ์Šต๋‹ˆ๋‹ค .
12:56
To begin, letโ€™s go over the pronunciation of the word โ€˜monkeyโ€™. This is a two-syllable
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๋จผ์ € '์›์ˆญ์ด'๋ผ๋Š” ๋‹จ์–ด์˜ ๋ฐœ์Œ๋ถ€ํ„ฐ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ์ด๊ฒƒ์€
13:01
word with stress on the first syllable. DA-da, monkey. It begins with the M consonant sound,
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์ฒซ ์Œ์ ˆ์— ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” 2์Œ์ ˆ ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. DA-da, ์›์ˆญ์ด. ์ž…์ˆ ์ด ๋ชจ์ด๋Š” M ์ž์Œ ์†Œ๋ฆฌ๋กœ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค
13:09
where the lips come together. MMmmmo-. Then we have the UH as in BUTTER sound. This is
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. ์Œ์Œ๋ชจ-. ๊ทธ๋Ÿฐ ๋‹ค์Œ BUTTER ์‚ฌ์šด๋“œ์™€ ๊ฐ™์€ UH๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๊ฒƒ์€
13:16
a completely relaxed sound. So, your tongue should be forward and relaxed, uh, uh, a little
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์™„์ „ํžˆ ํŽธ์•ˆํ•œ ์‚ฌ์šด๋“œ์ž…๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ ํ˜€๋Š” ์•ž์œผ๋กœ ๋‚˜์™€ ํŽธ์•ˆํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์–ด, ์–ด,
13:23
bit of jaw drop, and your lips should be completely relaxed. MMmmmo-. Because this is a stressed
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ํ„ฑ์ด ์•ฝ๊ฐ„ ๋–จ์–ด์ง€๊ณ  ์ž…์ˆ ์€ ์™„์ „ํžˆ ์ด์™„๋˜์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์Œ์Œ๋ชจ-. ์ด๊ฒƒ์€ ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ์Œ์ ˆ์ด๊ธฐ ๋•Œ๋ฌธ์—
13:29
syllable, it should have the up-down shape of a stressed syllable in the voice. Mo-,
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์Œ์„ฑ์—์„œ ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ์Œ์ ˆ์˜ ์œ„์•„๋ž˜ ๋ชจ์–‘์„ ๊ฐ€์ ธ์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๋ชจ-,
13:36
mon-.
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์›”-.
13:38
Now we have the NG sound. The reason why the letter N is representing the NG sound is because
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์ด์ œ ์šฐ๋ฆฌ๋Š” NG ์†Œ๋ฆฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. N์ด NG ์†Œ๋ฆฌ๋ฅผ ๋‚˜ํƒ€๋‚ด๋Š” ์ด์œ ๋Š”
13:44
the next sound is the K, and theyโ€™re made in the same spot. So, to make the NG sound,
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๋‹ค์Œ ์†Œ๋ฆฌ๊ฐ€ K์ด๊ณ  ๊ฐ™์€ ์ง€์ ์—์„œ ๋งŒ๋“ค์–ด์ง€๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ NG ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋ ค๋ฉด
13:49
the tongue tip is here, touching behind the bottom front teeth, and the back part of the
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ํ˜€๋์ด ์—ฌ๊ธฐ์—์„œ ์•„๋ž˜์ชฝ ์•ž๋‹ˆ ๋’ค์— ๋‹ฟ๊ณ 
13:53
tongue reaches up and touches the soft palate. The soft palate is lowered here because itโ€™s
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ํ˜€ ๋’ท๋ถ€๋ถ„์ด ์œ„๋กœ ์˜ฌ๋ผ์™€ ์—ฐ๊ตฌ๊ฐœ์— ๋‹ฟ์Šต๋‹ˆ๋‹ค. ์—ฐ๊ตฌ๊ฐœ๋Š”
13:59
a nasal consonant, ng, ng-k. Then, to make the K, you just release the tongue down, monk-,
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๋น„์Œ ์ž์Œ ng, ng-k์ด๊ธฐ ๋•Œ๋ฌธ์— ์—ฌ๊ธฐ์—์„œ ๋‚ฎ์•„์ง‘๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ ๋‹ค์Œ K๋ฅผ ๋งŒ๋“ค๋ ค๋ฉด ํ˜€๋ฅผ ์•„๋ž˜๋กœ ๋‚ด๋ฆฌ์‹ญ์‹œ์˜ค(monk-,
14:08
-k-. The soft palate will close for that. Then we go into the EE as in SHE vowel. Monkey.
