American English Intonation & Rhythm with Tanya from THE WHITE LOTUS

27,228 views ใƒป 2023-02-21

Accent's Way English with Hadar


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:07
I love White Lotus, both seasons.
0
7365
2925
๋‚˜๋Š” ๋‘ ๊ณ„์ ˆ ๋ชจ๋‘ White Lotus๋ฅผ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
00:10
Because I think the acting is superb, the dialogue is hysterical,
1
10320
4200
์—ฐ๊ธฐ๊ฐ€ ํ›Œ๋ฅญํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋Œ€ํ™”๋Š” ํžˆ์Šคํ…Œ๋ฆฌ
00:14
and the story is just so much fun.
2
14790
4170
ํ•˜๊ณ  ์ด์•ผ๊ธฐ๋Š” ๋„ˆ๋ฌด ์žฌ๋ฏธ ์žˆ์Šต๋‹ˆ๋‹ค.
00:19
"I think I'm gonna be a little emotional."
3
19260
1710
"์กฐ๊ธˆ ๊ฐ์ •์ ์ด ๋  ๊ฒƒ ๊ฐ™์•„์š”."
00:21
"I love you."
4
21120
390
"์‚ฌ๋ž‘ํ•ด์š”."
00:23
"It's tropical Kabuki."
5
23410
1370
"ํŠธ๋กœํ”ผ์ปฌ ๊ฐ€๋ถ€ํ‚ค์ž…๋‹ˆ๋‹ค."
00:25
Today we are going to practice American intonation and rhythm.
6
25200
3450
์˜ค๋Š˜์€ ๋ฏธ๊ตญ ์–ต์–‘๊ณผ ๋ฆฌ๋“ฌ์„ ์—ฐ์Šตํ•ด ๋ณด๋„๋ก ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค.
00:28
I'm going to teach you how to stress words in English and how to use the
7
28650
4380
์˜์–ด๋กœ ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•˜๋Š” ๋ฐฉ๋ฒ•๊ณผ
00:33
melody of your voice to do that.
8
33030
2400
์ด๋ฅผ ์œ„ํ•ด ๋ชฉ์†Œ๋ฆฌ์˜ ๋ฉœ๋กœ๋””๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ์•Œ๋ ค๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
00:35
And we are going to do that while analyzing some scenes played
9
35790
4410
๊ทธ๋ฆฌ๊ณ 
00:40
by Jennifer Coolidge, who is playing Tanya in the White Lotus.
10
40200
5100
White Lotus์—์„œ Tanya๋ฅผ ์—ฐ๊ธฐํ•˜๋Š” Jennifer Coolidge๊ฐ€ ์—ฐ๊ธฐํ•œ ์ผ๋ถ€ ์žฅ๋ฉด์„ ๋ถ„์„ํ•˜๋ฉด์„œ ๊ทธ๋ ‡๊ฒŒ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:46
Now, before we start analyzing the speeches, I wanna tell you something about
11
46830
4205
์ด์ œ ์—ฐ์„ค ๋ถ„์„์„ ์‹œ์ž‘ํ•˜๊ธฐ ์ „์—
00:51
the intonation and the rhythm of English.
12
51525
2805
์˜์–ด์˜ ์–ต์–‘๊ณผ ๋ฆฌ๋“ฌ์— ๋Œ€ํ•ด ๋ง์”€๋“œ๋ฆฌ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค. ์˜์–ด
00:54
The intonation and rhythm of English are designed to serve
13
54810
3270
์˜ ์–ต์–‘๊ณผ ๋ฆฌ๋“ฌ์€
00:58
the message of the speaker.
14
58230
2520
ํ™”์ž์˜ ๋ฉ”์‹œ์ง€๋ฅผ ์ „๋‹ฌํ•˜๋„๋ก ์„ค๊ณ„๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
01:01
Meaning, that the words that are more important are going to stick
15
61320
4590
์ฆ‰, ๋” ์ค‘์š”ํ•œ ๋‹จ์–ด๋Š” ์ฃผ์š” ์•„์ด๋””์–ด๋ฅผ ์—ฐ๊ฒฐํ•˜๊ธฐ ์œ„ํ•ด ์žˆ๋Š” ์กฐ๊ธˆ ๋œ ์ค‘์š”ํ•œ
01:05
out differently than the words that are a little less important that are
16
65910
3390
๋‹จ์–ด์™€ ๋‹ค๋ฅด๊ฒŒ ํŠ€์–ด๋‚˜์˜ฌ ๊ฒƒ์ž…๋‹ˆ๋‹ค
01:09
there just to connect the main ideas.
17
69300
2910
.
01:12
So words that are more important, that drive the meaning โ€“ also called stressed
18
72780
4680
๋”ฐ๋ผ์„œ ๋” ์ค‘์š”ํ•˜๊ณ  ์˜๋ฏธ๋ฅผ ์ „๋‹ฌํ•˜๋Š” ๋‹จ์–ด(๊ฐ•์„ธ
01:17
words or operative words โ€“ are usually stretched out and are different in pitch
19
77460
5715
๋‹จ์–ด ๋˜๋Š” ์ž‘๋™ ๋‹จ์–ด๋ผ๊ณ ๋„ ํ•จ)๋Š” ์ผ๋ฐ˜์ ์œผ๋กœ ๋ป—์–ด ์žˆ๊ณ  ์Œ์กฐ๊ฐ€ ๋‹ค๋ฅด๊ธฐ
01:23
so that they are captured by the listener.
20
83235
3780
๋•Œ๋ฌธ์— ๋“ฃ๋Š” ์‚ฌ๋žŒ์ด ํฌ์ฐฉํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:27
Whereas words that are reduced are reduced to a schwa, the vowel itself
21
87585
4230
์ถ•์†Œ๋œ ๋‹จ์–ด๋Š” ์Šˆ์™€๋กœ ์ถ•์†Œ๋˜๋Š” ๋ฐ˜๋ฉด ๋ชจ์Œ ์ž์ฒด๋Š”
01:31
is reduced, and they're connected.
