English Vocabulary - TRACT words - contract, subtract, abstract, and more!

77,607 views ใƒป 2010-11-29

ENGLISH with James


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
Hmm. She's very attractive. I'd like to contract something from her. Oops. Hi. James from IGVED.
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ใตใƒผใ‚€ใ€‚ ๅฝผๅฅณใฏใจใฆใ‚‚้ญ…ๅŠ›็š„ใงใ™ใ€‚ ๅฝผๅฅณใ‹ใ‚‰ไฝ•ใ‹ๅฅ‘็ด„ใ—ใŸใ„ใฎ ใงใ™ใŒใ€‚ ใŠใฃใจใ€‚ ใ‚„ใ‚ใ€‚ IGVEDใฎใ‚ธใ‚งใƒผใƒ ใ‚นใ€‚
00:13
Just looking at the paper and I saw this girl. Magnifique. She was very attractive. Maybe
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็ด™ใ‚’่ฆ‹ใฆใ„ใ‚‹ใ ใ‘ใงใ€ใ“ใฎๅฅณใฎๅญใ‚’่ฆ‹ใพใ—ใŸใ€‚ ๅฃฎๅคงใ€‚ ๅฝผๅฅณใฏใจใฆใ‚‚้ญ…ๅŠ›็š„ใงใ—ใŸใ€‚
00:20
too attractive because I probably would contract something from her if I got to kiss her. But
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ๅฝผๅฅณใซใ‚ญใ‚นใ‚’ใ—ใŸใ‚‰ใ€ๅฝผๅฅณใ‹ใ‚‰ไฝ•ใ‹ใ‚’ๅฅ‘็ด„ใ™ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใฎใงใ€้ญ…ๅŠ›็š„ใ™ใŽใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“. ใ—ใ‹ใ—ใ€
00:26
here's what I want to work on. You heard me say contract. You heard me say attract. And
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ใ“ใ“ใง็งใŒๅ–ใ‚Š็ต„ใฟใŸใ„ใ“ใจใฏๆฌกใฎใจใŠใ‚Šใงใ™ใ€‚ ใ‚ใชใŸใฏ็ง ใŒๅฅ‘็ด„ใ‚’่จ€ใ†ใฎใ‚’่žใ„ใŸ. ใ‚ใชใŸใฏ็งใŒๅผ•ใไป˜ใ‘ใ‚‹ใจ่จ€ใ†ใฎใ‚’่žใ„ใŸ. ใใ—ใฆ
00:33
I know a lot of you already know the word attractive, which means you tell it in something
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ใ€ๅคšใใฎไบบใŒใ™ใงใซ้ญ…ๅŠ›็š„ใช่จ€่‘‰ใ‚’็Ÿฅใฃใฆใ„ใ‚‹ใ“ใจใ‚’็งใฏ็Ÿฅใฃใฆ
00:36
that makes you like it. Contract, you know, it's paper, right? You write a contract for
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ใ„ใพใ™ใ€‚ ๅฅ‘็ด„ๆ›ธใ€ ็ด™ใงใ™ใ‚ˆใญ๏ผŸ ใ‚ตใƒผใƒ“ใ‚นใ‚„ใƒ“ใ‚ธใƒใ‚นใฎๅฅ‘็ด„ๆ›ธใ‚’ๆ›ธใ
00:41
services or business. But how about we start looking at why these words have this meaning
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ใพใ™ใ€‚ ใ—ใ‹ใ— ใ€ใชใœใ“ใ‚Œใ‚‰ใฎๅ˜่ชžใŒใ“ใฎใ‚ˆใ†ใชๆ„ๅ‘ณใ‚’ๆŒใคใฎใ‹
00:47
and look at the root. OK. And the root today, when we go today's vocabulary pyramid, mid,
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ใ‚’่ชฟในใ€่ชžๆ นใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ OKใ€‚ ใใ—ใฆใ€ไปŠๆ—ฅใฎใƒซใƒผใƒˆ ใ€ไปŠๆ—ฅใฎ่ชžๅฝ™ใƒ”ใƒฉใƒŸใƒƒใƒ‰ใ€midใ€
00:52
mid, mid, mid, mid. Right. Here we go. So I'm going to put vocab, vocab pyramid. Yes,
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midใ€midใ€midใ€mid ใซ็งปๅ‹•ใ—ใพใ™ใ€‚ ๅณใ€‚ ใฉใ†ใžใ€‚ ใจใ„ใ†ใ‚ใ‘ใง ใ€่ชžๅฝ™ใ€่ชžๅฝ™ใƒ”ใƒฉใƒŸใƒƒใƒ‰ใ‚’ๅ…ฅใ‚Œใฆใ„ใใพใ™ใ€‚ ใฏใ„ใ€
01:03
it's another vocabulary pyramid brought to you by Mr. E and his exploratory team. OK,
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ใ“ใ‚Œ ใฏ E ๆฐใจๅฝผใฎๆŽข็ดขใƒใƒผใƒ ใซใ‚ˆใฃใฆใ‚‚ใŸใ‚‰ใ•ใ‚ŒใŸๅˆฅใฎ่ชžๅฝ™ใƒ”ใƒฉใƒŸใƒƒใƒ‰ใงใ™ใ€‚ OKใ€
01:08
we go into the Mr. E, the mysteries of English. You like that? I like it, too. OK, so he's
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่‹ฑ่ชžใฎใƒŸใ‚นใƒ†ใƒชใƒผใงใ‚ใ‚‹ Mr. E ใซๅ…ฅใ‚Šใพใ™ใ€‚ ใ‚ใชใŸใฏใใ‚ŒใŒๅฅฝใใงใ™ใ‹๏ผŸ ็งใ‚‚ๅฅฝใใงใ™ใ€‚ ใ‚ˆใ—ใ€
01:15
got his trusty magnifying glass. I want to take a look. So Mr. E inspired me to do an
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ๅฝผใฏไฟก้ ผใงใใ‚‹่™ซ็œผ้กใ‚’ๆ‰‹ใซๅ…ฅใ‚ŒใŸใ€‚ ่ฆ‹ใฆใฟ ใŸใ„ใ€‚ ใใ‚Œใงใ€Eใ•ใ‚“ใ‹ใ‚‰ใ‚คใƒณใ‚นใƒ”ใƒฌใƒผใ‚ทใƒงใƒณใ‚’ๅ—ใ‘ใฆ
01:23
abstract painting. I tried to extract the exact thing that attracted women to him. So
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ๆŠฝ่ฑก็”ปใ‚’ๆใใพใ—ใŸใ€‚ ็งใฏ ๅฝผใซๅฅณๆ€งใ‚’ๆƒนใใคใ‘ใŸใ‚‚ใฎใ‚’ๆญฃ็ขบใซๆŠฝๅ‡บใ—ใ‚ˆใ†ใจใ—ใพใ—ใŸ. ใใ‚Œใงใ€
01:30
I began to subtract all the things that would detract from the real him. Before I could
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็งใฏๆœฌๅฝ“ใฎๅฝผใ‚’ๆใชใ†ใ™ในใฆใฎใ‚‚ใฎใ‚’ๅทฎใ—ๅผ•ใๅง‹ใ‚ ใพใ—ใŸ. ใใ‚Œใ‚’
01:35
complete it, I contracted the cold and lost all traction on it. Right. So some of you
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ๅฎŒๆˆใ•ใ›ใ‚‹ๅ‰ใซใ€็งใฏ้ขจ้‚ชใ‚’ๅผ•ใ„ใฆใ€ ใ™ในใฆใฎ็‰ฝๅผ•ๅŠ›ใ‚’ๅคฑใ„ใพใ—ใŸ. ๅณใ€‚ ใใ‚Œใงใ€ใ‚ใชใŸๆ–นใฎไฝ•ไบบใ‹ใฏ
01:42
right now are going, "What the buh?" Because you don't know what this is about. That's
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ไปŠใ€ใ€Œไฝ•ใ ๏ผŸใ€ใจ่จ€ใฃใฆใ„ใพใ™ใ€‚ ใ‚ใชใŸใฏใ“ใ‚ŒใŒไฝ•ใงใ‚ใ‚‹ใ‹ใ‚’็Ÿฅใ‚‰ใชใ„ใ‹ใ‚‰ใงใ™ใ€‚ ใใ‚Œ
01:47
what we're going to do today. We're going to take tract, which if you notice up here,
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ใŒไปŠๆ—ฅใ‚„ใ‚ใ†ใจใ—ใฆใ„ใ‚‹ใ“ใจใงใ™ใ€‚ tract ใ‚’ๅ–ใ‚ŠไธŠใ’ใพใ™ใŒใ€ใ“ใ“ใงๆฐ—ใฅใ„ใŸใ‚‰ใ€
01:50
it says tract equals pull or draw. Tract, pull. OK, you know, pull. Here's you. You
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tract ใฏ pull ใพใŸใฏ draw ใซ็ญ‰ใ—ใ„ใจๆ›ธใ‹ใ‚Œใฆใ„ใพใ™ใ€‚ ใƒˆใƒฉใ‚ฏใƒˆใ€ ๅผ•ใฃๅผตใ‚‹ใ€‚ OKใ€ใปใ‚‰ใ€ๅผ•ใฃๅผตใฃใฆใ€‚ ใ“ใ‚ŒใŒใ‚ใชใŸใงใ™ใ€‚ ใ‚ใชใŸใŒ
01:59
pull. Pull. Pull towards you. OK. Draw is similar to tract. Why? Because in English,
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ๅผ•ใฃๅผตใ‚‹ใ€‚ ๅผ•ใใ€‚ ใ‚ใชใŸใซๅ‘ใ‹ใฃใฆๅผ•ใฃๅผตใฃใฆใใ ใ•ใ„ใ€‚ OKใ€‚ Draw ใฏ tract ใซไผผใฆใ„ใพใ™ใ€‚ ใชใœ๏ผŸ ่‹ฑ่ชžใง
02:10
I'm sure some of you have seen these in your bedroom, a little thing like this. Your underwear
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ใฏใ€ใ‚ใชใŸใฎๅฏๅฎคใงใ“ใ‚Œใ‚‰ใ‚’่ฆ‹ใŸใ“ใจใŒใ‚ใ‚‹ใจๆ€ใ„ ใพใ™ใ€‚ ใ‚ใชใŸใฎไธ‹็€
02:19
is in there. You must pull or draw. The thing is called a draw, right, because you pull
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ใฏใใ“ใซใ‚ใ‚Šใพใ™ใ€‚ ๅผ•ใฃๅผตใฃใŸใ‚Šๅผ•ใ„ใŸใ‚Šใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚ ๅผ•ใใจ้–‹ใใฎใงใ€ใƒ‰ใƒญใƒผใจๅ‘ผใฐใ‚Œใพใ™
02:28
it to open it. Now, when you go to the bank, you make withdrawals, right? Take the money
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ใ€‚ ใ•ใฆใ€้Š€่กŒใซ่กŒใใจใใฏใ€ ๅผ•ใๅ‡บใ—ใ‚’ใ—ใพใ™ใ‚ˆใญ๏ผŸ ใŠ้‡‘ใ‚’
02:34
out. All right. And it's like pulling. So they have a similar meaning. It's a little
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ๅ‡บใ—ใฆใใ ใ•ใ„ใ€‚ ใ‚ใ‹ใฃใŸใ€‚ ใใ—ใฆใ€ใใ‚Œใฏๅผ•ใฃๅผตใ‚‹ใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚ ใ—ใŸใŒใฃใฆ ใ€ใใ‚Œใ‚‰ใฏๅŒๆง˜ใฎๆ„ๅ‘ณใ‚’ๆŒใกใพใ™ใ€‚
02:39
different sometimes when we say draw, as in withdrawal, because it's not pulling the money
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ใŠ้‡‘ใ‚’ๅผ•ใๅ‡บใ™ใฎใงใฏใชใใ€ใŠ้‡‘ใ‚’
02:43
out, but it's like taking it to you or bringing it, or if you draw water. We'll do draw another
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ๆŒใฃใฆใใ‚‹ใ€ๆŒใฃใฆใใ‚‹ใ€ใพใŸใฏๆฐดใ‚’ๅผ•ใใ‚ˆใ†ใชใ‚‚ใฎใ ใ‹ใ‚‰ใงใ™ ใ€‚
02:49
time in another vocabulary pyramid, OK? So for right now, we know tract means pull, which
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ๅˆฅใฎ่ชžๅฝ™ใƒ”ใƒฉใƒŸใƒƒใƒ‰ใงใ‚‚ใ†ไธ€ๅบฆๆ็”ปใ—ใพใ™ใญใ€‚ ใ—ใŸใŒใฃใฆ ใ€ไปŠใฎใจใ“ใ‚ใ€tract ใฏ่‹ฑ่ชžใงใฎ draw ใซไผผใŸๅผ•ใฃๅผตใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใ‚ใ‚‹ใ“ใจใŒใ‚ใ‹ใฃใฆใ„
02:54
is similar to draw in English. OK. So Mr. E inspired me to draw an abstract painting.