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-k-). ์ด๋ฅผ ์œ„ํ•ด ๋ถ€๋“œ๋Ÿฌ์šด ์ž…์ฒœ์žฅ์ด ๋‹ซํž™๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ ๋‹ค์Œ SHE ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด EE๋กœ ๋“ค์–ด๊ฐ‘๋‹ˆ๋‹ค. ์›์ˆญ์ด.
14:15
Since itโ€™s in an unstressed syllable, it should be very short and low in pitch, -key,
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๋ฌด๊ฐ•์„ธ ์Œ์ ˆ์ด๊ธฐ ๋•Œ๋ฌธ์— ๋งค์šฐ ์งง๊ณ  ๋‚ฎ์€ ์Œ์กฐ, -key,
14:21
-key, -key. Monkey.
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-key, -key์—ฌ์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์›์ˆญ์ด.
14:24
Letโ€™s get into some idioms. First, โ€˜fun as a barrel of monkeysโ€™. This means something
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๊ด€์šฉ๊ตฌ์— ๋Œ€ํ•ด ์•Œ์•„๋ด…์‹œ๋‹ค. ์ฒซ์งธ, ' ์›์ˆญ์ด ํ†ต ๊ฐ™์€ ์žฌ๋ฏธ'. ์ด๊ฒƒ์€
14:30
thatโ€™s really fun, kind of like this video. But I usually use it sarcastically, which
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์ด ๋น„๋””์˜ค์™€ ๊ฐ™์€ ์ •๋ง ์žฌ๋ฏธ์žˆ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ €๋Š” ๋ณดํ†ต ๋น„๊ผฌ๋Š” ๋ง์„ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค. ์ฆ‰,
14:35
means that I am explaining something that is not at all fun. For example, Iโ€™m going
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์ „ํ˜€ ์žฌ๋ฏธ๊ฐ€ ์—†๋Š” ๊ฒƒ์„ ์„ค๋ช…ํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด, ๋‚˜๋Š”
14:40
to the dentist to have a cavity filled. Fun as a barrel of monkeys. The stress pattern
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์ถฉ์น˜๋ฅผ ์ฑ„์šฐ๊ธฐ ์œ„ํ•ด ์น˜๊ณผ์— ๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์›์ˆญ์ด ํ†ต ๊ฐ™์€ ์žฌ๋ฏธ.
14:46
for this phrase is DA-da-da-DA-da. Barrel of monkeys. So, in many cases weโ€™ll reduce
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์ด ๋ฌธ๊ตฌ์˜ ๊ฐ•์„ธ ํŒจํ„ด์€ DA-da-da-DA-da์ž…๋‹ˆ๋‹ค. ์›์ˆญ์ด ํ†ต. ๋”ฐ๋ผ์„œ ๋งŽ์€ ๊ฒฝ์šฐ์—
14:52
the word โ€˜ofโ€™ to just have the schwa sound, no consonant at all. Barrel of, DA-da-da,
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'of'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์ค„์—ฌ์„œ ์ž์Œ์ด ์ „ํ˜€ ์—†๋Š” ์Šˆ์™€ ์†Œ๋ฆฌ๋งŒ ๋“ค๋ฆฌ๊ฒŒ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋ฐฐ๋Ÿด, DA-DA-DA,
15:00
Barrel of. Barrel of monkeys. Now here weโ€™re making โ€˜monkeyโ€™ plural, so the S will
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๋ฐฐ๋Ÿด. ์›์ˆญ์ด ํ†ต. ์ด์ œ ์—ฌ๊ธฐ์„œ ์šฐ๋ฆฌ๋Š” '์›์ˆญ์ด'๋ฅผ ๋ณต์ˆ˜ํ˜•์œผ๋กœ ๋งŒ๋“ค๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ S๋Š”
15:06
be a Z sound, zz, because the sound before was a vowel. Monkeys, monkeys. So just a very
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Z ์†Œ๋ฆฌ, zz๊ฐ€ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด ์ด์ „ ์†Œ๋ฆฌ๋Š” ๋ชจ์Œ์ด์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ์›์ˆญ์ด, ์›์ˆญ์ด. ๊ทธ๋ž˜์„œ
15:14
quick, soft Z sound at the end there. Barrel of monkeys.
