Practice Fast Speech, Pronunciation & Connected Speech | Shadowing the movie WICKED

13,171 views ใƒป 2024-12-10

Accent's Way English with Hadar


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Hey everyone.
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00:00
Today, we are going to shadow and practice and learn the vocabulary of
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์•ˆ๋…•ํ•˜์„ธ์š” ์—ฌ๋Ÿฌ๋ถ„.
์˜ค๋Š˜์€ ์˜ํ™” ์œ„ํ‚ค๋“œ์˜ ๋…ธ๋ž˜ 'Popular'๋ฅผ ๋”ฐ๋ผ ๋ถ€๋ฅด๋ฉฐ ์–ดํœ˜๋ฅผ ์—ฐ์Šตํ•˜๊ณ  ๋ฐฐ์›Œ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค
00:05
the song Popular from the movie Wicked.
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.
00:19
Wicked just recently came out and it is awesome.
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Wicked๊ฐ€ ์ตœ๊ทผ์— ๋‚˜์™”๋Š”๋ฐ ์ •๋ง ๋ฉ‹์ง€๋”๊ตฐ์š”. ์•„์ง
00:22
If you haven't watched it, go watch it.
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๋ณด์ง€ ์•Š์œผ์…จ๋‹ค๋ฉด, ๊ผญ ๋ณด์„ธ์š”.
00:24
I had so much fun.
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์ •๋ง ์žฌ๋ฐŒ์—ˆ์–ด์š”. '
00:26
Popular is performed by Ariana Grande, who plays Glinda.
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ํฌํ“ฐ๋Ÿฌ'๋Š” ๊ธ€๋ฆฐ๋‹ค ์—ญ์„ ๋งก์€ ์•„๋ฆฌ์•„๋‚˜ ๊ทธ๋ž€๋ฐ๊ฐ€ ๋ถˆ๋ €๋‹ค.
00:30
And she sings this song to her now friend Elphaba, also known as the Wicked
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ์ด ๋…ธ๋ž˜๋ฅผ ๊ทธ๋…€์˜ ์นœ๊ตฌ๊ฐ€ ๋œ ์—˜ํŒŒ๋ฐ”์—๊ฒŒ ๋ถˆ๋Ÿฌ์ค๋‹ˆ๋‹ค. ์—˜ํŒŒ๋ฐ”๋Š”
00:35
Witch of the West from The Wizard of Oz.
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์˜ค์ฆˆ์˜ ๋งˆ๋ฒ•์‚ฌ์˜ ์„œ์ชฝ์˜ ์‚ฌ์•…ํ•œ ๋งˆ๋…€๋กœ๋„ ์•Œ๋ ค์ ธ ์žˆ์Šต๋‹ˆ๋‹ค.
00:38
And she basically tells her how she can help her become more popular.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ๊ธฐ๋ณธ์ ์œผ๋กœ ๊ทธ๋…€๊ฐ€ ์–ด๋–ป๊ฒŒ ๋” ์ธ๊ธฐ๋ฅผ ์–ป์„ ์ˆ˜ ์žˆ๋„๋ก ๋„์šธ ์ˆ˜ ์žˆ๋Š”์ง€ ๋งํ•ด์ค๋‹ˆ๋‹ค. ์ด
00:44
It's such a great song to practice because we are going to practice
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๋…ธ๋ž˜๋Š” ์—ฐ์Šตํ•˜๊ธฐ ์ •๋ง ์ข‹์€ ๋…ธ๋ž˜์˜ˆ์š”.
00:48
speaking quickly and singing quickly.
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๋นจ๋ฆฌ ๋งํ•˜๊ณ  ๋นจ๋ฆฌ ๋…ธ๋ž˜ํ•˜๋Š” ์—ฐ์Šต์„ ํ•  ๊ฑฐ๊ฑฐ๋“ ์š”.
00:50
We're going to talk about connected speech, pronunciation, rhythm.
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์šฐ๋ฆฌ๋Š” ์—ฐ๊ฒฐ๋œ ๋ง, ๋ฐœ์Œ, ๋ฆฌ๋“ฌ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:55
And I'm going to share with you the definition of some
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๊ทธ๋ฆฌ๊ณ 
00:58
words that might be new to you.
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์—ฌ๋Ÿฌ๋ถ„๊ป˜ ์ƒˆ๋กœ์šธ ์ˆ˜ ์žˆ๋Š” ๋ช‡ ๊ฐ€์ง€ ๋‹จ์–ด์˜ ์ •์˜๋ฅผ ๊ณต์œ ํ•ด๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
01:00
So, let's listen to the first sentence.
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๊ทธ๋Ÿฌ๋ฉด ์ฒซ ๋ฒˆ์งธ ๋ฌธ์žฅ์„ ๋“ค์–ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
01:08
Let's break down the word 'popular'.
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'์ธ๊ธฐ'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๋ถ„์„ํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
01:10
So, technically, when you say the word popular, you start with a P sound,
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๋”ฐ๋ผ์„œ ๊ธฐ์ˆ ์ ์œผ๋กœ ๋งํ•˜๋ฉด, '์ธ๊ธฐ ์žˆ๋Š”'์ด๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๋ฐœ์Œํ•  ๋•Œ๋Š” P ๋ฐœ์Œ์œผ๋กœ ์‹œ์ž‘ํ•˜๊ณ ,
01:14
then the AA as in father - paap.
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๊ทธ ๋‹ค์Œ์— '์•„๋ฒ„์ง€'์˜ AA์ธ 'ํŒŒํ”„'๋ฅผ ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค.
01:17
And then the middle syllable is usually a schwa, yuh.
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๊ทธ๋ฆฌ๊ณ  ์ค‘๊ฐ„ ์Œ์ ˆ์€ ๋ณดํ†ต ์Šˆ์™€, ์‘.
01:21
And then l'r, another reduced vowel, l'r.
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๊ทธ๋ฆฌ๊ณ  ๋˜ ๋‹ค๋ฅธ ๋‹จ์ถ• ๋ชจ์Œ์ธ l'r์ด ์žˆ์Šต๋‹ˆ๋‹ค.
01:24
paap-yuh-l'r.
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ํŒŒํ”„-์œ -๋ฅด.
01:26
When she sings it, she sometimes stretches the middle syllable, and then
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๊ทธ๋…€๊ฐ€ ๋ถ€๋ฅผ ๋•Œ, ๊ฐ€๋” ์ค‘๊ฐ„ ์Œ์ ˆ์„ ๋Š˜์ด๊ธฐ๋„ ํ•˜๊ณ , ๊ทธ๋Ÿฐ ๋‹ค์Œ
01:31
she turns it into an uw - paap-yuw-l'r, which is also a valid pronunciation.
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๊ทธ๊ฒƒ์„ 'uw - paap-yuw-l'r'๋กœ ๋ฐ”๊พธ๊ธฐ๋„ ํ•˜๋Š”๋ฐ, ์ด ์—ญ์‹œ ์˜ฌ๋ฐ”๋ฅธ ๋ฐœ์Œ์ž…๋‹ˆ๋‹ค.
01:36
So the U is a vowel there that is usually reduced, but in the
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ U๋Š” ๋ณดํ†ต ์•ฝํ™”๋œ ๋ชจ์Œ์ด์ง€๋งŒ,
01:40
song, she actually pronounces it.
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๋…ธ๋ž˜์—์„œ๋Š” ๊ทธ๋…€๊ฐ€ ์‹ค์ œ๋กœ U๋ฅผ ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค. ๋“ค์–ด
01:42
Let's listen.
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๋ณด์‹œ์ฃ .
01:44
So here it was pronounced as a schwa: "you're gonna be paap-yuh-l'r".
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๊ทธ๋ž˜์„œ ์—ฌ๊ธฐ์„œ๋Š” ์Šˆ์™€๋กœ ๋ฐœ์Œ๋˜์—ˆ์Šต๋‹ˆ๋‹ค: "๋‹น์‹ ์€ ํŒŒํ”„-์œ -์—˜'๋ฅด๊ฐ€ ๋  ๊ฑฐ์˜ˆ์š”".
01:48
And then the second time: "you're gonna be paap-yuw-l'r".
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๊ทธ๋ฆฌ๊ณ  ๋‘ ๋ฒˆ์งธ๋Š” "๋„ˆ๋Š” ํŒŒํ”„-์œ -๋ฅด๊ฐ€ ๋  ๊ฑฐ์•ผ".
01:53
Right? She stretches it.
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์˜ค๋ฅธ์ชฝ? ๊ทธ๋…€๋Š” ๊ทธ๊ฒƒ์„ ๋Š˜๋ฆฐ๋‹ค.
01:54
And then it's 'you': "I'll teach you the proper ploys".
