Rising Intonation - English Pronunciation with JenniferESL

158,724 views ・ 2017-01-13

English with Jennifer


μ•„λž˜ μ˜λ¬Έμžλ§‰μ„ λ”λΈ”ν΄λ¦­ν•˜μ‹œλ©΄ μ˜μƒμ΄ μž¬μƒλ©λ‹ˆλ‹€. λ²ˆμ—­λœ μžλ§‰μ€ 기계 λ²ˆμ—­λ©λ‹ˆλ‹€.

00:01
We have a basket of small musical instruments,
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μš°λ¦¬λŠ” μž‘μ€ μ•…κΈ° λ°”κ΅¬λ‹ˆλ₯Ό 가지고
00:04
and I almost forgot that we have this.
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μžˆλŠ”λ° 이것이 μš°λ¦¬μ—κ²Œ μžˆλ‹€λŠ” 것을 거의 μžŠμ—ˆμŠ΅λ‹ˆλ‹€.
00:08
A slide whistle. Listen.
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μŠ¬λΌμ΄λ“œ 호루라기. λ“£λ‹€.
00:11
[plays]
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[μ—°μ£Ό]
00:16
Do you hear how smoothly the sound changes?
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μ†Œλ¦¬κ°€ μ–Όλ§ˆλ‚˜ λΆ€λ“œλŸ½κ²Œ λ³€ν•˜λŠ”μ§€ λ“€λ¦¬μ‹œλ‚˜μš”?
00:18
From a high pitch to a low pitch.
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κ³ μŒμ—μ„œ μ €μŒμœΌλ‘œ.
00:21
A low pitch to a high pitch?
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μ €μŒμ—μ„œ 고음으둜?
00:23
It's very different from the sounds we get from a keyboard.
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μš°λ¦¬κ°€ ν‚€λ³΄λ“œμ—μ„œ μ–»λŠ” μ†Œλ¦¬μ™€λŠ” 맀우 λ‹€λ¦…λ‹ˆλ‹€.
00:27
Listen and compare.
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λ“£κ³  λΉ„κ΅ν•˜μ‹­μ‹œμ˜€.
00:31
[plays scale]
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[μŒκ³„ μ—°μ£Ό]
00:38
On a keyboard it's more like stepping with our fingers, right?
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ν‚€λ³΄λ“œμ—μ„œλŠ” μ†κ°€λ½μœΌλ‘œ λ°ŸλŠ” 것과 λΉ„μŠ·ν•˜μ£ ?
00:42
But with a slide whistle, the changes in pitch
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κ·ΈλŸ¬λ‚˜ μŠ¬λΌμ΄λ“œ 호루라기의 경우 ν”ΌμΉ˜μ˜ λ³€ν™”κ°€
00:45
are more similar to gliding because it's very smooth.
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맀우 λΆ€λ“œλŸ½κΈ° λ•Œλ¬Έμ— 글라이딩에 더 κ°€κΉμŠ΅λ‹ˆλ‹€.
00:52
In our first lesson, we talked about stepping and gliding.
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첫 μˆ˜μ—…μ—μ„œ μš°λ¦¬λŠ” μŠ€ν…Œν•‘κ³Ό 글라이딩에 λŒ€ν•΄ μ΄μ•ΌκΈ°ν–ˆμŠ΅λ‹ˆλ‹€.
00:57
We focused on falling intonation.
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λ–¨μ–΄μ§€λŠ” μΈν† λ„€μ΄μ…˜μ— 쀑점을 λ‘μ—ˆμŠ΅λ‹ˆλ‹€.
00:59
And that's an important intonation pattern to learn
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그리고 그것은 λ°°μ›Œμ•Ό ν•  μ€‘μš”ν•œ μ–΅μ–‘ νŒ¨ν„΄μž…λ‹ˆλ‹€.
01:03
because without it you won't sound certain...
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μ™œλƒν•˜λ©΄ 그것 μ—†μ΄λŠ” 당신이 ν™•μ‹€ν•˜κ²Œ 듀리지 μ•Šμ„ 것이기 λ•Œλ¬Έμž…λ‹ˆλ‹€...
01:06
you may not sound confident..
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당신은 μžμ‹ κ° 있게 듀리지 μ•Šμ„ 수 μžˆμŠ΅λ‹ˆλ‹€.
01:08
and people won't know when you're finished speaking...
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그리고 μ‚¬λžŒλ“€μ€ 당신이 말을 λλƒˆμ„ λ•Œλ₯Ό μ•Œμ§€ λͺ»ν•  κ²ƒμž…λ‹ˆλ‹€...
