Practice Fast Speech, Pronunciation & Connected Speech | Shadowing the movie WICKED

13,171 views ใƒป 2024-12-10

Accent's Way English with Hadar


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
Hey everyone.
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00:00
Today, we are going to shadow and practice and learn the vocabulary of
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ใ‚„ใ‚ใ€็š†ใ•ใ‚“ใ€‚
ไปŠๆ—ฅใฏใ€ๆ˜ ็”ปใ€Œใ‚ฆใ‚ฃใ‚ญใƒƒใƒ‰ใ€ใฎไบบๆฐ—ๆ›ฒใ€Œใƒใƒ”ใƒฅใƒฉใƒผใ€ใฎใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใจ ็ทด็ฟ’ใ‚’ใ—ใฆ่ชžๅฝ™ใ‚’ๅญฆใณใพใ™
00:05
the song Popular from the movie Wicked.
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ใ€‚
00:19
Wicked just recently came out and it is awesome.
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ใ€ŽWickedใ€ใฏๆœ€่ฟ‘ๅ‡บใŸใฐใ‹ใ‚Šใงใ™ใŒ ใ€็ด ๆ™ดใ‚‰ใ—ใ„ใงใ™ใญใ€‚
00:22
If you haven't watched it, go watch it.
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ใพใ ่ฆ‹ใฆใ„ใชใ„ๅ ดๅˆใฏใ€่ฆ‹ใซ่กŒใฃใฆใใ ใ•ใ„ใ€‚
00:24
I had so much fun.
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ใจใฆใ‚‚ๆฅฝใ—ใ‹ใฃใŸใงใ™ใ€‚
00:26
Popular is performed by Ariana Grande, who plays Glinda.
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ใƒใƒ”ใƒฅใƒฉใƒผใฏใ‚ฐใƒชใƒณใƒ€ใ‚’ๆผ”ใ˜ใ‚‹ใ‚ขใƒชใ‚ขใƒŠใƒปใ‚ฐใƒฉใƒณใƒ‡ใŒๆผ”ใ˜ใพใ™ ใ€‚
00:30
And she sings this song to her now friend Elphaba, also known as the Wicked
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ใใ—ใฆๅฝผๅฅณใฏใ“ใฎๆญŒใ‚’ใ€ใ‚ชใ‚บใฎ้ญ”ๆณ•ไฝฟใ„ใฎ่ฅฟใฎ ๆ‚ชใ„้ญ”ๅฅณใจใ—ใฆใ‚‚็Ÿฅใ‚‰ใ‚Œใ‚‹ไปŠใฎๅ‹ไบบใงใ‚ใ‚‹ใ‚จใƒซใƒ•ใ‚กใƒใซๆญŒใ„ใพใ™
00:35
Witch of the West from The Wizard of Oz.
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ใ€‚
00:38
And she basically tells her how she can help her become more popular.
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ใใ—ใฆๅฝผๅฅณใฏๅŸบๆœฌ็š„ใซใ€ใฉใ†ใ™ใ‚Œใฐ ใ‚‚ใฃใจไบบๆฐ—ใŒใงใ‚‹ใ‹ใ‚’ๅฝผๅฅณใซไผใˆใพใ™ใ€‚
00:44
It's such a great song to practice because we are going to practice
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00:48
speaking quickly and singing quickly.
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ๆ—ฉใ่ฉฑใ—ใŸใ‚Šใ€ๆ—ฉใๆญŒใฃใŸใ‚Šใ™ใ‚‹็ทด็ฟ’ใซใชใ‚‹ใฎใงใ€ใจใฆใ‚‚่‰ฏใ„ๆ›ฒใงใ™ใ€‚
00:50
We're going to talk about connected speech, pronunciation, rhythm.
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ใคใชใŒใ‚Šใฎใ‚ใ‚‹ ใ‚นใƒ”ใƒผใƒใ€็™บ้Ÿณใ€ใƒชใ‚บใƒ ใซใคใ„ใฆ่ฉฑใ—ใพใ™ใ€‚
00:55
And I'm going to share with you the definition of some
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ใใ—ใฆใ€
00:58
words that might be new to you.
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ใ‚ใชใŸใซใจใฃใฆๆ–ฐใ—ใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ„ใใคใ‹ใฎๅ˜่ชžใฎๅฎš็พฉใ‚’ๅ…ฑๆœ‰ใ—ใพใ™ใ€‚
01:00
So, let's listen to the first sentence.
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ใใ‚Œใงใฏใ€ๆœ€ๅˆใฎๆ–‡ใ‚’่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
01:08
Let's break down the word 'popular'.
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ใ€Œไบบๆฐ—ใ€ใจใ„ใ†่จ€่‘‰ใ‚’ๅˆ†่งฃใ—ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
01:10
So, technically, when you say the word popular, you start with a P sound,
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ใคใพใ‚Šใ€ๅŽณๅฏ†ใซ่จ€ใ†ใจใ€ใ€Œใƒใƒ”ใƒฅใƒฉใƒผใ€ใจใ„ใ†่จ€่‘‰ใ‚’่จ€ใ†ใจใใฏ ใ€P ใฎ้Ÿณใงๅง‹ใพใ‚Šใ€
01:14
then the AA as in father - paap.
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ๆฌกใซใ€ใŠ็ˆถใ•ใ‚“ (paap) ใฎใ‚ˆใ†ใซ AA ใซใชใ‚Šใพใ™ใ€‚
01:17
And then the middle syllable is usually a schwa, yuh.
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ใใ—ใฆใ€ไธญ้–“ใฎ้Ÿณ็ฏ€ใฏ ้€šๅธธใ‚ทใƒฅใƒฏใงใ™ใ€‚
01:21
And then l'r, another reduced vowel, l'r.
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ใใ—ใฆใ€l'rใ€ๅˆฅใฎ็Ÿญ็ธฎๆฏ้Ÿณใ€l'rใ€‚
01:24
paap-yuh-l'r.
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ใƒ‘ใ‚ขใƒ—ใƒฆใƒซใƒซใ€‚
01:26
When she sings it, she sometimes stretches the middle syllable, and then
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ๅฝผๅฅณใŒๆญŒใ†ใจใใ€ๆ™‚ใ€… ไธญ้–“ใฎ้Ÿณ็ฏ€ใ‚’ไผธใฐใ—ใฆใ€ใใ‚Œ
01:31
she turns it into an uw - paap-yuw-l'r, which is also a valid pronunciation.
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ใ‚’ uw - paap-yuw-l'r ใซๅค‰ใˆใพใ™ใŒใ€ ใ“ใ‚Œใ‚‚ๆœ‰ๅŠนใช็™บ้Ÿณใงใ™ใ€‚
01:36
So the U is a vowel there that is usually reduced, but in the
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ใคใพใ‚Šใ€U ใฏ ้€šๅธธใฏ็ธฎ็ด„ใ•ใ‚Œใ‚‹ๆฏ้Ÿณใงใ™ใŒใ€ใ“ใฎๆ›ฒใงใฏ
01:40
song, she actually pronounces it.
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ๅฝผๅฅณใŒๅฎŸ้š›ใซ็™บ้Ÿณใ—ใฆใ„ใพใ™ใ€‚
01:42
Let's listen.
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่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
01:44
So here it was pronounced as a schwa: "you're gonna be paap-yuh-l'r".
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ใคใพใ‚Šใ€ใ“ใ“ใงใฏใ‚ทใƒฅใƒฏใจใ—ใฆ็™บ้Ÿณใ•ใ‚Œใพใ—ใŸ๏ผš ใ€Œใ‚ใชใŸใฏใƒ‘ใƒผใƒ—ใƒปใƒฆใƒผใƒปใƒซใƒซใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€ใ€‚
01:48
And then the second time: "you're gonna be paap-yuw-l'r".
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ใใ—ใฆไบŒๅบฆ็›ฎใฏ ใ€Œใ‚ใชใŸใฏใƒ‘ใ‚ขใƒ—ใƒฆใƒซใƒซใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€ใ€‚ ๅณ
01:53
Right? She stretches it.
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๏ผŸ ๅฝผๅฅณใฏใใ‚Œใ‚’ไผธใฐใ—ใพใ™ใ€‚
01:54
And then it's 'you': "I'll teach you the proper ploys".
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ใใ—ใฆใ€Œใ‚ใชใŸใ€ใงใ™๏ผšใ€Œ ๆญฃใ—ใ„็ญ–็•ฅใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ€ใ€‚
01:58
'I'll teach you the proper ploys'.
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ใ€Œๆญฃใ—ใ„ๆ”ป็•ฅๆณ•ใ‚’ๆ•™ใˆใฆใ‚„ใ‚‹ใ‚ˆใ€
02:01
Let's say it together: I'll teach you the proper ploys.