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ใพใ™ใ€‚ OKใ€‚ ใใ‚Œใงใ€Eใ•ใ‚“ ใ‹ใ‚‰ใ‚คใƒณใ‚นใƒ”ใƒฌใƒผใ‚ทใƒงใƒณใ‚’ๅ—ใ‘ใฆๆŠฝ่ฑก็”ปใ‚’ๆใใพใ—ใŸใ€‚
03:00
Well, we know, well, we know tract means draw. So what does ab mean? Notice I put the S over
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ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใƒˆใƒฉใ‚ฏใƒˆใŒๆใใ“ใจใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ„ใพใ™ใ€‚ ใงใฏใ€ab ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹? ใ“ใ“ใซ S ใ‚’็ฝฎใ„ใŸใ“ใจใซๆณจๆ„ใ—
03:08
here, because really what we're looking at is here, the ab. Ab in English-- actually,
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ใฆใใ ใ•ใ„ใ€‚ๅฎŸ้š›ใซ่ฆ‹ใฆใ„ใ‚‹ใฎ ใฏใ“ใ“ใ€ab ใงใ™ใ€‚ Ab ่‹ฑ่ชžใง -- ๅฎŸ้š›ใซ
03:15
let me try that. OK. It means away from. So when we say abstract, we're saying this. We're
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่ฉฆใ—ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ OKใ€‚ ใ‹ใ‚‰้›ขใ‚Œใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚ ใงใ™ใ‹ใ‚‰ ใ€็งใŸใกใŒๆŠฝ่ฑก็š„ใจ่จ€ใ†ใจใใ€็งใŸใกใฏใ“ใ‚Œใ‚’่จ€ใฃใฆใ„ใพใ™ใ€‚ ็งใŸใกใฏ็†็”ฑใ‚’่จ€ใฃใฆใ„ใพใ™
03:38
saying why. Well, in an abstract painting, what happens is you take reality, and you
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ใ€‚ ใใ†ใงใ™ใญใ€ๆŠฝ่ฑก็”ปใง ใฏใ€็งใŒใ‚ใชใŸใ‹ใ‚‰้›ขใ‚Œใฆใ„ใใ‚ˆใ†ใซใ€ใ‚ใชใŸใŒ็พๅฎŸใ‚’ๆ‰ใˆใ‚‹ใจใ€ใ‚ใชใŸ
03:44
kind of move away from the reality a bit, like I'm moving away from you. See how I'm
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ใฏ็พๅฎŸใ‹ใ‚‰ๅฐ‘ใ— ้›ขใ‚Œใฆใ„ใใพใ™ใ€‚ ็ง
03:47
going further and further away? So sometimes when people look at a picture, they're like,
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ใŒใฉใ‚“ใฉใ‚“้ ใ–ใ‹ใฃใฆใ„ใใฎใŒใ‚ใ‹ใ‚Šใพใ™ใ‹๏ผŸ ๅ†™็œŸใ‚’่ฆ‹ใ‚‹ใจใ€
03:51
how is this a horse? How is that a horse? I don't get it. I'm not paying a million dollars
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ใ“ใฎ้ฆฌใฏใฉใ†ใ ใ‚ใ†๏ผŸ ใ‚ใฎ้ฆฌใฏใฉใ†ใงใ™ใ‹๏ผŸ ็†่งฃ ใงใใพใ›ใ‚“ใ€‚ ็งใฏใใฎใŸใ‚ใซ็™พไธ‡ใƒ‰ใƒซใ‚’ๆ‰•ใฃใฆใ„ใพใ›ใ‚“
04:00
for that. Well, then the artist will go, well, you do not understand. I am taking the concept
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ใ€‚ ใ•ใฆใ€ใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใฏ่กŒใใพใ™ใ€ใพใ‚ใ€ ใ‚ใชใŸใฏ็†่งฃใ—ใฆใ„ใพใ›ใ‚“ใ€‚ ็งใฏ้ฆฌใฎๆฆ‚ๅฟตใ‚’ๅ–ใฃใฆใ„
04:06
of a horse. I have abstracted or drawn away from the horse's eye and the horse's happy
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ใพใ™ใ€‚ ็งใฏ่ตฐใ‚Š ใ‹ใ‚‰้ฆฌใฎ็›ฎใจ้ฆฌใฎๅนธใ›ใชๅฃใ‚’ๆŠฝ่ฑกๅŒ–ใพใŸใฏๅผ•ใ้›ขใ—ใพใ—ใŸ
04:12
mouth from the running. OK. So you're like, how does that horse go to this? Well, they
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. OKใ€‚ ใใ‚Œใงใ€ ใใฎ้ฆฌใฏใฉใ†ใ‚„ใฃใฆใ“ใ‚Œใซ่กŒใใฎใงใ™ใ‹๏ผŸ ใพใ‚ใ€ๅฝผใ‚‰ใฏ
04:18
abstract. They draw away, like drawing a bow for bow and arrow, from reality. So you get
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ๆŠฝ่ฑก็š„ใงใ™ใ€‚ ๅฝผใ‚‰ใฏ ใ€ๅผ“ใจ็Ÿขใซๅผ“ใ‚’ๅผ•ใใ‚ˆใ†ใซใ€็พๅฎŸใ‹ใ‚‰ๅผ•ใ้›ขใ—ใพใ™ใ€‚ ใคใพใ‚Š
04:24
a picture, a general idea, as opposed to concrete. OK. So that's why we say abstract. So we know
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ใ€ๅ…ทไฝ“็š„ใชใ‚‚ใฎใงใฏใชใใ€ๅ…จไฝ“ๅƒใ‚„ไธ€่ˆฌ็š„ใชใ‚ขใ‚คใƒ‡ใ‚ขใŒๅพ—ใ‚‰ใ‚Œใพใ™ใ€‚ OKใ€‚ ใ ใ‹ใ‚‰ๆŠฝ่ฑก็š„ใจ่จ€ใ„ใพใ™ใ€‚ ใงใ™ใ‹ใ‚‰
04:30
this one, this painting is not going to be like real life picture of Mr. E. It'll be
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ใ€ใ“ใฎ ็ตตใฏ E ใ•ใ‚“ใฎๅฎŸ้š›ใฎๅ†™็œŸใฎใ‚ˆใ†ใซใฏใชใ‚Šใพใ›ใ‚“ใ€‚้ข็™ฝใ„ใ‚‚ใฎใซใชใ‚‹ใงใ—ใ‚‡ใ†
04:34
something interesting. In fact, the picture that was finished was this. Totally different.