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋‹ค์Œ์€ '๋‹น์‹ '์ž…๋‹ˆ๋‹ค. "๋‚˜๋Š” ๋‹น์‹ ์—๊ฒŒ ์˜ฌ๋ฐ”๋ฅธ ๊ณ„๋žต์„ ๊ฐ€๋ฅด์ณ ์ค„๊ฒŒ์š”."
01:58
'I'll teach you the proper ploys'.
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'์˜ฌ๋ฐ”๋ฅธ ์ˆ˜๋ฒ•์„ ๊ฐ€๋ฅด์ณ ๋“œ๋ฆด๊ฒŒ์š”.'
02:01
Let's say it together: I'll teach you the proper ploys.
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ํ•จ๊ป˜ ๋งํ•ด๋ณด์ฃ . ์˜ฌ๋ฐ”๋ฅธ ๊ณ„๋žต์„ ๊ฐ€๋ฅด์ณ๋“œ๋ฆด๊ฒŒ์š”.
02:04
Ploys are clever and planned ways to do something, usually to get what you want.
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๊ณ„๋žต์€ ๋ณดํ†ต ์›ํ•˜๋Š” ๊ฒƒ์„ ์–ป๊ธฐ ์œ„ํ•ด ๋ฌด์–ธ๊ฐ€๋ฅผ ํ•˜๊ธฐ ์œ„ํ•œ ๊ต๋ฌ˜ํ•˜๊ณ  ๊ณ„ํš์ ์ธ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค .
02:11
'The proper ploys'.
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'์ ์ ˆํ•œ ๊ณ„๋žต'.
02:13
Now play with your P's here.
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์ด์ œ P๋กœ ๋†€์•„๋ณด์„ธ์š”.
02:14
Proper ploys.
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์ ์ ˆํ•œ ๊ณ„๋žต์ž…๋‹ˆ๋‹ค.
02:16
I'll teach you the proper ploys when you talk to boys.
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๋‚จ์ž์• ๋“ค๊ณผ ๋Œ€ํ™”ํ•  ๋•Œ ์‚ฌ์šฉํ•˜๋Š” ์ ์ ˆํ•œ ์ˆ˜๋ฒ•์„ ์•Œ๋ ค์ค„๊ฒŒ.
02:21
So notice the rhythm: proper ploys, talk to boys.
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๊ทธ๋Ÿฌ๋‹ˆ ๋ฆฌ๋“ฌ์— ์ฃผ์˜ํ•˜์„ธ์š”: ์ ์ ˆํ•œ ๊ณ„๋žต, ๋‚จ์ž์• ๋“คํ•œํ…Œ ๋ง ๊ฑธ๊ธฐ.
02:25
These are the stressed words in the song.
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์ด๋Š” ๋…ธ๋ž˜์—์„œ ๊ฐ•์„ธ๋˜๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค.
02:27
But also if I were to just say it, these are the words that I would stress.
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ํ•˜์ง€๋งŒ ์ œ๊ฐ€ ๊ทธ๋ƒฅ ๋งํ•ด์•ผ ํ•œ๋‹ค๋ฉด, ์ œ๊ฐ€ ๊ฐ•์กฐํ•˜๊ณ  ์‹ถ์€ ๋ง์€ ์ด๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:31
So usually when we listen to the music of a song, then we see that
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๊ทธ๋ž˜์„œ ๋ณดํ†ต ์šฐ๋ฆฌ๊ฐ€ ๋…ธ๋ž˜์˜ ์Œ์•…์„ ๋“ค์„ ๋•Œ,
02:36
it actually reflects the lyrics.
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๊ทธ๊ฒƒ์€ ์‹ค์ œ๋กœ ๊ฐ€์‚ฌ๋ฅผ ๋ฐ˜์˜ํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ๋ด…๋‹ˆ๋‹ค.
02:38
It's never disconnected.
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๊ฒฐ์ฝ” ๋‹จ์ ˆ๋˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
02:40
"I'll teach you the proper ploys when you talk to boys".
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" ์†Œ๋…„๋“ค๊ณผ ์ด์•ผ๊ธฐํ•  ๋•Œ ์˜ฌ๋ฐ”๋ฅธ ์ˆ˜๋ฒ•์„ ๊ฐ€๋ฅด์ณ ์ค„๊ฒŒ" ๋“ค์–ด
02:43
Let's listen.
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๋ณด์‹œ์ฃ .
02:45
"I'll teach you the proper ploys when you talk to boys".
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" ์†Œ๋…„๋“ค๊ณผ ์ด์•ผ๊ธฐํ•  ๋•Œ ์˜ฌ๋ฐ”๋ฅธ ์ˆ˜๋ฒ•์„ ๊ฐ€๋ฅด์ณ ์ค„๊ฒŒ"
02:48
Let's continue.
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๊ณ„์†ํ•ด์„œ ๋ง์”€๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
02:50
"Little ways to flirt and flounce".
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"์ž‘์€ ๋ฐฉ๋ฒ•์œผ๋กœ ์œ ํ˜นํ•˜๊ณ  ๋ฝ๋‚ด์„ธ์š”"
02:52
'Little ways to flirt and flounce'.
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'์ž‘์€ ๋ฐฉ๋ฒ•์œผ๋กœ ์œ ํ˜นํ•˜๊ณ  ๋ฝ๋‚ด์„ธ์š”'.
02:55
So, we have the flap T: little, little, little.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ, ํ”Œ๋žฉ T๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์กฐ๊ธˆ, ์กฐ๊ธˆ, ์กฐ๊ธˆ.
02:59
Try to connect it: little ways, little ways.
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์—ฐ๊ฒฐํ•ด ๋ณด์„ธ์š”: ์ž‘์€ ๋ฐฉ๋ฒ•, ์ž‘์€ ๋ฐฉ๋ฒ•.
03:02
And then we have "to flirt and flounce".
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” "ํฌ๋กฑํ•˜๊ณ  ๋ฝ๋‚ด๋ฉฐ" ๋†€์•„์•ผ ํ•ด์š”.
03:05
So the word 'to' and 'and' are reduced: li-d'l ways t'flirt n'flauns.
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๋”ฐ๋ผ์„œ 'to'์™€ 'and'๋ผ๋Š” ๋‹จ์–ด๋Š” ์ถ•์†Œ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. li-d'l ways t'flirt n'flauns.
03:11
You wanna sing it from the beginning?
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์ฒ˜์Œ๋ถ€ํ„ฐ ๋ถ€๋ฅด๊ณ  ์‹ถ๋‚˜์š”?
03:12
Let's do it.
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๊ทธ๋ ‡๊ฒŒ ํ•˜์ž.
03:13
"Popular, you're gonna be popular.
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"์ธ๊ธฐ์žˆ์–ด, ๋„ˆ๋Š” ์ธ๊ธฐ ์žˆ์„ ๊ฑฐ์•ผ.
03:17
I'll teach you the proper ploys when you talk to boys.
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๋‚จ์ž์• ๋“คํ•˜๊ณ  ์ด์•ผ๊ธฐํ•  ๋•Œ์˜ ์ ์ ˆํ•œ ์ˆ˜๋ฒ•์„ ๊ฐ€๋ฅด์ณ ์ค„๊ฒŒ.
03:21
Little ways to flirt and flounce, ooh".
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๊ผฌ์‹œ๊ณ  ๋ฝ๋‚ด๋Š” ์ž‘์€ ๋ฐฉ๋ฒ•๋“ค, ์šฐ์™€". ๊ผญ
03:23
You don't have to put in the 'ooh' at the end, but you could.
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๋์— '์šฐ'๋ฅผ ๋„ฃ์„ ํ•„์š”๋Š” ์—†์ง€๋งŒ ๋„ฃ์–ด๋„ ๋ฉ๋‹ˆ๋‹ค. ์ •๋ง
03:26
It's a lot of fun.
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์žฌ๋ฏธ์žˆ์ฃ .
03:27
Let's practice it.
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์—ฐ์Šตํ•ด ๋ด…์‹œ๋‹ค.
03:31
Okay, good.
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03:31
Let's continue.
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์ข‹์•„, ์ข‹์•„.
๊ณ„์†ํ•ด์„œ ๋ง์”€๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
03:32
"I'll show you what shoes to wear, how to fix your hair."
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"์–ด๋–ค ์‹ ๋ฐœ์„ ์‹ ์–ด์•ผ ํ•˜๋Š”์ง€, ๋จธ๋ฆฌ ์Šคํƒ€์ผ์€ ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ•˜๋Š”์ง€ ์•Œ๋ ค์ค„๊ฒŒ์š”."
03:36
Okay, so let's pay attention to the rhythm here: I'll show you what
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์ข‹์•„์š”, ์—ฌ๊ธฐ์„œ ๋ฆฌ๋“ฌ์— ์ฃผ์˜๋ฅผ ๊ธฐ์šธ์—ฌ ๋ด…์‹œ๋‹ค . ์–ด๋–ค
03:38
shoes to wear, how to fix your hair.
