How To LEARN AMERICAN ACCENT | Placement in 23 Minutes

440,939 views ใƒป 2021-03-23

Rachel's English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
The one thing that makes the biggest difference for my students speaking English is also the
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์˜์–ด๋ฅผ ๋งํ•˜๋Š” ํ•™์ƒ๋“ค์—๊ฒŒ ๊ฐ€์žฅ ํฐ ์ฐจ์ด๋ฅผ ๋งŒ๋“œ๋Š” ํ•œ ๊ฐ€์ง€๋Š”
00:05
hardest thing to teach and to learn, and that makes it kind of frustrating.
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๊ฐ€๋ฅด์น˜๊ณ  ๋ฐฐ์šฐ๊ธฐ๊ฐ€ ๊ฐ€์žฅ ์–ด๋ ต๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:10
But today, we're talking about placement, we're taking it apart, we're going there.
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๊ทธ๋Ÿฌ๋‚˜ ์˜ค๋Š˜ ์šฐ๋ฆฌ๋Š” ๋ฐฐ์น˜์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ๊ทธ๊ฒƒ์„ ๋ถ„ํ•ดํ•˜๊ณ  ๊ฑฐ๊ธฐ๋กœ ๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:17
Today, Iโ€™m working with a student and you're going to see the tips and tricks that I give
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์˜ค๋Š˜ ์ €๋Š” ํ•œ ํ•™์ƒ๊ณผ ํ•จ๊ป˜ ์ž‘์—…ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ ๋ฐฐ์น˜๋ฅผ ๋‚ฎ์ถ”๊ธฐ ์œ„ํ•ด ์ œ๊ฐ€ ์ œ๊ณตํ•˜๋Š” ํŒ๊ณผ ์š”๋ น์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค
00:22
her to lower her placement.
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00:24
Now, Iโ€™ve been teaching pronunciation for years, and in the past month, Iโ€™ve learned
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์ง€๊ธˆ์€ ๋ช‡ ๋…„ ๋™์•ˆ ๋ฐœ์Œ์„ ๊ฐ€๋ฅด์น˜๊ณ  ์žˆ์œผ๋ฉฐ ์ง€๋‚œ ํ•œ ๋‹ฌ ๋™์•ˆ
00:29
something that's totally new even to me, and that's another tip to help lower placement.
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๋‚˜์—๊ฒŒ๋„ ์™„์ „ํžˆ ์ƒˆ๋กœ์šด ๊ฒƒ์„ ๋ฐฐ์› ์œผ๋ฉฐ ์ด๋Š” ๋ฐฐ์น˜๋ฅผ ๋‚ฎ์ถ”๋Š” ๋ฐ ๋„์›€์ด ๋˜๋Š” ๋˜ ๋‹ค๋ฅธ ํŒ์ž…๋‹ˆ๋‹ค.
00:35
The other night, I was filming a video and it reminded me of a live class that I taught
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์ €๋ฒˆ์— ์˜์ƒ์„ ์ฐ๋‹ค๊ฐ€ ๋ช‡ ๋‹ฌ ์ „์— ํ–ˆ๋˜ ๋ผ์ด๋ธŒ ์ˆ˜์—…์ด ์ƒ๊ฐ๋‚˜์„œ ๋ฌธ๋“
00:40
a couple months ago, and I went bam in my mind, I realized it.
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๊นจ๋‹ฌ์•˜๋‹ค.
00:44
No, I wasn't filming it, I was editing it, and as I was right here focusing on the reduction
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์•„๋‹ˆ์š”, ์ œ๊ฐ€ ์ดฌ์˜ํ•œ ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ํŽธ์ง‘ ์ค‘์ด์—ˆ๊ณ  ๋ฐ”๋กœ ์—ฌ๊ธฐ์—์„œ ๋‹จ์–ด ๊ฐ์†Œ์— ์ง‘์ค‘ํ•˜๋ฉด์„œ
00:49
of the word was, I realized reductions help lower placement.
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๊ฐ์†Œ๊ฐ€ ๋ฐฐ์น˜๋ฅผ ๋‚ฎ์ถ”๋Š” ๋ฐ ๋„์›€์ด ๋œ๋‹ค๋Š” ๊ฒƒ์„ ๊นจ๋‹ฌ์•˜์Šต๋‹ˆ๋‹ค .
00:54
So we're going to see an excerpt from a live class where I started to get it.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ œ๊ฐ€ ๊ทธ๊ฒƒ์„ ์–ป๊ธฐ ์‹œ์ž‘ํ•œ ๋ผ์ด๋ธŒ ํด๋ž˜์Šค์—์„œ ๋ฐœ์ทŒํ•œ ๊ฒƒ์„ ๋ณผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:58
I'm teaching a woman named Karen, she's Dutch, she has very good English, but we're working
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์ €๋Š” Karen์ด๋ผ๋Š” ์—ฌ์„ฑ์„ ๊ฐ€๋ฅด์น˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ๋„ค๋œ๋ž€๋“œ์ธ์ด๊ณ  ์˜์–ด๋ฅผ ๋งค์šฐ ์ž˜ํ•ฉ๋‹ˆ๋‹ค
01:02
on placement, and also on reductions.
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01:06
If the word placement is completely new to you, it basically means where in the body
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๋ฐฐ์น˜๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ์ƒ์†Œํ•˜๋‹ค๋ฉด ๊ธฐ๋ณธ์ ์œผ๋กœ ์‹ ์ฒด์—์„œ
01:11
the voice vibrates.
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๋ชฉ์†Œ๋ฆฌ๊ฐ€ ์ง„๋™ํ•˜๋Š” ์œ„์น˜๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
01:12
In American English, we have a low placement.
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๋ฏธ๊ตญ ์˜์–ด์—์„œ๋Š” ๋ฐฐ์น˜๊ฐ€ ๋‚ฎ์Šต๋‹ˆ๋‹ค.
01:15
Aahhh.
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์•„์•„.
01:16
And other languages have a higher placement often more here, aaah, aaah, but our core
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๊ทธ๋ฆฌ๊ณ  ๋‹ค๋ฅธ ์–ธ์–ด๋Š” ์—ฌ๊ธฐ์—์„œ ์ข…์ข… ๋” ๋†’์€ ์œ„์น˜์— ์žˆ์Šต๋‹ˆ๋‹ค . ์•„, ์•„, ํ•˜์ง€๋งŒ ์šฐ๋ฆฌ์˜ ํ•ต์‹ฌ
01:22
feeling uhhh is lower and that has to do with the neck and the pitch.
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๋Š๋‚Œ์€ ๋” ๋‚ฎ๊ณ  ๊ทธ๊ฒƒ์€ ๋„ฅ๊ณผ ํ”ผ์น˜์™€ ๊ด€๋ จ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
01:27
-Okay, so you know what vocal cords, you've heard that term?
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-์ข‹์•„์š”, ์„ฑ๋Œ€๊ฐ€ ๋ญ”์ง€ ์•„์„ธ์š”? ๊ทธ ์šฉ์–ด๋ฅผ ๋“ค์–ด ๋ณด์…จ๋‚˜์š”?
01:30
-Yes, yes.
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-๋„ค, ๋„ค.
01:31
- Yes, okay, so we have these two mucousy membranes.
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- ๋„ค, ์•Œ๊ฒ ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ด ๋‘ ๊ฐœ์˜ ์ ๋ง‰์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค .
01:34
The air blows up, they vibrate, and that's what makes ah, a sound.
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๊ณต๊ธฐ๊ฐ€ ๋ถ€ํ’€์–ด ์˜ค๋ฅด๊ณ  ์ง„๋™ํ•˜๋ฉฐ ๊ทธ๊ฒƒ์ด ์•„, ์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“œ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:40
And we can't change that; that's involuntary.
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์„ ๋ฐ”๊ฟ€ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๋น„์ž๋ฐœ์ ์ž…๋‹ˆ๋‹ค.
01:44
But what we can change is the voice box around it, and pushing it forward, pulling it back,
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ํ•˜์ง€๋งŒ ์šฐ๋ฆฌ๊ฐ€ ๋ฐ”๊ฟ€ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ๊ทธ ์ฃผ๋ณ€์˜ ํ›„๋‘์ž…๋‹ˆ๋‹ค . ์•ž์œผ๋กœ ๋ฐ€๊ณ , ๋’ค๋กœ ๋‹น๊ธฐ๊ณ ,
01:50
lifting it up, lifting it down, and then that affects the shape of the inside of our neck.
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๋“ค์–ด ์˜ฌ๋ฆฌ๊ณ , ๋‚ด๋ฆฌ๊ณ , ๋ชฉ ์•ˆ์ชฝ ๋ชจ์–‘์— ์˜ํ–ฅ์„ ๋ฏธ์นฉ๋‹ˆ๋‹ค.
01:56
And other languages, each language has its own specific neck shape, how we hold our muscles
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๊ทธ๋ฆฌ๊ณ  ๋‹ค๋ฅธ ์–ธ์–ด, ๊ฐ ์–ธ์–ด์—๋Š” ๊ณ ์œ ํ•œ ๋ชฉ ๋ชจ์–‘์ด ์žˆ์œผ๋ฉฐ, ํ•ต์‹ฌ ์†Œ๋ฆฌ๋ฅผ ์ƒ์„ฑํ•˜๊ธฐ ์œ„ํ•ด ๊ทผ์œก์„ ์œ ์ง€ํ•˜๋Š” ๋ฐฉ๋ฒ•์ด ์žˆ์Šต๋‹ˆ๋‹ค
02:03
to produce the core sound.
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02:05
And in American English, I think that most students need to focus on opening and lowering,
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๊ทธ๋ฆฌ๊ณ  ๋ฏธ๊ตญ์‹ ์˜์–ด์—์„œ๋Š” ๋Œ€๋ถ€๋ถ„์˜ ํ•™์ƒ๋“ค์ด ์˜คํ”„๋‹๊ณผ ๋‹ค์šด์— ์ง‘์ค‘ํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
02:12
and that changes the shape of the neck in a way that brings the formants down which
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๊ทธ๋Ÿฌ๋ฉด ํฌ๋งŒํŠธ๊ฐ€ ์•„๋ž˜๋กœ ๋‚ด๋ ค๊ฐ€
02:17
makes everything sound placed lower.
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๋ชจ๋“  ์†Œ๋ฆฌ๊ฐ€ ๋‚ฎ๊ฒŒ ๋“ค๋ฆฌ๋Š” ๋ฐฉ์‹์œผ๋กœ ๋ชฉ ๋ชจ์–‘์ด ๋ฐ”๋€๋‹ˆ๋‹ค.
02:20
If you're watching this and you're thinking, I want to learn more about that, the anatomy
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๋งŒ์•ฝ ๋‹น์‹ ์ด ์ด๊ฒƒ์„ ๋ณด๊ณ  ์ƒ๊ฐํ•˜๊ณ  ์žˆ๋‹ค๋ฉด, ๋‚˜๋Š” ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ๋” ๋ฐฐ์šฐ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
02:24
of the voice, what can affect placement, check out my video, the number one accent trick.
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๋ชฉ์†Œ๋ฆฌ์˜ ํ•ด๋ถ€ํ•™, ๋ฐฐ์น˜์— ์˜ํ–ฅ์„ ์ค„ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด ๋ฌด์—‡์ธ์ง€, ์ œ ๋น„๋””์˜ค๋ฅผ ํ™•์ธํ•˜์„ธ์š”. ์ตœ๊ณ ์˜ ์•…์„ผํŠธ ์š”๋ น์ž…๋‹ˆ๋‹ค.