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๋งˆ์ง€๋ง‰์— ๋งค์šฐ ๋น ๋ฅด๊ณ  ๋ถ€๋“œ๋Ÿฌ์šด Z ์†Œ๋ฆฌ๊ฐ€ ๋‚ฉ๋‹ˆ๋‹ค. ์›์ˆญ์ด ํ†ต.
15:19
Monkey business. This can mean silliness. So you might say to a room full of rowdy kids,
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์›์ˆญ์ด ์‚ฌ์—…. ์ด๊ฒƒ์€ ์–ด๋ฆฌ ์„์Œ์„ ์˜๋ฏธ ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ๋– ๋“ค์ฉํ•œ ์•„์ด๋“ค๋กœ ๊ฐ€๋“ ์ฐฌ ๋ฐฉ์—
15:25
โ€˜Enough with the monkey businessโ€™. But, it can also mean dishonest behavior. Monkey
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'์›์ˆญ์ด ์‚ฌ์—…์€ ์ด์ œ ๊ทธ๋งŒ'์ด๋ผ๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ถ€์ •์งํ•œ ํ–‰๋™์„ ์˜๋ฏธํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค. ์›์ˆญ์ด
15:30
business. DA-da-DA-da. So, the first syllable of โ€˜businessโ€™ is also stressed. This stressed
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์‚ฌ์—…. DA-DA-DA-DA. ๊ทธ๋ž˜์„œ '๋น„์ง€๋‹ˆ์Šค'์˜ ์ฒซ ์Œ์ ˆ์—๋„ ๊ฐ•์„ธ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š”
15:38
syllable has the IH as in SIT vowel, bu-, bu-, and the first S here represents the Z
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์Œ์ ˆ์€ SIT ๋ชจ์Œ bu-, bu-์—์„œ์™€ ๊ฐ™์ด IH๋ฅผ ๊ฐ€์ง€๋ฉฐ ์—ฌ๊ธฐ์„œ ์ฒซ ๋ฒˆ์งธ S๋Š” Z ์†Œ๋ฆฌ๋ฅผ ๋‚˜ํƒ€๋ƒ…๋‹ˆ๋‹ค
15:45
sound. Bus-, business. The second syllable, since itโ€™s unstressed, should be very quick,
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. ๋ฒ„์Šค-, ๋น„์ฆˆ๋‹ˆ์Šค. ๋‘ ๋ฒˆ์งธ ์Œ์ ˆ์€ ๊ฐ•์„ธ๊ฐ€ ์—†๊ธฐ ๋•Œ๋ฌธ์— ๋งค์šฐ ๋นจ๋ผ์•ผ ํ•ฉ๋‹ˆ๋‹ค.
15:53
-ness, -ness, -ness. Business. Monkey business.
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-ness, -ness, -ness. ์‚ฌ์—…. ์›์ˆญ์ด ์‚ฌ์—….
15:58
Monkey suit. Thatโ€™s what Iโ€™m wearing! Thatโ€™s the literal meaning. But thereโ€™s
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์›์ˆญ์ด ์˜ท. ๊ทธ๊ฒŒ ๋‚ด๊ฐ€ ์ž…๊ณ  ์žˆ๋Š”๊ฑฐ์•ผ! ๊ทธ๊ฒƒ์ด ๋ฌธ์ž ๊ทธ๋Œ€๋กœ์˜ ์˜๋ฏธ์ž…๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ
16:03
also an idiomatic meaning, and thatโ€™s a tuxedo or other formal evening wear for men.
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๊ด€์šฉ์  ์˜๋ฏธ๋„ ์žˆ๋Š”๋ฐ, ๊ทธ๊ฒƒ์€ ํ„ฑ์‹œ๋„๋‚˜ ๋‹ค๋ฅธ ๋‚จ์„ฑ์šฉ ์ •์žฅ ์•ผํšŒ๋ณต์ž…๋‹ˆ๋‹ค.
16:09
Monkey suit. DA-da-da. Monkey suit. So, the word โ€˜suitโ€™ has the S consonant sound.
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์›์ˆญ์ด ์˜ท. ๋‹ค๋‹ค๋‹ค. ์›์ˆญ์ด ์˜ท. ๊ทธ๋ž˜์„œ 'suit'๋ผ๋Š” ๋‹จ์–ด๋Š” S ์ž์Œ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค.