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ใ€‚ ๅฎŸ้š›ใซๅ‡บๆฅไธŠใŒใฃใŸ็ตต ใŒใ“ใ‚Œใงใ—ใŸใ€‚ ๅ…จใ้•ใ„ใพใ™ใ€‚
04:44
But they were saying he's a happy guy. Abstract, right? Looks nothing like Mr. E. OK. So that's
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ใ—ใ‹ใ—ใ€ๅฝผใ‚‰ใฏๅฝผใŒๅนธใ›ใช็”ทใ ใจ่จ€ใฃใฆใ„ใŸ. ๆŠฝ่ฑก็š„ ใงใ™ใ‚ˆใญ๏ผŸ Mr. E. OK ใจใฏใพใฃใŸใไผผใฆใ„ใพใ›ใ‚“ใ€‚ ใใ‚Œ
04:51
the first thing, what you draw away. Now we look at the next one, extract. And by the
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ใŒๆœ€ๅˆใฎใ“ใจใงใ™ใ€‚ ๆฌกใซใ€ๆŠฝๅ‡บใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
04:56
way, when you look at the vocabulary pyramid, you're going to see me do a lot of these over
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ใจใ“ใ‚ใงใ€่ชžๅฝ™ใƒ”ใƒฉใƒŸใƒƒใƒ‰ ใ‚’่ฆ‹ใ‚‹ใจใ€็งใŒใ“ใ‚Œใ‚‰ใฎใ“ใจใ‚’ไฝ•ๅบฆใ‚‚็นฐใ‚Š่ฟ”ใ—ใฆใ„ใ‚‹ใ“ใจใŒใ‚ใ‹ใ‚Šใพใ™
05:00
and over again. This is done on purpose. To remember something, there's two ways to remember
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ใ€‚ ใ“ใ‚Œใฏๆ„ๅ›ณ็š„ใซ่กŒใ‚ใ‚Œใพใ™ใ€‚ ไฝ•ใ‹ใ‚’่ฆšใˆใ‚‹ใซใฏใ€ไฝ•ใ‹ใ‚’่ฆšใˆใ‚‹ๆ–นๆณ•ใŒ 2 ใคใ‚ใ‚Šใพใ™
05:06
something. Or there are two ways to remember something. Number one is repeated over and
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ใ€‚ ใพใŸใฏใ€ไฝ•ใ‹ใ‚’่ฆšใˆใ‚‹ใซใฏ 2 ใคใฎๆ–นๆณ•ใŒใ‚ใ‚Šใพใ™ ใ€‚ ใƒŠใƒณใƒใƒผใƒฏใƒณใฏไฝ•ๅบฆใ‚‚ไฝ•ๅบฆใ‚‚็นฐใ‚Š่ฟ”ใ•
05:10
over and over. And you get the point. Over again. Or instant focus. In my class, I do
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ใ‚Œใพใ™ใ€‚ ใใ—ใฆใ€ใ‚ใชใŸใฏ่ฆ็‚นใ‚’็†่งฃใ—ใพใ™ใ€‚ ใ‚‚ใ†ไธ€ๅบฆใ€‚ ใพใŸใฏใ‚คใƒณใ‚นใ‚ฟใƒณใƒˆใƒ•ใ‚ฉใƒผใ‚ซใ‚นใ€‚ ็งใฎใ‚ฏใƒฉใ‚นใงใฏใ€
05:18
something really nasty. Every once in a while, I get some new student who doesn't want to
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ๆœฌๅฝ“ใซๅŽ„ไป‹ใชใ“ใจใ‚’ใ—ใพใ™ใ€‚ ๆ™‚ใ€…ใ€ไฝ•ใ‹ ใ‚’ๅญฆใณใŸใใชใ„ๆ–ฐๅ…ฅ็”Ÿใ‚’่ฟŽใˆ
05:22
learn something. And what I say is I can teach you two ways. The very first way, and you'll
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ใพใ™ใ€‚ ใใ—ใฆใ€็งใฏ ใ‚ใชใŸใซ2ใคใฎๆ–นๆณ•ใ‚’ๆ•™ใˆใ‚‹ใ“ใจใŒใงใใ‚‹ใจ่จ€ใฃใฆใ„ใพใ™. ๆœ€ๅˆใฎๆ–นๆณ•ใงใ‚ใ‚Šใ€ๆฑบใ—ใฆๅฟ˜ใ‚Œใ‚‹ใ“ใจใฏใ‚ใ‚Š
05:27
never forget. Or the long way, which is a little longer. Actually, it's longer, but
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ใพใ›ใ‚“ใ€‚ ใพใŸใฏ ใ€ๅฐ‘ใ—้•ทใ„้•ทใ„้“ใฎใ‚Šใงใ™ใ€‚ ๅฎŸ้š›ใซใฏใ‚‚ใฃใจ้•ทใใชใ‚Š
05:31
you'll never forget. Usually, they always go, "Give me the quick way, teacher, because
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ใพใ™ใŒใ€ๆฑบใ—ใฆๅฟ˜ใ‚Œใ‚‹ใ“ใจใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ้€šๅธธใ€ๅฝผใ‚‰ใฏ ใ„ใคใ‚‚ใ€Œๅ…ˆ็”Ÿใ€็งใฏใจใฆใ‚‚้ ญใŒใ„ใ„ใฎใงใ€ๆ—ฉใ้“ใ‚’ๆ•™ใˆใฆใใ ใ•ใ„ใ€ใจ
05:35
I am so smart." So I take a lighter, and I usually turn it on. Then I tell them put their
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่จ€ใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰็งใฏใƒฉใ‚คใ‚ฟใƒผใ‚’ๆŒใฃใฆ่กŒใใ€ ้€šๅธธใฏใใ‚Œใ‚’ใ‚ชใƒณใซใ—ใพใ™ใ€‚ ใใ‚Œใ‹ใ‚‰็งใฏๅฝผใ‚‰ใซๆ‰‹ใ‚’ใ“ใ“ใซ็ฝฎใใ‚ˆใ†ใซ่จ€ใ„ใพใ™
05:42
hand here. Then I-- actually, I lie. I usually tell them put their hand here. Then I put
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ใ€‚ ใใ‚Œใ‹ใ‚‰็งใฏ--ๅฎŸ้š›ใ€็งใฏๅ˜˜ใ‚’ใคใใพใ™ใ€‚ ็งใฏ้€šๅธธ ใ€ใ“ใ“ใซๆ‰‹ใ‚’็ฝฎใ„ใฆใใ ใ•ใ„ใจไผใˆใพใ™ใ€‚ ใใ—ใฆ
05:46
the lighter here. Within five seconds, they pull their hand away. Then I go, "OK, put
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ใ“ใ“ใซใƒฉใ‚คใ‚ฟใƒผใ‚’็ฝฎใใพใ™ใ€‚ 5 ็ง’ไปฅๅ†… ใซๆ‰‹ใ‚’้›ขใ—ใพใ™ใ€‚ ใใ‚Œใ‹ใ‚‰็งใฏ่กŒใใพใ™ใ€ใ€ŒOKใ€
05:50
your hand there." They go, "No!" And I go, "You learned. Two seconds." Unfortunately,
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ใใ“ใซๆ‰‹ใ‚’็ฝฎใ„ใฆใใ ใ•ใ„ใ€ใ€‚ ๅฝผใ‚‰ใฏใ€Œใ„ใ„ใˆ๏ผใ€ใจ่จ€ใ„ใพใ™ใ€‚ ใใ—ใฆใ€ ใ€Œใ‚ใชใŸใฏๅญฆใณใพใ—ใŸใ€‚2็ง’ใงใ™ใ€ใจ่จ€ใ„ใพใ™ใ€‚ ๆฎ‹ๅฟตใชใŒใ‚‰ใ€
05:55
unless you repeat, and I'm not able to put a lighter on your hand so I can burn you,
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ใ‚ใชใŸใŒ็นฐใ‚Š่ฟ”ใ•ใชใ„้™ใ‚Šใ€็งใฏ ใ‚ใชใŸใฎๆ‰‹ใซใƒฉใ‚คใ‚ฟใƒผใ‚’็ฝฎใใ“ใจใŒใงใใšใ€ใ‚ใชใŸใ‚’็‡ƒใ‚„ใ™ใ“ใจใŒใงใ
06:02
what happens is I need to do repetition. So each video you're going to learn, you'll notice
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ใพใ›ใ‚“ใ€‚ ใ“ใ‚Œใ‹ใ‚‰ๅญฆ็ฟ’ใ™ใ‚‹ๅ„ใƒ“ใƒ‡ใ‚ช
06:06
at the beginning, there'll be weird concepts or abstract concepts. But after a while, by
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ใงใฏใ€ๆœ€ๅˆใซๅฅ‡ๅฆ™ใชๆฆ‚ๅฟตใ‚„ๆŠฝ่ฑก็š„ใชๆฆ‚ๅฟตใŒใ‚ใ‚‹ใ“ใจใซๆฐ—ไป˜ใใงใ—ใ‚‡ใ† ใ€‚ ใ—ใ‹ใ—ใ€ใ—ใฐใ‚‰ใใ™ใ‚‹ใจใ€
06:11
the time you do five or six of these, you're going to automatically go, "Hey, away from.
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ใ“ใ‚Œใ‚‰ใ‚’ 5 ใคใพใŸใฏ 6 ใคๅฎŸ่กŒใ™ใ‚‹้ ƒใซใฏ ใ€่‡ชๅ‹•็š„ใซใ€ŒใŠใ„ใ€้›ขใ‚Œใ‚ใ€‚
06:15
Hey, out of. Hey, away from." In a different form. "Hey, under." And you'll just know.
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ใŠใ„ใ€ใ‚„ใ‚ใ‚ใ€‚ใŠใ„ใ€ใ‚„ใ‚ใ‚ใ€ใจใชใ‚‹ใ ใ‚ใ†ใ€‚ ๅˆฅใฎ ๅฝขใงใ€‚ ใ€ŒใŠใ„ใ€ไธ‹ใ ใ€ ใใ—ใฆใ€ใ‚ใชใŸใฏใŸใ ็Ÿฅใฃใฆใ„ใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
06:21
And you'll start noticing when you start reading things, you'll also notice that when you start
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ใใ—ใฆใ€ไฝ•ใ‹ใ‚’่ชญใฟๅง‹ใ‚ใ‚‹ใจๆฐ—ใฅใๅง‹ใ‚ ใพใ™ใ€‚ใพใŸใ€็ด™ใ‚’่ฆ‹ๅง‹ใ‚ใŸใจใใซใ‚‚ๆฐ—ใฅใใงใ—ใ‚‡ใ†
06:24
looking on paper. Cool, huh? So don't go, "Oh, I've heard this before." Study. Got it?
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ใ€‚ ใ‹ใฃใ“ใ„ใ„ใงใ—ใ‚‡๏ผŸ ใงใ™ใ‹ใ‚‰ใ€ ใ€Œใ‚ใ‚ใ€ใ“ใ‚Œใฏๅ‰ใซ่žใ„ใŸใ“ใจใŒใ‚ใ‚Šใพใ™ใ€ใจ่จ€ใ‚ใชใ„ใงใใ ใ•ใ„ใ€‚ ๅ‹‰ๅผทใ€‚ ใจใฃใŸ๏ผŸ
06:30
This is for you. So when you're finished, you'll never do this again. Cool? Anyway,
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ใ“ใ‚Œใฏใ‚ใชใŸใฎใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€็ต‚ใ‚ใฃ ใŸใ‚‰ไบŒๅบฆใจใ‚„ใ‚Šใพใ›ใ‚“ใ€‚ ใ„ใ„ใญ๏ผŸ ใจใซใ‹ใ
06:34
back to the work. We've gone and abstracted too much from it already.
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ใ€ไป•ไบ‹ใซๆˆปใ‚Šใพใ™ใ€‚ ็งใŸใกใฏ ใ™ใงใซใใ‚Œใ‹ใ‚‰ใ‚ใพใ‚Šใซใ‚‚ๅคšใใ‚’ๆŠฝ่ฑกๅŒ–ใ—ใฆใ—ใพใ„ใพใ—ใŸ.