22
91845
1830
์ถ•์†Œ๋˜์–ด ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค.
01:34
Let's look at the first scene and see what that looks like.
23
94395
2970
์ฒซ ๋ฒˆ์งธ ์žฅ๋ฉด์„ ๋ณด๊ณ  ์–ด๋–ป๊ฒŒ ์ƒ๊ฒผ๋Š”์ง€ ๋ด…์‹œ๋‹ค.
01:38
"My POOR MOTHER."
24
98265
1020
"๋‚˜์˜ ๋ถˆ์Œํ•œ ์–ด๋จธ๋‹ˆ."
01:42
'My POOR MOTHER'.
25
102745
1150
'๋‚˜์˜ ๋ถˆ์Œํ•œ ์–ด๋จธ๋‹ˆ'.
01:44
Now here all the words are stressed, so she stretches each one of them and
26
104195
4915
์ด์ œ ๋ชจ๋“  ๋‹จ์–ด์— ๊ฐ•์„ธ๋ฅผ ๋‘์–ด ๋‹จ์–ด ํ•˜๋‚˜ํ•˜๋‚˜๋ฅผ ๋Š˜๋ฆฌ๊ณ 
01:49
even takes small breaks in between.
27
109110
1680
์ค‘๊ฐ„์— ์ž ๊น ์‰ฌ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
01:51
'My poor mother'.
28
111030
2100
'๊ฐ€๋‚œํ•œ ์šฐ๋ฆฌ ์—„๋งˆ'.
01:54
"She DIED in JUNE."
29
114840
1500
"๊ทธ๋…€๋Š” 6์›”์— ์ฃฝ์—ˆ๋‹ค."
01:57
'She DIED in JUNE'.
30
117420
1920
'๊ทธ๋…€๋Š” 6์›”์— ์ฃฝ์—ˆ๋‹ค'.
01:59
Now, listen to the rhythm.
31
119730
1140
์ด์ œ ๋ฆฌ๋“ฌ์„ ๋“ค์–ด๋ณด์„ธ์š”.
02:00
It's not 'she died in June'.
32
120930
2010
'๊ทธ๋…€๋Š” 6์›”์— ์ฃฝ์—ˆ๋‹ค'๊ฐ€ ์•„๋‹ˆ๋‹ค.
02:02
Not every word receives the same beat, but the stressed words are longer,
33
122970
6510
๋ชจ๋“  ๋‹จ์–ด๊ฐ€ ๊ฐ™์€ ๋น„ํŠธ๋ฅผ ๋ฐ›๋Š” ๊ฒƒ์€ ์•„๋‹ˆ์ง€๋งŒ ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด๋Š” ๋” ๊ธธ๊ณ 
02:09
and the reduced words are shorter.
34
129750
2040
์ถ•์•ฝ๋œ ๋‹จ์–ด๋Š” ๋” ์งง์Šต๋‹ˆ๋‹ค.
02:14
'She DIED in JUNE'.
35
134100
1980
'๊ทธ๋…€๋Š” 6์›”์— ์ฃฝ์—ˆ๋‹ค'.
02:16
'in' is reduced.
36
136400
950
'์—์„œ'๊ฐ€ ์ค„์–ด๋“ญ๋‹ˆ๋‹ค.
02:18
'She died in June'.
37
138030
1650
'๊ทธ๋…€๋Š” 6์›”์— ์ฃฝ์—ˆ๋‹ค'.
02:20
It's very melodic, she's almost singing it.
38
140520
2430
๊ทธ๊ฒƒ์€ ๋งค์šฐ ์„ ์œจ์ ์ด๋ฉฐ ๊ทธ๋…€๋Š” ๊ฑฐ์˜ ๋…ธ๋ž˜ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:24
"And she LOVED the OCEAN."
39
144420
2220
"๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ๋ฐ”๋‹ค๋ฅผ ์‚ฌ๋ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค."
02:27
'And she LOVED the OCEAN'.
40
147210
2730
'๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ๋ฐ”๋‹ค๋ฅผ ์‚ฌ๋ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค'.
02:30
Now the word 'loved' obviously sticks out here.
41
150570
2400
์ด์ œ ์—ฌ๊ธฐ์„œ '์‚ฌ๋ž‘'์ด๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ๋ถ„๋ช…ํžˆ ๋ˆˆ์— ๋•๋‹ˆ๋‹ค.
02:32
And how does she do that?
42
152970
1260
๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ์–ด๋–ป๊ฒŒํ•ฉ๋‹ˆ๊นŒ?
02:34
She goes higher in pitch: 'And she LOVED the OCEAN', and she stretches it not
43
154440
5400
๊ทธ๋…€๋Š” 'And she LOVED the OCEAN'๊ณผ ๊ฐ™์ด ์Œ๋†’์ด๋ฅผ ๋†’์ด๊ณ 
02:39
only by elongating the vowel, but also elongating the consonants - loved, loved.
44
159840
9525
๋ชจ์Œ์„ ๊ธธ๊ฒŒ ๋Š˜์ผ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ž์Œ(์‚ฌ๋ž‘, ์‚ฌ๋ž‘)๋„ ๋Š˜๋ฆฝ๋‹ˆ๋‹ค.
02:49
So you can use all the sounds in a given word to emphasize it.
45
169365
4290
๋”ฐ๋ผ์„œ ์ฃผ์–ด์ง„ ๋‹จ์–ด์˜ ๋ชจ๋“  ์†Œ๋ฆฌ๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ๊ฐ•์กฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค .
02:53
'And she loved the ocean'.
46
173955
2340
'๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ๋ฐ”๋‹ค๋ฅผ ์‚ฌ๋ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค'.
02:56
'an-shee', right, that is a little faster.