02:30
We go so deep on anatomy and placement and something called formants which can affect
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์šฐ๋ฆฌ๋Š” ์†Œ๋ฆฌ์— ์˜ํ–ฅ์„ ๋ฏธ์น  ์ˆ˜ ์žˆ๋Š” ํ•ด๋ถ€ํ•™์  ๊ตฌ์กฐ์™€ ๋ฐฐ์น˜, ๊ทธ๋ฆฌ๊ณ  ํฌ๋งŒํŠธ๋ผ๊ณ  ๋ถˆ๋ฆฌ๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ๊นŠ์ด ํŒŒ๊ณ ๋“ญ๋‹ˆ๋‹ค
02:36
the sound.
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02:38
Our vocal cords and our voice box, if it starts to lift up, or
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์šฐ๋ฆฌ์˜ ์„ฑ๋Œ€์™€ ํ›„๋‘๊ฐ€ ๋“ค๋ฆฌ๊ธฐ ์‹œ์ž‘ํ•˜๊ฑฐ๋‚˜ ์•ž์œผ๋กœ
02:42
push forward, or pull back, which it might when we're tense, or when we're feeling nervous,
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๋ฐ€๊ฑฐ๋‚˜ ๋’ค๋กœ ๋‹น๊ธฐ๋ฉด ์šฐ๋ฆฌ๊ฐ€ ๊ธด์žฅํ•˜๊ฑฐ๋‚˜ ๊ธด์žฅํ•  ๋•Œ
02:47
that that is going to negatively impact the overall sound.
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์ „์ฒด ์†Œ๋ฆฌ์— ๋ถ€์ •์ ์ธ ์˜ํ–ฅ์„ ๋ฏธ์น  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. .
02:51
And, for some people, it makes it sound really nasal and high, and for other people it's
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๊ทธ๋ฆฌ๊ณ  ์–ด๋–ค ์‚ฌ๋žŒ๋“ค์—๊ฒŒ๋Š” ์ •๋ง ์ฝง์†Œ๋ฆฌ๊ฐ€ ๋‚˜๊ณ  ๋†’๊ฒŒ ๋“ค๋ฆฌ๊ฒŒ ํ•˜๊ณ , ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ๋Š”
02:56
more subtle, like for you it makes it sound more proper in a way that's a little old fashioned.
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์ข€ ๋” ๋ฏธ๋ฌ˜ํ•˜๊ฒŒ ๋“ค๋ฆฌ๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
03:02
Again, not negative, but just sort of different than the way an American would probably present.
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ๋ถ€์ •์ ์ด์ง€๋Š” ์•Š์ง€๋งŒ ๋ฏธ๊ตญ์ธ์ด ์ œ์‹œํ•˜๋Š” ๋ฐฉ์‹๊ณผ๋Š” ๋‹ค์†Œ ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
03:09
An American would speak with a lower pitch, and they would have those
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๋ฏธ๊ตญ์ธ์€ ๋” ๋‚ฎ์€ ์Œ์กฐ๋กœ ๋งํ•  ๊ฒƒ์ด๊ณ  ๊ทธ๋“ค์€ ๋”
03:12
lower vibrations.
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๋‚ฎ์€ ์ง„๋™์„ ๊ฐ€์งˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:13
Okay, to sound more natural speaking English, you want lower placement.
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์ข‹์•„์š”, ๋” ์ž์—ฐ์Šค๋Ÿฌ์šด ์˜์–ด ๋งํ•˜๊ธฐ๋ฅผ ์œ„ํ•ด ๋” ๋‚ฎ์€ ์œ„์น˜๋ฅผ ์›ํ•ฉ๋‹ˆ๋‹ค.
03:18
How do we get that?
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์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์„ ์–ด๋–ป๊ฒŒ ์–ป์Šต๋‹ˆ๊นŒ?
03:21
Tip one is actually lower your pitch.
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์ฒซ ๋ฒˆ์งธ ํŒ์€ ์‹ค์ œ๋กœ ํ”ผ์น˜๋ฅผ ๋‚ฎ์ถ”๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:24
Hi, my name is Karen, hi, hi, and then try lowering It, hi, hi, hi, hi, hi, my name is
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Hi, my name is Karen, hi, hi, ๊ทธ๋ฆฌ๊ณ  It, hi, hi, hi, hi, hi, my name is Karen
03:32
Karen, and just See, with lowering the pitch, What that feels like.
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03:37
Probably the lower you go, hi, my name is Karen, hi.
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์•„๋งˆ๋„ ๋” ๋‚ฎ์„์ˆ˜๋ก ์•ˆ๋…•, ๋‚ด ์ด๋ฆ„์€ ์นด๋ Œ์ด์•ผ, ์•ˆ๋…•.
03:41
Obviously you're not going to speak there, but you should go there and practice to see
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๋ถ„๋ช…ํžˆ ๊ทธ๊ณณ์—์„œ ๋ง์„ ํ•˜์ง€๋Š” ์•Š๊ฒ ์ง€ ๋งŒ, ๊ทธ๊ณณ์œผ๋กœ ๊ฐ€์„œ
03:46
and sense what is changing in your throat.
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๋ชฉ๊ตฌ๋ฉ์—์„œ ๋ฌด์—‡์ด ๋ฐ”๋€Œ๊ณ  ์žˆ๋Š”์ง€ ๋ณด๊ณ  ๊ฐ์ง€ํ•˜๋Š” ์—ฐ์Šต์„ ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
03:49
And what you'll find, the lower you go, is that you have to really feel like your throat
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์ด ๋ฐœ๊ฒฌํ•˜๊ฒŒ ๋  ๊ฒƒ์€ ๋‹น์‹ ์ด ์•„๋ž˜๋กœ ๋‚ด๋ ค๊ฐˆ์ˆ˜๋ก ๋‹น์‹ ์˜ ๋ชฉ๊ตฌ๋ฉ์ด ๋„“์–ด์ง€๋Š” ๊ฒƒ์„ ์ •๋ง๋กœ ๋Š๊ปด์•ผ ํ•œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:54
is getting wide, and that's sort of the feeling that you want even when you're not speaking
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๋‹น์‹ ์ด ๊ทธ๋ ‡๊ฒŒ ๋‚ฎ๊ฒŒ ๋งํ•˜์ง€ ์•Š์„ ๋•Œ์—๋„ ๋‹น์‹ ์ด ์›ํ•˜๋Š” ๋Š๋‚Œ์ž…๋‹ˆ๋‹ค
04:01
that low.
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04:02
so you can pretend, you can play with speaking really low, to sort of discover what that
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๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ์•„์ฃผ ๋‚ฎ์€ ๋ชฉ์†Œ๋ฆฌ๋กœ ๋งํ•˜๋ฉด์„œ ๊ทธ๊ฒƒ์ด
04:08
does to your throat, and then try to keep that open feeling as you bring your pitch
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๋‹น์‹ ์˜ ๋ชฉ์— ์–ด๋–ค ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š”์ง€ ์•Œ์•„๋‚ธ ๋‹ค์Œ, ๋‹น์‹  ์˜ ํ”ผ์น˜๋ฅผ ์กฐ๊ธˆ ๋” ์ž์—ฐ์Šค๋Ÿฌ์šด ๊ฒƒ์œผ๋กœ ๋งŒ๋“ค ๋•Œ ์—ด๋ฆฐ ๋Š๋‚Œ์„ ์œ ์ง€ํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
04:13
up to something that's a little bit more natural.
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04:16
One question I get asked a lot is when I practice my throat starts to hurt, is that okay?
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์ œ๊ฐ€ ๋งŽ์ด ๋ฐ›๋Š” ์งˆ๋ฌธ ์ค‘ ํ•˜๋‚˜๋Š” ๋ชฉ์ด ์•„ํ”„๊ธฐ ์‹œ์ž‘ํ•˜๋ฉด ์—ฐ์Šตํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ดœ์ฐฎ์Šต๋‹ˆ๊นŒ?
04:22
Someone is saying, "Does it hurt when you lower your pitch?"
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๋ˆ„๊ตฐ๊ฐ€ " ์Œ๋†’์ด๋ฅผ ๋‚ฎ์ถ”๋ฉด ์•„ํ”„๋‹ˆ?"๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ง€๋„
04:26
It doesn't, and it shouldn't, but if it hurts when
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์•Š๊ณ  ํ•ด์„œ๋„ ์•ˆ ๋ฉ๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ
04:30
you lower it really low, that's okay, you're only going to do it for a second just to feel
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์ •๋ง ๋‚ฎ๊ฒŒ ๋‚ฎ์ถœ ๋•Œ ์•„ํ”„๋‹ค๋ฉด ๊ดœ์ฐฎ์Šต๋‹ˆ๋‹ค. ๋‹จ์ง€ ๊ทธ๊ฒƒ์ด ๋ฌด์—‡์ธ์ง€ ๋Š๋ผ๊ธฐ ์œ„ํ•ด ์ž ์‹œ๋งŒ ๊ทธ๋ ‡๊ฒŒ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค
04:34
what that is.
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04:35
But definitely, as you play Karen, do sense strain, because strain, I think, is a sign
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ํ•˜์ง€๋งŒ ํ™•์‹คํžˆ Karen์„ ์—ฐ๊ธฐํ•  ๋•Œ ๊ธด์žฅ์„ ๊ฐ์ง€ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค . ์™œ๋ƒํ•˜๋ฉด ๊ธด์žฅ์€
04:44
of a lifting of the voice box, and we want the opposite.
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์Œ์„ฑ ์ƒ์ž๋ฅผ ๋“ค์–ด ์˜ฌ๋ฆฌ๋Š” ์‹ ํ˜ธ๋ผ๊ณ  ์ƒ๊ฐํ•˜๊ณ  ์šฐ๋ฆฌ๋Š” ๊ทธ ๋ฐ˜๋Œ€๋ฅผ ์›ํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:50
We want a lowering, opening, so if you ever find, ah, my
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์šฐ๋ฆฌ๋Š” ๋‚ฎ์ถ”๊ณ , ์—ด๋ฆฌ๊ธฐ๋ฅผ ์›ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์•„, ๋‚ด
04:54
Throat is getting really sore, or my neck, or my tongue, you know, your tongue, the base
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๋ชฉ์ด ์ •๋ง ์•„ํ”„๊ฑฐ๋‚˜, ๋‚ด ๋ชฉ ์ด๋‚˜ ๋‚ด ํ˜€๊ฐ€ ๋‹น์‹ ์˜ ํ˜€,
05:00
of your tongue, is attached here to your neck.
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ํ˜€์˜ ๋ฐ‘๋ถ€๋ถ„์ด ์—ฌ๊ธฐ ๋‹น์‹ ์˜ ๋ชฉ์— ๋ถ™์–ด ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ฒŒ ๋œ๋‹ค๋ฉด์š”.
05:03
And if you're ever feeling fatigued, that's a sign that, okay, stop, take a break, shake
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ํ”ผ๊ณคํ•จ์„ ๋Š๋‚€๋‹ค๋ฉด, ๊ทธ๊ฒƒ์€ ๊ทธ๋งŒ, ์‰ฌ๊ณ , ๋–จ์ณ๋‚ด๋ผ๋Š” ์‹ ํ˜ธ์ž…๋‹ˆ๋‹ค
05:08
it out.
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05:09
So if you're having neck pain, take a break, try to think open and low, and relax a little
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๋”ฐ๋ผ์„œ ๋ชฉ์— ํ†ต์ฆ์ด ์žˆ์œผ๋ฉด ํœด์‹์„ ์ทจํ•˜๊ณ  ๊ฐœ๋ฐฉ์ ์ด๊ณ  ๋‚ฎ๊ฒŒ ์ƒ๊ฐํ•˜๊ณ  ์•ฝ๊ฐ„์˜ ๊ธด์žฅ์„ ํ‘ธ์‹ญ์‹œ์˜ค
05:14
bit.
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05:15
Now, let's start working with Karen on reductions.