01:12
So it's worth learning.
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κ·Έλž˜μ„œ 그것은 배울 κ°€μΉ˜κ°€ μžˆμŠ΅λ‹ˆλ‹€.
01:14
However, there are times when we need to make our voice rise in pitch.
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ν•˜μ§€λ§Œ λͺ©μ†Œλ¦¬λ₯Ό λ†’μ—¬μ•Ό ν•  λ•Œκ°€ μžˆμŠ΅λ‹ˆλ‹€.
01:19
And that's what we're going to focus on now.
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그리고 그것이 μš°λ¦¬κ°€ μ§€κΈˆ 집쀑할 κ²ƒμž…λ‹ˆλ‹€.
01:21
Rising intonation.
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μƒμŠΉ μ–΅μ–‘.
01:27
[title]
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[제λͺ©]
01:36
Rising intonation is used with many questions, especially yes-no questions.
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μƒμŠΉ 얡양은 λ§Žμ€ 질문, 특히 예-μ•„λ‹ˆμ˜€ μ§ˆλ¬Έμ— μ‚¬μš©λ©λ‹ˆλ‹€.
01:42
Those are questions that can be answered with a simple yes or no.
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예 λ˜λŠ” μ•„λ‹ˆμ˜€λ‘œ κ°„λ‹¨νžˆ λŒ€λ‹΅ν•  수 μžˆλŠ” μ§ˆλ¬Έμž…λ‹ˆλ‹€.
01:48
Are you coming?
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λ‹Ήμ‹ μ€μ˜€κ³  μžˆμŠ΅λ‹ˆκΉŒ?
01:51
Can you help?
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λ„μšΈ 수 μžˆλ‹ˆ?
01:53
As with falling intonation, rising intonation makes use of stepping and gliding.
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ν•˜κ°• μΈν† λ„€μ΄μ…˜κ³Ό λ§ˆμ°¬κ°€μ§€λ‘œ μƒμŠΉ μΈν† λ„€μ΄μ…˜μ€ μŠ€ν…Œν•‘κ³Ό 글라이딩을 μ‚¬μš©ν•©λ‹ˆλ‹€.
02:03
Step up when you have more than one syllable to work with.
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μž‘μ—…ν•  음절이 두 개 이상인 경우 단계λ₯Ό μ˜¬λ¦½λ‹ˆλ‹€.
02:07
COMing? Are you COMing?
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μ˜€λŠ”? λ‹Ήμ‹ μ€μ˜€κ³  μžˆμŠ΅λ‹ˆκΉŒ?
02:10
Each unstressed syllable after a stressed one
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κ°•μ„Έκ°€ μžˆλŠ” 음절 λ‹€μŒμ— κ°•μ„Έλ₯Ό 받지 μ•ŠλŠ” 각 μŒμ ˆμ€
02:14
is a chance to step up even higher in pitch.
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음쑰λ₯Ό 더 높일 수 μžˆλŠ” κΈ°νšŒμž…λ‹ˆλ‹€.
02:18
Are you coming?
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λ‹Ήμ‹ μ€μ˜€κ³  μžˆμŠ΅λ‹ˆκΉŒ?
02:22
Are you coming now?
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μ§€κΈˆ μ˜€μ‹œλ‚˜μš”?
02:27
Are you coming anytime soon?
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μ•„λ¬΄λ•Œλ‚˜ μ˜€λ‚˜μš”?
02:33
Notice how those adverbs of time are not stressed.
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μ‹œκ°„μ„ λ‚˜νƒ€λ‚΄λŠ” 뢀사듀이 μ–΄λ–»κ²Œ κ°•μ‘°λ˜μ§€ μ•ŠλŠ”μ§€ μ£Όλͺ©ν•˜μ„Έμš”.
02:37
They're content words, but the verb is the more important word.
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그것듀은 만쑱슀러운 λ‹¨μ–΄μ΄μ§€λ§Œ 동사가 더 μ€‘μš”ν•œ λ‹¨μ–΄μž…λ‹ˆλ‹€.
02:41
So I place emphasis on "coming."
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κ·Έλž˜μ„œ μ €λŠ” 'μ˜€λŠ” 것'을 κ°•μ‘°ν•©λ‹ˆλ‹€.
02:44
Are you COMing now?
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μ§€κΈˆ μ˜€μ‹œλ‚˜μš”?
02:46
Are you COMing anytime soon?
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당신은 곧였고 μžˆμŠ΅λ‹ˆκΉŒ?
02:50
We glide up when we have only one syllable to work with.
