Practice English with Wednesday Addams | Shadowing Sounds & Intonation

488,292 views ใƒป 2023-01-10

Accent's Way English with Hadar


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
Have you ever wondered what is the most effective way to practice your intonation,
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ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใ€ใƒชใ‚บใƒ ใ€ๅผทๅ‹ขใ€็™บ้Ÿณใ‚’็ทด็ฟ’ใ™ใ‚‹ๆœ€ใ‚‚ๅŠนๆžœ็š„ใชๆ–นๆณ•ใฏไฝ•ใ‹่€ƒใˆใŸใ“ใจใฏใ‚ใ‚Šใพใ™ใ‹
00:04
rhythm, stress, and pronunciation?
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?
00:07
The answer is shadowing.
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็ญ”ใˆใฏใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใงใ™ใ€‚
00:09
But not just any type of shadowing, but intentional shadowing.
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ใ—ใ‹ใ—ใ€ใ‚ใ‚‰ใ‚†ใ‚‹็จฎ้กžใฎใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ ใ‘ใงใชใใ€ ๆ„ๅ›ณ็š„ใชใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใงใ™ใ€‚
00:15
And today I'm going to teach you how to practice intentional
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ไปŠๆ—ฅใฏใ€ ๆ„ๅ›ณ็š„ใช
00:18
shadowing, and we're gonna do it while shadowing Wednesday Addams
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ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใฎ็ทด็ฟ’ๆ–นๆณ•ใ‚’ใŠๆ•™ใˆใ—ใพใ™ใ€‚Netflix ใฎใƒ’ใƒƒใƒˆ็•ช็ต„ใ€Œๆฐดๆ›œๆ—ฅใ€ใฎ ใ‚ฆใ‚งใƒณใ‚บใƒ‡ใƒผ ใ‚ขใƒ€ใƒ ใ‚นใ‚’ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ—ใชใŒใ‚‰่กŒใ„ใพใ™
00:22
from the hit Netflix show Wednesday.
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ใ€‚
00:26
"I already apologized.
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ใ€Œใ‚‚ใ†่ฌใ‚Šใพใ—ใŸใ€‚
00:28
It's over."
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็ต‚ใ‚ใ‚Šใงใ™ใ€
00:30
"Over?"
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"ไปฅไธŠ๏ผŸ"
00:33
But before we begin with some shadowing today, first let me introduce myself.
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ใ—ใ‹ใ—ใ€ไปŠๆ—ฅใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ‚’ๅง‹ใ‚ใ‚‹ๅ‰ใซ ใ€ใพใš่‡ชๅทฑ็ดนไป‹ใ‚’ใ•ใ›ใฆใใ ใ•ใ„ใ€‚
00:37
If you are new to my channel, my name is Hadar, I'm a
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ใ‚ใชใŸใŒ็งใฎใƒใƒฃใƒณใƒใƒซใซๅˆใ‚ใฆๅ‚ๅŠ ใ™ใ‚‹ๅ ดๅˆใ€ ็งใฎๅๅ‰ใฏHadarใงใ™ใ€‚็งใฏ
00:40
non-native speaker of English.
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่‹ฑ่ชžใ‚’ๆฏๅ›ฝ่ชžใจใ—ใชใ„ใ‚นใƒ”ใƒผใ‚ซใƒผใงใ™ใ€‚
00:41
And I am here to help you speak English with clarity, confidence, and freedom.
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ใใ—ใฆใ€็งใฏใ‚ใชใŸใŒ่‹ฑ่ชžใ‚’ ๆ˜Žๅฟซใซใ€่‡ชไฟกใ‚’ๆŒใฃใฆใ€่‡ช็”ฑใซ่ฉฑใ›ใ‚‹ใ‚ˆใ†ใซๆ‰‹ๅŠฉใ‘ใ™ใ‚‹ใŸใ‚ใซใ“ใ“ใซใ„ใพใ™.
00:47
And I've created multiple resources for you to practice English
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ใพใŸใ€ ่‹ฑ่ชžใ‚’็ทด็ฟ’ใ—ใ€
00:50
and learn English effectively.
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่‹ฑ่ชžใ‚’ๅŠนๆžœ็š„ใซๅญฆ็ฟ’ใ™ใ‚‹ใŸใ‚ใฎ่ค‡ๆ•ฐใฎใƒชใ‚ฝใƒผใ‚นใ‚’ไฝœๆˆใ—ใพใ—ใŸใ€‚
00:52
It's totally free, and you can find it on my website at hadarshemesh.com.
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ใ“ใ‚ŒใฏๅฎŒๅ…จใซ็„กๆ–™ใงใ€ ็งใฎ Web ใ‚ตใ‚คใƒˆ (hadarshemesh.com) ใง่ฆ‹ใคใ‘ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
00:57
And you can also follow me here on YouTube, just hit subscribe, and on
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ใพใŸใ€YouTube ใง็งใ‚’ใƒ•ใ‚ฉใƒญใƒผใ—ใฆ ใ€ใƒใƒฃใƒณใƒใƒซ็™ป้Œฒใ‚’ๆŠผใ—ใฆใใ ใ•ใ„ใ€‚ใพใŸใ€
01:02
other social media platforms where I share valuable daily content.
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็งใŒ่ฒด้‡ใชๆฏŽๆ—ฅใฎใ‚ณใƒณใƒ†ใƒณใƒ„ใ‚’ๅ…ฑๆœ‰ใ—ใฆใ„ใ‚‹ไป–ใฎใ‚ฝใƒผใ‚ทใƒฃใƒซ ใƒกใƒ‡ใ‚ฃใ‚ข ใƒ—ใƒฉใƒƒใƒˆใƒ•ใ‚ฉใƒผใƒ ใงใ‚‚ใƒ•ใ‚ฉใƒญใƒผใงใใพใ™ใ€‚
01:07
OK, so let's begin.
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ใงใฏใ€ๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€‚
01:08
What is shadowing?
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ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใจใฏ๏ผŸ
01:09
Shadowing is a practice method where you repeat the person that you're hearing.
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ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใฏใ€ ่žใ“ใˆใฆใ„ใ‚‹ไบบใ‚’็นฐใ‚Š่ฟ”ใ™็ทด็ฟ’ๆ–นๆณ•ใงใ™ใ€‚
01:14
You can also call it an imitation exercise or an echoing exercise cuz
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ใ‚ใชใŸใฏใใฎไบบใฎใ‚จใ‚ณใƒผใงใ‚ใ‚‹ ใŸใ‚ใ€ใใ‚Œใ‚’ๆจกๅ€ฃใ‚จใ‚ฏใ‚ตใ‚ตใ‚คใ‚บใพใŸใฏใ‚จใ‚ณใƒผใ‚จใ‚ฏใ‚ตใ‚ตใ‚คใ‚บใจๅ‘ผใถใ“ใจใ‚‚ใงใใพใ™
01:19
you are the echo of that person.
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.
01:22
Get it?
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ใใ‚Œใ‚’ๅพ—ใ‚‹๏ผŸ
01:23
The echo.
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ใ‚จใ‚ณใƒผใ€‚
01:24
So you're just repeating what you hear.
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ใคใพใ‚Šใ€่žใ„ใŸใ“ใจใ‚’็นฐใ‚Š่ฟ”ใ—ใฆใ„ใ‚‹ใ ใ‘ใงใ™ใ€‚
01:27
And it really is so helpful, especially when it comes to improving your
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ใใ—ใฆใ€็‰นใซ
01:32
pronunciation and improving prosody.
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็™บ้Ÿณใจ้Ÿปๅพ‹ใฎๆ”นๅ–„ใซ้–ขใ—ใฆใฏใ€ๆœฌๅฝ“ใซๅฝนใซ็ซ‹ใกใพใ™ใ€‚
01:35
Prosody is the intonation, rhythm, stress; it's how you put
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้Ÿปๅพ‹ใฏใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใ€ ใƒชใ‚บใƒ ใ€ๅผทๅ‹ขใงใ™ใ€‚
01:39
it all together when you speak.
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่ฉฑใ™ใจใใซใ™ในใฆใ‚’ใพใจใ‚ใ‚‹ๆ–นๆณ•ใงใ™ใ€‚
01:41
And sometimes learning the theory is not enough and you
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ใพใŸใ€ ็†่ซ–ใ‚’ๅญฆใถใ ใ‘ใงใฏๅๅˆ†ใงใฏใชใใ€
01:44
need to put it into practice.
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ๅฎŸ่ทตใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ๅ ดๅˆใ‚‚ใ‚ใ‚Šใพใ™ใ€‚
01:46
And by shadowing, not only that you're practicing these elements, you also start
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ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ‚’่กŒใ†ใ“ใจใงใ€ ใ“ใ‚Œใ‚‰ใฎ่ฆ็ด ใ‚’็ทด็ฟ’ใ™ใ‚‹ใ ใ‘ใงใชใใ€
01:51
developing a strong intuition for English.
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่‹ฑ่ชžใซๅฏพใ™ใ‚‹ๅผทใ„็›ดๆ„Ÿใ‚’้คŠใ†ใ“ใจใŒใงใใพใ™ใ€‚
01:55
You start recognizing and feeling what's right and what's not right.
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ไฝ•ใŒๆญฃใ—ใใฆไฝ•ใŒๆญฃใ—ใใชใ„ใ‹ใ‚’่ช่ญ˜ใ—ใ€ๆ„Ÿใ˜ๅง‹ใ‚ใพใ™ใ€‚
02:00
And you start changing your internal rhythm because the rhythm of your
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ใใ—ใฆใ€
02:04
first language is probably not the same of the rhythm of English.
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ๆฏๅ›ฝ่ชžใฎใƒชใ‚บใƒ ใฏใŠใใ‚‰ใ ่‹ฑ่ชžใฎใƒชใ‚บใƒ ใจๅŒใ˜ใงใฏใชใ„ใŸใ‚ใ€ๅ†…้ƒจใฎใƒชใ‚บใƒ ใŒๅค‰ๅŒ–ใ—ๅง‹ใ‚ใพใ™.
02:09
And imitation is such a great tool to start mastering that.
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ๆจกๅ€ฃใฏใ€ ใใ‚Œใ‚’็ฟ’ๅพ—ใ™ใ‚‹ใŸใ‚ใฎ็ด ๆ™ดใ‚‰ใ—ใ„ใƒ„ใƒผใƒซใงใ™ใ€‚
02:13
But here is the tricky part, and this is what I usually see my students do.
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ใ—ใ‹ใ—ใ€ใ“ใ“ใŒใƒˆใƒชใƒƒใ‚ญใƒผใช้ƒจๅˆ†ใงใ™ใ€‚ใ“ใ‚Œใฏใ€ ็งใฎ็”Ÿๅพ’ใŒ้€šๅธธ่กŒใฃใฆใ„ใ‚‹ใ“ใจใงใ™ใ€‚
02:18
When you practice shadowing, it's really easy to fall into the pitfall of just
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ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ‚’็ทด็ฟ’ใ™ใ‚‹ใจใใ€
02:25
repeating it automatically, repeating what you hear automatically, and not setting
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ใใ‚Œใ‚’่‡ชๅ‹•็š„ใซ็นฐใ‚Š่ฟ”ใ—ใŸใ‚Šใ€ ่žใ„ใŸใ“ใจใ‚’่‡ชๅ‹•็š„ใซ็นฐใ‚Š่ฟ”ใ—ใŸใ‚Šใ—ใฆใ€
02:31
an intention as to what you're trying to improve or gain out of this exercise.
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ใ“ใฎ็ทด็ฟ’ใ‹ใ‚‰ไฝ•ใ‚’ๆ”นๅ–„ใพใŸใฏๅพ—ใ‚ˆใ†ใจใ—ใฆใ„ใ‚‹ใฎใ‹ใซใคใ„ใฆๆ„ๅ›ณใ‚’่จญๅฎšใ—ใชใ„ใจใ„ใ†่ฝใจใ—็ฉดใซ้™ฅใ‚ŠใŒใกใงใ™ใ€‚
02:38
And when you try to do everything, you end up focusing on nothing,
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ใใ—ใฆใ€ใ™ในใฆใ‚’ใ‚„ใ‚ใ†ใจใ™ใ‚‹ใจใ€ๆœ€็ต‚็š„ใซใฏ ไฝ•ใซใ‚‚้›†ไธญใงใใชใใชใ‚Šใ€
02:44
and therefore learning nothing.