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ไธ€็ท’ใซ่จ€ใ„ใพใ—ใ‚‡ใ†๏ผš ้ฉๅˆ‡ใช็ญ–็•ฅใ‚’ๆ•™ใˆใพใ™ใ€‚
02:04
Ploys are clever and planned ways to do something, usually to get what you want.
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็ญ–็•ฅใจใฏใ€ ้€šๅธธใฏๆฌฒใ—ใ„ใ‚‚ใฎใ‚’ๆ‰‹ใซๅ…ฅใ‚Œใ‚‹ใŸใ‚ใซใ€ไฝ•ใ‹ใ‚’่กŒใ†ใŸใ‚ใฎ่ณขใใฆ่จˆ็”ปใ•ใ‚ŒใŸๆ–นๆณ•ใงใ™ใ€‚
02:11
'The proper ploys'.
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ใ€Œ้ฉๅˆ‡ใช็ญ–็•ฅใ€ใ€‚
02:13
Now play with your P's here.
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ใ“ใ“ใงใ‚ใชใŸใฎ P ใจ้Šใ‚“ใงใใ ใ•ใ„ใ€‚
02:14
Proper ploys.
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้ฉๅˆ‡ใช็ญ–็•ฅใ€‚
02:16
I'll teach you the proper ploys when you talk to boys.
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็”ทใฎๅญใจ่ฉฑใ™ใจใใฎ้ฉๅˆ‡ใช็ญ–็•ฅใ‚’ๆ•™ใˆใพใ™ใ€‚
02:21
So notice the rhythm: proper ploys, talk to boys.
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ใƒชใ‚บใƒ ใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚ ้ฉๅˆ‡ใชๆˆฆ็•ฅใ‚’็ซ‹ใฆใฆใ€็”ทใฎๅญใซ่ฉฑใ—ใ‹ใ‘ใฆใใ ใ•ใ„ใ€‚
02:25
These are the stressed words in the song.
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ใ“ใ‚Œใ‚‰ใฏใ“ใฎๆ›ฒใฎไธญใงๅผท่ชฟใ•ใ‚Œใฆใ„ใ‚‹่จ€่‘‰ใงใ™ใ€‚
02:27
But also if I were to just say it, these are the words that I would stress.
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ใ—ใ‹ใ—ใ€ใ‚‚ใ—็งใŒใŸใ ่จ€ใ†ใจใ—ใŸใ‚‰ใ€ ใ“ใ‚Œใ‚‰ใฏ็งใŒๅผท่ชฟใ—ใŸใ„่จ€่‘‰ใงใ™ใ€‚
02:31
So usually when we listen to the music of a song, then we see that
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ใ—ใŸใŒใฃใฆใ€้€šๅธธใ€็งใŸใกใŒ ๆ›ฒใฎ้Ÿณๆฅฝใ‚’่ดใใจใ€
02:36
it actually reflects the lyrics.
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ใใ‚ŒใŒๅฎŸ้š›ใซๆญŒ่ฉžใ‚’ๅๆ˜ ใ—ใฆใ„ใ‚‹ใ“ใจใŒใ‚ใ‹ใ‚Šใพใ™ใ€‚
02:38
It's never disconnected.
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ๆฑบใ—ใฆๅˆ‡ๆ–ญใ•ใ‚Œใ‚‹ใ“ใจใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
02:40
"I'll teach you the proper ploys when you talk to boys".
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ใ€Œ ็”ทใฎๅญใจ่ฉฑใ™ใจใใฎ้ฉๅˆ‡ใช็ญ–็•ฅใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ˆใ€
02:43
Let's listen.
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่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
02:45
"I'll teach you the proper ploys when you talk to boys".
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ใ€Œ ็”ทใฎๅญใจ่ฉฑใ™ใจใใฎ้ฉๅˆ‡ใช็ญ–็•ฅใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ˆใ€
02:48
Let's continue.
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็ถšใ‘ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
02:50
"Little ways to flirt and flounce".
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ใ€Œใ‚คใƒใƒฃใ‚คใƒใƒฃใ—ใฆใƒ•ใƒฉใƒ•ใƒฉใ™ใ‚‹ใกใ‚‡ใฃใจใ—ใŸๆ–นๆณ•ใ€ใ€‚
02:52
'Little ways to flirt and flounce'.
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ใ€Œใ‚คใƒใƒฃใ‚คใƒใƒฃใ—ใฆใƒ•ใƒฉใƒ•ใƒฉใ™ใ‚‹ใกใ‚‡ใฃใจใ—ใŸๆ–นๆณ•ใ€ใ€‚
02:55
So, we have the flap T: little, little, little.
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ใคใพใ‚Šใ€ใƒ•ใƒฉใƒƒใƒ— T: ๅฐ‘ใ—ใ€ๅฐ‘ใ—ใ€ๅฐ‘ใ—ใงใ™ใ€‚
02:59
Try to connect it: little ways, little ways.
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ใใ‚Œใ‚’ใคใชใ’ใฆใฟใฆใใ ใ•ใ„ใ€‚ ๅฐใ•ใชๆ–นๆณ•ใงใ€ๅฐใ•ใชๆ–นๆณ•ใงใ€‚
03:02
And then we have "to flirt and flounce".
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ใใ—ใฆใ€ใ€Œใ‚คใƒใƒฃใ‚คใƒใƒฃใ—ใฆใƒ•ใƒฉใƒ•ใƒฉใ™ใ‚‹ใ€ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
03:05
So the word 'to' and 'and' are reduced: li-d'l ways t'flirt n'flauns.
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ใ—ใŸใŒใฃใฆใ€ๅ˜่ชžใ€Œtoใ€ใจใ€Œandใ€ใฏ ๅ‰Šๆธ›ใ•ใ‚Œใพใ™ใ€‚
03:11
You wanna sing it from the beginning?
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ๆœ€ๅˆใ‹ใ‚‰ๆญŒใ†ใคใ‚‚ใ‚Šใงใ™ใ‹๏ผŸ
03:12
Let's do it.
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ใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚
03:13
"Popular, you're gonna be popular.
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ใ€Œไบบๆฐ—่€…ใ‚ˆใ€ใ‚ใชใŸใฏใใฃใจไบบๆฐ—่€…ใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
03:17
I'll teach you the proper ploys when you talk to boys.
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็”ทใฎๅญใจ่ฉฑใ™ใจใใฎ้ฉๅˆ‡ใช็ญ–็•ฅใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ใ€‚
03:21
Little ways to flirt and flounce, ooh".
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ใกใ‚‡ใฃใจใ—ใŸๆตฎๆฐ—ใ‚„ๆตฎๆฐ—ใฎๆ–นๆณ•ใ€ใŠใŠใ€‚ใ€ ๆœ€ๅพŒใซใ€Œoohใ€ใ‚’
03:23
You don't have to put in the 'ooh' at the end, but you could.
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ไป˜ใ‘ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ ใŒใ€ไป˜ใ‘ใฆใ‚‚ๆง‹ใ„ใพใ›ใ‚“ใ€‚
03:26
It's a lot of fun.
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ใจใฆใ‚‚ๆฅฝใ—ใ„ใงใ™ใ€‚
03:27
Let's practice it.
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ๅฎŸ่ทตใ—ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
03:31
Okay, good.
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03:31
Let's continue.
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ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใ„ใ„ใงใ™ใ€‚
็ถšใ‘ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
03:32
"I'll show you what shoes to wear, how to fix your hair."
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ใ€Œใฉใ‚“ใช้ดใ‚’ ๅฑฅใใ‹ใ€้ซชใฎๆ•ดใˆๆ–นใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ˆใ€‚ใ€
03:36
Okay, so let's pay attention to the rhythm here: I'll show you what
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ใ•ใฆใ€ใ“ใ“ใงใฏใƒชใ‚บใƒ ใซๆณจๆ„ใ—ใฆใฟใพใ—ใ‚‡ใ† ใ€‚ใฉใฎใ‚ˆใ†ใช
03:38
shoes to wear, how to fix your hair.
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้ดใ‚’ๅฑฅใใ‹ใ€ใฉใฎใ‚ˆใ†ใซ้ซชใ‚’ๆ•ดใˆใ‚‹ใ‹ใ‚’่ชฌๆ˜Žใ—ใพใ™ใ€‚
03:42
So 'how to', if she were to stress every single word โ€“ how to fix
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ใคใพใ‚Šใ€ใ€Œใฉใ†ใ‚„ใฃใฆใ€ใ€ใคใพใ‚Š้ซชใ‚’็›ดใ™ๆ–นๆณ•ใชใฉใ€ๅฝผๅฅณใŒใ™ในใฆใฎๅ˜่ชžใ‚’ๅผท่ชฟใ™ใ‚‹ใจใ—ใŸใ‚‰ใ€
03:46
your hair โ€“ that would change the rhythm of the song completely.