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์‹ ๋ฐœ์„ ์‹ ์–ด์•ผ ํ•˜๋Š”์ง€, ๋จธ๋ฆฌ ์Šคํƒ€์ผ์€ ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ•˜๋Š”์ง€ ์•Œ๋ ค๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
03:42
So 'how to', if she were to stress every single word โ€“ how to fix
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ '์–ด๋–ป๊ฒŒ'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ํ•˜๋‚˜ํ•˜๋‚˜ ๊ฐ•์กฐํ•œ๋‹ค๋ฉด, ์˜ˆ๋ฅผ ๋“ค์–ด '๋จธ๋ฆฌ์นด๋ฝ์„ ๊ณ ์น˜๋Š” ๋ฒ•
03:46
your hair โ€“ that would change the rhythm of the song completely.
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'์ด๋ผ๊ณ  ํ•œ๋‹ค๋ฉด, ๋…ธ๋ž˜์˜ ๋ฆฌ๋“ฌ์ด ์™„์ „ํžˆ ๋ฐ”๋€” ๊ฒ๋‹ˆ๋‹ค.
03:50
So we have to reduce it โ€“ 'ha(w)da'.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์„ ์ค„์—ฌ์•ผ ํ•ด์š” - 'ํ•˜(์šฐ)๋‹ค'.
03:53
So notice that this is how it's pronounced when people speak as well.
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์‚ฌ๋žŒ๋“ค์ด ๋งํ•  ๋•Œ๋„ ์ด๋ ‡๊ฒŒ ๋ฐœ์Œํ•œ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ์•„๋‘์„ธ์š”.
03:58
For example, when I make my videos on how to pronounce words,
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์˜ˆ๋ฅผ ๋“ค์–ด, ์ œ๊ฐ€ ๋‹จ์–ด ๋ฐœ์Œ ๋ฐฉ๋ฒ•์— ๋Œ€ํ•œ ์˜์ƒ์„ ๋งŒ๋“ค ๋•Œ
04:00
that's how I say it โ€“ ha(w)da.
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์ €๋Š” 'ํ•˜(์šฐ)๋‹ค'๋ผ๊ณ  ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค.
04:03
Ha(w)da pronounce.
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ํ•˜(์šฐ)๋‹ค๋ผ๊ณ  ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค.
04:04
Ha(w)da you know?
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ํ•˜(์šฐ)๋‹ค ์•Œ์ž–์•„?
04:05
Ha(w)da you do?
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ํ•˜(์šฐ)๋‹ค ํ•˜์‹œ๋‚˜์š”?
04:07
Ha(w)da fix your hair.
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ํ•˜(์šฐ)๋‹ค ๋จธ๋ฆฌ ์ข€ ๊ณ ์ณ.
04:08
"I'll show you what shoes to wear, how to fix your hair".
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"์–ด๋–ค ์‹ ๋ฐœ์„ ์‹ ์–ด์•ผ ํ•˜๋Š”์ง€, ๋จธ๋ฆฌ ์Šคํƒ€์ผ์€ ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ•˜๋Š”์ง€ ์•Œ๋ ค์ค„๊ฒŒ์š”."
04:12
Let's continue.
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๊ณ„์†ํ•ด์„œ ๋ง์”€๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
04:13
"Everything that really counts to be popular."
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" ์ธ๊ธฐ๋ฅผ ์–ป๋Š” ๋ฐ ์ •๋ง ํ•„์š”ํ•œ ๋ชจ๋“  ๊ฒƒ."
04:17
Good.
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์ข‹์€.
04:18
So we have "everything that really counts".
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” "์ง„์งœ ์ค‘์š”ํ•œ ๋ชจ๋“  ๊ฒƒ"์„ ๊ฐ–์ถ”๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค .
04:22
Let's do it together.
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ํ•จ๊ป˜ ํ•ด๋ณด์ž.
04:24
Everything that really counts.
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์ •๋ง ์ค‘์š”ํ•œ ๋ชจ๋“  ๊ฒƒ.
04:26
Here we don't have to rush, it's fun.
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์—ฌ๊ธฐ์„œ๋Š” ์„œ๋‘๋ฅผ ํ•„์š”๊ฐ€ ์—†๊ณ , ์ฆ๊ฒ์Šต๋‹ˆ๋‹ค.
04:29
Let's do it from the beginning.
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์ฒ˜์Œ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•ด ๋ด…์‹œ๋‹ค.
04:30
Ready?
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์ค€๋น„๊ฐ€ ๋œ?
04:31
"Popular, you are going to be popular.
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"์ธ๊ธฐ์•ผ, ๋„ˆ๋Š” ์ธ๊ธฐ ์žˆ์„ ๊ฑฐ์•ผ.
04:36
I'll teach you the proper ploys when you talk to boys.
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๋‚จ์ž์• ๋“คํ•˜๊ณ  ์ด์•ผ๊ธฐํ•  ๋•Œ์˜ ์ ์ ˆํ•œ ์ˆ˜๋ฒ•์„ ๊ฐ€๋ฅด์ณ ์ค„๊ฒŒ.
04:39
Little ways to flirt and flounce, ooh.
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๊ผฌ์‹œ๊ณ  ๋ฝ๋‚ด๋Š” ์ž‘์€ ๋ฐฉ๋ฒ•๋“ค, ์šฐ์™€.
04:41
I'll show you what shoes to wear, how to fix your hair.
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์–ด๋–ค ์‹ ๋ฐœ์„ ์‹ ์–ด์•ผ ํ•˜๋Š”์ง€, ๋จธ๋ฆฌ๋ฅผ ์–ด๋–ป๊ฒŒ ๊ณ ์ณ์•ผ ํ•˜๋Š”์ง€ ๋ณด์—ฌ์ค„๊ฒŒ.
04:45
Everything that really counts to be popular."
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๋ชจ๋“  ๊ฒƒ ๊ทธ๊ฒŒ ์ •๋ง ์ธ๊ธฐ๋ฅผ ์–ป๋Š” ๋ฐฉ๋ฒ•์ด์•ผ."
04:48
Good.
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์ข‹์€.
04:49
So we go into "to be popular".
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” "์ธ๊ธฐ๋ฅผ ์–ป๋Š” ๊ฒƒ"์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
04:52
To be, to be, to be.
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์กด์žฌํ•˜๊ณ , ์กด์žฌํ•˜๊ณ , ์กด์žฌํ•˜๊ณ .
04:54
That has to go by quickly โ€“ t'be.
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๊ทธ๊ฑด ๋นจ๋ฆฌ ์ง€๋‚˜๊ฐ€์•ผ ํ•  ์ผ์ด์—์š”.
04:57
'T'be popular'.
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'์ธ๊ธฐ๊ฐ€ ์žˆ์–ด์š”'.
04:59
Don't forget to open your mouth for the 'paap'.
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'ํŒŒํ”„'๋ผ๊ณ  ๋งํ•  ๋•Œ๋Š” ์ž…์„ ๋ฒŒ๋ฆฌ๋Š” ๊ฒƒ์„ ์žŠ์ง€ ๋งˆ์„ธ์š”.
05:01
"Popular.
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"์ธ๊ธฐ์žˆ์–ด.
05:03
I'll help you be popular."
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๋‚ด๊ฐ€ ์ธ๊ธฐ์žˆ๊ฒŒ ๋งŒ๋“ค์–ด์ค„๊ฒŒ."
05:05
I'll help you be popular.
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๋‹น์‹ ์ด ์ธ๊ธฐ๋ฅผ ์–ป๋Š” ๋ฐ ๋„์›€์„ ๋“œ๋ฆด๊ฒŒ์š”.
05:09
" You'll hang with the right cohorts".
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"๋‹น์‹ ์€ ์˜ฌ๋ฐ”๋ฅธ ๋™๋ฃŒ๋“ค๊ณผ ์–ด์šธ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค."
05:11
Okay.
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์ข‹์•„์š”.
05:12
You'll hang with the right cohorts.
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๋‹น์‹ ์€ ์˜ฌ๋ฐ”๋ฅธ ๋™๋ฃŒ๋“ค๊ณผ ์–ด์šธ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:14
A cohort is a group of people you spend time with.
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์ฝ”ํ˜ธํŠธ๋ž€ ํ•จ๊ป˜ ์‹œ๊ฐ„์„ ๋ณด๋‚ด๋Š” ์‚ฌ๋žŒ๋“ค์˜ ๊ทธ๋ฃน์„ ๋งํ•ฉ๋‹ˆ๋‹ค.
05:18
And that's how we say it with two long O sounds: kow-hort.