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ไฝ•ใ‚‚ๅญฆในใชใใชใ‚Šใพใ™ใ€‚
02:47
But if you really wanna change, if you really wanna get quick
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ใ—ใ‹ใ—ใ€ใ‚‚ใ—ใ‚ใชใŸใŒๆœฌๅฝ“ใซๅค‰ๅŒ–ใ—ใŸใ„ใฎใชใ‚‰ใ€ ๆœฌๅฝ“ใซ่ฟ…้€Ÿใช็ตๆžœใ‚’ๅพ—ใŸใ„ใฎใชใ‚‰
02:51
results, you have to be intentional.
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ใ€ใ‚ใชใŸใฏๆ„ๅ›ณ็š„ใซใชใ‚‰ใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“.
02:54
So you have to focus on the things that you'd like to improve and change.
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ใใฎใŸใ‚ใ€ ๆ”นๅ–„ใ—ใŸใ‚Šๅค‰ๆ›ดใ—ใŸใ‚Šใ—ใŸใ„ใ“ใจใซ้›†ไธญใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
02:58
And today I'm gonna show you how to do that exactly.
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ใใ—ใฆไปŠๆ—ฅใฏใ€ ใใ‚Œใ‚’ๆญฃ็ขบใซ่กŒใ†ๆ–นๆณ•ใ‚’ใŠ่ฆ‹ใ›ใ—ใพใ™ใ€‚
03:01
I'm going to do it while focusing on two different things.
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ไบŒใคใฎ็•ฐใชใ‚‹ใ“ใจใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใชใŒใ‚‰ใ‚„ใฃใฆใ„ใใพใ™ใ€‚
03:04
Let's say you wanna practice shadowing to improve your Rs.
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Rsใ‚’ๆ”นๅ–„ใ™ใ‚‹ใŸใ‚ใซใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ‚’็ทด็ฟ’ใ—ใŸใ„ใจใ—ใพใ—ใ‚‡ใ†ใ€‚
03:08
You know how to pronounce the R, you have practiced it yet you
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ใ‚ใชใŸใฏ R ใฎ็™บ้Ÿณใ‚’็Ÿฅใฃใฆใ„ใฆ ใ€็ทด็ฟ’ใ—ใพใ—ใŸใŒใ€
03:12
feel like it's hard for you to use it spontaneously when speaking.
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่ฉฑใ™ใจใใซ่‡ช็„ถใซ R ใ‚’ไฝฟใ†ใฎใฏ้›ฃใ—ใ„ใจๆ„Ÿใ˜ใฆใ„ใพใ™ใ€‚
03:16
So today I'm gonna show you how shadowing is going to help you with that.
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ไปŠๆ—ฅใฏใ€ ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใŒใฉใฎใ‚ˆใ†ใซๅฝน็ซ‹ใคใ‹ใ‚’ใŠ่ฆ‹ใ›ใ—ใพใ™ใ€‚
03:20
And then we're also going to practice shadowing.
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ใใ—ใฆใ€ ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใฎ็ทด็ฟ’ใ‚‚่กŒใ„ใพใ™ใ€‚
03:22
And the focus and the intention is going to be on intonation, and most
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ใใ—ใฆใ€็„ฆ็‚นใจๆ„ๅ›ณใฏ ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใซใ‚ใ‚Šใ€ๆœ€ใ‚‚
03:28
specifically, operative words - the words that we stress to get our message across.
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ๅ…ทไฝ“็š„ใซใฏใ€ๅŠนๆžœ็š„ใช่จ€่‘‰ใ€ใคใพใ‚Š ใƒกใƒƒใ‚ปใƒผใ‚ธใ‚’ไผใˆใ‚‹ใŸใ‚ใซๅผท่ชฟใ™ใ‚‹่จ€่‘‰ใงใ™.
03:35
Now, by the way, to help you with this exercise, I've prepared for you a
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ใจใ“ใ‚ใงใ€ ใ“ใฎๆผ”็ฟ’ใ‚’ๆ”ฏๆดใ™ใ‚‹ใŸใ‚ใซใ€็„กๆ–™ใงใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใงใใ‚‹ใ‚นใ‚ฏใƒชใƒ—ใƒˆใ‚’็”จๆ„ใ—ใพใ—ใŸ
03:38
script that you can download for free.
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ใ€‚
03:41
The script has some of the notes that I'm gonna be talking about today, whether
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ใ‚นใ‚ฏใƒชใƒ—ใƒˆใซใฏใ€
03:45
it's about the R or about intonation.
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R ใซ้–ขใ™ใ‚‹ใ‚‚ใฎใงใ‚ใ‚Œใ€ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใซ้–ขใ™ใ‚‹ใ‚‚ใฎใงใ‚ใ‚Œใ€ไปŠๆ—ฅใŠ่ฉฑใ—ใ™ใ‚‹ใƒกใƒขใŒใ„ใใคใ‹ๅซใพใ‚Œใฆใ„ใพใ™ใ€‚
03:48
So feel free to download it.
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ใฎใงใ€ใŠๆฐ—่ปฝใซใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใ—ใฆใใ ใ•ใ„ใ€‚
03:50
Just click the link below and get it.
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ไปฅไธ‹ใฎใƒชใƒณใ‚ฏใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ—ใฆๅ…ฅๆ‰‹ใ—ใฆใใ ใ•ใ„ใ€‚
03:53
Now, the first step in a good shadowing exercise is to find a
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ใ•ใฆใ€่‰ฏใ„ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใฎ็ทด็ฟ’ใฎๆœ€ๅˆใฎใ‚นใƒ†ใƒƒใƒ—ใฏใ€ใ‚ใชใŸใŒๅฅฝใใช
03:57
scene or a speech or a monologue that you like, and then the script.
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ใ‚ทใƒผใƒณใ‚„ใ‚นใƒ”ใƒผใƒใ‚„ใƒขใƒŽใƒญใƒผใ‚ฐใ‚’่ฆ‹ใคใ‘ใฆ ใ€ใใ‚Œใ‹ใ‚‰ๅฐๆœฌใ‚’่ฆ‹ใคใ‘ใ‚‹ใ“ใจใงใ™. ใ‚นใ‚ฏใƒชใƒ—ใƒˆใŒ็›ฎใฎๅ‰ใซ
04:02
It's really easy when you have the script in front of you.
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ใ‚ใ‚Œใฐใ€ใจใฆใ‚‚็ฐกๅ˜ใงใ™ ใ€‚
04:06
Now, I have already taken care of that.
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ไปŠใ€็งใฏใ™ใงใซใใ‚Œใฎไธ–่ฉฑใ‚’ใ—ใพใ—ใŸใ€‚
04:08
I've selected a scene for you, and as I told you, you can download the script.
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็งใฏใ‚ใชใŸใฎใŸใ‚ใซใ‚ทใƒผใƒณใ‚’้ธๆŠžใ—ใพใ—ใŸใ€‚็งใŒ ่จ€ใฃใŸใ‚ˆใ†ใซใ€ใ‚นใ‚ฏใƒชใƒ—ใƒˆใ‚’ใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใงใใพใ™ใ€‚
04:12
The second thing is to monitor the speed.
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2 ใค็›ฎใฏใ€้€Ÿๅบฆใ‚’็›ฃ่ฆ–ใ™ใ‚‹ใ“ใจใงใ™ใ€‚
04:16
You can listen to it at regular speed, but you can also slow it
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้€šๅธธใฎ้€Ÿๅบฆใง่žใใ“ใจใ‚‚ใงใใพใ™ ใŒใ€
04:20
down to 75% or 50% of the speed.
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75% ใพใŸใฏ 50% ใฎ้€Ÿๅบฆใซ้…ใใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚
04:24
There is nothing wrong with practicing shadowing with slower speed.
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ไฝŽ้€Ÿใงใ‚ทใƒฃใƒ‰ใ‚ฆใ‚คใƒณใ‚ฐใ‚’็ทด็ฟ’ใ—ใฆใ‚‚ๅ•้กŒใ‚ใ‚Šใพใ›ใ‚“ใ€‚
04:29
Why?
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04:29
Because the focus is on intention and focusing on specific things
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ใชใœ๏ผŸ ่‡ช็„ถใช็™บ่ฉฑใ ใ‘ใงใชใใ€
ๆ„ๅ›ณ ใจ็‰นๅฎšใฎไบ‹ๆŸ„ใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™
04:34
and not just natural speech.
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ใ€‚
04:36
Anyway, you won't be imitating people in real life, right?
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ใจใซใ‹ใใ€ใ‚ใชใŸใฏๅฎŸ็”Ÿๆดปใงไบบใฎ็œŸไผผใ‚’ใ—ใพใ›ใ‚“ใ‚ˆ ใญ๏ผŸ
04:40
So, for the sake of the practice, it's okay if you slow down the speaker
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ใ—ใŸใŒใฃใฆใ€็ทด็ฟ’ใฎใŸใ‚ใซใ€ ใ‚นใƒ”ใƒผใ‚ซใƒผใฎ้€Ÿๅบฆใ‚’
04:44
by a bit or even by a lot, and you can also speed it up afterwards.
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ๅฐ‘ใ—ใพใŸใฏๅคงๅน…ใซไธ‹ใ’ใฆใ‚‚ๅ•้กŒใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ๅพŒใง้€Ÿๅบฆใ‚’ไธŠใ’ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚
04:48
So, I have a one-minute scene from Wednesday.
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ใจใ„ใ†ใ‚ใ‘ใงใ€ๆฐดๆ›œๆ—ฅใฎ1ๅˆ†้–“ใฎใ‚ทใƒผใƒณใŒใ‚ใ‚Šใพใ™ ใ€‚
04:51
And what I'm gonna do is spend the first half shadowing it,
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็งใŒใ‚„ใ‚ใ†ใจใ—ใฆใ„ใ‚‹ใ“ใจใฏใ€ ๅ‰ๅŠใฏ
04:56
focusing on improving the R.
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R ใฎๆ”นๅ–„ใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใฆใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ™ใ‚‹ใ“ใจใงใ™
04:59
And the second part is going to be focusing on intonation and stressed words.
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.
05:04
So, here's how I would do it if I wanna focus on the R.
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R ใซๆณจ็›ฎใ—ใŸใ„ๅ ดๅˆใฏใ€ๆฌกใฎใ‚ˆใ†ใซใ—ใพใ™ใ€‚
05:09
If you have the script, I recommend that you mark all the words
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ๅฐๆœฌใŒใ‚ใ‚‹ๅ ดๅˆใฏใ€ ใ™ในใฆใฎๅ˜่ชžใ‚’
05:13
with R in them or just the Rs.
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R ใงใƒžใƒผใ‚ฏใ™ใ‚‹ใ‹ใ€R ใ ใ‘ใงใƒžใƒผใ‚ฏใ™ใ‚‹ใ“ใจใ‚’ใŠๅ‹งใ‚ใ—ใพใ™ใ€‚
05:15
You can just mark them in bold.
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ใใ‚Œใ‚‰ใ‚’ๅคชๅญ—ใงใƒžใƒผใ‚ฏใ™ใ‚‹ใ ใ‘ใงใ™ใ€‚
05:17
It's really helpful and it's easy for you to focus on what matters.
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ใใ‚Œใฏๆœฌๅฝ“ใซๅฝนใซ็ซ‹ใกใ€ ้‡่ฆใชใ“ใจใซ็ฐกๅ˜ใซ้›†ไธญใงใใพใ™ใ€‚
05:22
And as you read it, it will be a reminder that this is where you need to
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ใใ—ใฆใ€ใ“ใ‚Œใ‚’่ชญใ‚€ใจใ€ ใ“ใ“ใง
05:26
go back to the R that you've practiced.
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็ทด็ฟ’ใ—ใŸ R ใซๆˆปใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ใ“ใจใ‚’ๆ€ใ„ๅ‡บใ•ใ›ใฆใใ‚Œใ‚‹ใงใ—ใ‚‡ใ†ใ€‚
05:30
Because what happens when we just repeat other people or just read a text through?