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ใใ‚Œใฏ ๆ›ฒใฎใƒชใ‚บใƒ ใ‚’ๅฎŒๅ…จใซๅค‰ใˆใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
03:50
So we have to reduce it โ€“ 'ha(w)da'.
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ใ—ใŸใŒใฃใฆใ€ใใ‚Œใ‚’ๆธ›ใ‚‰ใ•ใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“ โ€“ ใ€Œใฏ(ใ‚)ใ ใ€ใ€‚
03:53
So notice that this is how it's pronounced when people speak as well.
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ใ—ใŸใŒใฃใฆใ€ไบบใ€…ใŒ่ฉฑใ™ใจใใ‚‚ใ“ใฎใ‚ˆใ†ใซ็™บ้Ÿณใ•ใ‚Œใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ ใ€‚
03:58
For example, when I make my videos on how to pronounce words,
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ใŸใจใˆใฐใ€ ๅ˜่ชžใฎ็™บ้Ÿณใซใคใ„ใฆใฎใƒ“ใƒ‡ใ‚ชใ‚’ไฝœๆˆใ™ใ‚‹ใจใใ€
04:00
that's how I say it โ€“ ha(w)da.
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็งใฏใ€Œใƒ๏ผˆใƒฏ๏ผ‰ใƒ€ใ€ใจใ„ใ†่จ€ใ„ๆ–นใ‚’ใ—ใพใ™ใ€‚
04:03
Ha(w)da pronounce.
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ใƒ(ใƒฏ)ใƒ€ใจ็™บ้Ÿณใ—ใพใ™ใ€‚
04:04
Ha(w)da you know?
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ใƒ(ใƒฏ)ใƒ€ใ€็Ÿฅใฃใฆใ‚‹๏ผŸ
04:05
Ha(w)da you do?
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ใฏใใ€ใใ†ใงใ™ใ‹๏ผŸ
04:07
Ha(w)da fix your hair.
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ใฏใใ€้ซชใ‚’็›ดใ—ใฆใใ ใ•ใ„ใ€‚
04:08
"I'll show you what shoes to wear, how to fix your hair".
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ใ€Œใฉใ‚“ใช้ดใ‚’ ๅฑฅใใ‹ใ€้ซชใฎๆ•ดใˆๆ–นใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ˆใ€ใ€‚
04:12
Let's continue.
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็ถšใ‘ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
04:13
"Everything that really counts to be popular."
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ใ€Œๆœฌๅฝ“ใซ ไบบๆฐ—ใฎใ‚ใ‚‹ใ‚‚ใฎใฏใ™ในใฆใ€‚ใ€
04:17
Good.
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่‰ฏใ„ใ€‚
04:18
So we have "everything that really counts".
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ใ—ใŸใŒใฃใฆใ€็งใŸใกใฏใ€Œๆœฌๅฝ“ใซ้‡่ฆใชใ‚‚ใฎใ™ในใฆใ€ใ‚’ๆŒใฃใฆใ„ใพใ™ ใ€‚
04:22
Let's do it together.
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ไธ€็ท’ใซใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚
04:24
Everything that really counts.
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ๆœฌๅฝ“ใซ้‡่ฆใชใ‚‚ใฎใ™ในใฆใ€‚
04:26
Here we don't have to rush, it's fun.
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ใ“ใ“ใงใฏๆ€ฅใๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€ๆฅฝใ—ใ„ใงใ™ใ€‚
04:29
Let's do it from the beginning.
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ๆœ€ๅˆใ‹ใ‚‰ใ‚„ใฃใฆใฟใพใ—ใ‚‡ใ†ใ€‚
04:30
Ready?
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ๆบ–ๅ‚™ใŒใงใใฆ๏ผŸ
04:31
"Popular, you are going to be popular.
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ใ€Œไบบๆฐ—่€…ใ‚ˆใ€ใ‚ใชใŸใฏใใฃใจไบบๆฐ—่€…ใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€‚็”ทใฎๅญใจ่ฉฑใ™ใจใใฎ
04:36
I'll teach you the proper ploys when you talk to boys.
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้ฉๅˆ‡ใช็ญ–็•ฅใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ ใ€‚
04:39
Little ways to flirt and flounce, ooh.
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ใกใ‚‡ใฃใจใ—ใŸๆตฎๆฐ—ใ‚„ๆตฎๆฐ—ใฎๆ–นๆณ•ใ€ใŠใŠใ€‚
04:41
I'll show you what shoes to wear, how to fix your hair.
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ใฉใ‚“ใช้ดใ‚’ ๅฑฅใ‘ใฐใ„ใ„ใฎใ‹ใ€้ซชใฎๆ•ดใˆๆ–นใ‚‚ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ใ€‚
04:45
Everything that really counts to be popular."
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ใ™ในใฆใ€‚ใ€ ใใ‚Œใฏๆœฌๅฝ“ใซ ไบบๆฐ—ใŒใ‚ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚ใ€
04:48
Good.
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่‰ฏใ„ใ€‚
04:49
So we go into "to be popular".
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ใใ“ใงใ€Œไบบๆฐ—่€…ใซใชใ‚‹ใ€ใจใ„ใ†ใ“ใจใซใคใ„ใฆ่€ƒใˆใฆใ„ใใพใ™ใ€‚
04:52
To be, to be, to be.
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ใ‚ใ‚‹ใ“ใจใ€ใ‚ใ‚‹ใ“ใจใ€ใ‚ใ‚‹ใ“ใจใ€‚
04:54
That has to go by quickly โ€“ t'be.
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ใใ‚Œใฏๆ—ฉใ้ŽใŽๅŽปใ‚‰ใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“ใ€‚
04:57
'T'be popular'.
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ใ€Œไบบๆฐ—่€…ใซใชใ‚‹ใ‚“ใ ใ‚ˆใ€ใ€‚
04:59
Don't forget to open your mouth for the 'paap'.
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ใ€Œใƒ‘ใ‚ขใƒ—ใ€ใจ่จ€ใ†ใŸใ‚ใซๅฃใ‚’้–‹ใ‘ใ‚‹ใ“ใจใ‚’ๅฟ˜ใ‚Œใชใ„ใงใใ ใ•ใ„ใ€‚
05:01
"Popular.
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ใ€Œไบบๆฐ—่€…ใ‚ˆใ€‚
05:03
I'll help you be popular."
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็งใŒใƒขใƒ†ใ‚‹ใŠๆ‰‹ไผใ„ใ‚’ใ—ใฆใ‚ใ’ใ‚‹ใ€ใ€‚
05:05
I'll help you be popular.
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ไบบๆฐ—่€…ใซใชใ‚‹ใŠๆ‰‹ไผใ„ใ‚’ใ—ใพใ™ใ€‚
05:09
" You'll hang with the right cohorts".
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ใ€Œใ‚ใชใŸใฏ้ฉๅˆ‡ใชไปฒ้–“ใจไป˜ใๅˆใˆใ‚‹ใงใ—ใ‚‡ใ†ใ€‚ใ€
05:11
Okay.
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ใ‚ใ‹ใฃใŸใ€‚
05:12
You'll hang with the right cohorts.
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้ฉๅˆ‡ใชไปฒ้–“ใจๅ”ๅŠ›ใงใใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
05:14
A cohort is a group of people you spend time with.
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ใ‚ณใƒ›ใƒผใƒˆใจใฏใ€ ไธ€็ท’ใซๆ™‚้–“ใ‚’้Žใ”ใ™ไบบใ€…ใฎใ‚ฐใƒซใƒผใƒ—ใงใ™ใ€‚
05:18
And that's how we say it with two long O sounds: kow-hort.
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ใใ—ใฆใ€ใใ‚Œใ‚’ 2 ใคใฎ้•ทใ„ O ้Ÿณใงใ€Œkow-hortใ€ใจ่จ€ใ†ใฎใงใ™ใ€‚ ใ“ใฎๅ˜่ชžใ‚’
05:25
It's a little hard if you don't know this word, so just say it several times.
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็Ÿฅใ‚‰ใชใ„ใจๅฐ‘ใ—้›ฃใ—ใ„ ใฎใงใ€ไฝ•ๅ›žใ‹่จ€ใฃใฆใฟใฆใใ ใ•ใ„ใ€‚
05:29
Cohort.
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05:29
Cohort.
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ใ‚ณใƒ›ใƒผใƒˆใ€‚
ใ‚ณใƒ›ใƒผใƒˆใ€‚
05:31
"You'll hang".
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ใ€Œใƒใƒณใ‚ฐใ‚ขใƒƒใƒ—ใ™ใ‚‹ใ‚ˆใ€ใ€‚
05:32
Hang.
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05:32
Technically, this A is the A as in cat.
