Learn to write poetry: THE HAIKU

103,963 views ใƒป 2018-06-16

Learn English with Gill


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:01
"Furu ike ya kawazu tobikomu
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ใ€Œใตใ‚‹ใ„ใ‘ใ‚„ใ‹ใ‚ใš
00:09
mizu no oto."
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ใจใณใ“ใ‚€ใฟใšใฎใŠใจใ€‚ใ€
00:13
Okay, so don't adjust your set, this is an English lesson, but we're looking today at
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ใ•ใฆใ€ใ‚ใชใŸใฎใ‚ปใƒƒใƒˆใ‚’่ชฟๆ•ดใ—ใชใ„ใงใใ ใ•ใ„ใ€ใ“ใ‚Œใฏ ่‹ฑ่ชžใฎใƒฌใƒƒใ‚นใƒณใงใ™ใŒใ€ไปŠๆ—ฅ
00:23
haiku, which is a Japanese form of poetry, but lots of English poems have been written
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ใฏๆ—ฅๆœฌใฎ่ฉฉใฎๅฝขใงใ‚ใ‚‹ไฟณๅฅใ‚’่ฆ‹ใฆ ใ„ใพใ™ใŒใ€่‹ฑ่ชžใฎ่ฉฉใฎๅคšใใฏ
00:31
in the haiku form. So, first of all, I'd like to thank my students, Kuni and Negu, for their
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ไฟณๅฅใฎๅฝขใงๆ›ธใ‹ใ‚Œใฆใ„ใพใ™. ใพใšๆœ€ๅˆใซใ€ใ“ใฎไฟณๅฅใ‚’ๆ—ฅๆœฌ่ชžใงๆš—ๅ”ฑใงใใ‚‹ใ‚ˆใ†ใซ่จ“็ทด ใ—ใฆใใ‚ŒใŸ็”Ÿๅพ’ใฎใ‚ฏใƒ‹ใจใƒใ‚ฐใซๆ„Ÿ่ฌใ—ใŸใ„ใจๆ€ใ„
00:40
help in training me to recite this haiku in Japanese. I hope it was okay.
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ใพใ™ใ€‚ ๅคงไธˆๅคซใ ใฃใŸใจๆ€ใ„ใพใ™ใ€‚
00:50
So, this is a poem about a frog jumping into a pond and making a splash. So, it's a very
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ใจใ„ใ†ใ‚ใ‘ใงใ€ใ“ใ‚Œใฏใ‚ซใ‚จใƒซ ใŒๆฑ ใซ้ฃ›ใณ่พผใ‚“ใงๆฐดใ—ใถใใ‚’ไธŠใ’ใ‚‹่ฉฉใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใใ‚Œใฏ้žๅธธใซ
01:01
simple, straightforward scene, just a description of something in nature, and haiku is often
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ใ‚ทใƒณใƒ—ใƒซใง็Ž‡็›ดใชใ‚ทใƒผใƒณ ใงใ‚ใ‚Šใ€่‡ช็„ถ็•Œใฎไฝ•ใ‹ใ‚’ๆๅ†™ใ—ใฆใ„ใ‚‹ใ ใ‘ใงใ‚ใ‚Šใ€ไฟณๅฅใฏใ—ใฐใ—ใฐ
01:12
describing something in nature. And you might think: "Well, why...? How is haiku going to
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่‡ช็„ถ็•Œใฎไฝ•ใ‹ใ‚’ๆๅ†™ใ—ใฆใ„ใพใ™ใ€‚ ใใ—ใฆใ€ใ‚ใชใŸใฏใ“ใ†ๆ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ :ใ€Œใˆใฃใจใ€ใชใœ...? ไฟณๅฅใฏ
01:19
help me learn English?" Okay? So, the... It's a very, very short kind of poem. You can see
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็งใŒ่‹ฑ่ชžใ‚’ๅญฆใถใฎใซใฉใฎใ‚ˆใ†ใซๅฝน็ซ‹ใคใฎใงใ—ใ‚‡ใ†ใ‹?ใ€ ใ‚ใ‹ใฃใŸ๏ผŸ ใจใ„ใ†ใ‚ใ‘ใง โ€ฆ ใจใฆใ‚‚ใจใฆใ‚‚็Ÿญใ„่ฉฉใงใ™ใ€‚
01:30
it's three lines, not many words, so it's a manageable, short thing to read every now
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ใ“ใ‚Œใฏ 3 ่กŒใงๆ›ธใ‹ใ‚Œใฆใ„ใ‚‹ใ“ใจใŒใ‚ใ‹ใ‚Šใพใ™ใŒใ€ๅ˜่ชžๆ•ฐใฏๅคšใใ‚ใ‚Šใพใ›ใ‚“ใ€‚ใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใชใฉใง่ฆ‹ใคใ‘ใŸๅ ดๅˆใฏใ€ ๆ™‚ใ€…่ชญใ‚€ใจๆ‰ฑใ„ใ‚„ใ™ใ„็Ÿญใ„
01:39
and then, if you find some on the internet or whatever. And to find if there is a word
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ใ‚‚ใฎใงใ™ใ€‚ ใใ—ใฆใ€ใใ“ใซ็Ÿฅใ‚‰ใชใ„ๅ˜่ชžใŒใ‚ใ‚‹ใ‹ใฉใ†ใ‹ใ‚’่ชฟในใ‚‹ใŸใ‚ใซใ€ใใ‚Œใ‚’่ชฟในใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ใใ†ใ™ใ‚Œใฐ
01:46
in there that you don't know, you can look it up and then you've learnt a new word. And
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ใ€ๆ–ฐใ—ใ„ๅ˜่ชžใ‚’ๅญฆใ‚“ใ ใ“ใจใซใชใ‚Šใพใ™ใ€‚
01:52
also, with haiku there is often a philosophical aspect. It's a description of something in
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ใพใŸใ€ไฟณๅฅใซใฏใ—ใฐใ—ใฐๅ“ฒๅญฆ็š„ใช ๅด้ขใŒใ‚ใ‚Šใพใ™ใ€‚ ใใ‚Œใฏ่‡ช็„ถใฎไฝ•ใ‹ใฎ่ชฌๆ˜Žใงใ™
02:00
nature, but there's also something there for you to think about.