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์ด์ œ Karen๊ณผ ํ•จ๊ป˜ ๊ฐ์†Œ ์ž‘์—…์„ ์‹œ์ž‘ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค.
05:20
And I run a business that Helps people sell more.
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์‚ฌ๋žŒ๋“ค์ด ๋” ๋งŽ์ด ํŒ” ์ˆ˜ ์žˆ๋„๋ก ๋•๋Š” ์‚ฌ์—…์„ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค .
05:24
- Okay, so, and I run a business, beautiful, but a little bit of that formality, and.
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- ์•Œ๊ฒ ์Šต๋‹ˆ๋‹ค. ์ €๋Š” ์‚ฌ์—…์ฒด๋ฅผ ์šด์˜ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์•„๋ฆ„๋‹ต์ง€๋งŒ ์•ฝ๊ฐ„์˜ ๊ฒฉ์‹์„ ์ฐจ๋ฆฌ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
05:31
Let's try, well, let's try to reduce that.
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์Œ, ๊ทธ๊ฒƒ์„ ์ค„์ด๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ•ฉ์‹œ๋‹ค.
05:35
And I run a business, and I run, and I run, so i'm going to have you Bring in that reduction,
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์‚ฌ์—…์„ ์šด์˜ํ•˜๊ณ , ์šด์˜ํ•˜๊ณ , ์šด์˜ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„์ด ๊ฐ์†Œ๋ฅผ ๊ฐ€์ ธ์˜ค๋„๋ก ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค
05:40
and I run, and i'm going to have you bring down the pitch, and I run a business.
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. ๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์šด์˜ํ•ฉ๋‹ˆ๋‹ค.
05:46
And I run a business.
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ์‚ฌ์—…์„ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค.
05:47
Right, let's just see what happens if you bring it lower.
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์ข‹์•„, ๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ๋‚ฎ์ถ”๋ฉด ์–ด๋–ป๊ฒŒ ๋˜๋Š”์ง€ ๋ณด์ž .
05:51
And I run a business.
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ์‚ฌ์—…์„ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค.
05:53
And I run a business.
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ์‚ฌ์—…์„ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค.
05:54
Right, you know, so the one you just did before that sounded pretty good, but the placement
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์•Œ๋‹ค์‹œํ”ผ, ๋ฐฉ๊ธˆ ์ „์— ํ•œ ๊ฒƒ์€ ๊ฝค ์ข‹๊ฒŒ ๋“ค๋ ธ์ง€๋งŒ ๋ฐฐ์น˜๋Š”
06:02
still felt high and then when you brought it down more, it didn't seem like too much,
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์—ฌ์ „ํžˆ ๋†’๊ฒŒ ๋Š๊ปด์กŒ๊ณ  ๋” ๋‚ฎ์ถ”์—ˆ์„ ๋•Œ ๋„ˆ๋ฌด ๋งŽ์ง€ ์•Š์€ ๊ฒƒ ๊ฐ™์•˜๊ณ 
06:06
and then the feeling was that sort of American chest feeling.
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๊ทธ ๋Š๋‚Œ์€ ์ผ์ข…์˜ ๋ฏธ๊ตญ์‹์ด์—ˆ์Šต๋‹ˆ๋‹ค. ๊ฐ€์Šด ๋Š๋‚Œ.
06:11
And I run a business.
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ์‚ฌ์—…์„ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค.
06:14
And I run a business, and I run a business.
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์‚ฌ์—…์„ ์šด์˜ํ•˜๊ณ  ์‚ฌ์—…์„ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค.
06:17
So we're doing a reduction, we're bringing in a reduction that she wasn't doing and we're
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๊ฐ์†Œ๋ฅผ ํ•˜๊ณ  ์žˆ๊ณ , ๊ทธ๋…€๊ฐ€ ํ•˜์ง€ ์•Š์•˜๋˜ ๊ฐ์†Œ๋ฅผ ๊ฐ€์ ธ์˜ค๊ณ  ์žˆ์œผ๋ฉฐ
06:21
also playing with lowering the pitch.
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ํ”ผ์น˜๋ฅผ ๋‚ฎ์ถ”๋Š” ์ž‘์—…๋„ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
06:25
Right, and I love that, and I run a business.
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๋งž์•„์š”, ๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ๊ทธ๊ฒƒ์„ ์ข‹์•„ํ•˜๊ณ  ์‚ฌ์—…์„ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค.
06:30
Take it down way lower than you know it should be.
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๋‹น์‹ ์ด ์•Œ๊ณ  ์žˆ๋Š” ๊ฒƒ๋ณด๋‹ค ํ›จ์”ฌ ๋” ๋‚ฎ์ถ”์‹ญ์‹œ์˜ค .
06:32
And, actually, this is something that will be fun for you to do.
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๊ทธ๋ฆฌ๊ณ  ์‹ค์ œ๋กœ ์ด๊ฒƒ์€ ์—ฌ๋Ÿฌ๋ถ„์ด ํ•ด๋ณด๋ฉด ์žฌ๋ฏธ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:35
Take one phrase like this, and then record yourself doing all sorts of different things
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์ด์™€ ๊ฐ™์€ ๋ฌธ๊ตฌ ํ•˜๋‚˜๋ฅผ ๊ฐ€์ง€๊ณ  ๊ทธ ๋ฌธ๊ตฌ๋กœ ์˜จ๊ฐ– ์ข…๋ฅ˜์˜ ์ผ์„ ํ•˜๋Š” ์ž์‹ ์„ ๋…น์Œํ•˜์„ธ์š”
06:41
with it.
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06:42
And, when you're going back and listening, and be like, "ah, I love that one", and then
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๊ทธ๋ฆฌ๊ณ  ๋Œ์•„๊ฐ€์„œ ๋“ฃ๊ณ  "์•„, ์ €๊ฑฐ ์ข‹์•„"ํ•˜๊ณ  ์—ฐ์ฃผํ•˜๊ณ ,
06:46
play it, imitate it, play it, imitate it, play it, imitate it.
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ํ‰๋‚ด๋‚ด๊ณ , ์—ฐ์ฃผํ•˜๊ณ , ํ‰๋‚ด๋‚ด๊ณ , ์—ฐ์ฃผํ•˜๊ณ , ํ‰๋‚ด๋‚ผ ๋•Œ.
06:49
And then these are just things that can help unlock that feeling, and the thing about the
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๊ทธ๋Ÿฐ ๋‹ค์Œ ์ด๊ฒƒ๋“ค์€ ๊ทธ ๋Š๋‚Œ์„ ํ’€์–ด์ฃผ๋Š” ๋ฐ ๋„์›€์ด ๋  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ๋“ค์ž…๋‹ˆ๋‹ค . ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋Š๋‚Œ์— ๊ด€ํ•œ ๊ฒƒ์€
06:55
feeling is, once we find that, that affects everything that you say ever, you know, so like working on
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์ผ๋‹จ ์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ๋ฐœ๊ฒฌํ•˜๋ฉด ์—ฌ๋Ÿฌ๋ถ„์ด ๋งํ•˜๋Š” ๋ชจ๋“  ๊ฒƒ์— ์˜ํ–ฅ์„ ๋ฏธ์นœ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:02
placement can really just transform everything about how you speak and for other people out
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๊ทธ๋ฆฌ๊ณ  ๋” ๋‹ค์–‘ํ•œ ๋ฌธ์ œ๊ฐ€ ์žˆ๋Š” ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์„ ์œ„ํ•ด
07:11
there who have more varied issues, finding a better placement can often help sounds in
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๋” ๋‚˜์€ ๋ฐฐ์น˜๋ฅผ ์ฐพ๋Š” ๊ฒƒ์ด ์ข…์ข… ์†Œ๋ฆฌ์— ๋„์›€์ด ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:20
a way that working on just the sound doesn't even make sense, but working on the core concept
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์†Œ๋ฆฌ๋งŒ ์ž‘์—…ํ•˜๋Š” ๊ฒƒ์€ ๋ง์ด ๋˜์ง€ ์•Š์ง€๋งŒ ๋ฐฐ์น˜์˜ ํ•ต์‹ฌ ๊ฐœ๋…์— ๋Œ€ํ•œ ์ž‘์—…์€
07:26
of the placement transforms the sound in a way that, just working on the sound, you never
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์†Œ๋ฆฌ๋ฅผ ์‚ฌ์šด๋“œ์— ๋Œ€ํ•œ ์ž‘์—…๋งŒ์œผ๋กœ๋Š” ๊ฒฐ์ฝ”
07:30
could've gotten there.
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๋„๋‹ฌํ•  ์ˆ˜ ์—†์—ˆ๋˜ ๋ฐฉ์‹์ž…๋‹ˆ๋‹ค.
07:32
And so I always find that really interesting, and I really ask my students do that.
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๊ทธ๋ž˜์„œ ์ €๋Š” ํ•ญ์ƒ ๊ทธ๊ฒƒ์ด ์ •๋ง ํฅ๋ฏธ๋กญ๋‹ค๊ณ  ์ƒ๊ฐ ํ•˜๊ณ  ์ œ ํ•™์ƒ๋“ค์—๊ฒŒ ๊ทธ๋ ‡๊ฒŒ ํ•˜๋ผ๊ณ  ์ •๋ง๋กœ ์š”์ฒญํ•ฉ๋‹ˆ๋‹ค.
07:37
So you lower your pitch, your fundamental frequency, to find a lower placement.
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๋”ฐ๋ผ์„œ ๋” ๋‚ฎ์€ ์œ„์น˜๋ฅผ ์ฐพ๊ธฐ ์œ„ํ•ด ๊ธฐ๋ณธ ์ฃผํŒŒ์ˆ˜์ธ ํ”ผ์น˜๋ฅผ ๋‚ฎ์ถฅ๋‹ˆ๋‹ค.
07:42
You also relax and open up your neck and throat and if you want more on that, watch my one
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๋˜ํ•œ ๊ธด์žฅ์„ ํ’€๊ณ  ๋ชฉ๊ณผ ๋ชฉ์„ ๋ฒŒ๋ฆฌ์„ธ์š”. ์ด์— ๋Œ€ํ•ด ๋” ์•Œ๊ณ  ์‹ถ์œผ์‹œ๋ฉด ์ œ
07:47
accent trick video.
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์•…์„ผํŠธ ํŠธ๋ฆญ ๋น„๋””์˜ค๋ฅผ ์‹œ์ฒญํ•˜์„ธ์š”.
07:50
Then also bringing in reductions is something that can help with placement.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๊ฐ์†Œ๋ฅผ ๊ฐ€์ ธ ์˜ค๋Š” ๊ฒƒ๋„ ๋ฐฐ์น˜์— ๋„์›€์ด ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋ฐฐ์น˜๋ฅผ
07:54
I found for my students thinking about lowering placement and letting go of tension in the
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๋‚ฎ์ถ”๊ณ  ๋ชฉ์˜ ๊ธด์žฅ์„ ํ’€์–ด์ฃผ๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๋Š” ํ•™์ƒ๋“ค์ด
07:58
neck can be pretty confusing and hard to actually do.
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์‹ค์ œ๋กœ ์ˆ˜ํ–‰ํ•˜๊ธฐ๊ฐ€ ๋งค์šฐ ํ˜ผ๋ž€์Šค๋Ÿฝ๊ณ  ์–ด๋ ค์šธ ์ˆ˜ ์žˆ์Œ์„ ๋ฐœ๊ฒฌํ–ˆ์Šต๋‹ˆ๋‹ค .
08:02
But reductions, these are something concrete that you can do instead of saying aaand, say
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๊ทธ๋Ÿฌ๋‚˜ ์ถ•์†Œ, ์ด๊ฒƒ๋“ค์€ aaand, say and๋ผ๊ณ  ๋งํ•˜๋Š” ๋Œ€์‹ ์— ํ•  ์ˆ˜ ์žˆ๋Š” ๊ตฌ์ฒด์ ์ธ ๊ฒƒ์ž…๋‹ˆ๋‹ค
08:08
and.