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ไธ‹ใŒใ‚‹ใ€‚
ๅŽณๅฏ†ใซ่จ€ใˆใฐใ€ใ“ใฎ A ใฏ cat ใฎ A ใงใ™ใ€‚
05:35
But, because there is an NG sound after - heing, it's more of an 'i' or 'ei' sound.
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ใŸใ ใ—ใ€-heing ใฎๅพŒใซ NG ้ŸณใŒไป˜ใ„ใฆใ„ใ‚‹ใฎใง ใ€ใฉใกใ‚‰ใ‹ใจใ„ใ†ใจใ€Œใ‚คใ€ใพใŸใฏใ€Œใ‚จใ‚คใ€ใฎ้Ÿณใซใชใ‚Šใพใ™ใ€‚
05:42
'heing'.
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ใ€Œใƒ’ใƒผใ€ใ€‚
05:44
'You'll hang with the right cohorts'.
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ใ€Œใ‚ใชใŸใฏ้ฉๅˆ‡ใชไปฒ้–“ใŸใกใจไป˜ใๅˆใˆใ‚‹ใงใ—ใ‚‡ใ†ใ€‚ใ€
05:46
"You'll be good at sports".
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ใ€Œใ‚นใƒใƒผใƒ„ใŒๅพ—ๆ„ใซใชใ‚Šใพใ™ใญใ€‚ใ€
05:48
You'll be good at.
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ใ‚ใชใŸใฏไธŠๆ‰‹ใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
05:49
You'll be good at.
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ใ‚ใชใŸใฏไธŠๆ‰‹ใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
05:50
Just say it, practice connected speech: good, good, good, good.
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ใŸใ ใใ‚Œใ‚’่จ€ใฃใฆใ€ใคใชใŒใ‚Šใฎใ‚ใ‚‹ใ‚นใƒ”ใƒผใƒใ‚’็ทด็ฟ’ใ—ใฆใใ ใ•ใ„ ๏ผš่‰ฏใ„ใ€่‰ฏใ„ใ€่‰ฏใ„ใ€่‰ฏใ„ใ€‚
05:54
Not guwd - good.
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ใ†ใƒผใ‚“ใ€ใ„ใ„ใงใ™ใญใ€‚
05:56
You'll be good at.
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ใ‚ใชใŸใฏไธŠๆ‰‹ใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
05:57
Now, notice what happens to the D here: good at, good at.
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ใ•ใฆใ€ใ“ใ“ใง D ใŒใฉใ†ใชใ‚‹ใ‹ใซๆณจ็›ฎใ—ใฆใใ ใ•ใ„ ใ€‚ใ€Œๅพ—ๆ„ใ€ใ€Œๅพ—ๆ„ใ€ใงใ™ใ€‚ ็™บ้ŸณใŒใพใฃใŸใๅŒใ˜ใชใฎใงใ€
06:02
It sounds like the T in 'little', because it's pronounced exactly the same.
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ใ€Œlittleใ€ใฎ T ใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™ ใ€‚
06:06
The T and D between two vowels are pronounced the same, and they're
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2 ใคใฎๆฏ้Ÿณใฎ้–“ใฎ T ใจ D ใฏ ๅŒใ˜ใ‚ˆใ†ใซ็™บ้Ÿณใ•ใ‚Œใ€
06:09
pronounced as a flap โ€“ gu-dat.
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ใƒ•ใƒฉใƒƒใƒ— (ใ‚ฐใƒผใƒ€ใƒƒใƒˆ) ใจใ—ใฆ็™บ้Ÿณใ•ใ‚Œใพใ™ใ€‚
06:14
Sports.
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ใ‚นใƒใƒผใƒ„ใ€‚
06:15
You'll be good at sports.
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ใ‚นใƒใƒผใƒ„ใŒๅพ—ๆ„ใซใชใ‚Šใพใ™ใ‚ˆใ€‚
06:16
"Know the slang you've got to know".
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ใ€Œ็ŸฅใฃใฆใŠใในใใ‚นใƒฉใƒณใ‚ฐใ‚’็Ÿฅใ‚ใ†ใ€ใ€‚
06:19
'Know the slang', it's just like 'hang'.
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ใ€Œไฟ—่ชžใ‚’็Ÿฅใ‚‹ใ€ใจใ„ใ†ใฎใฏใ€ใพใ•ใซใ€ŒๆŽ›ใ‘ใ‚‹ใ€ใฎใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚ ใ“ใฎๆ›ฒ
06:22
Notice all the rhymes in this song: slang - hang.
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ใฎใ™ในใฆใฎ้Ÿปใซๆณจ็›ฎใ—ใฆใใ ใ•ใ„ : ใ‚นใƒฉใƒณใ‚ฐ - ใƒใƒณใ‚ฐใ€‚
06:26
Know the slang you've got to know.
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็ŸฅใฃใฆใŠใในใใ‚นใƒฉใƒณใ‚ฐใ‚’็Ÿฅใฃใฆใใ ใ•ใ„ใ€‚
06:29
So, 'got' is the 'aa' as in 'father'.
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ใคใพใ‚Šใ€ใ€Œgotใ€ใฏใ€Œfatherใ€ใจๅŒใ˜ใ‚ˆใ†ใซใ€Œaaใ€ใซใชใ‚Šใพใ™ใ€‚
06:31
Know the slang you've got to know.
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็ŸฅใฃใฆใŠใในใใ‚นใƒฉใƒณใ‚ฐใ‚’็Ÿฅใฃใฆใใ ใ•ใ„ใ€‚
06:34
And then continue.
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ใใ—ใฆ็ถšใ‘ใพใ™ใ€‚
06:36
"So let's start, 'cause you've got an awfully long way to go".
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ใ€Œใใ‚Œใงใฏๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€ ๅ…ˆใฏใจใฆใ‚‚้•ทใ„ใงใ™ใ‹ใ‚‰ใ€‚ใ€
06:42
Okay, I think that's my favorite part of the song.
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ใใ†ใงใ™ใญใ€ใใ‚ŒใŒ ใ“ใฎๆ›ฒใงไธ€็•ชๅฅฝใใช้ƒจๅˆ†ใ ใจๆ€ใ„ใพใ™ใ€‚
06:44
"So let's start".
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ใ€Œใใ‚Œใงใฏๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€ใ€‚
06:46
"So let's start".
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ใ€Œใใ‚Œใงใฏๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€ใ€‚
06:47
And then we slow down: 'cause you've got an awfully long way to go.
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ใใ—ใฆใ€็งใŸใกใฏ้€Ÿๅบฆใ‚’่ฝใจใ—ใพใ™ใ€‚ๅ…ˆใฏ ใจใฆใ‚‚้•ทใ„ใ‹ใ‚‰ใงใ™ใ€‚
06:53
Way to go -> weida go.
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ใ•ใ™ใŒโ†’ใ‚ฆใ‚คใƒ€ใ‚ดใƒผใ€‚
06:56
So the T here is a flap T - weida go.
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ใคใพใ‚Šใ€ใ“ใ“ใฎ T ใฏใƒ•ใƒฉใƒƒใƒ— T - weida go ใงใ™ใ€‚
07:00
Cause you've got an awfully long way to go.
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ใ ใฃใฆใ€ใ‚ใชใŸใซใฏ ใพใ ใพใ ้•ทใ„้“ใฎใ‚ŠใŒใ‚ใ‚‹ใฎใ ใ‹ใ‚‰ใ€‚
07:03
Let's take it again from the second verse.
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ใ‚‚ใ†ไธ€ๅบฆ๏ผ’็ฏ€ใ‹ใ‚‰่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
07:07
"Popular.
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ใ€Œไบบๆฐ—่€…ใ‚ˆใ€‚
07:08
I'll help you be popular.
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็งใŒใ‚ใชใŸใŒไบบๆฐ—่€…ใซใชใ‚‹ใฎใ‚’ๆ‰‹ไผใ†ใ‚ˆใ€‚
07:11
You'll hang with the right cohorts, you'll be good at sports, know
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ใ‚ใชใŸใฏ้ฉๅˆ‡ใชไปฒ้–“ใŸใกใจไปฒ่‰ฏใใชใ‚Œใ‚‹ใ—ใ€ ใ‚นใƒใƒผใƒ„ใ‚‚ๅพ—ๆ„ใ ใ—ใ€
07:15
the slang you've got to know.
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็ŸฅใฃใฆใŠใในใใ‚นใƒฉใƒณใ‚ฐใ‚‚็Ÿฅใฃใฆใ„ใ‚‹ใ ใ‚ใ†ใ€‚
07:17
So let's start, cause you've got an awfully long way to go."
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ใใ‚Œใงใฏใ€ๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€ใ‚ใชใŸใฏ ้žๅธธใซ้•ทใ„ๆœŸ้–“ใ‚’ๆŒใฃใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€ ใฉใ†ใ—ใ‚ˆใ†ใ€‚ใ€
07:25
Very good.
