Do You Hate Your Voice in English?

32,960 views ใƒป 2021-09-28

Accent's Way English with Hadar


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
Do you hate your voice?
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่‡ชๅˆ†ใฎๅฃฐใŒๅซŒใ„ใงใ™ใ‹๏ผŸ
00:03
Or do you have a lot of opinions about how your voice sounds?
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ใใ‚Œใจใ‚‚ใ€ ่‡ชๅˆ†ใฎๅฃฐใŒใฉใฎใ‚ˆใ†ใซ่žใ“ใˆใ‚‹ใ‹ใซใคใ„ใฆๅคšใใฎๆ„่ฆ‹ใŒใ‚ใ‚Šใพใ™ใ‹?
00:07
Or maybe you think that you need to change your voice to sound
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ใใ‚Œใจใ‚‚ใ€่‹ฑ่ชžใ‚’่ฉฑใ™ใจใใ€ ่‡ชๅˆ†ใฎๅฃฐใ‚’ใ‚‚ใฃใจ
00:10
more American, or British, or Australian when speaking English?
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ใ‚ขใƒกใƒชใ‚ซไบบใ€ใ‚คใ‚ฎใƒชใ‚นไบบใ€ใพใŸใฏ ใ‚ชใƒผใ‚นใƒˆใƒฉใƒชใ‚ขไบบใซ่žใ“ใˆใ‚‹ใ‚ˆใ†ใซๅค‰ใˆใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ใจๆ€ใ„ใพใ™ใ‹?
00:15
If that's the case for you, and you feel that you are not happy with how
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ใ‚‚ใ—ใ‚ใชใŸใŒใใ†ใงใ€
00:19
you sound in English or in your native language, then this video is for you.
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่‹ฑ่ชžใ‚„ๆฏๅ›ฝ ่ชžใงใฎ่‡ชๅˆ†ใฎ็™บ้Ÿณใซๆบ€่ถณใ—ใฆใ„ใชใ„ใจๆ„Ÿใ˜ใฆใ„ใ‚‹ใชใ‚‰ใ€ใ“ใฎใƒ“ใƒ‡ใ‚ชใฏใ‚ใชใŸใฎใŸใ‚ใฎใ‚‚ใฎใงใ™.
00:24
Because today we are going to talk about the voice.
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ไปŠๆ—ฅใฏ ๅฃฐใซใคใ„ใฆ่ฉฑใ™ใ‹ใ‚‰ใงใ™ใ€‚
00:27
We're going to talk about how it is formed and created.
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ใใ‚ŒใŒใฉใฎใ‚ˆใ†ใซๅฝขๆˆใ•ใ‚Œใ€ไฝœๆˆใ•ใ‚Œใ‚‹ใ‹ใซใคใ„ใฆ่ฉฑใ—ใพใ™ใ€‚
00:31
And then we're going to talk about placement and answer the question whether
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ๆฌกใซใ€้…็ฝฎใซใคใ„ใฆ่ฉฑใ—ใ€
00:34
or not English has a specific placement.
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่‹ฑ่ชžใซ็‰นๅฎšใฎ้…็ฝฎใŒใ‚ใ‚‹ใ‹ใฉใ†ใ‹ใจใ„ใ†่ณชๅ•ใซ็ญ”ใˆใพใ™.
00:37
And then finally, I'm going to give you a few tips on how to find your
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ใใ—ใฆๆœ€ๅพŒใซใ€
00:42
optimal voice, where your voice is most comfortable at and most expressive.
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่‡ชๅˆ†ใฎๅฃฐใŒๆœ€ใ‚‚ ๅฟƒๅœฐใ‚ˆใใ€ๆœ€ใ‚‚่กจ็พๅŠ›่ฑŠใ‹ใชๆœ€้ฉใชๅฃฐใ‚’่ฆ‹ใคใ‘ใ‚‹ๆ–นๆณ•ใซใคใ„ใฆใ€ใ„ใใคใ‹ใฎใƒ’ใƒณใƒˆใ‚’็ดนไป‹ใ—ใพใ™ใ€‚
00:47
And you don't need to work hard to be heard.
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ใใ—ใฆใ€่žใใŸใ‚ใซไธ€็”Ÿๆ‡ธๅ‘ฝๅƒใๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ ใ€‚
00:50
And maybe, maybe you'll start liking your voice and even loving your voice.
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ใใ—ใฆใ€ใ‚‚ใ—ใ‹ใ—ใŸใ‚‰ใ€ ่‡ชๅˆ†ใฎๅฃฐใŒๅฅฝใใซใชใ‚Šใ€่‡ชๅˆ†ใฎๅฃฐใ‚’ๆ„›ใ™ใ‚‹ใ‚ˆใ†ใซใชใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚
00:56
Are you ready for that?
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ใใฎๆบ–ๅ‚™ใฏใงใใฆใ„ใพใ™ใ‹๏ผŸ
00:58
I mean, are you ready ready for that?
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ใคใพใ‚Šใ€ใใฎๆบ–ๅ‚™ใฏใงใใฆใ„ใพใ™ใ‹๏ผŸ
01:00
Okay.
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ใ‚ใ‹ใฃใŸใ€‚
01:01
I hope so.
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ใใ†ใ ใจใ„ใ„ใ€‚
01:02
So let's get started.
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ใใ‚Œใงใฏๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€‚
01:03
By the way, if you're new to my channel, then hi.
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ใจใ“ใ‚ใงใ€ ็งใฎใƒใƒฃใƒณใƒใƒซใŒๅˆใ‚ใฆใฎๆ–นใฏใ€ใ“ใ‚“ใซใกใฏใ€‚
01:05
My name is Hadar.
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็งใฎๅๅ‰ใฏใƒใƒ€ใƒผใงใ™ใ€‚
01:06
I'm a non-native speaker of English, and I am here to help you feel amazing
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็งใฏ่‹ฑ่ชžใ‚’ๆฏๅ›ฝ่ชžใจใ—ใชใ„ใฎใงใ€ใ‚ใชใŸใŒ
01:12
when speaking English in your own voice, speaking authentic English.
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่‡ชๅˆ†ใฎๅฃฐใง่‹ฑ่ชžใ‚’่ฉฑใ™ใจใ ใ€ๆœฌ็‰ฉใฎ่‹ฑ่ชžใ‚’่ฉฑใ™ใจใใซ็ด ๆ™ดใ‚‰ใ—ใ„ๆฐ—ๅˆ†ใซใชใ‚‹ใฎใ‚’ๅŠฉใ‘ใ‚‹ใŸใ‚ใซใ“ใ“ใซใ„ใพใ™.
01:16
And authenticity is definitely something that we talk about when we
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ใใ—ใฆใ€่‹ฑ่ชžใงใฎใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใซใคใ„ใฆ่ฉฑใ™ใจใใ€ไฟก้ ผๆ€งใฏ้–“้•ใ„ใชใ ็งใŸใกใŒ่ฉฑใ™ใ‚‚ใฎใงใ™
01:21
talk about communicating in English.
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.
01:23
And definitely, when we talk about the voice.
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ใใ—ใฆ้–“้•ใ„ใชใใ€ ๅฃฐใซใคใ„ใฆ่ฉฑใ™ใจใใ€‚ ็งใซใคใ„ใฆ
01:25
And if you want to find out more about me, then you can find me at
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ใ‚‚ใฃใจ็Ÿฅใ‚ŠใŸใ„ๅ ดๅˆใฏ ใ€
01:29
hadarshemesh.com, that's my website.
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็งใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใงใ‚ใ‚‹ hadarshemesh.com ใง็งใ‚’่ฆ‹ใคใ‘ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
01:32
And I have a lot of free resources to help you get to where you want to be
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ใพใŸใ€่‹ฑ่ชžใฎๆ—…ใซ้–ขใ—ใฆใฏใ€ใ‚ใชใŸใŒใชใ‚ŠใŸใ„ๅ ดๆ‰€ใซใŸใฉใ‚Š็€ใใฎใซๅฝน็ซ‹ใค็„กๆ–™ใฎใƒชใ‚ฝใƒผใ‚นใŒใŸใใ•ใ‚“ใ‚ใ‚Šใพใ™
01:37
when it comes to your English journey.
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.
01:40
Oh, and you can also follow me on Instagram at @hadar.accentsway.
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ใ‚ใ‚ใ€Instagram @hadar.accentsway ใง็งใ‚’ใƒ•ใ‚ฉใƒญใƒผใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ ใ€‚
01:43
So let's talk about the voice.
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ใใ‚Œใงใฏใ€ๅฃฐใซใคใ„ใฆใŠ่ฉฑใ—ใพใ—ใ‚‡ใ†ใ€‚
01:45
Why is it so important?
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ใชใœใใ‚“ใชใซ้‡่ฆใชใฎใงใ™ใ‹๏ผŸ ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใซใŠใ„ใฆใ€
01:47
The voice is such a fundamental element when it comes to communication.
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ๅฃฐใฏใจใฆใ‚‚้‡่ฆใช ่ฆ็ด ใงใ™ใ€‚
01:52
And not just in English, in your native language as well.
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่‹ฑ่ชžใ ใ‘ใงใชใใ€ ๆฏๅ›ฝ่ชžใงใ‚‚ใ€‚
01:54
The voice is the first thing that people hear.
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ๅฃฐใฏ ไบบใŒๆœ€ๅˆใซ่žใใ‚‚ใฎใงใ™ใ€‚
01:57
And a lot of times, people form an opinion about someone based on
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ใใ—ใฆๅคšใใฎๅ ดๅˆใ€ไบบใฏ
02:02
the sound of their voice before even hearing what they have to say.
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่‡ชๅˆ†ใฎ็™บ่จ€ใ‚’่žใๅ‰ใซใ€ๅฃฐใฎ้ŸฟใใซๅŸบใฅใ„ใฆ่ชฐใ‹ใซใคใ„ใฆๆ„่ฆ‹ใ‚’่ฟฐในใพใ™ ใ€‚
02:06
And we all do that, by the way.
