English Vocabulary - TRACT words - contract, subtract, abstract, and more!

77,607 views ใƒป 2010-11-29

ENGLISH with James


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Hmm. She's very attractive. I'd like to contract something from her. Oops. Hi. James from IGVED.
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ํ . ๊ทธ๋…€๋Š” ๋งค์šฐ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค. ๊ทธ๋…€์™€ ๊ณ„์•ฝํ•˜๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค . ์ด๋Ÿฐ. ์•ˆ๋…•. IGVED์˜ ์ œ์ž„์Šค.
00:13
Just looking at the paper and I saw this girl. Magnifique. She was very attractive. Maybe
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์‹ ๋ฌธ๋งŒ ๋ด๋„ ์ด ์—ฌ์ž๊ฐ€ ๋ณด์˜€๋‹ค. ์›…์žฅํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ๋งค์šฐ ๋งค๋ ฅ์ ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
00:20
too attractive because I probably would contract something from her if I got to kiss her. But
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๋‚ด๊ฐ€ ๊ทธ๋…€์—๊ฒŒ ํ‚ค์Šค๋ฅผ ํ•˜๊ฒŒ ๋˜๋ฉด ๊ทธ๋…€์—๊ฒŒ์„œ ๋ฌด์–ธ๊ฐ€๋ฅผ ๊ณ„์•ฝํ•  ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์— ๋„ˆ๋ฌด ๋งค๋ ฅ์ ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ
00:26
here's what I want to work on. You heard me say contract. You heard me say attract. And
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์—ฌ๊ธฐ์— ์ œ๊ฐ€ ์ž‘์—…ํ•˜๊ณ  ์‹ถ์€ ๊ฒƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ๋‚ด๊ฐ€ ๊ณ„์•ฝ์„ ๋งํ•˜๋Š” ๊ฒƒ์„ ๋“ค์—ˆ๋‹ค. ๋Œ๋ฆฐ๋‹ค๋Š” ๋ง์„ ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
00:33
I know a lot of you already know the word attractive, which means you tell it in something
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๋งŽ์€ ๋ถ„๋“ค์ด ๋งค๋ ฅ์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์ด๋ฏธ ์•Œ๊ณ  ๊ณ„์‹œ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
00:36
that makes you like it. Contract, you know, it's paper, right? You write a contract for
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. ๊ณ„์•ฝ์„œ, ์•Œ ๋‹ค์‹œํ”ผ ์ข…์ด์ฃ ? ์„œ๋น„์Šค ๋˜๋Š” ๋น„์ฆˆ๋‹ˆ์Šค์— ๋Œ€ํ•œ ๊ณ„์•ฝ์„œ๋ฅผ ์ž‘์„ฑํ•ฉ๋‹ˆ๋‹ค
00:41
services or business. But how about we start looking at why these words have this meaning
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. ํ•˜์ง€๋งŒ ์™œ ์ด ๋‹จ์–ด๋“ค์ด ์ด๋Ÿฐ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๋Š”์ง€ ์‚ดํŽด๋ณด๊ณ 
00:47
and look at the root. OK. And the root today, when we go today's vocabulary pyramid, mid,
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์–ด๊ทผ์„ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์€ ์–ด๋–จ๊นŒ์š”? ์ข‹์•„์š”. ๊ทธ๋ฆฌ๊ณ  ์˜ค๋Š˜๋‚ ์˜ ๋ฟŒ๋ฆฌ, ์˜ค๋Š˜์˜ ์–ดํœ˜ ํ”ผ๋ผ๋ฏธ๋“œ๋กœ ๊ฐˆ ๋•Œ mid,
00:52
mid, mid, mid, mid. Right. Here we go. So I'm going to put vocab, vocab pyramid. Yes,
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mid, mid, mid, mid. ์˜ค๋ฅธ์ชฝ. ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์ €๋Š” vocab, vocab pyramid๋ฅผ ๋„ฃ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋„ค,
01:03
it's another vocabulary pyramid brought to you by Mr. E and his exploratory team. OK,
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Mr. E์™€ ๊ทธ์˜ ํƒ์‚ฌํŒ€์ด ์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ๊ฐ€์ ธ์˜จ ๋˜ ๋‹ค๋ฅธ ์–ดํœ˜ ํ”ผ๋ผ๋ฏธ๋“œ์ž…๋‹ˆ๋‹ค. ์ž,
01:08
we go into the Mr. E, the mysteries of English. You like that? I like it, too. OK, so he's
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์šฐ๋ฆฌ๋Š” ์˜์–ด์˜ ๋ฏธ์Šคํ„ฐ๋ฆฌ์ธ ๋ฏธ์Šคํ„ฐ E๋กœ ๋“ค์–ด๊ฐ‘๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ ์‹์œผ๋กœ? ๋‚˜๋„ ์ข‹์•„ํ•ด. ์ข‹์•„์š”, ๊ทธ๋ž˜์„œ ๊ทธ๋Š”
01:15
got his trusty magnifying glass. I want to take a look. So Mr. E inspired me to do an
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๋ฏฟ์Œ์งํ•œ ๋‹๋ณด๊ธฐ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋ณด๊ณ  ์‹ถ์–ด์š”. ๊ทธ๋ž˜์„œ E์”จ๋Š” ์ €์—๊ฒŒ ์ถ”์ƒํ™”๋ฅผ ํ•˜๋„๋ก ์˜๊ฐ์„ ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค
01:23
abstract painting. I tried to extract the exact thing that attracted women to him. So
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. ๋‚˜๋Š” ๊ทธ์—๊ฒŒ ์—ฌ์„ฑ์„ ๋งค๋ฃŒ์‹œํ‚ค๋Š” ์ •ํ™•ํ•œ ๊ฒƒ์„ ์ถ”์ถœํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ
01:30
I began to subtract all the things that would detract from the real him. Before I could
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๋‚˜๋Š” ์ง„์งœ ๊ทธ๋ฅผ ์†์ƒ์‹œํ‚ค๋Š” ๋ชจ๋“  ๊ฒƒ์„ ๋นผ๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค .
01:35
complete it, I contracted the cold and lost all traction on it. Right. So some of you
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์™„์„ฑํ•˜๊ธฐ๋„ ์ „์— ๊ฐ๊ธฐ์— ๊ฑธ๋ ธ๊ณ  ๋ชจ๋“  ๊ฒฌ์ธ๋ ฅ์„ ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค. ์˜ค๋ฅธ์ชฝ. ๊ทธ๋ž˜์„œ ์ง€๊ธˆ ์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ์ผ๋ถ€๋Š”
01:42
right now are going, "What the buh?" Because you don't know what this is about. That's
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"์ด๊ฒŒ ๋ญ์•ผ?" ์ด๊ฒƒ์ด ๋ฌด์—‡์ธ์ง€ ๋ชจ๋ฅด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์ด
01:47
what we're going to do today. We're going to take tract, which if you notice up here,
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์˜ค๋Š˜ ์šฐ๋ฆฌ๊ฐ€ ํ•  ์ผ์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ํŠธ๋ž™ํŠธ๋ฅผ ๊ฐ€์ ธ๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์—ฌ๊ธฐ ๋ณด์‹œ๋ฉด
01:50
it says tract equals pull or draw. Tract, pull. OK, you know, pull. Here's you. You
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ํŠธ๋ž™ํŠธ๊ฐ€ ๋‹น๊ธฐ๊ฑฐ๋‚˜ ๋‹น๊ธฐ๋Š” ๊ฒƒ๊ณผ ๊ฐ™๋‹ค๊ณ  ์“ฐ์—ฌ ์žˆ์Šต๋‹ˆ๋‹ค. ๋Œ์–ด๋‹น๊ธฐ๋‹ค. ์•Œ๊ฒ ์Šต๋‹ˆ๋‹ค. ๋‹น๊ธฐ์„ธ์š”. ์—ฌ๊ธฐ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€
01:59
pull. Pull. Pull towards you. OK. Draw is similar to tract. Why? Because in English,
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๋‹น๊น๋‹ˆ๋‹ค. ๋‹น๊ธฐ๋‹ค. ๋‹น์‹ ์„ ํ–ฅํ•ด ๋‹น๊ธฐ์‹ญ์‹œ์˜ค. ์ข‹์•„์š”. ๋“œ๋กœ์šฐ๋Š” ํŠธ๋ž™๊ณผ ์œ ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ์™œ? ์™œ๋ƒํ•˜๋ฉด ์˜์–ด๋กœ,
02:10
I'm sure some of you have seen these in your bedroom, a little thing like this. Your underwear
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์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ์ผ๋ถ€๋Š” ์นจ์‹ค์—์„œ ์ด๋Ÿฐ ์ž‘์€ ๊ฒƒ์„ ๋ณธ ์ ์ด ์žˆ์„ ๊ฒƒ์ด๋ผ๊ณ  ํ™•์‹ ํ•ฉ๋‹ˆ๋‹ค . ๋‹น์‹ ์˜ ์†์˜ท์€
02:19
is in there. You must pull or draw. The thing is called a draw, right, because you pull
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๊ฑฐ๊ธฐ์— ์žˆ์Šต๋‹ˆ๋‹ค. ๋‹น๊ธฐ๊ฑฐ๋‚˜ ๊ทธ๋ ค์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๋‹น๊ธฐ๋ฉด ์—ด๋ฆฌ๊ธฐ ๋•Œ๋ฌธ์— ๋Œ๊ธฐ๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค
02:28
it to open it. Now, when you go to the bank, you make withdrawals, right? Take the money
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. ์ด์ œ ์€ํ–‰์— ๊ฐ€๋ฉด ์ธ์ถœ์„ ํ•˜์ฃ ? ๋ˆ์„
02:34
out. All right. And it's like pulling. So they have a similar meaning. It's a little
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๊บผ๋‚ด์‹ญ์‹œ์˜ค. ๊ดœ์ฐฎ์€. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๋‹น๊ธฐ๋Š” ๊ฒƒ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋“ค์€ ๋น„์Šทํ•œ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋ˆ์„ ์ธ์ถœํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๊ฐ€์ ธ๊ฐ€๋Š” ๊ฒƒ๊ณผ ๊ฐ™๊ธฐ ๋•Œ๋ฌธ์— ์ธ์ถœ๊ณผ ๊ฐ™์ด
02:39
different sometimes when we say draw, as in withdrawal, because it's not pulling the money
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์šฐ๋ฆฌ๊ฐ€ ๋ฌด์Šน๋ถ€๋ผ๊ณ  ๋งํ•  ๋•Œ ๊ฐ€๋” ์กฐ๊ธˆ ๋‹ค๋ฆ…๋‹ˆ๋‹ค
02:43
out, but it's like taking it to you or bringing it, or if you draw water. We'll do draw another
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. ์šฐ๋ฆฌ๋Š”
02:49
time in another vocabulary pyramid, OK? So for right now, we know tract means pull, which
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๋˜ ๋‹ค๋ฅธ ์–ดํœ˜ ํ”ผ๋ผ๋ฏธ๋“œ์—์„œ ๋˜ ๋‹ค๋ฅธ ์‹œ๊ฐ„์„ ๊ทธ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค, ์•Œ์•˜์ฃ ? ๊ทธ๋ž˜์„œ ์ง€๊ธˆ ์šฐ๋ฆฌ๋Š” tract๊ฐ€ pull์„ ์˜๋ฏธํ•œ๋‹ค๋Š” ๊ฒƒ์„ ์••๋‹ˆ๋‹ค. ์ด๊ฒƒ์€
02:54
is similar to draw in English. OK. So Mr. E inspired me to draw an abstract painting.