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ไป–ใฎไบบใ‚’็นฐใ‚Š่ฟ”ใ—ใŸใ‚Šใ€ใƒ†ใ‚ญใ‚นใƒˆใ‚’่ชญใ‚“ใ ใ‚Šใ™ใ‚‹ใจใฉใ†ใชใ‚Šใพใ™ใ‹๏ผŸ ๆ–ฐใ—ใ„้Ÿณใงใฏใชใใ€
05:35
It's very easy for us to go back to our native R, or how we use to pronounce a
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ใƒใ‚คใƒ†ใ‚ฃใƒ–ใฎRใ€ใพใŸใฏ็‰นๅฎšใฎ้Ÿณใ‚’็™บ้Ÿณใ™ใ‚‹ใŸใ‚ใซไฝฟ็”จใ—ใฆใ„ใŸๆ–นๆณ•ใซๆˆปใ‚‹ใฎใฏ้žๅธธใซ็ฐกๅ˜ใงใ™
05:43
certain sound, rather than the new sound.
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.
05:45
So you are very likely to think that you're practicing it correctly, but in
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ใ—ใŸใŒใฃใฆใ€ใ‚ใชใŸใฏ ใใ‚Œใ‚’ๆญฃใ—ใๅฎŸ่ทตใ—ใฆใ„ใ‚‹ใจๆ€ใ†ๅฏ่ƒฝๆ€งใŒ้žๅธธใซ้ซ˜ใ„ใงใ™ใŒใ€
05:50
fact you're going back to old habits, and then you're not changing anything.
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ๅฎŸ้š›ใซใฏๅคใ„็ฟ’ๆ…ฃใซๆˆปใฃใฆใ—ใพใ„ใ€ ไฝ•ใ‚‚ๅค‰ใ‚ใฃใฆใ„ใพใ›ใ‚“.
05:54
So, take the text, mark the sound that you wanna work on - in our case, it's
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ใงใฏใ€ใƒ†ใ‚ญใ‚นใƒˆใ‚’ๅ–ใ‚Šใ€ไฝœๆฅญใ—ใŸใ„้Ÿณใซๅฐใ‚’ไป˜ใ‘ใพใ™ ใ€‚ใ“ใฎๅ ดๅˆใฏ
05:59
gonna be the R - and let's play the video.
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R ใซใชใ‚Šใพใ™ใ€‚ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ—ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
06:03
"I already apologized.
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ใ€Œใ‚‚ใ†่ฌใ‚Šใพใ—ใŸใ€‚
06:05
It's over."
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็ต‚ใ‚ใ‚Šใงใ™ใ€
06:08
"Over?
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06:08
Tonight was just the icing on the birthday cake you couldn't even be bothered to cut.
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ใ€Œ็ต‚ใ‚ใฃใŸ๏ผŸ
ไปŠๅคœใฏ่ช•็”Ÿๆ—ฅใ‚ฑใƒผใ‚ญใฎใ‚ขใ‚คใ‚ทใƒณใ‚ฐใซ้ŽใŽใชใ‹ใฃใŸ ใ€‚ใŸใจใˆใใ‚ŒใŒๅฝผใ‚‰ใ‚’ๅฑ้™บใซใ•ใ‚‰ใ™ใ“ใจใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใจใ—ใฆใ‚‚ใ€ใ‚ใชใŸ
06:13
You'll use anyone to get what you want, even if it means putting them in danger.
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ใฏๆœ›ใ‚€ใ‚‚ใฎใ‚’ๆ‰‹ใซๅ…ฅใ‚Œใ‚‹ใŸใ‚ใซ่ชฐใ‹ใ‚’ๅˆฉ็”จใ™ใ‚‹ใ ใ‚ใ†.
06:16
We could've died tonight because of your stupid obsession."
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ใ‚ใชใŸใฎๆ„šใ‹ใชๅผท่ฟซ่ฆณๅฟตใ€‚ใ€
06:19
"But we didn't.
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ใ€Œใ—ใ‹ใ—ใ€็งใŸใกใฏใใ†ใ—ใพใ›ใ‚“ใงใ—ใŸใ€‚
06:20
And now I'm one step closer to solving this case.
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ใใ—ใฆไปŠใ€็งใฏ ใ“ใฎไบ‹ไปถใฎ่งฃๆฑบใซไธ€ๆญฉ่ฟ‘ใฅใ„ใฆใ„ใพใ™ใ€‚
06:22
That is what is important."
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ใใ‚ŒใŒ้‡่ฆใชใ“ใจใงใ™ใ€‚ใ€
06:24
"I've tried really, really, really hard to be your friend."
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ใ€Œ็งใฏ ใ‚ใชใŸใฎๅ‹้”ใซใชใ‚ใ†ใจๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซไธ€็”Ÿๆ‡ธๅ‘ฝๅŠชๅŠ›ใ—ใพใ—ใŸใ€‚ใ€
06:30
Okay, first sentence.
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ใ•ใฆใ€ๆœ€ๅˆใฎๆ–‡ใ€‚
06:31
First, I'm gonna repeat it as is.
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ใพใšใ€ใใฎใพใพ็นฐใ‚Š่ฟ”ใ—ใพใ™ใ€‚
06:33
"I already apologized."
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ใ€Œ็งใฏใ™ใงใซ่ฌ็ฝชใ—ใพใ—ใŸใ€‚ใ€
06:36
I already apologized.
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ใ‚‚ใ†่ฌใ‚Šใพใ—ใŸใ€‚
06:38
Now, I wanna do it again, thinking about the R sounds.
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ใ•ใฆใ€ Rใฎ้Ÿณใ‚’่€ƒใˆใชใŒใ‚‰ใพใŸใ‚„ใ‚ŠใŸใ„ใจๆ€ใ„ใพใ™ใ€‚
06:43
We have it in the word 'already'.
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็งใŸใกใฏใ€Œใ™ใงใซใ€ใจใ„ใ†่จ€่‘‰ใซใใ‚Œใ‚’ๆŒใฃใฆใ„ใพใ™ใ€‚
06:46
By the way, she pronounces it with the L - 'aLready', but know that you can
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ใกใชใฟใซใ€ๅฝผๅฅณใฏใใ‚Œใ‚’ L ใง็™บ้Ÿณใ—ใพใ™ - 'aLready' ใงใ™ใŒใ€L ใ‚’
06:51
drop the L, it's also okay: 'aready', 'aready', if that's easier for you, if
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็œ็•ฅใ—ใฆใ‚‚ๆง‹ใ„ใพใ›ใ‚“ใ€‚'aready'ใ€ 'aready' ใฎใปใ†ใŒ็ฐกๅ˜ใชๅ ดๅˆใ€
06:56
you tend to confuse the Ls and the Rs.
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L ใจ ใƒซใƒ”ใƒผ
06:59
'aready'.
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ใ€Œใ‚‚ใ†ใ€ใ€‚
07:00
But as you say the word 'already', make sure that you bring the tongue
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ใŸใ ใ—ใ€ใ€Œใ™ใงใซใ€ใจใ„ใ†่จ€่‘‰ใ‚’่จ€ใ†ใจใใฏใ€ ่ˆŒใ‚’
07:05
up, make sure it doesn't touch anything, and that you round your lips.
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ไธŠใซไธŠใ’ใ€ ไฝ•ใ‚‚่งฆใ‚Œใชใ„ใ‚ˆใ†ใซใ—ใ€ๅ”‡ใ‚’ไธธใ‚ใ‚‹ใ“ใจใ‚’็ขบ่ชใ—ใฆใใ ใ•ใ„ใ€‚
07:09
So these three things: bring the tongue up, make sure the
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ใคใพใ‚Šใ€ใ“ใ‚Œใ‚‰ใฎ 3 ใคใฎใ“ใจใงใ™ใ€‚ ่ˆŒใ‚’ไธŠใซไธŠใ’ใ€
07:12
tip doesn't touch anything.
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ๅ…ˆ็ซฏใŒใฉใ“ใซใ‚‚่งฆใ‚Œใชใ„ใ‚ˆใ†ใซใ—ใพใ™ใ€‚
07:13
You can focus on bringing the sides of the tongue to the sides
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่ˆŒใฎๅด้ขใ‚’ๆญฏใฎๅด้ขใซ่ฟ‘ใฅใ‘ใ‚‹ใ“ใจใซ้›†ไธญใ—ใฆใ€
07:16
of the teeth for a nice, strong R, and round your lips - 'ur'.
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็ด ๆ•ตใงๅผทใ„ R ใ‚’ไฝœๆˆใ—ใ€ๅ”‡ใ‚’ไธธใ‚ใพใ™ ('ur')ใ€‚
07:21
And by the way, if the R is challenging for you, I have several videos teaching
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ใจใ“ใ‚ใงใ€R ใŒ้›ฃใ—ใ„ๅ ดๅˆใฏ ใ€R ใฎ็™บ้Ÿณใ‚’ๆ•™ใˆใ‚‹ใƒ“ใƒ‡ใ‚ชใŒใ„ใใคใ‹ใ‚ใ‚Šใพใ™ใ€‚
07:25
you how to pronounce the R that I'm going to link in the description below.
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ไปฅไธ‹ใฎ่ชฌๆ˜Žใงใƒชใƒณใ‚ฏใ—ใพใ™ใ€‚
07:28
OK.
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OKใ€‚
07:29
So back to the script.
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ใงใฏใ€ใ‚นใ‚ฏใƒชใƒ—ใƒˆใซๆˆปใ‚Šใพใ™ใ€‚
07:30
'I already apologized'.
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ใ€Œ็งใฏใ™ใงใซ่ฌ็ฝชใ—ใพใ—ใŸใ€ใ€‚
07:34
So I'm saying it with the intention of pronouncing the R correctly.
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Rใ‚’ๆญฃใ—ใ็™บ้Ÿณใ™ใ‚‹ใคใ‚‚ใ‚Šใง่จ€ใฃใฆใ„ใ‚‹ใฎใงใ™ใ€‚
07:38
Rounding the lips, making sure the tip of the tongue doesn't touch anything.
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ๅ”‡ใ‚’ไธธใ‚ใ€ ่ˆŒๅ…ˆใŒ่งฆใ‚Œใชใ„ใ‚ˆใ†ใซใ—ใพใ™ใ€‚
07:42
Let's do it together.
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ไธ€็ท’ใซใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚
07:43
Already.
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ใ™ใงใซใ€‚
07:44
Already.
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ใ™ใงใซใ€‚
07:45
Already.
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ใ™ใงใซใ€‚
07:47
"It's over."
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"็ต‚ใ‚ใ‚Šใพใ—ใŸใ€‚"
07:49
It's over.
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็ต‚ใ‚ใ‚Šใพใ—ใŸใ€‚
07:50
OK, so now there is an R at the end.
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OKใ€ใ“ใ‚Œใงๆœซๅฐพใซ R ใŒไป˜ใใพใ—ใŸใ€‚
07:52
Sometimes for some people it might be a little more tricky.
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ไบบใซใ‚ˆใฃใฆใฏใ€ ๅฐ‘ใ—้›ฃใ—ใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚
07:55
Let's make sure that you are getting to the R: over, over.
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R: ใ‚ชใƒผใƒใƒผใ€ใ‚ชใƒผใƒใƒผใซๅˆฐ้”ใ—ใฆใ„ใ‚‹ใ“ใจใ‚’็ขบ่ชใ—ใพใ—ใ‚‡ใ†ใ€‚
07:59
Now, yes, there are a lot of other things here to notice.
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ใ•ใฆใ€ใฏใ„ใ€ ใ“ใ“ใซใฏไป–ใซใ‚‚ๆณจ็›ฎใ™ในใใ“ใจใŒใŸใใ•ใ‚“ใ‚ใ‚Šใพใ™ใ€‚
08:02
There is the OW as in 'go', and there is the reduction of the 'it's'.
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ใ€Œgoใ€ใฎใ‚ˆใ†ใซ OW ใŒใ‚ใ‚Šใ€ ใ€Œit'sใ€ใฎ็ธฎๅฐใŒใ‚ใ‚Šใพใ™ใ€‚
08:06
But I'm not gonna focus on that right now.
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ใ—ใ‹ใ—ใ€็งใฏไปŠใ€ใใ‚Œใซ้›†ไธญใ™ใ‚‹ใคใ‚‚ใ‚Šใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
08:08
But I really want you to only focus on the R.
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ใงใ‚‚ๆœฌๅฝ“ใฏ Rใ ใ‘ใซๆณจ็›ฎใ—ใฆใปใ—ใ„ใงใ™ใ€‚
08:11
It's okay if all the rest is not perfect.