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ใŒใ€ ใใ“ใซใฏ่€ƒใˆใ•ใ›ใ‚‰ใ‚Œใ‚‹ใ‚‚ใฎใ‚‚ใ‚ใ‚Šใพใ™ใ€‚
02:05
So, okay, let me just summarize. So, the haiku comes from Japan originally. It started in
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ใงใฏใ€็ฐกๅ˜ใซ่ฆ็ด„ใ•ใ›ใฆใใ ใ•ใ„ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ไฟณๅฅ ใฏใ‚‚ใจใ‚‚ใจๆ—ฅๆœฌใ‹ใ‚‰ๆฅใฆใ„ใพใ™ใ€‚ ใใ‚Œ
02:16
the 9th century, so that's a long time ago. Basho, who wrote this poem, lived in the 17th
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ใฏ9ไธ–็ด€ใซๅง‹ใพใฃใŸใฎใงใ€ใใ‚Œใฏใšใฃใจๅ‰ใฎใ“ใจใงใ™. ใ“ใฎ่ฉฉใ‚’ๆ›ธใ„ใŸ่Šญ่•‰ใฏ 17
02:26
century, and he's very famous as a writer of haiku and as a poet generally. Okay. One
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ไธ–็ด€ใฎไบบใงใ€ไฟณไบบใจใ—ใฆใ€ใพใŸ่ฉฉไบบใจใ—ใฆใ‚‚้žๅธธใซๆœ‰ๅ ใงใ™ใ€‚ ใ‚ใ‹ใฃใŸใ€‚
02:37
of the things about haiku is it's always... It's usually in three lines, and the number
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ไฟณๅฅใฎ็‰นๅพดใฎ 1 ใคใฏใ€ใ„ใคใ‚‚ โ€ฆ ใ ใ„ใŸใ„ 3 ่กŒใงใ€้Ÿณ็ฏ€ใฎๆ•ฐ
02:44
of syllables is five, seven, five. Some poets, some haiku I've read in English don't always
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ใฏ 5ใ€7ใ€5 ใงใ™ใ€‚ ็งใŒ่‹ฑ่ชžใง่ชญใ‚“ใ ่ฉฉไบบใ‚„ไฟณๅฅใฎไธญใซใฏใ€ๅฟ…ใšใ—ใ‚‚
02:54
follow that number of syllables, but basically they're usually three lines, very short, so
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ใใฎๆ•ฐใฎ้Ÿณ็ฏ€ใซๅพ“ใฃใฆใ„ใ‚‹ใจใฏ้™ใ‚‰ใชใ„ใ‚‚ใฎใ‚‚ใ‚ใ‚Šใพใ™ใŒใ€ๅŸบๆœฌ็š„ใซ ใใ‚Œใ‚‰ใฏ้€šๅธธ 3 ่กŒใงใ‚ใ‚Šใ€้žๅธธใซ็Ÿญใ„ใŸใ‚
03:03
they're very quick and easy to read, and it doesn't take a lot of time to read a haiku
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ใ€้žๅธธใซใ™ใฐใ‚„ใ็ฐกๅ˜ใซ่ชญใ‚€ใ“ใจ ใŒใงใใ€ๆ™‚้–“ใ‚‚ใ‹ใ‹ใ‚Šใพใ›ใ‚“ใ€‚ ไฟณๅฅใ‚’่ชญใ‚“
03:10
and think about it a little bit, and maybe learn a new word or two.