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์˜์–ด๋กœ draw์™€ ๋น„์Šทํ•ฉ๋‹ˆ๋‹ค. ์ข‹์•„์š”. ๊ทธ๋ž˜์„œ E์”จ๋Š” ์ €์—๊ฒŒ ์ถ”์ƒํ™”๋ฅผ ๊ทธ๋ฆฌ๋„๋ก ์˜๊ฐ์„ ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
03:00
Well, we know, well, we know tract means draw. So what does ab mean? Notice I put the S over
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์Œ, ์šฐ๋ฆฌ๋Š” tract๊ฐ€ ๋ฝ‘๋Š”๋‹ค๋Š” ๋œป์ด๋ผ๋Š” ๊ฒƒ์„ ์••๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ab๋Š” ๋ฌด์—‡์„ ์˜๋ฏธํ•ฉ๋‹ˆ๊นŒ? S๋ฅผ ์—ฌ๊ธฐ์— ๋‘๋Š” ๊ฒƒ์„ ์ฃผ๋ชฉํ•˜์„ธ์š”
03:08
here, because really what we're looking at is here, the ab. Ab in English-- actually,
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. ์™œ๋ƒํ•˜๋ฉด ์‹ค์ œ๋กœ ์šฐ๋ฆฌ๊ฐ€ ๋ณด๊ณ  ์žˆ๋Š” ๊ฒƒ์€ ์—ฌ๊ธฐ ab์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ์˜์–ด๋กœ Ab-- ์‚ฌ์‹ค, ํ•œ๋ฒˆ
03:15
let me try that. OK. It means away from. So when we say abstract, we're saying this. We're
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ํ•ด๋ณด์ฃ . ์ข‹์•„์š”. ๋ฉ€๋ฆฌ ๋–จ์–ด์ ธ ์žˆ๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๊ฐ€ ์ถ”์ƒ์ ์ด๋ผ๊ณ  ๋งํ•  ๋•Œ, ์šฐ๋ฆฌ๋Š” ์ด๊ฒƒ์„ ๋งํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š”
03:38
saying why. Well, in an abstract painting, what happens is you take reality, and you
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์ด์œ ๋ฅผ ๋งํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ธ€์Ž„์š”, ์ถ”์ƒํ™”์—์„œ ์ผ์–ด๋‚˜๋Š” ์ผ์€ ํ˜„์‹ค์„ ๋ฐ›์•„๋“ค์ด๊ณ 
03:44
kind of move away from the reality a bit, like I'm moving away from you. See how I'm
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์ œ๊ฐ€ ๋‹น์‹ ์—๊ฒŒ์„œ ๋ฉ€์–ด์ง€๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ํ˜„์‹ค์—์„œ ์•ฝ๊ฐ„ ๋ฉ€์–ด์ง€๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋‚ด๊ฐ€ ์–ด๋–ป๊ฒŒ
03:47
going further and further away? So sometimes when people look at a picture, they're like,
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์ ์  ๋” ๋ฉ€์–ด์ง€๊ณ  ์žˆ๋Š”์ง€ ๋ณด์‹ญ๋‹ˆ๊นŒ? ๊ทธ๋ž˜์„œ ๋•Œ๋•Œ๋กœ ์‚ฌ๋žŒ๋“ค์ด ์‚ฌ์ง„์„ ๋ณผ ๋•Œ ๊ทธ๋“ค์€ ๋งˆ์น˜
03:51
how is this a horse? How is that a horse? I don't get it. I'm not paying a million dollars
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์ด๊ฒƒ์ด ์–ด๋–ป๊ฒŒ ๋ง์ด์ง€? ์ €๊ฒŒ ์–ด๋•Œ์š”? ๋‚˜๋Š” ๊ทธ๊ฒƒ์„ ์ดํ•ดํ•˜์ง€ ๋ชปํ•œ๋‹ค. ๋‚˜๋Š” ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ๋ฐฑ๋งŒ ๋‹ฌ๋Ÿฌ๋ฅผ ์ง€๋ถˆํ•˜์ง€ ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค
04:00
for that. Well, then the artist will go, well, you do not understand. I am taking the concept
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. ๊ธ€์Ž„, ๊ทธ๋Ÿฌ๋ฉด ์˜ˆ์ˆ ๊ฐ€๊ฐ€ ๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ์ดํ•ดํ•˜์ง€ ๋ชปํ•ฉ๋‹ˆ๋‹ค. ๋‚˜๋Š”
04:06
of a horse. I have abstracted or drawn away from the horse's eye and the horse's happy
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๋ง์˜ ๊ฐœ๋…์„ ์ทจํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š” ๋ง์˜ ๋ˆˆ๊ณผ ๋‹ฌ๋ฆฌ๋Š” ๋ง์˜ ํ–‰๋ณตํ•œ
04:12
mouth from the running. OK. So you're like, how does that horse go to this? Well, they
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์ž…์—์„œ ์ถ”์ƒํ™”ํ•˜๊ฑฐ๋‚˜ ๋ฉ€์–ด์ง€๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์ข‹์•„์š”. ๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ๊ทธ ๋ง์€ ์–ด๋–ป๊ฒŒ ์—ฌ๊ธฐ๋กœ ๊ฐ‘๋‹ˆ๊นŒ? ๊ธ€์Ž„, ๊ทธ๋“ค์€
04:18
abstract. They draw away, like drawing a bow for bow and arrow, from reality. So you get
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์ถ”์ƒํ™”ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ํ™œ๊ณผ ํ™”์‚ด์„ ์œ„ํ•ด ํ™œ์„ ๋‹น๊ธฐ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ํ˜„์‹ค์—์„œ ๋ฉ€์–ด์ง‘๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ
04:24
a picture, a general idea, as opposed to concrete. OK. So that's why we say abstract. So we know
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์ฝ˜ํฌ๋ฆฌํŠธ๊ฐ€ ์•„๋‹Œ ๊ทธ๋ฆผ, ์ผ๋ฐ˜์ ์ธ ์•„์ด๋””์–ด๋ฅผ ์–ป์Šต๋‹ˆ๋‹ค. ์ข‹์•„์š”. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ถ”์ƒ์ ์ด๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š”
04:30
this one, this painting is not going to be like real life picture of Mr. E. It'll be
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์ด ๊ทธ๋ฆผ์„ ์••๋‹ˆ๋‹ค. ์ด ๊ทธ๋ฆผ์€ Mr. E์˜ ์‹ค์ œ ์‚ฌ์ง„๊ณผ ๊ฐ™์ง€ ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€
04:34
something interesting. In fact, the picture that was finished was this. Totally different.