47
176955
3750
'์•ˆ์‹œ', ๋งž์•„์š”, ๊ทธ๊ฒŒ ์ข€ ๋” ๋นจ๋ผ์š”.
03:01
"Just LOVED it."
48
181095
1620
"๊ทธ๋ƒฅ ์ข‹์•„ํ–ˆ์–ด."
03:05
'Just LOVED it'.
49
185175
1860
'๊ทธ๋ƒฅ ์ข‹์•„'.
03:07
And again, 'it' is reduced, right?
50
187245
4350
๊ทธ๋ฆฌ๊ณ  ๋˜ '๊ทธ๊ฒƒ'์ด ์ค„์–ด๋“œ์ฃ ?
03:11
So the word 'LOVED' is longer, has more volume, and higher in pitch.
51
191745
7154
๊ทธ๋ž˜์„œ 'LOVED'๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ๋” ๊ธธ๊ณ , ์Œ๋Ÿ‰์ด ๋” ๋งŽ๊ณ , ์Œ๋†’์ด๊ฐ€ ๋” ๋†’์Šต๋‹ˆ๋‹ค.
03:20
"My poor mother, she had a BEAUTIFUL HOUSE in CARMEL."
52
200399
2701
"๋‚˜์˜ ๋ถˆ์Œํ•œ ์–ด๋จธ๋‹ˆ, ๊ทธ๋…€๋Š” CARMEL์— ์•„๋ฆ„๋‹ค์šด ์ง‘์ด ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค."
03:24
'My poor mother', she repeats what she just said, but a little faster.
53
204630
3810
'๋ถˆ์Œํ•œ ์šฐ๋ฆฌ ์—„๋งˆ', ๊ทธ๋…€๋Š” ๋ฐฉ๊ธˆ ํ•œ ๋ง์„ ๋ฐ˜๋ณตํ•˜์ง€๋งŒ ์กฐ๊ธˆ ๋” ๋น ๋ฅด๊ฒŒ ํ•œ๋‹ค.
03:28
'had a BEAUTIFUL HOUSE in CARMEL'.
54
208709
2160
'CARMEL์— BEAUTIFUL HOUSE๊ฐ€ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค'.
03:31
BEAUTIFUL, HOUSE, CARMEL.
55
211140
1680
์•„๋ฆ„๋‹ต๋‹ค, ์ง‘, ์นด๋ฉœ. ๊ฐ•์กฐ๋œ ๋‹จ์–ด๋ฅผ
03:32
It's really easy to detect the words that are stressed.
56
212820
2340
๊ฐ์ง€ํ•˜๋Š” ๊ฒƒ์€ ์ •๋ง ์‰ฝ์Šต๋‹ˆ๋‹ค .
03:35
BEAUTIFUL, HOUSE, CARMEL.
57
215609
1591
์•„๋ฆ„๋‹ต๋‹ค, ์ง‘, ์นด๋ฉœ.
03:37
"and she tried VERY VERY HARD to be a REALLY GOOD MOTHER."
58
217410
4470
"๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ์ •๋ง ์ข‹์€ ์—„๋งˆ๊ฐ€ ๋˜๊ธฐ ์œ„ํ•ด ์•„์ฃผ ์—ด์‹ฌํžˆ ๋…ธ๋ ฅํ–ˆ์Šต๋‹ˆ๋‹ค."
03:42
'And she tried VERY VERY HARD'.
59
222705
2520
'๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ์•„์ฃผ ์•„์ฃผ ์—ด์‹ฌํžˆ ๋…ธ๋ ฅํ–ˆ์Šต๋‹ˆ๋‹ค'.
03:45
So, 'and she tried' is one unit.
60
225825
2430
๊ทธ๋ž˜์„œ '๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ์‹œ๋„ํ–ˆ๋‹ค'๋Š” ํ•˜๋‚˜์˜ ๋‹จ์œ„์ž…๋‹ˆ๋‹ค.
03:48
'tried' is the keyword here.
61
228825
1950
์—ฌ๊ธฐ์„œ '์‹œ๋„'๋Š” ํ‚ค์›Œ๋“œ์ž…๋‹ˆ๋‹ค.
03:52
'an she TRIED'.
62
232258
1007
'๊ทธ๋…€๋Š” ์‹œ๋„ํ–ˆ๋‹ค'.
03:53
So 'TRIED' is longer than 'and she' that are reduced.
63
233655
3120
๋”ฐ๋ผ์„œ 'TRIED'๋Š” ์ค„์ธ 'and she'๋ณด๋‹ค ๊น๋‹ˆ๋‹ค.
03:57
'VERY VERY HARD' - look at all the emotion that she puts
64
237165
3360
'VERY VERY HARD' - ๊ทธ๋…€๊ฐ€
04:00
in, into those stressed words.
65
240525
1880
๊ฐ•์กฐํ•˜๋Š” ๋‹จ์–ด์— ๋‹ด๊ธด ๋ชจ๋“  ๊ฐ์ •์„ ๋ณด์„ธ์š”.
04:02
- VERY VERY HARD.
66
242405
1299
- ๋งค์šฐ ๋งค์šฐ ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
04:04
'HARD' is more stressed than the 'VERY' and the 'VERY', right?
67
244344
3471
'๋งค์šฐ', ' ๋งค์šฐ'๋ณด๋‹ค 'ํ•˜๋“œ'๊ฐ€ ๋” ๊ฐ•์„ธ์ฃ ?
04:07
'VERY VERY HARD'.
68
247964
1590
'๋งค์šฐ ๋งค์šฐ ์–ด๋ ค์›€'.
04:09
But all of it is stressed, there's a lot of weight that goes into it.
69
249795
2939
ํ•˜์ง€๋งŒ ๊ทธ ๋ชจ๋“  ๊ฒƒ์ด ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๊ณ  ์žˆ๊ณ , ๊ทธ๊ฒƒ์— ๋“ค์–ด๊ฐ€๋Š” ๋งŽ์€ ๋ฌด๊ฒŒ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
04:13
'and she tried VERY VERY HARD'.