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ใกใชใฟใซใ€็งใŸใกใฏ็š†ใใ†ใ—ใฆใ„ใพใ™ใ€‚
02:09
Whether or not we like this person, or we feel like we can't trust them, we are
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ใ“ใฎไบบใŒๅฅฝใใ‹ใฉใ†ใ‹ใ€ใพใŸใฏ ไฟก้ ผใงใใชใ„ใจๆ„Ÿใ˜ใฆใ„ใ‚‹ใ‹ใฉใ†ใ‹ใซใ‹ใ‹ใ‚ใ‚‰ใšใ€็งใŸใกใฏ
02:14
engaged or bored when listening to them.
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ๅฝผใ‚‰ใฎ่ฉฑใ‚’่žใ„ใฆใ„ใ‚‹ใจใใซๅคขไธญใซใชใฃใŸใ‚Š้€€ๅฑˆใ—ใŸใ‚Šใ—ใพใ™.
02:18
And even beyond this idea of, you know, how you are being
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ใใ—ใฆใ€
02:23
perceived when you speak.
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ใ‚ใชใŸใŒ่ฉฑใ—ใฆใ„ใ‚‹ใจใใซใ‚ใชใŸใŒใฉใฎใ‚ˆใ†ใซ่ช่ญ˜ใ•ใ‚Œใฆใ„ใ‚‹ใ‹ใจใ„ใ†ใ“ใฎ่€ƒใˆใ‚’่ถ…ใˆใฆใ•ใˆ.
02:24
Because it's definitely not about that.
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ใใ‚Œใฏ้–“้•ใ„ใชใใใ‚Œใซใคใ„ใฆใงใฏใชใ„ใ‹ใ‚‰ใงใ™ใ€‚ ใใ‚Œใฏใ€
02:28
It's more about you feeling comfortable and confident with your voice.
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ใ‚ใชใŸใŒ ่‡ชๅˆ†ใฎๅฃฐใซๅฟƒๅœฐใ‚ˆใ่‡ชไฟกใ‚’ๆŒใฃใฆใ„ใ‚‹ใ“ใจใงใ™ใ€‚
02:33
Because a lot of times I hear my students saying that they don't like their voice.
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็”Ÿๅพ’ใŸใกใŒ ่‡ชๅˆ†ใฎๅฃฐใŒๆฐ—ใซๅ…ฅใ‚‰ใชใ„ใจ่จ€ใฃใฆใ„ใ‚‹ใฎใ‚’ใ‚ˆใ่€ณใซใ™ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
02:38
And even that they hate their voice, which is a horrible experience.
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ใใ—ใฆใ€ๅฝผใ‚‰ใŒ่‡ชๅˆ†ใฎๅฃฐใ‚’ๅซŒใฃใฆใ„ใ‚‹ใ“ใจใงใ•ใˆใ€ ใใ‚Œใฏๆใ‚ใ—ใ„็ตŒ้จ“ใงใ™.
02:43
Because your voice is how you speak.
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ใ‚ใชใŸใฎๅฃฐใฏใ‚ใชใŸใฎ่ฉฑใ—ๆ–นใ ใ‹ใ‚‰ใงใ™ใ€‚
02:45
It's like you hear it all the time.
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ใ„ใคใ‚‚่žใ„ใฆใ„ใ‚‹ใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚
02:47
And if you don't like it, and if you even hate it, then you probably don't like
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ใ‚‚ใ—ใใ‚ŒใŒๆฐ—ใซๅ…ฅใ‚‰ใชใ‹ใฃใŸใ‚Šใ€ ๅซŒใ„ใ ใฃใŸใ‚Šใ™ใ‚‹ใชใ‚‰ใ€
02:52
anything that comes out of your mouth.
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ๅฃใ‹ใ‚‰ๅ‡บใฆใใ‚‹ใ‚‚ใฎใฏใŠใใ‚‰ใๅฅฝใใงใฏใชใ„ใงใ—ใ‚‡ใ†ใ€‚
02:55
Or you constantly feel that other people feel the same thing.
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ใพใŸใฏใ€ ไป–ใฎไบบใ‚‚ๅŒใ˜ใ“ใจใ‚’ๆ„Ÿใ˜ใฆใ„ใ‚‹ใจๅธธใซๆ„Ÿใ˜ใฆใ„ใพใ™ใ€‚
02:59
And they don't like your voice, and they have the same opinions
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ๅฝผใ‚‰ใฏใ‚ใชใŸใฎๅฃฐใŒๅฅฝใใงใฏใชใใ€ใ‚ใชใŸใจ ๅŒใ˜ๆ„่ฆ‹ใ‚’ๆŒใฃใฆใ„ใพใ™
03:02
about your voice as you do.
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ใ€‚
03:04
Which is not the case by the way, but it doesn't help our self-esteem, and
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ใจใ“ใ‚ใงใ€ใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ ใใ‚Œใฏ็งใŸใกใฎ่‡ชๅฐŠๅฟƒใ€
03:08
it doesn't help our confidence, and it doesn't help our communication abilities.
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่‡ชไฟกใ€ ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณ่ƒฝๅŠ›ใฎๅŠฉใ‘ใซใฏใชใ‚Šใพใ›ใ‚“.
03:13
Also, when you know how to use your voice, you feel a lot more expressive.
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ใพใŸใ€ๅฃฐใฎไฝฟใ„ๆ–นใ‚’็Ÿฅใฃใฆใ„ใ‚‹ใจ ใ€่กจ็พๅŠ›ใŒ่ฑŠใ‹ใซใชใ‚Šใพใ™ใ€‚
03:19
You feel like you're able to express an idea in a compelling way.
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่ชฌๅพ—ๅŠ›ใฎใ‚ใ‚‹ๆ–นๆณ•ใงใ‚ขใ‚คใƒ‡ใ‚ขใ‚’่กจ็พใงใใ‚‹ใ‚ˆใ†ใซๆ„Ÿใ˜ใพใ™ใ€‚
03:24
You can express your feelings, and when you think about things
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่‡ชๅˆ†ใฎๆฐ—ๆŒใกใ‚’่กจ็พใงใใ‚‹ใ—ใ€
03:28
without using words - right?
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่จ€่‘‰ใ‚’ไฝฟใ‚ใšใซ็‰ฉไบ‹ใ‚’่€ƒใˆใ‚‹ใจใใงใ™ใ‚ˆใญ๏ผŸ
03:31
- by using your tone or your intonation.
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- ใ‚ใชใŸใฎใƒˆใƒผใƒณใ‚„ใ‚คใƒณใƒˆใƒใƒผใ‚ทใƒงใƒณใ‚’ไฝฟใฃใฆใ€‚
03:36
And all of that is a skill - using your voice.
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ใใ—ใฆใ€ใใ‚Œใฏใ™ในใฆใ‚นใ‚ญใƒซใงใ™ - ใ‚ใชใŸใฎๅฃฐใ‚’ไฝฟใ†ใ“ใจใงใ™ใ€‚
03:39
You just need to understand how it works.
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ใใ‚ŒใŒใฉใฎใ‚ˆใ†ใซๆฉŸ่ƒฝใ™ใ‚‹ใ‹ใ‚’็†่งฃใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
03:41
And unfortunately, no one teaches that.
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ใใ—ใฆๆฎ‹ๅฟตใชใ“ใจใซใ€่ชฐใ‚‚ใใ‚Œใ‚’ๆ•™ใˆใฆใ„ใพใ›ใ‚“ใ€‚
03:44
I mean, you're born learning how to speak, so that's it.
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ใคใพใ‚Šใ€ใ‚ใชใŸใฏ่ฉฑใ™ๆ–นๆณ•ใ‚’ๅญฆใ‚“ใง็”Ÿใพใ‚ŒใฆใใŸใฎใง ใ€ใใ‚Œใ ใ‘ใงใ™ใ€‚
03:48
But then with time, we learned to manipulate the voice.
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ใ—ใ‹ใ—ใ€ๆ™‚้–“ใŒ็ตŒใคใซใคใ‚Œใฆใ€ ๅฃฐใ‚’ๆ“ไฝœใ™ใ‚‹ใ“ใจใ‚’ๅญฆใณใพใ—ใŸใ€‚ ๅฃฐใŒ
03:52
Maybe we have opinions about being too loud or being too
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ๅคงใใ™ใŽใ‚‹ใ€ๅฐใ•ใ™ใŽใ‚‹ใ€
03:55
quiet, or speaking a certain way.
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ใพใŸใฏ็‰นๅฎšใฎ่ฉฑใ—ๆ–นใซใคใ„ใฆๆ„่ฆ‹ใŒใ‚ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚
03:59
Or if I want to sound American, I need to be higher in pitch, or lower
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ใพใŸใฏใ€ใ‚ขใƒกใƒชใ‚ซไบบใฎใ‚ˆใ†ใซ่žใ“ใˆใŸใ„ๅ ดๅˆใฏใ€ ใƒ”ใƒƒใƒใ‚’้ซ˜ใใ™ใ‚‹ใ‹ใ€ใƒ”ใƒƒใƒใ‚’ไฝŽใใ™ใ‚‹ใ‹ใ€
04:02
in pitch, or louder, or softer.
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ๅคงใใใ™ใ‚‹ใ‹ใ€ๆŸ”ใ‚‰ใ‹ใใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™.
04:05
So all of these ideas that we have about how we should sound causes to manipulate
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ใ—ใŸใŒใฃใฆใ€ใฉใฎใ‚ˆใ†ใซ่žใ“ใˆใ‚‹ใ‹ใซใคใ„ใฆ็งใŸใกใŒๆŒใฃใฆใ„ใ‚‹ใ“ใ‚Œใ‚‰ใ™ในใฆใฎใ‚ขใ‚คใƒ‡ใ‚ขใฏใ€็งใŸใกใฎๅฃฐใ‚’ ๆ“ไฝœใ™ใ‚‹ๅŽŸๅ› ใจใชใ‚Š
04:11
our voice, sometimes not to our advantage.
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ใ€ๆ™‚ใซใฏ็งใŸใกใฎๅˆฉ็›Šใซใชใ‚‰ใชใ„.