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ํฅ๋ฏธ๋กœ์šด ๋ฌด์–ธ๊ฐ€๊ฐ€ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์‚ฌ์‹ค ์™„์„ฑ๋œ ์‚ฌ์ง„์€ ์ด๋žฌ๋‹ค. ์™„์ „ํžˆ ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
04:44
But they were saying he's a happy guy. Abstract, right? Looks nothing like Mr. E. OK. So that's
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋“ค์€ ๊ทธ๊ฐ€ ํ–‰๋ณตํ•œ ์‚ฌ๋žŒ์ด๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ์ถ”์ƒ์ ์ด์ฃ  ? E ์”จ์ฒ˜๋Ÿผ ๋ณด์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค. OK. ์ด๊ฒƒ์ด
04:51
the first thing, what you draw away. Now we look at the next one, extract. And by the
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๊ฐ€์žฅ ๋จผ์ €, ๋‹น์‹ ์ด ๋Œ์–ด๋‚ด๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด์ œ ๋‹ค์Œ ํ•ญ๋ชฉ์ธ ์ถ”์ถœ์„ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฑด ๊ทธ๋ ‡๊ณ 
04:56
way, when you look at the vocabulary pyramid, you're going to see me do a lot of these over
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, ์—ฌ๋Ÿฌ๋ถ„์ด ์–ดํœ˜ ํ”ผ๋ผ๋ฏธ๋“œ๋ฅผ ๋ณด๋ฉด ์ œ๊ฐ€ ์ด๋Ÿฐ ๊ฒƒ๋“ค์„ ๊ณ„์†ํ•ด์„œ ๋งŽ์ด ํ•˜๋Š” ๊ฒƒ์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค
05:00
and over again. This is done on purpose. To remember something, there's two ways to remember
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. ์ด๊ฒƒ์€ ์˜๋„์ ์œผ๋กœ ์ˆ˜ํ–‰๋ฉ๋‹ˆ๋‹ค. ๋ฌด์–ธ๊ฐ€๋ฅผ ๊ธฐ์–ตํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ๋ฌด์–ธ๊ฐ€๋ฅผ ๊ธฐ์–ตํ•˜๋Š” ๋‘ ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์ด ์žˆ์Šต๋‹ˆ๋‹ค
05:06
something. Or there are two ways to remember something. Number one is repeated over and
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. ๋˜๋Š” ๋ฌด์–ธ๊ฐ€๋ฅผ ๊ธฐ์–ตํ•˜๋Š” ๋‘ ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์ด ์žˆ์Šต๋‹ˆ๋‹ค . 1๋ฒˆ์€
05:10
over and over. And you get the point. Over again. Or instant focus. In my class, I do
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๊ณ„์†ํ•ด์„œ ๋ฐ˜๋ณต๋ฉ๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ์š”์ ์„ ์–ป์Šต๋‹ˆ๋‹ค. ๋‹ค์‹œ. ๋˜๋Š” ์ฆ‰๊ฐ์ ์ธ ์ดˆ์ . ์ œ ์ˆ˜์—…์—์„œ ์ €๋Š”
05:18
something really nasty. Every once in a while, I get some new student who doesn't want to
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์ •๋ง ๋ถˆ์พŒํ•œ ์ผ์„ ํ•ฉ๋‹ˆ๋‹ค. ์ด๋”ฐ๊ธˆ ๋‚˜๋Š” ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ฐฐ์šฐ๊ณ  ์‹ถ์–ดํ•˜์ง€ ์•Š๋Š” ์ƒˆ๋กœ์šด ํ•™์ƒ์„ ๋งŒ๋‚œ๋‹ค
05:22
learn something. And what I say is I can teach you two ways. The very first way, and you'll
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. ์ œ๊ฐ€ ๋ง์”€๋“œ๋ฆฌ๋Š” ๊ฒƒ์€ ๋‘ ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์„ ๊ฐ€๋ฅด์ณ ๋“œ๋ฆด ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค . ์ฒซ ๋ฒˆ์งธ ๋ฐฉ๋ฒ•์€
05:27
never forget. Or the long way, which is a little longer. Actually, it's longer, but
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์ ˆ๋Œ€ ์žŠ์ง€ ๋ชปํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋˜๋Š” ์กฐ๊ธˆ ๋” ๊ธด ๋จผ ๊ธธ. ์‹ค์ œ๋กœ๋Š” ๋” ๊ธธ์ง€๋งŒ
05:31
you'll never forget. Usually, they always go, "Give me the quick way, teacher, because
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์ ˆ๋Œ€ ์žŠ์ง€ ๋ชปํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋ณดํ†ต, ๊ทธ๋“ค์€ ํ•ญ์ƒ "์„ ์ƒ๋‹˜,
05:35
I am so smart." So I take a lighter, and I usually turn it on. Then I tell them put their
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์ œ๊ฐ€ ๋„ˆ๋ฌด ๋˜‘๋˜‘ํ•˜๋‹ˆ๊นŒ ๋นจ๋ฆฌ ๊ฐ€๋ฅด์ณ ์ฃผ์„ธ์š”." ๊ทธ๋ž˜์„œ ๋ผ์ดํ„ฐ๋ฅผ ๋“ค๊ณ  ๋ณดํ†ต ๋ถˆ์„ ์ผญ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ ๋‹ค์Œ ๋‚˜๋Š” ๊ทธ๋“ค์—๊ฒŒ
05:42
hand here. Then I-- actually, I lie. I usually tell them put their hand here. Then I put
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์—ฌ๊ธฐ์— ์†์„ ๋Œ€๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿผ ๋‚˜๋Š”-- ์‚ฌ์‹ค, ๋‚˜๋Š” ๊ฑฐ์ง“๋ง์„ ํ•ฉ๋‹ˆ๋‹ค. ๋‚˜๋Š” ๋ณดํ†ต ๊ทธ๋“ค์—๊ฒŒ ์—ฌ๊ธฐ์— ์†์„ ๋Œ€๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ ๋‹ค์Œ
05:46
the lighter here. Within five seconds, they pull their hand away. Then I go, "OK, put
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์—ฌ๊ธฐ์— ๋ผ์ดํ„ฐ๋ฅผ ๋‘์—ˆ์Šต๋‹ˆ๋‹ค. 5์ดˆ ์•ˆ์— ๊ทธ๋“ค์€ ์†์„ ๋—€๋‹ค. ๊ทธ๋Ÿฐ ๋‹ค์Œ "์ข‹์•„,
05:50
your hand there." They go, "No!" And I go, "You learned. Two seconds." Unfortunately,
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๊ฑฐ๊ธฐ์— ์†์„ ๋Œ€๋ด." "์•ˆ๋ผ!" "๋‹น์‹ ์€ ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค. 2์ดˆ." ๋ถˆํ–‰ํ•˜๊ฒŒ๋„,
05:55
unless you repeat, and I'm not able to put a lighter on your hand so I can burn you,
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๋‹น์‹ ์ด ๋ฐ˜๋ณตํ•˜์ง€ ์•Š๋Š” ํ•œ, ๋‚˜๋Š” ๋‹น์‹ ์„ ํƒœ์šธ ์ˆ˜ ์žˆ๋„๋ก ๋‹น์‹  ์†์— ๋ผ์ดํ„ฐ๋ฅผ ๋†“์„ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค
06:02
what happens is I need to do repetition. So each video you're going to learn, you'll notice
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. ๊ทธ๋ž˜์„œ ์—ฌ๋Ÿฌ๋ถ„์ด ๋ฐฐ์šฐ๊ฒŒ ๋  ๊ฐ ๋น„๋””์˜ค๋Š”
06:06
at the beginning, there'll be weird concepts or abstract concepts. But after a while, by
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์ฒ˜์Œ์— ์ด์ƒํ•œ ๊ฐœ๋… ์ด๋‚˜ ์ถ”์ƒ์ ์ธ ๊ฐœ๋…์ด ์žˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ž ์‹œ ํ›„,
06:11
the time you do five or six of these, you're going to automatically go, "Hey, away from.
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์ด ์ค‘ ๋Œ€์—ฌ์„ฏ ๊ฐœ๋ฅผ ํ•  ๋•Œ์ฏค์ด๋ฉด ์ž๋™์œผ๋กœ "์ด๋ด, ๋–จ์–ด์ ธ.
06:15
Hey, out of. Hey, away from." In a different form. "Hey, under." And you'll just know.
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์ด๋ด, ๋‚˜๊ฐ€. ์ด๋ด, ๋–จ์–ด์ ธ." ๋‹ค๋ฅธ ํ˜•ํƒœ๋กœ. "์•ผ, ๋ฐ‘์—." ๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ์•Œ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:21
And you'll start noticing when you start reading things, you'll also notice that when you start
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ๋ถ„์ด ๋ฌด์–ธ๊ฐ€๋ฅผ ์ฝ๊ธฐ ์‹œ์ž‘ํ•  ๋•Œ ์•Œ์•„์ฐจ๋ฆฌ๊ธฐ ์‹œ์ž‘ํ•  ๊ฒƒ์ด๊ณ  , ์ข…์ด๋ฅผ ๋ณด๊ธฐ ์‹œ์ž‘ํ•  ๋•Œ๋„ ์•Œ์•„์ฐจ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค
06:24
looking on paper. Cool, huh? So don't go, "Oh, I've heard this before." Study. Got it?
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. ๋ฉ‹์ง€์ฃ ? ๊ทธ๋Ÿฌ๋‹ˆ "์˜ค, ์ „์— ์ด๋Ÿฐ ๋ง์„ ๋“ค์€ ์ ์ด ์žˆ์–ด์š”."๋ผ๊ณ  ๋งํ•˜์ง€ ๋งˆ์„ธ์š”. ๊ณต๋ถ€ํ•˜๋‹ค. ์•Œ์•˜์–ด์š”?
06:30
This is for you. So when you're finished, you'll never do this again. Cool? Anyway,
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์ด๊ฑด ๋„์œ„ํ•œ๊ฑฐ์•ผ. ๊ทธ๋ž˜์„œ ์ž‘์—…์ด ๋๋‚˜๋ฉด ๋‹ค์‹œ๋Š” ์ด ์ž‘์—…์„ ์ˆ˜ํ–‰ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ์‹œ์›ํ•œ? ์–ด์จŒ๋“ 
06:34
back to the work. We've gone and abstracted too much from it already.
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์ž‘์—…์œผ๋กœ ๋Œ์•„๊ฐ‘๋‹ˆ๋‹ค. ์ด๋ฏธ ๋„ˆ๋ฌด ๋งŽ์ด ์ถ”์ƒํ™”ํ–ˆ์Šต๋‹ˆ๋‹ค.