70
253364
2340
'๊ทธ๋ฆฌ๊ณ  ๊ทธ๋…€๋Š” ์•„์ฃผ ์•„์ฃผ ์—ด์‹ฌํžˆ ๋…ธ๋ ฅํ–ˆ์Šต๋‹ˆ๋‹ค'.
04:16
"to be a REALLY GOOD MOTHER".
71
256430
1674
"์ •๋ง ์ข‹์€ ์—„๋งˆ๊ฐ€ ๋˜๊ธฐ ์œ„ํ•ด".
04:18
'to be a REALLY GOOD MOTHER'.
72
258435
1760
'์ •๋ง ์ข‹์€ ์—„๋งˆ๊ฐ€ ๋˜๊ธฐ ์œ„ํ•ด'.
04:20
'to be a' - that's reduced.
73
260685
3000
'to be a' - ์ค„์ธ ๋ง์ž…๋‹ˆ๋‹ค.
04:24
'to be a' - 'duh-be-uh'.
74
264135
3640
'๊ฐ€๋˜๋‹ค' - 'duh-be-uh'.
04:28
REALLY GOOD MOTHER.
75
268594
1241
์ •๋ง ์ข‹์€ ์–ด๋จธ๋‹ˆ.
04:30
Because 'to be a' is not that important as 'REALLY GOOD MOTHER'.
76
270515
3805
'๋˜๊ธฐ'๋Š” 'REALLY GOOD MOTHER'๋งŒํผ ์ค‘์š”ํ•˜์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:35
And these words are stressed, they're longer, they're pronounced clearly.
77
275070
3990
๊ทธ๋ฆฌ๊ณ  ์ด ๋‹จ์–ด๋“ค์€ ๊ฐ•์„ธ๊ฐ€ ์žˆ๊ณ , ๋” ๊ธธ๊ณ , ๋ช…ํ™•ํ•˜๊ฒŒ ๋ฐœ์Œ๋ฉ๋‹ˆ๋‹ค.
04:39
Now, why is it important?
78
279630
1380
์ด์ œ ์™œ ์ค‘์š”ํ•œ๊ฐ€์š”?
04:41
Because every language has its own rhythm and stress and intonation patterns.
79
281015
4765
๋ชจ๋“  ์–ธ์–ด์—๋Š” ๊ณ ์œ ํ•œ ๋ฆฌ๋“ฌ ๊ณผ ๊ฐ•์„ธ ๋ฐ ์–ต์–‘ ํŒจํ„ด์ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:45
Now you have a unique rhythm for your language, your first
80
285840
4950
์ด์ œ ์˜์–ด๊ฐ€ ์•„๋‹Œ ๊ฒฝ์šฐ ๋ชจ๊ตญ์–ด์ธ ์–ธ์–ด์— ๊ณ ์œ ํ•œ ๋ฆฌ๋“ฌ์ด ์žˆ์Šต๋‹ˆ๋‹ค
04:50
language, if it's not English.
81
290790
1410
.
04:52
And there it is perfectly fine, but sometimes if you bring that into English,
82
292560
5190
์™„๋ฒฝํ•˜๊ฒŒ ๊ดœ์ฐฎ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ๊ฐ€๋” ๊ทธ๊ฒƒ์„ ์˜์–ด๋กœ ๊ฐ€์ ธ์˜ค๋ฉด
04:57
it might change the quality of the speech, and maybe the message is not gonna be
83
297990
6510
๋ง์˜ ์งˆ์ด ๋ฐ”๋€” ์ˆ˜๋„ ์žˆ๊ณ 
05:04
delivered as quickly if you don't use the rhythm of English or the intonation,
84
304500
6300
์˜์–ด์˜ ๋ฆฌ๋“ฌ์ด๋‚˜ ์–ต์–‘์„ ์‚ฌ์šฉํ•˜์ง€ ์•Š์œผ๋ฉด ๋ฉ”์‹œ์ง€๊ฐ€ ๋นจ๋ฆฌ ์ „๋‹ฌ๋˜์ง€ ์•Š์„ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
05:11
where you change the pitch and you make the word longer when it's important.
85
311400
4350
ํ”ผ์น˜๋ฅผ ๋ณ€๊ฒฝํ•˜๊ณ  ์ค‘์š”ํ•  ๋•Œ ๋‹จ์–ด๋ฅผ ๊ธธ๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
05:15
Let's look at another scene.
86
315840
1320
๋‹ค๋ฅธ ์žฅ๋ฉด์„ ๋ณด์ž.
05:17
"Yeah.
87
317580
330
05:17
He likes the first LAYER."
88
317910
1560
"๊ทธ๋ž˜.
๊ทธ๋Š” ์ฒซ ๋ฒˆ์งธ LAYER๋ฅผ ์ข‹์•„ํ•ด."
05:20
'Yeah, he likes the first LAYER'.
89
320250
2550
'๊ทธ๋ž˜, ๊ทธ๋Š” ์ฒซ ๋ฒˆ์งธ LAYER๋ฅผ ์ข‹์•„ํ•ด'.
05:23
'Yeah'.
90
323310
870
'์‘'.
05:24
'Yeah'.
91
324450
870
'์‘'.
05:25
Notice this intonation, it's kinda like, 'Yeah, maybe', right?
92
325469
4260
์ด ์–ต์–‘์— ์ฃผ๋ชฉํ•˜์„ธ์š”. 'Yeah, ์•„๋งˆ๋„'์™€ ๋น„์Šทํ•˜์ฃ ?
05:29
That is, it's like up-down-up.
93
329729
1990
์ฆ‰, up-down-up๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค.
05:32
'He likes the first LAYER'.
94
332159
1621
'๊ทธ๋Š” ์ฒซ ๋ฒˆ์งธ ๋ ˆ์ด์–ด๋ฅผ ์ข‹์•„ํ•œ๋‹ค'.