06:38
So next one we're looking at is "extract." "Extract." Well, what does "ex" mean? Well,
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ๆฌกใซๆณจ็›ฎใ™ใ‚‹ใฎใฏใ€ŒๆŠฝๅ‡บใ€ใงใ™ใ€‚ "ใ‚จใ‚ญใ‚นใ€‚" ใ•ใฆใ€ใ€Œๅ…ƒใ€ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ ใ•ใฆ
06:42
some of you are divorced. Sorry. Some of you have jobs. Sorry, sorry. And some of you are
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ใ€้›ขๅฉšใ•ใ‚ŒใŸๆ–นใ‚‚ใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ ใ”ใ‚ใ‚“ใ€‚ ใŠไป•ไบ‹ใ‚’ใ•ใ‚Œ ใฆใ„ใ‚‹ๆ–นใ‚‚ใ„ใพใ™ใ€‚ ใ”ใ‚ใ‚“ใ”ใ‚ใ‚“ใ€‚ ใพใŸใ€
06:47
ex-baseball players who used to use drugs. So "ex" means -- what does "ex" mean? "Ex"
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่–ฌ็‰ฉใ‚’ไฝฟ็”จใ—ใฆใ„ใŸๅ…ƒ้‡Ž็ƒ้ธๆ‰‹ใ‚‚ใ„ใพใ™ใ€‚ ใงใฏใ€ใ€Œexใ€ใจใฏใ€ใ€Œexใ€ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹? ใ€ŒExใ€
06:55
equals "out of." So you're out of the marriage, out of a job, and out of a professional, lucrative
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ใฏใ€Œout ofใ€ใซ็›ธๅฝ“ใ—ใพใ™ใ€‚ ใคใพใ‚Šใ€ใ‚ใชใŸใฏ้ฆฌ้นฟใงใ‚นใƒ†ใƒญใ‚คใƒ‰ใ‚’ๆœ็”จใ—ใฆใ„ใ‚‹ใฎใงใ€ ็ตๅฉšใ‚‚ไป•ไบ‹ใ‚‚ใ€ใƒ—ใƒญใจใ—ใฆใฎๅ„ฒใ‹ใ‚‹
07:01
career because you're an idiot and took steroids. "Lucrative" means to make lots of money or
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ใ‚ญใƒฃใƒชใ‚ขใ‚‚ๅคฑใฃใฆใ„ใพใ™ใ€‚ ใ€Œใƒซใ‚ซใƒ†ใ‚ฃใƒ–ใ€ใจใฏใ€ใŸใใ•ใ‚“ใฎใŠ้‡‘ใ‚’็จผใใ€ใพใŸใฏใŠ้‡‘ใ‚’
07:06
can make money. Shame on you. Okay? So "out of." So we got "extract." So "extract" would
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็จผใใ“ใจใŒใงใใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใ™ใ€‚ ๆฅใ‚’็Ÿฅใ‚Œใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใ ใ‹ใ‚‰ใ€Œ ใ‚ขใ‚ฆใƒˆใ€ใ€‚ ใใ‚Œใงใ€ใ€ŒๆŠฝๅ‡บใ€ใ‚’ๅพ—ใพใ—ใŸใ€‚ ใ—ใŸใŒใฃใฆใ€ใ€ŒๆŠฝๅ‡บใ€
07:12
be "pull out of" or "draw out of." So when you extract something, you take something
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ใฏใ€Œๅผ•ใๅ‡บใ™ใ€ใพใŸใฏใ€Œๅผ•ใๅ‡บใ™ใ€ใงใ™ใ€‚ ไฝ•ใ‹ใ‚’ๆŠฝๅ‡บใ™ใ‚‹ใจใใฏใ€ใใ“ใ‹ใ‚‰ไฝ•ใ‹ใ‚’ๅ–ใ‚Šๅ‡บใ™ใ‹ใ€
07:17
out of it or you draw it out. So "extract" equals "to draw out of." So when you extract
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ๅผ•ใๅ‡บใ—ใพใ™ใ€‚ ใ—ใŸใŒใฃใฆใ€ใ€ŒๆŠฝๅ‡บใ™ใ‚‹ใ€ ใฏใ€Œๅผ•ใๅ‡บใ™ใ€ใ“ใจใจๅŒใ˜ใงใ™ใ€‚ ๆค็‰ฉใ‹ใ‚‰ไฝ•ใ‹ใ‚’ๆŠฝๅ‡บใ™ใ‚‹
07:32
something from a plant, you draw it out of the plant. You can't physically pull. You
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ใจใใฏใ€ๆค็‰ฉใ‹ใ‚‰ใใ‚Œใ‚’ๅผ•ใๅ‡บใ—ใพใ™ ใ€‚ ็‰ฉ็†็š„ใซๅผ•ใฃๅผตใ‚‹ใ“ใจใฏใงใใพใ›ใ‚“ใ€‚ ใใ‚“ใช
07:38
can't do that. So you draw it out. Okay? So we had an abstract painting. I tried to extract
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ใ“ใจใฏใงใใพใ›ใ‚“ใ€‚ ใ ใ‹ใ‚‰ใ‚ใชใŸใฏใใ‚Œใ‚’ๅผ•ใๅ‡บใ—ใพใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใใ‚Œใงใ€็ง ใŸใกใฏๆŠฝ่ฑก็”ปใ‚’ๆใใพใ—ใŸใ€‚ ็ง
07:44
the exact thing that attracted him. Attracted him. Most of you go, "I know what 'attract'
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ใฏๅฝผใ‚’ๆƒนใใคใ‘ใŸใ‚‚ใฎใ‚’ๆญฃ็ขบใซๆŠฝๅ‡บใ—ใ‚ˆใ†ใจใ—ใพใ—ใŸ. ๅฝผใ‚’้ญ…ไบ†ใ—ใŸใ€‚ ใ‚ใชใŸใฎใปใจใ‚“ใฉใฏใ€ใ€Œ็งใฏใ€Œๅผ•ใไป˜ใ‘ใ‚‹ใ€
07:51
means, man. I know what it means." I'm going to give you a little lesson on "attract" because
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ใŒไฝ•ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใฎใ‹็Ÿฅใฃใฆใ„ใพใ™ใ€‚็งใฏใใ‚ŒใŒไฝ•ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใฎใ‹็Ÿฅใฃใฆใ„ใพใ™. ใ‚ใชใŸใŒๆญฃใ—ใ„ ใฎใงใ€ใ€Œๅผ•ใไป˜ใ‘ใ‚‹ใ€ใซใคใ„ใฆๅฐ‘ใ—ใƒฌใƒƒใ‚นใƒณใ—
07:56
you're right. You are right. Okay? Because "at" -- I bet you didn't know this. Notice
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ใพใ™ใ€‚ ใ‚ใชใŸใŒๆญฃใ—ใ„ใงใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใ€Œใงใ€ใ ใ‹ใ‚‰ใ€ใ‚ใชใŸใฏใ“ใ‚Œใ‚’็Ÿฅใ‚‰ใชใ‹ใฃใŸใซ้•ใ„ใชใ„ใ€‚
08:02
how there's a double "t" because we have "tract." Or that really is -- I bet you didn't know
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ใ€Œใƒˆใƒฉใ‚ฏใƒˆใ€ใŒใ‚ใ‚‹ใฎใงใ€ไบŒ้‡ใฎใ€Œtใ€ใŒใ‚ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚ ใพใŸใฏใ€ใใ‚Œใฏๆœฌๅฝ“ใซ -- ใ“ใ‚ŒใŒใ€Œabใ€ใงใ‚ใ‚‹ใ“ใจใ‚’็Ÿฅใ‚‰ใชใ‹ใฃใŸใซ้•ใ„ใ‚ใ‚Šใพใ›ใ‚“
08:07
this was "ab." When "ab" hits certain constants at certain times, what they do is we double
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ใ€‚ ใ€Œabใ€ใŒ็‰นๅฎšใฎ ๆ™‚้–“ใซ็‰นๅฎšใฎๅฎšๆ•ฐใซใƒ’ใƒƒใƒˆใ™ใ‚‹ใจใ€ๅฎšๆ•ฐใŒ 2 ๅ€
08:13
the constant and drop the "b." So what you have here is -- it's really, really weird
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ใซใชใ‚Šใ€ใ€Œbใ€ใŒๅ‰Š้™คใ•ใ‚Œใพใ™ใ€‚ ใ‚ใชใŸ ใŒใ“ใ“ใซๆŒใฃใฆใ„ใ‚‹ใฎใฏใ€ใ“ใ‚Œใฏๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซๅฅ‡ๅฆ™ใชใ“ใจ
08:19
is this. That's really hard to say in English, so we just say, "Forget it." What we're going
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ใงใ™ใ€‚ ใใ‚Œใ‚’่‹ฑ่ชžใง่จ€ใ†ใฎใฏๆœฌๅฝ“ใซ้›ฃใ—ใ„ ใฎใงใ€ใ€Œๅฟ˜ใ‚Œใฆใใ ใ•ใ„ใ€ใจ่จ€ใ„ใพใ™ใ€‚ ใ“ใ‚Œใ‹ใ‚‰
08:24
to do is get rid of the "b," double the "t," and then we have "attract." Why attract? Well,
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ใ‚„ใ‚ใ†ใจใ—ใฆใ„ใ‚‹ใฎใฏใ€ใ€Œbใ€ใ‚’ๅ–ใ‚Š้™คใใ€ใ€Œtใ€ใ‚’ 2 ๅ€ใซใ—ใฆใ€ ใ€Œๅผ•ใไป˜ใ‘ใ‚‹ใ€ใจใ„ใ†ใ“ใจใงใ™ใ€‚ ใชใœๆƒนใใคใ‘ใ‚‹๏ผŸ ใ•ใฆใ€
08:34
think about it. "Tract" means pull. "At" means away from. When you're attracted to something,
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่€ƒใˆใฆใฟใฆใใ ใ•ใ„ใ€‚ ใ€Œใƒˆใƒฉใ‚ฏใƒˆใ€ใจใฏๅผ•ใฃๅผตใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใ™ใ€‚ ใ€Œatใ€ใฏ ้›ขใ‚Œใฆใ„ใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใ™ใ€‚ ไฝ•ใ‹ใซๆƒนใ‹ใ‚Œใ‚‹ใจใ€ไป–ใฎ
08:41
it pulls your attention away from anything else. If you're attracted to, say, a lovely
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ใ“ใจใ‹ใ‚‰ๆณจๆ„ใŒใใ‚‰ใ•ใ‚Œ ใพใ™ใ€‚ ใŸใจใˆใฐใ€็ด ๆ•ตใช
08:44
senorita, you're walking down the road, got to go to work, got to go to work, ooh, ooh.