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ใจใฆใ‚‚่‰ฏใ„ใ€‚
07:26
Okay, now we're getting into the faster part.
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ใ•ใฆใ€ใ“ใ“ใ‹ใ‚‰ใฏ ้€Ÿใ„้ƒจๅˆ†ใซๅ…ฅใ‚Šใพใ™ใ€‚
07:28
Are you ready?
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ๆบ–ๅ‚™ใฏใงใใŸใ‹๏ผŸ
07:30
I think you are, but are you ready?
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ใใ†ใ ใจๆ€ใ„ใพใ™ใŒใ€ๆบ–ๅ‚™ใฏใงใใฆใ„ใพใ™ใ‹๏ผŸ
07:32
Okay.
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ใ‚ใ‹ใฃใŸใ€‚
07:33
Listen.
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่žใใ€‚
07:34
"Don't be offended by my frank analysis.
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ใ€Œ็งใฎ็Ž‡็›ดใชๅˆ†ๆžใซๆฐ—ใ‚’ๆ‚ชใใ—ใชใ„ใงใใ ใ•ใ„ใ€‚
07:36
Think of it as personality dialysis".
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ใ“ใ‚Œใฏๆ€งๆ ผ้€ๆžใ ใจ่€ƒใˆใฆใใ ใ•ใ„ใ€‚ใ€
07:39
Okay. Let's take these two sentences.
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ใ‚ใ‹ใฃใŸใ€‚ ใ“ใฎ 2 ใคใฎๆ–‡ใ‚’ๅ–ใ‚ŠไธŠใ’ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
07:42
Don't be offended by my frank analysis.
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็งใฎ็Ž‡็›ดใชๅˆ†ๆžใซๆฐ—ใ‚’ๆ‚ชใใ—ใชใ„ใงใใ ใ•ใ„ใ€‚
07:45
Frank is honest and direct.
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ใƒ•ใƒฉใƒณใ‚ฏใฏๆญฃ็›ดใง็Ž‡็›ดใงใ™ใ€‚
07:49
Okay.
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07:49
So, she doesn't want her to get offended because she basically...
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ใ‚ใ‹ใฃใŸใ€‚
ใคใพใ‚Šใ€ๅฝผๅฅณใฏ ๅŸบๆœฌ็š„ใซๅฝผๅฅณใ‚’ใ‹ใ‚‰ใ‹ใ‚ใชใ„ใฎใงใ€ๆฐ—ๅˆ†ใ‚’
07:54
she doesn't make fun of her, but she kind of makes fun of her, right?
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ๅฎณใ—ใŸใใชใ„ใฎใงใ™ใŒใ€ ๅฝผๅฅณใฏๅฝผๅฅณใ‚’ใ‹ใ‚‰ใ‹ใฃใฆใ„ใ‚‹ใฎใงใ™ใ‚ˆใญ๏ผŸ
07:57
'Don't be offended by my frank analysis'.
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ใ€Œ็งใฎ็Ž‡็›ดใชๅˆ†ๆžใซๆฐ—ใ‚’ๆ‚ชใใ—ใชใ„ใงใใ ใ•ใ„ใ€‚ใ€
07:59
So, 'frank' also has that A as in 'cat' that turns into an
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ใ—ใŸใŒใฃใฆใ€ใ€Œfrankใ€ใซใ‚‚ ใ€Œcatใ€ใฎใ‚ˆใ†ใช A ใŒใ‚ใ‚Šใ€
08:03
'ei' sound before an NG: freink.
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NG: freink ใฎๅ‰ใซใ€Œeiใ€ใฎ้Ÿณใซๅค‰ใ‚ใ‚Šใพใ™ใ€‚
08:07
uh-NA-luh-sis.
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ใ‚ใ‚ใ€NAใ€ใƒซใƒผใ€ใ‚ทใ‚นใ€‚
08:11
frein-kuh-NA-luh-sis.
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ใƒ•ใƒฉใ‚คใƒณใƒปใ‚ฏใƒปใƒŠใƒปใƒซใƒผใƒปใ‚ทใ‚นใ€‚
08:13
So when we connect the words together, it actually sounds like frein-kuh-NA-luh-sis.
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ใ—ใŸใŒใฃใฆใ€ๅ˜่ชžใ‚’ใคใชใ’ใ‚‹ใจใ€ ๅฎŸ้š›ใซใฏใ€Œfrein-kuh-NA-luh-sisใ€ใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™ใ€‚
08:19
kuh-NA-luh-sis.
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ใใ€ใชใ€ใ‚‹ใ€ใ‚ทใ‚นใ€‚
08:21
frein-kuh-NA-luh-sis.
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ใƒ•ใƒฉใ‚คใƒณใƒปใ‚ฏใƒปใƒŠใƒปใƒซใƒผใƒปใ‚ทใ‚นใ€‚
08:22
Don't be offended = don't be hurt.
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ๆ€’ใ‚‰ใชใ„=ๅ‚ทใคใ‹ใชใ„ใ€‚
08:24
'Don't be offended by my frank analysis'.
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ใ€Œ็งใฎ็Ž‡็›ดใชๅˆ†ๆžใซๆฐ—ใ‚’ๆ‚ชใใ—ใชใ„ใงใใ ใ•ใ„ใ€‚ใ€
08:28
Now the next sentence: "Think of it as personality dialysis".
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ๆฌกใฎๆ–‡ใฏใ€Œ ไบบๆ ผ้€ๆžใ ใจ่€ƒใˆใฆใใ ใ•ใ„ใ€ใงใ™ใ€‚
08:33
Think of it as personality dialysis.
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ใใ‚Œใ‚’ไบบๆ ผ้€ๆžใจ่€ƒใˆใฆใใ ใ•ใ„ใ€‚
08:36
So, 'dialysis' is a medical procedure to clean up the blood.
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ใ—ใŸใŒใฃใฆใ€ใ€Œ้€ๆžใ€ใฏ ่ก€ๆถฒใ‚’ๆต„ๅŒ–ใ™ใ‚‹ใŸใ‚ใฎๅŒป็™‚่กŒ็‚บใงใ™ใ€‚
08:39
And she uses that here to make a joke as if she's trying to fix her personality.
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ใใ—ใฆๅฝผๅฅณใฏใ“ใ“ใงใใ‚Œใ‚’ๅˆฉ็”จใ—ใฆใ€ ใ‚ใŸใ‹ใ‚‚่‡ชๅˆ†ใฎๆ€งๆ ผใ‚’็›ดใใ†ใจใ—ใฆใ„ใ‚‹ใ‹ใฎใ‚ˆใ†ใซๅ†—่ซ‡ใ‚’่จ€ใฃใฆใ„ใพใ™ใ€‚
08:44
Personality dialysis.
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ไบบๆ ผ้€ๆžใ€‚
08:47
Now, I really like the rhythm here.
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ใ•ใฆใ€็งใฏใ“ใ“ใฎใƒชใ‚บใƒ ใŒใจใฆใ‚‚ๅฅฝใใงใ™ใ€‚
08:49
You know, the words were chosen deliberately, or the music was composed
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ใ”ๅญ˜็ŸฅใฎใจใŠใ‚Šใ€่จ€่‘‰ใŒ ๆ„ๅ›ณ็š„ใซ้ธใฐใ‚ŒใŸใ‹ใ€้ŸณๆฅฝใŒ
08:54
deliberately to fit the rhythm of the words 'personality dialysis', right?
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ใ€Œไบบๆ ผ้€ๆžใ€ใจใ„ใ†่จ€่‘‰ใฎใƒชใ‚บใƒ ใซๅˆใ‚ใ›ใฆๆ„ๅ›ณ็š„ใซไฝœๆ›ฒใ•ใ‚Œใพใ—ใŸใ‚ˆใญ๏ผŸ
09:01
Stressed - unstressed, stressed - unstressed, stressed - unstressed.
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ใ‚นใƒˆใƒฌใ‚นใ‚ใ‚Š - ใ‚นใƒˆใƒฌใ‚นใชใ—ใ€ใ‚นใƒˆใƒฌใ‚นใ‚ใ‚Š - ใ‚นใƒˆใƒฌใ‚นใชใ—ใ€ใ‚นใƒˆใƒฌใ‚นใ‚ใ‚Š - ใ‚นใƒˆใƒฌใ‚นใชใ—ใ€‚
09:04
Okay, let's continue.
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ใ•ใฆใ€็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚
09:05
Now, pay attention here.
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ใ•ใฆใ€ใ“ใ“ใงๆณจ็›ฎใ—ใฆใใ ใ•ใ„ใ€‚ ๆœ€ๅˆใฎๆ–‡ใฎ
09:13
So, this sounds a little confusing because the word 'sister' at the end
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็ต‚ใ‚ใ‚Šใซใ‚ใ‚‹ใ€Œsisterใ€ใจใ„ใ†ๅ˜่ชžใŒ
09:18
of the first sentence breaks into two.