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08:09
Instead of saying thaaat, say that.
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thaaat๋ผ๊ณ  ๋งํ•˜๋Š” ๋Œ€์‹  ๊ทธ๋ ‡๊ฒŒ ๋งํ•˜์‹ญ์‹œ์˜ค.
08:12
Now, if you don't know that much about reductions, I have a full playlist that goes over what
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์ถ•์•ฝ์— ๋Œ€ํ•ด ์ž˜ ๋ชจ๋ฅธ๋‹ค๋ฉด ๋ฏธ๊ตญ ์˜์–ด์˜ ์ถ•์•ฝ์ด ๋ฌด์—‡์ธ์ง€์— ๋Œ€ํ•œ ์ „์ฒด ์žฌ์ƒ ๋ชฉ๋ก์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
08:18
the reductions are in American English.
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.
08:20
If you're looking to train more, check out my academy, I have hundreds of audio files
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๋” ํ›ˆ๋ จํ•˜๊ณ  ์‹ถ๋‹ค๋ฉด ์ œ ์•„์นด๋ฐ๋ฏธ๋ฅผ ํ™•์ธํ•˜์„ธ์š”. ๋ฐฐ์šด ๊ฐ ๊ฐœ๋…์— ๋”ฐ๋ผ ์ˆ˜๋ฐฑ ๊ฐœ์˜ ์˜ค๋””์˜ค ํŒŒ์ผ์ด ์žˆ์œผ๋ฏ€๋กœ
08:24
to go with each concept that you learn so you're not just learning it with your head
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๋จธ๋ฆฌ๋กœ๋งŒ ๋ฐฐ์šฐ๋Š” ๊ฒƒ์ด
08:28
but you're training it into your body.
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์•„๋‹ˆ๋ผ ๋ชธ์œผ๋กœ ํ›ˆ๋ จํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:31
And of course, my academy is also where I have live classes once a month like when I
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก  ๋‚ด ํ•™์›๋„ ์นด๋ Œ์„ ๊ฐ€๋ฅด์ณค์„ ๋•Œ์ฒ˜๋Ÿผ ํ•œ ๋‹ฌ์— ํ•œ ๋ฒˆ ๋ผ์ด๋ธŒ ์ˆ˜์—…์„ ํ•˜๋Š” ๊ณณ์ด๋‹ค
08:36
taught Karen.
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.
08:37
In this next clip, Iโ€™m going to work with Karen on the reduction of the word that.
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์ด ๋‹ค์Œ ํด๋ฆฝ์—์„œ๋Š” Karen๊ณผ ํ•จ๊ป˜ that์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์ค„์ด๋Š” ์ž‘์—…์„ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. AA ๋ชจ์Œ
08:41
It becomes that, with a schwa instead of the AA vowel and a stop T depending on the sound
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๋Œ€์‹  ์Šˆ์™€๊ฐ€ ๋ถ™๊ณ  ๋‹ค์Œ์— ์˜ค๋Š” ์†Œ๋ฆฌ์— ๋”ฐ๋ผ ์ •์ง€ T๊ฐ€ ๋ถ™์Šต๋‹ˆ๋‹ค
08:47
that comes next.
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.
08:49
I'm gonna say that helps people, And then you repeat it back That helps people.
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๋‚˜๋Š” ๊ทธ๊ฒƒ์ด ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋„์›€์ด ๋œ๋‹ค๊ณ  ๋งํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค .
08:55
- That helps people
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- ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค. -
08:57
- That helps people
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08:59
- That helps people
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์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค. - ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค
09:00
- Okay, so one thing, Let's do the reduction.
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.
09:04
It's not that, but it's TH, that helps people.
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๊ทธ๊ฒŒ ์•„๋‹ˆ๋ผ ์‚ฌ๋žŒ์„ ๋•๋Š” TH์ž…๋‹ˆ๋‹ค.
09:08
- Yeah, okay, that helps people.
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- ๋„ค, ์•Œ๊ฒ ์Šต๋‹ˆ๋‹ค. ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค.
09:10
- Right, that helps people.
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- ๋งž์•„์š”, ๊ทธ๊ฒŒ ์‚ฌ๋žŒ๋“ค์„ ๋„์™€์š”.
09:13
- That helps people.
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- ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค.
09:14
- Yeah, loved that.
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- ๋„ค, ์ •๋ง ์ข‹์•˜์–ด์š”.
09:16
So, also for everyone else that's listening and noticing, so she had and, I made her do
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๊ทธ๋ž˜์„œ, ๋˜ํ•œ ๋“ฃ๊ณ  ์ฃผ๋ชฉํ•˜๋Š” ๋‹ค๋ฅธ ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์„ ์œ„ํ•ด์„œ๋„ ๊ทธ๋…€๋Š” ๊ทธ๋ ‡๊ฒŒ ํ–ˆ๊ณ , ๋‚˜๋Š” ๊ทธ๋…€์—๊ฒŒ
09:21
that reduction.
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๊ทธ ์ถ•์†Œ๋ฅผ ํ•˜๋„๋ก ํ–ˆ์Šต๋‹ˆ๋‹ค.
09:22
We had that, I made her do that reduction.
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์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์„ ๊ฐ€์ง€๊ณ  ์žˆ์—ˆ๊ณ  ๋‚˜๋Š” ๊ทธ๋…€์—๊ฒŒ ๊ทธ ์ถ•์†Œ๋ฅผํ•˜๋„๋กํ–ˆ์Šต๋‹ˆ๋‹ค.
09:25
You guys have probably noticed so many of the reductions involved, changing something
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์—ฌ๋Ÿฌ๋ถ„์€ ์•„๋งˆ๋„ schwa๋กœ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ณ€๊ฒฝํ•˜๋ฉด์„œ ๊ด€๋ จ๋œ ๋งŽ์€ ๊ฐ์†Œ๋ฅผ ์•Œ์•„์ฐจ๋ ธ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค
09:29
to the schwa.
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09:31
And the schwa has a lower feeling, and so by also taking these words that aren't reduced,
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๊ทธ๋ฆฌ๊ณ  ์Šˆ์™€๋Š” ๋” ๋‚ฎ์€ ๋Š๋‚Œ์„ ๊ฐ€์ง€๊ณ  ์žˆ๊ณ , ์ด๋Ÿฐ ๋‹จ์–ด๋“ค๋„ ์ค„์ง€ ์•Š๋Š” to,
09:37
like to, and reducing them to ta, and this kind of thing, we're changing these things
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like, ta๋กœ ์ค„์ž„์œผ๋กœ์จ ์ด๋Ÿฐ ๊ฒƒ๋“ค์„
09:42
to a sound that naturally feels lower too, which will help with the overall placement
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์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋‚ฎ์€ ๋Š๋‚Œ์œผ๋กœ ๋ฐ”๊พธ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. , ์ „๋ฐ˜์ ์ธ ๋ฐฐ์น˜ ๋Š๋‚Œ์„ ๋‚ฎ์ถ”๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค
09:49
feeling lower.
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09:50
And it's not something I had really noticed when you were talking, although it makes sense
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์ด ๋ง์„ ํ•˜๊ณ  ์žˆ์„ ๋•Œ๋Š” ๋ณ„๋กœ ๋ˆˆ์น˜์ฑ„์ง€ ๋ชปํ–ˆ์ง€๋งŒ,
09:54
now when I was sensing formality.
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์ง€๊ธˆ์€ ๊ฒฉ์‹์„ ์ฐจ๋ฆฌ๊ณ  ์žˆ์„ ๋•Œ ์ดํ•ด๊ฐ€ ๋ฉ๋‹ˆ๋‹ค. ์ถ•์†Œ
09:55
A lack of reductions also creates a sense of formality, in sort of an old fashioned
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์˜ ๋ถ€์กฑ์€ ์ผ์ข…์˜ ๊ตฌ์‹ ๋ฐฉ์‹์œผ๋กœ ํ˜•์‹์ ์ธ ๋Š๋‚Œ์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค
10:02
way.
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10:04
So that's something, Karen, that you could also do when you record yourself and you're
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๊ทธ๋ž˜์„œ Karen, ์ž์‹ ์„ ๋…น์Œํ•˜๊ณ  ์ž์‹ ์˜ ๋ง์„ ๋“ค์„ ๋•Œ ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค
10:07
listening to yourself, is be listening for, am I doing reductions?
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.
10:11
'Cause your rhythm is fine, right?
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๋‹น์‹ ์˜ ๋ฆฌ๋“ฌ์€ ๊ดœ์ฐฎ์œผ๋‹ˆ๊นŒ, ๊ทธ๋ ‡์ฃ ?
10:13
And you were saying that, that, that, but I actually wanted th, th, th, so that's another
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ๊ทธ, ๊ทธ, ์ €๊ฒƒ์„ ๋งํ•˜๊ณ  ์žˆ์—ˆ์ง€๋งŒ, ๋‚˜๋Š” ์‹ค์ œ๋กœ th, th, th๋ฅผ ์›ํ–ˆ์Šต๋‹ˆ๋‹ค
10:19
thing I would say.
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10:20
I gotta say I was really excited to find this new trick that reductions affect placement.
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๊ฐ์†Œ๊ฐ€ ๋ฐฐ์น˜์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ์ด ์ƒˆ๋กœ์šด ํŠธ๋ฆญ์„ ๋ฐœ๊ฒฌํ•˜๊ฒŒ ๋˜์–ด ์ •๋ง ๊ธฐ๋ปค์Šต๋‹ˆ๋‹ค.
10:26
I'm always looking for new tips to give students especially with something that's as hard to
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์ €๋Š” ํ•ญ์ƒ ํ•™์ƒ๋“ค์—๊ฒŒ ๋ฐฐ์น˜๋งŒํผ ๊ฐ€๋ฅด์น˜๊ณ  ์ดํ•ดํ•˜๊ธฐ ์–ด๋ ค์šด ๊ฒƒ์— ๋Œ€ํ•ด ํ•™์ƒ๋“ค์—๊ฒŒ ์ค„ ์ƒˆ๋กœ์šด ํŒ์„ ์ฐพ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
10:31
teach and understand as placement.
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. ๋™์ผํ•œ ๋ผ์ด๋ธŒ ์ˆ˜์—…์—์„œ
10:34
Here's another student that I worked with in that same live class, and placement came
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ํ•จ๊ป˜ ์ผํ•œ ๋‹ค๋ฅธ ํ•™์ƒ์ด ์žˆ๋Š”๋ฐ ๋ฐฐ์น˜๊ฐ€
10:39
up again.
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๋‹ค์‹œ ๋‚˜ํƒ€๋‚ฌ์Šต๋‹ˆ๋‹ค.
10:40
And here, we're talking about it as it relates to a particular vowel, the UH as in butter
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๊ธฐ์—์„œ ์šฐ๋ฆฌ๋Š” ๋ฒ„ํ„ฐ ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด ํŠน์ • ๋ชจ์Œ, UH์™€ ๊ด€๋ จํ•˜์—ฌ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
10:45
vowel, and you can only get the right quality for that vowel if you do have a low placement.
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๋‚ฎ์€ ์œ„์น˜์— ์žˆ๋Š” ๊ฒฝ์šฐ์—๋งŒ ํ•ด๋‹น ๋ชจ์Œ์— ๋Œ€ํ•ด ์˜ฌ๋ฐ”๋ฅธ ํ’ˆ์งˆ์„ ์–ป์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
10:52
You know there's one sound I Wrote only down only one word But I heard it a couple Times
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๋‹น์‹ ์€ ํ•˜๋‚˜์˜ ์†Œ๋ฆฌ๊ฐ€ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ํ•œ ๋‹จ์–ด๋งŒ ์ ์—ˆ์ง€๋งŒ ๋ช‡ ๋ฒˆ ๋“ค์—ˆ๊ณ 
10:56
that I wanted to tweak With you and this sound Relates to placement so fully.