04:14
No, I'm not saying that you can't use your voice in a better
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ใ„ใ„ใˆใ€็งใฏ ใ‚ใชใŸใฎๅฃฐใ‚’ใ‚ˆใ‚Š่‰ฏใ„
04:18
way, in a more optimal way.
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ๆ–นๆณ•ใ€ใ‚ˆใ‚Šๆœ€้ฉใชๆ–นๆณ•ใงไฝฟ็”จใงใใชใ„ใจ่จ€ใฃใฆใ„ใ‚‹ใฎใงใฏใ‚ใ‚Šใพใ›ใ‚“.
04:21
But you want to understand what is right for you and what is healthy for you.
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ใ—ใ‹ใ—ใ€ไฝ•ใŒ ่‡ชๅˆ†ใซใจใฃใฆๆญฃใ—ใ„ใฎใ‹ใ€ไฝ•ใŒๅฅๅบทใชใฎใ‹ใ‚’็†่งฃใ—ใŸใ„ใฎใงใ™ใ€‚
04:24
And also learn that the way you sound is probably how you need to
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ใพใŸใ€ใ‚ใชใŸใฎ ใ‚ตใ‚ฆใƒณใƒ‰ใฏใŠใใ‚‰ใใ‚ใชใŸใŒๅฟ…่ฆใจใ—ใฆใ„ใ‚‹
04:30
sound, and be comfortable with that.
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ใ‚ตใ‚ฆใƒณใƒ‰ใงใ‚ใ‚‹ใ“ใจใ‚’ๅญฆใณใ€ใใ‚Œใซๆ…ฃใ‚Œใฆใใ ใ•ใ„ใ€‚
04:33
Even if it's not this idea or ideal that you have about the voice.
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ใ‚ใชใŸใŒๅฃฐใซใคใ„ใฆๆŒใฃใฆใ„ใ‚‹ใฎใŒใ“ใฎ่€ƒใˆใ‚„็†ๆƒณใงใชใใฆใ‚‚ใ€‚
04:40
So let's begin by understanding how the voice works.
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ใใ‚Œใงใฏใ€ๅฃฐใฎไป•็ต„ใฟใ‚’็†่งฃใ™ใ‚‹ใ“ใจใ‹ใ‚‰ๅง‹ใ‚ใพใ—ใ‚‡ใ† ใ€‚
04:43
So, the voice needs three elements to exist.
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ใคใพใ‚Šใ€ๅฃฐใŒ ๅญ˜ๅœจใ™ใ‚‹ใŸใ‚ใซใฏ 3 ใคใฎ่ฆ็ด ใŒๅฟ…่ฆใงใ™ใ€‚
04:47
One is the power source or the energy, and that is the breath.
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ไธ€ใคใฏๅŠ›ใฎๆบใ€ ใ‚จใƒใƒซใ‚ฎใƒผใงใ‚ใ‚Šใ€ใใ‚ŒใŒๆฏใงใ™ใ€‚
04:54
Without breath, there is no voice.
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ๆฏใŒใชใ‘ใ‚Œใฐใ€ๅฃฐใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
04:56
Then we need the vibrator where the voice is actually created, and that is
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ๆฌกใซใ€ ๅฃฐใŒๅฎŸ้š›ใซไฝœๆˆใ•ใ‚Œใ‚‹ใƒใ‚คใƒ–ใƒฌใƒผใ‚ฟใƒผใŒๅฟ…่ฆใงใ™ใ€‚ใใ‚Œใฏใ€ใ“ใ“ใซใ‚ใ‚‹
05:01
the vocal folds or vocal chords that are right here, I'll talk about that in a sec.
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ๅฃฐๅธฏใพใŸใฏๅฃฐๅธฏใงใ™ ใ€‚ใ“ใ‚Œใซใคใ„ใฆใฏใ€ๅพŒใง่ชฌๆ˜Žใ—ใพใ™ใ€‚
05:07
And then we need the resonators - the space for the voice to enhance,
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ใใ—ใฆใ€ใƒฌใ‚พใƒใƒผใ‚ฟใƒผใŒๅฟ…่ฆใงใ™ใ€‚ใ“ใ‚Œใฏใ€ ๅฃฐใ‚’ๅผทๅŒ–ใ—ใ€ใ‚ˆใ‚Š
05:13
and become stronger and louder.
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ๅผทใใ€ใ‚ˆใ‚Šๅคงใใใ™ใ‚‹ใŸใ‚ใฎใ‚นใƒšใƒผใ‚นใงใ™ใ€‚
05:16
So, we start with a breath, we need to inhale.
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ใ ใ‹ใ‚‰ใ€็งใŸใกใฏๆฏใ‚’ๅธใ„่พผใ‚€ใ“ใจใ‹ใ‚‰ๅง‹ใ‚ใพใ™ ใ€‚
05:21
And the more breath you have and the deeper the breath is,
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ใใ—ใฆใ€ๆฏใŒๅคšใใชใ‚Šใ€ ๆฏใŒๆทฑใใชใ‚Œใฐใชใ‚‹ใปใฉใ€
05:25
the stronger the voice is.
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ๅฃฐใฏๅผทใใชใ‚Šใพใ™ใ€‚
05:26
Think about it, that's the energy source.
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่€ƒใˆใฆใฟใฆใใ ใ•ใ„ใ€ใใ‚ŒใŒใ‚จใƒใƒซใ‚ฎใƒผๆบใงใ™ใ€‚
05:28
So, if you tend to take shallow breaths, let's say, just to your chest, or very
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ใ—ใŸใŒใฃใฆใ€ๆต…ใ„ๅ‘ผๅธใ‚’ใ™ใ‚‹ๅ‚พๅ‘ใŒใ‚ใ‚‹ๅ ดๅˆใ€ ใŸใจใˆใฐใ€่ƒธใ ใ‘ใงๅ‘ผๅธใ—ใŸใ‚Šใ€้žๅธธใซ
05:35
short breaths, then you're not going to have enough power to support your voice.
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็Ÿญใ„ๅ‘ผๅธใ‚’ใ—ใŸใ‚Šใ™ใ‚‹ใจใ€ ๅฃฐใ‚’ใ‚ตใƒใƒผใƒˆใ™ใ‚‹ใฎใซๅๅˆ†ใชๅŠ›ใŒๅพ—ใ‚‰ใ‚Œใพใ›ใ‚“.
05:41
So breath is such an important element when it comes to using your optimal voice.
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ใ—ใŸใŒใฃใฆใ€ๆœ€้ฉใชๅฃฐใ‚’ๅ‡บใ™ใซใฏใ€ๅ‘ผๅธใŒ้žๅธธใซ้‡่ฆใช่ฆ็ด ใงใ™ ใ€‚
05:48
I recommend practicing belly breathing.
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่…นๅผๅ‘ผๅธใฎ็ทด็ฟ’ใ‚’ใŠๅ‹งใ‚ใ—ใพใ™ใ€‚
05:51
Now, I'm going to link to a few videos that teach you how to do that.
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ใ“ใ“ใงใ€ ใใฎๆ–นๆณ•ใ‚’่ชฌๆ˜Žใ™ใ‚‹ใ„ใใคใ‹ใฎใƒ“ใƒ‡ใ‚ชใซใƒชใƒณใ‚ฏใ—ใพใ™ใ€‚
05:55
But if you've ever done yoga or meditation, you should know what belly
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ใ—ใ‹ใ—ใ€ใƒจใ‚ฌใ‚„็ž‘ๆƒณใ‚’ใ—ใŸใ“ใจใŒใ‚ใ‚‹ใชใ‚‰ ใ€่…นๅผๅ‘ผๅธใจใฏไฝ•ใ‹ใ€่ƒธใงใฏใชใ่…นใงๆฏใ‚’ๅธใ†ๅ ดๆ‰€ใ‚’็ŸฅใฃใฆใŠใๅฟ…่ฆใŒใ‚ใ‚Šใพใ™
06:01
breathing is, where you breathe into your belly and not into your chest.
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ใ€‚
06:05
In fact, I have a full interview that I've conducted with a friend of mine about
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ๅฎŸ้š›ใ€็งใฏๅ‹ไบบใซๆฏใซใคใ„ใฆ่กŒใฃใŸๅฎŒๅ…จใชใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใ‚’ๆŒใฃใฆใ„ใพใ™
06:09
breath, and I'm going to link to it below.
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ใ€‚ไปฅไธ‹ใซใƒชใƒณใ‚ฏใ‚’ๅผตใฃใฆใŠใใพใ—ใ‚‡ใ†ใ€‚
06:12
So, to make a long story short, you want to practice belly breathing and to breathe
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ใคใพใ‚Šใ€็ฐกๅ˜ใซ่จ€ใ†ใจใ€ ่…นๅผๅ‘ผๅธใ‚’็ทด็ฟ’ใ—ใฆ
06:18
into your belly, so you have more breath in your body every time you take a breath.
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่…นใซๆฏใ‚’ๅนใ่พผใฟใŸใ„ใฎใงใ€ๆฏใ‚’ๅธใ† ใŸใณใซไฝ“ใซใ‚‚ใฃใจๆฏใŒๅ…ฅใ‚Šใพใ™ใ€‚
06:23
Okay.
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ใ‚ใ‹ใฃใŸใ€‚
06:24
So you take a breath, you expand, and then you exhale it or you release it.
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ๆฏใ‚’ๅธใฃใฆใ€ๅบƒใ’ใฆใ€ๆฏใ‚’ ๅใใ‹ใ€ๆ”พใ—ใพใ™ใ€‚
06:29
And the breath goes through the vocal cords.
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ใใ—ใฆๆฏใฏ ๅฃฐๅธฏใ‚’้€šใ‚Šใพใ™ใ€‚
06:33
Now, the vocal chords are right here inside the vocal
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ใ•ใฆใ€ๅฃฐๅธฏใฏใ€
06:38
box, also called the larynx.
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ๅ–‰้ ญใจใ‚‚ๅ‘ผใฐใ‚Œใ‚‹ๅฃฐๅธฏใฎไธญใซใ‚ใ‚Šใพใ™ใ€‚
06:41
And the vocal box is right here.