05:33
So, ta-DA-ta-DA-TADA, LAYER is stressed, so it's going to be longer than the rest.
95
333990
5520
๊ทธ๋ž˜์„œ ta-DA-ta-DA-TADA, LAYER๊ฐ€ ๊ฐ•์กฐ๋˜์–ด ๋‚˜๋จธ์ง€๋ณด๋‹ค ๊ธธ์–ด์งˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:39
'Yeah, he likes the first LAYER'.
96
339750
2554
'๊ทธ๋ž˜, ๊ทธ๋Š” ์ฒซ ๋ฒˆ์งธ LAYER๋ฅผ ์ข‹์•„ํ•ด'.
05:43
That type of intonation or tone of voice is somewhat doubting or uncertain.
97
343620
7845
๊ทธ๋Ÿฌํ•œ ์œ ํ˜•์˜ ์–ต์–‘์ด๋‚˜ ์–ด์กฐ๋Š” ๋‹ค์†Œ ์˜์‹ฌ์Šค๋Ÿฝ๊ฑฐ๋‚˜ ๋ถˆํ™•์‹คํ•ฉ๋‹ˆ๋‹ค.
05:52
"MAYBE, I don't know."
98
352005
1410
"์–ด์ฉŒ๋ฉด ๋ชจ๋ฅด๊ฒ ์–ด."
05:53
Right?
99
353505
270
05:53
Same thing here.
100
353775
630
์˜ค๋ฅธ์ชฝ?
์—ฌ๊ธฐ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ž…๋‹ˆ๋‹ค.
05:54
'MAYBE, I don't know'.
101
354405
1830
'์•„๋งˆ๋„, ๋‚˜๋Š” ๋ชจ๋ฅธ๋‹ค'.
05:56
"But what about the SECOND layer?"
102
356235
1350
"ํ•˜์ง€๋งŒ ๋‘ ๋ฒˆ์งธ ๋ ˆ์ด์–ด๋Š” ์–ด๋–ป์Šต๋‹ˆ๊นŒ?"
05:58
'But what about the SECOND layer?' 'wadabout', right, that is reduced.
103
358005
4590
'ํ•˜์ง€๋งŒ ๋‘ ๋ฒˆ์งธ ๋ ˆ์ด์–ด๋Š” ์–ด๋–ป์Šต๋‹ˆ๊นŒ?' 'wadabout', ๋งž์Šต๋‹ˆ๋‹ค.
06:02
'What about the SECOND layer?' SECOND LAYER - these two words are stressed.
104
362775
4260
'SECOND ๋ ˆ์ด์–ด๋Š” ์–ด๋–ป์Šต๋‹ˆ๊นŒ?' ๋‘ ๋ฒˆ์งธ ๋ ˆ์ด์–ด - ์ด ๋‘ ๋‹จ์–ด๋Š” ๊ฐ•์กฐ๋ฉ๋‹ˆ๋‹ค.
06:07
"And the THIRD LAYER."
105
367095
1290
"๊ทธ๋ฆฌ๊ณ  ์„ธ ๋ฒˆ์งธ ๋ ˆ์ด์–ด."
06:08
'And the THIRD LAYER'.
106
368625
1380
'๊ทธ๋ฆฌ๊ณ  ์„ธ ๋ฒˆ์งธ ๋ ˆ์ด์–ด'.
06:10
Let's practice the word 'third'.
107
370635
1230
'์„ธ ๋ฒˆ์งธ'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ์—ฐ์Šตํ•ด ๋ด…์‹œ๋‹ค.
06:12
'thir', 'thir' - TH to an R.
108
372215
2470
'thir', 'thir' - TH์—์„œ R๋กœ
06:16
"and then EVERY STEP ALONG the WAY"
109
376425
2220
06:18
'and then EVERY STEP ALONG the WAY'.
110
378825
2490
.
06:24
'an-then' - reduced.
111
384161
1924
'an-then' - ๊ฐ์†Œ.
06:26
EVERY STEP - stressed-stressed.
112
386475
2270
๋ชจ๋“  ๋‹จ๊ณ„ - ์ŠคํŠธ๋ ˆ์Šค ์ŠคํŠธ๋ ˆ์Šค.
06:29
ALONG the WAY - stressed-stressed.
113
389085
2870
๊ธธ์„ ๋”ฐ๋ผ-์ŠคํŠธ๋ ˆ์Šค ์ŠคํŠธ๋ ˆ์Šค.
06:32
'and then EVERY STEP ALONG the WAY'.
114
392205
2280
'๊ทธ๋ฆฌ๊ณ  ๊ทธ ๊ธธ์„ ๋”ฐ๋ผ๊ฐ€๋Š” ๋ชจ๋“  ๋‹จ๊ณ„'.
06:34
Now try to really imitate the melody and the rhythm, don't just repeat the words.
115
394575
5250
์ด์ œ ๊ฐ€์‚ฌ๋งŒ ๋ฐ˜๋ณตํ•˜์ง€ ๋ง๊ณ  ๋ฉœ๋กœ๋””์™€ ๋ฆฌ๋“ฌ์„ ์‹ค์ œ๋กœ ํ‰๋‚ด๋‚ด ๋ณด์„ธ์š”.
06:39
This is how you start changing your rhythmic habits, right, that
116
399825
5130
์ด๊ฒƒ์€ ๋‹น์‹ ์ด
06:44
you carry from your own language.
117
404955
2579
์ž์‹ ์˜ ์–ธ์–ด์—์„œ ๊ฐ€์ ธ์˜จ ๋ฆฌ๋“ฌ ์Šต๊ด€์„ ๋ฐ”๊พธ๊ธฐ ์‹œ์ž‘ํ•˜๋Š” ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
06:47
And give yourself this freedom to try out new things and play with your voice.