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์กฐ์ •ํ•˜๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค. ์ด ์†Œ๋ฆฌ๋Š” ๋ฐฐ์น˜์™€ ์™„์ „ํžˆ ๊ด€๋ จ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
11:03
And it's the uh as in butter sound.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๋ฒ„ํ„ฐ ์†Œ๋ฆฌ์—์„œ์™€ ๊ฐ™์€ uh์ž…๋‹ˆ๋‹ค.
11:07
And it was in this word...
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ์ด ๋‹จ์–ด์—์„œ...
11:08
- Bummed.
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- ๋ถ€๋„๋Ÿฌ์›Œ.
11:09
- Yeah, let me hear you say it longer like holding out the vowel, bu-mm-ed.
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- ๋„ค, bu-mm-ed, ๋ชจ์Œ์„ ๋‚ด๋ฐ€๋“ฏ์ด ๊ธธ๊ฒŒ ๋งํ•ด ์ฃผ์„ธ์š”.
11:16
- Bu-mm-ed.
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- Bu-mm-ed.
11:17
- Okay yeah, I actually I like that a lot.
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- ์•Œ์•˜์–ด, ์‚ฌ์‹ค ๋‚œ ๊ทธ๊ฑธ ๋งŽ์ด ์ข‹์•„ํ•ด.
11:22
When you were talking it was a little bit higher, bum bum.
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๋‹น์‹ ์ด ๋งํ•  ๋•Œ ๊ทธ๊ฒƒ์€ ์กฐ๊ธˆ ๋” ๋†’์•˜์Šต๋‹ˆ๋‹ค, bum bum.
11:25
- I remember it.
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- ๋‚˜ ๊ทธ๊ฑฐ ๊ธฐ์–ต ํ•ด์š”.
11:27
- Yeah, bummed I'm so bummed.
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- ๊ทธ๋ž˜, ๋‚œ ๋„ˆ๋ฌด ํ™”๊ฐ€ ๋‚ฌ์–ด.
11:31
That's difference in placement.
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๋ฐ”๋กœ ๋ฐฐ์น˜์˜ ์ฐจ์ด์ž…๋‹ˆ๋‹ค.
11:32
The thing that makes that sound different is placement bummed is a very low placement
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๊ทธ ์†Œ๋ฆฌ๋ฅผ ๋‹ค๋ฅด๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฒƒ์€ ๋ฐฐ์น˜๊ฐ€ ์—‰๋ง์ด๋ผ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ •๋ง ์—ด์–ด์•ผ ํ•˜๋Š” ๋งค์šฐ ๋‚ฎ์€ ๋ฐฐ์น˜์ž…๋‹ˆ๋‹ค
11:36
things have to really open.
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.
11:38
And if you have a good uh vowel, like it seems like you do
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๊ทธ๋ฆฌ๊ณ  ์ข‹์€ ์–ด๋ชจ์Œ์ด ์žˆ์œผ๋ฉด, ๋งˆ์น˜ ํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ
11:41
When you're imitating and thinking about it.
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ํ‰๋‚ด๋‚ด๋ฉฐ ์ƒ๊ฐ์„ ํ• ๋•Œ. ๋ฐฐ์น˜์— ๋Œ€ํ•ด ์ƒ๊ฐํ• 
11:43
That's a really good core place to go, when you're thinking about your placement u-uh
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๋•Œ ์ •๋ง ์ข‹์€ ํ•ต์‹ฌ ์žฅ์†Œ์ž…๋‹ˆ๋‹ค
11:49
bummed.
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.
11:50
I'm really bummed.
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๋‚˜๋Š” ์ •๋ง ๋ถ€๋„๋Ÿฝ๋‹ค.
11:51
And then as you do it and you build a sentence on it, you try to maintain
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๊ทธ๊ฒƒ์„ ํ•˜๊ณ  ๊ทธ ์œ„์— ๋ฌธ์žฅ์„ ๋งŒ๋“ค๋ฉด์„œ ๊ทธ ๋Š๋‚Œ๊ณผ ์—ฐ๊ฒฐ์„ ์œ ์ง€ํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ•ฉ๋‹ˆ๋‹ค
11:56
That connection that feeling.
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.
11:57
Let me hear you say, u-uh.
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๋‹น์‹ ์ด ๋งํ•˜๊ฒŒ ํ•ด์ค˜, u-uh.
12:00
- U-uh - Right.
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- ์–ด์–ด - ๋งž์•„.
12:02
- U-uuh, do it again.
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- ์–ด์–ด, ๋‹ค์‹œ ํ•ด๋ด.
12:06
- U-uuh.
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- ์–ด.
12:07
- Yeah, I like it at the end the quality changes a little bit.
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- ๋„ค, ๋งˆ์ง€๋ง‰์— ํ€„๋ฆฌํ‹ฐ๊ฐ€ ์กฐ๊ธˆ ๋ฐ”๋€Œ๋Š” ๊ฒŒ ์ข‹์•„์š” .
12:11
Let me see if I can imitate it.
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๋‚ด๊ฐ€ ๊ทธ๊ฒƒ์„ ๋ชจ๋ฐฉํ•  ์ˆ˜ ์žˆ๋Š”์ง€ ๋ณด์ž.
12:14
Uu-uuh, I don't think I really did.
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Uu-uuh, ๋‚ด๊ฐ€ ์ •๋ง ํ•œ ๊ฒƒ ๊ฐ™์•„์š”.
12:16
Uh, uh, uh, so it seemed felt to me like at the end
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Uh, uh, uh, ๊ทธ๋ž˜์„œ ๋งˆ์น˜ ๋์ธ ๊ฒƒ ๊ฐ™์•˜์–ด์š”. u-uh
12:21
It was a little bit more like uh, instead of u-uh.
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๋Œ€์‹ ์— uh์™€ ์กฐ๊ธˆ ๋” ๋น„์Šทํ–ˆ์–ด์š” .
12:26
Uh, uh do you hear a difference?
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์–ด, ์–ด ์ฐจ์ด๊ฐ€ ๋“ค๋ฆฌ๋‚˜์š”?
12:29
- Yeah, I hear it.
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- ๊ทธ๋ž˜, ๋“ค์—ˆ์–ด.
12:31
- The one is like, it's like
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- ํ•˜๋‚˜๋Š” ๋งˆ์น˜
12:33
There's this really deep lagoon or something.
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์ •๋ง ๊นŠ์€ ์„ํ˜ธ ๊ฐ™์€ ๊ฒƒ์ด ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
12:38
U-uh, and the other one it's much more shallow.
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U-uh, ๊ทธ๋ฆฌ๊ณ  ๋‹ค๋ฅธ ํ•˜๋‚˜๋Š” ํ›จ์”ฌ ๋” ์–•์Šต๋‹ˆ๋‹ค.
12:42
And the one that we want is the deep lagoon.
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๊ฐ€ ์›ํ•˜๋Š” ๊ฒƒ์€ ๊นŠ์€ ์„ํ˜ธ์ž…๋‹ˆ๋‹ค.
12:44
We want the feeling that there's a lot of space down here, not that it's shallow or
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์šฐ๋ฆฌ๋Š” ์—ฌ๊ธฐ ์•„๋ž˜์— ๋งŽ์€ ๊ณต๊ฐ„์ด ์žˆ๋‹ค๋Š” ๋Š๋‚Œ์„ ์›ํ•ฉ๋‹ˆ๋‹ค. ์–•๊ฑฐ๋‚˜
12:48
gets cut off, Uhh, uhh, butter.
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์ž˜๋ฆฐ๋‹ค๋Š” ๋Š๋‚Œ์ด ์•„๋‹ˆ๋ผ, Uhh, uhh, ๋ฒ„ํ„ฐ.
12:53
Bummed.
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๋ถ€๋Ÿฝ๋‹ค.
12:54
There's this really deep lagoon or something.
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์ •๋ง ๊นŠ์€ ์„ํ˜ธ ๊ฐ™์€ ๊ฒƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
12:57
Uhhh. And the other one, it's much more shallow.
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์–ด. ๊ทธ๋ฆฌ๊ณ  ๋‹ค๋ฅธ ํ•˜๋‚˜๋Š” ํ›จ์”ฌ ๋” ์–•์Šต๋‹ˆ๋‹ค.
13:01
Uhh bummed.
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์–ด, ๋‹นํ™ฉํ–ˆ๋‹ค. -
13:04
-Bummed.
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๊ฝ.
13:06
Right. Bummer.
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์˜ค๋ฅธ์ชฝ. ์•ˆํƒ€๊น๋‹ค.
13:10
Bummer.
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์•ˆํƒ€๊น๋‹ค.
13:12
Okay buhh.
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์•Œ์•˜์–ด.
13:14
-Buh -Buh
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- ๋ถ€-๋ถ€
13:15
- Right, that was a lot more buh, buh-uh,
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-๋งž์•„์š”, ๊ทธ๊ฒŒ ํ›จ์”ฌ ๋” ๋งŽ์•˜์–ด์š” ๋ถ€, ๋ถ€-์–ด,
13:21
- Bu-mm-er.
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- ๋ถ€-์Œ-์–ด.
13:22
- Right, that was right.
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- ๋งž์•„, ๋งž์•˜์–ด.
13:25
That was a lot better.
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ํ›จ์”ฌ ๋” ์ข‹์•˜์Šต๋‹ˆ๋‹ค.
13:26
Did everyone hear that, the difference between buh.
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๋‹ค๋“ค ๊ทธ๋ ‡๊ฒŒ ๋“ค์—ˆ๋‚˜, buh์˜ ์ฐจ์ด .
13:30
Which is just really shallow.
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์ •๋ง ์–•์Šต๋‹ˆ๋‹ค.
13:32
It's really narrow, buh-uh.
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์ •๋ง ์ข๋‹ค, ํ—ˆํ—ˆ.
13:35
Like we're opening up everything underneath it.
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์šฐ๋ฆฌ๊ฐ€ ๊ทธ ์•„๋ž˜์— ์žˆ๋Š” ๋ชจ๋“  ๊ฒƒ์„ ์—ฌ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ .
13:37
And that's one of the things in this placement video that's coming out in May.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ 5์›”์— ๋‚˜์˜ค๋Š” ์ด ๋ฐฐ์น˜ ๋น„๋””์˜ค์— ์žˆ๋Š” ๊ฒƒ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค .
13:38
I worked with some students and I imitated them.
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๋‚˜๋Š” ๋ช‡๋ช‡ ํ•™์ƒ๋“ค๊ณผ ํ•จ๊ป˜ ์ผํ–ˆ๊ณ  ๊ทธ๋“ค์„ ๋ชจ๋ฐฉํ–ˆ์Šต๋‹ˆ๋‹ค.
13:41
And basically every time I imitated them, what I felt was, a compression of where the
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๊ทธ๋ฆฌ๊ณ  ๊ธฐ๋ณธ์ ์œผ๋กœ ์ œ๊ฐ€ ๊ทธ๊ฒƒ๋“ค์„ ํ‰๋‚ด๋‚ผ ๋•Œ๋งˆ๋‹ค ์ œ๊ฐ€ ๋Š๊ผˆ๋˜ ๊ฒƒ์€ ์†Œ๋ฆฌ๊ฐ€ ์‚ฌ๋Š” ๊ณณ์ด ์••์ถ•๋œ๋‹ค๋Š” ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค
13:45
sound lived.
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.