06:38
So next one we're looking at is "extract." "Extract." Well, what does "ex" mean? Well,
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๋‹ค์Œ์œผ๋กœ ์‚ดํŽด๋ณผ ๊ฒƒ์€ "์ถ”์ถœ"์ž…๋‹ˆ๋‹ค. "๋ฐœ์ทŒ." ๊ธ€์Ž„, "์˜ˆ"๋Š” ๋ฌด์—‡์„ ์˜๋ฏธํ•ฉ๋‹ˆ๊นŒ? ์Œ,
06:42
some of you are divorced. Sorry. Some of you have jobs. Sorry, sorry. And some of you are
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์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ์ผ๋ถ€๋Š” ์ดํ˜ผํ–ˆ์Šต๋‹ˆ๋‹ค. ์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค. ์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ์ผ๋ถ€๋Š” ์ง์—…์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๋ฏธ์•ˆ ๋ฏธ์•ˆ. ๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ์ผ๋ถ€๋Š”
06:47
ex-baseball players who used to use drugs. So "ex" means -- what does "ex" mean? "Ex"
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๋งˆ์•ฝ์„ ์‚ฌ์šฉํ–ˆ๋˜ ์ „์ง ์•ผ๊ตฌ ์„ ์ˆ˜์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ "ex"๋Š” -- "ex"๋Š” ๋ฌด์Šจ ๋œป์ธ๊ฐ€์š”? "Ex"๋Š”
06:55
equals "out of." So you're out of the marriage, out of a job, and out of a professional, lucrative
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"out of"์™€ ๊ฐ™์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ๋ฐ”๋ณด์ด๊ณ  ์Šคํ…Œ๋กœ์ด๋“œ๋ฅผ ๋ณต์šฉํ–ˆ๊ธฐ ๋•Œ๋ฌธ์— ๊ฒฐํ˜ผ ์ƒํ™œ, ์ง์žฅ, ์ง์—…, ์ˆ˜์ต์„ฑ์žˆ๋Š”
07:01
career because you're an idiot and took steroids. "Lucrative" means to make lots of money or
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์ง์—…์—์„œ ๋ฒ—์–ด๋‚ฌ์Šต๋‹ˆ๋‹ค. "์œ ๋ฆฌํ•˜๋‹ค"๋Š” ๋ˆ์„ ๋งŽ์ด ๋ฒŒ๊ฑฐ๋‚˜
07:06
can make money. Shame on you. Okay? So "out of." So we got "extract." So "extract" would
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๋ˆ์„ ๋ฒŒ ์ˆ˜ ์žˆ๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค. ๋ถ€๋„๋Ÿฝ๋‹ค. ์ข‹์•„์š”? ๊ทธ๋ž˜์„œ " ๋ฐ–์œผ๋กœ." ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” "์ถ”์ถœ๋ฌผ"์„ ์–ป์—ˆ์Šต๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ "extract"๋Š”
07:12
be "pull out of" or "draw out of." So when you extract something, you take something
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"pull out of" ๋˜๋Š” "draw out of"๊ฐ€ ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋ฌด์–ธ๊ฐ€๋ฅผ ์ถ”์ถœํ•  ๋•Œ,
07:17
out of it or you draw it out. So "extract" equals "to draw out of." So when you extract
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๊ทธ๊ฒƒ์—์„œ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋นผ๋‚ด๊ฑฐ๋‚˜ ๋Œ์–ด๋ƒ…๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ "์ถ”์ถœํ•˜๋‹ค "๋Š” "์ถ”์ถœํ•˜๋‹ค"์™€ ๊ฐ™์Šต๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ
07:32
something from a plant, you draw it out of the plant. You can't physically pull. You
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์‹๋ฌผ์—์„œ ๋ฌด์–ธ๊ฐ€๋ฅผ ์ถ”์ถœํ•  ๋•Œ ์‹๋ฌผ์—์„œ ์ถ”์ถœํ•ฉ๋‹ˆ๋‹ค . ๋ฌผ๋ฆฌ์ ์œผ๋กœ ๋‹น๊ธธ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€
07:38
can't do that. So you draw it out. Okay? So we had an abstract painting. I tried to extract
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๊ทธ๋ ‡๊ฒŒ ํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ๊ทธ๋ฆฝ๋‹ˆ๋‹ค. ์ข‹์•„์š”? ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ถ”์ƒํ™”๋ฅผ ๊ทธ๋ ธ์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š”
07:44
the exact thing that attracted him. Attracted him. Most of you go, "I know what 'attract'
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๊ทธ๋ฅผ ๋Œ์—ˆ๋˜ ์ •ํ™•ํ•œ ๊ฒƒ์„ ์ถ”์ถœํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฅผ ๋Œ์—ˆ๋‹ค. ๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์€ "'์œ ์ธ'์ด ๋ฌด์Šจ
07:51
means, man. I know what it means." I'm going to give you a little lesson on "attract" because
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๋œป์ธ์ง€ ์•Œ์•„์š”. ๊ทธ๊ฒŒ ๋ฌด์Šจ ๋œป์ธ์ง€ ์••๋‹ˆ๋‹ค."๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ๋‚˜๋Š” ๋‹น์‹ ์ด ์˜ณ๊ธฐ ๋•Œ๋ฌธ์— "์œ ์ธ"์— ๋Œ€ํ•ด ์•ฝ๊ฐ„์˜ ๊ตํ›ˆ์„ ์ค„ ๊ฒƒ์ž…๋‹ˆ๋‹ค
07:56
you're right. You are right. Okay? Because "at" -- I bet you didn't know this. Notice
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. ๋‹น์‹  ๋ง์ด ๋งž์•„์š”. ์ข‹์•„์š”? "at" ๋•Œ๋ฌธ์— -- ๋‹น์‹ ์€ ์ด๊ฒƒ์„ ๋ชฐ๋ž์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:02
how there's a double "t" because we have "tract." Or that really is -- I bet you didn't know
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"tract"๊ฐ€ ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์ด์ค‘ "t"๊ฐ€ ์žˆ๋Š”์ง€ ํ™•์ธํ•˜์‹ญ์‹œ์˜ค. ๋˜๋Š” ๊ทธ๊ฒƒ์€ ์ •๋ง๋กœ -- ๋‹น์‹ ์€
08:07
this was "ab." When "ab" hits certain constants at certain times, what they do is we double
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์ด๊ฒƒ์ด "ab"๋ผ๋Š” ๊ฒƒ์„ ๋ชฐ๋ž์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. "ab"๊ฐ€ ํŠน์ • ์‹œ๊ฐ„์— ํŠน์ • ์ƒ์ˆ˜์— ๋„๋‹ฌํ•˜๋ฉด ์ƒ์ˆ˜๋ฅผ ๋‘ ๋ฐฐ๋กœ ๋Š˜๋ฆฌ๊ณ 
08:13
the constant and drop the "b." So what you have here is -- it's really, really weird
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"b"๋ฅผ ๋–จ์–ด๋œจ๋ฆฝ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์—ฌ๋Ÿฌ๋ถ„์ด ์—ฌ๊ธฐ ์žˆ๋Š” ๊ฒƒ์€ -- ์ •๋ง, ์ •๋ง ์ด์ƒํ•œ ๊ฒƒ์€
08:19
is this. That's really hard to say in English, so we just say, "Forget it." What we're going
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์ด๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์˜์–ด๋กœ ๋งํ•˜๊ธฐ๊ฐ€ ์ •๋ง ์–ด๋ ต๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ๋ƒฅ "Forget it"์ด๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๊ฐ€ ํ•˜๋ ค๋Š” ๊ฒƒ์€
08:24
to do is get rid of the "b," double the "t," and then we have "attract." Why attract? Well,
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"b"๋ฅผ ์ œ๊ฑฐํ•˜๊ณ  "t"๋ฅผ ๋‘ ๋ฐฐ๋กœ ํ•œ ๋‹ค์Œ "์œ ์ธ"์„ ๊ฐ–๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์™œ ์œ ์น˜? ๊ธ€์Ž„์š”,
08:34
think about it. "Tract" means pull. "At" means away from. When you're attracted to something,
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์ƒ๊ฐํ•ด ๋ณด์„ธ์š”. "ํŠธ๋ž™"์€ ๋‹น๊ธฐ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. At๋Š” ๋ฉ€๋ฆฌ ๋–จ์–ด์ ธ ์žˆ๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค . ๋‹น์‹ ์ด ๋ฌด์–ธ๊ฐ€์— ๋Œ๋ฆฌ๋ฉด,
08:41
it pulls your attention away from anything else. If you're attracted to, say, a lovely
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๊ทธ๊ฒƒ์€ ๋‹น์‹ ์˜ ์ฃผ์˜๋ฅผ ๋‹ค๋ฅธ ์–ด๋–ค ๊ฒƒ์œผ๋กœ๋ถ€ํ„ฐ ๋ฉ€์–ด์ง€๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค . ์˜ˆ๋ฅผ ๋“ค์–ด ์‚ฌ๋ž‘์Šค๋Ÿฌ์šด
08:44
senorita, you're walking down the road, got to go to work, got to go to work, ooh, ooh.
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์„ธ๋‡จ๋ฆฌ๋”ฐ์—๊ฒŒ ๋Œ๋ฆฌ๋ฉด ๊ธธ์„ ๊ฑท๊ณ  ์žˆ๊ณ , ์ผํ•˜๋Ÿฌ ๊ฐ€๊ณ , ์ผํ•˜๋Ÿฌ ๊ฐ€๊ณ , ooh, ooh.