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μž‘μ—…ν•  음절이 ν•˜λ‚˜λΏμΌ λ•Œ μœ„λ‘œ λ―Έλ„λŸ¬μ§‘λ‹ˆλ‹€.
02:55
That's one stressed syllable and no following unstressed syllables.
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이것은 κ°•μ„Έκ°€ μžˆλŠ” 음절 ν•˜λ‚˜μ΄κ³  κ°•μ„Έκ°€ μ—†λŠ” 음절이 λ’€λ”°λ₯΄μ§€ μ•ŠμŠ΅λ‹ˆλ‹€.
03:00
Can you help?
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λ„μšΈ 수 μžˆλ‹ˆ?
03:03
Both with stepping and gliding there's a bit of a drop before we rise.
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μŠ€ν…Œν•‘κ³Ό 글라이딩 λͺ¨λ‘ μš°λ¦¬κ°€ μƒμŠΉν•˜κΈ° 전에 μ•½κ°„μ˜ λ‚™ν•˜κ°€ μžˆμŠ΅λ‹ˆλ‹€.
03:10
Listen again.
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λ‹€μ‹œ λ“€μ–΄λ³΄μ„Έμš”.
03:26
Rising intonation can express doubt, uncertainty, and incompletion.
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μƒμŠΉ 얡양은 μ˜μ‹¬, λΆˆν™•μ‹€μ„±, λΆˆμ™„μ „ν•¨μ„ ν‘œν˜„ν•  수 μžˆμŠ΅λ‹ˆλ‹€.
03:32
It's not a bad thing necessarily.
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λ°˜λ“œμ‹œ λ‚˜μœ 것은 μ•„λ‹™λ‹ˆλ‹€.
03:34
In fact, rising intonation can be a helpful signal that we need an answer.
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사싀 얡양이 λ†’μ•„μ§€λŠ” 것은 닡이 ν•„μš”ν•˜λ‹€λŠ” μœ μš©ν•œ μ‹ ν˜Έκ°€ 될 수 μžˆμŠ΅λ‹ˆλ‹€.
03:40
Are you coming?
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λ‹Ήμ‹ μ€μ˜€κ³  μžˆμŠ΅λ‹ˆκΉŒ?
03:42
I need confirmation. Yes or no?
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확인이 ν•„μš”ν•©λ‹ˆλ‹€. 예 ν˜Ήμ€ μ•„λ‹ˆμ˜€?
03:47
Sometimes we use rising intonation to turn a basic statement into a question
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λ•Œλ•Œλ‘œ μš°λ¦¬λŠ” 확인이 ν•„μš”ν•˜κΈ° λ•Œλ¬Έμ— κΈ°λ³Έ λ¬Έμž₯을 질문으둜 λ°”κΎΈκΈ° μœ„ν•΄ μƒμŠΉ 얡양을 μ‚¬μš©ν•©λ‹ˆλ‹€
03:53
because we need confirmation.
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.
03:55
So grammatically the sentence looks like a statement.
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λ”°λΌμ„œ λ¬Έλ²•μ μœΌλ‘œ λ¬Έμž₯은 μ§„μˆ μ²˜λŸΌ λ³΄μž…λ‹ˆλ‹€.
03:59
But our voice signals our listener that we're asking a question.
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κ·ΈλŸ¬λ‚˜ 우리의 λͺ©μ†Œλ¦¬λŠ” λ“£λŠ” μ‚¬λžŒμ—κ²Œ μš°λ¦¬κ°€ μ§ˆλ¬Έν•˜κ³  μžˆλ‹€λŠ” μ‹ ν˜Έλ₯Ό λ³΄λƒ…λ‹ˆλ‹€.
04:06
You said he's coming?
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κ·Έκ°€ μ˜¨λ‹€κ³  ν–ˆμ§€?
04:10
He really did that?
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κ·Έκ°€ 정말 κ·Έλž¬μ–΄?
04:14
She came?
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κ·Έλ…€κ°€ μ™”μ–΄? 더
04:17
A stronger rise can express more doubt or more uncertainty.
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κ°•ν•œ μƒμŠΉμ€ 더 λ§Žμ€ μ˜μ‹¬μ΄λ‚˜ 더 λ§Žμ€ λΆˆν™•μ‹€μ„±μ„ λ‚˜νƒ€λ‚Ό 수 μžˆμŠ΅λ‹ˆλ‹€.
04:22
Listen.
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λ“£λ‹€.
04:34
Similarly, we can repeat a wh- question with rising intonation.
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μœ μ‚¬ν•˜κ²Œ μš°λ¦¬λŠ” μƒμŠΉ μ–΅μ–‘μœΌλ‘œ wh- μ˜λ¬Έλ¬Έμ„ λ°˜λ³΅ν•  수 μžˆμŠ΅λ‹ˆλ‹€.