13:47
It was here instead of here, or even really more like that.
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์—ฌ๊ธฐ๊ฐ€ ์•„๋‹ˆ๋ผ ์—ฌ๊ธฐ์˜€๊ฑฐ๋‚˜ ํ›จ์”ฌ ๋” ๊ทธ๋žฌ์Šต๋‹ˆ๋‹ค.
13:52
So yeah, I think that's something to think about
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๋„ค, ๊ทธ๊ฑด ์ƒ๊ฐํ•ด๋ณผ ๋ฌธ์ œ๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
13:54
And you know, that's a feeling that we can still have variation
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๊ทธ๋ฆฌ๊ณ  ์•Œ๋‹ค์‹œํ”ผ, ๊ทธ๊ฒƒ์€ ์šฐ๋ฆฌ๊ฐ€ ์—ฌ์ „ํžˆ
14:02
Of pitch with that.
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๊ทธ๊ฒƒ์œผ๋กœ ํ”ผ์น˜์˜ ๋ณ€ํ™”๋ฅผ ๊ฐ€์งˆ ์ˆ˜ ์žˆ๋‹ค๋Š” ๋Š๋‚Œ์ž…๋‹ˆ๋‹ค.
14:03
So, we might use a low pitch to find that feeling
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๊ทธ ๋Š๋‚Œ์„ ์ฐพ๊ธฐ ์œ„ํ•ด ๋‚ฎ์€ ์Œ์กฐ๋ฅผ ์‚ฌ์šฉํ•  ์ˆ˜๋„
14:07
Or you might use that vowel to find that feeling.
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์žˆ๊ณ  ๊ทธ ๋Š๋‚Œ์„ ์ฐพ๊ธฐ ์œ„ํ•ด ๊ทธ ๋ชจ์Œ์„ ์‚ฌ์šฉํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
14:11
But then once you found, that you can do a lot with it
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๊ทธ๋Ÿฌ๋‚˜ ์ผ๋‹จ ๋‹น์‹ ์ด ๊ทธ๊ฒƒ์œผ๋กœ ๋งŽ์€ ๊ฒƒ์„ ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ๋ฐœ๊ฒฌํ•˜๊ณ 
14:14
And still maintain that feeling.
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๋„ ์—ฌ์ „ํžˆ ๊ทธ ๋Š๋‚Œ์„ ์œ ์ง€ํ•ฉ๋‹ˆ๋‹ค.
14:16
You can even shout!
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์™ธ์น  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค!
14:18
You can even be angry!
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ํ™”๋ฅผ ๋‚ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค!
14:20
And it still feels that connection.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ์—ฌ์ „ํžˆ โ€‹โ€‹๊ทธ ์—ฐ๊ฒฐ์„ ๋Š๋‚๋‹ˆ๋‹ค.
14:24
I'm not angry at you.
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๋‚˜๋Š” ๋‹น์‹ ์—๊ฒŒ ํ™”๋‚œ ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
14:25
My friend who's living upstairs is probably like,
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์œ„์ธต์— ์‚ด๊ณ  ์žˆ๋Š” ์ œ ์นœ๊ตฌ๋Š” ์•„๋งˆ "
14:27
What is going on in her class right now?
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์ง€๊ธˆ ๊ทธ๋…€์˜ ๋ฐ˜์—์„œ ๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š” ๊ฑฐ์ง€?"๋ผ๊ณ  ๋งํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
14:32
But that's what I would say and that sort of goes to
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๊ฒƒ์ด ๋‚ด๊ฐ€ ๋งํ•˜๊ณ  ์‹ถ์€ ๊ฒƒ์ด๊ณ  ๊ทธ๋Ÿฐ ์ข…๋ฅ˜ ์˜ ๊ฒƒ์€
14:34
That other question is, finding your thing.
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๋‹น์‹ ์˜ ๊ฒƒ์„ ์ฐพ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
14:39
I think for you finding that uh could be what helps.
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์–ด๊ฐ€ ๋„์›€์ด ๋  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ฒŒ ๋˜์—ˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค .
14:43
So it could be a vowel or for other people
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๊ทธ๋ž˜์„œ ๊ทธ๊ฒƒ์€ ๋ชจ์Œ์ผ ์ˆ˜๋„ ์žˆ๊ณ  ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์„ ์œ„ํ•œ ๊ฒƒ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
14:46
It could be a particular word that has that vowel or whatever or it could be playing with
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๊ทธ ๋ชจ์Œ์ด ์žˆ๋Š” ํŠน์ •ํ•œ ๋‹จ์–ด์ผ ์ˆ˜๋„ ์žˆ๊ณ  ์Œ๋†’์ด๋ฅผ ๊ฐ€์ง€๊ณ  ๋…ธ๋Š” ๊ฒƒ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
14:50
pitch, uh-uuh.
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, uh-uuh.
14:51
Until you find something and then,
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๋ฌด์–ธ๊ฐ€๋ฅผ ์ฐพ์„ ๋•Œ๊นŒ์ง€ ๊ทธ๋ฆฌ๊ณ  ๋‚˜์„œ
14:55
As you're practicing with a soundboard go back to
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๊ณต๋ช…ํŒ์œผ๋กœ ์—ฐ์Šตํ•˜๋ฉด์„œ
14:57
That between each sentence even.
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๊ฐ ๋ฌธ์žฅ ์‚ฌ์ด์—๋„ ๊ทธ๊ฒƒ์œผ๋กœ ๋Œ์•„๊ฐ‘๋‹ˆ๋‹ค.
14:59
You're like, hey what are you doing today, uh-uuh.
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๋‹น์‹ ์€ ๋งˆ์น˜, ์˜ค๋Š˜ ๋ญํ•ด, uh-uuh.
15:03
Hey, what are you doing today, or whatever.
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์•ผ, ์˜ค๋Š˜ ๋ญํ•ด, ๋ญ๋ผ๋„.
15:06
Find your core, that's awesome.
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๋‹น์‹ ์˜ ํ•ต์‹ฌ์„ ์ฐพ์œผ์‹ญ์‹œ์˜ค, ๊ทธ๊ฒƒ์€ ๊ต‰์žฅํ•ฉ๋‹ˆ๋‹ค.
15:08
I also had thought when you were speaking.
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๋‹น์‹ ์ด ๋งํ•  ๋•Œ ๋‚˜๋„ ์ƒ๊ฐํ–ˆ์Šต๋‹ˆ๋‹ค.
15:12
I had also thought, placement it feels very cheeky, rather than chesty.
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๋‚˜๋Š” ๋˜ํ•œ ๋ฐฐ์น˜๊ฐ€ ๊ฐ€์Šด์ด ์•„๋‹ˆ๋ผ ๋งค์šฐ ๊ฑด๋ฐฉ์ง„ ๋Š๋‚Œ์ด๋ผ๊ณ  ์ƒ๊ฐํ–ˆ์Šต๋‹ˆ๋‹ค .
15:18
So now, Iโ€™m going to ask her to speak her own native language, so I can compare the
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์ด์ œ ์ €๋Š” ๊ทธ๋…€์—๊ฒŒ ์ž์‹ ์˜ ๋ชจ๊ตญ์–ด๋ฅผ ๋งํ•˜๋„๋ก ์š”์ฒญํ•˜์—ฌ
15:22
placement of that to American English.
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๊ทธ ๋ฐฐ์น˜๋ฅผ ๋ฏธ๊ตญ์‹ ์˜์–ด์™€ ๋น„๊ตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
15:24
Listen to how different it is when I imitate her placement, and I switch back and forth
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๋‚ด๊ฐ€ ๊ทธ๋…€์˜ ๋ฐฐ์น˜๋ฅผ ๋ชจ๋ฐฉํ•  ๋•Œ ๊ทธ๊ฒƒ์ด ์–ผ๋งˆ๋‚˜ ๋‹ค๋ฅธ์ง€ ๋“ค์–ด๋ณด์„ธ์š” . ๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š”
15:30
between that and the American placement.
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๊ทธ๊ฒƒ๊ณผ ๋ฏธ๊ตญ ๋ฐฐ์น˜ ์‚ฌ์ด๋ฅผ ์™”๋‹ค ๊ฐ”๋‹ค ํ•ฉ๋‹ˆ๋‹ค.
15:33
And that's probably what your native language is like.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ์•„๋งˆ๋„ ๋‹น์‹ ์˜ ๋ชจ๊ตญ์–ด์™€ ๊ฐ™์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
15:35
Can I hear you just speak for a few seconds seconds, tell me where you were born or whatever
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๋‹น์‹ ์ด ์–ด๋””์—์„œ ํƒœ์–ด๋‚ฌ๋Š”์ง€ ๋˜๋Š”
15:39
in your native language.
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๋‹น์‹ ์˜ ๋ชจ๊ตญ์–ด๋กœ ๋ฌด์—‡์ด๋“  ๋งํ•ด ์ฃผ์„ธ์š”.
15:45
- Yeah, it's so different.
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- ๊ทธ๋ž˜, ๋„ˆ๋ฌด ๋‹ฌ๋ผ.
15:47
It's so focused and small Here, ta ta ta ta ta ta ta ta.
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๋„ˆ๋ฌด ์ง‘์ค‘๋˜๊ณ  ์ž‘์•„์š” ์—ฌ๊ธฐ, ta ta ta ta ta ta ta ta.
15:52
It has to me that kind of quality, ta-a.
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๋‚˜์—๊ฒŒ ๊ทธ๋Ÿฐ ์ข…๋ฅ˜์˜ ํ’ˆ์งˆ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
15:55
And we have da da da da da da Da da da da da da da da da da.
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” da da da da da da Da da da da da da da da da da๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
16:00
And that's an example guys, my pitch was the same, my vowel was the same like my articulators
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์ œ ์กฐ์Œ๊ธฐ๊ฐ€ ๊ฐ™์€ ์ผ์„ ํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ์ œ ์Œ์กฐ๋„ ๊ฐ™์•˜๊ณ  ์ œ ๋ชจ์Œ๋„ ๊ฐ™์•˜์Šต๋‹ˆ๋‹ค
16:05
were doing the same thing.
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.
16:06
But it was the shape that changed to make those two different sounds.
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ํ•˜์ง€๋งŒ ๊ทธ ๋‘ ๊ฐ€์ง€ ๋‹ค๋ฅธ ์†Œ๋ฆฌ๋ฅผ ๋‚ด๊ธฐ ์œ„ํ•ด ๋ณ€ํ•œ ๊ฒƒ์€ ๋ชจ์–‘์ด์—ˆ์Šต๋‹ˆ๋‹ค.
16:11
As you're practicing, if you feel like you find a placement that's lower and sounds more
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์—ฐ์Šตํ•˜๋ฉด์„œ ๋” ๋‚ฎ๊ณ  ๋” ์ž์—ฐ์Šค๋Ÿฝ๊ณ  ๋ฏธ๊ตญ์ ์œผ๋กœ ๋“ค๋ฆฌ๋Š” ๋ฐฐ์น˜๋ฅผ ์ฐพ์€ ๊ฒƒ ๊ฐ™์œผ๋ฉด
16:16
natural and American, what should you do with that?
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์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ• ๊นŒ์š” ?
16:20
You should come up with words to describe your experience and your feeling.
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์ž์‹ ์˜ ๊ฒฝํ—˜๊ณผ ๋Š๋‚Œ์„ ์„ค๋ช…ํ•  ๋‹จ์–ด๋ฅผ ์ƒ๊ฐํ•ด ๋‚ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
16:26
When you go bu-mm-ed.
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๋‹น์‹ ์ด bu-mm-ed ๊ฐˆ ๋•Œ.
16:30
Bu-uh, what would you say is happening
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Bu-uh,
16:33
In like your neck, throat, chest area?