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2 ใคใซๅˆ†ใ‹ใ‚Œใฆใ„ใ‚‹ใŸใ‚ใ€ใ“ใ‚Œใฏๅฐ‘ใ—ๆททไนฑใ—ใฆ่žใ“ใˆใพใ™ใ€‚
09:21
It's the end of the first sentence and the beginning of the next sentence.
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ๆœ€ๅˆใฎๆ–‡ใฎ็ต‚ใ‚ใ‚Šใจ ๆฌกใฎๆ–‡ใฎๅง‹ใพใ‚Šใงใ™ใ€‚
09:24
So let's listen to how it's broken down in the song.
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ใใ‚Œใงใฏใ€ใใ‚ŒใŒๆ›ฒใฎไธญใงใฉใฎใ‚ˆใ†ใซๅˆ†่งฃใ•ใ‚Œใฆใ„ใ‚‹ใ‹ใ‚’่žใ„ใฆใฟใพใ—ใ‚‡ใ† ใ€‚
09:28
"Now that I've chosen to become a pal, a sister and adviser".
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ใ€ŒไปŠใ€็งใฏ ๅ‹ไบบใ€ๅง‰ๅฆนใ€ใใ—ใฆใ‚ขใƒ‰ใƒใ‚คใ‚ถใƒผใซใชใ‚‹ใ“ใจใ‚’้ธใณใพใ—ใŸใ€‚ใ€
09:32
'Now that I've chosen to become a pal, a sis',
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ใ€ŒไปŠใ€็งใฏ ๅ‹้”ใ€ๅง‰ๅฆนใซใชใ‚‹ใ“ใจใ‚’้ธๆŠžใ—ใพใ—ใŸใ€ใ€
09:36
that's the first sentence in a way - 'a sis-'.
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ใ“ใ‚Œใฏใ‚ใ‚‹ๆ„ๅ‘ณๆœ€ๅˆใฎๆ–‡ใงใ™ - ใ€Œๅง‰ๅฆน -ใ€ใ€‚
09:39
And they did that so that it rhymes with a previous line that ends
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ใใ—ใฆใ€ๅฝผใ‚‰ใฏใใ‚Œใ‚’ใ€
09:42
with 'is': dialysis - a pal, a sis.
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ใ€Œisใ€ใง็ต‚ใ‚ใ‚‹ๅ‰ใฎ่กŒใ€ใคใพใ‚Š้€ๆž - ๅ‹ไบบใ€ๅง‰ๅฆนใจ้Ÿปใ‚’่ธใ‚€ใ‚ˆใ†ใซใ—ใŸใฎใงใ™ใ€‚
09:46
dialysis - a pal, a sis.
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้€ๆž - ๅ‹ไบบใ€ๅง‰ๅฆนใ€‚
09:47
dialysis - a pal, a sis.
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้€ๆž - ๅ‹ไบบใ€ๅง‰ๅฆนใ€‚
09:49
If I were to say 'dialysis - a pal, a sister', that doesn't work.
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ใ‚‚ใ—็งใŒใ€Œ้€ๆž - ๅ‹ไบบใ€ๅง‰ๅฆนใ€ใจ่จ€ใฃใŸใ‚‰ใ€ใใ‚ŒใฏๆฉŸ่ƒฝใ—ใพใ›ใ‚“ใ€‚
09:53
"-ter and advisor, there's nobody wiser."
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ใ€Œโ€•โ€•ใ‚ฟใƒผใจใ‚ขใƒ‰ใƒใ‚คใ‚ถใƒผใ€ใ“ใ‚ŒไปฅไธŠใซ่ณขใ„ไบบใฏใ„ใชใ„ใ‚ˆใ€‚ใ€
09:56
'ter and advisor', okay?
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ใ€Œใ‚ฟใƒผใจใ‚ขใƒ‰ใƒใ‚คใ‚ถใƒผใ€ใ€ใ„ใ„ใงใ™ใ‹๏ผŸ
09:57
So this is like the beginning of the next line.
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ใคใพใ‚Šใ€ใ“ใ‚Œใฏ ๆฌกใฎ่กŒใฎๅง‹ใพใ‚Šใฎใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚
09:59
'ter and advisor, there's nobody wiser'.
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ใ€Œใ‚ฟใƒผใจใ‚ขใƒ‰ใƒใ‚คใ‚ถใƒผใ€ใ“ใ‚Œใปใฉ่ณขใ„ไบบใฏใ„ใชใ„ใ€
10:03
Okay?
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ใ‚ใ‹ใฃใŸ๏ผŸ
10:04
Let's just do the second part from the beginning.
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ๅพŒๅŠ ้ƒจๅˆ†ใ‚’ๆœ€ๅˆใ‹ใ‚‰ใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚
10:09
"Don't be offended by my frank analysis.
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ใ€Œ็งใฎ็Ž‡็›ดใชๅˆ†ๆžใซๆฐ—ใ‚’ๆ‚ชใใ—ใชใ„ใงใใ ใ•ใ„ใ€‚
10:11
Think of it as personality analysis.
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ใ“ใ‚Œใ‚’ๆ€งๆ ผๅˆ†ๆžใ ใจ่€ƒใˆใฆใใ ใ•ใ„ใ€‚
10:14
Now that I've chosen to become a pal, a sister and advisor, there's nobody wiser.
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ๅ‹ไบบใ€ๅง‰ๅฆนใ€ใใ—ใฆใ‚ขใƒ‰ใƒใ‚คใ‚ถใƒผใซใชใ‚‹ใ“ใจใ‚’้ธใ‚“ใ ไปฅไธŠใ€ใ“ใ‚Œใปใฉ ่ณขใ„ไบบใฏใ„ใพใ›ใ‚“ใ€‚
10:20
Not when it comes to popular."
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ไบบๆฐ—ใซ้–ขใ—ใฆใฏๅˆฅใงใ™ใ€‚ใ€
10:22
Good.
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่‰ฏใ„ใ€‚
10:23
"Not when it comes to popular".
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ใ€Œไบบๆฐ—ใŒใ‚ใ‚‹ๅ ดๅˆใฏใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€ใ€‚
10:26
Okay, listen to the rhythm shift here.
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ใ•ใฆใ€ใ“ใ“ใงใƒชใ‚บใƒ ใฎๅค‰ๅŒ–ใ‚’่žใ„ใฆใใ ใ•ใ„ใ€‚
10:28
'Not when it comes to popular'.
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ใ€Œไบบๆฐ—ใŒใ‚ใ‚‹ๅ ดๅˆใฏใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€ใ€‚
10:31
'Not' - 'aa' as in 'father'.
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ใ€Œใชใ„ใ€ - ใ€ŒใŠ็ˆถใ•ใ‚“ใ€ใฎใ‚ˆใ†ใชใ€Œใ‚ใ‚ใ€ใ€‚
10:33
'when it' - that's quick.
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ใ€Œใใฎใจใใ€ - ใใ‚Œใฏๆ—ฉใ„ใงใ™ใ€‚
10:35
'comes' - that's a 'cup' sound.
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ใ€Œๆฅใ‚‹ใ€ - ใใ‚Œใฏใ€Œใ‚ซใƒƒใƒ—ใ€ใฎ้Ÿณใงใ™ใ€‚
10:38
'to popular'.
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ใ€Œไบบๆฐ—ใซใ€ใ€‚
10:40
Okay?
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ใ‚ใ‹ใฃใŸ๏ผŸ
10:41
Let's just speak that part together.
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ใใฎ้ƒจๅˆ†ใ ใ‘ไธ€็ท’ใซ่ฉฑใ—ใพใ—ใ‚‡ใ†ใ€‚
10:43
Again, focus on connected speech, focus on pronunciation.
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็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€ใคใชใŒใ‚Šใฎใ‚ใ‚‹ ้Ÿณๅฃฐใจ็™บ้Ÿณใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใพใ™ใ€‚
10:47
Don't be offended by my frank analysis.
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็งใฎ็Ž‡็›ดใชๅˆ†ๆžใซๆฐ—ใ‚’ๆ‚ชใใ—ใชใ„ใงใใ ใ•ใ„ใ€‚
10:54
Think of it as personality dialysis.
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ใใ‚Œใ‚’ไบบๆ ผ้€ๆžใจ่€ƒใˆใฆใใ ใ•ใ„ใ€‚
10:59
Good.
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่‰ฏใ„ใ€‚
11:00
Now that I have chosen to become a pal, a sis-, -ter and
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ๅ‹ไบบใ€ๅง‰ๅฆนใ€ใใ—ใฆ
11:05
advisor, there's nobody wiser
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ใ‚ขใƒ‰ใƒใ‚คใ‚ถใƒผใซใชใ‚‹ใ“ใจใ‚’้ธใ‚“ใ ไปŠใ€ไบบๆฐ—ใจใ„ใ†็‚นใงใฏใ“ใ‚Œใปใฉ่ณขใ„ไบบใฏใ„ใพใ›ใ‚“
11:11
when it comes to popular.