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ใใ—ใฆใƒœใƒผใ‚ซใƒซใƒœใƒƒใ‚ฏใ‚นใฏใ“ใ“ใซใ‚ใ‚Šใพใ™ใ€‚
06:42
You can feel that little bump here.
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ใ“ใ“ใงๅฐใ•ใช้š†่ตทใ‚’ๆ„Ÿใ˜ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
06:44
For men it's more noticeable.
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็”ทๆ€งใฎๅ ดๅˆใ€ใใ‚Œใฏใ‚ˆใ‚Š้ก•่‘—ใงใ™ใ€‚
06:46
And you can put your fingers here and even hum, you can feel it moving.
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ใ“ใ“ใซๆŒ‡ใ‚’็ฝฎใ„ใฆ ใƒใƒŸใƒณใ‚ฐใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚ๅ‹•ใใ‚’ๆ„Ÿใ˜ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
06:52
A lot of vibrations.
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ๆŒฏๅ‹•ใŒๅคšใ„ใ€‚
06:54
And the breath passes between the vocal cords, that are muscles that
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ใใ—ใฆๆฏใฏๅฃฐๅธฏใฎ้–“ใ‚’้€šใ‚Š ใ€
06:58
open and close the vocal cords.
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ๅฃฐๅธฏใ‚’้–‹้–‰ใ™ใ‚‹็ญ‹่‚‰ใงใ™ใ€‚
07:00
And the vocal chords vibrate and create this sound.
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ใใ—ใฆๅฃฐๅธฏใŒๆŒฏๅ‹•ใ—ใฆ ใ“ใฎ้Ÿณใ‚’ไฝœใ‚Šๅ‡บใ—ใพใ™ใ€‚
07:05
The sound is not very loud when it's created in the larynx.
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ๅ–‰้ ญใงไฝœใ‚‰ใ‚Œใ‚‹้Ÿณใฏใใ‚Œใปใฉๅคงใใใ‚ใ‚Šใพใ›ใ‚“ใ€‚
07:10
And the vocal chords vibrate.
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ใใ—ใฆๅฃฐๅธฏใŒๆŒฏๅ‹•ใ™ใ‚‹ใ€‚
07:13
And when the frequency is really high, when they vibrate really
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ใใ—ใฆใ€ๅ‘จๆณขๆ•ฐใŒ้žๅธธใซ ้ซ˜ใ„ใจใใ€ๆŒฏๅ‹•ใŒ้žๅธธใซ้€Ÿใ„ใจใใฏ
07:17
fast, the pitch is higher.
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ใ€ใƒ”ใƒƒใƒใŒ้ซ˜ใใชใ‚Šใพใ™ใ€‚
07:21
And when they vibrate a little slower, then the pitch is lower.
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ใใ—ใฆใ€ๆŒฏๅ‹•ใŒๅฐ‘ใ—้…ใใชใ‚‹ใจ ใ€ใƒ”ใƒƒใƒใŒไฝŽใใชใ‚Šใพใ™ใ€‚
07:27
Now, the voice then moves up the vocal tract and start
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ๆฌกใซใ€ๅฃฐใฏ ๅฃฐ้“ใ‚’ไธŠใฃใฆใ€
07:32
resonating in different spaces.
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ใ•ใพใ–ใพใช็ฉบ้–“ใงๅ…ฑ้ณดใ—ๅง‹ใ‚ใพใ™ใ€‚
07:35
So, for the voice to enhance and to become louder, it needs to
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ใใฎใŸใ‚ใ€ๅฃฐใŒๅผท่ชฟใ•ใ‚Œใฆ ๅคงใใใชใ‚‹ใŸใ‚ใซใฏใ€ไฝ•ใ‚‚
07:41
bounce around in an empty space.
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ใชใ„็ฉบ้–“ใง่ทณใญ่ฟ”ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
07:44
Now let's think, what are the empty spaces that we have in our mouth or face?
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ใงใฏใ€ ็งใŸใกใฎๅฃใ‚„้ก”ใซใ‚ใ‚‹็ฉบใใ‚นใƒšใƒผใ‚นใฏไฝ•ใงใ™ใ‹๏ผŸ
07:49
We have the throat right behind the vocal box.
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ๅ–‰ใฏ ๅฃฐๅธฏใฎใ™ใๅพŒใ‚ใซใ‚ใ‚Šใพใ™ใ€‚
07:55
It's called the pharynx - the throat itself.
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ใใ‚Œใฏๅ’ฝ้ ญใจๅ‘ผใฐใ‚Œใพใ™ - ๅ–‰ใใฎใ‚‚ใฎใงใ™ใ€‚
08:01
The back of the throat.
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ๅ–‰ใฎๅฅฅใ€‚
08:03
The mouth itself, that's a big space.
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ๅฃ่‡ชไฝ“ใ€ใใ‚Œใฏๅคงใใช็ฉบ้–“ใงใ™ใ€‚
08:06
So this is why when you open your mouth for the open vowel sounds,
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ใ“ใ‚ŒใŒใ€
08:09
for example: 'ah' and 'aa', you create more space inside your mouth
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ใŸใจใˆใฐใ€Œใ‚ใƒผใ€ใ‚„ใ€Œใ‚ใƒผใ€ใชใฉใฎ้–‹ๆ”พๆฏ้Ÿณใ‚’่žใใŸใ‚ใซๅฃใ‚’้–‹ใใจใ€ ๅฃใฎไธญใซ
08:16
for the voice to vibrate, which changes the quality of the sound.
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ๅฃฐใŒๆŒฏๅ‹•ใ™ใ‚‹ใŸใ‚ใฎ็ฉบ้–“ใŒใงใใ€ ้Ÿณใฎ่ณชใŒๅค‰ๅŒ–ใ™ใ‚‹็†็”ฑใงใ™ใ€‚
08:19
Right?
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ๅณ๏ผŸ
08:20
So when you drop your jaw and you create more space in your mouth,
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ใใฎใŸใ‚ใ€้กŽใ‚’ไธ‹ใ’ใฆ ๅฃใฎไธญใซ็ฉบ้–“ใ‚’ไฝœใ‚‹ใจใ€
08:23
your voice is usually a little louder because it has more room to vibrate.
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ๆŒฏๅ‹•ใ™ใ‚‹ไฝ™ๅœฐใŒๅข—ใˆใ‚‹ใŸใ‚ใ€้€šๅธธใ€ๅฃฐใฏๅฐ‘ใ—ๅคงใใใชใ‚Šใพใ™ใ€‚
08:28
More places for the voice to vibrate: we said the mouth, right?
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ๅฃฐใŒๆŒฏๅ‹•ใ™ใ‚‹ๅ ดๆ‰€ใŒๅข—ใˆใพใ—ใŸ : ๅฃใจ่จ€ใ„ใพใ—ใŸใ‚ˆใญ?
08:34
Nose.
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้ผปใ€‚
08:37
Nasal passages.
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้ผป่…”ใ€‚
08:40
Now the sound waves are created here, but then they move around the body,
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้Ÿณๆณขใฏใ“ใ“ใงไฝœใ‚‰ใ‚Œใพใ™ ใŒใ€ไฝ“ใฎๅ‘จใ‚Šใ‚’็งปๅ‹•ใ—ใ€
08:48
and they bounce against hard elements.
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็กฌใ„่ฆ็ด ใซใถใคใ‹ใฃใฆ่ทณใญ่ฟ”ใ‚Šใพใ™ใ€‚
08:53
In our case, the bones, right?
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็งใŸใกใฎๅ ดๅˆใ€้ชจใงใ™ใ‚ˆใญ๏ผŸ
08:56
We have the cheekbones, and the skull, and the chest - chest bones, the ribs.
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้ ฌ้ชจใ€้ ญ่“‹้ชจใ€ ่ƒธใ€่ƒธ้ชจใ€่‚‹้ชจใŒใ‚ใ‚Šใพใ™ใ€‚
09:04
So these are bones that also vibrate with the voice.
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ใ“ใ‚Œใ‚‰ใฏ ๅฃฐใจใจใ‚‚ใซๆŒฏๅ‹•ใ™ใ‚‹้ชจใงใ‚‚ใ‚ใ‚Šใพใ™ใ€‚
09:08
Now, lower notes, lower frequencies, tend to vibrate with the chest bone.
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็พๅœจใ€ไฝŽใ„้Ÿณใ€ไฝŽใ„ๅ‘จๆณขๆ•ฐใฏใ€ ่ƒธใฎ้ชจใจไธ€็ท’ใซๆŒฏๅ‹•ใ™ใ‚‹ๅ‚พๅ‘ใŒใ‚ใ‚Šใพใ™ใ€‚
09:16
So the chest tends to vibrate with lower notes, while the head and the
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ใใฎใŸใ‚ใ€่ƒธ้ƒจใฏไฝŽใ„้ŸณใงๆŒฏๅ‹•ใ™ใ‚‹ๅ‚พๅ‘ใŒใ‚ใ‚Š ใ€้ ญใจ
09:22
cheekbones and all the parts here tend to vibrate with higher notes.
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้ ฌ้ชจใ€ใŠใ‚ˆใณใ“ใ“ใฎใ™ในใฆใฎ้ƒจๅˆ†ใฏ ้ซ˜ใ„้ŸณใงๆŒฏๅ‹•ใ™ใ‚‹ๅ‚พๅ‘ใŒใ‚ใ‚Šใพใ™ใ€‚
09:30
Where your voice is at, whether it's your chest, or your mouth, or your
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่ƒธใ€ๅฃใ€้ผป
09:35
nose, or your head, that's your vocal placement - where you place your voice.
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ใ€้ ญใชใฉใ€ใ‚ใชใŸใฎๅฃฐใŒใฉใ“ใซใ‚ใ‚‹ใ‹ใ€ใใ‚ŒใŒใ‚ใชใŸใฎๅฃฐใฎ ้…็ฝฎใงใ™ - ใ‚ใชใŸใŒๅฃฐใ‚’ๅ‡บใ™ๅ ดๆ‰€ใงใ™ใ€‚
09:43
And when it resonates and enhanced.
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ใใ—ใฆใใ‚ŒใŒๅ…ฑ้ณดใ—ใฆๅผทๅŒ–ใ•ใ‚ŒใŸใจใใ€‚
09:47
Okay?