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๋‹น์‹ ์˜ ๋ชฉ, ๋ชฉ, ๊ฐ€์Šด ๋ถ€์œ„์™€ ๊ฐ™์€ ๊ณณ์—์„œ ๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋‹ค๊ณ  ๋งํ•˜๊ฒ ์Šต๋‹ˆ๊นŒ?
16:35
- I feel it's relaxing.
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- ๋งˆ์Œ์ด ํŽธ์•ˆํ•ด์ง€๋Š” ๊ฒƒ ๊ฐ™์•„์š”.
16:38
- So-- - I feel it relaxing.
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- ๊ทธ๋ž˜์„œ-- - ๋งˆ์Œ์ด ํŽธํ•ด์ง€๋Š” ๊ฒƒ ๊ฐ™์•„์š”.
16:41
- Oh I like that, I feel it relaxing.
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- ์•„, ๋งˆ์Œ์— ๋“ค์–ด์š”. ํŽธ์•ˆํ•ด์ง€๋Š” ๋Š๋‚Œ์ด ๋“ค์–ด์š”.
16:45
Let me ask you then, speak your own native language again and tell me what you feel happening.
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๊ทธ๋Ÿผ ๋‚ด๊ฐ€ ๋‹น์‹ ์—๊ฒŒ ๋ฌผ์–ด๋ณผ๊ฒŒ, ๋‹น์‹ ์˜ ๋ชจ๊ตญ์–ด๋กœ ๋‹ค์‹œ ๋งํ•˜๊ณ  ๋‹น์‹ ์ด ๋Š๋ผ๋Š” ๊ฒƒ์„ ๋งํ•ด์ฃผ์„ธ์š”.
16:57
- I feel like there's something that's constraining.
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- ๋ญ”๊ฐ€ ๊ตฌ์†์ด ์žˆ๋Š” ๊ฒƒ ๊ฐ™์•„์š”.
17:04
Like everything is not relaxed.
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๋ชจ๋“  ๊ฒƒ์ด ํŽธ์•ˆํ•˜์ง€ ์•Š์€ ๊ฒƒ์ฒ˜๋Ÿผ.
17:06
I feel like I my muscles contract in here.
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์—ฌ๊ธฐ์—์„œ ๊ทผ์œก์ด ์ˆ˜์ถ•ํ•˜๋Š” ๊ฒƒ ๊ฐ™์•„์š”.
17:13
- Mm hmm.
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- ์Œ์Œ.
17:14
- And not as much as--
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- ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋‹ค์ง€--
17:16
- It's so interesting to me that's what you have to do to get the right sound of your
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- ๋ชจ๊ตญ์–ด ์˜ ์˜ฌ๋ฐ”๋ฅธ ์†Œ๋ฆฌ๋ฅผ ์–ป๊ธฐ ์œ„ํ•ด ํ•ด์•ผ ํ•  ์ผ์ด ์ €์—๊ฒŒ๋Š” ๋งค์šฐ ํฅ๋ฏธ๋กญ์Šต๋‹ˆ๋‹ค
17:20
native language.
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.
17:21
And, for English we have none of that for American English.
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๊ทธ๋ฆฌ๊ณ  ์˜์–ด์˜ ๊ฒฝ์šฐ ๋ฏธ๊ตญ์‹ ์˜์–ด์—๋Š” ๊ทธ๋Ÿฐ ๊ฒƒ์ด ์—†์Šต๋‹ˆ๋‹ค.
17:25
And so I think that can be really useful for everyone too.
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๊ทธ๋ž˜์„œ ์ €๋Š” ๊ทธ๊ฒƒ์ด ๋ชจ๋‘์—๊ฒŒ ์ •๋ง ์œ ์šฉํ•  ์ˆ˜ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค . ์ด๋Ÿฐ
17:29
Once you find something that feels like, oh
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๋Š๋‚Œ์ด ๋“œ๋Š” ๊ฒƒ์„ ์ฐพ์•˜๋‹ค๋ฉด, ์˜ค,
17:31
This feels right, go back to your native language
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์ด๊ฑด ๋งž๋Š” ๊ฒƒ ๊ฐ™์•„์š”. ๋ชจ๊ตญ์–ด๋กœ ๋Œ์•„๊ฐ€์„œ
17:34
And see if you can describe what's happening.
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๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š”์ง€ ์„ค๋ช…ํ•  ์ˆ˜ ์žˆ๋Š”์ง€ ๋ณด์„ธ์š”.
17:36
Because that's what you have to fight to not do every time you speak American English.
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๊ทธ๊ฒƒ์ด ๋ฏธ๊ตญ์‹ ์˜์–ด๋ฅผ ๋งํ•  ๋•Œ๋งˆ๋‹ค ํ•˜์ง€ ์•Š์œผ๋ ค๊ณ  ์‹ธ์›Œ์•ผ ํ•˜๋Š” ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
17:41
And when I say fight, it sounds like tension.
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๊ทธ๋ฆฌ๊ณ  ์‹ธ์›€์ด๋ผ๊ณ  ํ•˜๋ฉด ๊ธด์žฅ์ฒ˜๋Ÿผ ๋“ค๋ฆฐ๋‹ค.
17:43
But of course, the way to not do it is to let go of the tension.
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ํ•˜์ง€๋งŒ ๊ทธ๋Ÿฌ์ง€ ์•Š๋Š” ๋ฐฉ๋ฒ•์€ ๋‹น์—ฐํžˆ ๊ธด์žฅ์„ ํ’€์–ด์ฃผ๋Š” ๊ฒƒ์ด๋‹ค.
17:48
I had a student once whose native language is Hindi.
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๋ชจ๊ตญ์–ด๊ฐ€ ํžŒ๋””์–ด์ธ ํ•™์ƒ์ด ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค .
17:51
And I was imitating him and when I was going back and forth between imitating him and not.
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ๊ทธ๋ฅผ ๋ชจ๋ฐฉํ•˜๊ณ  ์žˆ์—ˆ๊ณ  ๊ทธ๋ฅผ ๋ชจ๋ฐฉํ•˜๊ณ  ๋ชจ๋ฐฉํ•˜์ง€ ์•Š๋Š” ์‚ฌ์ด๋ฅผ ์˜ค๋ฝ๊ฐ€๋ฝํ–ˆ์„ ๋•Œ.
17:57
It's like I felt I could almost feel my voice box.
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๋ชฉ์†Œ๋ฆฌ ์ƒ์ž๋ฅผ ๊ฑฐ์˜ ๋Š๋‚„ ์ˆ˜ ์žˆ๋‹ค๊ณ  ๋Š๊ผˆ๋˜ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค .
18:01
Like bending forward to imitate him, and then dropping back to sound like myself.
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๊ทธ๋ฅผ ํ‰๋‚ด๋‚ด๊ธฐ ์œ„ํ•ด ์•ž์œผ๋กœ ๋ชธ์„ ๊ตฌ๋ถ€๋ ธ๋‹ค๊ฐ€ ๋’ค๋กœ ๋ฌผ๋Ÿฌ์„œ์„œ ๋‚˜์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๋Š” ๊ฒƒ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค.
18:07
So that's great that you can identify it.
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์‹๋ณ„ํ•  ์ˆ˜ ์žˆ์–ด์„œ ์ข‹์Šต๋‹ˆ๋‹ค.
18:08
It sound like you identified here and also stuff that was happening here.
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์—ฌ๊ธฐ์—์„œ ํ™•์ธํ•˜์‹  ๊ฒƒ ๊ฐ™๊ณ  ์—ฌ๊ธฐ์—์„œ ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š” ์ผ๋„ ์žˆ๋Š” ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค.
18:13
So that is awesome.
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๊ทธ๋ž˜์„œ ๊ทธ๊ฒƒ์€ ๊ต‰์žฅํ•ฉ๋‹ˆ๋‹ค.
18:15
That is your voice in your native language.
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๊ทธ๊ฒƒ์€ ๋‹น์‹ ์˜ ๋ชจ๊ตญ์–ด๋กœ ๋œ ๋‹น์‹ ์˜ ๋ชฉ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค. ๋ฌผ๋ก 
18:18
Totally different of course than American English.
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๋ฏธ๊ตญ์‹ ์˜์–ด์™€๋Š” ์™„์ „ํžˆ ๋‹ค๋ฆ…๋‹ˆ๋‹ค .
18:21
So I asked her to keep comparing English with her native language.
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๊ทธ๋ž˜์„œ ๋‚˜๋Š” ๊ทธ๋…€์—๊ฒŒ ์˜์–ด์™€ ๊ทธ๋…€์˜ ๋ชจ๊ตญ์–ด๋ฅผ ๊ณ„์† ๋น„๊ตํ•ด ๋‹ฌ๋ผ๊ณ  ๋ถ€ํƒํ–ˆ์Šต๋‹ˆ๋‹ค .
18:25
And guess what we get to?
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๊ฐ€ ๋ฌด์—‡์„ ์–ป์„ ์ˆ˜ ์žˆ์„๊นŒ์š”?
18:26
Reductions.
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๊ฐ์†Œ.
18:28
Let's do something.
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๋ญ”๊ฐ€ ํ•ด๋ณด์ž.
18:29
I want you to say a couple in your native language
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๋‹น์‹ ์˜ ๋ชจ๊ตญ์–ด๋กœ ๋ช‡ ๊ฐ€์ง€๋ฅผ ๋งํ•˜๊ณ 
18:32
And then stop, think, let it all go and then say something in English.
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๋‚˜์„œ ๋ฉˆ์ถ”๊ณ , ์ƒ๊ฐํ•˜๊ณ , ๋ชจ๋“  ๊ฒƒ์„ ๋‚ด๋ ค๋†“๊ณ  ์˜์–ด๋กœ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋งํ•˜์„ธ์š”.
18:37
And try to be aware of, I'm using a totally different voice in my body now.
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๊ทธ๋ฆฌ๊ณ  ์˜์‹ํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ•˜์„ธ์š”, ์ €๋Š” ์ง€๊ธˆ ์ œ ๋ชธ์—์„œ ์™„์ „ํžˆ ๋‹ค๋ฅธ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์‚ฌ์šฉํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
18:52
- I'd like to eat.
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- ๋จน๊ณ  ์‹ถ์–ด์š”.
18:54
- Pretty good, do another one.
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- ์•„์ฃผ ์ข‹์•„, ๋‹ค๋ฅธ ๊ฑธ ํ•ด๋ด.
19:04
- I have to...
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- ๋‚ด๊ฐ€ ํ•ด์•ผ๊ฒ ์–ด...
19:09
- I liked that I liked I have, Then to the verb I have to
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- I like I like I have, ๊ทธ๋Ÿผ ๋™์‚ฌ I have to
19:14
It sort of brought it up.
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It ์ผ์ข…์˜ ๊ทธ๊ฒƒ์„ ๊ฐ€์ ธ์™”์–ด.
19:15
I'm sorry, not the verb but the particle.
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์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค. ๋™์‚ฌ๊ฐ€ ์•„๋‹ˆ๋ผ ์ž…์ž์ž…๋‹ˆ๋‹ค.
19:18
And you know, that is the sound that we actually probably should make a schwa.
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๊ทธ๋ฆฌ๊ณ  ์•„์‹œ๋‹ค์‹œํ”ผ, ๊ทธ๊ฒƒ์€ ์šฐ๋ฆฌ๊ฐ€ ์‹ค์ œ๋กœ ์Šˆ์™€๋ฅผ ๋งŒ๋“ค์–ด์•ผ ํ•˜๋Š” ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
19:23
I have to and if you had let it stay a schwa, I bet i
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๋‚˜๋Š” ๊ทธ๋ž˜์•ผ๋งŒ ํ•˜๊ณ  ๋งŒ์•ฝ ๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ์Šˆ์™€๋กœ ์œ ์ง€ํ–ˆ๋‹ค๋ฉด,
19:28
have to, I bet it would have stayed lower.