04:39
We might do this because we didn't hear the answer the first time.
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μ²˜μŒμ— 닡을 듣지 λͺ»ν–ˆκΈ° λ•Œλ¬Έμ— μ΄λ ‡κ²Œ ν•  μˆ˜λ„ μžˆμŠ΅λ‹ˆλ‹€.
04:43
Or maybe we didn't believe the answer.
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μ•„λ‹ˆλ©΄ 닡을 믿지 μ•Šμ•˜μ„ μˆ˜λ„ μžˆμŠ΅λ‹ˆλ‹€.
04:49
Let me give you two examples.
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두 가지 예λ₯Ό λ“€μ–΄ λ³΄κ² μŠ΅λ‹ˆλ‹€.
04:52
When is he coming?
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κ·Έκ°€ μ–Έμ œ μ˜€λ‚˜μš”?
04:55
I ask my wh- question the first time with falling intonation.
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λ‚˜λŠ” 처음으둜 λ‚΄ wh- μ§ˆλ¬Έμ„ ν•˜κ°•μœΌλ‘œ λ¬»μŠ΅λ‹ˆλ‹€.
05:00
When is he coming?
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κ·Έκ°€ μ–Έμ œ μ˜€λ‚˜μš”?
05:03
I repeat it.
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λ‚˜λŠ” 그것을 λ°˜λ³΅ν•œλ‹€.
05:04
When is he coming?
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κ·Έκ°€ μ–Έμ œ μ˜€λ‚˜μš”?
05:07
I'm going up.
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λ‚˜λŠ” μ˜¬λΌκ°ˆκ±°μ•Ό.
05:08
I'm also changing my focus word.
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초점 단어도 λ³€κ²½ν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€.
05:10
Instead of the final content word, I really want the basic information: when?
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μ΅œμ’… λ‚΄μš© 단어 λŒ€μ‹  κΈ°λ³Έ 정보λ₯Ό μ›ν•©λ‹ˆλ‹€. μ–Έμ œ?
05:16
So I change my focus word. It's not at the beginning.
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κ·Έλž˜μ„œ 초점 단어λ₯Ό λ³€κ²½ν•©λ‹ˆλ‹€. μ²˜μŒμ—λŠ” μ•„λ‹™λ‹ˆλ‹€.
05:21
So I have more syllables to work with, and I can keep climbing to a higher pitch.
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κ·Έλž˜μ„œ μž‘μ—…ν•  음절이 더 λ§Žμ•„μ§€κ³  더 높은 음쑰둜 계속 올라갈 수 μžˆμŠ΅λ‹ˆλ‹€.
05:27
When is he coming?
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κ·Έκ°€ μ–Έμ œ μ˜€λ‚˜μš”?
05:29
OR: When did you say he's coming?
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λ˜λŠ”: κ·Έκ°€ μ–Έμ œ μ˜¨λ‹€κ³  ν–ˆμŠ΅λ‹ˆκΉŒ? ν•œ
05:35
if I use just the single word, one syllable, I glide: When?
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단어, ν•œ 음절만 μ‚¬μš©ν•˜λ©΄ λ‹€μŒκ³Ό 같이 λ―Έλ„λŸ¬μ§‘λ‹ˆλ‹€. μ–Έμ œ?
05:45
Here's our second example.
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λ‹€μŒμ€ 두 번째 μ˜ˆμž…λ‹ˆλ‹€.
05:47
Who said that?
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λˆ„κ°€ λ§ν–ˆλ‹€?
05:50
Falling intonation the first time I ask the question.
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처음 μ§ˆλ¬Έμ„ ν•  λ•Œ λ–¨μ–΄μ§€λŠ” μ–΅μ–‘.
05:54
But if I repeat it:
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ν•˜μ§€λ§Œ λ‚΄κ°€ λ°˜λ³΅ν•œλ‹€λ©΄:
05:56
Who said that?
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λˆ„κ°€ 그런 말을 ν–ˆμŠ΅λ‹ˆκΉŒ?
06:00
Rising intonation.
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μƒμŠΉ μ–΅μ–‘.
06:02
I also changed the focus word the second time.
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λ‚˜λŠ” λ˜ν•œ 두 번째둜 초점 단어λ₯Ό λ³€κ²½ν–ˆμŠ΅λ‹ˆλ‹€.
06:05
I'm emphasizing WHO and all other words take me higher in pitch.