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09:47
So it resonates in the spaces, but it's enhanced by adding higher
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ใ‚ใ‹ใฃใŸ๏ผŸ
ใงใ™ใ‹ใ‚‰ใ€็ฉบ้–“ใซ้Ÿฟใใพใ™ ใŒใ€้ซ˜ใ„้Ÿณใ‚’่ฟฝๅŠ ใ™ใ‚‹ใ“ใจใงๅผทๅŒ–ใ•ใ‚Œใพใ™ใญ
09:52
notes, right, like that high pitch.
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ใ€‚
09:54
And then it's more head voice and mask resonance.
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ใใ—ใฆใ€ใใ‚Œใฏใ•ใ‚‰ใซ้ ญใฎ ๅฃฐใจใƒžใ‚นใ‚ฏใฎๅ…ฑ้ณดใงใ™ใ€‚
09:58
Or if you add lower notes, and then it's more chest voice, and that's
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ใพใŸใฏใ€ไฝŽใ„้Ÿณใ‚’่ฟฝๅŠ ใ™ใ‚‹ใจใ€ ใ‚ˆใ‚Š่ƒธใฎใ‚ใ‚‹ๅฃฐใซใชใ‚Šใ€
10:03
a deeper quality of the voice.
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ๅฃฐใฎ่ณชใŒใ‚ˆใ‚Šๆทฑใใชใ‚Šใพใ™ใ€‚
10:06
Now, a lot of times people talk about English as if it has a certain placement.
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ใ•ใฆใ€ๅคšใใฎๅ ดๅˆใ€ไบบใ€…ใฏ ่‹ฑ่ชžใซใคใ„ใฆใ€ใ‚ใŸใ‹ใ‚‚็‰นๅฎšใฎไฝ็ฝฎไป˜ใ‘ใŒใ‚ใ‚‹ใ‹ใฎใ‚ˆใ†ใซ่ฉฑใ—ใพใ™ใ€‚
10:13
A language doesn't have a placement, people have placement.
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่จ€่ชžใซ้…็ฝฎใฏใ‚ใ‚Šใพใ›ใ‚“ใŒ ใ€ไบบใซใฏ้…็ฝฎใŒใ‚ใ‚Šใพใ™ใ€‚
10:18
And here's the thing, I might use my placement differently, based on what I'm
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ใใ—ใฆใ€ใ“ใ‚ŒใŒๅ•้กŒใงใ™ใ€‚ ็งใŒ
10:23
saying or the context of the situation.
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่จ€ใฃใฆใ„ใ‚‹ใ“ใจใ‚„็Šถๆณใฎใ‚ณใƒณใƒ†ใ‚ญใ‚นใƒˆใซๅŸบใฅใ„ใฆใ€้…็ฝฎใ‚’ๅˆฅใฎๆ–นๆณ•ใงไฝฟ็”จใ™ใ‚‹ๅ ดๅˆใŒใ‚ใ‚Šใพใ™.
10:26
For example, If I'm speaking to my friend on the phone and I want to be funny or
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ใŸใจใˆใฐใ€้›ป่ฉฑใงๅ‹้”ใจ่ฉฑใ—ใฆใ„ใ‚‹ใจใใ€ ็ฌ‘ใฃใŸใ‚Š
10:34
sarcastic, I might just go lower in pitch.
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็šฎ่‚‰ใ‚’่จ€ใฃใŸใ‚Šใ—ใŸใ„ๅ ดๅˆใฏใ€ใƒ”ใƒƒใƒใ‚’ไธ‹ใ’ใ‚‹ใ ใ‘ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚
10:37
If I want to be flirting with them, I'm going to go to my lower notes.
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ๅฝผใ‚‰ใจใ‚คใƒใƒฃใ‚คใƒใƒฃใ—ใŸใ„ๅ ดๅˆใฏใ€ ไธ‹ใฎใƒŽใƒผใƒˆใซ็งปๅ‹•ใ—ใพใ™ใ€‚
10:43
And then if I need to call my friend from across the street, I might move to my
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ใใ—ใฆใ€้€šใ‚Šใฎๅ‘ใ“ใ†ๅดใ‹ใ‚‰ๅ‹้”ใซ้›ป่ฉฑใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ๅ ดๅˆใฏ ใ€ใƒžใ‚นใ‚ฏใฎๅ…ฑ้ณดใซ็งปๅ‹•ใ—ใฆใ€็งใฎๅฃฐใŒ
10:49
mask resonance so they hear me better.
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ใ‚ˆใ่žใ“ใˆใ‚‹ใ‚ˆใ†ใซใ™ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“.
10:51
"Hey, how are you doing?"
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"ใ‚„ใ‚ใ€่ชฟๅญใฏใฉใ†ใงใ™ใ‹๏ผŸ"
10:54
Or sometimes I might use my head voice.
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ใพใŸใฏใ€้ ญใฎๅฃฐใ‚’ไฝฟใ†ใ“ใจใ‚‚ใ‚ใ‚Šใพใ™ใ€‚
10:58
"What?
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10:58
What are you talking about?
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ใ€Œใชใซ๏ผŸ
ใชใซ่จ€ใฃใฆใ‚‹ใฎ๏ผŸ
11:00
No way!"
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ใพใ•ใ‹๏ผใ€
11:01
Right?
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ๅณ๏ผŸ
11:02
And I use that to express an emotion and my tone.
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ใใ—ใฆใ€ใใ‚Œใ‚’ไฝฟใฃใฆ ๆ„Ÿๆƒ…ใจ่‡ชๅˆ†ใฎใƒˆใƒผใƒณใ‚’่กจ็พใ—ใพใ™ใ€‚
11:07
So we constantly shift between placements based on the situation,
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ใใฎใŸใ‚ใ€ ็Šถๆณใ€
11:12
based on our tone of voice, and based on what we want to say.
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ๅฃฐใฎใƒˆใƒผใƒณใ€ ่จ€ใ„ใŸใ„ใ“ใจใซๅŸบใฅใ„ใฆใ€้…็ฝฎใ‚’ๅธธใซๅˆ‡ใ‚Šๆ›ฟใˆใพใ™ใ€‚
11:17
Also, every person has their own natural placement, where their
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ใพใŸใ€ไบบใซใฏใใ‚Œใžใ‚Œใ€่‡ชๅˆ†ใฎ
11:23
voice is most comfortable at.
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ๅฃฐใŒๆœ€ใ‚‚ๅฟซ้ฉใช่‡ช็„ถใชไฝ็ฝฎใŒใ‚ใ‚Šใพใ™ใ€‚
11:26
For some people it's a little lower, for some people it's a little higher.
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ไบบใซใ‚ˆใฃใฆใฏๅฐ‘ใ—ไฝŽใใ€ ไบบใซใ‚ˆใฃใฆใฏๅฐ‘ใ—้ซ˜ใใชใ‚Šใพใ™ใ€‚
11:31
Because this is also the structure of your vocal chords and how thick they
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ใ“ใ‚Œใฏใ€ๅฃฐๅธฏใฎๆง‹้€  ใจๅŽšใ•
11:35
are, and the shape of your mouth.
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ใ€ๅฃใฎๅฝขใงใ‚‚ใ‚ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
11:38
So, you definitely don't want to compare yourself to someone else
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ใงใ™ใ‹ใ‚‰ใ€
11:42
when you're exploring the voice, but you might want to take some elements
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ๅฃฐใ‚’ๆŽขๆฑ‚ใ—ใฆใ„ใ‚‹ใจใใซ่‡ชๅˆ†ใ‚’ไป–ใฎไบบใจๆฏ”่ผƒใ—ใŸใใชใ„ใฎใฏ้–“้•ใ„ใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ๅฃฐใฎไฝฟใ„ๆ–นใ‚„่กจ็พๅŠ›ใซใคใ„ใฆ ใ„ใใคใ‹ใฎ่ฆ็ด ใ‚’ๅ–ใ‚Šๅ…ฅใ‚ŒใŸใ„ใจๆ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
11:45
about how they use their voice maybe, or how expressive they are.
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.
11:50
And not try to imitate someone else's voice, because it might not
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ใพใŸใ€่‡ชๅˆ†ใฎ ๅฃฐใจไธ€่‡ดใ—ใชใ„ๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใŸใ‚ใ€ไป–ไบบใฎ
11:54
be aligned with your own voice.
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ๅฃฐใ‚’็œŸไผผใ—ใ‚ˆใ†ใจใ—ใชใ„ใงใใ ใ•ใ„ใ€‚
11:57
People have different voices.
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ไบบใซใฏใ•ใพใ–ใพใชๅฃฐใŒใ‚ใ‚Šใพใ™ใ€‚
11:59
So you want to understand what feels right for you, what feels
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ใงใ™ใ‹ใ‚‰ใ€ ่‡ชๅˆ†ใซใจใฃใฆไฝ•ใŒๆญฃใ—ใ„ใจๆ„Ÿใ˜ใ‚‹ใ‹ใ€
12:05
right when you are using your voice.
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่‡ชๅˆ†ใฎๅฃฐใ‚’ไฝฟใฃใฆใ„ใ‚‹ใจใใซไฝ•ใŒๆญฃใ—ใ„ใจๆ„Ÿใ˜ใ‚‹ใ‹ใ‚’็†่งฃใ—ใŸใ„ใฎใงใ™ใ€‚
12:07
And how can you use your voice so that you are effortless and expressive.
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ใฉใ†ใ™ใ‚Œใฐๅฃฐใ‚’ไฝฟใฃใฆ ๆฅฝใซ่กจ็พๅŠ›ใ‚’็™บๆฎใงใใ‚‹ใงใ—ใ‚‡ใ†ใ‹ใ€‚
12:12
That is the most important thing.
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ใใ‚ŒใŒๆœ€ใ‚‚้‡่ฆใชใ“ใจใงใ™ใ€‚ ๆ„ๅ›ณใ—ใฆใ„ใŸๅฃฐใ‚„ๆ€ใฃใฆใ„ใŸๅฃฐใ‚ˆใ‚Šใ‚‚
12:14
Even if it's a little higher than what you had intended it to be or
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ๅฐ‘ใ—้ซ˜ใใฆใ‚‚
12:19
what you had thought that your voice should sound like, or even when it's
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ใ€ๆ€ใฃใฆใ„ใŸใ‚ˆใ‚Šใ‚‚
12:23
lower than what you had planned.