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๋‚˜๋Š” ๊ทธ๋ž˜์•ผ ํ•  ๊ฒƒ์ด๋ผ๊ณ  ์žฅ๋‹ดํ•ฉ๋‹ˆ๋‹ค.
19:30
I have to do that.
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๋‚˜๋Š” ๊ทธ๋ ‡๊ฒŒ ํ•ด์•ผ ํ•œ๋‹ค.
19:33
- I have to do that.
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- ๊ทธ๋ ‡๊ฒŒ ํ•ด์•ผ ํ•ด์š”.
19:34
- Right, it's a lot different than I have to.
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- ๋งž์•„์š”, ์ œ๊ฐ€ ํ•ด์•ผ ํ•˜๋Š” ๊ฒƒ๊ณผ๋Š” ๋งŽ์ด ๋‹ฌ๋ผ์š” .
19:37
I have to.
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๋‚˜๋Š”ํ•ด์•ผํ•œ๋‹ค.
19:38
- I have to.
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- ๊ทธ๋ž˜์•ผ ํ•ด์š”.
19:39
- I have to, right.
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- ํ•ด์•ผ์ฃ .
19:41
- I have to, yeah that's a big difference.
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- ๊ทธ๋ž˜์•ผ ํ•ด์š”, ๊ทธ๋ž˜ ๊ทธ๊ฒŒ ํฐ ์ฐจ์ด์—์š”.
19:44
- Big difference and when we were working with Karen, she
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- ํฐ ์ฐจ์ด๊ฐ€ ์žˆ๋Š”๋ฐ ์šฐ๋ฆฌ๊ฐ€ Karen๊ณผ ํ•จ๊ป˜ ์ž‘์—…ํ•  ๋•Œ ๊ทธ๋…€๋Š”
19:47
was doing the ah vowel in that.
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๊ฑฐ๊ธฐ์—์„œ ์•„ ๋ชจ์Œ์„ ํ•˜๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
19:50
Which is also has a bit of a higher feeling
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์ด๊ฒƒ์€ ๋˜ํ•œ ์•ฝ๊ฐ„ ๋” ๋†’์€ ๋Š๋‚Œ์„ ๊ฐ€์ง€๊ณ 
19:53
and when we drop that and we switch into schwa,
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์žˆ์œผ๋ฉฐ ์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ๋–จ์–ด๋œจ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๊ฐ€ schwa๋กœ ์ „ํ™˜ํ•  ๋•Œ
19:56
what was the word th-a, th-a-t.
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๋‹จ์–ด th-a, th-a-t๋Š” ๋ฌด์—‡์ž…๋‹ˆ๊นŒ?
19:58
- Th-a, th-a - Duh, duh, duh
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- Th-a, th-a - Duh, duh, duh
20:02
Another great tip for you to do as you practice is to speak your native language and then
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์—ฐ์Šตํ•  ๋•Œ ํ•  ์ˆ˜ ์žˆ๋Š” ๋˜ ๋‹ค๋ฅธ ์ข‹์€ ํŒ์€ ๋ชจ๊ตญ์–ด๋กœ ๋งํ•œ ๋‹ค์Œ
20:07
purposely try to speak American English with that placement.
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์ผ๋ถ€๋Ÿฌ ๊ทธ ์œ„์น˜์—์„œ ๋ฏธ๊ตญ์‹ ์˜์–ด๋กœ ๋งํ•˜๋ ค๊ณ  ์‹œ๋„ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค .
20:12
And then also try to speak it with an American placement.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๋ฏธ๊ตญ ๋ฐฐ์น˜๋กœ ๋Œ€ํ™”๋ฅผ ์‹œ๋„ํ•˜์‹ญ์‹œ์˜ค .
20:15
Try to really establish the difference in the feeling between those two placements.
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์ด ๋‘ ์œ„์น˜ ์‚ฌ์ด์˜ ๋Š๋‚Œ ์ฐจ์ด๋ฅผ ์‹ค์ œ๋กœ ํ™•์ธํ•˜๋„๋ก ๋…ธ๋ ฅํ•˜์‹ญ์‹œ์˜ค.
20:19
Hopefully, you get to the point where speaking American English with the placement of your
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์ž์‹ ์˜ ๋ชจ๊ตญ์–ด๋ฅผ ๋ฐฐ์น˜ํ•œ ์ƒํƒœ์—์„œ ๋ฏธ๊ตญ์‹ ์˜์–ด๋ฅผ ๋งํ•˜๋Š” ๊ฒƒ์ด
20:23
own native language starts to feel kind of strange and funny.
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๋‹ค์†Œ ์ด์ƒํ•˜๊ณ  ์žฌ๋ฏธ์žˆ๊ฒŒ ๋Š๊ปด์ง€๊ธฐ ์‹œ์ž‘ํ•˜๋Š” ์ง€์ ์— ๋„๋‹ฌํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
20:27
I love that switching, keep that up.
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๋‚˜๋Š” ๊ทธ ์ „ํ™˜์„ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค. ๊ณ„์†ํ•˜์‹ญ์‹œ์˜ค.
20:30
The more you do that, the more you're gonna solidify the difference.
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๊ทธ๋ ‡๊ฒŒ ํ•˜๋ฉด ํ• ์ˆ˜๋ก ๊ทธ ์ฐจ์ด๋ฅผ ๋”์šฑ ํ™•๊ณ ํžˆ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
20:33
And then actually a great other thing to bring in,
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๊ทธ๋ฆฌ๊ณ  ์‹ค์ œ๋กœ ๊ฐ€์ ธ์˜ฌ ๋˜ ๋‹ค๋ฅธ ์ข‹์€ ์ ์€
20:37
Is speak your native language and then bring in your English and try to do it in that
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๋ชจ๊ตญ์–ด๋กœ ๋งํ•œ ๋‹ค์Œ ์˜์–ด๋ฅผ ๊ฐ€์ ธ์™€
20:43
native language voice.
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๋ชจ๊ตญ์–ด ์Œ์„ฑ์œผ๋กœ ํ•˜๋ ค๊ณ  ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
20:44
And identify that as wrong and as unchanged.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์„ ์ž˜๋ชป๋œ ๊ฒƒ์œผ๋กœ, ๋ณ€๊ฒฝ๋˜์ง€ ์•Š์€ ๊ฒƒ์œผ๋กœ ์‹๋ณ„ํ•˜์‹ญ์‹œ์˜ค.
20:49
And then do your native language again and then try to do that total American voice.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๋ชจ๊ตญ์–ด๋ฅผ ๋‹ค์‹œ ํ•œ ๋‹ค์Œ ์™„์ „ํ•œ ๋ฏธ๊ตญ์‹ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์‹œ๋„ํ•˜์‹ญ์‹œ์˜ค.
20:54
I think that that would be a great way-- - Great.
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์ข‹์€ ๋ฐฉ๋ฒ•์ด ๋  ๊ฒƒ ๊ฐ™์•„์š”... - ์ข‹์•„์š”.
20:55
- For you to uncover and play.
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- ๋ฐœ๊ฒฌํ•˜๊ณ  ํ”Œ๋ ˆ์ดํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
20:57
- Okay.
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- ์ข‹์•„์š”.
20:58
- It's all about playing discovery.
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- ๋ฐœ๊ฒฌ ๋†€์ด์— ๊ด€ํ•œ ๋ชจ๋“  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋Œ€์‹ ํ•ด
21:00
I can't do it for you, but I can listen and give you feedback.
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๋“œ๋ฆด ์ˆ˜๋Š” ์—†์ง€๋งŒ ์˜๊ฒฌ์„ ๋“ฃ๊ณ  ํ”ผ๋“œ๋ฐฑ์„ ๋“œ๋ฆด ์ˆ˜๋Š” ์žˆ์Šต๋‹ˆ๋‹ค. ์ถ•์†Œ ์ž‘์—…์„ ์‹œ์ž‘ํ•˜๊ธฐ
21:04
One major tip I want you to know before you go start working on reductions is that simplification
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์ „์— ์•Œ๊ณ  ์‹ถ์€ ํ•œ ๊ฐ€์ง€ ์ฃผ์š” ํŒ์€ ๋‹จ์ˆœํ™”๊ฐ€
21:10
goes hand in hand with reductions.
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์ถ•์†Œ์™€ ํ•จ๊ป˜ ์ง„ํ–‰๋œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
21:12
So you're going to be simplifying your mouth movements as a part of reducing words, being
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๋”ฐ๋ผ์„œ ๋‹จ์–ด๋ฅผ ์ค„์ด๋Š” ๊ฒƒ์˜ ์ผํ™˜์œผ๋กœ ์ž… ์›€์ง์ž„์„ ๋‹จ์ˆœํ™”ํ•˜์—ฌ
21:18
able to say them more quickly.
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๋‹จ์–ด๋ฅผ ๋” ๋นจ๋ฆฌ ๋งํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
21:20
Here's that playlist on youtube of all of the videos that I have on reductions, words
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์—ฌ๊ธฐ YouTube์— ์žˆ๋Š” ์ถ•์†Œ์— ๊ด€ํ•œ ๋ชจ๋“  ๋™์˜์ƒ์˜ ์žฌ์ƒ ๋ชฉ๋ก์ž…๋‹ˆ๋‹ค.
21:25
that reduce, and if you do sign up for my academy, and you went ahead straight there
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์ถ•์†Œํ•˜๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. ์ œ ์•„์นด๋ฐ๋ฏธ์— ๋“ฑ๋ก ํ•˜๊ณ  ๋ฐ”๋กœ ๊ฐ€๋ฉด
21:29
it's the Stress three course.
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์ŠคํŠธ๋ ˆ์Šค 3 ์ฝ”์Šค์ž…๋‹ˆ๋‹ค.
21:31
Keep your learning going now with this video and I really appreciate you being here watching
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์ง€๊ธˆ ์ด ๋น„๋””์˜ค๋ฅผ ํ†ตํ•ด ํ•™์Šต์„ ๊ณ„์†ํ•˜์‹ญ์‹œ์˜ค. ์ด ๋น„๋””์˜ค๋ฅผ ์‹œ์ฒญํ•ด ์ฃผ์…”์„œ ์ •๋ง ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
21:36
this.
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.
21:37
I love teaching pronunciation and I learned so much from teaching my students.
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๋‚˜๋Š” ๋ฐœ์Œ์„ ๊ฐ€๋ฅด์น˜๋Š” ๊ฒƒ์„ ์ข‹์•„ํ•˜๊ณ  ํ•™์ƒ๋“ค์„ ๊ฐ€๋ฅด์น˜๋ฉด์„œ ๋งŽ์€ ๊ฒƒ์„ ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค. ๋‚ด๊ฐ€ ๊ทธ๋“ค์„ ๊ฐ€๋ฅด์น˜๊ณ  ๊ทธ๋“ค๋กœ๋ถ€ํ„ฐ ๋ฐฐ์šธ ์ˆ˜ ์žˆ๊ฒŒ ํ•ด์ฃผ๋Š”
21:42
So massive thank you to my students who are in my academy who sign up for my live classes
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๋‚ด ๋ผ์ด๋ธŒ ์ˆ˜์—…์— ๋“ฑ๋กํ•œ ๋‚ด ์•„์นด๋ฐ๋ฏธ ํ•™์ƒ๋“ค์—๊ฒŒ ์ •๋ง ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
21:47
who let me teach them and learn from them.
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.
21:51
That's it and thanks so much for using Rachel's English.
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์ด์ƒ์ž…๋‹ˆ๋‹ค. Rachel์˜ ์˜์–ด๋ฅผ ์‚ฌ์šฉํ•ด ์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค .
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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