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λ‚˜λŠ” WHOλ₯Ό κ°•μ‘°ν•˜κ³  있으며 λ‹€λ₯Έ λͺ¨λ“  λ‹¨μ–΄λŠ” λ‚˜λ₯Ό 더 높이 λ§Œλ“­λ‹ˆλ‹€.
06:11
Who said that?
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λˆ„κ°€ λ§ν–ˆλ‹€?
06:15
If I only use the question word, I have one syllable, so I glide: Who?
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질문 λ‹¨μ–΄λ§Œ μ‚¬μš©ν•˜λ©΄ 음절이 ν•˜λ‚˜μ΄λ―€λ‘œ λ‹€μŒκ³Ό 같이 λ―Έλ„λŸ¬μ§‘λ‹ˆλ‹€. λˆ„κ΅¬?
06:24
Try repeating after me.
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μ €λ₯Ό 따라해 λ³΄μ„Έμš”.
06:26
First, we'll step up from a stressed syllable.
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λ¨Όμ € κ°•μ„Έκ°€ μžˆλŠ” μŒμ ˆμ—μ„œ ν•œ 단계 μ˜¬λΌκ°‘λ‹ˆλ‹€.
06:29
Listen for the drop before we rise.
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μš°λ¦¬κ°€ μΌμ–΄λ‚˜κΈ° 전에 ν•˜λ½μ— κ·€λ₯Ό κΈ°μšΈμ΄μ‹­μ‹œμ˜€.
07:40
Now we'll glide up on a single stressed syllable
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이제 μš°λ¦¬λŠ” κ°•μ„Έκ°€ μžˆλŠ” 음절 ν•˜λ‚˜λ₯Ό 타고 λ―Έλ„λŸ¬μ§€λ“― 올라갈 κ²ƒμž…λ‹ˆλ‹€.
07:44
Listen for that little drop before we rise.
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μš°λ¦¬κ°€ μΌμ–΄λ‚˜κΈ° 전에 κ·Έ μž‘μ€ 방울 μ†Œλ¦¬λ₯Ό λ“€μ–΄λ³΄μ„Έμš”.
08:52
Remember to practice on your own.
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혼자 μ—°μŠ΅ν•˜λŠ” 것을 μžŠμ§€ λ§ˆμ‹­μ‹œμ˜€.
08:54
Compare your speech to mine.
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λ‹Ήμ‹ μ˜ 말을 λ‚΄ 말과 비ꡐ해 λ³΄μ‹­μ‹œμ˜€.
08:57
Here are the 10 model sentences again.
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여기에 λ‹€μ‹œ 10개의 λͺ¨λ²” λ¬Έμž₯이 μžˆμŠ΅λ‹ˆλ‹€.
08:59
I'll say each one once.
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각자 ν•œ λ²ˆμ”© λ§ν•˜κ² μŠ΅λ‹ˆλ‹€.
09:48
That's all for now. Thanks for watching and happy studies!
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μ§€κΈˆμ€ μ—¬κΈ°κΉŒμ§€μž…λ‹ˆλ‹€. μ‹œμ²­ν•΄μ£Όμ…”μ„œ κ°μ‚¬ν•©λ‹ˆλ‹€. 즐거운 κ³΅λΆ€ν•˜μ„Έμš”!
이 μ›Ήμ‚¬μ΄νŠΈ 정보

이 μ‚¬μ΄νŠΈλŠ” μ˜μ–΄ ν•™μŠ΅μ— μœ μš©ν•œ YouTube λ™μ˜μƒμ„ μ†Œκ°œν•©λ‹ˆλ‹€. μ „ 세계 졜고의 μ„ μƒλ‹˜λ“€μ΄ κ°€λ₯΄μΉ˜λŠ” μ˜μ–΄ μˆ˜μ—…μ„ 보게 될 κ²ƒμž…λ‹ˆλ‹€. 각 λ™μ˜μƒ νŽ˜μ΄μ§€μ— ν‘œμ‹œλ˜λŠ” μ˜μ–΄ μžλ§‰μ„ 더블 ν΄λ¦­ν•˜λ©΄ κ·Έκ³³μ—μ„œ λ™μ˜μƒμ΄ μž¬μƒλ©λ‹ˆλ‹€. λΉ„λ””μ˜€ μž¬μƒμ— 맞좰 μžλ§‰μ΄ μŠ€ν¬λ‘€λ©λ‹ˆλ‹€. μ˜κ²¬μ΄λ‚˜ μš”μ²­μ΄ μžˆλŠ” 경우 이 문의 양식을 μ‚¬μš©ν•˜μ—¬ λ¬Έμ˜ν•˜μ‹­μ‹œμ˜€.

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