08:55
Your attention has been taken from work to the lovely senorita going that way. Your attention
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์ง์žฅ์—์„œ ์ €์ชฝ์œผ๋กœ ๊ฐ€๋Š” ์‚ฌ๋ž‘์Šค๋Ÿฌ์šด ์„ธ๋‡จ๋ฆฌ๋”ฐ์—๊ฒŒ ์‹œ์„ ์ด ์ ๋ ธ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์˜ ๊ด€์‹ฌ์„
08:59
has been taken away, right? So "attraction." So "attract" means "ab." We know what does
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๋Œ์—ˆ์Šต๋‹ˆ๋‹ค, ๊ทธ๋ ‡์ฃ ? ๊ทธ๋ž˜์„œ "๋งค๋ ฅ." ๋”ฐ๋ผ์„œ "attract"๋Š” "ab"๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š”
09:06
"ab" mean. What does it mean? You did it two seconds ago. Abstract. That's right. Away
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"ab"๊ฐ€ ๋ฌด์—‡์„ ์˜๋ฏธํ•˜๋Š”์ง€ ์••๋‹ˆ๋‹ค. ๋ฌด์Šจ ๋œป์ด์—์š”? 2 ์ดˆ ์ „์— ํ•˜์…จ์Šต๋‹ˆ๋‹ค. ์ถ”์ƒ์ ์ธ. ์ข‹์•„์š”. ๋ฉ€๋ฆฌ
09:12
from. And you've just learned a little rule about "ab," right? Sometimes when you see
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๋–จ์–ด์ ธ. ๊ทธ๋ฆฌ๊ณ  ๋ฐฉ๊ธˆ "ab"์— ๋Œ€ํ•œ ์•ฝ๊ฐ„์˜ ๊ทœ์น™์„ ๋ฐฐ์› ์ฃ ? ๋•Œ๋•Œ๋กœ
09:19
a double constant with an "a" in front, it's really "ab," which means away from. Cool?
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์•ž์— "a"๊ฐ€ ์žˆ๋Š” ์ด์ค‘ ์ƒ์ˆ˜๋ฅผ ๋ณผ ๋•Œ ์‹ค์ œ๋กœ๋Š” ๋ฉ€๋ฆฌ ๋–จ์–ด์ ธ ์žˆ์Œ์„ ์˜๋ฏธํ•˜๋Š” "ab"์ž…๋‹ˆ๋‹ค. ์‹œ์›ํ•œ?
09:25
So "attract." To draw. So to draw attention. To pull it towards you. To pull the attention
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๊ทธ๋ž˜์„œ "์œ ์ธ"ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๋‹ค. ๊ทธ๋ž˜์„œ ๊ด€์‹ฌ์„ ๋Œ๊ธฐ ์œ„ํ•ด. ๋‹น์‹  ์ชฝ์œผ๋กœ ๋‹น๊ธฐ๊ธฐ ์œ„ํ•ด.
09:41
from something to you or whatever you're looking at. To draw attention, and we put the word
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์–ด๋–ค ๊ฒƒ์—์„œ ๋‹น์‹ ์ด๋‚˜ ๋‹น์‹ ์ด ๋ณด๊ณ  ์žˆ๋Š” ๊ฒƒ์ด ๋ฌด์—‡์ด๋“  ์ฃผ์˜๋ฅผ ๋Œ๋‹ค . ๊ด€์‹ฌ์„ ๋Œ๊ธฐ ์œ„ํ•ด
09:45
"towards." Right? There's our "draw," right? And when we say "away from," we say away from
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"towards"๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๋„ฃ์Šต๋‹ˆ๋‹ค. ์˜ค๋ฅธ์ชฝ? ์šฐ๋ฆฌ์˜ "๋ฌด์Šน๋ถ€"๊ฐ€ ์žˆ์ฃ ? ๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๊ฐ€ "๋ฉ€๋ฆฌ ๋–จ์–ด์ ธ"๋ผ๊ณ  ๋งํ•  ๋•Œ ์šฐ๋ฆฌ๋Š” ๋‹ค๋ฅธ ๊ฒƒ์—์„œ
09:54
something else towards something else. Cool? So "attract." That's why you say to a lovely
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๋‹ค๋ฅธ ๊ฒƒ์„ ํ–ฅํ•ด ๋งํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์‹œ์›ํ•œ? ๊ทธ๋ž˜์„œ "์œ ์ธ"ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ์‚ฌ๋ž‘์Šค๋Ÿฌ์šด
09:59
young lady, "You are attractive. You get my attention from everything else." All right?
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์ Š์€ ์—ฌ์„ฑ์—๊ฒŒ "๋‹น์‹ ์€ ๋งค๋ ฅ์ ์ด์—์š”. ๋‹น์‹ ์€ ๋‹ค๋ฅธ ๋ชจ๋“  ๊ฒƒ์—์„œ ๋‚ด ๊ด€์‹ฌ์„ ๋Œ์ฃ ."๋ผ๊ณ  ๋งํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ดœ์ฐฎ์€?
10:04
Ladies, you can say the same thing about men. In fact, you can write to me and say, "James,
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์ˆ™๋…€ ์—ฌ๋Ÿฌ๋ถ„, ๋‚จ์„ฑ์— ๋Œ€ํ•ด์„œ๋„ ๋˜‘๊ฐ™์ด ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์‚ฌ์‹ค, "์ œ์ž„์Šค,
10:08
I find you attractive, and you attract me from learning English," or "detract." I'll
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๋‚˜๋Š” ๋‹น์‹ ์ด ๋งค๋ ฅ์ ์ด๋ผ๊ณ  โ€‹โ€‹์ƒ๊ฐํ•˜๊ณ  ๋‹น์‹ ์€ ๋‚ด๊ฐ€ ์˜์–ด๋ฅผ ๋ฐฐ์šฐ๋Š” ๋ฐ ๋งค๋ ฅ์„ ๋Š๋‚๋‹ˆ๋‹ค ." ๋˜๋Š” "๋‚™๋‹ดํ•ฉ๋‹ˆ๋‹ค."
10:12
get to that later. That's another word. Next. So we've got "attractive." "Who attracted
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๋‚˜์ค‘์— ๋‹ค๋ฃจ๊ฒ ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๋˜ ๋‹ค๋ฅธ ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. ๋‹ค์Œ. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” "๋งค๋ ฅ์ "์ž…๋‹ˆ๋‹ค. "๋ˆ„๊ฐ€
10:19
him to women?" So, "So I began to subtract all." Now, if you've done this before, "sub"
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๊ทธ๋ฅผ ์—ฌ์ž์—๊ฒŒ ๋Œ๋ ธ์Šต๋‹ˆ๊นŒ?" ๊ทธ๋ž˜์„œ "๊ทธ๋ž˜์„œ ๋ชจ๋‘ ๋นผ๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค ." ์ž, ์ด์ „์— ์ด๊ฒƒ์„ ํ•ด๋ณธ ์ ์ด ์žˆ๋‹ค๋ฉด "sub"๋Š”
10:24
is easy because that's one of the first things you learn. Subway. Food. International now.
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์ฒ˜์Œ ๋ฐฐ์šฐ๋Š” ๊ฒƒ ์ค‘ ํ•˜๋‚˜์ด๊ธฐ ๋•Œ๋ฌธ์— ์‰ฝ์Šต๋‹ˆ๋‹ค . ์ง€ํ•˜์ฒ . ์Œ์‹. ์ง€๊ธˆ์€ ๊ตญ์ œ์ ์ž…๋‹ˆ๋‹ค.
10:30
But "subtract" is mathematical principle. "Subtract" means to take away from. Okay?
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๊ทธ๋Ÿฌ๋‚˜ "๋นผ๊ธฐ"๋Š” ์ˆ˜ํ•™์  ์›๋ฆฌ์ž…๋‹ˆ๋‹ค. ๋นผ๋‹ค'๋Š” ๋นผ๋‹ค๋ผ๋Š” ๋œป์ž…๋‹ˆ๋‹ค. ์ข‹์•„์š”?
10:35
And why do we take it away? Well, "sub" means what? Under. Now, some of you have done this
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ์™œ ๊ทธ๊ฒƒ์„ ๊ฐ€์ ธ๊ฐ€๋‚˜์š”? ๊ธ€์Ž„, "์„œ๋ธŒ"๋Š” ๋ฌด์—‡์„ ์˜๋ฏธํ•ฉ๋‹ˆ๊นŒ ? ์•„๋ž˜์—. ์ž, ์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ์ผ๋ถ€๋Š” ์ด์ „์— ์ด๊ฒƒ์„ ํ•ด๋ณธ ์ ์ด ์žˆ์Šต๋‹ˆ๋‹ค
10:43
before. I heard you. Yeah, that's right. Below. And beneath. Right? And when we subtract something...
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. ๋‚˜๋Š” ๋‹น์‹ ์„ ๋“ค์—ˆ๋‹ค. ๊ทธ๋ž˜ ๋งž์•„. ์•„๋ž˜์—. ๊ทธ๋ฆฌ๊ณ  ์•„๋ž˜. ์˜ค๋ฅธ์ชฝ? ๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๊ฐ€ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋นผ๋ฉด...
10:51
Okay? When we subtract something, we throw it underneath. Right? And we put "put." "Put,"
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์•Œ์•˜์ง€? ๋ฌด์–ธ๊ฐ€๋ฅผ ๋นผ๋ฉด ์•„๋ž˜์— ๋˜์ง‘๋‹ˆ๋‹ค. ์˜ค๋ฅธ์ชฝ? ๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” "๋„ฃ๋‹ค"๋ฅผ ๋„ฃ์Šต๋‹ˆ๋‹ค. "๋„ฃ๋‹ค"
11:06
or I say, "pull," or "draw," or... In this case, we're taking it and drawing it beneath
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๋˜๋Š” "๋Œ์–ด๋‹น๊ธฐ๋‹ค" ๋˜๋Š” "๊ทธ๋ฆฌ๋‹ค" ๋˜๋Š”... ์ด ๊ฒฝ์šฐ, ์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์„ ์ทจํ•˜์—ฌ
11:17
the attention. So when you're subtracting, you're taking it away, so it goes away from
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์ฃผ์˜๋ฅผ ๋Œ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋บ„์…ˆ์„ ํ•  ๋•Œ ๋บ์–ด๊ฐ€๋Š” ๊ฑฐ๋‹ˆ๊นŒ
11:20
my attention, so I'm only focusing on what's left. But when we do subtraction, we pull
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๋‚ด ๊ด€์‹ฌ์—์„œ ๋ฉ€์–ด์ง€๋‹ˆ๊นŒ ๋‚จ์€ ๊ฒƒ์—๋งŒ ์ง‘์ค‘ํ•˜๋Š” ๊ฑฐ์ฃ  . ๊ทธ๋Ÿฌ๋‚˜ ์šฐ๋ฆฌ๊ฐ€ ๋บ„์…ˆ์„ ํ•  ๋•Œ, ์šฐ๋ฆฌ๋Š”
11:25
it under and then take it away. So an example would be four, right? You have four minus
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๊ทธ๊ฒƒ์„ ์•„๋ž˜๋กœ ๋‹น๊ฒผ๋‹ค๊ฐ€ ๋บ๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค๋ฉด 4๊ฐœ๊ฒ ์ฃ ? 4 ๋นผ๊ธฐ
11:31
two. I can't do it, so you pull it underneath and put minus two equals two. Yeah? Cool.