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ใ‚ปใƒ‹ใƒงใƒชใƒผใ‚ฟใซๆƒนใ‹ใ‚ŒใŸใ‚‰ใ€้“ใ‚’ๆญฉใ„ใฆใ„ใ‚‹ใ€ ไป•ไบ‹ใซ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ใ€ไป•ไบ‹ใซ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ใ€ใ‚ใ‚ใ€ใ‚ใ‚ใ€‚
08:55
Your attention has been taken from work to the lovely senorita going that way. Your attention
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ใ‚ใชใŸใฎๆณจๆ„ใฏใ€ไป•ไบ‹ใ‹ใ‚‰ ใ‚ใกใ‚‰ใ“ใกใ‚‰ใซๅ‘ใ‹ใ†็ด ๆ•ตใชใ‚ปใƒ‹ใƒงใƒชใƒผใ‚ฟใซๅ‘ใ‘ใ‚‰ใ‚Œใฆใ„ใพใ™ใ€‚ ใ‚ใชใŸใฎๆณจๆ„
08:59
has been taken away, right? So "attraction." So "attract" means "ab." We know what does
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ใฏๅฅชใ‚ใ‚Œใพใ—ใŸใ‚ˆใญ๏ผŸ ใ ใ‹ใ‚‰ใ€Œใ‚ขใƒˆใƒฉใ‚ฏใ‚ทใƒงใƒณใ€ใ€‚ ใคใพใ‚Šใ€ใ€Œattractใ€ใฏใ€Œabใ€ใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚ ็งใŸใกใฏใ€Œabใ€ใŒไฝ•ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ‹็Ÿฅใฃใฆใ„
09:06
"ab" mean. What does it mean? You did it two seconds ago. Abstract. That's right. Away
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ใพใ™ใ€‚ ใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ ใ‚ใชใŸใฏ2็ง’ๅ‰ใซใใ‚Œใ‚’ใ—ใพใ—ใŸ ใ€‚ ๆฆ‚่ฆใ€‚ ใใ‚Œใฏๆญฃใ—ใ„ใ€‚
09:12
from. And you've just learned a little rule about "ab," right? Sometimes when you see
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้›ขใ‚Œใฆใ€‚ ใใ—ใฆใ€ใ€Œabใ€ใซใคใ„ใฆๅฐ‘ใ—ใƒซใƒผใƒซใ‚’ๅญฆใณใพใ—ใŸ ใ‚ˆใญ๏ผŸ
09:19
a double constant with an "a" in front, it's really "ab," which means away from. Cool?
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ไบŒ้‡ๅฎšๆ•ฐใฎๅ‰ใซใ€Œaใ€ใŒไป˜ใ„ใฆใ„ใ‚‹ๅ ดๅˆใŒใ‚ใ‚Šใพใ™ใŒใ€ ๅฎŸ้š›ใซใฏใ€Œabใ€ใงใ‚ใ‚Šใ€ใ€Œ้›ขใ‚Œใฆใ„ใ‚‹ใ€ใจใ„ใ†ๆ„ๅ‘ณใงใ™ใ€‚ ใ„ใ„ใญ๏ผŸ
09:25
So "attract." To draw. So to draw attention. To pull it towards you. To pull the attention
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ใ ใ‹ใ‚‰ใ€Œๆƒนใใคใ‘ใ‚‹ใ€ใ€‚ ๆใใ€‚ ใ ใ‹ใ‚‰ๆณจ็›ฎใ‚’้›†ใ‚ใ‚‹ใ€‚ ใ‚ใชใŸใซๅ‘ใ‹ใฃใฆใใ‚Œใ‚’ๅผ•ใฃๅผตใ‚‹ใŸใ‚ใซใ€‚
09:41
from something to you or whatever you're looking at. To draw attention, and we put the word
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ไฝ•ใ‹ใ‹ใ‚‰ใ‚ใชใŸใ‚„ใ‚ใชใŸใŒ่ฆ‹ใฆใ„ใ‚‹ใ‚‚ใฎใซๆณจๆ„ใ‚’ๅผ•ใ . ๆณจๆ„ใ‚’ๅผ•ใใŸใ‚ใซใ€ใ€Œๅ‘ใ‘ใฆใ€ใจใ„ใ†่จ€่‘‰ใ‚’ไป˜ใ‘ใพใ—ใŸ
09:45
"towards." Right? There's our "draw," right? And when we say "away from," we say away from
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ใ€‚ ๅณ๏ผŸ ็งใŸใกใฎใ€ŒๆŠฝ้ธใ€ใŒใ‚ใ‚Šใพใ™ใ‚ˆใญ๏ผŸ ใใ—ใฆใ€ใ€Œใ‹ใ‚‰้›ขใ‚Œใฆใ€ใจ่จ€ใ†ใจใใ€็งใŸใกใฏ
09:54
something else towards something else. Cool? So "attract." That's why you say to a lovely
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ไฝ•ใ‹ไป–ใฎใ‚‚ใฎใ‹ใ‚‰้›ขใ‚Œใฆไฝ•ใ‹ไป–ใฎใ‚‚ใฎใซๅ‘ใ‹ใฃใฆใ„ใ‚‹ใจ่จ€ใ„ใพใ™. ใ„ใ„ใญ๏ผŸ ใ ใ‹ใ‚‰ใ€Œๆƒนใใคใ‘ใ‚‹ใ€ใ€‚ ็ด ๆ•ตใช
09:59
young lady, "You are attractive. You get my attention from everything else." All right?
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่‹ฅใ„ๅฅณๆ€งใซใ€Œใ‚ใชใŸใฏ้ญ…ๅŠ›็š„ใงใ™ใ€‚ใ‚ใชใŸใฏ ไป–ใฎใ™ในใฆใ‹ใ‚‰็งใฎๆณจๆ„ใ‚’ๅผ•ใใพใ™ใ€ใจ่จ€ใ†ใฎใฏใใฎใŸใ‚ใงใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
10:04
Ladies, you can say the same thing about men. In fact, you can write to me and say, "James,
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ๅฅณๆ€งใฎ็š†ใ•ใ‚“ใ€็”ทๆ€งใซใคใ„ใฆใ‚‚ๅŒใ˜ใ“ใจใŒ่จ€ใˆใพใ™ใ€‚ ๅฎŸ้š›ใ€ใ‚ใชใŸใฏ็งใซๆ‰‹็ด™ใ‚’ๆ›ธใ„ใฆใ€ใ€Œใ‚ธใ‚งใƒผใƒ ใ‚บใ€
10:08
I find you attractive, and you attract me from learning English," or "detract." I'll
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็งใฏใ‚ใชใŸใŒ้ญ…ๅŠ›็š„ใ ใจๆ€ใ„ใพใ™ใ€ใใ—ใฆใ‚ใชใŸใฏ็งใŒ่‹ฑ่ชžใ‚’ๅญฆใถใ“ใจใ‹ใ‚‰็งใ‚’ๆƒนใใคใ‘ใพใ™ ใ€ใพใŸใฏใ€Œๆใชใ†ใ€ใจ่จ€ใ†ใ“ใจใŒใงใใพใ™. ใใ‚Œใซใคใ„ใฆ
10:12
get to that later. That's another word. Next. So we've got "attractive." "Who attracted
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ใฏๅพŒใง่ชฌๆ˜Žใ—ใพใ™ใ€‚ ใใ‚Œใฏๅˆฅใฎ่จ€่‘‰ใงใ™ใ€‚ ๆฌกใ€‚ ใคใพใ‚Šใ€ใ€Œ้ญ…ๅŠ›็š„ใ€ใงใ™ใ€‚ ใ€Œ
10:19
him to women?" So, "So I began to subtract all." Now, if you've done this before, "sub"
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ๅฝผใ‚’ๅฅณๆ€งใซๆƒนใใคใ‘ใŸใฎใฏ่ชฐ๏ผŸใ€ ใใ‚Œใงใ€ใ€Œใ ใ‹ใ‚‰็งใฏใ™ในใฆใ‚’ๅผ•ใ็ฎ—ใ—ๅง‹ใ‚ใพใ—ใŸ ใ€‚ใ€ ใ•ใฆใ€ใ“ใ‚Œใ‚’ไปฅๅ‰ใซใ‚„ใฃใŸใ“ใจใŒใ‚ใ‚Œใฐใ€ใ€Œใ‚ตใƒ–ใ€
10:24
is easy because that's one of the first things you learn. Subway. Food. International now.
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ใฏ็ฐกๅ˜ใงใ™ใ€‚ใ“ใ‚Œใฏๆœ€ๅˆใซๅญฆใถใ“ใจใฎ 1 ใคใ ใ‹ใ‚‰ ใงใ™ใ€‚ ๅœฐไธ‹้‰„ใ€‚ ้ฃŸใน็‰ฉใ€‚ ใ‚‚ใฏใ‚„ใ‚คใƒณใ‚ฟใƒผใƒŠใ‚ทใƒงใƒŠใƒซใ€‚
10:30
But "subtract" is mathematical principle. "Subtract" means to take away from. Okay?
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ใ—ใ‹ใ—ใ€ใ€Œๅผ•ใ็ฎ—ใ€ใฏๆ•ฐๅญฆ็š„ๅŽŸ็†ใงใ™ใ€‚ ใ€Œๅผ•ใ็ฎ—ใ€ใฏใ€ๅผ•ใๅ–ใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
10:35
And why do we take it away? Well, "sub" means what? Under. Now, some of you have done this
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ใใ—ใฆใ€ใชใœ็งใŸใกใฏใใ‚Œใ‚’ๅฅชใ†ใฎใงใ™ใ‹๏ผŸ ใ•ใฆใ€ใ€Œใ‚ตใƒ–ใ€ใจใฏ ใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ ไธ‹ใ€‚ ใ•ใฆใ€ใ‚ใชใŸๆ–นใฎไฝ•ไบบใ‹ใฏไปฅๅ‰ใซใ“ใ‚Œใ‚’ใ‚„ใฃใŸใ“ใจใŒใ‚ใ‚Šใพใ™
10:43
before. I heard you. Yeah, that's right. Below. And beneath. Right? And when we subtract something...
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ใ€‚ ่žใ“ใˆใŸใ‚ˆใ€‚ ใฏใ„ใ€ใใฎใจใŠใ‚Šใ€‚ ไธ‹ใ€‚ ใใ—ใฆ ไธ‹ใ€‚ ๅณ๏ผŸ ใใ—ใฆใ€ไฝ•ใ‹ใ‚’ๅผ•ใใจ...