16:16
The letters U-I represent the OO as in BOO vowel, and we finish with a Stop T. Monkey
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๋ฌธ์ž U-I๋Š” BOO ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด OO๋ฅผ ๋‚˜ํƒ€๋‚ด๋ฉฐ Stop T๋กœ ๋๋‚ฉ๋‹ˆ๋‹ค. ์›์ˆญ์ด
16:23
suit, monkey suit. Monkey on my back. This is a problem or something
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์ˆ˜ํŠธ, ์›์ˆญ์ด ์ˆ˜ํŠธ. ๋‚ด ๋’ค์— ์›์ˆญ์ด. ์ด๊ฒƒ์€
16:29
thatโ€™s really stressful thatโ€™s taking a long time to resolve or wonโ€™t go away.
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ํ•ด๊ฒฐํ•˜๋Š” ๋ฐ ์˜ค๋žœ ์‹œ๊ฐ„์ด ๊ฑธ๋ฆฌ๊ฑฐ๋‚˜ ์‚ฌ๋ผ์ง€์ง€ ์•Š๋Š” ์ •๋ง ์ŠคํŠธ๋ ˆ์Šค๊ฐ€ ๋งŽ์€ ๋ฌธ์ œ ๋˜๋Š” ๋ฌด์–ธ๊ฐ€์ž…๋‹ˆ๋‹ค.
16:34
For example, my friend is going through a nasty divorce. Itโ€™s a monkey on his back.
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์˜ˆ๋ฅผ ๋“ค์–ด, ๋‚ด ์นœ๊ตฌ๋Š” ๋”์ฐํ•œ ์ดํ˜ผ์„ ๊ฒช๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋“ฑ์— ์˜ฌ๋ผํƒ„ ์›์ˆญ์ด์ž…๋‹ˆ๋‹ค.
16:40
The stress pattern is DA-da-da-da-DA. Monkey on his back. So, โ€˜backโ€™ is stressed. The
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์ŠคํŠธ๋ ˆ์Šค ํŒจํ„ด์€ DA-da-da-da-DA์ž…๋‹ˆ๋‹ค. ๋“ฑ์— ์›์ˆญ์ด. ๊ทธ๋ž˜์„œ '๋’ค๋กœ'๋ฅผ ๊ฐ•์กฐํ•ฉ๋‹ˆ๋‹ค.
16:47
words โ€˜onโ€™, and the next function word, whether itโ€™s โ€˜myโ€™, โ€˜yourโ€™, โ€˜hisโ€™,
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'on'์ด๋ผ๋Š” ๋‹จ์–ด์™€ ๊ทธ ๋‹ค์Œ ๊ธฐ๋Šฅ์–ด์ธ 'my', 'your', 'his'
16:52
or โ€˜herโ€™, will be unstressed. So, โ€˜on myโ€™, โ€˜on myโ€™, those two words will be
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๋˜๋Š” 'her'๋Š” ๊ฐ•์„ธ๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ 'on my', 'on my' ์ด ๋‘ ๋‹จ์–ด๋Š”
16:57
really quick, low in pitch, and not too clear, on my, on my. Or, it could be โ€˜on yourโ€™,
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๋งค์šฐ ๋น ๋ฅด๊ณ  ์Œ์กฐ๊ฐ€ ๋‚ฎ์œผ๋ฉฐ ๋„ˆ๋ฌด ๋ช…ํ™•ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค . ๋˜๋Š” '๋‹น์‹ ์˜',
17:04
โ€˜on yourโ€™. Notice Iโ€™m reducing the word โ€˜yourโ€™ to โ€˜yerโ€™. Weโ€™ve already made
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'๋‹น์‹ ์˜'๊ฐ€ ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. 'your'๋ผ๋Š” ๋‹จ์–ด๋ฅผ 'yer'๋กœ ์ค„์˜€์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ์ด๋ฏธ
17:10
a video about that, so check it out. โ€˜On hisโ€™ or โ€˜on herโ€™. In both of those cases,
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๊ทธ๊ฒƒ์— ๋Œ€ํ•œ ๋น„๋””์˜ค๋ฅผ ๋งŒ๋“ค์—ˆ์œผ๋‹ˆ ํ™•์ธํ•˜์‹ญ์‹œ์˜ค. ' ๊ทธ์—๊ฒŒ' ๋˜๋Š” '๊ทธ๋…€์—๊ฒŒ'. ๋‘ ๊ฒฝ์šฐ ๋ชจ๋‘
17:16
weโ€™ll probably drop the H. On his, on his, monkey on his back. Or, on her, on her, monkey
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H๋ฅผ ๋–จ์–ด๋œจ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค. On his, on his, on his back. ๋˜๋Š” ๊ทธ๋…€์—๊ฒŒ, ๊ทธ๋…€์—๊ฒŒ,
17:24
on her back. Check out this video on Dropping the H Reductions.