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2๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š” ๊ทธ๊ฒƒ์„ ํ•  ์ˆ˜ ์—†์œผ๋ฏ€๋กœ ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ์•„๋ž˜๋กœ ๋‹น๊ธฐ๊ณ  ๋งˆ์ด๋„ˆ์Šค 2๋Š” 2์™€ ๊ฐ™์Šต๋‹ˆ๋‹ค. ์‘? ์‹œ์›ํ•œ.
11:39
That's actually subtraction. Both things. So let's look at the next one. So we subtract
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๊ทธ๊ฒƒ์€ ์‹ค์ œ๋กœ ๋นผ๊ธฐ์ž…๋‹ˆ๋‹ค. ๋‘ ๊ฐ€์ง€ ๋ชจ๋‘. ๊ทธ๋Ÿผ ๋‹ค์Œ์„ ๋ด…์‹œ๋‹ค. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š”
11:44
all the things that we detract. What does "de" mean? "De" is funny, because "de" as
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์šฐ๋ฆฌ๊ฐ€ ์†์ƒ์‹œํ‚ค๋Š” ๋ชจ๋“  ๊ฒƒ์„ ๋บ๋‹ˆ๋‹ค. "de"์€(๋Š”) ๋ฌด์Šจ ๋œป์ธ๊ฐ€์š”? "De"๋Š” ์žฌ๋ฏธ์žˆ์Šต๋‹ˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด
11:51
in "descend" means either "down," or another one that means "away from." Similar to "ab."
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"descend"์—์„œ "de"๋Š” "์•„๋ž˜๋กœ" ๋˜๋Š” "๋ฉ€๋ฆฌ"๋ฅผ ์˜๋ฏธํ•˜๋Š” ๋‹ค๋ฅธ ๊ฒƒ์„ ์˜๋ฏธํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. "ab."์™€ ์œ ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
12:00
But "ab" doesn't have a "down" meaning, so that's why we use it, because sometimes we
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๊ทธ๋Ÿฌ๋‚˜ "ab"์—๋Š” "์•„๋ž˜๋กœ"๋ผ๋Š” ์˜๋ฏธ๊ฐ€ ์—†์œผ๋ฏ€๋กœ ์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ์‚ฌ์šฉํ•˜๋Š” ์ด์œ ๋Š” ๋•Œ๋•Œ๋กœ
12:04
mean "de" as in "down," and sometimes we mean "away from." Okay? So when you detract from
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"์•„๋ž˜๋กœ"์—์„œ์™€ ๊ฐ™์ด "de"๋ฅผ ์˜๋ฏธํ•˜๊ณ  ๋•Œ๋กœ๋Š” "๋ฉ€๋ฆฌ ๋–จ์–ด์ ธ"๋ฅผ ์˜๋ฏธํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ์ข‹์•„์š”? ๊ทธ๋ž˜์„œ ๋‹น์‹ ์ด ๋ฌด์–ธ๊ฐ€๋กœ๋ถ€ํ„ฐ ์‹œ์„ ์„ ๋Œ๋ฆฌ๋ฉด
12:09
something, you pull the attention away from. Right? So you pull away from. So if you want
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์ฃผ์˜๋ฅผ ๋‹ค๋ฅธ ๊ณณ์œผ๋กœ ๋Œ์–ด๋‹น๊น๋‹ˆ๋‹ค. ์˜ค๋ฅธ์ชฝ? ๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ๋ฉ€์–ด์ง‘๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‹น์‹ ์ด
12:25
to detract attention from, I don't know, your big butt, your enormous ass. Sorry, you can't
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๊ด€์‹ฌ์„ ๋Œ๋ฆฌ๊ณ  ์‹ถ๋‹ค๋ฉด, ๋‹น์‹ ์˜ ํฐ ์—‰๋ฉ์ด, ๋‹น์‹ ์˜ ๊ฑฐ๋Œ€ํ•œ ์—‰๋ฉ์ด. ์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค, ๋‹น์‹ ์€
12:31
see mine. Here it is. There. Good shot. I hope you looked. It's gone. Okay? But maybe you
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๋‚ด ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์žˆ์–ด. ๊ฑฐ๊ธฐ. ์ข‹์€ ์ƒท. ๋‹น์‹ ์ด ๋ด ๋ฐ”๋ž๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์‚ฌ๋ผ ์กŒ์–ด์š”. ์ข‹์•„์š”? ํ•˜์ง€๋งŒ ์–ด์ฉŒ๋ฉด ๋‹น์‹ ์€
12:37
have a really big bum. Little legs and a really big bum. Okay? You want to detract attention
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์ •๋ง ํฐ ๋ถ€๋ž‘์ž๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ž‘์€ ๋‹ค๋ฆฌ์™€ ์ •๋ง ํฐ ๋ถ€๋ž‘์ž. ์ข‹์•„์š”? ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์— ๊ด€์‹ฌ์„ ๋Œ๋ฆฌ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค
12:42
from that. Take people's eyes away from it. Okay? All right? So that was "detract." So
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. ์‚ฌ๋žŒ๋“ค์˜ ์‹œ์„ ์„ ๋ฉ€๋ฆฌํ•˜์‹ญ์‹œ์˜ค. ์ข‹์•„์š”? ๊ดœ์ฐฎ์€? ๊ทธ๋ž˜์„œ ๊ทธ๊ฒƒ์€ "์†์ƒ"์ด์—ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ
12:51
we go from "detract" down to "contract." Most of you think "contract" is a piece of
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์šฐ๋ฆฌ๋Š” "detract"์—์„œ "contract"๋กœ ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค. ๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์€ "๊ณ„์•ฝ"์ด ์ข…์ด ์กฐ๊ฐ์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค
12:56
paper. Well, it's not. To "contract" something, because "con" means -- and this is the important
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. ๊ธ€์Ž„์š”. ๋ฌด์–ธ๊ฐ€๋ฅผ "๊ณ„์•ฝ"ํ•œ๋‹ค๋Š” ๊ฒƒ์€ "con"์ด ์˜๋ฏธํ•˜๊ธฐ ๋•Œ๋ฌธ์— -- ์ด๊ฒƒ์ด ์ค‘์š”ํ•œ
13:02
thing -- "con" means this. I feel like Mr. Rogers. Did you hear that little voice? Girls
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๊ฒƒ์ž…๋‹ˆ๋‹ค -- "con"์€ ์ด๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ๋กœ์ €์Šค ์”จ๊ฐ€ ๋œ ๊ธฐ๋ถ„์ž…๋‹ˆ๋‹ค. ๊ทธ ์ž‘์€ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋“ค์—ˆ์–ด? ์†Œ๋…€๋“ค
13:10
and boys? It's "with" and "together." That's right. You're so good. You're so good. Okay?
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๊ณผ ์†Œ๋…„๋“ค? "ํ•จ๊ป˜"์™€ "ํ•จ๊ป˜"์ž…๋‹ˆ๋‹ค. ์ข‹์•„์š”. ๋„ˆ ์ง„์งœ ๋Œ€๋‹จํ•˜๋‹ค. ๋„ˆ ์ง„์งœ ๋Œ€๋‹จํ•˜๋‹ค. ์ข‹์•„์š”?
13:17
With or together. And "tract" means what? Pull. So in this case, think with "with." Okay?
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ํ•จ๊ป˜ ๋˜๋Š” ํ•จ๊ป˜. ๊ทธ๋ฆฌ๊ณ  "tract"๋Š” ๋ฌด์—‡์„ ์˜๋ฏธํ•ฉ๋‹ˆ๊นŒ? ๋‹น๊ธฐ๋‹ค. ๋”ฐ๋ผ์„œ ์ด ๊ฒฝ์šฐ "with"๋กœ ์ƒ๊ฐํ•˜์‹ญ์‹œ์˜ค. ์ข‹์•„์š”?
13:27
And think "draw." And as I said, "pull." You pull a disease into yourself. So you draw
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๊ทธ๋ฆฌ๊ณ  "๊ทธ๋ฆฌ๊ธฐ"๋ฅผ ์ƒ๊ฐํ•˜์‹ญ์‹œ์˜ค. ๊ทธ๋ฆฌ๊ณ  ๋‚ด๊ฐ€ ๋งํ–ˆ๋“ฏ์ด "๋‹น๊ฒจ." ๋‹น์‹ ์€ ์ž์‹ ์—๊ฒŒ ์งˆ๋ณ‘์„ ๊ฐ€์ ธ์˜ต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‹น์‹ ์€
13:33
it in. It's not that you want to. You've contracted it. So it's part of you. It comes together
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๊ทธ๊ฒƒ์„ ๋Œ์–ด๋“ค์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๋‹น์‹ ์ด ์›ํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ๊ณ„์•ฝํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๊ฒƒ์€ ๋‹น์‹ ์˜ ์ผ๋ถ€์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€
13:37
with you, and it's drawn in. All right? That's why you contract a cold. Right? You don't
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์—ฌ๋Ÿฌ๋ถ„๊ณผ ํ•จ๊ป˜ ์˜ค๊ณ  ๋Œ์–ด๋‹น๊ฒจ์ง‘๋‹ˆ๋‹ค. ์•Œ์•˜์ฃ ? ๊ทธ๋ž˜์„œ ๊ฐ๊ธฐ์— ๊ฑธ๋ฆฝ๋‹ˆ๋‹ค. ์˜ค๋ฅธ์ชฝ?