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ์ด๋ฅผ ๋‘ ๋ฒˆ ๊ธธ๊ฒŒ 'O'๋ฅผ ๋ฐœ์Œํ•  ๋•Œ '์ฝ”ํ˜ธ๋ฅดํŠธ'๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ์ด ๋‹จ์–ด๋ฅผ
05:25
It's a little hard if you don't know this word, so just say it several times.
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๋ชจ๋ฅด๋ฉด ์กฐ๊ธˆ ์–ด๋ ค์šธ ์ˆ˜ ์žˆ์œผ๋‹ˆ , ์—ฌ๋Ÿฌ ๋ฒˆ ๋งํ•ด ๋ณด์„ธ์š”.
05:29
Cohort.
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05:29
Cohort.
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์ฝ”ํ˜ธํŠธ.
์ฝ”ํ˜ธํŠธ.
05:31
"You'll hang".
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"๋„ˆ๋Š” ๊ต์ˆ˜ํ˜•์— ์ฒ˜ํ•  ๊ฒƒ์ด๋‹ค."
05:32
Hang.
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05:32
Technically, this A is the A as in cat.
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๊ฑธ๋‹ค.
๊ธฐ์ˆ ์ ์œผ๋กœ ๋ณด๋ฉด, ์ด A๋Š” cat์˜ A์ž…๋‹ˆ๋‹ค.
05:35
But, because there is an NG sound after - heing, it's more of an 'i' or 'ei' sound.
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ํ•˜์ง€๋งŒ, -heing ๋’ค์— NG ๋ฐœ์Œ์ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์— 'i' ๋˜๋Š” 'ei' ๋ฐœ์Œ์— ๊ฐ€๊น์Šต๋‹ˆ๋‹ค.
05:42
'heing'.
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'ํ—ค์ž‰'.
05:44
'You'll hang with the right cohorts'.
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'๋‹น์‹ ์€ ์˜ฌ๋ฐ”๋ฅธ ๋™๋ฃŒ๋“ค๊ณผ ์–ด์šธ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค.'
05:46
"You'll be good at sports".
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"๋„ˆ๋Š” ์Šคํฌ์ธ ๋ฅผ ์ž˜ํ•  ๊ฑฐ์•ผ."
05:48
You'll be good at.
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๋„ˆ๋Š” ์ž˜ ํ•  ์ˆ˜ ์žˆ์„ ๊ฑฐ์•ผ.
05:49
You'll be good at.
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๋„ˆ๋Š” ์ž˜ ํ•  ์ˆ˜ ์žˆ์„ ๊ฑฐ์•ผ.
05:50
Just say it, practice connected speech: good, good, good, good.
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๊ทธ๋ƒฅ ๋งํ•ด ๋ณด์„ธ์š”. ์—ฐ๊ฒฐ๋œ ๋ง์„ ์—ฐ์Šตํ•ด ๋ณด์„ธ์š” : ์ข‹์•„์š”, ์ข‹์•„์š”, ์ข‹์•„์š”, ์ข‹์•„์š”.
05:54
Not guwd - good.
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์ข‹์ง€๋Š” ์•Š์•„์š”. ์ข‹์•„์š”.
05:56
You'll be good at.
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๋„ˆ๋Š” ์ž˜ ํ•  ์ˆ˜ ์žˆ์„ ๊ฑฐ์•ผ.
05:57
Now, notice what happens to the D here: good at, good at.
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์ด์ œ, ์—ฌ๊ธฐ D์— ๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๋Š”์ง€ ์ฃผ๋ชฉํ•˜์„ธ์š” : good at, good at.
06:02
It sounds like the T in 'little', because it's pronounced exactly the same.
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'little'์˜ T์™€ ๋น„์Šทํ•˜๊ฒŒ ๋“ค๋ฆฝ๋‹ˆ๋‹ค . ๋ฐœ์Œ์ด ๋˜‘๊ฐ™๊ฑฐ๋“ ์š”.
06:06
The T and D between two vowels are pronounced the same, and they're
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๋‘ ๋ชจ์Œ ์‚ฌ์ด์˜ T์™€ D๋Š” ๋™์ผํ•˜๊ฒŒ ๋ฐœ์Œ๋˜๋ฉฐ, '
06:09
pronounced as a flap โ€“ gu-dat.
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๊ตฌ-๋‹ท'์œผ๋กœ ๋ฐœ์Œ๋ฉ๋‹ˆ๋‹ค.
06:14
Sports.
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์Šคํฌ์ธ .
06:15
You'll be good at sports.
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๋‹น์‹ ์€ ์Šคํฌ์ธ ๋ฅผ ์ž˜ํ•  ๊ฑฐ์˜ˆ์š”.
06:16
"Know the slang you've got to know".
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"๊ผญ ์•Œ์•„์•ผ ํ•  ์†์–ด๋ฅผ ์•Œ์•„๋ณด์„ธ์š”"
06:19
'Know the slang', it's just like 'hang'.
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'์†์–ด๋ฅผ ์•Œ์•„๋ผ'๋Š” ๋ง์€ 'hang'๊ณผ ๋˜‘๊ฐ™์Šต๋‹ˆ๋‹ค. ์ด ๋…ธ๋ž˜
06:22
Notice all the rhymes in this song: slang - hang.
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์˜ ๋ชจ๋“  ์šด์œจ์„ ์ฃผ๋ชฉํ•ด ๋ณด์„ธ์š” : ์†์–ด - hang.
06:26
Know the slang you've got to know.
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๊ผญ ์•Œ์•„์•ผ ํ•  ์†์–ด๋ฅผ ์•Œ์•„๋ณด์„ธ์š”.
06:29
So, 'got' is the 'aa' as in 'father'.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ, 'got'์€ 'father'์˜ 'aa'์ž…๋‹ˆ๋‹ค.
06:31
Know the slang you've got to know.
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๊ผญ ์•Œ์•„์•ผ ํ•  ์†์–ด๋ฅผ ์•Œ์•„๋ณด์„ธ์š”.
06:34
And then continue.
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๊ทธ๋ฆฌ๊ณ  ๊ณ„์†ํ•˜์„ธ์š”.
06:36
"So let's start, 'cause you've got an awfully long way to go".
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"๊ทธ๋Ÿผ ์‹œ์ž‘ํ•˜์ฃ . ๊ฐˆ ๊ธธ์ด ๋„ˆ๋ฌด ๋ฉ€์–ด์š”."
06:42
Okay, I think that's my favorite part of the song.
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์•Œ๊ฒ ์Šต๋‹ˆ๋‹ค. ์ œ๊ฐ€ ์ด ๋…ธ๋ž˜์—์„œ ๊ฐ€์žฅ ์ข‹์•„ํ•˜๋Š” ๋ถ€๋ถ„์€ ์ด ๋ถ€๋ถ„์ธ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค.
06:44
"So let's start".
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"๊ทธ๋Ÿผ ์‹œ์ž‘ํ•˜์ฃ ."
06:46
"So let's start".
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"๊ทธ๋Ÿผ ์‹œ์ž‘ํ•˜์ฃ ."
06:47
And then we slow down: 'cause you've got an awfully long way to go.
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ์†๋„๋ฅผ ๋Šฆ์ถฅ๋‹ˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด ๊ฐˆ ๊ธธ์ด ์—„์ฒญ๋‚˜๊ฒŒ ๋ฉ€๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
06:53
Way to go -> weida go.
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์ž˜ํ–ˆ์–ด์š” -> ์ž˜ํ–ˆ์–ด์š”.
06:56
So the T here is a flap T - weida go.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์—ฌ๊ธฐ T๋Š” ํ”Œ๋žฉ T์ž…๋‹ˆ๋‹ค. ์›จ์ด๋‹ค ๊ณ ์ž…๋‹ˆ๋‹ค.
07:00
Cause you've got an awfully long way to go.
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๋‹น์‹ ์€ ๊ฐˆ ๊ธธ์ด ๋„ˆ๋ฌด๋‚˜ ๋ฉ€๊ฑฐ๋“ ์š”.
07:03
Let's take it again from the second verse.
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๋‘ ๋ฒˆ์งธ ๊ตฌ์ ˆ๋ถ€ํ„ฐ ๋‹ค์‹œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
07:07
"Popular.
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"์ธ๊ธฐ์žˆ์–ด.
07:08
I'll help you be popular.
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๋‚ด๊ฐ€ ๋„ค๊ฐ€ ์ธ๊ธฐ ์žˆ๊ฒŒ ๋งŒ๋“ค๋„๋ก ๋„์™€์ค„๊ฒŒ.
07:11
You'll hang with the right cohorts, you'll be good at sports, know
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๋„ˆ๋Š” ์ ์ ˆํ•œ ๋™๋ฃŒ๋“ค๊ณผ ์–ด์šธ๋ฆฌ๊ณ , ์Šคํฌ์ธ ๋„ ์ž˜ํ•˜๊ณ , ๊ผญ
07:15
the slang you've got to know.