10:51
Okay? When we subtract something, we throw it underneath. Right? And we put "put." "Put,"
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ใ‚ใ‹ใ‚Šใพใ—ใŸใ‹๏ผŸ ไฝ•ใ‹ใ‚’ๅทฎใ—ๅผ•ใใจใใฏใ€ใใ‚Œใ‚’ไธ‹ใซๆŠ•ใ’ ใพใ™ใ€‚ ๅณ๏ผŸ ใใ—ใฆใ€ใ€Œ็ฝฎใใ€ใจ็ฝฎใใพใ™ใ€‚ ใ€Œ็ฝฎใ
11:06
or I say, "pull," or "draw," or... In this case, we're taking it and drawing it beneath
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ใ€ใ€ใพใŸใฏใ€Œๅผ•ใใ€ใ€ใ€Œๅผ•ใใ€ใ€ใพใŸใฏ... ใ“ใฎ ๅ ดๅˆใ€็งใŸใกใฏใใ‚Œใ‚’ๅ–ใ‚Šใ€ๆณจๆ„ใ‚’ๅผ•ใ„ใฆๅผ•ใใพใ™
11:17
the attention. So when you're subtracting, you're taking it away, so it goes away from
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. ๅผ•ใ็ฎ—ใ‚’ใ— ใฆใ„ใ‚‹ใจใใฏใ€ใใ‚Œใ‚’ๅ–ใ‚Š้™คใ„ใฆใ„ใ‚‹ใฎใงใ€
11:20
my attention, so I'm only focusing on what's left. But when we do subtraction, we pull
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็งใฎๆณจๆ„ใ‹ใ‚‰้›ขใ‚Œใฆใ—ใพใ†ใฎใงใ€็งใฏๆฎ‹ใฃใŸใ‚‚ใฎใ ใ‘ใซ้›†ไธญใ—ใฆใ„ ใพใ™ใ€‚ ใ—ใ‹ใ—ใ€ๅผ•ใ็ฎ—ใ‚’ใ™ใ‚‹ใจใใฏใ€
11:25
it under and then take it away. So an example would be four, right? You have four minus
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ใใ‚Œใ‚’ไธ‹ใซๅผ•ใฃๅผตใฃใฆใ‹ใ‚‰ๅ–ใ‚Š้™คใใพใ™ใ€‚ ไพ‹ใจใ—ใฆ ใฏ 4 ใคใงใ™ใ‚ˆใญ๏ผŸ 4 ใƒžใ‚คใƒŠใ‚น
11:31
two. I can't do it, so you pull it underneath and put minus two equals two. Yeah? Cool.
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2 ใงใ™ใ€‚ ็งใซใฏใงใใชใ„ใฎใงใ€ไธ‹ใซๅผ•ใฃๅผตใฃ ใฆใƒžใ‚คใƒŠใ‚น 2 ใ‚’ 2 ใซใ—ใพใ™ใ€‚ ใ†ใ‚“๏ผŸ ใ„ใ„ใญใ€‚
11:39
That's actually subtraction. Both things. So let's look at the next one. So we subtract
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ใพใ•ใซๅผ•ใ็ฎ—ใงใ™ใ€‚ ไธกๆ–นใฎใ“ใจใ€‚ ใจใ„ใ†ใ‚ใ‘ ใงใ€ๆฌกใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ใใฎใŸใ‚ใ€็งใŸใกใฏๆธ›็‚นใ™ใ‚‹
11:44
all the things that we detract. What does "de" mean? "De" is funny, because "de" as
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ใ™ในใฆใฎใ‚‚ใฎใ‚’ๅทฎใ—ๅผ•ใใพใ™ใ€‚ "de" ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹? "de" ใฏ้ข็™ฝใ„ใงใ™ใ€‚
11:51
in "descend" means either "down," or another one that means "away from." Similar to "ab."
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"descend" ใฎ "de" ใฏใ€"down" ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ‹ใ€" from from" ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ๅˆฅใฎๆ„ๅ‘ณใ ใ‹ใ‚‰ใงใ™ใ€‚ ใ€Œใ‚ขใƒ–ใ€ใซไผผใฆใ„ใพใ™ใ€‚
12:00
But "ab" doesn't have a "down" meaning, so that's why we use it, because sometimes we
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ใ—ใ‹ใ—ใ€ใ€Œabใ€ใซใฏใ€Œใƒ€ใ‚ฆใƒณใ€ใฎๆ„ๅ‘ณใŒใชใ„ใŸใ‚ใ€
12:04
mean "de" as in "down," and sometimes we mean "away from." Okay? So when you detract from
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ใ€Œใƒ€ใ‚ฆใƒณใ€ใฎใ‚ˆใ†ใซใ€Œใƒ‡ใ€ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ“ใจใ‚‚ใ‚ใ‚Œใฐใ€ ใ€Œใ‹ใ‚‰้›ขใ‚Œใฆใ€ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ“ใจใ‚‚ใ‚ใ‚‹ใŸใ‚ใ€ใใ‚Œใ‚’ไฝฟ็”จใ—ใพใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใ—ใŸใŒใฃใฆใ€ไฝ•ใ‹ใ‚’ๆใชใ†ใจ
12:09
something, you pull the attention away from. Right? So you pull away from. So if you want
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ใ€ๆณจๆ„ใŒใใ‚‰ใ•ใ‚Œใพใ™ใ€‚ ๅณ๏ผŸ ใ ใ‹ใ‚‰ใ‚ใชใŸใฏๅผ•ใ้›ขใ—ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใ‚ใชใŸใฎ
12:25
to detract attention from, I don't know, your big butt, your enormous ass. Sorry, you can't
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ๆณจๆ„ใ‚’ใใ‚‰ใ—ใŸใ„ใฎใชใ‚‰ใ€็งใซใฏใ‚ใ‹ใ‚Šใพใ›ใ‚“ใ€ใ‚ใชใŸใฎ ๅคงใใชใŠๅฐปใ€ใ‚ใชใŸใฎๅทจๅคงใชใŠๅฐปใ€‚ ็”ณใ—่จณใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ใ‚ใชใŸใฏ็งใฎใ‚‚ใฎใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ›ใ‚“
12:31
see mine. Here it is. There. Good shot. I hope you looked. It's gone. Okay? But maybe you
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ใ€‚ ใ“ใ“ใซใ‚ใ‚Šใพใ™ใ€‚ ใใ“ใซใฏใ€‚ ใ„ใ„ใ‚ทใƒงใƒƒใƒˆใ€‚ ใ”่ฆง ใ„ใŸใ ใ‘ใ‚Œใฐๅนธใ„ใงใ™ใ€‚ ใชใใชใฃใŸใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใ—ใ‹ใ—ใ€ใ‚ใชใŸ
12:37
have a really big bum. Little legs and a really big bum. Okay? You want to detract attention
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ใฏๆœฌๅฝ“ใซๅคงใใชใŠๅฐปใ‚’ๆŒใฃใฆใ„ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ๅฐใ•ใช่ถณใจๆœฌๅฝ“ใซ ๅคงใใชใŠๅฐปใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใ‚ใชใŸใฏใใ‚Œใ‹ใ‚‰ๆณจๆ„ใ‚’ใใ‚‰ใ—ใŸใ„
12:42
from that. Take people's eyes away from it. Okay? All right? So that was "detract." So
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ใงใ™ใ€‚ ไบบใฎ็›ฎใ‚’ใใ“ใ‹ใ‚‰้›ขใ—ใฆใใ ใ•ใ„ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใ‚ใ‹ใฃใŸ๏ผŸ ใใ‚ŒใŒใ€Œๆธ›ๆใ€ใงใ—ใŸใ€‚
12:51
we go from "detract" down to "contract." Most of you think "contract" is a piece of
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ใคใพใ‚Šใ€ใ€Œๆธ›ๆใ€ใ‹ใ‚‰ใ€Œๅฅ‘็ด„ใ€ใซ็งป่กŒใ—ใพใ™ใ€‚ ใ€Œๅฅ‘็ด„ใ€ใฏไธ€ๆžšใฎ็ด™ใ ใจๆ€ใฃใฆใ„ใ‚‹ไบบใฏๅคšใ„ใจๆ€ใ„ใพใ™
12:56
paper. Well, it's not. To "contract" something, because "con" means -- and this is the important
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ใ€‚ ใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ไฝ•ใ‹ใ‚’ใ€Œๅฅ‘็ด„ใ€ใ™ใ‚‹ใ“ใจใฏ ใ€ใ€Œใ‚ณใƒณใ€ใŒๆ„ๅ‘ณใ™ใ‚‹ใฎใง - ใใ—ใฆใ“ใ‚Œใฏ้‡่ฆ
13:02
thing -- "con" means this. I feel like Mr. Rogers. Did you hear that little voice? Girls
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ใชใ“ใจใงใ™ - ใ€Œใ‚ณใƒณใ€ใฏใ“ใ‚Œใ‚’ๆ„ๅ‘ณใ—ใพใ™. ใƒญใ‚ธใƒฃใƒผใ‚นใ•ใ‚“ใฎใ‚ˆใ†ใชๆฐ—ๅˆ† ใงใ™ใ€‚ ใ‚ใฎๅฐใ•ใชๅฃฐใŒ่žใ“ใˆใŸ๏ผŸ ๅฅณใฎๅญ
13:10
and boys? It's "with" and "together." That's right. You're so good. You're so good. Okay?
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ใจ็”ทใฎๅญ๏ผŸ ใ€Œไธ€็ท’ใซใ€ใ€Œไธ€็ท’ใซใ€ใงใ™ใ€‚ ใใ‚Œใฏ ๆญฃใ—ใ„ใ€‚ ใจใฆใ‚‚ไธŠๆ‰‹ใงใ™ใ‚ˆใ€‚ ใจใฆใ‚‚ไธŠๆ‰‹ใงใ™ใ‚ˆใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
13:17
With or together. And "tract" means what? Pull. So in this case, think with "with." Okay?