118
407955
5010
๊ทธ๋ฆฌ๊ณ  ์ž์‹ ์—๊ฒŒ ์ƒˆ๋กœ์šด ๊ฒƒ์„ ์‹œ๋„ํ•˜๊ณ  ์ž์‹ ์˜ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๊ฐ€์ง€๊ณ  ๋†€ ์ˆ˜ ์žˆ๋Š” ์ž์œ ๋ฅผ ์ฃผ์„ธ์š”.
06:53
That's what makes it interesting, and that's how you start
119
413205
3389
๊ทธ๊ฒƒ์ด ํฅ๋ฏธ๋กœ์šด ์ด์œ ์ด๊ณ ,
06:57
discovering new things as well.
120
417255
1229
์ƒˆ๋กœ์šด ๊ฒƒ์„ ๋ฐœ๊ฒฌํ•˜๊ธฐ ์‹œ์ž‘ํ•˜๋Š” ๋ฐฉ๋ฒ•์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
06:58
"I have to WORRY ABOUT".
121
418635
1230
"๋‚˜๋Š” ๊ฑฑ์ •ํ•ด์•ผ ํ•œ๋‹ค".
07:00
'I have to WORRY ABOUT'.
122
420164
1471
'๋‚˜๋Š” ๊ฑฑ์ •ํ•ด์•ผ ํ•œ๋‹ค'.
07:01
'I have to WORRY ABOUT'.
123
421905
1430
'๋‚˜๋Š” ๊ฑฑ์ •ํ•ด์•ผ ํ•œ๋‹ค'.
07:03
"you know, is he gonna like the NEXT LAYER?"
124
423465
2459
"๊ทธ๊ฐ€ NEXT LAYER๋ฅผ ์ข‹์•„ํ• ๊นŒ์š”?"
07:06
'you know', 'you know', that's a common filler phrase, 'you know'.
125
426135
4880
'you know', 'you know', ๊ทธ๊ฑด 'you know'๋ผ๋Š” ์ผ๋ฐ˜์ ์ธ ํ•„๋Ÿฌ ๋ฌธ๊ตฌ์ž…๋‹ˆ๋‹ค.
07:11
'Is he gonna like the NEXT LAYER?' Let's try that with our voice,
126
431820
4080
'๊ทธ๋Š” NEXT LAYER๋ฅผ ์ข‹์•„ํ• ๊นŒ์š”?' ์ด ๊ณผ์žฅ์ฒ˜๋Ÿผ ์šฐ๋ฆฌ์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ ํ•ด๋ณด์ž
07:15
right, like this exaggeration.
127
435900
1950
.
07:18
You know, you charge it with emotion and then that changes your voice.
128
438180
4230
๊ฐ์ •์œผ๋กœ ์ถฉ์ „ํ•˜๋ฉด ๋ชฉ์†Œ๋ฆฌ๊ฐ€ ๋ฐ”๋€๋‹ˆ๋‹ค.
07:22
'Is he gonna like the NEXT LAYER?' This is fun, isn't it?
129
442650
3570
'๊ทธ๋Š” NEXT LAYER๋ฅผ ์ข‹์•„ํ• ๊นŒ์š” ?' ์žฌ๋ฏธ์žˆ์ง€ ์•Š๋‚˜์š”?
07:26
Let's try another scene.
130
446430
1200
๋‹ค๋ฅธ ์žฅ๋ฉด์„ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
07:27
"You're on VACATION" Now here she's pissed off.
131
447690
2970
"You're on VACATION" ์ด์ œ ๊ทธ๋…€๋Š” ํ™”๋ฅผ ๋ƒˆ์Šต๋‹ˆ๋‹ค.
07:30
'You're on VACATION', right?
132
450665
2365
'๋ฐฉํ•™ ์ค‘'์ด์ฃ ?
07:33
The tone goes up here.
133
453030
1530
์—ฌ๊ธฐ์„œ ํ†ค์ด ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค.
07:34
'What do you want?
134
454860
1080
'๋ฌด์—‡์„ ์›ํ•˜์‹ญ๋‹ˆ๊นŒ?
07:35
Why are you doing this?
135
455970
1350
์™œ ์ด๋Ÿฐ ์ง“์„ํ•˜๋Š”?
07:37
You're on VACATION'.
136
457470
1560
๋‹น์‹ ์€ VACATION์— ์žˆ์Šต๋‹ˆ๋‹ค.
07:39
Which word is stressed here?
137
459210
1330
์—ฌ๊ธฐ์„œ ๊ฐ•์กฐ๋œ ๋‹จ์–ด๋Š”?
07:41
VACATION.
138
461930
960
ํœด๊ฐ€.
07:43
'You're on VACATION'.
139
463110
1365
'๋‹น์‹ ์€ ํœด๊ฐ€ ์ค‘์ž…๋‹ˆ๋‹ค'.
07:44
"Yeah.
140
464685
300
07:44
You INSISTED that we come to SICILY and have this ROMANTIC WEEK".
141
464985
3960
"์˜ˆ.
๋‹น์‹ ์€ ์šฐ๋ฆฌ๊ฐ€ ์‹œ์น ๋ฆฌ์•„์— ์™€์„œ ์ด๋ฒˆ ๋กœ๋งจํ‹ฑํ•œ ์ฃผ๊ฐ„์„ ๊ฐ–๋Š”๋‹ค๊ณ  ์ฃผ์žฅํ–ˆ์Šต๋‹ˆ๋‹ค."
07:49
INSISTED, SICILY, ROMANTIC WEEK โ€“ these are the stressed words.
142
469215
5550
INSISTED, SICILY, ROMANTIC WEEK โ€“ ๊ฐ•์กฐ๋œ ๋‹จ์–ด์ž…๋‹ˆ๋‹ค.
07:55
'You INSISTED', right?
143
475125
1650
'๋‹น์‹ ์ด ์ฃผ์žฅํ–ˆ๋‹ค', ๋งž์ฃ ?
07:57
So she really raises her pitch here to stress the word INSISTED.