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ใ€‚
11:15
Good.
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่‰ฏใ„ใ€‚
11:16
Let's continue.
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็ถšใ‘ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
11:18
"I know about popular".
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ใ€Œไบบๆฐ—ใซใคใ„ใฆใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€ใ€‚
11:21
That's easy.
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ใใ‚Œใฏ็ฐกๅ˜ใงใ™ใ€‚
11:22
I know about โ€“ no-wuh-baut.
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็งใฏใƒŽใƒผใƒปใ‚ฆใƒผใƒปใƒใ‚ฆใƒˆใซใคใ„ใฆใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚
11:27
'I know about everything'.
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ใ€Œ็งใฏใ™ในใฆใฎใ“ใจใ‚’็Ÿฅใฃใฆใ„ใพใ™ใ€ใ€‚
11:28
'I know about what happened last night'.
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ใ€Œๆ˜จๅคœไฝ•ใŒ่ตทใ“ใฃใŸใฎใ‹ใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚ใ€
11:31
'I know about popular'.
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ใ€Œไบบๆฐ—ใซใคใ„ใฆใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€ใ€‚
11:33
I know about.
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ใซใคใ„ใฆใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚
11:34
I know about.
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ใซใคใ„ใฆใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€‚
11:36
"And with an assist from me" 'And with an assist from me'.
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ใ€Œใใ—ใฆ็งใ‹ใ‚‰ใฎใ‚ขใ‚ทใ‚นใƒˆไป˜ใใงใ€ ใ€Œใใ—ใฆ็งใ‹ใ‚‰ใฎใ‚ขใ‚ทใ‚นใƒˆไป˜ใใงใ€ใ€‚
11:40
'And with an assist from me'.
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ใ€Œใใ—ใฆ็งใ‹ใ‚‰ใฎใ‚ขใ‚ทใ‚นใƒˆไป˜ใใงใ™ใ€‚ใ€
11:42
Assist..
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ๅŠฉใ‘ใฆใใ ใ•ใ„ใ€‚
11:45
"to be who you'll be."
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ใ€Œๅฐ†ๆฅใฎใ‚ใชใŸใซใชใ‚‹ใŸใ‚ใซใ€ใ€‚
11:47
'To be who you'll be'.
236
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ใ€Œใชใ‚ŠใŸใ„่‡ชๅˆ†ใซใชใ‚‹ใ“ใจใ€ใ€‚
11:49
So we have a high 'ee' and a tense 'uw' here.
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ใ—ใŸใŒใฃใฆใ€ใ“ใ“ใงใฏ้ซ˜ใ„ใ€Œeeใ€ ใจ็ทŠๅผตใ—ใŸใ€Œuwใ€ใŒๅญ˜ๅœจใ—ใพใ™ใ€‚
11:51
To be who you'll be.
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ใชใ‚ŠใŸใ„่‡ชๅˆ†ใซใชใ‚‹ใŸใ‚ใซใ€‚
11:54
To be who you'll be.
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ใชใ‚ŠใŸใ„่‡ชๅˆ†ใซใชใ‚‹ใŸใ‚ใซใ€‚
11:56
"Instead of dreary who-you-were, well, are".
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ใ€Œ้™ฐ้ฌฑใชใ‚ใชใŸใงใฏใชใ ใ€ไปŠใฎใ‚ใชใŸใŒใ„ใ‚‹ใฎใงใ™ใ€‚ใ€
11:59
Okay.
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ใ‚ใ‹ใฃใŸใ€‚
12:00
'Instead of dreary who-you-were, well, are'.
242
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ใ€Œ้€€ๅฑˆใช ่‡ชๅˆ†ใงใฏใชใใ€ไปŠใฎ่‡ชๅˆ†ใ‚’ใ€ใ€‚
12:05
So let's break it down.
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ใใ‚Œใงใฏใ€ๅˆ†่งฃใ—ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
12:06
' Instead of dreary'.
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ใ€Œๆ†‚้ฌฑใชไปฃใ‚ใ‚Šใซใ€ใ€‚
12:07
'dreary' is boring, sad, not interesting.
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ใ€Œ้€€ๅฑˆใ€ใฏ้€€ๅฑˆใ€ๆ‚ฒใ—ใ„ใ€้ข็™ฝใใชใ„ใ€‚
12:10
So here's what she says: Instead of dreary who-you-were.
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ใใ“ใงๅฝผๅฅณใฏใ“ใ†่จ€ใ„ใพใ™๏ผš ้€€ๅฑˆใช่‡ชๅˆ†ใฎไปฃใ‚ใ‚Šใซใ€‚
12:15
Round your lips: who-you-were, TA da da.
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ๅ”‡ใ‚’ไธธใ‚ใฆ๏ผšใ‚ใชใŸใฏ่ชฐใ ใฃใŸใ€ใ‚ฟใƒปใƒ€ใƒปใƒ€ใ€‚
12:18
who-you-were.
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ใ‚ใชใŸใฏ่ชฐใงใ—ใŸใ‹ใ€‚
12:20
'Instead of dreary who-you-were'.
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ใ€Œ้€€ๅฑˆใช่‡ชๅˆ†ใฎไปฃใ‚ใ‚Šใซใ€ใ€‚
12:23
If you struggle with Ws and Rs, this is a really good tongue twister for
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W ใจ R ใซๆ‚ฉใ‚“ใงใ„ใ‚‹ใชใ‚‰ใ€ใ“ใ‚Œใฏ ๆœฌๅฝ“ใซ่‰ฏใ„ๆ—ฉๅฃ่จ€่‘‰ใงใ™
12:27
you: Instead of dreary who-you-were.
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ใ€‚้€€ๅฑˆใช่‡ชๅˆ†ใฎไปฃใ‚ใ‚Šใซใ€‚
12:30
Instead of dreary who-you-were.
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้€€ๅฑˆใช่‡ชๅˆ†ใฎไปฃใ‚ใ‚Šใซใ€‚
12:33
'well, are' - because she's talking about her in the present
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ใ€Œใใ†ใงใ™ใญใ€ - ๅฝผๅฅณใฏใพใ ๅค‰ใ‚ใฃใฆใ„ใชใ„ใฎใงใ€ ็พๅœจใฎ่‡ชๅˆ†ใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™
12:37
because she hasn't changed yet.
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ใ€‚
12:39
Okay?
255
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ใ‚ใ‹ใฃใŸ๏ผŸ
12:40
And then:
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ใใ—ใฆใ€
12:41
"There's nothing that can stop you from becoming popu-ler...
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ใ€Œ ใ‚ใชใŸใŒใ‚ˆใ‚Šไบบๆฐ—่€…ใซใชใ‚‹ใฎใ‚’ๅฆจใ’ใ‚‹ใ‚‚ใฎใฏไฝ•ใ‚‚ใ‚ใ‚Šใพใ›ใ‚“...
12:45
lar."
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larใ€‚ใ€
12:46
'There's nothing that can stop you', that's easy, right?
259
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ใ€Œใ‚ใชใŸใ‚’ๆญขใ‚ใ‚‹ใ‚‚ใฎใฏไฝ•ใ‚‚ใ‚ใ‚Šใพใ›ใ‚“ ใ€ใใ‚Œใฏ็ฐกๅ˜ใงใ™ใ‚ˆใญ๏ผŸ
12:50
Just don't forget the 'th'.
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ใŸใ ใ€Œthใ€ใ‚’ๅฟ˜ใ‚Œใชใ„ใงใใ ใ•ใ„ใ€‚
12:52
'There's nothing that can stop you from becoming popu-ler'.
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ใ€Œ ใ‚ใชใŸใŒไบบๆฐ—่€…ใซใชใ‚‹ใฎใ‚’ๅฆจใ’ใ‚‹ใ‚‚ใฎใฏไฝ•ใ‚‚ใ‚ใ‚Šใพใ›ใ‚“ใ€‚ใ€
12:58
And then she changes to 'lar' 'cause everything rhymes except for this line.
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ใใ—ใฆใ€ๅฝผๅฅณใฏใ€Œlarใ€ใซๅค‰ใ‚ใ‚Šใพใ™ใ€‚ใชใœใชใ‚‰ใ€ ใ“ใฎ่กŒไปฅๅค–ใฏใ™ในใฆ้Ÿปใ‚’่ธใ‚“ใงใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
13:01
And the previous line said 'are'- 'well, are', so this is why
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ใใ—ใฆใ€ๅ‰ใฎ่กŒใงใฏใ€Œareใ€- ใ€Œใพใ‚ใ€areใ€ใจ่จ€ใฃใฆใ„ใŸใฎใงใ€ใ“ใ‚ŒใŒ
13:07
she changed the 'ler' to 'lar'.