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ใ‚ใจใฏๅฎŒ็’งใ˜ใ‚ƒใชใใฆใ‚‚ใ„ใ„ใ‚“ใงใ™ใ€‚
08:14
The purpose is to focus on what matters โ€“ in this case, the R.
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็›ฎ็š„ใฏใ€้‡่ฆใชใ“ใจใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใ‚‹ใ“ใจใงใ™ใ€‚ ใ“ใฎๅ ดๅˆใฏ R ใงใ™ใ€‚
08:21
"Over?"
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08:23
'Over?' Again, with a different intonation pattern.
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'ไปฅไธŠ๏ผŸ' ็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€ ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณ ใƒ‘ใ‚ฟใƒผใƒณใŒ็•ฐใชใ‚Šใพใ™ใ€‚
08:27
'Over?' Make sure you round your lips.
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'ไปฅไธŠ๏ผŸ' ๅ”‡ใ‚’ไธธใ‚ใ‚‹ใ‚ˆใ†ใซใ—ใฆใใ ใ•ใ„ใ€‚
08:29
"Tonight was just the icing on the birthday cake you couldn't
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ใ€ŒไปŠๅคœใฏใ€ใ‚ซใƒƒใƒˆใ™ใ‚‹ใฎใ‚‚้ขๅ€’ใ ใฃใŸ ใƒใƒผใ‚นใƒ‡ใƒผ ใ‚ฑใƒผใ‚ญใฎใ‚ขใ‚คใ‚ทใƒณใ‚ฐใซ้ŽใŽใพใ›ใ‚“ใงใ—ใŸ
08:32
even be bothered to cut."
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ใ€‚ใ€
08:33
Okay, this is a little long, so let's do it slowly.
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ใ•ใฆใ€ใ“ใ‚Œใฏๅฐ‘ใ— ้•ทใ„ใฎใงใ€ใ‚†ใฃใใ‚Šใ—ใพใ—ใ‚‡ใ†ใ€‚
08:37
'Tonight was just the icing on the birthday cake you couldn't
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ใ€ŒไปŠๅคœใฏใ€ใ‚ซใƒƒใƒˆใ™ใ‚‹ใฎใ‚‚้ขๅ€’ใ ใฃใŸ ใƒใƒผใ‚นใƒ‡ใƒผ ใ‚ฑใƒผใ‚ญใฎใ‚ขใ‚คใ‚ทใƒณใ‚ฐใซใ™ใŽใชใ‹ใฃใŸ
08:42
even be bothered to cut'.
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ใ€ใ€‚
08:45
So we have 'birthday', that's a tricky one.
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ใ€Œ่ช•็”Ÿๆ—ฅใ€ใŒใ‚ใ‚Šใพใ™ใŒใ€ ใ“ใ‚Œใฏ้›ฃใ—ใ„ใ‚‚ใฎใงใ™ใ€‚
08:49
Birthday.
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่ช•็”Ÿๆ—ฅใ€‚
08:50
'Tonight was just the icing on the birthday cake.' Birthday cake.
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ใ€ŒไปŠๅคœใฏใ€ใƒใƒผใ‚นใƒ‡ใƒผ ใ‚ฑใƒผใ‚ญใฎ้ฃพใ‚Šใซใ™ใŽใพใ›ใ‚“ใงใ—ใŸ ใ€‚ใ€ ่ช•็”Ÿๆ—ฅใ‚ฑใƒผใ‚ญใ€‚
08:55
Birthday cake.
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่ช•็”Ÿๆ—ฅใ‚ฑใƒผใ‚ญใ€‚
08:56
Let's do it again.
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ใ‚‚ใ†ไธ€ๅบฆใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚
08:57
'Tonight was just the icing on the birthday cake you couldn't
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ใ€ŒไปŠๅคœใฏใ€ใ‚ซใƒƒใƒˆใ™ใ‚‹ใฎใ‚‚้ขๅ€’ใ ใฃใŸ ใƒใƒผใ‚นใƒ‡ใƒผ ใ‚ฑใƒผใ‚ญใฎใ‚ขใ‚คใ‚ทใƒณใ‚ฐใซใ™ใŽใพใ›ใ‚“ใงใ—ใŸ
09:01
even be bothered to cut.'
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ใ€‚ใ€
09:03
So we have another R in the word 'bothered', 'bothered'.
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ใ—ใŸใŒใฃใฆใ€ ใ€Œbotheredใ€ใ€ใ€Œbotheredใ€ใจใ„ใ†ๅ˜่ชžใซๅˆฅใฎ R ใŒใ‚ใ‚Šใพใ™ใ€‚
09:07
And this one has a TH too.
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ใใ—ใฆใ€ใ“ใ‚Œใซใ‚‚THใŒใ‚ใ‚Šใพใ™ใ€‚
09:10
So you wanna make sure you say that a few times before you
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ใ—ใŸใŒใฃใฆใ€ๆ–‡ๅ…จไฝ“ใซๅ…ฅใ‚Œใ‚‹ ๅ‰ใซใ€ใใ‚Œใ‚’ๆ•ฐๅ›ž่จ€ใ†ใ‚ˆใ†ใซใ—ใฆใใ ใ•ใ„
09:13
put it in the whole sentence.
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ใ€‚
09:14
'bothered'.
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ใ€Œๆฐ—ใซใชใฃใŸใ€ใ€‚
09:16
AA as in 'father'.
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ใ€Œ็ˆถใ€ใฎใ‚ˆใ†ใซAAใ€‚
09:17
Bothered to cut.
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ใ‚ใ–ใ‚ใ–ใ‚ซใƒƒใƒˆใ€‚
09:19
Bothered to cut.
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ใ‚ใ–ใ‚ใ–ใ‚ซใƒƒใƒˆใ€‚
09:20
The R's a little longer here.
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ใ“ใ“ใฎRใฏๅฐ‘ใ—้•ทใ„ใงใ™ใ€‚
09:22
Bothered to cut.
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ใ‚ใ–ใ‚ใ–ใ‚ซใƒƒใƒˆใ€‚
09:24
And get to the D at the end.
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ใใ—ใฆๆœ€ๅพŒใซDใธใ€‚
09:26
Bothered to cut.
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ใ‚ใ–ใ‚ใ–ใ‚ซใƒƒใƒˆใ€‚
09:27
Let's do it together again.
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ใพใŸไธ€็ท’ใซใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚
09:28
Let's listen to the sentence.
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ๆ–‡ใ‚’่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
09:30
"Tonight was just the icing on the birthday cake."
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ใ€ŒไปŠๅคœใฏ ใƒใƒผใ‚นใƒ‡ใƒผใ‚ฑใƒผใ‚ญใฎ้ฃพใ‚Šใซ้ŽใŽใชใ‹ใฃใŸใ€‚ใ€
09:32
Tonight was just the icing on the birthday cake.
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ไปŠๅคœใฏใƒใƒผใ‚นใƒ‡ใƒผใ‚ฑใƒผใ‚ญใฎใ‚ขใ‚คใ‚ทใƒณใ‚ฐใซ้ŽใŽใพใ›ใ‚“ใงใ—ใŸ ใ€‚
09:34
"You couldn't even be bothered to cut."
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ใ€Œๅˆ‡ใ‚‹ใฎใ‚‚ใ‚‚ใฃใŸใ„ใชใ„ใ€
09:37
'You couldn't even be bothered to cut'.
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ใ€Œใ‚ซใƒƒใƒˆใ™ใ‚‹ใฎใ‚‚้ขๅ€’ใ€ใ€‚
09:40
And again, we're only focusing on the R.
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็นฐใ‚Š่ฟ”ใ—ใซใชใ‚Šใพใ™ใŒใ€ใ“ใ“ใงใฏ R ใฎใฟใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใฆใ„ใพใ™
09:44
"You'll use anyone to get what you want, even if it means putting them in danger."
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ใ€‚
09:48
'You'll use anyone to get what you want, even if it means putting them in danger'.
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ใ€ŒใŸใจใˆ ใใ‚ŒใŒๅฝผใ‚‰ใ‚’ๅฑ้™บใซใ•ใ‚‰ใ™ใ“ใจใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใจใ—ใฆใ‚‚ใ€ใ‚ใชใŸใฏใ‚ใชใŸใŒๆœ›ใ‚€ใ‚‚ใฎใ‚’ๅพ—ใ‚‹ใŸใ‚ใซ่ชฐใงใ‚‚ๅˆฉ็”จใ™ใ‚‹ใงใ—ใ‚‡ใ†.ใ€
09:53
So we only have an R at the end, so I would maybe not wanna waste this sentence
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ใคใพใ‚Šใ€ๆœ€ๅพŒใซ R ใ—ใ‹ใชใ„ใฎใงใ€ๆœ€ๅพŒใฎ R ใ ใ‘ใ‚’่€ƒใˆใฆ ใ“ใฎๆ–‡ใ‚’็„ก้ง„ใซใ—ใŸใใชใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
10:00
by only thinking of the R at the end.
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ใ€‚
10:03
And maybe I would focus on the rhythm here a little bit.
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ใใ—ใฆใ€ ใ“ใ“ใงๅฐ‘ใ—ใƒชใ‚บใƒ ใซ้›†ไธญใ™ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚
10:06
And as I get to the end, I'll bring my attention back to the R.
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ใใ—ใฆ็ต‚ใ‚ใ‚Šใซ่ฟ‘ใฅใ„ใŸใ‚‰ใ€ R ใซๆณจๆ„ใ‚’ๆˆปใ—ใพใ™ใ€‚
10:11
Let's listen to it again.
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ใ‚‚ใ†ไธ€ๅบฆ่žใ„ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
10:13
"You'll use anyone to get what you want."
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ใ€Œๆฌฒใ—ใ„ใ‚‚ใฎใ‚’ๆ‰‹ใซๅ…ฅใ‚Œใ‚‹ใŸใ‚ใซใฏใ€่ชฐใ‹ใ‚’ๅˆฉ็”จใ™ใ‚‹ใ ใ‚ใ†ใ€‚ใ€
10:15
'You will use anyone to get what you want'.
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ใ€Œๆฌฒใ—ใ„ใ‚‚ใฎใ‚’ๆ‰‹ใซๅ…ฅใ‚Œใ‚‹ใŸใ‚ใซใฏใ€่ชฐใ‚’ใ‚‚ๅˆฉ็”จใ™ใ‚‹ ใ€ใ€‚
10:18
Right?
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10:18
So we have that nice rhythm here.
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ๅณ๏ผŸ
ใ“ใ“ใซใฏ็ด ๆ™ดใ‚‰ใ—ใ„ใƒชใ‚บใƒ ใŒใ‚ใ‚Šใพใ™ใ€‚
10:21
'You will use anyone to get what you want'.
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ใ€Œๆฌฒใ—ใ„ใ‚‚ใฎใ‚’ๆ‰‹ใซๅ…ฅใ‚Œใ‚‹ใŸใ‚ใซใฏใ€่ชฐใ‚’ใ‚‚ๅˆฉ็”จใ™ใ‚‹ ใ€ใ€‚
10:24
"even if it means putting them in danger."
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ใ€Œใใ‚ŒใŒๅฝผใ‚‰ใ‚’ๅฑ้™บใซใ•ใ‚‰ใ™ใ“ใจใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใจใ—ใฆใ‚‚ใ€‚ใ€
10:26
'even if it means putting them in danger'.
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ใ€Œใใ‚ŒใŒๅฝผใ‚‰ใ‚’ๅฑ้™บใซใ•ใ‚‰ใ™ใ“ใจใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใจใ—ใฆใ‚‚ใ€ใ€‚
10:29
Okay?
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10:29
Bringing back my attention to the R.
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ใ‚ใ‹ใฃใŸ๏ผŸ
R ใซๆณจๆ„ใ‚’ๆˆปใ—ใพใ™ใ€‚
10:31
'even if it means' - a nice rhythm, 'putting them in danger'.
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ใ€ŒใŸใจใˆๆ„ๅ‘ณใŒใ‚ใ‚‹ใจใ—ใฆใ‚‚ใ€ - ใ€Œๅฝผใ‚‰ใ‚’ๅฑ้™บใซใ•ใ‚‰ใ™ใ€ใจใ„ใ†็ด ๆ™ดใ‚‰ใ—ใ„ใƒชใ‚บใƒ ใงใ™ใ€‚
10:38
Bring the tongue up, round your lips.