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ไฝŽใใฆใ‚‚ใ€‚
12:26
Right?
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ๅณ๏ผŸ
12:27
So, the most important thing is to be connected with your
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ใงใ™ใ‹ใ‚‰ใ€ๆœ€ใ‚‚้‡่ฆใชใ“ใจใฏใ€ ่‡ชๅˆ†ใฎ
12:30
voice and with your sound.
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ๅฃฐใ‚„้ŸณใจใคใชใŒใ‚‹ใ“ใจใงใ™ใ€‚
12:33
Now, how do you find that optimal voice?
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ใงใฏใ€ใใฎๆœ€้ฉใชๅฃฐใ‚’ใฉใฎใ‚ˆใ†ใซ่ฆ‹ใคใ‘ใพใ™ใ‹?
12:36
Here's the thing.
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ใคใพใ‚Šใญใ€‚ ใพใšใ€
12:37
Let's begin with the fact that if your voice is too high or too low, you're
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ๅฃฐใŒ้ซ˜ใ™ใŽใŸใ‚ŠไฝŽใ™ใŽใŸใ‚Šใ™ใ‚‹ใจใ€้ŠใณใŒๅฐ‘ใชใใชใ‚‹ใŸใ‚ใ€
12:42
going to be a little less expressive because you'll have less play.
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่กจ็พๅŠ›ใŒๅฐ‘ใ—ไฝŽไธ‹ใ™ใ‚‹ใจใ„ใ†ไบ‹ๅฎŸใ‹ใ‚‰ๅง‹ใ‚ใพใ—ใ‚‡ใ† ใ€‚
12:45
English is a very varied language.
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่‹ฑ่ชžใฏ้žๅธธใซๅคšๆง˜ใช่จ€่ชžใงใ™ใ€‚
12:47
You use your pitch continuously, whether it's about going up or going
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12:52
down when trying to say something, or up when you want to stress something.
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ไฝ•ใ‹ใ‚’่จ€ใŠใ†ใจใ—ใฆใ„ใ‚‹ใจใใ€ใพใŸใฏ ไฝ•ใ‹ใ‚’ๅผท่ชฟใ—ใŸใ„ใจใใซไธŠใŒใฃใฆใ„ใ‚‹ใ‹ใฉใ†ใ‹ใซ้–ขไฟ‚ใชใใ€ใƒ”ใƒƒใƒใ‚’็ถ™็ถš็š„ใซไฝฟ็”จใ—ใพใ™ใ€‚
12:56
And you always hear this melody going up and down.
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ใใ—ใฆใ€ใ‚ใชใŸใฏใ„ใคใ‚‚ใ“ใฎใƒกใƒญใƒ‡ใ‚ฃใƒผใŒไธŠไธ‹ใ™ใ‚‹ใฎใ‚’่žใ„ใฆใ„ใพใ™ .
13:01
And if you stuck down here, there's very little room for you to be
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ใใ—ใฆใ€ใ“ใ“ใง็ซ‹ใกๅพ€็”Ÿใ—ใฆใ„ใ‚‹ใจใ€
13:04
expressive with your voice, and to express your feelings and emotions; and
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ๅฃฐใง่กจ็พใ—ใŸใ‚Šใ€ ๆ„Ÿๆƒ…ใ‚„ๆ„Ÿๆƒ…ใ‚’่กจ็พใ—ใŸใ‚Šใ™ใ‚‹ไฝ™ๅœฐใŒใปใจใ‚“ใฉใชใใชใ‚Šใพใ™ใ€‚
13:09
even to deliver your message clearly.
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ใƒกใƒƒใ‚ปใƒผใ‚ธใ‚’ๆ˜Ž็ขบใซไผใˆใ‚‹ใŸใ‚ใซใ‚‚ใ€‚
13:12
Same thing if you're stuck up here and you're not using your voice a lot, and
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ใ‚ใชใŸใŒใ“ใ“ใง็ซ‹ใกๅพ€็”Ÿใ—ใฆใ„ใฆใ€ ๅฃฐใ‚’ใ‚ใพใ‚ŠไฝฟใฃใฆใŠใ‚‰ใšใ€
13:17
you're not playing with your pitch.
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ใƒ”ใƒƒใƒใง้Šใ‚“ใงใ„ใชใ„ๅ ดๅˆใ‚‚ๅŒใ˜ใงใ™.
13:18
That's also preventing you from a very essential element of communication.
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ใใ‚ŒใฏใพใŸใ€ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใฎ้žๅธธใซ้‡่ฆใช่ฆ็ด ใ‹ใ‚‰ใ‚ใชใŸใ‚’ๅฆจใ’ใฆใ„ใพใ™ .
13:23
So ideally, you want to use your middle voice.
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็†ๆƒณ็š„ใซใฏใ€ ใƒŸใƒ‰ใƒซใƒœใ‚คใ‚นใ‚’ไฝฟ็”จใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚
13:27
And your middle voice, by the way, is usually the place where
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ใจใ“ใ‚ใงใ€ใ‚ใชใŸใฎไธญ้–“ใฎๅฃฐใฏใ€ ้€šๅธธใ€
13:31
your voice is most comfortable at.
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ใ‚ใชใŸใฎๅฃฐใŒๆœ€ใ‚‚ๅฟซ้ฉใชๅ ดๆ‰€ใงใ™.
13:33
And it's called the optimum pitch level.
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ใใ—ใฆใใ‚Œใฏๆœ€้ฉใชใƒ”ใƒƒใƒใƒฌใƒ™ใƒซใจๅ‘ผใฐใ‚Œใพใ™ใ€‚
13:35
I've already discussed it on another video where I talk about changing
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13:39
your voice in English, and I'm going to link to that video below if you'd
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่‹ฑ่ชžใงใ‚ใชใŸใฎๅฃฐใ‚’ๅค‰ใˆใ‚‹ใ“ใจใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹ๅˆฅใฎใƒ“ใƒ‡ใ‚ชใงใ€ใ™ใงใซ ใใ‚Œใซใคใ„ใฆ่ฉฑใ—ใพใ—ใŸ. ๅฃฐใซใคใ„ใฆใ‚‚ใฃใจ็Ÿฅใ‚ŠใŸใ„ๅ ดๅˆใฏใ€ไปฅไธ‹ใฎใƒ“ใƒ‡ใ‚ชใซใƒชใƒณใ‚ฏใ—ใพใ™
13:42
like to learn more about the voice.
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.
13:44
And I have also a video about fun exercises that you can do to feel
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ใพใŸใ€่‡ชๅˆ†ใฎๅฃฐใ‚’ใ‚ˆใ‚Šใƒ‘ใƒฏใƒ•ใƒซใซๆ„Ÿใ˜ใ‚‹ใŸใ‚ใซใงใใ‚‹ๆฅฝใ—ใ„ใ‚จใ‚ฏใ‚ตใ‚ตใ‚คใ‚บใซใคใ„ใฆใฎใƒ“ใƒ‡ใ‚ชใ‚‚ใ‚ใ‚Šใพใ™
13:49
more powerful with your voice.
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ใ€‚
13:52
But back to our story.
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ใ—ใ‹ใ—ใ€็งใŸใกใฎ่ฉฑใซๆˆปใ‚Šใพใ—ใ‚‡ใ†ใ€‚
13:53
What is the optimum voice, the optimum pitch level?
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ๆœ€้ฉใชๅฃฐใ€ ๆœ€้ฉใชใƒ”ใƒƒใƒใƒฌใƒ™ใƒซใจใฏ๏ผŸ
13:57
Your optimum pitch level is, like I said, the place where your voice is
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็งใŒ่จ€ใฃใŸใ‚ˆใ†ใซใ€ใ‚ใชใŸใฎๆœ€้ฉใชใƒ”ใƒƒใƒใƒฌใƒ™ใƒซใฏ ใ€ใ‚ใชใŸใฎๅฃฐใŒ
14:03
most comfortable at and most effortless.
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ๆœ€ใ‚‚ๅฟซ้ฉใงใ€ๆœ€ใ‚‚ๆฅฝใชๅ ดๆ‰€ใงใ™.
14:06
And that is the place where you hum.
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ใใ—ใฆใ€ใใ‚Œใฏใ‚ใชใŸใŒใƒใƒŸใƒณใ‚ฐใ™ใ‚‹ๅ ดๆ‰€ใงใ™ใ€‚
14:08
'Mmmmm'.
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ใ€Œใ†ใƒผใ‚“ใ€ใ€‚
14:11
Your hum is usually your optimum pitch level.
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้€šๅธธใ€ใƒใƒ ใฏ ๆœ€้ฉใชใƒ”ใƒƒใƒ ใƒฌใƒ™ใƒซใงใ™ใ€‚
14:14
'Hmmmm'.
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ใ€Œใ†ใƒผใ‚“ใ€ใ€‚
14:15
'How are you doing?' 'How are you doing?'
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'ใŠๅ…ƒๆฐ—ใงใ™ใ‹๏ผŸ' 'ใŠๅ…ƒๆฐ—ใงใ™ใ‹๏ผŸ'
14:18
Now, if you hum and your voice that comes out is very different than the
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ใ•ใฆใ€ใƒใƒŸใƒณใ‚ฐใ—ใฆ ๅ‡บใฆใใ‚‹ๅฃฐใŒใ€
14:25
voice that you usually use when speaking, this is something to explore, right?
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ๆ™ฎๆฎต่ฉฑใ—ใฆใ„ใ‚‹ใจใใซไฝฟใ†ๅฃฐใจใฏๅคงใใ็•ฐใชใ‚‹ๅ ดๅˆใ€ ใ“ใ‚Œใฏ่ชฟๆŸปใ™ในใใ“ใจใงใ™ใ‚ˆใญ?