144
477105
3790
๊ทธ๋ž˜์„œ ๊ทธ๋…€๋Š” ์—ฌ๊ธฐ์—์„œ INSISTED๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•˜๊ธฐ ์œ„ํ•ด ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋†’์˜€์Šต๋‹ˆ๋‹ค.
08:01
Right?
145
481355
310
08:01
I dunno what you're saying.
146
481665
1290
์˜ค๋ฅธ์ชฝ?
๋‹น์‹ ์ด ๋ฌด์Šจ ๋ง์„ํ•˜๋Š”์ง€ ๋ชจ๋ฅด๊ฒ ์–ด์š”.
08:03
Imagine that she just said it like this: 'you insisted that we come to
147
483044
3361
๊ทธ๋…€๊ฐ€ ๋ฐฉ๊ธˆ ์ด๋ ‡๊ฒŒ ๋งํ–ˆ๋‹ค๊ณ  ์ƒ์ƒํ•ด ๋ณด์‹ญ์‹œ์˜ค : '๋‹น์‹ ์€ ์šฐ๋ฆฌ๊ฐ€ ์‹œ์น ๋ฆฌ์•„์— ์™€์„œ
08:06
Sicily and have this romantic week'.
148
486405
2100
์ด ๋‚ญ๋งŒ์ ์ธ ํ•œ ์ฃผ๋ฅผ ๋ณด๋‚ด์ž๊ณ  ์ฃผ์žฅํ–ˆ์Šต๋‹ˆ๋‹ค'.
08:08
It wouldn't have the same impact, right?
149
488655
2490
๊ฐ™์€ ์˜ํ–ฅ์„ ๋ฏธ์น˜์ง€ ์•Š๊ฒ ์ฃ ?
08:11
So you use your voice to tell the other person what it is that you're feeling.
150
491354
4591
๊ทธ๋ž˜์„œ ๋‹น์‹ ์€ ๋‹น์‹ ์ด ๋Š๋ผ๊ณ  ์žˆ๋Š” ๊ฒƒ์ด ๋ฌด์—‡์ธ์ง€ ์ƒ๋Œ€๋ฐฉ์—๊ฒŒ ๋งํ•˜๊ธฐ ์œ„ํ•ด ๋‹น์‹ ์˜ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค.
08:16
'You INSISTED that we come to SICILY', right?
151
496395
4240
'๋‹น์‹ ์€ ์šฐ๋ฆฌ๊ฐ€ ์‹œ์น ๋ฆฌ์•„์— ์˜จ๋‹ค๊ณ  ์ฃผ์žฅํ–ˆ์ง€', ๊ทธ๋ ‡์ง€?
08:20
And the words that are stressed are longer and higher in pitch.
152
500635
2510
๊ทธ๋ฆฌ๊ณ  ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด๋Š” ๋” ๊ธธ๊ณ  ๋” ๋†’์Šต๋‹ˆ๋‹ค.
08:23
'and have this ROMANTIC WEEK'.
153
503445
2339
'๊ทธ๋ฆฌ๊ณ  ์ด๋ฒˆ ROMANTIC WEEK๋ฅผ ๋ณด๋‚ด์„ธ์š”'.
08:26
Try it out.
154
506354
721
์‚ฌ์šฉํ•ด ๋ณด์„ธ์š”.
08:33
All right.
155
513195
390
08:33
Let's do one more line from the show.
156
513585
2010
๊ดœ์ฐฎ์€.
์‡ผ์—์„œ ํ•œ ์ค„ ๋” ํ•ด๋ด…์‹œ๋‹ค.
08:36
"Listen, I'm in DESPERATE need of a MASSAGE."
157
516625
3049
"๋“ค์–ด๋ด, ๋‚˜๋Š” ๋งˆ์‚ฌ์ง€๊ฐ€ ์ ˆ์‹คํžˆ ํ•„์š”ํ•ด."
08:39
Now, I think that's a sentence that we should all memorize.
158
519825
2700
์ด์ œ ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์™ธ์›Œ์•ผ ํ•  ๋ฌธ์žฅ์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
08:42
'I'm in DESPERATE need of a MASSAGE'.
159
522615
2520
'๋งˆ์‚ฌ์ง€๊ฐ€ ์ ˆ์‹คํžˆ ํ•„์š”ํ•ด'.
08:45
'I'm in DESPERATE need of a MASSAGE'.
160
525645
2310
'๋งˆ์‚ฌ์ง€๊ฐ€ ์ ˆ์‹คํžˆ ํ•„์š”ํ•ด'.
08:48
'uh-vuh-muh', 'of a MASSAGE'.
161
528215
3520
'uh-vuh-muh', '๋งˆ์‚ฌ์ง€์˜'.
08:52
"Is THAT POSSIBLE?"
162
532455
1090
"๊ทธ๊ฒŒ ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๊นŒ?"
08:53
'Is THAT POSSIBLE?' 'Is THAT POSSIBLE?' She's asking, but she's also demanding.
163
533625
6150
'๊ทธ๊ฒŒ ๊ฐ€๋Šฅํ•ด?' '๊ทธ๊ฒŒ ๊ฐ€๋Šฅํ•ด?' ๊ทธ๋…€๋Š” ๋ฌป๊ณ  ์žˆ์ง€๋งŒ ๋˜ํ•œ ์š”๊ตฌํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:59
Can you hear it from her tone of voice?
164
539775
1919
๊ทธ๋…€์˜ ๋ชฉ์†Œ๋ฆฌ ํ†ค์—์„œ ๊ทธ๊ฒƒ์„ ๋“ค์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๊นŒ?
09:01
It's not really a question.
165
541845
1440
์ •๋ง ์งˆ๋ฌธ์ด ์•„๋‹™๋‹ˆ๋‹ค.
09:03
'Is THAT POSSIBLE?' She's dropping her pitch down.