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ๅฝผๅฅณใŒใ€Œlerใ€ใ‚’ใ€Œlarใ€ใซๅค‰ๆ›ดใ—ใŸ็†็”ฑใงใ™ใ€‚
13:09
And that's always the part that makes people laugh.
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ใใ—ใฆใใ‚Œใฏๅธธใซ ไบบใ€…ใ‚’็ฌ‘ใ‚ใ›ใ‚‹้ƒจๅˆ†ใงใ™ใ€‚
13:12
"There's nothing that can stop you from becoming popu-ler...
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ใ€Œ ใ‚ใชใŸใŒไบบๆฐ—่€…ใซใชใ‚‹ใฎใ‚’ๅฆจใ’ใ‚‹ใ‚‚ใฎใฏไฝ•ใ‚‚ใ‚ใ‚Šใพใ›ใ‚“โ€ฆ
13:16
lar."
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ใƒฉใƒผใ€‚ใ€
13:18
So now, one last time, from beginning till the end.
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ใใ‚Œใงใฏๆœ€ๅพŒใซใ‚‚ใ†ไธ€ๅบฆใ€ ๆœ€ๅˆใ‹ใ‚‰ๆœ€ๅพŒใพใงใ€‚
13:23
Are you ready?
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ๆบ–ๅ‚™ใฏใงใใŸใ‹๏ผŸ
13:25
Don't forget to connect the words together, to speak fast, and
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ๅ˜่ชžใ‚’ ใคใชใ’ใ‚‹ใ“ใจใ€ๆ—ฉๅฃใง่ฉฑใ™ใ“ใจใ‚’ๅฟ˜ใ‚Œใšใซ
13:28
when you get stuck, just move on.
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ใ€่กŒใ่ฉฐใพใฃใŸใ‚‰ใใฎใพใพๆฌกใซ้€ฒใ‚“ใงใใ ใ•ใ„ใ€‚
13:30
Don't pause the video, don't start over, just move on.
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ใƒ“ใƒ‡ใ‚ชใ‚’ไธ€ๆ™‚ๅœๆญขใ—ใŸใ‚Šใ€ ๆœ€ๅˆใ‹ใ‚‰ใ‚„ใ‚Š็›ดใ—ใŸใ‚Šใ›ใšใ€ใใฎใพใพๅ…ˆใซ้€ฒใ‚“ใงใใ ใ•ใ„ใ€‚
13:33
Sing along and then try it again next time.
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ไธ€็ท’ใซๆญŒใฃใฆใ€ ๆฌกๅ›žใ‚‚ใ†ไธ€ๅบฆ่ฉฆใ—ใฆใฟใฆใใ ใ•ใ„ใ€‚
13:36
Let's go.
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ใ•ใ‚่กŒใ“ใ†ใ€‚
13:38
"Popular, you're gonna be popular.
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ใ€Œไบบๆฐ—่€…ใ‚ˆใ€ใ‚ใชใŸใฏใใฃใจไบบๆฐ—่€…ใซใชใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
13:42
I'll teach you the proper ploys when you talk to boys,
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็”ทใฎๅญใจ่ฉฑใ™ใจใใฎ้ฉๅˆ‡ใช็ญ–็•ฅใ‚„ใ€ใ„ใกใ‚ƒใ„ใกใ‚ƒใ—ใฆ
13:45
little ways to flirt and flounce.
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ใƒ•ใƒฉใƒ•ใƒฉใ™ใ‚‹ใกใ‚‡ใฃใจใ—ใŸๆ–นๆณ•ใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ใ€‚
13:47
I'll show you what shoes to wear, how to fix your hair,
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ใฉใ‚“ใช้ดใ‚’ ๅฑฅใใ‹ใ€้ซชใ‚’ๆ•ดใˆใ‚‹ๆ–นๆณ•ใ€
13:51
everything that really counts to be popular.
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ๆœฌๅฝ“ใซๅคงไบ‹ใชใ“ใจใ™ในใฆใ‚’ๆ•™ใˆใฆใ‚ใ’ใ‚‹ใ‚ใ€
13:55
I'll help you be popular.
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ใ‚ใชใŸใŒไบบๆฐ—่€…ใซใชใ‚‹ใฎใ‚’ๆ‰‹ไผใฃใฆใ‚ใ’ใ‚‹ใ€
13:58
You'll hang with the right cohorts, you'll be good at sports, know
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ใ‚ใชใŸใฏ้ฉๅˆ‡ใชไปฒ้–“ใŸใกใจไปฒ่‰ฏใใชใ‚Œใ‚‹ ใ—ใ€
14:02
the slang you've got to know.
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็ŸฅใฃใฆใŠใในใใ‚นใƒฉใƒณใ‚ฐใ‚‚็Ÿฅใฃใฆใ„ใ‚‹ใ ใ‚ใ†ใ€‚
14:04
So let's start, cause you've got an awfully long way to go.
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ใฒใฉใ
14:09
Don't be offended by my frank analysis.
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็งใฎ็Ž‡็›ดใชๅˆ†ๆžใ‚’่žใ„ใฆๆฐ—ใ‚’ๆ‚ชใใ—ใชใ„ใง
14:11
Think of it as personality dialysis.
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ใใ ใ•ใ„ใ€‚
14:14
Now that I've chosen to become a pal, a sister and advisor, there's nobody wiser.
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็งใŒๅ‹ไบบใ€ๅง‰ๅฆนใ€ใใ—ใฆใ‚ขใƒ‰ใƒใ‚คใ‚ถใƒผใซใชใ‚‹ใ“ใจใ‚’้ธใ‚“ใ ใฎใงใ™ใ‹ใ‚‰ ใ€็งใปใฉ่ณขใ„ไบบใฏใ„ใพใ›
14:21
Not when it comes to popular.
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ใ‚“ใ€‚ ใใ—ใฆใ€
14:24
I know about popular.
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ไบบๆฐ—่€…ใซใชใ‚‹ใ“ใจใ‚’็ง
14:27
And with an assist from me to be who you'll be,
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ใŒๆ‰‹ไผใฃใฆใใ‚Œใ‚Œใฐ ใ€
14:30
instead of dreary who-you-were, well, are,
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้€€ๅฑˆใชใ‚ใชใŸใงใฏใชใใ€ใ‚ใชใŸใŒใ‚‚ใฃใจไบบๆฐ—่€…ใซใชใ‚‹ใ“ใจใ‚’
14:33
there's nothing that can stop you from becoming popu-ler...
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ๅฆจใ’ใ‚‹ใ‚‚ใฎใฏไฝ•ใ‚‚ใ‚ใ‚Šใพใ›ใ‚“ ...
14:37
lar."
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ใƒฉใƒผใ€‚ใ€
14:39
Well done, my friends.
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ใ‚ˆใใ‚„ใฃใŸใ€ๅ‹ใ‚ˆใ€‚
14:40
That was incredible.
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ใใ‚Œใฏไฟกใ˜ใ‚‰ใ‚Œใชใ„ใปใฉใงใ—ใŸใ€‚
14:42
Now it's time to pump up the volume and sing along, but this time on your own.
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ไปŠๅบฆใฏ้Ÿณ้‡ใ‚’ไธŠใ’ใฆ ไธ€็ท’ใซๆญŒใ„ใพใ—ใ‚‡ใ†ใ€‚ไปŠๅ›žใฏไธ€ไบบใง่กŒใ„ใพใ™ใ€‚
14:47
You did great.
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14:47
Thank you so much for joining me.
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ใ‚ˆใ้ ‘ๅผตใ‚Šใพใ—ใŸใญใ€‚
ใ”ๅ‚ๅŠ ใ„ใŸใ ใใพใ—ใฆ่ช ใซใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚
14:49
And I hope you were able to tap into your inner musical theater actor.
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ใใ—ใฆใ€ใ‚ใชใŸใŒ่‡ชๅˆ†ใฎๅ†…ใชใ‚‹ใƒŸใƒฅใƒผใ‚ธใ‚ซใƒซไฟณๅ„ชใ‚’ๅผ•ใๅ‡บใ™ใ“ใจใŒใงใใŸใ“ใจใ‚’้ก˜ใฃใฆใ„ใพใ™ ใ€‚
14:54
Have a beautiful day and I'll see you next week in the next video.
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็ด ๆ™ดใ‚‰ใ—ใ„ไธ€ๆ—ฅใ‚’ใŠ้Žใ”ใ—ใใ ใ•ใ„ใ€‚ใพใŸ ๆฅ้€ฑใ€ๆฌกใฎใƒ“ใƒ‡ใ‚ชใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚
14:58
Bye.
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ใ•ใ‚ˆใชใ‚‰ใ€‚
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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