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ใงๅฐ‘ใ—่€ƒใˆ ใŸใ‚Šใ€ๆ–ฐใ—ใ„ๅ˜่ชžใ‚’ 1 ใคใ‹ 2 ใค่ฆšใˆใŸใ‚Šใ™ใ‚‹ใฎใซๅคšใใฎๆ™‚้–“ใ‚’่ฒปใ‚„ใ—ใพใ—ใŸใ€‚
03:15
So, let's count the syllables, shall we? Just to be clear what syllables are. So: "Fu-ru
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ใงใฏใ€้Ÿณ็ฏ€ใ‚’ๆ•ฐใˆใพใ—ใ‚‡ใ†ใ€‚ ้Ÿณ็ฏ€ใŒไฝ•ใงใ‚ใ‚‹ใ‹ใ‚’ๆ˜Ž็ขบใซใ™ใ‚‹ใŸใ‚ใงใ™ใ€‚
03:23
i-ke ya"-that's five-"ka-wa-zu to-bi-ko-mu"-that's seven-"mi-zu no o-to", five. So that's the
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ใคใพใ‚Šใ€ใ€Œใƒ•ใƒซใ‚คใ‚ฑใƒคใ€-ใใ‚Œใฏ 5 ใงใ™-ใ€Œใ‹ใ‚ใšใจใณใ“ใ‚€ใ€-ใใ‚Œใฏ 7 ใงใ™-ใ€ŒใฟใšใฎใŠใจ ใ€ใ€5 ใงใ™ใ€‚ ่ฉฉใงใฏ
03:43
number of syllables, because rhythm is very important in poetry. Okay.
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ใƒชใ‚บใƒ ใŒ้žๅธธใซ้‡่ฆใชใฎใงใ€ใ“ใ‚ŒใŒ้Ÿณ็ฏ€ใฎๆ•ฐใงใ™ ใ€‚ ใ‚ใ‹ใฃใŸใ€‚
03:51
So, now we get on to an English version, and because of copyright rules and all that sort
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ใใ‚Œใงใ€ไปŠๅบฆใฏ่‹ฑ่ชž็‰ˆ ใซๅ–ใ‚ŠๆŽ›ใ‹ใ‚Šใพใ™ใ€‚่‘—ไฝœๆจฉใฎ่ฆๅ‰‡ใชใฉใ‹ใ‚‰ใ€ใ“ใฎใƒฌใƒƒใ‚นใƒณใงไฝฟ็”จใ™ใ‚‹
03:59
of thing, I decided I would write one of my own so that I can give myself permission to
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่จฑๅฏใ‚’่‡ชๅˆ†ใซไธŽใˆใ‚‹ใ“ใจใŒใงใใ‚‹ใ‚ˆใ†ใซใ€็‹ฌ่‡ชใฎใƒใƒผใ‚ธใƒงใƒณใ‚’ไฝœๆˆ
04:06
use it in this lesson. Okay, so here it is, and I've drawn a tree because that is relevant
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ใ™ใ‚‹ใ“ใจใซใ—ใพใ—ใŸใ€‚ ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใ“ใ‚Œใงใ™ใ€‚ ็งใฏ่ฉฉใซ้–ข้€ฃใ™ใ‚‹ๆœจใ‚’ๆใ„ใฆใ„ใพใ™
04:16
to the poem, so... And you might like to count the syllables just to check that I got it
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ใ€‚ใใ‚Œใง... ้Ÿณ็ฏ€ใ‚’ๆ•ฐใˆ ใฆใ€็งใŒๆญฃใ—ใ็†่งฃใ—ใฆใ„ใ‚‹ใ‹ใฉใ†ใ‹ใ‚’็ขบ่ชใ—ใŸใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
04:24
right. So:
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. ใ ใ‹ใ‚‰๏ผš
04:26
"What do I do now? I'm the last leaf on the tree
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ใ€Œ็งใฏไปŠไฝ•ใ‚’ใ—ใพใ™ใ‹๏ผŸ็งใฏใใ‚ˆ้ขจใซใชใณใ ๆœจใฎๆœ€ๅพŒใฎ่‘‰ใงใ™
04:37
Waving in the breeze."