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์•Œ์•„์•ผ ํ•  ์†์–ด๋„ ์•Œ๊ฒŒ ๋  ๊ฑฐ์•ผ.
07:17
So let's start, cause you've got an awfully long way to go."
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๊ทธ๋Ÿผ ์‹œ์ž‘ํ•ด, ๋„ˆ๋Š” ์—„์ฒญ๋‚˜๊ฒŒ ๊ธด ์‹œ๊ฐ„์„ ๊ฐ€์ง€๊ณ  ์žˆ์œผ๋‹ˆ๊นŒ ์ž˜ ํ–ˆ์–ด์š”."
07:25
Very good.
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๋งค์šฐ ์ข‹์€.
07:26
Okay, now we're getting into the faster part.
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์ข‹์Šต๋‹ˆ๋‹ค. ์ด์ œ ๋” ๋น ๋ฅธ ๋ถ€๋ถ„์œผ๋กœ ๋“ค์–ด๊ฐ€๊ฒ ์Šต๋‹ˆ๋‹ค.
07:28
Are you ready?
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์ค€๋น„๋˜์…จ๋‚˜์š”?
07:30
I think you are, but are you ready?
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๊ทธ๋Ÿด ๊ฒƒ ๊ฐ™์ง€๋งŒ, ์ค€๋น„๋˜์…จ๋‚˜์š”?
07:32
Okay.
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์ข‹์•„์š”.
07:33
Listen.
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๋“ฃ๋‹ค.
07:34
"Don't be offended by my frank analysis.
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"๋‚ด ์†”์งํ•œ ๋ถ„์„์— ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜์ง€ ๋งˆ์„ธ์š”.
07:36
Think of it as personality dialysis".
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์„ฑ๊ฒฉ ํˆฌ์„์ด๋ผ๊ณ  ์ƒ๊ฐํ•˜์„ธ์š”."
07:39
Okay. Let's take these two sentences.
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์ข‹์•„์š”. ๋‹ค์Œ ๋‘ ๋ฌธ์žฅ์„ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
07:42
Don't be offended by my frank analysis.
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๋‚ด ์†”์งํ•œ ๋ถ„์„์— ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜์ง€ ๋งˆ์„ธ์š”.
07:45
Frank is honest and direct.
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ํ”„๋žญํฌ๋Š” ์†”์งํ•˜๊ณ  ์ง์„ค์ ์ž…๋‹ˆ๋‹ค.
07:49
Okay.
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07:49
So, she doesn't want her to get offended because she basically...
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์ข‹์•„์š”.
๊ทธ๋ž˜์„œ, ๊ทธ๋…€๋Š” ๊ทธ๋…€๊ฐ€ ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜๋Š” ๊ฒƒ์„ ์›ํ•˜์ง€ ์•Š์•„์š”. ์™œ๋ƒํ•˜๋ฉด ๊ทธ๋…€๋Š” ๊ธฐ๋ณธ์ ์œผ๋กœ...
07:54
she doesn't make fun of her, but she kind of makes fun of her, right?
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๊ทธ๋…€๋ฅผ ๋†€๋ฆฌ์ง€ ์•Š์ง€๋งŒ, ์–ด๋Š ์ •๋„ ๊ทธ๋…€๋ฅผ ๋†€๋ฆฌ๋Š” ์…ˆ์ด์ž–์•„์š”, ๋งž์ฃ ?
07:57
'Don't be offended by my frank analysis'.
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'๋‚ด ์†”์งํ•œ ๋ถ„์„์— ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜์ง€ ๋งˆ์„ธ์š”'.
07:59
So, 'frank' also has that A as in 'cat' that turns into an
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๋”ฐ๋ผ์„œ 'frank'๋„ 'cat'์˜ A๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๋Š”๋ฐ,
08:03
'ei' sound before an NG: freink.
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NG ์•ž์—์„œ๋Š” 'ei' ๋ฐœ์Œ์œผ๋กœ ๋ฐ”๋€๋‹ˆ๋‹ค: 'freink'.
08:07
uh-NA-luh-sis.
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์•„-๋‚˜-๋ฃจ-์–ธ๋‹ˆ.
08:11
frein-kuh-NA-luh-sis.
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ํ”„๋ Œ์ฟ ๋‚˜๋ฃจ์‹œ์Šค.
08:13
So when we connect the words together, it actually sounds like frein-kuh-NA-luh-sis.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๊ฐ€ ๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•˜๋ฉด ์‹ค์ œ๋กœ๋Š” 'ํ”„๋ ˆ์ธ-์ฟ -๋‚˜-๋ฃจ-์‹œ์Šค'์ฒ˜๋Ÿผ ๋“ค๋ฆฝ๋‹ˆ๋‹ค.
08:19
kuh-NA-luh-sis.
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์ฟ -๋‚˜-๋ฃจ-์‹œ์Šค.
08:21
frein-kuh-NA-luh-sis.
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ํ”„๋ Œ์ฟ ๋‚˜๋ฃจ์‹œ์Šค.
08:22
Don't be offended = don't be hurt.
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๊ธฐ๋ถ„ ๋‚˜์˜๊ฒŒ ์ƒ๊ฐํ•˜์ง€ ๋งˆ์„ธ์š” = ์ƒ์ฒ˜๋ฐ›์ง€ ๋งˆ์„ธ์š”.
08:24
'Don't be offended by my frank analysis'.
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'๋‚ด ์†”์งํ•œ ๋ถ„์„์— ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜์ง€ ๋งˆ์„ธ์š”'.
08:28
Now the next sentence: "Think of it as personality dialysis".
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์ด์ œ ๋‹ค์Œ ๋ฌธ์žฅ์€ " ์„ฑ๊ฒฉ ํˆฌ์„์ด๋ผ๊ณ  ์ƒ๊ฐํ•ด ๋ณด์„ธ์š”"์ž…๋‹ˆ๋‹ค.
08:33
Think of it as personality dialysis.
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์ด๋ฅผ ์„ฑ๊ฒฉ ํˆฌ์„์ด๋ผ๊ณ  ์ƒ๊ฐํ•ด ๋ณด์„ธ์š”.
08:36
So, 'dialysis' is a medical procedure to clean up the blood.
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๋”ฐ๋ผ์„œ 'ํˆฌ์„'์€ ํ˜ˆ์•ก์„ ์ •ํ™”ํ•˜๋Š” ์˜ํ•™์  ์‹œ์ˆ ์ž…๋‹ˆ๋‹ค.
08:39
And she uses that here to make a joke as if she's trying to fix her personality.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ๊ทธ๊ฒƒ์„ ๋†๋‹ด์œผ๋กœ ์‚ผ์•„ ๋งˆ์น˜ ์ž์‹ ์˜ ์„ฑ๊ฒฉ์„ ๊ณ ์น˜๋ ค๊ณ  ํ•˜๋Š” ๋“ฏํ•ฉ๋‹ˆ๋‹ค.
08:44
Personality dialysis.
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์„ฑ๊ฒฉ ํˆฌ์„.
08:47
Now, I really like the rhythm here.
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์ €๋Š” ์ด ๋ฆฌ๋“ฌ์„ ์ •๋ง ์ข‹์•„ํ•ด์š”.
08:49
You know, the words were chosen deliberately, or the music was composed
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์•„์‹œ๋‹ค์‹œํ”ผ,
08:54
deliberately to fit the rhythm of the words 'personality dialysis', right?
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'์„ฑ๊ฒฉ ํˆฌ์„'์ด๋ผ๋Š” ๋‹จ์–ด์˜ ๋ฆฌ๋“ฌ์— ๋งž๊ฒŒ ์˜๋„์ ์œผ๋กœ ๋‹จ์–ด๋ฅผ ์„ ํƒํ–ˆ๊ฑฐ๋‚˜ ์Œ์•…์„ ์˜๋„์ ์œผ๋กœ ์ž‘๊ณกํ•œ ๊ฒŒ ๋งž์ฃ ?
09:01
Stressed - unstressed, stressed - unstressed, stressed - unstressed.
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์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์Œ - ์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์ง€ ์•Š์Œ, ์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์Œ - ์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์ง€ ์•Š์Œ, ์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์Œ - ์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์ง€ ์•Š์Œ.
09:04
Okay, let's continue.
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์ข‹์Šต๋‹ˆ๋‹ค. ๊ณ„์†ํ•ด์„œ ๋ง์”€๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
09:05
Now, pay attention here.
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์ด์ œ, ์—ฌ๊ธฐ์— ์ฃผ์˜ํ•˜์„ธ์š”.