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่ˆŒใ‚’ไธŠใ’ใ€ๅ”‡ใ‚’ไธธใ‚ใพใ™ใ€‚
10:40
"We could've died tonight because of your stupid obsession."
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ใ€Œใ‚ใชใŸใฎๆ„šใ‹ใชๅผท่ฟซ่ฆณๅฟตใฎใ›ใ„ใงใ€็งใŸใกใฏไปŠๅคœๆญปใฌใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใงใ—ใŸ ใ€‚ใ€
10:43
'We could've died tonight because of your stupid obsession'.
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ใ€Œใ‚ใชใŸใฎๆ„šใ‹ใชๅผท่ฟซ่ฆณๅฟตใฎใ›ใ„ใงใ€็งใŸใกใฏไปŠๅคœๆญปใฌใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใงใ—ใŸ ใ€.
10:47
So we have 'your', 'your', 'your'.
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ใ—ใŸใŒใฃใฆใ€ใ€Œใ‚ใชใŸใฎใ€ใ€ใ€Œใ‚ใชใŸใฎใ€ใ€ใ€Œใ‚ใชใŸใฎใ€ใŒใ‚ใ‚Šใพใ™ใ€‚ R ใ‚’
10:49
So we're gonna say the whole sentence, even though there is only one word with
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ๅซใ‚€ๅ˜่ชžใฏ 1 ใคใ—ใ‹ใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ๆ–‡ๅ…จไฝ“ใ‚’็™บ้Ÿณใ—ใฆใ€
10:52
the R, and we will get ready to say the R.
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R ใ‚’็™บ้Ÿณใ™ใ‚‹ๆบ–ๅ‚™ใ‚’ใ—ใพใ™
10:56
"We could've died tonight."
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ใ€‚
10:57
'we could've', 'we could've', 'we could've'.
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ใ€ŒใงใใŸใ€ใ€ใ€Œ ใงใใŸใ€ใ€ใ€ŒใงใใŸใ€ใ€‚
10:59
Listen to the reduction here.
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ใ“ใ“ใงๅ‰Šๆธ›ใ‚’่žใ„ใฆใใ ใ•ใ„ใ€‚
11:01
'We could've died tonight'.
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ใ€Œ็งใŸใกใฏไปŠๅคœๆญปใฌใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€.
11:02
"because of your stupid obsession."
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ใ€Œใ‚ใชใŸใฎๆ„šใ‹ใชๅผท่ฟซ่ฆณๅฟตใฎใŸใ‚ใซใ€‚ใ€
11:04
Because of y'r, because of y'r, because of y'r - reduction.
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y'r ใฎใŠใ‹ใ’ใงใ€y'r ใฎใŠใ‹ใ’ใงใ€ y'r ใฎใŠใ‹ใ’ใง - ๅ‰Šๆธ›ใ€‚
11:07
So, here we also have the R.
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ใ—ใŸใŒใฃใฆใ€ใ“ใ“ใซใ‚‚ R ใŒใ‚ใ‚Šใพใ™
11:09
Because of y'r, y'r, y'r.
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ใ€‚y'rใ€y'rใ€y'r ใฎใŸใ‚ใงใ™ใ€‚ ่ˆŒใ‚’
11:12
We make sure that we bring the tongue up, it's short.
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ๆŒใกไธŠใ’ใ‚‹ใ‚ˆใ†ใซใ—ใพใ™ ใ€‚็Ÿญใ„ใงใ™ใ€‚
11:15
And then 'stupid obsession'.
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ใใ—ใฆใ€Œๆ„šใ‹ใชๅผท่ฟซ่ฆณๅฟตใ€ใ€‚
11:18
'stupid obsession'.
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ใ€Œๆ„šใ‹ใชๅผท่ฟซ่ฆณๅฟตใ€ใ€‚
11:19
"But we didn't".
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ใ€Œใ—ใ‹ใ—ใ€็งใŸใกใฏใ—ใพใ›ใ‚“ใงใ—ใŸใ€ใ€‚
11:20
'But we didn't'.
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ใ€Œใ—ใ‹ใ—ใ€็งใŸใกใฏใ—ใพใ›ใ‚“ใงใ—ใŸใ€ใ€‚
11:22
"And now I'm one step closer to solving this case".
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ใ€Œใใ—ใฆไปŠใ€็งใฏ ใ“ใฎไบ‹ไปถใฎ่งฃๆฑบใซไธ€ๆญฉ่ฟ‘ใฅใ„ใฆใ„ใพใ™ใ€‚ใ€
11:24
'And now I'm one step closer to solving this case'.
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ใ€Œใใ—ใฆไปŠใ€็งใฏ ใ“ใฎไบ‹ไปถใฎ่งฃๆฑบใซไธ€ๆญฉ่ฟ‘ใฅใ„ใฆใ„ใพใ™ใ€‚ใ€
11:27
So we have 'closer'.
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ใ—ใŸใŒใฃใฆใ€ใ€Œใ‚ˆใ‚Š่ฟ‘ใ„ใ€ใŒใ‚ใ‚Šใพใ™ใ€‚
11:29
Very much like 'over', the R is at the end.
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ใ€Œoverใ€ใจๅŒใ˜ใ‚ˆใ†ใซใ€ R ใŒๆœ€ๅพŒใซใ‚ใ‚Šใพใ™ใ€‚
11:31
We wanna make sure that we hit it.
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็ขบๅฎŸใซใƒ’ใƒƒใƒˆใ•ใ›ใŸใ„ใ€‚
11:33
'And now I'm one step closer to solving this case'.
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ใ€Œใใ—ใฆไปŠใ€็งใฏ ใ“ใฎไบ‹ไปถใฎ่งฃๆฑบใซไธ€ๆญฉ่ฟ‘ใฅใ„ใฆใ„ใพใ™ใ€‚ใ€
11:37
closer.
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11:37
closer.
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ใ‚ฏใƒญใƒผใ‚ถใƒผใ€‚
ใ‚ฏใƒญใƒผใ‚ถใƒผใ€‚
11:38
closer.
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ใ‚ฏใƒญใƒผใ‚ถใƒผใ€‚
11:39
And if you feel like your R is not accurate, just say it again a few
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ใพใŸใ€R ใŒๆญฃ็ขบใงใฏใชใ„ใจๆ„Ÿใ˜ใŸๅ ดๅˆใฏ ใ€ๆ•ฐ
11:43
times and then in context again.
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ๅ›ž็นฐใ‚Š่ฟ”ใ—ใฆใ‹ใ‚‰ใ€ๆ–‡่„ˆใซๅˆใ‚ใ›ใฆใ‚‚ใ†ไธ€ๅบฆ่จ€ใฃใฆใใ ใ•ใ„ใ€‚
11:45
"That is what is important."
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ใ€Œใใ‚ŒใŒ้‡่ฆใงใ™ใ€‚ใ€
11:47
'That is what is important'.
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ใ€Œใใ‚ŒใŒ้‡่ฆใชใ“ใจใงใ™ใ€ใ€‚
11:49
'That is what is important'.
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ใ€Œใใ‚ŒใŒ้‡่ฆใชใ“ใจใงใ™ใ€ใ€‚
11:51
So, here we have the R in 'important'.
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ใ—ใŸใŒใฃใฆใ€ใ“ใ“ใงใฏใ€Œ้‡่ฆใ€ใซ R ใŒใ‚ใ‚Šใพใ™ใ€‚
11:54
'impor', 'por', 'por'.
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ใ€Œใ‚คใƒณใƒใƒผใƒˆใ€ใ€ใ€Œใƒใƒผใ€ใ€ใ€Œใƒใƒผใ€ใ€‚
11:57
Now as you're saying the sentence, you're probably noticing other
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ใ‚ใชใŸใŒๆ–‡ใ‚’่จ€ใฃใฆใ„ใ‚‹ใจใใ€ ใ‚ใชใŸใฏใŠใใ‚‰ใ
12:00
things like the T, in 'important'.
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ใ€Œ้‡่ฆใ€ใฎTใฎใ‚ˆใ†ใชไป–ใฎใ‚‚ใฎใซๆฐ—ใฅใ„ใฆใ„ใ‚‹ใงใ—ใ‚‡ใ†.
12:02
How do I do that?
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ใใ‚Œใ€ใฉใ†ใ‚„ใฃใŸใ‚‰ๅ‡บๆฅใ‚‹ใฎ๏ผŸ
12:03
And maybe the T in 'that is', 'what is'.
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ใใ—ใฆๅคšๅˆ†ใ€'that is'ใ€'what is' ใฎ T ใงใ™ใ€‚
12:07
You will be noticing different things.
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ใ•ใพใ–ใพใชใ“ใจใซๆฐ—ใฅใใงใ—ใ‚‡ใ†ใ€‚
12:10
So after you make sure that you get that R right, of course, focus on other things.
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ใใฎใŸใ‚ใ€ R ใŒๆญฃใ—ใ„ใ“ใจใ‚’็ขบ่ชใ—ใŸๅพŒใฏใ€ใ‚‚ใกใ‚ใ‚“ใ€ไป–ใฎใ“ใจใซ้›†ไธญใ—ใฆใใ ใ•ใ„ใ€‚
12:16
'That is what is'.
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ใ€Œใใ‚Œใฏใ€ใงใ™ใ€‚
12:18
Okay, flap T, nice.
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ใ‚ˆใ—ใ€ใƒ•ใƒฉใƒƒใƒ—Tใ€ใ„ใ„ใญใ€‚
12:20
'That is what is'.
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ใ€Œใใ‚Œใฏใ€ใงใ™ใ€‚
12:22
Now, let's see how she pronounces the word 'important'.
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ใงใฏใ€ๅฝผๅฅณใŒ ใ€Œ้‡่ฆใ€ใจใ„ใ†่จ€่‘‰ใ‚’ใฉใฎใ‚ˆใ†ใซ็™บ้Ÿณใ™ใ‚‹ใ‹่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚
12:24
"Important".
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"้‡่ฆ"ใ€‚
12:25
'Important', 'important'.
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ใ€Œ้‡่ฆใ€ใ€Œ้‡่ฆใ€ใ€‚
12:28
She starts with an 'i' sound, then 'm' - 'im'.
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ๅฝผๅฅณใฏใ€Œiใ€ใฎ้Ÿณใงๅง‹ใพใ‚Š ใ€ๆฌกใซใ€Œmใ€-ใ€Œimใ€ใงใ™ใ€‚
12:33
And then 'por' - we definitely wanna pay attention to the R here.
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ใใ—ใฆ 'por' - ใ“ใ“ใง R ใซๆณจ็›ฎใ—ใŸใ„ใจๆ€ใ„ใพใ™ใ€‚
12:36
'por'.
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ใ€Œใƒใƒผใ€ใ€‚
12:37
And then there isn't really a T there, it's a glottal stop.
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ใใ—ใฆใ€ๅฎŸ้š›ใซใฏ T ใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ใใ‚Œใฏๅฃฐ้–€ๅœๆญขใงใ™ใ€‚
12:45
And then she releases the T.
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ใใ—ใฆใ€ๅฝผๅฅณใฏ T ใ‚’ๆ”พใ—ใพใ™ใ€‚
12:47
It's not a held T when she pronounces it, it's just 't' - 'important', 'important'.
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ๅฝผๅฅณใŒ็™บ้Ÿณใ™ใ‚‹ใจใใ€ใใ‚ŒใฏไฟๆŒใ•ใ‚ŒใŸ T ใงใฏใชใใ€ ๅ˜ใซ 't'ใ€'important'ใ€'important' ใงใ™ใ€‚ ใ“ใฎๅ˜่ชžใฎ็™บ้Ÿณใซใฏ
12:53
There are several other ways to pronounce this word, and I'm
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ไป–ใซใ‚‚ใ„ใใคใ‹ใฎๆ–นๆณ•ใŒใ‚ใ‚Šใพใ™ ใ€‚
12:55
going to link to a video where I teach that, in the description.
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่ชฌๆ˜Žใฎไธญใงใ€็งใŒใใ‚Œใ‚’ๆ•™ใˆใ‚‹ใƒ“ใƒ‡ใ‚ชใซใƒชใƒณใ‚ฏใ—ใพใ™ใ€‚ Rใ‚’็ทด็ฟ’ใ™ใ‚‹้ƒจๅˆ†
12:59
The last sentence for the part where we practice the R.
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ใฎๆœ€ๅพŒใฎๆ–‡ใงใ™ใ€‚
13:03
Listen.