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ใ€‚ใ€
04:39
Okay? So "waving" is this sort of thing, the breeze is the wind. The breeze... A breeze
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ใ‚ใ‹ใฃใŸ๏ผŸ ใ€Œๆ‰‹ใ‚’ๆŒฏใ‚‹ใ€ใจใฏใ“ใ†ใ„ใ†ใ“ใจใงใ€ ใใ‚ˆ้ขจใฏ้ขจใงใ™ใ€‚ ใใ‚ˆ้ขจ...ใใ‚ˆ้ขจ
04:48
is a very small wind; not a very strong wind, just a gentle, little wind. Okay. So, here's
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ใฏใจใฆใ‚‚ๅฐใ•ใช้ขจใงใ™ใ€‚ ใ•ใปใฉๅผทใ„้ขจใงใฏ ใชใใ€ใปใ‚“ใฎๅฐ‘ใ—ใฎ็ฉใ‚„ใ‹ใช้ขจใ€‚ ใ‚ใ‹ใฃใŸใ€‚ ใใ‚Œใงใ€ใ“ใ‚Œ
04:58
the tree with one leaf left on it. So, it's a scene from nature, if you've ever seen a
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ใŒไธ€ๆžšใฎ่‘‰ใ‚’ๆฎ‹ใ—ใŸๆœจใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€
05:07
tree with just one leaf left, and you're looking and thinking: "Is that going to be blown off
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่‘‰ใŒ 1 ๆžšใ—ใ‹ๆฎ‹ใฃใฆใ„ใชใ„ๆœจใ‚’่ฆ‹ใŸใ“ใจใŒ ใ‚ใ‚Šใ€ใ€Œใใ‚Œใฏใ™ใใซๅนใ้ฃ›ใฐใ•ใ‚Œใ‚‹ใฎ
05:14
soon or will it stay all winter?" But a part from being a scene from nature, you might
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ใงใ—ใ‚‡ใ†ใ‹ใ€ใใ‚Œใจใ‚‚ๅ†ฌใฎ้–“ใšใฃใจๆฎ‹ใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‹?ใ€ใจ่ฆ‹ใฆ่€ƒใˆใฆใ„ใ‚‹ใชใ‚‰ใ€ใใ‚Œใฏ่‡ช็„ถใฎใ‚ทใƒผใƒณใงใ™ใ€‚ ใ—ใ‹ใ— ใ€่‡ช็„ถใฎใ‚ทใƒผใƒณใงใ‚ใ‚‹ใจใ„ใ†ใ“ใจใฎไธ€้ƒจใจใ—ใฆ
05:22
think: "Well, that's quite philosophical as well", because if you relate it to a human
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ใ€ใ€Œใพใ‚ใ€ใใ‚Œใฏใ‹ใชใ‚Šๅ“ฒๅญฆ็š„ใง ใ‚‚ใ‚ใ‚‹ใ€ใจๆ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ใชใœใชใ‚‰ใ€ใใ‚Œใ‚’ๆœจ
05:32
person who is feeling alone like the last leaf on the tree... Maybe the last person
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ใฎๆœ€ๅพŒใฎ่‘‰ใฎใ‚ˆใ†ใซๅญค็‹ฌใ‚’ๆ„Ÿใ˜ใฆใ„ใ‚‹ไบบ้–“ใซ้–ข้€ฃไป˜ใ‘ใ‚‹ใจ .
05:39
in their family. "What do I do now? I'm the last leaf on the tree, waving in the breeze."
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ๅฝผใ‚‰ใฎๅฎถๆ—ใฎไบบใ€‚ ใ€Œ็งใฏไปŠไฝ•ใ‚’ใ—ใพใ™ใ‹? ็ง ใฏใใ‚ˆ้ขจใซใชใณใๆœจใฎๆœ€ๅพŒใฎ่‘‰ใงใ™ใ€‚ใ€
05:50
So it has a kind of philosophical element as well if you start thinking about the deeper
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ใงใ™ใ‹ใ‚‰ใ€ใ‚ˆใ‚Šๆทฑใ„ๆ„ๅ‘ณใ‚’่€ƒใˆๅง‹ใ‚ใ‚‹ใจใ€ไธ€็จฎใฎๅ“ฒๅญฆ็š„่ฆ็ด  ใ‚‚ๅซใพใ‚Œใพใ™
05:57
meaning of it. Okay.
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ใ€‚ ใ‚ใ‹ใฃใŸใ€‚
06:00
So, I'm not really a poet, so that just proves that you don't have to be a poet to write
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ใคใพใ‚Šใ€็งใฏ่ฉฉไบบใงใฏใชใ„ใฎใงใ€ไฟณๅฅ ใ‚’ๆ›ธใใฎใซ่ฉฉไบบใงใ‚ใ‚‹ๅฟ…่ฆใฏใชใ„ใจใ„ใ†ใ“ใจใงใ™
06:07
a haiku. So I'm going to encourage you to try to write one of your own and just follow
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ใ€‚ ใงใ™ใ‹ใ‚‰ ใ€ใ‚ใชใŸ่‡ช่บซ
06:16
the number of syllables, write one in English, and post it in the comments on the engVid
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ใฎ้Ÿณ็ฏ€ใฎ 1 ใคใ‚’ๆ›ธใใ€้Ÿณ็ฏ€ใฎๆ•ฐใซๅพ“ใฃใฆใ€่‹ฑ่ชžใง 1 ใคๆ›ธใ ใ€engVid Web ใ‚ตใ‚คใƒˆใฎใ‚ณใƒกใƒณใƒˆใซๆŠ•็จฟใ™ใ‚‹ใ“ใจใ‚’ใŠๅ‹งใ‚ใ—
06:23
website. But before we finish this lesson, I just have one more haiku to show you written
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ใพใ™ใ€‚ ใ—ใ‹ใ—ใ€ใ“ใฎใƒฌใƒƒใ‚นใƒณใ‚’็ต‚ใˆใ‚‹ๅ‰ใซใ€ใ‚‚ใ† 1 ใคใŠ่ฆ‹ใ›ใ—ใŸใ„ไฟณๅฅใŒใ‚ใ‚Šใพใ™ใ€‚
06:31
by a friend of mine who has given her permission for us to use her poem, and it's actually
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็งใฎๅ‹ไบบใŒๆ›ธใ„ ใŸ่ฉฉใฎไฝฟ็”จใ‚’่จฑๅฏใ—ใฆใใ‚Œใพใ—ใŸใ€‚ใใ‚ŒใฏๅฎŸ้š›ใซใฏ
06:37
quite a funny one, so you can have humour in haiku as well, so let's have a look at
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้žๅธธใซ้ข็™ฝใ„ใ‚‚ใฎใงใ™ใ€‚ ใงใฏใ€ใใ‚Œใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†
06:44
that.