13:42
draw a contract, like, "I will be officially sick for seven days." No. What happens is,
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"๋‚˜๋Š” ๊ณต์‹์ ์œผ๋กœ 7์ผ ๋™์•ˆ ์•„ํ”Œ ๊ฒƒ์ž…๋‹ˆ๋‹ค."์™€ ๊ฐ™์€ ๊ณ„์•ฝ์„œ๋ฅผ ์ž‘์„ฑํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ์•„๋‹ˆ์˜ค. ์ผ์–ด๋‚˜๋Š” ์ผ์€
13:47
you talk to somebody, and you contract it. It's drawn into you from them, and it makes
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๋ˆ„๊ตฐ๊ฐ€์—๊ฒŒ ๋ง์„ ๊ฑธ๊ณ  ๊ณ„์•ฝ์„ ๋งบ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๊ทธ๋“ค๋กœ๋ถ€ํ„ฐ ๋‹น์‹ ์—๊ฒŒ ์ด๋Œ๋ ค
13:50
you sick. You cannot contract cancer. You can contract a virus. You can contract the
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๋‹น์‹ ์„ ์•„ํ”„๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค. ์•”์— ๊ฑธ๋ฆด ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๋ฐ”์ด๋Ÿฌ์Šค์— ๊ฐ์—ผ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ๋ฐ•ํ…Œ๋ฆฌ์•„๋ฅผ ์ˆ˜์ถ•์‹œํ‚ฌ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
13:55
bacteria, because it's drawn into your body. Cool, no? All right. There you go. Contract.
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. ๋ฐ•ํ…Œ๋ฆฌ์•„๊ฐ€ ๋‹น์‹ ์˜ ๋ชธ ์†์œผ๋กœ ๋Œ์–ด๋“ค์—ฌ์ง€๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๋ฉ‹์ง€์ง€ ์•Š์Šต๋‹ˆ๊นŒ? ๊ดœ์ฐฎ์€. ์ž. ๊ณ„์•ฝ.
14:00
With or together. Next. Oh, we're not at the piece de resistance, but we kind of are. We're
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ํ•จ๊ป˜ ๋˜๋Š” ํ•จ๊ป˜. ๋‹ค์Œ. ์˜ค, ์šฐ๋ฆฌ๋Š” ์ €ํ•ญ์˜ ์กฐ๊ฐ์— ์žˆ์ง€๋Š” ์•Š์ง€๋งŒ ์šฐ๋ฆฌ๋Š” ์–ด๋Š ์ •๋„ ์žˆ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š”
14:05
at the last one. Traction. Traction. What does that mean, traction? Well, "tion" usually
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๋งˆ์ง€๋ง‰ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค. ๊ฒฌ์ธ. ๊ฒฌ์ธ. ๊ทธ๊ฒŒ ๋ฌด์Šจ ๋œป์ด์•ผ, ํŠธ๋ž™์…˜? ์Œ, "tion"์€ ๋ณดํ†ต
14:11
means noun. All right? So when we talk about having traction, here's the funny thing. It's
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๋ช…์‚ฌ๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ๊ดœ์ฐฎ์€? ๊ฒฌ์ธ๋ ฅ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•  ๋•Œ ์žฌ๋ฏธ์žˆ๋Š” ์ ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฑด
14:16
-- all right? And with movement, when we say it's movement, it's based on pulling or drawing.
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-- ๊ดœ์ฐฎ์•„? ๊ทธ๋ฆฌ๊ณ  ์›€์ง์ž„์œผ๋กœ, ์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ์›€์ง์ž„์ด๋ผ๊ณ  ๋งํ•  ๋•Œ, ๊ทธ๊ฒƒ์€ ๋‹น๊ธฐ๊ฑฐ๋‚˜ ๋‹น๊ธฐ๋Š” ๊ฒƒ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•ฉ๋‹ˆ๋‹ค.
14:28
Because when you get traction, let's say you have -- okay, you've got a car. I never said
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์™œ๋ƒํ•˜๋ฉด ๋‹น์‹ ์ด ๊ฒฌ์ธ๋ ฅ์„ ์–ป์—ˆ์„ ๋•Œ, ๋‹น์‹ ์ด ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๊ณ  ๊ฐ€์ •ํ•ด ๋ด…์‹œ๋‹ค. ์ข‹์•„์š”, ๋‹น์‹ ์€ ์ฐจ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š”
14:33
I was an artiste. Have you seen The Worm? Okay? Your car -- sorry, man. I'm a terrible
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๋‚ด๊ฐ€ ์˜ˆ์ˆ ๊ฐ€๋ผ๊ณ  ๋งํ•œ ์ ์ด ์—†๋‹ค. ๋” ์›œ ๋ณด์…จ๋‚˜์š”? ์ข‹์•„์š”? ๋‹น์‹  ์ฐจ -- ๋ฏธ์•ˆํ•ด์š”. ๋‚˜๋Š” ๋”์ฐํ•œ
14:41
drawer. Your car can't -- if this is ice here, your car can't move. It can't get traction.
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์„œ๋ž์ž…๋‹ˆ๋‹ค. ๋‹น์‹ ์˜ ์ฐจ๋Š” -- ๋งŒ์•ฝ ์—ฌ๊ธฐ๊ฐ€ ์–ผ์Œ์ด๋ผ๋ฉด, ๋‹น์‹ ์˜ ์ฐจ๋Š” ์›€์ง์ผ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๊ฒฌ์ธ๋ ฅ์„ ์–ป์„ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
14:47
What it needs to do is pull, be able to pull to gain movement. So when we talk about this,
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๊ทธ๊ฒƒ์ด ํ•ด์•ผ ํ•  ์ผ์€ ๋‹น๊ธฐ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์›€์ง์ž„์„ ์–ป๊ธฐ ์œ„ํ•ด ๋‹น๊ธธ ์ˆ˜ ์žˆ์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๊ฐ€ ์ด๊ฒƒ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•  ๋•Œ,
14:52
you need to pull to gain some kind of movement. You need some kind of traction, the ability
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๋‹น์‹ ์€ ์–ด๋–ค ์ข…๋ฅ˜์˜ ์›€์ง์ž„์„ ์–ป๊ธฐ ์œ„ํ•ด ๋‹น๊ธธ ํ•„์š”๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ผ์ข…์˜ ๊ฒฌ์ธ๋ ฅ, ์žก๋Š” ๋Šฅ๋ ฅ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค
14:56
to grip. Okay? Now, traction is what you need here for that kind of movement of pulling
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. ์ข‹์•„์š”? ์ด์ œ ๊ฒฌ์ธ๋ ฅ์€ ๋‹น๊ธฐ๊ฑฐ๋‚˜ ๋Œ์–ด๋‹น๊ธฐ๋Š” ๊ทธ๋Ÿฐ ์ข…๋ฅ˜์˜ ์›€์ง์ž„์— ํ•„์š”ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค
15:03
or drawing on. So in this case, let's go through the story again and see if we've got it right.
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. ๋”ฐ๋ผ์„œ ์ด ๊ฒฝ์šฐ ์ด์•ผ๊ธฐ๋ฅผ ๋‹ค์‹œ ์‚ดํŽด๋ณด๊ณ  ์ œ๋Œ€๋กœ ์ดํ•ดํ–ˆ๋Š”์ง€ ํ™•์ธํ•ด ๋ด…์‹œ๋‹ค.
15:10
Mr. E inspired me to do an abstract painting, one that's not based totally on reality. I
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E ์”จ๋Š” ์™„์ „ํžˆ ํ˜„์‹ค์— ๊ธฐ๋ฐ˜ํ•˜์ง€ ์•Š์€ ์ถ”์ƒํ™”๋ฅผ ๊ทธ๋ฆฌ๋„๋ก ์ €์—๊ฒŒ ์˜๊ฐ์„ ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค . ์ €๋Š”
15:15
tried to extract -- extract, pull. Now, another word for extract is if you have bad teeth,
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์ถ”์ถœ์„ ์‹œ๋„ํ–ˆ์Šต๋‹ˆ๋‹ค -- ์ถ”์ถœ, ์ถ”์ถœ. ์ž, ๋ฐœ์น˜์˜ ๋˜ ๋‹ค๋ฅธ ๋ง์€ ์น˜์•„๊ฐ€ ์•ˆ ์ข‹์œผ๋ฉด
15:21
I'll extract them and pull them out. Pull, the exact thing that attracted him, draws
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๋ฐœ์น˜ํ•ด์„œ ๋ฝ‘์•„์ค€๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋ฐ”๋กœ ๊ทธ๋ฅผ ๋งค๋ฃŒ์‹œํ‚จ ํ’€(Pull)์ด
15:26
attention. Remember? Drawing attention of women to him. So I began to subtract. Remember?
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๋ˆˆ๊ธธ์„ ๋ˆ๋‹ค. ๊ธฐ์–ตํ•˜๋‹ค? ๊ทธ์—๊ฒŒ ์—ฌ์„ฑ์˜ ๊ด€์‹ฌ์„ ๋Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค . ๊ทธ๋ž˜์„œ ๋นผ๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ธฐ์–ตํ•˜๋‹ค?