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่žใ„ใฆใใ ใ•ใ„ใ€‚
13:04
"I've tried really, really, really hard to be your friend."
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ใ€Œ็งใฏ ใ‚ใชใŸใฎๅ‹้”ใซใชใ‚ใ†ใจๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซไธ€็”Ÿๆ‡ธๅ‘ฝๅŠชๅŠ›ใ—ใพใ—ใŸใ€‚ใ€
13:10
Lots of Rs here.
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ใ“ใ“ใซใฏใƒซใƒ”ใƒผใŒใŸใใ•ใ‚“ใ‚ใ‚Šใพใ™ใ€‚
13:12
Okay.
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13:12
'I've tried'.
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ใ‚ใ‹ใฃใŸใ€‚
'็งใฏใ‚‚ใ†่ฉฆใ—ใŸ'ใ€‚
13:14
Pay attention to the R.
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R.
13:16
'really, really, really hard'.
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ใ€Œๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซไธ€็”Ÿๆ‡ธๅ‘ฝใ€ใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚
13:20
Now, she really emphasizes those words, right?
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ไปŠใ€ๅฝผๅฅณใฏๆœฌๅฝ“ใซใใฎ่จ€่‘‰ใ‚’ๅผท่ชฟใ—ใฆใ„ใพใ™ ใ‚ˆใญ๏ผŸ
13:25
And as she does, you can even hear vibrations when she pronounces the R.
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ใใ—ใฆใ€ๅฝผๅฅณใŒใใ†ใ™ใ‚‹ใ‚ˆใ†ใซใ€ ๅฝผๅฅณใŒRใ‚’็™บ้Ÿณใ™ใ‚‹ใจใใฎๆŒฏๅ‹•ใ•ใˆใ‚‚่žใใ“ใจใŒใงใใพใ™.
13:31
"really, really, really".
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ใ€Œๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซใ€.
13:37
That happens when you push the air with a lot of strength.
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ใ“ใ‚Œใฏใ€ๅผทใ„ๅŠ›ใง็ฉบๆฐ—ใ‚’ๆŠผใ—่พผใ‚€ใจใใซ็™บ็”Ÿใ—ใพใ™ ใ€‚
13:40
And the tip of the tongue is almost touching the upper pallet, but not.
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ใใ—ใฆใ€่ˆŒใฎๅ…ˆ็ซฏใฏใปใจใ‚“ใฉ ไธŠใƒ‘ใƒฌใƒƒใƒˆใซ่งฆใ‚Œใฆใ„ใพใ™ใŒใ€ใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
13:44
'really'.
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'ๆœฌๅฝ“'ใ€‚
13:45
Now, usually you don't hear it.
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ใ•ใฆใ€้€šๅธธใฏ่žใ“ใˆใพใ›ใ‚“ใ€‚
13:47
You actually don't want the tongue to be too close to the upper palate.
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ๅฎŸ้š›ใซใฏใ€่ˆŒใŒ ไธŠๅฃ่“‹ใซ่ฟ‘ใฅใใ™ใŽใชใ„ใ‚ˆใ†ใซใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
13:51
But it's interesting to hear that, and that's because how she's using
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ใ—ใ‹ใ—ใ€ใใ‚Œใ‚’่žใใฎใฏ่ˆˆๅ‘ณๆทฑใ„ใ“ใจใงใ™ใ€‚ ใใ‚Œใฏใ€ๅฝผๅฅณใŒใใ‚Œใ‚‰ใฎๅญ้Ÿณใ‚’ไฝฟ็”จใ—ใฆใ€ๅผท่ชฟใ—ใ‚ˆใ†ใจใ—ใฆใ„ใ‚‹ใ“ใจใ‚’ๅผท่ชฟใ—ใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
13:54
those consonants to stress what she's trying to stress or, you know,
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ใพใŸใฏใ€
13:59
as a result of her being angry.
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ๅฝผๅฅณใŒๆ€’ใฃใฆใ„ใ‚‹็ตๆžœใจใ—ใฆ.
14:03
So, back to the sentence: 'I've tried really, really, really hard'.
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ใใ‚Œใงใ€ๆ–‡ใซๆˆปใ‚Šใพใ™:ใ€Œ็งใฏ ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซๆ‡ธๅ‘ฝใซๅŠชๅŠ›ใ—ใพใ—ใŸใ€.
14:09
Round your lips for all these three words and the word 'hard'.
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ใ“ใ‚Œใ‚‰ใฎ 3 ใคใฎๅ˜่ชžใ™ในใฆใจใ€Œใƒใƒผใƒ‰ใ€ใจใ„ใ†ๅ˜่ชžใซๅ”‡ใ‚’ไธธใ‚ใฆใใ ใ•ใ„ใ€‚
14:12
And then: 'to be your friend'.
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ใใ—ใฆใ€ใ€Œใ‚ใชใŸใฎๅ‹้”ใซใชใ‚‹ใ€ใ€‚
14:14
Another R, here we have a cluster - 'friend', 'to be your friend'.
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ๅˆฅใฎRใ€ใ“ใ“ใซใ‚ฏใƒฉใ‚นใ‚ฟใƒผใŒใ‚ใ‚Šใพใ™ -ใ€Œๅ‹้”ใ€ใ€ใ€Œใ‚ใชใŸใฎๅ‹้”ใซใชใ‚‹ใ€ใ€‚
14:19
All right, so in the next part of the scene, I'm going to show you how
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ใงใฏใ€ใ‚ทใƒผใƒณใฎๆฌกใฎ้ƒจๅˆ†ใงใฏ ใ€ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใซใฉใฎใ‚ˆใ†ใซ็„ฆ็‚นใ‚’
14:23
I focus on intonation, and in that more specifically, stressed words.
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ๅฝ“ใฆใฆใ„ใ‚‹ใ‹ใ‚’ใŠ่ฆ‹ใ›ใ—ใพใ™ใ€‚ ๅ…ทไฝ“็š„ใซใฏใ€ๅผท่ชฟใ•ใ‚ŒใŸ่จ€่‘‰ใงใ™ใ€‚
14:28
I call them operative words, the words that drive the meaning forward.
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็งใฏใใ‚Œใ‚‰ใ‚’ไฝœ็”จ่ชžใ€ ๆ„ๅ‘ณใ‚’ๅ‰้€ฒใ•ใ›ใ‚‹่จ€่‘‰ใจๅ‘ผใ‚“ใงใ„ใพใ™ใ€‚
14:33
Those words are usually longer, louder, and higher in pitch.
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ใ“ใ‚Œใ‚‰ใฎๅ˜่ชžใฏ้€šๅธธใ€้•ทใใ€ ๅคงใใใ€้ซ˜้Ÿณใงใ™ใ€‚
14:37
I have a lot of videos explaining the theory behind it and showing
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ใใฎ่ƒŒๅพŒใซใ‚ใ‚‹็†่ซ–ใ‚’่ชฌๆ˜Žใ—ใ€
14:42
you a lot of different examples.
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ใ•ใพใ–ใพใชไพ‹ใ‚’็คบใ™ใƒ“ใƒ‡ใ‚ชใŒใŸใใ•ใ‚“ใ‚ใ‚Šใพใ™ใ€‚
14:43
So I'm going to link to those videos below, but now I'm going to show
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ใใฎใŸใ‚ใ€ไปฅไธ‹ใซใใ‚Œใ‚‰ใฎใƒ“ใƒ‡ใ‚ชใธใฎใƒชใƒณใ‚ฏใ‚’่ฒผใฃใฆใŠใใพใ™ ใŒใ€ใ“ใ“ใงใฏ
14:47
you how to do that when shadowing.
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ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใฎ้š›ใฎๆ–นๆณ•ใ‚’็ดนไป‹ใ—ใพใ™ใ€‚
14:49
So let's continue with a scene.
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ใใ‚Œใงใฏใ€ใ‚ทใƒผใƒณใ‚’็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚
14:50
Now, shifting the focus.
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ใ•ใฆใ€็„ฆ็‚นใ‚’ใšใ‚‰ใ—ใพใ™ใ€‚
14:53
"Always put myself out there."
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ใ€Œๅธธใซใใ“ใซ่‡ชๅˆ†ใ‚’็ฝฎใ„ใฆใใ ใ•ใ„ใ€‚ใ€
14:55
'Always put myself out there'.
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ใ€Œๅธธใซ่‡ชๅˆ†ใ‚’ใ•ใ‚‰ใ‘ๅ‡บใ™ใ€ใ€‚
14:57
So I feel like 'out there' is more stressed.
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ใ ใ‹ใ‚‰ใ€ใ€Œ ใใ“ใซใ„ใ‚‹ใ€ใจใ„ใ†ใ“ใจใŒใ‚ˆใ‚Šๅผท่ชฟใ•ใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใซๆ„Ÿใ˜ใพใ™ใ€‚
15:00
How do I know that?
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ใฉใ†ใ™ใ‚Œใฐใใ‚Œใ‚’็Ÿฅใ‚‹ใ“ใจใŒใงใใพใ™ใ‹?
15:01
Those words are longer, and she raises her pitch: 'out there', 'out there'.
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ใใ‚Œใ‚‰ใฎ่จ€่‘‰ใฏ้•ทใใชใ‚Šใ€ๅฝผๅฅณใฏใƒ”ใƒƒใƒใ‚’ไธŠใ’ใพใ™ ๏ผšใ€Œใใ“ใซใ€ใ€ใ€Œใใ“ใซใ€ใ€‚
15:07
'Always put myself out there'.
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ใ€Œๅธธใซ่‡ชๅˆ†ใ‚’ใ•ใ‚‰ใ‘ๅ‡บใ™ใ€ใ€‚
15:09
Now, if you have a tendency of stressing too many words or keeping everything
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ใ•ใฆใ€ใ‚ใชใŸใŒ ใ‚ใพใ‚Šใซใ‚‚ๅคšใใฎ่จ€่‘‰ใ‚’ๅผท่ชฟใ—ใŸใ‚Šใ€ใ™ในใฆใ‚’
15:15
on the same note, being more monotone, this is a really good exercise for you.
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ๅŒใ˜้Ÿณ้šŽใซ็•™ใ‚ใŸใ‚Šใ™ใ‚‹ๅ‚พๅ‘ใŒใ‚ใ‚Šใ€ใ‚ˆใ‚Šๅ˜่ชฟใซใชใ‚‹ๅ‚พๅ‘ใŒใ‚ใ‚‹ๅ ดๅˆใ€ ใ“ใ‚Œใฏใ‚ใชใŸใซใจใฃใฆๆœฌๅฝ“ใซ่‰ฏใ„็ทด็ฟ’ใงใ™. ่žใ„ใฆใ„ใ‚‹ใ“ใจใ‚’ๅฎŸ้š›ใซใ‚ทใƒฃใƒ‰ใƒผใ‚ขใ‚ฆใƒˆใ™ใ‚‹ใฎใงใฏ
15:19
Because you might be imitating and shadowing and still keeping your
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ใชใใ€ๆจกๅ€ฃใ—ใฆ ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ—ใ€ใใ‚Œใงใ‚‚่‡ชๅˆ†ใฎๅ†…้ƒจใƒ‘ใ‚ฟใƒผใƒณใ‚’็ถญๆŒใ—ใฆใ„ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใ‹ใ‚‰ใงใ™
15:23
own internal patterns rather than actually shadowing what you're hearing.
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ใ€‚
15:28
The brain can play tricks on you.
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่„ณใฏใ‚ใชใŸใซใ„ใŸใšใ‚‰ใ‚’ใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
15:31
So this helps you focus on paying attention to when she raises the
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ใ—ใŸใŒใฃใฆใ€ใ“ใ‚Œใฏใ€ ๅฝผๅฅณใŒใƒ”ใƒƒใƒใ‚’ไธŠใ’ใ‚‹ใจใใซๆณจๆ„ใ‚’ๆ‰•ใ„
15:35
pitch, and doing it yourself.
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ใ€่‡ชๅˆ†ใง่กŒใ†ใ“ใจใซ้›†ไธญใ™ใ‚‹ใฎใซๅฝน็ซ‹ใกใพใ™.
15:38
Let's continue.
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็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚
15:40
"thought of your feelings."
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ใ€Œใ‚ใชใŸใฎๆฐ—ๆŒใกใ‚’่€ƒใˆใพใ—ใŸใ€‚ใ€
15:41
'thought of your feelings'.