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ใ€‚
06:45
Okay, so here is an example of a modern haiku written by my friend Sarah Lawson who has
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ใ•ใฆใ€ใ“ใ‚Œใฏ ็งใฎๅ‹ไบบใงใ‚ใ‚‹ใ‚ตใƒฉใƒปใƒญใƒผใ‚ฝใƒณใŒๆ›ธใ„ใŸ็พไปฃไฟณๅฅใฎไพ‹ใงใ€
06:54
given us her permission to use her poem. That's the copyright symbol there to show that it's
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ๅฝผๅฅณใฎ่ฉฉใ‚’ไฝฟ็”จใ™ใ‚‹่จฑๅฏใ‚’็งใŸใกใซไธŽใˆใฆใใ‚Œใพใ—ใŸใ€‚ ใใ‚ŒใŒ
07:00
her copyright, her property. And it's quite a humorous poem, it's quite funny, but I probably
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ๅฝผๅฅณใฎ่‘—ไฝœๆจฉใ€ๅฝผๅฅณใฎๆ‰€ๆœ‰็‰ฉใงใ‚ใ‚‹ใ“ใจใ‚’็คบใ™ใŸใ‚ใฎ่‘—ไฝœๆจฉ่จ˜ๅทใงใ™ใ€‚ ใจใฆใ‚‚ ใƒฆใƒผใƒขใƒฉใ‚นใช่ฉฉใงใ€ใจใฆใ‚‚้ข็™ฝใ„ใฎใงใ™ใŒใ€
07:08
need to explain a little bit to explain why it's funny. So, anyway, we're in London here
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ใชใœ้ข็™ฝใ„ใฎใ‹ใ‚’่ชฌๆ˜Žใ™ใ‚‹ใŸใ‚ใซๅฐ‘ใ—่ชฌๆ˜Žใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ ใ€‚ ใจใซใ‹ใใ€็งใŸใกใฏใ“ใ“ใƒญใƒณใƒ‰ใƒณใงๆ’ฎๅฝฑใ—ใฆใ„ใพใ™ใŒใ€
07:17
filming and London is a big city with a lot of traffic, and there are often traffic jams,
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ใƒญใƒณใƒ‰ใƒณใฏไบค้€š้‡ใฎๅคšใ„ๅคง้ƒฝๅธ‚ใงใ‚ใ‚Šใ€ ไบค้€šๆธ‹ๆปžใŒ้žๅธธใซ้…ใใชใ‚‹ใ“ใจใŒใ‚ˆใใ‚ใ‚Šใพใ™
07:25
very slow. The cars can't move very quickly, they get stuck. So, the first line: "A London
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. ่ปŠใฏใ‚ใพใ‚Š้€Ÿใๅ‹•ใใ“ใจใŒใงใใšใ€ ็ซ‹ใกๅพ€็”Ÿใ—ใพใ™ใ€‚ ใคใพใ‚Šใ€ๆœ€ๅˆใฎ่กŒใฏใ€ŒA London
07:35
gridlock", and a gridlock is when the traffic just gets so stuck it can't move. If you have
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gridlockใ€ใงใ™ใ€‚ไบค้€šๆธ‹ๆปžใจใฏใ€ไบค้€šใŒๆธ‹ๆปžใ— ใฆๅ‹•ใ‘ใชใ„็Šถๆ…‹ใ‚’ๆŒ‡ใ—ใพใ™ใ€‚
07:43
a crossroads or something and the traffic, they're trying to get through the traffic
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ไบคๅทฎ็‚นใ‹ไฝ•ใ‹ใงไบค้€š้‡ใŒๅคšใ„ๅ ดๅˆใ€ ๅฝผใ‚‰ใฏไธกๆ–นใฎๆ–นๅ‘ใฎไฟกๅทๆฉŸใ‚’้€š้Žใ—ใ‚ˆใ†ใจใ—ใฆใ„ใฆใ€
07:48
lights in both directions, and they're just stuck there, waiting and waiting for ages.