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๊ทธ๋…€์˜ ๋“ฑ์— ์›์ˆญ์ด. H ๊ฐ์†Œ ์ œ๊ฑฐ์— ๋Œ€ํ•œ ์ด ๋น„๋””์˜ค๋ฅผ ํ™•์ธํ•˜์‹ญ์‹œ์˜ค .
17:29
Have you ever heard someone say โ€œIโ€™m going to go ape.โ€ That means to get really angry.
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ "๋‚˜๋Š” ์œ ์ธ์›์— ๊ฐˆ๊ฑฐ์•ผ"๋ผ๊ณ  ๋งํ•˜๋Š” ๊ฒƒ์„ ๋“ค์–ด ๋ณธ ์ ์ด ์žˆ์Šต๋‹ˆ๊นŒ? ๊ทธ๊ฒƒ์€ ์ •๋ง๋กœ ํ™”๋ฅผ ๋‚ด๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
17:34
For example, if she screws up my car, Iโ€™m going to go ape. Both โ€˜goโ€™ and โ€˜apeโ€™
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์˜ˆ๋ฅผ ๋“ค์–ด, ๊ทธ๋…€๊ฐ€ ๋‚ด ์ฐจ๋ฅผ ๋ง์นœ๋‹ค๋ฉด ๋‚˜๋Š” ์›์ˆญ์ด๊ฐ€ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. 'go'์™€ 'ape'๊ฐ€ ๋ชจ๋‘
17:41
are stressed, so the stress pattern is DA-DA. Go ape. We have the G consonant sound and
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๊ฐ•์„ธ์ด๋ฏ€๋กœ ๊ฐ•์„ธ ํŒจํ„ด์€ DA-DA์ž…๋‹ˆ๋‹ค. ์›์ˆญ์ด๋ฅผ ์ด๋™ํ•ฉ๋‹ˆ๋‹ค.
17:48
the OH as in NO diphthong. Sometimes my students donโ€™t round their lips enough for the second
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NO ์ด์ค‘๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด G ์ž์Œ ์†Œ๋ฆฌ์™€ OH๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ๋•Œ๋•Œ๋กœ ์ œ ํ•™์ƒ๋“ค์€ ์ด ์ด์ค‘๋ชจ์Œ์˜ ํ›„๋ฐ˜๋ถ€์— ์ถฉ๋ถ„ํžˆ ์ž…์ˆ ์„ ๋™๊ทธ๋ž—๊ฒŒ ๋งŒ๋“ค์ง€ ์•Š์Šต๋‹ˆ๋‹ค
17:53
half of this diphthong, go, go, so make sure you do that. Ape. It begins with the AY as
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. ์›์ˆญ์ด. SAY ์ด์ค‘๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด AY๋กœ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค
18:01
in SAY diphthong. Make sure you drop your jaw enough for the first sound of that diphthong,
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. ์ด์ค‘๋ชจ์Œ์˜ ์ฒซ ์†Œ๋ฆฌ์ธ
18:07
a-, a-pe. And finally, the P sound, ape. Go ape.
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a-, a-pe์— ๋Œ€ํ•ด ํ„ฑ์„ ์ถฉ๋ถ„ํžˆ ๋–จ์–ด๋œจ๋ ค์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋งˆ์ง€๋ง‰์œผ๋กœ, P ์†Œ๋ฆฌ, ape. ์›์ˆญ์ด๋ฅผ ์ด๋™ํ•ฉ๋‹ˆ๋‹ค .