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ไธ€็ท’ใซใ€ใพใŸใฏไธ€็ท’ใซใ€‚ ใใ—ใฆใ€Œใƒˆใƒฉใ‚ฏใƒˆใ€ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹๏ผŸ ๅผ•ใใ€‚ ใ ใ‹ใ‚‰ใ“ใฎๅ ดๅˆใฏใ€Œwithใ€ใง่€ƒใˆใฆใใ ใ•ใ„ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
13:27
And think "draw." And as I said, "pull." You pull a disease into yourself. So you draw
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ใใ—ใฆใ€ใ€Œๆใใ€ใจ่€ƒใˆใฆใใ ใ•ใ„ใ€‚ ใใ—ใฆใ€็งใŒ่จ€ใฃใŸใ‚ˆใ†ใซใ€ใ€Œๅผ•ใฃๅผตใ‚‹ใ€ใ€‚ ใ‚ใชใŸใฏ ่‡ชๅˆ†่‡ช่บซใซ็—…ๆฐ—ใ‚’ๅผ•ใ่พผใฟใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ‚ใชใŸใฏใใ‚Œใ‚’ๅผ•ใ่พผใฟใพใ™
13:33
it in. It's not that you want to. You've contracted it. So it's part of you. It comes together
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ใ€‚ใ‚ใชใŸใŒใใ†ใ—ใŸใ„ใ‚ใ‘ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ‚ใชใŸใฏใใ‚Œใ‚’ๅฅ‘็ด„ ใ—ใพใ—ใŸใ€‚ ใ ใ‹ใ‚‰ใใ‚Œใฏใ‚ใชใŸใฎไธ€้ƒจใงใ™ใ€‚
13:37
with you, and it's drawn in. All right? That's why you contract a cold. Right? You don't
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ใ‚ใชใŸใจไธ€็ท’ใซๆฅใฆใ€ๅผ•ใ่พผใพใ‚Œใพใ™ใ€‚ ้ขจ้‚ชใ‚’ใฒใใฎใฏใใฎใŸใ‚ใงใ™ใ€‚ ๅณ๏ผŸ
13:42
draw a contract, like, "I will be officially sick for seven days." No. What happens is,
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ใ€Œ็งใฏๅ…ฌๅผใซ7ๆ—ฅ้–“็—…ๆฐ—ใซใชใ‚Šใพใ™ใ€ใชใฉใฎๅฅ‘็ด„ๆ›ธใ‚’ไฝœๆˆใ—ใพใ›ใ‚“ ใ€‚ ใ„ใ„ใˆใ€ไฝ•ใŒ่ตทใ“ใ‚‹
13:47
you talk to somebody, and you contract it. It's drawn into you from them, and it makes
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ใ‹ใจใ„ใ†ใจใ€่ชฐใ‹ใจ่ฉฑใ—ใ€ใใ‚Œใ‚’ๅฅ‘็ด„ใ—ใพใ™ใ€‚ ใใ‚Œใฏๅฝผใ‚‰ใ‹ใ‚‰ใ‚ใชใŸใซๅผ•ใ่พผใพใ‚Œใ€
13:50
you sick. You cannot contract cancer. You can contract a virus. You can contract the
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ใ‚ใชใŸใ‚’็—…ๆฐ—ใซใ—ใพใ™. ใŒใ‚“ใซใ‹ใ‹ใ‚‹ใ“ใจใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ‚ฆใ‚คใƒซใ‚นใซๆ„ŸๆŸ“ใ™ใ‚‹ใ“ใจใŒใ‚ใ‚Šใพใ™ใ€‚
13:55
bacteria, because it's drawn into your body. Cool, no? All right. There you go. Contract.
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็ดฐ่ŒใŒไฝ“ๅ†…ใซๅผ•ใ่พผใพใ‚Œใ‚‹ใŸใ‚ใ€็ดฐ่Œใซๆ„ŸๆŸ“ใ™ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ใ€‚ ใ‚ซใƒƒใ‚ณใ‚คใ‚คใงใ™ใ‚ˆใญ๏ผŸ ใ‚ใ‹ใฃใŸใ€‚ ใปใ‚‰ใญใ€‚ ๅฅ‘็ด„ใ€‚
14:00
With or together. Next. Oh, we're not at the piece de resistance, but we kind of are. We're
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ไธ€็ท’ใซใ€ใพใŸใฏไธ€็ท’ใซใ€‚ ๆฌกใ€‚ ใ‚ใ‚ใ€็งใŸใกใฏๆŠตๆŠ—ใฎ้™็•Œใซ้”ใ—ใฆใ„ใพใ›ใ‚“ใŒใ€ใ‚ใ‚‹็จ‹ๅบฆใงใ™ ใ€‚ ็งใŸใก
14:05
at the last one. Traction. Traction. What does that mean, traction? Well, "tion" usually
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ใฏๆœ€ๅพŒใฎใ‚‚ใฎใงใ™ใ€‚ ใƒˆใƒฉใ‚ฏใ‚ทใƒงใƒณใ€‚ ใƒˆใƒฉใ‚ฏใ‚ทใƒงใƒณใ€‚ ใใ‚Œใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹ใ€็‰ฝๅผ•ใงใ™ใ‹๏ผŸ ใ€Œtionใ€ใฏ้€šๅธธใ€
14:11
means noun. All right? So when we talk about having traction, here's the funny thing. It's
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ๅ่ฉžใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ็‰ฝๅผ•ๅŠ›ใซใคใ„ใฆ่ฉฑใ™ใจใใ€ใ“ใ“ใซ้ข็™ฝใ„ใ“ใจใŒใ‚ใ‚Šใพใ™ใ€‚
14:16
-- all right? And with movement, when we say it's movement, it's based on pulling or drawing.
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ๅคงไธˆๅคซ๏ผŸ ใใ—ใฆใ€ ๅ‹•ใใจ่จ€ใˆใฐใ€ๅผ•ใฃๅผตใฃใŸใ‚Šๅผ•ใ„ใŸใ‚Šใ™ใ‚‹ใ“ใจใงใ™ใ€‚
14:28
Because when you get traction, let's say you have -- okay, you've got a car. I never said
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็‰ฝๅผ•ๅŠ›ใ‚’ๅพ—ใ‚‹ใจใ€ใŸใจใˆใฐ ใ€่ปŠใ‚’ๆŒใฃใฆใ„ใ‚‹ใจใ—ใพใ—ใ‚‡ใ†ใ€‚ ็งใฏ
14:33
I was an artiste. Have you seen The Worm? Okay? Your car -- sorry, man. I'm a terrible
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่‡ชๅˆ†ใŒ่Šธ่ก“ๅฎถใ ใจใฏๆฑบใ—ใฆ่จ€ใ„ใพใ›ใ‚“ใงใ—ใŸใ€‚ ใƒฏใƒผใƒ ใ‚’่ฆ‹ใŸใ“ใจใŒใ‚ใ‚Šใพใ™ใ‹๏ผŸ ใ‚ใ‹ใฃใŸ๏ผŸ ใ‚ใชใŸใฎ่ปŠ - ใ™ใฟใพใ›ใ‚“ใ€็”ทใ€‚ ็งใฏใฒใฉใ„
14:41
drawer. Your car can't -- if this is ice here, your car can't move. It can't get traction.
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ๅผ•ใๅ‡บใ—ใงใ™ใ€‚ ใ‚ใชใŸใฎ่ปŠใฏๅ‹•ใใพใ›ใ‚“ใ€‚ใ“ใ“ใŒๆฐทใ ใจใ€ ใ‚ใชใŸใฎ่ปŠใฏๅ‹•ใใพใ›ใ‚“ใ€‚ ใใ‚Œใฏ็‰ฝๅผ•ๅŠ›ใ‚’ๅพ—ใ‚‹ใ“ใจใŒใงใใพใ›ใ‚“ใ€‚
14:47
What it needs to do is pull, be able to pull to gain movement. So when we talk about this,
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ใใ‚ŒใŒใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ใฎใฏๅผ•ใฃๅผตใ‚‹ใ“ใจใงใ™ใ€ๅ‹•ใใŸใ‚ใซๅผ•ใฃๅผตใ‚‹ใ“ใจใŒใงใ ใพใ™ใ€‚ ใ—ใŸใŒใฃใฆใ€ใ“ใ‚Œใซใคใ„ใฆ่ฉฑใ™ใจใใฏใ€
14:52
you need to pull to gain some kind of movement. You need some kind of traction, the ability
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ไฝ•ใ‚‰ใ‹ใฎๅ‹•ใใ‚’ๅพ—ใ‚‹ใŸใ‚ใซๅผ•ใฃๅผตใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚ ใ‚ใ‚‹็จฎใฎ็‰ฝๅผ•ๅŠ›ใ€ใ‚ฐใƒชใƒƒใƒ—ๅŠ›ใŒๅฟ…่ฆ
14:56
to grip. Okay? Now, traction is what you need here for that kind of movement of pulling
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ใงใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใ•ใฆใ€ ๅผ•ใฃๅผตใฃใŸใ‚Šๅผ•ใฃๅผตใฃใŸใ‚Šใ™ใ‚‹ใ‚ˆใ†ใชๅ‹•ใใซใฏใ€็‰ฝๅผ•ๅŠ›ใŒๅฟ…่ฆใงใ™
15:03
or drawing on. So in this case, let's go through the story again and see if we've got it right.
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ใ€‚ ใ“ใฎๅ ดๅˆใ€ ใ‚‚ใ†ไธ€ๅบฆใ‚นใƒˆใƒผใƒชใƒผใ‚’่ฆ‹ใฆใ€ใใ‚ŒใŒๆญฃใ—ใ„ใ‹ใฉใ†ใ‹ใ‚’็ขบ่ชใ—ใพใ—ใ‚‡ใ†ใ€‚
15:10
Mr. E inspired me to do an abstract painting, one that's not based totally on reality. I
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Eๆฐใฎๅฝฑ้Ÿฟใง ใ€็พๅฎŸใซๅฎŒๅ…จใซๅŸบใฅใ„ใฆใ„ใชใ„ๆŠฝ่ฑก็”ปใ‚’ๆใใ‚ˆใ†ใซใชใ‚Šใพใ—ใŸใ€‚
15:15
tried to extract -- extract, pull. Now, another word for extract is if you have bad teeth,
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ๆŠฝๅ‡บใ—ใ‚ˆใ†ใจใ—ใพใ—ใŸ -- ๆŠฝๅ‡บใ€ใƒ—ใƒซใ€‚ ใ•ใฆใ€ ๆŠฝๅ‡บใฎๅˆฅใฎ่จ€่‘‰ใฏใ€ใ‚ใชใŸใŒๆ‚ชใ„ๆญฏใ‚’ๆŒใฃใฆใ„ใ‚‹ๅ ดๅˆใ€
15:21
I'll extract them and pull them out. Pull, the exact thing that attracted him, draws
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็งใฏใใ‚Œใ‚‰ใ‚’ๆŠฝๅ‡บใ—ใฆๅผ•ใๆŠœใใพใ™. ๅฝผใ‚’ๆƒนใใคใ‘ใŸใฎใฏใพใ•ใซใƒ—ใƒซใงใ‚ใ‚Šใ€ๆณจ็›ฎใ‚’
15:26
attention. Remember? Drawing attention of women to him. So I began to subtract. Remember?