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ใใ“ใง็ซ‹ใกๅพ€็”Ÿใ—ใ€ไฝ•ๅนดใ‚‚ๅพ…ใฃใฆใ„ใพใ™ใ€‚
07:55
So, that's a gridlock.
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ใ ใ‹ใ‚‰ใ€ใใ‚Œใฏ่กŒใ่ฉฐใพใ‚Šใงใ™ใ€‚
07:57
"A London gridlock - But still the drivers went from
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ใ€Œใƒญใƒณใƒ‰ใƒณใฎๆธ‹ๆปž - ใใ‚Œใงใ‚‚ใ€ใƒ‰ใƒฉใ‚คใƒใƒผใฏ
08:07
Tooting to Barking."
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ใƒˆใ‚ฅใƒผใƒ†ใ‚ฃใƒณใ‚ฐใ‹ใ‚‰ใƒใƒผใ‚ญใƒณใ‚ฐใซๅค‰ใ‚ใฃใŸ.ใ€
08:10
Okay. Now, if you don't know London, you may not be familiar with these two place names:
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ใ‚ใ‹ใฃใŸใ€‚ ใ•ใฆใ€ใƒญใƒณใƒ‰ใƒณใ‚’็Ÿฅใ‚‰ ใชใ„ไบบใฏใ€ใƒญใƒณใƒ‰ใƒณใฎๅ—่ฅฟใซใ‚ใ‚‹ใ€ŒTootingใ€ใจใ„ใ† 2 ใคใฎๅœฐๅใซใชใ˜ใฟใŒใชใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
08:19
"Tooting", which is in the southwest of London; and "Barking", which is northeast. Okay, so
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ใ€‚ ๅŒ—ๆฑใซใ‚ใ‚‹ใ€Œๅ ใˆใ‚‹ใ€ใ€‚ ใ‚ใ‹ใ‚Šใพใ—ใŸใ€
08:33
if you're literally going from Tooting to Barking, you're going from there to there,
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ๆ–‡ๅญ—้€šใ‚ŠTootingใ‹ใ‚‰ Barkingใซ่กŒใๅ ดๅˆใฏใ€ใใ“ใ‹ใ‚‰
08:41
right across London, through the middle and out the other side. So it's a long, long way.
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ใƒญใƒณใƒ‰ใƒณใ‚’ๆจชๅˆ‡ใ‚Šใ€็œŸใ‚“ไธญใ‚’้€šใฃ ใฆๅๅฏพๅดใซๅ‡บใพใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใใ‚Œใฏ้•ทใ„้•ทใ„้“ใฎใ‚Šใงใ™ใ€‚
08:48
So that's the literal meaning. Tooting is a place, Barking is a place. But in addition
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ใใ‚ŒใŒๆ–‡ๅญ—้€šใ‚Šใฎๆ„ๅ‘ณใงใ™ใ€‚ ใƒˆใ‚ฅใƒผใƒ†ใ‚ฃใƒณใ‚ฐใฏ ๅ ดๆ‰€ใงใ‚ใ‚Šใ€ๅ ใˆใ‚‹ใ“ใจใฏๅ ดๆ‰€ใงใ™ใ€‚ ใ—ใ‹ใ—ใ€ใใ‚Œใซ
08:56
to that, there's a double meaning here. "Tooting", there is a verb "to toot", "toot", and it's
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ๅŠ ใˆใฆใ€ใ“ใ“ใซใฏไบŒ้‡ใฎๆ„ๅ‘ณใŒใ‚ใ‚Šใพใ™ใ€‚ ใ€Œ tootingใ€ใซใฏใ€ๅ‹•่ฉžใ€Œto tootใ€ใ€Œtootใ€ใŒใ‚ใ‚Š
09:11
the kind of word that imitates the sound. So when you're in a car and you sound the
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ใ€้Ÿณใ‚’็œŸไผผใ™ใ‚‹ใ‚ˆใ†ใช่จ€่‘‰ใงใ™ใ€‚ ่ปŠใซไน—ใฃใฆ
09:17
horn, usually press the middle of the steering wheel or something and go: "Bur, bur, bur,
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ใ‚ฏใƒฉใ‚ฏใ‚ทใƒงใƒณใ‚’้ณดใ‚‰ใ™ใจใใฏใ€้€šๅธธใ€ใƒใƒณใƒ‰ใƒซใฎ็œŸใ‚“ไธญ ใ‹ไฝ•ใ‹ใ‚’ๆŠผใ—ใฆใ€ใ€Œใƒใƒผใ€ใƒใƒผใ€ใƒใƒผใ€
09:26
bur", that's tooting. So, the double meaning is there's a place called Tooting, but there's
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ใƒใƒผใ€ใจ่จ€ใ„ใพใ™ใ€‚ ใคใพใ‚Šใ€ Tooting ใจๅ‘ผใฐใ‚Œใ‚‹ๅ ดๆ‰€ใŒใ‚ใ‚‹ใจใ„ใ† 2 ใคใฎๆ„ๅ‘ณใŒใ‚ใ‚Šใพใ™ใŒ
09:34
also the sound and the action, the verb: "tooting", the drivers are tooting. Okay. Making a lot
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ใ€้Ÿณใจๅ‹•ไฝœใ€ๅ‹•่ฉžใ€Œtootingใ€ ใ€ใƒ‰ใƒฉใ‚คใƒใƒผใŒ tooting ใ‚’ใ—ใฆใ„ใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใ‚‚ใ‚ใ‚Šใพใ™ใ€‚ ใ‚ใ‹ใฃใŸใ€‚
09:43
of noise, trying to get through. And also Barking is the place, but "barking" is also...