18:14
Not all rodents are cute, but this one is. This is from my childrenโ€™s collection of
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๋ชจ๋“  ์„ค์น˜๋ฅ˜๊ฐ€ ๊ท€์—ฌ์šด ๊ฒƒ์€ ์•„๋‹ˆ์ง€๋งŒ, ์ด๊ฒƒ์€ ๊ท€์—ฝ๋‹ค. ์ด๊ฒƒ์€ ๋‚ด ์•„์ด๋“ค์˜
18:20
stuffed animals and hand puppets. Iโ€™m not even certain if this is a mouse or a rat,
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๋ฐ•์ œ ๋™๋ฌผ๊ณผ ์† ์ธํ˜• ์ปฌ๋ ‰์…˜์—์„œ ๊ฐ€์ ธ์˜จ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด๊ฒŒ ์ฅ์ธ์ง€ ์ƒ์ฅ์ธ์ง€๋„ ๋ชจ๋ฅด๊ฒ ๋Š”๋ฐ,
18:27
but seeing it reminds me of an idiom we have in English, rat race. โ€˜Rat raceโ€™ refers
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๊ทธ๊ฑธ ๋ณด๋‹ˆ ์˜์–ด ์†๋‹ด์ธ ์ฅ ๊ฒฝ์ฃผ๊ฐ€ ์ƒ๊ฐ๋‚˜๋„ค์š”. '์ฅ ๊ฒฝ์ฃผ'๋Š” ๊ฒฝ์Ÿ๊ณผ ์ƒ์‚ฐ์— ๋Œ€ํ•œ ์••๋ฐ•์ด ์žˆ๋Š” ์ง์žฅ
18:36
to the daily struggle to be successful at work where thereโ€™s competition and pressure
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์—์„œ ์„ฑ๊ณตํ•˜๊ธฐ ์œ„ํ•œ ๋งค์ผ์˜ ํˆฌ์Ÿ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค
18:42
to produce. One day after the other you go through this routine hoping to come out on
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. ํ•˜๋ฃจ๊ฐ€ ๋‹ค๋ฅด๊ฒŒ ๋‹น์‹ ์€ ์ •์ƒ์— ์˜ค๋ฅด๊ธฐ๋ฅผ ๋ฐ”๋ผ๋ฉฐ ์ด ๋ฃจํ‹ด์„ ๊ฑฐ์นœ๋‹ค
18:49
top. But really, youโ€™re one of thousands. โ€˜Rat raceโ€™ refers to this whole situation.
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. ๊ทธ๋Ÿฌ๋‚˜ ์‹ค์ œ๋กœ ๋‹น์‹ ์€ ์ˆ˜์ฒœ ๋ช… ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค. '์ฅ ๊ฒฝ์ฃผ'๋Š” ์ด ๋ชจ๋“  ์ƒํ™ฉ์„ ๊ฐ€๋ฆฌํ‚จ๋‹ค.
19:02
Many complain about the rat race and say they hate the rat race. Some think about quitting
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๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ์ฅ ๊ฒฝ์ฃผ์— ๋Œ€ํ•ด ๋ถˆํ‰ํ•˜๊ณ  ์ฅ ๊ฒฝ์ฃผ๋ฅผ ์‹ซ์–ดํ•œ๋‹ค๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ์–ด๋–ค ์‚ฌ๋žŒ๋“ค์€ ์ฅ ๊ฒฝ์ฃผ๋ฅผ ๊ทธ๋งŒ๋‘๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค
19:10
the rat race. Others actually leave the rat race behind. They change jobs or they change
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. ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์€ ์‹ค์ œ๋กœ ์ฅ ๊ฒฝ์ฃผ๋ฅผ ๋’ค์— ๋‘ก๋‹ˆ๋‹ค. ์ง์—…์„ ๋ฐ”๊พธ๊ฑฐ๋‚˜
19:18
their lifestyle. Maybe they retire early, or move out to the country where life is more
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์ƒํ™œ ๋ฐฉ์‹์„ ๋ฐ”๊ฟ‰๋‹ˆ๋‹ค. ์ผ์ฐ ์€ํ‡ดํ•˜๊ฑฐ๋‚˜ ์‚ถ์ด ๋” ํ‰ํ™”๋กœ์šด ๋‚˜๋ผ๋กœ ์ด์‚ฌํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
19:24
peaceful.
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.
19:26
Youโ€™ve just learned a lot of idioms. Challenge to you: come up with a sentence for one of
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๋‹น์‹ ์€ ๊ด€์šฉ๊ตฌ๋ฅผ ๋งŽ์ด ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค. ๋„์ „ ๊ณผ์ œ :
19:34
the idioms you learned in this video and put it in the comments below.
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์ด ๋น„๋””์˜ค์—์„œ ๋ฐฐ์šด ๊ด€์šฉ๊ตฌ ์ค‘ ํ•˜๋‚˜์— ๋Œ€ํ•œ ๋ฌธ์žฅ์„ ์ƒ๊ฐํ•˜๊ณ  ์•„๋ž˜ ๋Œ“๊ธ€์— ์ž…๋ ฅํ•˜์„ธ์š”. ์ด ๋น„๋””์˜ค์—
19:40
Special thanks to Jennifer for her contribution to this video.