15:32
Pull and take away all the things from attention, put it underneath, get rid of them. So only
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๊ด€์‹ฌ์—์„œ ๋ชจ๋“  ๊ฒƒ์„ ๋Œ์–ด๋‚ด์–ด ์ œ๊ฑฐํ•˜๊ณ  ์•„๋ž˜์— ๋†“๊ณ  ์ œ๊ฑฐํ•˜์‹ญ์‹œ์˜ค. ๊ทธ๋ž˜์„œ
15:36
what's -- substance is left. The things that would detract, right, take your attention
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๋ฌผ์งˆ๋งŒ ๋‚จ์Šต๋‹ˆ๋‹ค. ๋ฐฉํ•ด ๊ฐ€ ๋˜๋Š” ๊ฒƒ๋“ค์€ ๋‹น์‹ ์˜ ๊ด€์‹ฌ์„
15:40
away from the real him. So what would be left is just him, which would be one skinny little
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์‹ค์ œ ์‚ฌ๋žŒ์—๊ฒŒ์„œ ๋ฉ€์–ด์ง€๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‚จ์€ ๊ฒƒ์€ ๋”ฑ ํ•œ ๋งˆ๋ฆฌ์˜ ๊ฐ€๋ƒ˜ํ”ˆ ์ž‘์€
15:45
worm. That's Mr. E without anything on him. It's not very attractive, is it? Okay? Before
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๋ฒŒ๋ ˆ์ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์•„๋ฌด๊ฒƒ๋„ ์—†๋Š” E์”จ์ž…๋‹ˆ๋‹ค. ๋ณ„๋กœ ๋งค๋ ฅ์ ์ด์ง€ ์•Š์ฃ ? ์ข‹์•„์š”?
15:54
I could complete it, I contracted -- caught, I drew into myself germs, disease, right?
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์™„์„ฑํ•˜๊ธฐ ์ „์— ๊ณ„์•ฝ์„ ๋งบ์—ˆ์Šต๋‹ˆ๋‹ค. ์žกํ˜”๊ณ , ์„ธ๊ท , ์งˆ๋ณ‘์„ ๋Œ์–ด๋“ค์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ฃ ?
16:02
And I lost all traction on it, so no movement. I lost the ability to make that contact to
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๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ๊ทธ๊ฒƒ์— ๋Œ€ํ•œ ๋ชจ๋“  ๊ฒฌ์ธ๋ ฅ์„ ์žƒ์—ˆ์œผ๋ฏ€๋กœ ์›€์ง์ž„์ด ์—†์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š”
16:07
be able to pull to draw myself forward. So there was no tract on the project. Okay? So
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๋‚˜ ์ž์‹ ์„ ์•ž์œผ๋กœ ๋Œ์–ด ๋‹น๊ธฐ๊ธฐ ์œ„ํ•ด ๊ทธ ์ ‘์ด‰์„ ํ•  ์ˆ˜ ์žˆ๋Š” ๋Šฅ๋ ฅ์„ ์žƒ์—ˆ๋‹ค. ๊ทธ๋ž˜์„œ ํ”„๋กœ์ ํŠธ์— ๋Œ€ํ•œ ์†Œ์ฑ…์ž๊ฐ€ ์—†์—ˆ์Šต๋‹ˆ๋‹ค. ์ข‹์•„์š”? ๊ทธ๋ž˜์„œ
16:13
you got the story? Here's a quick question. If I lost traction on it, did I finish it
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๋‹น์‹ ์€ ์ด์•ผ๊ธฐ๋ฅผ ์–ป์—ˆ์Šต๋‹ˆ๊นŒ? ๋‹ค์Œ์€ ๊ฐ„๋‹จํ•œ ์งˆ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ฒฌ์ธ๋ ฅ์„ ์žƒ์œผ๋ฉด ๋๋ƒˆ์Šต๋‹ˆ๊นŒ
16:20
or not? Think ice, think car. Does a car move if it's on ice? Okay? So that's the story.
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? ์–ผ์Œ์„ ์ƒ๊ฐํ•˜๊ณ  ์ฐจ๋ฅผ ์ƒ๊ฐํ•˜์‹ญ์‹œ์˜ค. ์ฐจ๊ฐ€ ์–ผ์Œ ์œ„์— ์žˆ์œผ๋ฉด ์›€์ง์ธ๋‹ค? ์ข‹์•„์š”? ๊ทธ๋ž˜์„œ ๊ทธ ์ด์•ผ๊ธฐ์ž…๋‹ˆ๋‹ค.
16:31
That's all I got to say. I don't have a contract to do any more work here. I don't want you
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๊ทธ๊ฒŒ ๋‚ด๊ฐ€ ํ•  ๋ง์˜ ์ „๋ถ€์ž…๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ ๋” ์ด์ƒ ์ผํ•  ๊ณ„์•ฝ์ด ์—†์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š” ๋‹น์‹ ์ด
16:37
detracted from the work you're supposed to be doing and give you any more abstract nonsense
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ํ•ด์•ผ ํ•  ์ผ์—์„œ ๋ฉ€์–ด์ง€๊ณ  ๋” ์ด์ƒ ์ถ”์ƒ์ ์ธ ๋„Œ์„ผ์Šค๋ฅผ ์ œ๊ณต
16:41
and talk about it. I believe you're attracted to the lessons in the pyramid because you've
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ํ•˜๊ณ  ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๋Š” ๊ฒƒ์„ ์›ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š” ๋‹น์‹ ์ด ์—ฌ๊ธฐ์— ์žˆ์—ˆ๊ธฐ ๋•Œ๋ฌธ์— ํ”ผ๋ผ๋ฏธ๋“œ์˜ ๊ตํ›ˆ์— ๋งค๋ ฅ์„ ๋Š๋‚€๋‹ค๊ณ  ์ƒ๊ฐ
16:45
been here, but I want you to extract the lesson I'm trying to teach here. Okay? I think that's
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ํ•˜์ง€๋งŒ ์—ฌ๊ธฐ์„œ ๋‚ด๊ฐ€ ๊ฐ€๋ฅด์น˜๋ ค๋Š” ๊ตํ›ˆ์„ ๋‹น์‹ ์ด ์ถ”์ถœํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค. ์ข‹์•„์š”?
16:51
it. I think we got a lot of traction in what we were trying to do here, and now I've got
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๊ทธ๊ฒŒ ๋‹ค๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๊ฐ€ ์—ฌ๊ธฐ์„œ ํ•˜๋ ค๊ณ  ํ–ˆ๋˜ ์ผ์— ๋งŽ์€ ๊ฒฌ์ธ๋ ฅ์„ ์–ป์—ˆ๋‹ค๊ณ  ์ƒ๊ฐ ํ•˜๊ณ  ์ด์ œ ๊ณ„์†
16:53
to move on. And you've got to get some traction and get to this place here. WWW dot. No abstract
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์ง„ํ–‰ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ์•ฝ๊ฐ„์˜ ๊ฒฌ์ธ๋ ฅ์„ ๊ฐ€์ง€๊ณ  ์—ฌ๊ธฐ ์ด ์žฅ์†Œ์— ๋„์ฐฉํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. WWW ๋„ํŠธ. ์—ฌ๊ธฐ์—๋Š” ์ดˆ๋ก์ด ์—†์Šต๋‹ˆ๋‹ค
17:02
here. Maybe I'll do a print symbol. That's abstract. See? Ing, as in English, vid. Now
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. ์•„๋งˆ๋„ ์ธ์‡„ ๊ธฐํ˜ธ๋ฅผ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์ถ”์ƒ์ ์ž…๋‹ˆ๋‹ค. ๋ณด๋‹ค? Ing, ์˜์–ด๋กœ, vid. ์ด์ œ
17:09
see abstract? Because it used to be ing vid. Now it's abstract here. Dot com, where you
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์ดˆ๋ก์„ ๋ณด์‹œ๊ฒ ์Šต๋‹ˆ๊นŒ? ์˜ˆ์ „์—๋Š” ing vid ์˜€๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ์ด์ œ ์—ฌ๊ธฐ์„œ๋Š” ์ถ”์ƒ์ ์ž…๋‹ˆ๋‹ค.
17:16
can learn about tract and other things. I mean, grammar, vocabulary, conversation, meeting
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์ „๋„์ง€ ๋ฐ ๊ธฐํƒ€ ์‚ฌํ•ญ์— ๋Œ€ํ•ด ๋ฐฐ์šธ ์ˆ˜ ์žˆ๋Š” ๋‹ท์ปด. ๋‚ด ๋ง์€, ๋ฌธ๋ฒ•, ์–ดํœ˜, ๋Œ€ํ™”,
17:23
women. I didn't say that. I didn't say that. Other subjects in English, and we're happy
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์—ฌ์ž ๋งŒ๋‚˜๊ธฐ. ๋‚˜๋Š” ๊ทธ๋ ‡๊ฒŒ ๋งํ•˜์ง€ ์•Š์•˜๋‹ค. ๋‚˜๋Š” ๊ทธ๋ ‡๊ฒŒ ๋งํ•˜์ง€ ์•Š์•˜๋‹ค. ์˜์–ด๋กœ ๋œ ๋‹ค๋ฅธ ๊ณผ๋ชฉ์„
17:28
to teach you. Okay? So go to EngVid.com. Come learn our vocabulary pyramid and the other
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๊ฐ€๋ฅด์น˜๊ฒŒ ๋˜์–ด ๊ธฐ์ฉ๋‹ˆ๋‹ค. ์ข‹์•„์š”? EngVid.com์œผ๋กœ ์ด๋™ํ•˜์‹ญ์‹œ์˜ค. ์šฐ๋ฆฌ์˜ ์–ดํœ˜ ํ”ผ๋ผ๋ฏธ๋“œ์™€
17:32
things we have available. Have a good day. I'm out. See you.
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์šฐ๋ฆฌ๊ฐ€ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ๋‹ค๋ฅธ ๊ฒƒ๋“ค์„ ๋ฐฐ์šฐ์‹ญ์‹œ์˜ค. ์ข‹์€ ํ•˜๋ฃจ ๋ณด๋‚ด์„ธ์š”. ๋‚˜๋Š” ๋‚˜๊ฐ”๋‹ค. ๋˜ ๋ด์š”.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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