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้€šใ‚ŠๆŠœใ‘ใ‚ˆใ†ใจใ—ใฆใ€ใŸใใ•ใ‚“ใฎ้จ’้Ÿณใ‚’็ซ‹ใฆใพใ™ใ€‚ ใพใŸใ€ Barking ใ‚‚ๅ ดๆ‰€ใงใ™ใŒใ€"barking" ใ‚‚
09:55
It's an idiom for somebody who is going a bit crazy, because the full term is "barking
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... ๅฎŒๅ…จใช็”จ่ชžใฏ "barking mad" ใงใ‚ใ‚‹ใŸใ‚ใ€ๅฐ‘ใ—้ ญใŒใŠใ‹ใ—ใใชใฃใฆใ„ใ‚‹ไบบใฎใ‚คใƒ‡ใ‚ฃใ‚ชใƒ ใงใ™
10:09
mad". Okay. So, if somebody is barking mad, you imagine them barking like a dog. Maybe
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ใ€‚ ใ‚ใ‹ใฃใŸใ€‚ ใ ใ‹ใ‚‰ใ€่ชฐใ‹ใŒๆ€’ใฃใฆๅ ใˆใฆใ„ใ‚‹ใชใ‚‰ใ€ ใ‚ใชใŸใฏใใฎไบบใŒ็Šฌใฎใ‚ˆใ†ใซๅ ใˆใฆใ„ใ‚‹ใจๆƒณๅƒใ—ใพใ™ใ€‚
10:23
not literally, but they just say strange things and they do strange things. So, people just
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ๆ–‡ๅญ—้€šใ‚Šใงใฏใชใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€ๅฝผใ‚‰ใฏใŸใ ๅฅ‡ๅฆ™ใชใ“ใจใ‚’่จ€ใ„ใ€ๅฅ‡ๅฆ™ใชใ“ใจ ใ‚’ใ—ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ไบบใ€…ใฏใŸใ 
10:31
use the word "barking": "He's barking. That man is barking", and it means barking mad,
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ใ€Œๅ ใˆใ‚‹ใ€ใจใ„ใ†่จ€่‘‰ใ‚’ไฝฟใ†ใ ใ‘ใงใ™๏ผšใ€Œๅฝผใฏๅ ใˆใฆใ„ใพใ™ใ€‚ใ‚ใฎ ็”ทใฏๅ ใˆใฆใ„ใพใ™ใ€ใใ—ใฆใใ‚Œใฏ็‹‚ใฃใฆๅ ใˆใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—
10:37
you know, very strange person. So, that's the double meaning of this line. The place,
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ใพใ™ใ€ใ‚ใชใŸใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€้žๅธธใซๅฅ‡ๅฆ™ใชไบบใงใ™ใ€‚ ใคใพใ‚Šใ€ใใ‚Œ ใŒใ“ใฎ่กŒใฎไบŒ้‡ใฎๆ„ๅ‘ณใงใ™ใ€‚ ๅ ดๆ‰€ใฏใ€
10:48
places on either side of London, but also they're tooting their horns; and the traffic
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ใƒญใƒณใƒ‰ใƒณใฎไธกๅดใซใ‚ใ‚‹ใ ใ‘ใงใชใใ€ ๅฝผใ‚‰ใฏใƒ›ใƒผใƒณใ‚’้ณดใ‚‰ใ—ใฆใ„ใพใ™ใ€‚ ใใ—ใฆไบค้€š
10:54
itself, because they can't get where they want to be very quickly, it is driving them
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่‡ชไฝ“ใฏใ€ๅฝผใ‚‰ใŒ่กŒใใŸใ„ๅ ดๆ‰€ใซใ™ใใซ่กŒใใ“ใจใŒใงใใชใ„ใฎใงใ€ๅฝผใ‚‰ใ‚’
11:02
mad. They're going mad because they can't get through to their destination. So that's
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ๆ€’ใ‚‰ใ›ใฆใ„ใพใ™. ๅฝผใ‚‰ใฏ็›ฎ็š„ๅœฐใซใŸใฉใ‚Š็€ใ‘ใชใ„ใฎใงๆฐ—ใŒ็‹‚ใฃใฆใ„ใ‚‹ . ใใ‚Œ
11:08
the humour. And people say when you explain a joke it's not funny anymore, but I hope...