09:13
So, this sounds a little confusing because the word 'sister' at the end
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๊ทธ๋Ÿผ, ์ฒซ ๋ฒˆ์งธ ๋ฌธ์žฅ์˜ ๋์— ์žˆ๋Š” '์ž๋งค'๋ผ๋Š” ๋‹จ์–ด๊ฐ€
09:18
of the first sentence breaks into two.
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๋‘˜๋กœ ๊ฐˆ๋ผ์ ธ์„œ ์•ฝ๊ฐ„ ํ˜ผ๋ž€์Šค๋Ÿฌ์šธ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
09:21
It's the end of the first sentence and the beginning of the next sentence.
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์ฒซ ๋ฒˆ์งธ ๋ฌธ์žฅ์˜ ๋์ด์ž ๋‹ค์Œ ๋ฌธ์žฅ์˜ ์‹œ์ž‘์ด์—์š”.
09:24
So let's listen to how it's broken down in the song.
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๊ทธ๋Ÿฌ๋ฉด ๋…ธ๋ž˜ ์†์—์„œ ์ด ๋‚ด์šฉ์ด ์–ด๋–ป๊ฒŒ ๋ถ„์„๋˜์—ˆ๋Š”์ง€ ๋“ค์–ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
09:28
"Now that I've chosen to become a pal, a sister and adviser".
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"์ด์ œ ์ €๋Š” ์นœ๊ตฌ, ์ž๋งค, ์กฐ์–ธ์ž๊ฐ€ ๋˜๊ธฐ๋กœ ์„ ํƒํ–ˆ์–ด์š”."
09:32
'Now that I've chosen to become a pal, a sis',
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'์ด์ œ ์นœ๊ตฌ, ๋ˆ„๋‚˜๊ฐ€ ๋˜๊ธฐ๋กœ ํ–ˆ์œผ๋‹ˆ๊นŒ'
09:36
that's the first sentence in a way - 'a sis-'.
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์ด๊ฒŒ ์ฒซ ๋ฌธ์žฅ ์ธ ์…ˆ์ด์ฃ  - '๋ˆ„๋‚˜-'.
09:39
And they did that so that it rhymes with a previous line that ends
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๊ทธ๋“ค์€ 'is'๋กœ ๋๋‚˜๋Š” ์ด์ „ ์ค„๊ณผ ์šด์œจ์ด ๋งž๋„๋ก ๊ทธ๋ ‡๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค
09:42
with 'is': dialysis - a pal, a sis.
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: dialysis - ์นœ๊ตฌ, ์ž๋งค.
09:46
dialysis - a pal, a sis.
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ํˆฌ์„ - ์นœ๊ตฌ, ์ž๋งค.
09:47
dialysis - a pal, a sis.
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ํˆฌ์„ - ์นœ๊ตฌ, ์ž๋งค.
09:49
If I were to say 'dialysis - a pal, a sister', that doesn't work.
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'ํˆฌ์„ - ์นœ๊ตฌ, ์ž๋งค'๋ผ๊ณ  ๋งํ•˜๋ฉด ์•ˆ ๋ฉ๋‹ˆ๋‹ค.
09:53
"-ter and advisor, there's nobody wiser."
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"-ํ…Œ์ด๋„ˆ์ด์ž ์ž๋ฌธ๊ฐ€, ๊ทธ๋ณด๋‹ค ๋” ํ˜„๋ช…ํ•œ ์‚ฌ๋žŒ์€ ์—†์Šต๋‹ˆ๋‹ค."
09:56
'ter and advisor', okay?
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'ํ…Œ์ด๋„ˆ ๊ฒธ ๊ณ ๋ฌธ', ์•Œ์•˜์ง€?
09:57
So this is like the beginning of the next line.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์ด๊ฑด ๋‹ค์Œ ์ค„์˜ ์‹œ์ž‘๊ณผ ๊ฐ™์•„์š”.
09:59
'ter and advisor, there's nobody wiser'.
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'์ง€๋„์ž์ด์ž ์กฐ์–ธ์ž, ๊ทธ๋ณด๋‹ค ๋” ํ˜„๋ช…ํ•œ ์‚ฌ๋žŒ์€ ์—†์Šต๋‹ˆ๋‹ค.'
10:03
Okay?
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์ข‹์•„์š”?
10:04
Let's just do the second part from the beginning.
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๋‘ ๋ฒˆ์งธ ๋ถ€๋ถ„๋ถ€ํ„ฐ ์ฒ˜์Œ๋ถ€ํ„ฐ ํ•ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
10:09
"Don't be offended by my frank analysis.
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"๋‚ด ์†”์งํ•œ ๋ถ„์„์— ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜์ง€ ๋งˆ์„ธ์š”.
10:11
Think of it as personality analysis.
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์„ฑ๊ฒฉ ๋ถ„์„์ด๋ผ๊ณ  ์ƒ๊ฐํ•˜์„ธ์š”.
10:14
Now that I've chosen to become a pal, a sister and advisor, there's nobody wiser.
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์ด์ œ ์นœ๊ตฌ, ์ž๋งค, ์กฐ์–ธ์ž๊ฐ€ ๋˜๊ธฐ๋กœ ์„ ํƒํ–ˆ์œผ๋‹ˆ , ๊ทธ๋ณด๋‹ค ๋” ํ˜„๋ช…ํ•œ ์‚ฌ๋žŒ์€ ์—†์Šต๋‹ˆ๋‹ค.
10:20
Not when it comes to popular."
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์ธ๊ธฐ์— ๊ด€ํ•ด์„œ๋Š” ๋ง์ด์ฃ ."
10:22
Good.
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์ข‹์€.
10:23
"Not when it comes to popular".
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"์ธ๊ธฐ ๋ฉด์—์„œ๋Š” ๊ทธ๋ ‡์ง€ ์•Š์•„์š”."
10:26
Okay, listen to the rhythm shift here.
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์ข‹์•„์š”, ๋ฆฌ๋“ฌ ๋ณ€ํ™”๋ฅผ ๋“ค์–ด๋ณด์„ธ์š”.
10:28
'Not when it comes to popular'.
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'์ธ๊ธฐ์™€ ๊ด€๋ จํ•ด์„œ๋Š” ๊ทธ๋ ‡์ง€ ์•Š์•„์š”.'
10:31
'Not' - 'aa' as in 'father'.
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'์•„๋‹ˆ๋‹ค' - '์•„๋น '์˜ '์•„'์™€ ๊ฐ™์Œ.
10:33
'when it' - that's quick.
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'์–ธ์ œ' - ๋น ๋ฅธ ํ‘œํ˜„์ด์ฃ .
10:35
'comes' - that's a 'cup' sound.
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'comes'๋Š” 'cup' ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
10:38
'to popular'.
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'์ธ๊ธฐ ์žˆ๋Š”'.
10:40
Okay?
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์ข‹์•„์š”?
10:41
Let's just speak that part together.
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๊ทธ ๋ถ€๋ถ„์— ๋Œ€ํ•ด์„œ ๊ฐ™์ด ๋งํ•ด๋ณด์ฃ .
10:43
Again, focus on connected speech, focus on pronunciation.
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๋‹ค์‹œ ํ•œ๋ฒˆ, ์—ฐ๊ฒฐ๋œ ๋ง์— ์ง‘์ค‘ํ•˜๊ณ  ๋ฐœ์Œ์— ์ง‘์ค‘ํ•˜์„ธ์š”.
10:47
Don't be offended by my frank analysis.
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๋‚ด ์†”์งํ•œ ๋ถ„์„์— ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜์ง€ ๋งˆ์„ธ์š”.
10:54
Think of it as personality dialysis.
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์ด๋ฅผ ์„ฑ๊ฒฉ ํˆฌ์„์ด๋ผ๊ณ  ์ƒ๊ฐํ•ด ๋ณด์„ธ์š”.
10:59
Good.
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์ข‹์€.
11:00
Now that I have chosen to become a pal, a sis-, -ter and
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์ด์ œ ์นœ๊ตฌ, ์ž๋งค,
11:05
advisor, there's nobody wiser
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์กฐ์–ธ์ž๊ฐ€ ๋˜๊ธฐ๋กœ ๊ฒฐ์‹ฌํ•œ ๋งŒํผ ์ธ๊ธฐ ๋ฉด์—์„œ ๊ทธ๋ณด๋‹ค ๋” ํ˜„๋ช…ํ•œ ์‚ฌ๋žŒ์€ ์—†์Šต๋‹ˆ๋‹ค
11:11
when it comes to popular.
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.
11:15
Good.
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์ข‹์€.
11:16
Let's continue.
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๊ณ„์†ํ•ด์„œ ๋ง์”€๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
11:18
"I know about popular".
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"์ €๋Š” ์ธ๊ธฐ ์žˆ๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์•Œ์•„์š”."
11:21
That's easy.
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๊ฐ„๋‹จํ•˜์ฃ .
11:22
I know about โ€“ no-wuh-baut.