14:30
Because maybe, just maybe, you're speaking lower than your optimum pitch level, or
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ๆœ€้ฉใชใƒ”ใƒƒใƒ ใƒฌใƒ™ใƒซใ‚ˆใ‚Šใ‚‚ไฝŽใใ€ใพใŸใฏ
14:37
higher than your optimum pitch level.
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ๆœ€้ฉใชใƒ”ใƒƒใƒ ใƒฌใƒ™ใƒซใ‚ˆใ‚Šใ‚‚้ซ˜ใ่ฉฑใ—ใฆใ„ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
14:39
And again, there's nothing wrong with that, if you feel 100% comfortable.
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็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€ 100% ๅฟซ้ฉใซๆ„Ÿใ˜ใ‚‰ใ‚Œใ‚‹ใฎใงใ‚ใ‚Œใฐใ€ไฝ•ใ‚‚ๅ•้กŒใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
14:44
But if you feel that you're not expressive, that you're straining
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ใงใ‚‚ใ€ ่กจ็พๅŠ›ใŒใชใ„ใ€
14:46
your voice when speaking and you feel exhausted at the end of the day,
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่ฉฑใ™ใจใใซๅฃฐใซ่ฒ ๆ‹…ใŒใ‹ใ‹ใ‚Šใ€ ไธ€ๆ—ฅใฎ็ต‚ใ‚ใ‚Šใซ็–ฒใ‚Œใฆใ„ใ‚‹ใจๆ„Ÿใ˜ใŸใ‚‰ใ€
14:50
I would definitely look into that.
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็งใฏ้–“้•ใ„ใชใใใ‚Œใ‚’่ชฟในใพใ™.
14:52
Because sometimes when our voice is too high or too low, and we feel
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ๅฃฐใŒ ้ซ˜ใ™ใŽใŸใ‚ŠไฝŽใ™ใŽใŸใ‚Šใ—ใฆใ€่‡ชๅˆ†ใฎๅฃฐใŒ่žใ“ใˆใฆใ„ใชใ„ใจๆ„Ÿใ˜ใฆ
14:56
that we are not heard and we want to increase the volume, we might
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้Ÿณ้‡ใ‚’ไธŠใ’ใŸใ„ใจๆ€ใ†ใจใ€ๅฃฐใซ่ฒ ๆ‹…ใŒใ‹ใ‹ใ‚‹ใ“ใจใŒใ‚ใ‚Šใพใ™
15:02
strain our voice while doing it.
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ใ€‚ ใ™ในใฆใฎๅ…ฑ้ณดๅ™จใ‚’ๆŒใฃใฆใ„ใ‚‹ใŸใ‚
15:04
Instead of just placing it in the right placement, where the mouth
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ใ€ๅฃใŒ
15:09
already does all the work, because you have all the resonators.
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ใ™ใงใซใ™ในใฆใฎไฝœๆฅญใ‚’่กŒใฃใฆใ„ใ‚‹้ฉๅˆ‡ใช้…็ฝฎใซ้…็ฝฎใ™ใ‚‹ใ ใ‘ใงใฏใ‚ใ‚Šใพใ›ใ‚“ ใ€‚
15:12
So why not use whatever is naturally there already, without straining your voice?
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ใงใฏใ€ๅฃฐใซ่ฒ ๆ‹…ใ‚’ใ‹ใ‘ใšใซใ€ใ™ใงใซ่‡ช็„ถใซใ‚ใ‚‹ใ‚‚ใฎใ‚’ไฝฟ็”จใ—ใฆใฟใพใ›ใ‚“ใ‹ ?
15:17
So, another way to find your optimum pitch level is by going really low.
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ใ—ใŸใŒใฃใฆใ€ๆœ€้ฉใชใƒ”ใƒƒใƒ ใƒฌใƒ™ใƒซใ‚’่ฆ‹ใคใ‘ใ‚‹ใ‚‚ใ† 1 ใคใฎๆ–นๆณ•ใฏใ€ ้žๅธธใซไฝŽใใ™ใ‚‹ใ“ใจใงใ™ใ€‚
15:26
And then you want to push your belly, your diaphragm actually, a few times.
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ใใ—ใฆใ€ใŠ่…นใ€ ๆจช้š”่†œใ‚’ๅฎŸ้š›ใซๆ•ฐๅ›žๆŠผใ—ใพใ™ใ€‚
15:36
Let's do it again.
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ใ‚‚ใ†ไธ€ๅบฆใ‚„ใ‚Šใพใ—ใ‚‡ใ†ใ€‚
15:37
Go really low.
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ๆœฌๅฝ“ใซไฝŽใใชใ‚Šใพใ™ใ€‚
15:42
You hear that the voice goes up really quickly.
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ๅฃฐใŒ ้žๅธธใซ้€ŸใไธŠใŒใ‚‹ใฎใŒ่žใ“ใˆใพใ™ใ€‚
15:51
That's the optimum pitch level.
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ใใ‚ŒใŒๆœ€้ฉใชใƒ”ใƒƒใƒใƒฌใƒ™ใƒซใงใ™ใ€‚
15:52
So you can try that too, and you can try the hum and see what feels right.
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ใ ใ‹ใ‚‰ใ‚ใชใŸใ‚‚ใใ‚Œใ‚’่ฉฆใ™ใ“ใจใŒใงใใ€ ใƒใƒ ใ‚’่ฉฆใ—ใฆใฟใฆใ€ไฝ•ใŒๆญฃใ—ใ„ใ‹ใ‚’็ขบ่ชใ™ใ‚‹ใ“ใจใŒใงใใพใ™.
15:57
Now, I'm not saying this should be your voice.
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ใ“ใ‚ŒใŒ ใ‚ใชใŸใฎๅฃฐใงใ‚ใ‚‹ในใใ ใจ่จ€ใฃใฆใ„ใ‚‹ใฎใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
15:59
I'm saying that understanding that this is your middle voice, and this is where
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ใ“ใ‚ŒใŒ ใ‚ใชใŸใฎไธญ้–“ใฎๅฃฐใงใ‚ใ‚Šใ€ใ“ใ‚ŒใŒ
16:03
your voice is most comfortable at.
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ใ‚ใชใŸใฎๅฃฐใŒๆœ€ใ‚‚ๅฟซ้ฉใชๅ ดๆ‰€ใงใ‚ใ‚‹ใ“ใจใ‚’็†่งฃใ—ใฆใ„ใ‚‹ใจ่จ€ใฃใฆใ„ใพใ™.
16:05
You can start with that and you can start exploring that.
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ใ‚ใชใŸใฏใใ‚Œใ‹ใ‚‰ๅง‹ใ‚ใฆใ€ ใใ‚Œใ‚’ๆŽขๆฑ‚ใ—ๅง‹ใ‚ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
16:08
And then, remember, that you can definitely go a little lower and a little
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ใใ—ใฆใ€่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€ใ‚ใชใŸใฏ ้–“้•ใ„ใชใๅฐ‘ใ—ไฝŽใใชใ‚Šใ€ๅฐ‘ใ—
16:13
higher, and use all your resonators.
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้ซ˜ใใชใ‚Šใ€ใ™ในใฆใฎๅ…ฑ้ณดๅ™จใ‚’ไฝฟใ†ใ“ใจใŒใงใใพใ™.
16:17
And when you speak a little lower - not too low, but a little lower - you
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ใใ—ใฆใ€ๅฐ‘ใ—ไฝŽใ„ๅฃฐใง่ฉฑใ™ใจ๏ผˆไฝŽใ™ใŽใ‚‹ใฎใงใฏใชใ ใ€ๅฐ‘ใ—ไฝŽใ„ๅฃฐใง๏ผ‰ใ€
16:22
add all the resonants of the chest, which usually has this deeper,
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่ƒธใฎ้ŸฟใใŒใ™ในใฆ่ฟฝๅŠ ใ•ใ‚Œใพใ™ใ€‚่ƒธใฎ้Ÿฟใใฏใ€ ้€šๅธธใ€ใ“ใฎๆทฑใใ€ใ‚ˆใ‚Š
16:27
darker, richer quality to your voice.
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ๆš—ใใ€ใ‚ˆใ‚Š่ฑŠใ‹ใชๅ“่ณชใ‚’ใ‚ใชใŸใฎๅฃฐใซใ‚‚ใŸใ‚‰ใ—ใพใ™ใ€‚
16:30
But sometimes, you might want to use more of your head voice.
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ใ—ใ‹ใ—ใ€ ้ ญใฎๅฃฐใ‚’ใ‚‚ใฃใจไฝฟใ„ใŸใ„ๅ ดๅˆใ‚‚ใ‚ใ‚Šใพใ™ใ€‚
16:34
So ideas about, "Oh, my voice is too high.
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ใ ใ‹ใ‚‰ใ€ใ€Œใ‚ใ‚ใ€็งใฎๅฃฐใฏ้ซ˜ใ™ใŽใ‚‹ใ€‚
16:37
My voice is too nasal"...
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็งใฎๅฃฐใฏ้ผปใŒ้ซ˜ใ™ใŽใ‚‹ใ€โ€ฆใคใพใ‚Šใ€
16:39
I mean, yes, sometimes we use more nasality in our voice.
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็งใŸใกใฏ ๅฃฐใซใ‚‚ใฃใจ้ผปๅฃฐใ‚’ไฝฟใ†ใ“ใจใŒใ‚ใ‚Šใพใ™ใ€‚
16:43
And that's especially the case if you have a lot of nasal
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16:45
vowels in your native language.
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ๆฏๅ›ฝ่ชžใซ้ผปๆฏ้ŸณใŒๅคšใ„ๅ ดๅˆใฏ็‰นใซใใ†ใงใ™ใ€‚
16:48
And yes, you don't have to use them, if we don't have nasal vowels.
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ใฏใ„ใ€ ้ผปๆฏ้ŸณใŒใชใ„ๅ ดๅˆใฏใ€ใใ‚Œใ‚‰ใ‚’ไฝฟ็”จใ™ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
16:52
And understanding how to use your mouth or your chest
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ใใ—ใฆใ€ไปฃใ‚ใ‚Šใซ ๅฃใ‚„่ƒธใฎๅ…ฑ้ณดใ‚’ไฝฟ็”จใ™ใ‚‹ๆ–นๆณ•ใ‚’็†่งฃใ™ใ‚‹ใ“ใจใŒ
16:55
resonance instead can serve you.