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ใ€Œใ‚ใชใŸใฎๆฐ—ๆŒใกใ‚’่€ƒใˆใŸใ€ใ€‚
15:43
'feelings'.
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ใ€Œๆ„Ÿๆƒ…ใ€ใ€‚
15:44
She raises the pitch on 'feelings'.
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ๅฝผๅฅณใฏใ€Œๆ„Ÿๆƒ…ใ€ใงใƒ”ใƒƒใƒใ‚’ไธŠใ’ใพใ™ใ€‚
15:46
That word is more stressed.
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ใใฎ่จ€่‘‰ใŒใ‚ˆใ‚Šๅผท่ชฟใ•ใ‚Œใพใ™ใ€‚
15:48
How do we know?
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ใฉใ†ใ™ใ‚Œใฐใ‚ใ‹ใ‚Šใพใ™ใ‹๏ผŸ
15:49
Whatever comes before that is totally reduced: 'v-y'r.
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ใใฎๅ‰ใซๆฅใ‚‹ใ‚‚ใฎใฏใ™ในใฆ ๅฎŒๅ…จใซๅ‰Šๆธ›ใ•ใ‚Œใพใ™: 'v-y'r.
15:54
'thought'v-y'r feelings'.
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ใ€Œๆ€่€ƒใจๆ„Ÿๆƒ…ใ€ใ€‚
15:55
So we have 'thought' and 'feelings'.
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ใ ใ‹ใ‚‰็งใŸใกใฏใ€Œๆ€่€ƒใ€ใจใ€Œๆ„Ÿๆƒ…ใ€ใ‚’ๆŒใฃใฆใ„ใพใ™ใ€‚
15:58
'thought of your feelings'.
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ใ€Œใ‚ใชใŸใฎๆฐ—ๆŒใกใ‚’่€ƒใˆใŸใ€ใ€‚
15:59
"told people, I know she gives off serial killer vibes."
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ใ€Œไบบใ€…ใซ่จ€ใฃใŸใ€็งใฏๅฝผๅฅณใŒ ้€ฃ็ถšๆฎบไบบ็Šฏใฎ้›ฐๅ›ฒๆฐ—ใ‚’ๆ”พใฃใฆใ„ใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ„ใ‚‹.
16:02
'told people, I know she gives off serial killer vibes'.
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ใ€Œไบบใ€…ใซ่จ€ใฃใŸใ€ๅฝผๅฅณใŒ ้€ฃ็ถšๆฎบไบบ็Šฏใฎ้›ฐๅ›ฒๆฐ—ใ‚’ๆ”พใฃใฆใ„ใ‚‹ใ“ใจใฏ็Ÿฅใฃใฆใ„ใ‚‹ใ€.
16:07
So, 'serial killer', 'serial killer', that is stressed.
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ใ ใ‹ใ‚‰ใ€ใ€Œใ‚ทใƒชใ‚ขใƒซใ‚ญใƒฉใƒผใ€ใ€ใ€Œใ‚ทใƒชใ‚ขใƒซ ใ‚ญใƒฉใƒผใ€ใ€ใใ‚ŒใŒๅผท่ชฟใ•ใ‚Œใฆใ„ใพใ™ใ€‚
16:12
'told people' - that is stressed too.
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ใ€Œไบบใซ่จ€ใฃใŸใ€ - ใใ‚Œใ‚‚ๅผท่ชฟใ•ใ‚Œใฆใ„ใพใ™ใ€‚
16:15
'I know she gives off' - that's kind of reduced because she goes a little
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ใ€Œ็งใฏๅฝผๅฅณใŒๆ”พใคใ“ใจใ‚’็Ÿฅใฃใฆใ„ใพใ™ใ€-ๅฝผๅฅณใฏ ๅฐ‘ใ—
16:20
faster and reduces things inside.
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้€Ÿใใชใ‚Šใ€ๅ†…้ƒจใฎใ‚‚ใฎใ‚’ๆธ›ใ‚‰ใ™ใฎใงใ€ใใ‚Œใฏไธ€็จฎใฎๆธ›ๅฐ‘ใงใ™.
16:22
'I know she gives off serial killer vibes' - stress, stress, stress.
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ใ€ŒๅฝผๅฅณใŒ้€ฃ็ถšๆฎบไบบ็Šฏใฎ้›ฐๅ›ฒๆฐ—ใ‚’็™บใ—ใฆใ„ใ‚‹ใ“ใจใฏ็Ÿฅใฃใฆใ„ใพใ™ ใ€ - ใ‚นใƒˆใƒฌใ‚นใ€ใ‚นใƒˆใƒฌใ‚นใ€ใ‚นใƒˆใƒฌใ‚นใ€‚
16:28
Now, let's take a moment here as we're continuing this practice.
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ใ•ใฆใ€ใ“ใฎ็ทด็ฟ’ใ‚’็ถšใ‘ใฆใ„ใ‚‹ใฎใงใ€ใ“ใ“ใงๅฐ‘ใ—ๆ™‚้–“ใ‚’ๅ–ใฃใฆใฟใพใ—ใ‚‡ใ† ใ€‚
16:33
Notice that when we're doing that, you're only focused on
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็งใŸใกใŒใใ‚Œใ‚’ใ—ใฆใ„ใ‚‹ใจใ ใ€ใ‚ใชใŸใฏใใ‚Œใ‚‰ใฎใ“ใจใ‚’่žใใ“ใจใ ใ‘ใซ้›†ไธญใ—ใฆใ„ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใญ
16:36
hearing those things, right?
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?
16:38
You're only focused on pitch and rhythm and reductions, and you're
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ใƒ”ใƒƒใƒใจใƒชใ‚บใƒ ใจใƒชใƒ€ใ‚ฏใ‚ทใƒงใƒณใ ใ‘ใซ้›†ไธญใ—ใฆใ„ใฆ ใ€
16:43
not thinking about the R, right?
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R ใฎใ“ใจใฏ่€ƒใˆใฆใ„ใพใ›ใ‚“ใ‚ˆใญ๏ผŸ
16:46
And this is just to show you how important it is to be focused on
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ใ“ใ‚Œใฏใ€
16:52
specific things and to be intentional.
320
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็‰นๅฎšใฎใ“ใจใซ้›†ไธญใ—ใ€ๆ„ๅ›ณ็š„ใซๅ–ใ‚Š็ต„ใ‚€ใ“ใจใŒใ„ใ‹ใซ้‡่ฆใ‹ใ‚’็คบใ™ใŸใ‚ใฎใ‚‚ใฎใงใ™ใ€‚
16:54
Because if I were like, "Let's practice the R and let's practice intonation
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ใ€Œ Rใ‚’็ทด็ฟ’ใ—ใฆใ€ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใ‚’็ทด็ฟ’ใ—ใฆ
16:58
and let's practice everything I know about English", it would make
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ใ€ ่‹ฑ่ชžใซใคใ„ใฆ็Ÿฅใฃใฆใ„ใ‚‹ใ“ใจใ‚’ใ™ในใฆ็ทด็ฟ’ใ—ใพใ—ใ‚‡ใ†ใ€ใจ่จ€ใฃใŸใ‚‰ใ€
17:01
it really hard for me to succeed.
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ๆˆๅŠŸใ™ใ‚‹ใฎใŒๆœฌๅฝ“ใซ้›ฃใ—ใใชใ‚‹ใฎใง.
17:04
So when I focus just on melody or just on rhythm or stress words, if I
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ใ ใ‹ใ‚‰ใ€ใƒกใƒญใƒ‡ใ‚ฃใ ใ‘ใ€ ใƒชใ‚บใƒ ใ‚„ใ‚ขใ‚ฏใ‚ปใƒณใƒˆใฎ่จ€่‘‰ใ ใ‘ใซ้›†ไธญใ™ใ‚‹ใจใใ€
17:10
wanna focus on both, it's okay that I don't focus on the other things.
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ไธกๆ–นใซ้›†ไธญใ—ใŸใ„ใฎใชใ‚‰ใ€ ไป–ใฎใ“ใจใซ้›†ไธญใ—ใชใใฆใ‚‚ๅคงไธˆๅคซใงใ™ใ€‚
17:15
Let's continue.
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็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚
17:16
"but she's really just shy".
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ใ€Œใ—ใ‹ใ—ใ€ๅฝผๅฅณใฏๆœฌๅฝ“ใซๆฅใšใ‹ใ—ใŒใ‚Šๅฑ‹ใงใ™ใ€.
17:18
'but she's really just shy'.
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ใ€Œใงใ‚‚ใ€ๅฝผๅฅณใฏๆœฌๅฝ“ใซๆฅใšใ‹ใ—ใŒใ‚Šๅฑ‹ใงใ™ใ€.
17:20
'shy'.
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'ใ‚ทใƒฃใ‚ค'ใ€‚
17:21
"I never asked you to do that."
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ใ€Œ็งใฏใ‚ใชใŸใซใใ†ใ™ใ‚‹ใ‚ˆใ†ใซ้ ผใ‚“ใ ใ“ใจใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ใ€
17:23
'I never asked you to do that'.
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ใ€Œ็งใฏใ‚ใชใŸใซใใ‚Œใ‚’ใ™ใ‚‹ใ‚ˆใ†ใซ้ ผใ‚“ใ ใ“ใจใฏใ‚ใ‚Šใพใ›ใ‚“ใ€.
17:24
asked, do.
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ๅฐ‹ใญใŸใ€ใใ†ใ—ใพใ™ใ€‚
17:26
'I never asked you to do that'.
333
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ใ€Œ็งใฏใ‚ใชใŸใซใใ‚Œใ‚’ใ™ใ‚‹ใ‚ˆใ†ใซ้ ผใ‚“ใ ใ“ใจใฏใ‚ใ‚Šใพใ›ใ‚“ใ€.
17:28
"You didn't have to because that's what friends do."
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ใ€Œใใ‚Œใฏๅ‹้”ใŒใ™ใ‚‹ใ“ใจใ ใ‹ใ‚‰ใ€ใ‚ใชใŸใฏใ™ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸ ใ€‚ใ€
17:30
'You didn't have to because that's what friends do'.
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ใ€Œใใ†ใ™ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸใ€‚ใชใœใชใ‚‰ใ€ ใใ‚Œใฏๅ‹้”ใŒใ™ใ‚‹ใ“ใจใ ใ‹ใ‚‰ใงใ™ใ€.
17:33
have to, that's, friends, do.
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ใ—ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ใ€ใใ‚Œใฏๅ‹้”ใงใ™ใ€‚
17:37
Have you noticed those?
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ใใ‚Œใ‚‰ใซๆฐ—ใฅใใพใ—ใŸใ‹๏ผŸ
17:38
These are the words that are stressed.
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ใ“ใ‚Œใ‚‰ใฏๅผท่ชฟใ•ใ‚Œใฆใ„ใ‚‹่จ€่‘‰ใงใ™ใ€‚
17:40
"You didn't have to because that's what friends do."
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ใ€Œใใ‚Œใฏๅ‹้”ใŒใ™ใ‚‹ใ“ใจใ ใ‹ใ‚‰ใ€ใ‚ใชใŸใฏใ™ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸ ใ€‚ใ€
17:42
By the way, in this script, those words are going to be bigger, so
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ใกใชใฟใซใ€ใ“ใฎใ‚นใ‚ฏใƒชใƒ—ใƒˆใงใฏใ€ใ“ใ‚Œใ‚‰ใฎ ๅ˜่ชžใŒๅคงใใใชใ‚‹ใฎใงใ€
17:46
it shows you the difference between the words that are stressed versus
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ๅผท่ชฟใ•ใ‚Œใฆใ„ใ‚‹ๅ˜่ชžใจ
17:50
the words that are less stressed.
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ๅผท่ชฟใ•ใ‚Œใฆใ„ใชใ„ๅ˜่ชžใฎ้•ใ„ใŒใ‚ใ‹ใ‚Šใพใ™ใ€‚ ่ชฌๆ˜Žใ‹ใ‚‰็„กๆ–™
17:52
You can download it for free in the description.
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ใงใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใงใใพใ™ ใ€‚
17:55
"They don't have to be asked".
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ใ€Œๅฝผใ‚‰ใฏๅฐ‹ใญใ‚‰ใ‚Œใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€ใ€‚
17:57
'They don't have to be asked'.