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์ €๋Š” โ€“ ๋…ธ-์šฐ-๋ฐ”์šฐํŠธ์— ๋Œ€ํ•ด ์•Œ๊ณ  ์žˆ์–ด์š”.
11:27
'I know about everything'.
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'์ €๋Š” ๋ชจ๋“  ๊ฒƒ์„ ์•Œ๊ณ  ์žˆ์–ด์š”.'
11:28
'I know about what happened last night'.
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'์–ด์ ฏ๋ฐค์— ๋ฌด์Šจ ์ผ์ด ์žˆ์—ˆ๋Š”์ง€ ์•Œ์•„์š”'.
11:31
'I know about popular'.
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'์ธ๊ธฐ ์žˆ๋Š” ๊ฑธ ์•Œ์•„์š”'
11:33
I know about.
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๋‚˜๋Š” ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•Œ๊ณ  ์žˆ์–ด์š”.
11:34
I know about.
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๋‚˜๋Š” ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•Œ๊ณ  ์žˆ์–ด์š”.
11:36
"And with an assist from me" 'And with an assist from me'.
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"๊ทธ๋ฆฌ๊ณ  ๋‚˜์˜ ๋„์›€์œผ๋กœ" '๊ทธ๋ฆฌ๊ณ  ๋‚˜์˜ ๋„์›€์œผ๋กœ'.
11:40
'And with an assist from me'.
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'๊ทธ๋ฆฌ๊ณ  ๋‚˜์˜ ๋„์›€์œผ๋กœ'.
11:42
Assist..
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๋„์™€์ฃผ์„ธ์š”..
11:45
"to be who you'll be."
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"๋‹น์‹ ์ด ๋  ์‚ฌ๋žŒ์ด ๋˜๋„๋ก."
11:47
'To be who you'll be'.
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'์ž์‹ ์ด ๋  ์‚ฌ๋žŒ'์ด ๋˜๋Š” ๊ฒƒ. ์—ฌ๊ธฐ์„œ๋Š”
11:49
So we have a high 'ee' and a tense 'uw' here.
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๋†’์€ ๋ฐœ์Œ 'ee' ์™€ ๊ธด์žฅ๋œ 'uw'๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
11:51
To be who you'll be.
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๋‹น์‹ ์ด ๋  ์‚ฌ๋žŒ์ด ๋˜์„ธ์š”.
11:54
To be who you'll be.
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๋‹น์‹ ์ด ๋  ์‚ฌ๋žŒ์ด ๋˜์„ธ์š”.
11:56
"Instead of dreary who-you-were, well, are".
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" ๋‹น์‹ ์ด ์–ด๋–ค ์‚ฌ๋žŒ์ด์—ˆ๋Š”์ง€์— ๋Œ€ํ•œ ์ง€๋ฃจํ•œ ์ด์•ผ๊ธฐ โ€‹โ€‹๋Œ€์‹ ์—, ๋‹น์‹ ์ด ์–ด๋–ค ์‚ฌ๋žŒ์ธ์ง€์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜์„ธ์š”."
11:59
Okay.
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์ข‹์•„์š”.
12:00
'Instead of dreary who-you-were, well, are'.
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' ๋‹น์‹ ์ด ์–ด๋–ค ์‚ฌ๋žŒ์ด์—ˆ๋Š”์ง€์— ๋Œ€ํ•œ ์ง€๋ฃจํ•œ ๋ฌ˜์‚ฌ ๋Œ€์‹ ์—, ๋‹น์‹ ์ด ์–ด๋–ค ์‚ฌ๋žŒ์ธ์ง€์— ๋Œ€ํ•œ ๋ฌ˜์‚ฌ๊ฐ€ ๋” ์ข‹๋‹ค'.
12:05
So let's break it down.
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๊ทธ๋Ÿฌ๋ฉด ์ž์„ธํžˆ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
12:06
' Instead of dreary'.
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' ์ง€๋ฃจํ•œ ๋Œ€์‹ '
12:07
'dreary' is boring, sad, not interesting.
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'dreary'๋Š” ์ง€๋ฃจํ•˜๊ณ , ์Šฌํ”„๊ณ , ํฅ๋ฏธ๋กญ์ง€ ์•Š๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค.
12:10
So here's what she says: Instead of dreary who-you-were.
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๊ทธ๋…€๊ฐ€ ๋งํ•˜๋Š” ๋‚ด์šฉ์€ ์ด๋ ‡์Šต๋‹ˆ๋‹ค. ์ง€๋ฃจํ•œ '๋‹น์‹ '์ด๋ผ๋Š” ๋ง ๋Œ€์‹ ์—์š”.
12:15
Round your lips: who-you-were, TA da da.
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์ž…์ˆ ์„ ๋‘ฅ๊ธ€๊ฒŒ ๋ง์•„: ๋„ˆ๋Š” ๋ˆ„๊ตฌ์˜€๋”๋ผ, ํƒ€ ๋‹ค ๋‹ค.
12:18
who-you-were.
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๋‹น์‹ ์€ ๋ˆ„๊ตฌ์˜€๋Š”๊ฐ€.
12:20
'Instead of dreary who-you-were'.
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'์ง€๋ฃจํ•œ ๋‹น์‹ ์ด์—ˆ๋˜ ๋ชจ์Šต ๋Œ€์‹ '
12:23
If you struggle with Ws and Rs, this is a really good tongue twister for
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W์™€ R์„ ์‚ฌ์šฉํ•˜๋Š” ๋ฐ ์–ด๋ ค์›€์„ ๊ฒช๋Š”๋‹ค๋ฉด ์ด ํ‘œํ˜„์€ ๋‹น์‹  ์—๊ฒŒ ์ •๋ง ๋”ฑ ๋งž์Šต๋‹ˆ๋‹ค
12:27
you: Instead of dreary who-you-were.
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. ์ง€๋ฃจํ•œ '๋‹น์‹ '์ด๋ผ๋Š” ํ‘œํ˜„ ๋Œ€์‹ ์—์š”.
12:30
Instead of dreary who-you-were.
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์ง€๋ฃจํ•œ ๋‹น์‹ ์ด์—ˆ๋˜ ๋ชจ์Šต ๋Œ€์‹ .
12:33
'well, are' - because she's talking about her in the present
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'์Œ, ๊ทธ๋ž˜' - ๊ทธ๋…€๋Š” ์•„์ง ๋ณ€ํ•˜์ง€ ์•Š์€ ํ˜„์žฌ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ๊ธฐ
12:37
because she hasn't changed yet.
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๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
12:39
Okay?
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์ข‹์•„์š”?
12:40
And then:
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๊ทธ๋ฆฌ๊ณ 
12:41
"There's nothing that can stop you from becoming popu-ler...
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"์ธ๊ธฐ๊ฐ€ ๋งŽ์•„์ง€๋Š” ๊ฒƒ์„ ๋ง‰์„ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋ฌด๊ฒƒ๋„ ์—†๋‹ค
12:45
lar."
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."
12:46
'There's nothing that can stop you', that's easy, right?
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'๋‹น์‹ ์„ ๋ง‰์„ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋ฌด๊ฒƒ๋„ ์—†์Šต๋‹ˆ๋‹ค. ' ์‰ฌ์šด ๋ง์ด์ง€์š”?
12:50
Just don't forget the 'th'.
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'th'๋ฅผ ์žŠ์ง€ ๋งˆ์„ธ์š”.
12:52
'There's nothing that can stop you from becoming popu-ler'.
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'์ธ๊ธฐ๊ฐ€ ๋†’์•„์ง€๋Š” ๊ฒƒ์„ ๋ง‰์„ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋ฌด๊ฒƒ๋„ ์—†์Šต๋‹ˆ๋‹ค .'
12:58
And then she changes to 'lar' 'cause everything rhymes except for this line.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” 'lar'๋กœ ๋ฐ”๊ฟ‰๋‹ˆ๋‹ค . ์ด ๋Œ€์‚ฌ๋ฅผ ์ œ์™ธํ•˜๊ณ ๋Š” ๋ชจ๋‘ ์šด์œจ์ด ๋งž์œผ๋‹ˆ๊นŒ์š”.
13:01
And the previous line said 'are'- 'well, are', so this is why
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๊ทธ๋ฆฌ๊ณ  ๋ฐ”๋กœ ์ด์ „ ์ค„์—์„œ๋Š” 'are'๋ผ๊ณ  ํ–ˆ์–ด์š”. '์Œ, are'์˜€๊ฑฐ๋“ ์š”. ๊ทธ๋ž˜์„œ
13:07
she changed the 'ler' to 'lar'.
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๊ทธ๋…€๋Š” 'ler'๋ฅผ 'lar'๋กœ ๋ฐ”๊พธ์—ˆ์–ด์š”.