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๊ธฐ์—ฌํ•œ Jennifer์—๊ฒŒ ํŠน๋ณ„ํžˆ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค .
19:43
Thatโ€™s all for now. Thanks for joining Rachel and me for this special lesson. Happy studies
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์ง€๊ธˆ์€ ์—ฌ๊ธฐ๊นŒ์ง€์ž…๋‹ˆ๋‹ค. ์ด ํŠน๋ณ„ ์ˆ˜์—…์— Rachel๊ณผ ์ €๋ฅผ ์ฐธ์—ฌ์‹œ์ผœ ์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
19:50
to all.
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๋ชจ๋‘์—๊ฒŒ ํ–‰๋ณตํ•œ ์—ฐ๊ตฌ.
19:52
She has a huge collection of videos here on YouTube where she teachers grammar, vocabulary,
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๊ทธ๋…€๋Š” YouTube์—์„œ ๋ฌธ๋ฒ•, ์–ดํœ˜
19:59
and other skills. You can check out her lessons by clicking here or in the description below.
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๋ฐ ๊ธฐํƒ€ ๊ธฐ์ˆ ์„ ๊ฐ€๋ฅด์น˜๋Š” ๋ฐฉ๋Œ€ํ•œ ๋™์˜์ƒ ๋ชจ์Œ์„ ๋ณด์œ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์—ฌ๊ธฐ๋ฅผ ํด๋ฆญํ•˜๊ฑฐ๋‚˜ ์•„๋ž˜ ์„ค๋ช…์—์„œ ๊ทธ๋…€์˜ ์ˆ˜์—…์„ ํ™•์ธํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
20:05
Be sure to subscribe. Check out the exercises page on her website where she creates interactive
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๋ฐ˜๋“œ์‹œ ๊ตฌ๋…ํ•˜์„ธ์š”. ๋น„๋””์˜ค์—์„œ ๋ฐฐ์šด ๋‚ด์šฉ์„ ๊ฐ•ํ™”ํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋˜๋Š” ๋Œ€ํ™”ํ˜• ์—ฐ์Šต์„ ๋งŒ๋“œ๋Š” ์›น ์‚ฌ์ดํŠธ์˜ ์—ฐ์Šต ํŽ˜์ด์ง€๋ฅผ ํ™•์ธํ•˜์„ธ์š”
20:12
exercises to help solidify what youโ€™ve learned in the videos. Also, Jennifer teaches on WizIQ.
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. ๋˜ํ•œ Jennifer๋Š” WizIQ์— ๋Œ€ํ•ด ๊ฐ€๋ฅด์นฉ๋‹ˆ๋‹ค.
20:21
Click here to see her schedule.
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๊ทธ๋…€์˜ ์ผ์ •์„ ๋ณด๋ ค๋ฉด ์—ฌ๊ธฐ๋ฅผ ํด๋ฆญํ•˜์‹ญ์‹œ์˜ค.
20:24
And donโ€™t forget to sign up for my mailing list, if you havenโ€™t already, for free weekly
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๊ทธ๋ฆฌ๊ณ  ์ œ ๋ฉ”์ผ๋ง ๋ฆฌ์ŠคํŠธ์— ์•„์ง ๋“ฑ๋กํ•˜์ง€ ์•Š์œผ์…จ๋‹ค๋ฉด
20:30
emails full of English lessons and stories on American culture.
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์˜์–ด ์ˆ˜์—…๊ณผ ๋ฏธ๊ตญ ๋ฌธํ™”์— ๋Œ€ํ•œ ์ด์•ผ๊ธฐ๋กœ ๊ฐ€๋“ํ•œ ๋ฌด๋ฃŒ ์ฃผ๊ฐ„ ์ด๋ฉ”์ผ์— ๋“ฑ๋กํ•˜๋Š” ๊ฒƒ์„ ์žŠ์ง€ ๋งˆ์„ธ์š”.
20:35
Thatโ€™s it, and thanks so much for using Rachelโ€™s English.
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์ด์ƒ์ž…๋‹ˆ๋‹ค. Rachel์˜ ์˜์–ด๋ฅผ ์‚ฌ์šฉํ•ด ์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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