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ๅฝนใซ็ซ‹ใกใพใ™ใ€‚
16:59
But it doesn't mean that there is something wrong with your voice.
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ใ—ใ‹ใ—ใ€ใใ‚Œใฏ ใ‚ใชใŸใฎๅฃฐใซไฝ•ใ‹ๅ•้กŒใŒใ‚ใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
17:02
The idea is to understand how to use everything entirely.
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ใ‚ขใ‚คใƒ‡ใ‚ขใฏใ€ ใ™ในใฆใ‚’ๅฎŒๅ…จใซไฝฟ็”จใ™ใ‚‹ๆ–นๆณ•ใ‚’็†่งฃใ™ใ‚‹ใ“ใจใงใ™ใ€‚
17:08
Now, to understand how to use your resonators, like I said, I have a video
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ใ•ใฆใ€ใƒฌใ‚พใƒใƒผใ‚ฟใƒผใฎไฝฟใ„ๆ–นใ‚’็†่งฃใ™ใ‚‹ใŸใ‚ใซ ใ€็งใŒ่จ€ใฃใŸใ‚ˆใ†ใซใ€
17:11
with a bunch of fun exercises to help you explore the versatility of your voice.
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ใ‚ใชใŸใฎๅฃฐใฎๅคšๆง˜ๆ€งใ‚’ๆŽขๆฑ‚ใ™ใ‚‹ใฎใซๅฝน็ซ‹ใคใŸใใ•ใ‚“ใฎๆฅฝใ—ใ„ใ‚จใ‚ฏใ‚ตใ‚ตใ‚คใ‚บใ‚’ๅซใ‚€ใƒ“ใƒ‡ใ‚ชใŒใ‚ใ‚Šใพใ™.
17:16
And I'm going to link to it in the description.
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ใใ—ใฆใ€็งใฏ่ชฌๆ˜Žใงใใ‚Œใซใƒชใƒณใ‚ฏใ™ใ‚‹ใคใ‚‚ใ‚Šใงใ™ ใ€‚
17:19
Okay, that's it.
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ใ‚ˆใ—ใ€ใใ‚Œใ ใ‘ใ ใ€‚
17:20
Now I want to hear from you.
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ไปŠใ€็งใฏใ‚ใชใŸใ‹ใ‚‰่žใใŸใ„ใงใ™ใ€‚
17:21
Do you find yourself having negative thoughts about your voice?
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่‡ชๅˆ†ใฎ ๅฃฐใซใคใ„ใฆๅฆๅฎš็š„ใช่€ƒใˆใ‚’ๆŒใฃใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใ‹?
17:26
If so, what are they?
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ใ‚‚ใ—ใใ†ใชใ‚‰ใ€ใใ‚Œใ‚‰ใฏไฝ•ใงใ™ใ‹?
17:27
You can share them in the comments and see that, first of all, you're not alone.
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ใ‚ณใƒกใƒณใƒˆใงใใ‚Œใ‚‰ใ‚’ๅ…ฑๆœ‰ใ—ใ€ ใพใš็ฌฌไธ€ใซใ€ใ‚ใชใŸใฏไธ€ไบบใงใฏใชใ„ใ“ใจใ‚’็ขบ่ชใงใใพใ™.
17:31
But also I would be more than happy to support you, and see if there's
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ใพใŸใ€ๅ–œใ‚“ใง ใ‚ตใƒใƒผใƒˆใ•ใ›ใฆใ„ใŸใ ใใพใ™ใ€‚ไป–ใซไฝ•ใ‹ใŠๆ‰‹ไผใ„ใงใใ‚‹ใ“ใจใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใŠๆฐ—่ปฝใซใŠๅ•ใ„ๅˆใ‚ใ›ใใ ใ•ใ„
17:35
anything else I can help you with.
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ใ€‚
17:37
Also, I have a task for you to find someone that you really love
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ใพใŸใ€ใ‚ใชใŸใŒ
17:41
their voice and how they use it.
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ใใฎๅฃฐใจใใฎไฝฟใ„ๆ–นใ‚’ๆœฌๅฝ“ใซๆ„›ใ—ใฆใ„ใ‚‹ไบบใ‚’่ฆ‹ใคใ‘ใ‚‹ใจใ„ใ†ไป•ไบ‹ใŒใ‚ใ‚Šใพใ™ใ€‚
17:43
And start asking yourself question why you like it so much.
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ใใ—ใฆใ€ ใชใœใใ‚“ใชใซๅฅฝใใชใฎใ‹่‡ชๅ•่‡ช็ญ”ใ—ๅง‹ใ‚ใฆใใ ใ•ใ„ใ€‚
17:48
What is it about their quality of voice?
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ๅฝผใ‚‰ใฎๅฃฐใฎ่ณชใซใคใ„ใฆใฏใฉใ†ใงใ™ใ‹๏ผŸ ่กจๆƒ…่ฑŠใ‹ใ ใจ
17:51
Is it because you feel that they're expressive?
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ๆ„Ÿใ˜ใŸใ‹ใ‚‰ใงใ™ใ‹ ๏ผŸ
17:53
Because you understand their feelings?
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ๅฝผใ‚‰ใฎๆฐ—ๆŒใกใŒใ‚ใ‹ใ‚‹ใ‹ใ‚‰๏ผŸ
17:55
Because you feel that they're connected.
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ใคใชใŒใฃใฆใ„ใ‚‹ใจๆ„Ÿใ˜ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚
17:58
So, I want you to ask yourself all of these questions.
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ใงใ™ใ‹ใ‚‰ใ€ ใ“ใ‚Œใ‚‰ใ™ในใฆใฎ่ณชๅ•ใ‚’่‡ชๅ•ใ—ใฆใ„ใŸใ ใใŸใ„ใจๆ€ใ„ใพใ™ใ€‚
18:01
And then if you have any insights, share them in the comments with us below.
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ใใ—ใฆใ€ไฝ•ใ‹ๆดžๅฏŸใŒใ‚ใ‚Œใฐใ€ ไปฅไธ‹ใฎใ‚ณใƒกใƒณใƒˆใงๅ…ฑๆœ‰ใ—ใฆใใ ใ•ใ„ใ€‚
18:05
Or come on over to Instagram at @hadar.accentsway and send me a DM.
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ใพใŸใฏใ€@hadar.accentsway ใฎ Instagram ใซใ‚ขใ‚ฏใ‚ปใ‚นใ—ใฆ ใ€DM ใ‚’้€ใฃใฆใใ ใ•ใ„ใ€‚
18:11
All right.
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ใ‚ใ‹ใฃใŸใ€‚
18:12
That's it for today.
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ไปŠๆ—ฅใฏไปฅไธŠใงใ™ใ€‚
18:13
Thank you so, so much for being here.
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ใ“ใ“ใซใ„ใฆใใ‚Œใฆๆœฌๅฝ“ใซใ‚ใ‚ŠใŒใจใ†ใ€‚
18:15
Remember, loving your voice is so incredibly important.
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่‡ชๅˆ†ใฎๅฃฐใ‚’ๆ„›ใ™ใ‚‹ใ“ใจใฏ้žๅธธใซ้‡่ฆใงใ‚ใ‚‹ใ“ใจใ‚’ๅฟ˜ใ‚Œใชใ„ใงใใ ใ•ใ„ ใ€‚
18:18
Because if you don't love your voice, you will believe that no
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่‡ชๅˆ†ใฎๅฃฐใ‚’ๆ„›ใ—ใฆใ„ใชใ‘ใ‚Œใฐ ใ€
18:22
one is going to love your voice.
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่ชฐใ‚‚ใ‚ใชใŸใฎๅฃฐใ‚’ๆ„›ใ—ใฆใใ‚Œใชใ„ใ ใ‚ใ†ใจๆ€ใ†ใ‹ใ‚‰ใงใ™ใ€‚
18:23
And that is not healthy, my friend, for anything related to life or communication.
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ใใ—ใฆใ€ใใ‚Œใฏ ไบบ็”Ÿใ‚„ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใซ้–ข้€ฃใ™ใ‚‹ใ‚‚ใฎใซใจใฃใฆใ€ๅฅๅบท็š„ใงใฏใ‚ใ‚Šใพใ›ใ‚“.
18:30
And also, when you start loving your voice, you start enjoying recording
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ใพใŸใ€่‡ชๅˆ†ใฎๅฃฐใŒๅฅฝใใซใชใ‚‹ใจ ใ€
18:35
yourself and hearing yourself on video.
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่‡ชๅˆ†ใฎๅฃฐใ‚’้Œฒ้Ÿณใ—ใŸใ‚Šใ€ใƒ“ใƒ‡ใ‚ชใง่‡ชๅˆ†ใฎๅฃฐใ‚’่žใ„ใŸใ‚Šใ™ใ‚‹ใฎใŒๆฅฝใ—ใใชใ‚Šใพใ™ใ€‚
18:37
And that is also something that you want to incorporate more into
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ใพใŸใ€็‰นใซ่‹ฑ่ชžใฎ็ทด็ฟ’ใซ้–ขใ—ใฆใฏใ€็”Ÿๆดป ใซใ‚‚ใฃใจๅ–ใ‚Šๅ…ฅใ‚ŒใŸใ„ใ‚‚ใฎใงใ‚‚ใ‚ใ‚Šใพใ™
18:41
your life, especially when it comes to practicing your English.
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ใ€‚
18:45
All right.
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ใ‚ใ‹ใฃใŸใ€‚
18:46
Have a beautiful, beautiful rest of the day.
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็พŽใ—ใ ็พŽใ—ใ„ๆฎ‹ใ‚Šใฎไธ€ๆ—ฅใ‚’ใŠ้Žใ”ใ—ใใ ใ•ใ„ใ€‚
18:48
And I'll see you next week in the next video.
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ใพใŸ ๆฅ้€ฑใ€ๆฌกใฎใƒ“ใƒ‡ใ‚ชใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†ใ€‚
18:51
Bye.
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ใ•ใ‚ˆใชใ‚‰ใ€‚
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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