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ใ€Œๅฝผใ‚‰ใฏๅฐ‹ใญใ‚‰ใ‚Œใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€ใ€‚
17:59
have, to be asked.
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ๆŒใฃใฆใ„ใ‚‹ใ€ๅฐ‹ใญใ‚‰ใ‚Œใ‚‹ใ€‚
18:02
'They don't have to be asked'.
347
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ใ€Œๅฝผใ‚‰ใฏๅฐ‹ใญใ‚‰ใ‚Œใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€ใ€‚
18:04
And 'don't' is someone stressed as well.
348
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ใใ—ใฆใ€ใ€Œใ—ใชใ„ใงใใ ใ•ใ„ใ€ใฏใ€ใ‚นใƒˆใƒฌใ‚นใ‚’ๆ„Ÿใ˜ใฆใ„ใ‚‹ไบบใงใ‚‚ใ‚ใ‚Šใพใ™ใ€‚
18:06
So I'm gonna say that again, focusing on those stressed words.
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ใงใ™ใ‹ใ‚‰ใ€ ๅผท่ชฟใ•ใ‚ŒใŸ่จ€่‘‰ใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใฆใ€ใ‚‚ใ†ไธ€ๅบฆ่จ€ใ„ใพใ™ใ€‚
18:09
'They don't have to be asked'.
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ใ€Œๅฝผใ‚‰ใฏๅฐ‹ใญใ‚‰ใ‚Œใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€ใ€‚
18:12
"And the fact that you don't know that says everything."
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ใ€Œใใ—ใฆใ€ใ‚ใชใŸใŒ็Ÿฅใ‚‰ใชใ„ใจใ„ใ†ไบ‹ๅฎŸใŒ ใ™ในใฆใ‚’็‰ฉ่ชžใฃใฆใ„ใพใ™ใ€‚ใ€
18:14
'And the fact that you don't know that says everything'.
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ใ€Œใใ—ใฆใ€ใ‚ใชใŸใŒ็Ÿฅใ‚‰ใชใ„ใจใ„ใ†ไบ‹ๅฎŸใŒ ใ™ในใฆใ‚’็‰ฉ่ชžใฃใฆใ„ใพใ™ใ€. ใ“ใฎๆ–‡ใฎ
18:18
What do you think the stressed words are in this sentence?
353
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ๅผท่ชฟใ•ใ‚ŒใŸๅ˜่ชžใฏไฝ•ใ ใจๆ€ใ„ใพใ™ใ‹ ?
18:23
I'm gonna let you figure that out.
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็งใฏใ‚ใชใŸใซใใ‚Œใ‚’็†่งฃใ•ใ›ใพใ™ใ€‚
18:25
And of course, the answers are in the PDF that you can download.
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ใใ—ใฆใ‚‚ใกใ‚ใ‚“ใ€็ญ”ใˆใฏ ใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใงใใ‚‹ PDF ใซใ‚ใ‚Šใพใ™ใ€‚
18:30
All right, so to conclude, shadowing is a technique where you repeat
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็ต่ซ–ใจใ—ใฆใ€ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใจใฏใ€
18:35
a person speaking, ideally, when you have the text in front of you.
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็†ๆƒณ็š„ใซใฏใ€ใƒ†ใ‚ญใ‚นใƒˆใŒ็›ฎใฎๅ‰ใซใ‚ใ‚‹ใจใใซใ€่ฉฑใ—ใฆใ„ใ‚‹ไบบใ‚’็นฐใ‚Š่ฟ”ใ™ใƒ†ใ‚ฏใƒ‹ใƒƒใ‚ฏใงใ™ ใ€‚
18:39
And to make that practice effective, you wanna be intentional.
358
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ใใ—ใฆใ€ใใฎ็ทด็ฟ’ใ‚’ๅŠนๆžœ็š„ใซใ™ใ‚‹ใŸใ‚ใซ ใ€ใ‚ใชใŸใฏๆ„ๅ›ณ็š„ใซใชใ‚ŠใŸใ„.
18:43
And by being intentional, that means that you're focusing on one, two,
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ๆ„ๅ›ณ็š„ใงใ‚ใ‚‹ใจใ„ใ†ใ“ใจใฏใ€ใ‚ทใƒฃใƒ‰ใƒผใ‚คใƒณใ‚ฐใ‚’ใ—ใฆใ„ใ‚‹ใจใใซใ€ 1 ใคใ€2 ใคใ€ใ‚ใ‚‹ใ„ใฏ 3 ใคใฎใ“ใจใซ้›†ไธญใ—ใฆใ„ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™
18:47
maybe three things as you're shadowing.
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ใ€‚
18:50
So you only focus on that.
361
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ใ ใ‹ใ‚‰ใ‚ใชใŸใฏใใ‚Œใ ใ‘ใซ้›†ไธญใ—ใพใ™ใ€‚
18:53
And then you can also read the same text focusing on other
362
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ใใ—ใฆใ€ ๅŒใ˜ใƒ†ใ‚ญใ‚นใƒˆใ‚’ไป–ใฎใ“ใจใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใฆ่ชญใ‚“ใง
18:57
things, and then gradually start putting everything together.
363
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ใ€ๅพใ€…ใซ ใ™ในใฆใ‚’ใพใจใ‚ๅง‹ใ‚ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚
19:01
And by the way, you know how I learned that?
364
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ใจใ“ใ‚ใงใ€็งใŒ ใฉใ†ใ‚„ใฃใฆใใ‚Œใ‚’ๅญฆใ‚“ใ ใ‹็Ÿฅใฃใฆใ„ใพใ™ใ‹๏ผŸ
19:03
When I was in acting school, I had to work on my accent, I had to work on my acting,
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ๆผ”ๅŠ‡ๅญฆๆ กใซ้€šใฃใฆใ„ใŸใจใใ€ ใ‚ขใ‚ฏใ‚ปใƒณใƒˆใ‚„ๆผ”ๆŠ€ใ€
19:08
I had to work on a specific dialect.
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็‰นๅฎšใฎๆ–น่จ€ใซๅ–ใ‚Š็ต„ใพใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“ใงใ—ใŸใ€‚
19:10
And I noticed that if I just tried to read through the text again and
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ใใ—ใฆใ€ ใƒ†ใ‚ญใ‚นใƒˆใ‚’ไฝ•ๅบฆใ‚‚ไฝ•
19:15
again and again, it would be really hard for me to actually get it right.
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ๅบฆใ‚‚้€š่ชญใ—ใ‚ˆใ†ใจใ™ใ‚‹ใจใ€ ๅฎŸ้š›ใซๆญฃใ—ใ็†่งฃใ™ใ‚‹ใฎใฏ้žๅธธใซ้›ฃใ—ใ„ใ“ใจใซๆฐ—ใฅใใพใ—ใŸ.
19:19
So every time I would read it once I would focus just on pronunciation.
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ใใฎใŸใ‚ใ€ไธ€ๅบฆ่ชญใ‚€ใŸใณใซใ€ ็™บ้Ÿณใ ใ‘ใซ้›†ไธญใ—ใฆใ„ใพใ—ใŸใ€‚
19:22
Then another time just on the TH as that used to be a challenge for me.
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ใใ‚Œใ‹ใ‚‰ใ€ไปฅๅ‰ใฏ ็งใซใจใฃใฆๆŒ‘ๆˆฆใ ใฃใŸใฎใงใ€THใงๅˆฅใฎๆ™‚้–“ใ€‚
19:28
And then another time I would repeat it, just focusing on intonation and rhythm.
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ใใ—ใฆใ€ ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใจใƒชใ‚บใƒ ใ ใ‘ใซ็„ฆ็‚นใ‚’ๅˆใ‚ใ›ใฆใ€ใ‚‚ใ†ไธ€ๅบฆ็นฐใ‚Š่ฟ”ใ—ใพใ—ใŸใ€‚
19:32
And then once more, focusing on the intention and the
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ใใ—ใฆใ‚‚ใ†ไธ€ๅบฆใ€
19:35
objective of the character.
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ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฎๆ„ๅ›ณใจ็›ฎ็š„ใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใพใ™ใ€‚
19:37
Now, the work that I have done prior would start showing up as I started
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ไปŠใ€็ทด็ฟ’ใซใƒฌใ‚คใƒคใƒผใ‚’่ฟฝๅŠ ใ—ๅง‹ใ‚ใ‚‹ใจใ€ไปฅๅ‰ใซ่กŒใฃใŸไฝœๆฅญใŒ ็พใ‚Œๅง‹ใ‚ใพใ™
19:42
adding more layers to my practice.
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ใ€‚
19:44
So, I have done that when working on texts as an actress.
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ใ ใ‹ใ‚‰ใ€ๅฅณๅ„ชใจใ—ใฆๆ–‡็ซ ใ‚’ๆ›ธใใจใใฏใใ†ใ—ใฆใใพใ—ใŸ ใ€‚
19:49
And I actually think that a lot of this work is extremely
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ๅฎŸ้š›ใ€ ใ“ใฎไฝœๆฅญใฎๅคšใใฏใ€
19:52
valuable when practicing English.
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่‹ฑ่ชžใ‚’็ทด็ฟ’ใ™ใ‚‹ไธŠใง้žๅธธใซไพกๅ€คใŒใ‚ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚
19:54
Because at the end of the day, when learning pronunciation, what you really
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็ตๅฑ€ใฎใจใ“ใ‚ใ€ ็™บ้Ÿณใ‚’ๅญฆใถใจใใ€ใ‚ใชใŸใŒๅฎŸ้š›ใซ่กŒใฃใฆใ„ใ‚‹ใฎใฏใ€
19:58
do is you are assuming someone else's characteristics of speech โ€“ intonation,
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ไป–ไบบใฎ ใ‚นใƒ”ใƒผใƒใฎ็‰นๅพด (ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใ€
20:04
rhythm, stress, pronunciation โ€“ and you're making them your own.
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ใƒชใ‚บใƒ ใ€ๅผทๅ‹ขใ€็™บ้Ÿณ) ใ‚’ๆƒณๅฎšใ—ใฆใŠใ‚Šใ€ ใใ‚Œใ‚‰ใ‚’่‡ชๅˆ†ใฎใ‚‚ใฎใซใ—ใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
20:08
So this is why all the exercises that I bring to you from my experience as
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ใงใ™ใ‹ใ‚‰ใ€ ็งใŒๅฅณๅ„ชใจใ—ใฆใฎ็ตŒ้จ“ใ‹ใ‚‰ใ‚ใชใŸใซๆไพ›ใ™ใ‚‹ใ™ในใฆใฎใ‚จใ‚ฏใ‚ตใ‚ตใ‚คใ‚บใฏ
20:12
an actress are, I believe, very, very valuable for the work that you do.
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ใ€ใ‚ใชใŸใฎไป•ไบ‹ใซใจใฃใฆ้žๅธธใซไพกๅ€คใŒใ‚ใ‚‹ใจ็งใฏไฟกใ˜ใฆใ„ใพใ™ .
20:18
All right, that's it.
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20:18
If you enjoyed this episode, consider subscribing to my channel
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ใ‚ˆใ—ใ€ใใ‚Œใ ใ‘ใ ใ€‚
ใ“ใฎใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใ‚’ๆฅฝใ—ใ‚“ใ ๅ ดๅˆใฏใ€ ็งใฎใƒใƒฃใƒณใƒใƒซใ‚’่ณผ่ชญใ—ใฆใ€
20:22
and sharing it with your friends and colleagues and students.
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ๅ‹ไบบ ใ€ๅŒๅƒšใ€ๅญฆ็”Ÿใจๅ…ฑๆœ‰ใ™ใ‚‹ใ“ใจใ‚’ๆคœ่จŽใ—ใฆใใ ใ•ใ„.
20:26
And that's it.
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ไปฅไธŠใงใ™ใ€‚
20:27
Have a beautiful, beautiful rest of the day.
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็พŽใ—ใ ็พŽใ—ใ„ๆฎ‹ใ‚Šใฎไธ€ๆ—ฅใ‚’ใŠ้Žใ”ใ—ใใ ใ•ใ„ใ€‚
20:29
And I'll see you next week in the next video.
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ใพใŸ ๆฅ้€ฑใ€ๆฌกใฎใƒ“ใƒ‡ใ‚ชใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚
20:32
Bye.
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ใ•ใ‚ˆใชใ‚‰ใ€‚
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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