13:09
And that's always the part that makes people laugh.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒŒ ํ•ญ์ƒ ์‚ฌ๋žŒ๋“ค์„ ์›ƒ๊ฒŒ ๋งŒ๋“œ๋Š” ๋ถ€๋ถ„์ด์ฃ .
13:12
"There's nothing that can stop you from becoming popu-ler...
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"๋‹น์‹ ์ด ์ธ๊ธฐ ์žˆ๋Š” ์‚ฌ๋žŒ์ด ๋˜๋Š” ๊ฒƒ์„ ๋ง‰์„ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋ฌด๊ฒƒ๋„ ์—†์Šต๋‹ˆ๋‹ค
13:16
lar."
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."
13:18
So now, one last time, from beginning till the end.
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๊ทธ๋Ÿฌ๋‹ˆ ์ด์ œ ๋งˆ์ง€๋ง‰์œผ๋กœ, ์ฒ˜์Œ๋ถ€ํ„ฐ ๋๊นŒ์ง€.
13:23
Are you ready?
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์ค€๋น„๋˜์…จ๋‚˜์š”?
13:25
Don't forget to connect the words together, to speak fast, and
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๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•ด์„œ ๋งํ•˜๋Š” ๊ฒƒ์„ ์žŠ์ง€ ๋งˆ์„ธ์š”. ๋น ๋ฅด๊ฒŒ ๋งํ•˜๊ณ ,
13:28
when you get stuck, just move on.
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๋ง‰ํžˆ๋ฉด ๋ฐ”๋กœ ๋„˜์–ด๊ฐ€์„ธ์š”.
13:30
Don't pause the video, don't start over, just move on.
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์˜์ƒ์„ ์ผ์‹œ ์ •์ง€ํ•˜์ง€ ๋ง๊ณ , ์ฒ˜์Œ๋ถ€ํ„ฐ ๋‹ค์‹œ ์‹œ์ž‘ํ•˜์ง€ ๋ง๊ณ  , ๋ฐ”๋กœ ๋„˜์–ด๊ฐ€์„ธ์š”.
13:33
Sing along and then try it again next time.
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๋”ฐ๋ผ ๋ถ€๋ฅด๊ณ  ๋‹ค์Œ์— ๋‹ค์‹œ ์‹œ๋„ํ•ด ๋ณด์„ธ์š”.
13:36
Let's go.
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๊ฐ‘์‹œ๋‹ค.
13:38
"Popular, you're gonna be popular.
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"์ธ๊ธฐ์•ผ, ๋„ˆ๋Š” ์ธ๊ธฐ ์žˆ์„ ๊ฑฐ์•ผ.
13:42
I'll teach you the proper ploys when you talk to boys,
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๋‚จ์ž์• ๋“คํ•˜๊ณ  ์ด์•ผ๊ธฐํ•  ๋•Œ์˜ ์ ์ ˆํ•œ ์ˆ˜๋ฒ•,
13:45
little ways to flirt and flounce.
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๊ผฌ์‹œ๊ฑฐ๋‚˜ ๋ฝ๋‚ด๋Š” ์ž‘์€ ๋ฐฉ๋ฒ•๋“ค์„ ๊ฐ€๋ฅด์ณ ์ค„๊ฒŒ.
13:47
I'll show you what shoes to wear, how to fix your hair,
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์–ด๋–ค ์‹ ๋ฐœ์„ ์‹ ์–ด์•ผ ํ•˜๋Š”์ง€, ๋จธ๋ฆฌ๋ฅผ ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ•˜๋Š”์ง€,
13:51
everything that really counts to be popular.
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์ •๋ง ํ•„์š”ํ•œ ๋ชจ๋“  ๊ฑธ ๋ณด์—ฌ์ค„๊ฒŒ. ์ธ๊ธฐ ์žˆ๋Š” ์‚ฌ๋žŒ์ด ๋˜๋Š” ๋ฐ
13:55
I'll help you be popular.
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๋„์›€์ด ๋  ๊ฑฐ์•ผ. ๋‚ด๊ฐ€ ์ธ๊ธฐ ์žˆ๋Š” ์‚ฌ๋žŒ์ด ๋˜๋„๋ก ๋„์™€์ค„๊ฒŒ.
13:58
You'll hang with the right cohorts, you'll be good at sports, know
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์ ์ ˆํ•œ ๋™๋ฃŒ๋“ค๊ณผ ์–ด์šธ๋ฆฌ๊ณ , ์Šคํฌ์ธ ๋„ ์ž˜ํ•˜๊ณ , ๊ผญ
14:02
the slang you've got to know.
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์•Œ์•„์•ผ ํ•  ์†์–ด๋„ ์•Œ๊ฒŒ ๋  ๊ฑฐ์•ผ.
14:04
So let's start, cause you've got an awfully long way to go.
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๊ทธ๋Ÿผ ์‹œ์ž‘ํ•ด ๋ณผ๊นŒ, ์™œ๋ƒํ•˜๋ฉด ๋„ˆ๋Š” ๊ฐˆ ๊ธธ์ด ๋„ˆ๋ฌด ๋ฉ€์–ด.
14:09
Don't be offended by my frank analysis.
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๋‚ด ์†”์งํ•œ ๋ถ„์„์— ๊ธฐ๋ถ„ ๋‚˜๋น ํ•˜์ง€ ๋งˆ.
14:11
Think of it as personality dialysis.
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์„ฑ๊ฒฉ ํˆฌ์„์ด๋ผ๊ณ  ์ƒ๊ฐํ•ด.
14:14
Now that I've chosen to become a pal, a sister and advisor, there's nobody wiser.
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์ด์ œ ์นœ๊ตฌ, ์ž๋งค, ์กฐ์–ธ์ž๊ฐ€ ๋˜๊ธฐ๋กœ ํ–ˆ์œผ๋‹ˆ, ๋‚˜๋ณด๋‹ค ๋” ํ˜„๋ช…ํ•œ ์‚ฌ๋žŒ์€ ์—†์–ด.
14:21
Not when it comes to popular.
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์ธ๊ธฐ์— ๊ด€ํ•ด์„œ๋Š” ๋ง์ด์•ผ.
14:24
I know about popular.
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์ธ๊ธฐ์— ๋Œ€ํ•ด ์•Œ์•„์š”.
14:27
And with an assist from me to be who you'll be,
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๊ทธ๋ฆฌ๊ณ  ๋‚ด๊ฐ€ ๋„์™€์ค˜์„œ ๋‹น์‹ ์ด ๋  ์‚ฌ๋žŒ์ด ๋˜๊ณ ,
14:30
instead of dreary who-you-were, well, are,
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์ง€๋ฃจํ–ˆ๋˜ ๋‹น์‹ ์ด ์•„๋‹Œ, ์ง€๊ธˆ์˜ ๋‹น์‹ ์ด ๋˜๋Š” ๊ฒƒ์ด ๊ฐ€๋Šฅํ•ด์ง€๋ฉด, ๋‹น์‹ ์ด ์ธ๊ธฐ ์žˆ๋Š” ์‚ฌ๋žŒ์ด ๋˜๋Š” ๊ฒƒ์„
14:33
there's nothing that can stop you from becoming popu-ler...
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๋ง‰์„ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋ฌด๊ฒƒ๋„ ์—†์–ด์š” ...
14:37
lar."
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lar."
14:39
Well done, my friends.
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์ž˜ํ–ˆ์–ด์š”, ์นœ๊ตฌ๋“ค.
14:40
That was incredible.
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์ •๋ง ๋†€๋ผ์šด ์ผ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
14:42
Now it's time to pump up the volume and sing along, but this time on your own.
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์ด์ œ ๋ณผ๋ฅจ์„ ๋†’์ด๊ณ  ๋”ฐ๋ผ ๋ถ€๋ฅด์‹ค ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ด๋ฒˆ์—๋Š” ํ˜ผ์ž์„œ ๋ถ€๋ฅด์„ธ์š”.
14:47
You did great.
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14:47
Thank you so much for joining me.
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์ž˜ํ•˜์…จ์–ด์š”.
์ฐธ์„ํ•ด์ฃผ์…”์„œ ์ •๋ง ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
14:49
And I hope you were able to tap into your inner musical theater actor.
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹  ์•ˆ์— ์žˆ๋Š” ๋ฎค์ง€์ปฌ ๋ฐฐ์šฐ์˜ ์ž ์žฌ๋ ฅ์„ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค .
14:54
Have a beautiful day and I'll see you next week in the next video.
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์ข‹์€ ํ•˜๋ฃจ ๋ณด๋‚ด์„ธ์š”. ๋‹ค์Œ ์ฃผ์— ๋‹ค์Œ ์˜์ƒ์—์„œ ๋ต™๊ฒ ์Šต๋‹ˆ๋‹ค.
14:58
Bye.
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์•ˆ๋…•.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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