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ใŒใƒฆใƒผใƒขใ‚ขใงใ™ใ€‚ ใใ—ใฆใ€ใ‚ธใƒงใƒผใ‚ฏใ‚’่ชฌๆ˜Žใ™ใ‚‹ใจใ ใ€ใใ‚Œใฏใ‚‚ใฏใ‚„้ข็™ฝใใชใ„ใจไบบใ€…ใฏ่จ€ใ„ใพใ™ใŒใ€็งใฏ้ก˜ใฃใฆใ„ใพใ™...
11:15
I hope you can see the humour in that. So, that's just to show how a haiku can be funny,
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ใใฎไธญใซใƒฆใƒผใƒขใ‚ขใŒ่ฆ‹ใ‚‰ใ‚Œใ‚‹ใ“ใจใ‚’้ก˜ใฃใฆใ„ใพใ™. ใงใ™ใ‹ใ‚‰ใ€ใ“ใ‚Œ ใฏไฟณๅฅใŒใฉใฎใ‚ˆใ†ใซ้ข็™ฝใใ€ๅ†—่ซ‡ใซใชใ‚Šๅพ—ใ‚‹ใ‹ใ‚’็คบใ™ใŸใ‚ใฎใ‚‚ใฎ
11:23
can be a joke.
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ใงใ™ใ€‚
11:25
So, again, I'd like to suggest that you give it a try and see if you can write a haiku,
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ใ‚‚ใ†ไธ€ๅบฆ่จ€ใ„ใพใ™ใŒใ€ใœใฒ ่ฉฆใ—ใฆใฟใฆใ€ไฟณๅฅใŒๆ›ธใ‘ใ‚‹ใ‹ใฉใ†ใ‹่ฉฆใ—ใฆใฟใฆใใ ใ•ใ„
11:34
either... Well, in your own native language, but also definitely in English. Try to write
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ใ€‚ๆฏๅ›ฝ่ชžใงใ€ ใ‚‚ใกใ‚ใ‚“่‹ฑ่ชžใงใ‚‚ใ€‚
11:41
one in English and post it on the engVid website in the comments section, and that would be
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่‹ฑ่ชžใง engVid ใฎใ‚ฆใ‚งใƒ– ใ‚ตใ‚คใƒˆใฎใ‚ณใƒกใƒณใƒˆ ใ‚ปใ‚ฏใ‚ทใƒงใƒณใซๆŠ•็จฟ
11:49
a lot of fun to see what you've all written and for you to all see each other's haikus.
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ใ—ใฆใฟใฆใใ ใ•ใ„ใ€‚็š†ใ•ใ‚“ใŒๆ›ธใ„ใŸใ‚‚ใฎใ‚’่ฆ‹ใฆใ€ใŠไบ’ใ„ใฎไฟณๅฅใ‚’่ฆ‹ใ‚‰ใ‚Œใ‚‹ใฎใฏใจใฆใ‚‚ๆฅฝใ—ใ„ใ“ใจใงใ™ ใ€‚
11:56
So... Okay, so I hope that's been interesting. And there's a quiz, I'm sure there's going
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ใใ‚Œใง... ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใใ‚Œใง้ข็™ฝใ‹ใฃใŸใจใ„ใ„ใฎใงใ™ใŒใ€‚ ใใ—ใฆใ‚ฏใ‚คใ‚บใŒใ‚ใ‚Šใพใ™ใ€ใใฃใจใ“ใ‚Œใซใคใ„ใฆใฎใ‚ฏใ‚คใ‚บใŒใ‚ใ‚‹ใจๆ€ใ„
12:07
to be a quiz on this, so please look for the quiz. And there may be a resource sheet about
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ใพใ™ใฎใงใ€ใ‚ฏใ‚คใ‚บใ‚’ๆŽขใ—ใฆใใ ใ•ใ„ ใ€‚ ใใ—ใฆใ€ใ‚ˆใ‚Šไธ€่ˆฌ็š„ใช่ฉฉใซ้–ขใ™ใ‚‹ใƒชใ‚ฝใƒผใ‚น ใ‚ทใƒผใƒˆใŒใ‚ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
12:14
poetry more generally. So that's all for now, so see you again soon.
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ใ€‚ ใงใฏ ใ€ใ“ใ“ใพใงใงใ™ใฎใงใ€ใพใŸใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚

Original video on YouTube.com
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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