166
543405
3659
'๊ทธ๊ฒŒ ๊ฐ€๋Šฅํ•ด?' ๊ทธ๋…€๋Š” ํ”ผ์น˜๋ฅผ ๋‚ฎ์ถ”๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
09:07
She doesn't say, 'Is that possible?' 'Is that possible?' 'Is THAT POSSIBLE?' Right?
167
547395
5650
๊ทธ๋…€๋Š” '๊ทธ๊ฒŒ ๊ฐ€๋Šฅํ•ด?'๋ผ๊ณ  ๋งํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ' ๊ทธ๊ฒŒ ๊ฐ€๋Šฅํ•ด?' '๊ทธ๊ฒŒ ๊ฐ€๋Šฅํ•ด?' ์˜ค๋ฅธ์ชฝ?
09:13
There is something about this tone and intonation that shows that she knows
168
553425
4769
์ด ์–ด์กฐ์™€ ์–ต์–‘์—๋Š” ๊ทธ๋…€๊ฐ€ ์ž์‹ 
09:18
that her request is going to be answered.
169
558194
2401
์˜ ์š”์ฒญ์ด ์‘๋‹ต๋  ๊ฒƒ์ž„์„ ์•Œ๊ณ  ์žˆ์Œ์„ ๋ณด์—ฌ์ฃผ๋Š” ๋ฌด์–ธ๊ฐ€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ๋•Œ๋•Œ๋กœ
09:21
Something that we should all practice, every now and then.
170
561015
3480
์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์‹ค์ฒœํ•ด์•ผ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค .
09:24
All right, that's it.
171
564975
1440
์ข‹์•„, ๊ทธ๊ฒŒ ๋‹ค์•ผ.
09:26
Now we have collected for you a bunch of different sentences from the
172
566625
4800
์ด์ œ ์šฐ๋ฆฌ๋Š” ์žฅ๋ฉด์— ๋Œ€ํ•œ
09:31
different scenes with links to the scenes, and a phonetic transcript,
173
571425
3870
๋งํฌ๊ฐ€ ์žˆ๋Š” ๋‹ค์–‘ํ•œ ์žฅ๋ฉด์˜ ๋‹ค์–‘ํ•œ ๋ฌธ์žฅ ๊ณผ ๋ฐœ์Œ ํ‘œ๊ธฐ๋ฅผ ์ˆ˜์ง‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
09:35
which means that you will see in front of you the stressed words and the
174
575295
3600
์ฆ‰, ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด์™€
09:38
reduced words, so that you can practice effectively with Jennifer Coolidge,
175
578895
4415
์ถ•์•ฝ๋œ ๋‹จ์–ด๋ฅผ ๋ˆˆ์•ž์—์„œ ๋ณผ ์ˆ˜ ์žˆ์œผ๋ฏ€๋กœ ํšจ๊ณผ์ ์œผ๋กœ ์—ฐ์Šตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
09:43
who is also Tanya from White Lotus.
176
583310
3000
White Lotus์˜ Tanya์ด๊ธฐ๋„ ํ•œ Jennifer Coolidge์™€ ํ•จ๊ป˜.
09:46
I hope you enjoyed it.
177
586550
960
๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ์ฆ๊ฒผ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
09:47
If you did, please consider sharing it with others.
178
587510
3510
๊ทธ๋ ‡๋‹ค๋ฉด ๋‹ค๋ฅธ ์‚ฌ๋žŒ๊ณผ ๊ณต์œ ํ•˜๋Š” ๊ฒƒ์„ ๊ณ ๋ คํ•ด ๋ณด์‹ญ์‹œ์˜ค. ์šฐ๋ฆฌ๊ฐ€ ์ค€๋น„ํ•œ
09:51
Don't forget to download the PDF that we have prepared for you.
179
591020
3030
PDF๋ฅผ ๋‹ค์šด๋กœ๋“œํ•˜๋Š” ๊ฒƒ์„ ์žŠ์ง€ ๋งˆ์‹ญ์‹œ์˜ค .
09:54
And I cannot wait to hear what you think.
180
594199
1500
๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ๋‹น์‹ ์ด ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์„ ๋“ฃ๊ณ  ๊ธฐ๋‹ค๋ฆด ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
09:55
So let me know in the comments below.
181
595699
1891
์•„๋ž˜ ๋Œ“๊ธ€๋กœ ์•Œ๋ ค์ฃผ์„ธ์š”.
09:57
If you enjoyed this episode, check out my website at hadarshemesh.com for many
182
597740
5250
์ด ์—ํ”ผ์†Œ๋“œ๊ฐ€ ๋งˆ์Œ์— ๋“œ์…จ๋‹ค๋ฉด ์ œ ์›น์‚ฌ์ดํŠธ(hadarshemesh.com)์—์„œ
10:02
more and many other resources for you.
183
602990
2635
๋” ๋งŽ์€ ๋ฆฌ์†Œ์Šค๋ฅผ ํ™•์ธํ•˜์‹ญ์‹œ์˜ค. Instagram(@hadar.accentsway)
10:05
You can also follow me on Instagram at @hadar.accentsway.
184
605625
3970
์—์„œ ๋‚˜๋ฅผ ํŒ”๋กœ์šฐํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค .
10:09
Have a beautiful, beautiful rest of the week, and I will see you
185
609825
2850
๋‚จ์€ ํ•œ์ฃผ๋„ ์•„๋ฆ„๋‹ต๊ณ  ์•„๋ฆ„๋‹ต๊ฒŒ ๋ณด๋‚ด์‹œ๊ณ 
10:12
next week in the next video.
186
612675
2130
๋‹ค์Œ์ฃผ์— ๋‹ค์Œ ์˜์ƒ์œผ๋กœ ์ฐพ์•„๋ต™๊ฒ ์Šต๋‹ˆ๋‹ค.
10:15
Bye.
187
615555
450
์•ˆ๋…•.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

https://forms.gle/WvT1wiN1qDtmnspy7