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้›†ใ‚ใฆใ„ใพใ™ใ€‚ ่ฆšใˆใฆ๏ผŸ ๅฝผใซๅฅณๆ€งใฎๆณจ็›ฎใ‚’้›†ใ‚ใ‚‹ . ใใ‚Œใงๅผ•ใ็ฎ—ใ‚’ๅง‹ใ‚ใพใ—ใŸใ€‚ ่ฆšใˆใฆ๏ผŸ
15:32
Pull and take away all the things from attention, put it underneath, get rid of them. So only
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ใ™ในใฆใฎใ‚‚ใฎใ‚’ๅผ•ใฃๅผตใฃใฆๆณจๆ„ใ‹ใ‚‰ ๅ–ใ‚Š้™คใใ€ไธ‹ใซ็ฝฎใใ€ใใ‚Œใ‚‰ใ‚’ๅ–ใ‚Š้™คใใพใ™ใ€‚ ใคใพใ‚Šใ€
15:36
what's -- substance is left. The things that would detract, right, take your attention
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ๅฎŸไฝ“ใ ใ‘ใŒๆฎ‹ใ‚Šใพใ™ใ€‚ ๆฐ—ใ‚’ๆ•ฃใ‚‰ใ™ใ‚‚ใฎใฏใ€ใใ†ใงใ™ใ€ๆœฌๅฝ“ใฎๅฝผใ‹ใ‚‰ใ‚ใชใŸใฎๆณจๆ„ใ‚’
15:40
away from the real him. So what would be left is just him, which would be one skinny little
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ใใ‚‰ใ—ใพใ™. ใใ‚Œใงใ€ๆฎ‹ใ‚‹ใฎ ใฏๅฝผใ ใ‘
15:45
worm. That's Mr. E without anything on him. It's not very attractive, is it? Okay? Before
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ใงใ™ใ€‚ ไฝ•ใ‚‚็€ใฆใ„ใชใ„Eใ•ใ‚“ใงใ™ใ€‚ ใชใ‹ใชใ‹้ญ…ๅŠ›็š„ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
15:54
I could complete it, I contracted -- caught, I drew into myself germs, disease, right?
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็งใฏใใ‚Œใ‚’ๅฎŒๆˆใ•ใ›ใ‚‹ๅ‰ใซใ€็งใฏๅŽ็ธฎใ—ใพใ—ใŸ - ๆ•ใ‚‰ใˆใ‚‰ใ‚Œใฆใ€ ็งใฏ่‡ชๅˆ†่‡ช่บซใซ็ดฐ่Œใ€็—…ๆฐ—ใ‚’ๅผ•ใ่พผใฟใพใ—ใŸใ‚ˆใญ?
16:02
And I lost all traction on it, so no movement. I lost the ability to make that contact to
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ใใ—ใฆใ€็งใฏใใ‚Œใงใ™ในใฆใฎ็‰ฝๅผ•ๅŠ›ใ‚’ๅคฑใฃใŸใฎใงใ€ๅ‹•ใใฏใ‚ใ‚Šใพใ›ใ‚“. ็งใฏ่‡ชๅˆ†ใ‚’ๅ‰ใซๅผ•ใฃๅผตใ‚‹ใŸใ‚ใซใใฎๆŽฅ่งฆใ‚’ใ™ใ‚‹่ƒฝๅŠ›ใ‚’ๅคฑใ„ใพใ—ใŸ
16:07
be able to pull to draw myself forward. So there was no tract on the project. Okay? So
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. ใใฎ ใŸใ‚ใ€ใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซใฏๅฐๅ†ŠๅญใŒใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ
16:13
you got the story? Here's a quick question. If I lost traction on it, did I finish it
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่ฉฑใฏใ‚ใ‹ใ‚Šใพใ—ใŸใ‹๏ผŸ ใ“ใ“ใง็ฐกๅ˜ใช่ณชๅ•ใงใ™ใ€‚ ็‰ฝๅผ•ๅŠ›ใ‚’ๅคฑใฃใŸๅ ดๅˆใ€ใใ‚Œใ‚’็ต‚ไบ†ใ—ใพใ—ใŸ
16:20
or not? Think ice, think car. Does a car move if it's on ice? Okay? So that's the story.
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ใ‹๏ผŸ ๆฐทใ‚’่€ƒใˆใฆใ€่ปŠใ‚’่€ƒใˆใฆใใ ใ•ใ„ใ€‚ ๆฐทใฎไธŠใ ใจ่ปŠใฏๅ‹•ใใพใ™ใ‹๏ผŸ ใ‚ใ‹ใฃใŸ๏ผŸ ใใ‚ŒใŒ่ฉฑใงใ™ใ€‚
16:31
That's all I got to say. I don't have a contract to do any more work here. I don't want you
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ใใ‚ŒใŒ็งใŒ่จ€ใ‚ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ใ™ในใฆใงใ™ใ€‚ ใ“ใ“ใงใ“ใ‚ŒไปฅไธŠไป•ไบ‹ใ‚’ใ™ใ‚‹ๅฅ‘็ด„ใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
16:37
detracted from the work you're supposed to be doing and give you any more abstract nonsense
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ใ‚ใชใŸใŒๆœฌๆฅใ‚„ใ‚‹ในใไป•ไบ‹ใฎ้‚ช้ญ”ใ‚’ใ— ใŸใ‚Šใ€ใ“ใ‚ŒไปฅไธŠๆŠฝ่ฑก็š„ใชใƒŠใƒณใ‚ปใƒณใ‚น
16:41
and talk about it. I believe you're attracted to the lessons in the pyramid because you've
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ใ‚’ไธŽใˆใŸใ‚Šใ€ใใ‚Œใซใคใ„ใฆ่ฉฑใ—ใŸใ‚Šใ—ใฆใปใ—ใใ‚ใ‚Šใพใ›ใ‚“. ใ‚ใชใŸใฏใ“ใ“ใซๆฅ ใŸใ“ใจใŒใ‚ใ‚‹ใ‹ใ‚‰ใƒ”ใƒฉใƒŸใƒƒใƒ‰ใฎๆ•™่จ“ใซๆƒนใ‹ใ‚Œใฆ
16:45
been here, but I want you to extract the lesson I'm trying to teach here. Okay? I think that's
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ใ„ใ‚‹ใจๆ€ใ„ใพใ™ใŒใ€็งใŒใ“ใ“ใงๆ•™ใˆใ‚ˆใ†ใจใ—ใฆใ„ใ‚‹ๆ•™่จ“ใ‚’ๆŠฝๅ‡บใ—ใฆใปใ—ใ„ใฎใงใ™ ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ ใใ‚Œใ ใ‘ใ ใจๆ€ใ„ใพใ™
16:51
it. I think we got a lot of traction in what we were trying to do here, and now I've got
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ใ€‚ ใ“ใ“ใงใ‚„ใ‚ใ†ใจใ—ใฆใ„ใŸใ“ใจใซๅคšใใฎ็‰ฝๅผ•ๅŠ›ใŒใ‚ใฃใŸใจๆ€ใ„ใพใ™ใ€‚ไปŠใฏๅ…ˆใซ้€ฒใพใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“
16:53
to move on. And you've got to get some traction and get to this place here. WWW dot. No abstract
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ใ€‚ ใใ—ใฆใ€็‰ฝๅผ•ๅŠ›ใ‚’ๅพ—ใฆใ€ใ“ใ“ใซใŸใฉใ‚Š็€ใ‹ใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“ ใ€‚ WWWใƒ‰ใƒƒใƒˆใ€‚ ใ“ใ“ใซใฏใ‚ขใƒ–ใ‚นใƒˆใƒฉใ‚ฏใƒˆใฏใ‚ใ‚Šใพใ›ใ‚“
17:02
here. Maybe I'll do a print symbol. That's abstract. See? Ing, as in English, vid. Now
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ใ€‚ ๅคšๅˆ†็งใฏๅฐๅˆท่จ˜ๅทใ‚’ใ‚„ใ‚Šใพใ™ใ€‚ ใใ‚Œใฏ ๆŠฝ่ฑก็š„ใงใ™ใ€‚ ่ฆ‹ใ‚‹๏ผŸ Ingใ€่‹ฑ่ชžใฎใ‚ˆใ†ใซใ€vid.
17:09
see abstract? Because it used to be ing vid. Now it's abstract here. Dot com, where you
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ใ‚ขใƒ–ใ‚นใƒˆใƒฉใ‚ฏใƒˆใ‚’ๅ‚็…งใ—ใฆใใ ใ•ใ„ใ€‚ ไปฅๅ‰ใฏ ing vid ใ ใฃใŸใ‹ใ‚‰ใงใ™ใ€‚ ใ“ใ“ใงใฏๆŠฝ่ฑก็š„ใงใ™ใ€‚
17:16
can learn about tract and other things. I mean, grammar, vocabulary, conversation, meeting
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ใƒˆใƒฉใ‚ฏใƒˆใชใฉใซใคใ„ใฆๅญฆในใ‚‹ใƒ‰ใƒƒใƒˆใ‚ณใƒ ใ€‚ ใคใพใ‚Šใ€ ๆ–‡ๆณ•ใ€่ชžๅฝ™ใ€ไผš่ฉฑใ€ๅฅณๆ€งใจใฎๅ‡บไผšใ„
17:23
women. I didn't say that. I didn't say that. Other subjects in English, and we're happy
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ใ€‚ ็งใฏใใ‚Œใ‚’่จ€ใ‚ใชใ‹ใฃใŸใ€‚ ็งใฏใใ‚Œใ‚’่จ€ใ‚ใชใ‹ใฃใŸใ€‚ ไป–ใฎ็ง‘็›ฎใฏ่‹ฑ่ชžใงใ€ๅ–œใ‚“
17:28
to teach you. Okay? So go to EngVid.com. Come learn our vocabulary pyramid and the other
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ใงๆ•™ใˆใพใ™ใ€‚ ใ‚ใ‹ใฃใŸ๏ผŸ EngVid.com ใซใ‚ขใ‚ฏใ‚ปใ‚นใ—ใพใ™ใ€‚ ็งใŸใกใฎ่ชžๅฝ™ใƒ”ใƒฉใƒŸใƒƒใƒ‰ใจ็ง
17:32
things we have available. Have a good day. I'm out. See you.
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ใŸใกใŒๅˆฉ็”จใงใใ‚‹ไป–ใฎใ‚‚ใฎใ‚’ๅญฆใณใซๆฅใฆใใ ใ•ใ„. ่‰ฏใ„ไธ€ๆ—ฅใ‚’้Žใ”ใ—ใฆใใ ใ•ใ„ใ€‚ ๅ‡บใพใ—ใŸใ€‚ ใพใŸใญใ€‚
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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