Learn 24 English Consonant Sounds in 70 Minutes | Pronunciation Compilation | Rachel's English

292,505 views ใƒป 2021-07-06

Rachel's English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Get better clarity with your spoken English by fully understanding all the consonant sounds
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๋ชจ๋“  ์ž์Œ ์†Œ๋ฆฌ๋ฅผ ์™„์ „ํžˆ ์ดํ•ดํ•˜์—ฌ ๊ตฌ์–ด์ฒด ์˜์–ด๋ฅผ ๋” ๋ช…ํ™•ํ•˜๊ฒŒ ์ดํ•ดํ•˜์„ธ์š”
00:05
we have in American English.
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00:07
Today is a compilation of every single consonant sound you need to know.
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์˜ค๋Š˜์€ ์—ฌ๋Ÿฌ๋ถ„์ด ์•Œ์•„์•ผ ํ•  ๋ชจ๋“  ๋‹จ์ผ ์ž์Œ ๋ชจ์Œ์ง‘์ž…๋‹ˆ๋‹ค .
00:12
Some will be easy for you.
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์ผ๋ถ€๋Š” ๋‹น์‹ ์—๊ฒŒ ์‰ฌ์šธ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:14
You have them in your own native language.
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๋‹น์‹ ์€ ๋‹น์‹ ์˜ ๋ชจ๊ตญ์–ด๋กœ ๊ทธ๊ฒƒ๋“ค์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
00:16
Great!
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00:16
Just practice the words.
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์—„์ฒญ๋‚œ!
๋‹จ์–ด๋ฅผ ์—ฐ์Šตํ•˜์‹ญ์‹œ์˜ค.
00:18
Others will be tricky, unfamiliar.
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๋‹ค๋ฅธ ๊ฒƒ๋“ค์€ ๊นŒ๋‹ค๋กญ๊ณ  ์ƒ์†Œํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:20
Use the photos to study the position and the up-close slow motion shots.
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์‚ฌ์ง„์„ ์‚ฌ์šฉํ•˜์—ฌ ์œ„์น˜์™€ ํด๋กœ์ฆˆ์—… ์Šฌ๋กœ์šฐ ๋ชจ์…˜ ์ƒท์„ ์—ฐ๊ตฌํ•ฉ๋‹ˆ๋‹ค.
00:26
This will help make it clear, for example, how much of the tongue tip needs to come through
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์ด๊ฒƒ์€ ์˜ˆ๋ฅผ ๋“ค์–ด ํ˜€๋์ด ์น˜์•„๋ฅผ ํ†ตํ•ด ์–ผ๋งˆ๋‚˜ ๋งŽ์ด ๋‚˜์™€์•ผ ํ•˜๋Š”์ง€ ๋ช…ํ™•ํ•˜๊ฒŒ ํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค
00:30
the teeth for the th.
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00:31
Itโ€™s not much.
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๊ทธ๋‹ค์ง€ ๋งŽ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
00:33
Why not start with the th?
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์ผ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜์ง€ ์•Š๊ฒ ์Šต๋‹ˆ๊นŒ? ๋›ฐ์–ด ๋“ค์–ด ๋ด…์‹œ๋‹ค
00:35
Letโ€™s dive in.
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00:36
These sounds are paired together because they take the same mouth position.
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์ด ์†Œ๋ฆฌ๋Š” ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
00:42
TH is unvoiced, meaning, only air passes through the mouth, and TH is voiced, meaning you make
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TH๋Š” ๋ฌด์„ฑ์œผ๋กœ ๊ณต๊ธฐ๋งŒ ์ž…์œผ๋กœ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์ด๊ณ , TH๋Š”
00:52
a sound with the vocal cords, th, th.
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์œ ์„ฑ์œผ๋กœ ์„ฑ๋Œ€๋กœ ์†Œ๋ฆฌ๋ฅผ ๋‚ธ๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค.
00:58
The very tip of the tongue comes through the teeth.
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ํ˜€๋์ด ์น˜์•„๋ฅผ ํ†ตํ•ด ๋‚˜์˜ต๋‹ˆ๋‹ค .
01:02
The air passes around the tongue.
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๊ณต๊ธฐ๋Š” ํ˜€ ์ฃผ์œ„๋ฅผ ํ†ต๊ณผํ•ฉ๋‹ˆ๋‹ค.
01:05
The tongue is relaxed.
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ํ˜€๊ฐ€ ์ด์™„๋ฉ๋‹ˆ๋‹ค.
01:06
There shouldnโ€™t be any pressure in the mouth, or a stop quality to this sound.
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์ž…์— ์••๋ ฅ์ด ๊ฐ€ํ•ด์ง€๊ฑฐ๋‚˜ ์ด ์†Œ๋ฆฌ๊ฐ€ ๋ฉˆ์ถ”๋ฉด ์•ˆ ๋ฉ๋‹ˆ๋‹ค.
01:14
Just nice and easy, th, th.
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๋ฉ‹์ง€๊ณ  ์‰ฝ์Šต๋‹ˆ๋‹ค.
01:20
The tongue has to easily vibrate between the teeth, so keep the tongue soft and relaxed.
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ํ˜€๋Š” ์น˜์•„ ์‚ฌ์ด์—์„œ ์‰ฝ๊ฒŒ ์ง„๋™ํ•ด์•ผ ํ•˜๋ฏ€๋กœ ํ˜€๋ฅผ ๋ถ€๋“œ๋Ÿฝ๊ณ  ํŽธ์•ˆํ•˜๊ฒŒ ์œ ์ง€ํ•˜์‹ญ์‹œ์˜ค.
01:28
Th, th.
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์ผ, ์ผ.
01:31
The lips donโ€™t affect the sound, so they can be transitioning to the next sound.
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์ž…์ˆ ์€ ์†Œ๋ฆฌ์— ์˜ํ–ฅ์„ ์ฃผ์ง€ ์•Š์œผ๋ฏ€๋กœ ๋‹ค์Œ ์†Œ๋ฆฌ๋กœ ์ „ํ™˜๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:38
For example, in the THR cluster, the lips will round a little bit for the R as you make
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์˜ˆ๋ฅผ ๋“ค์–ด THR ํด๋Ÿฌ์Šคํ„ฐ์—์„œ ์ž…์ˆ ์€ TH: three, three๋ฅผ ๋งŒ๋“ค ๋•Œ R์— ๋Œ€ํ•ด ์•ฝ๊ฐ„ ๋‘ฅ๊ธ€๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
01:45
the TH: three, three.
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.
01:51
Be careful with the tongue tip.
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ํ˜€๋์„ ์กฐ์‹ฌํ•˜์„ธ์š”.
01:54
Make sure it doesnโ€™t come too far forward; itโ€™s just the very tip that should come
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๋„ˆ๋ฌด ์•ž์œผ๋กœ ๋‚˜์˜ค์ง€ ์•Š๋„๋ก ํ•˜์‹ญ์‹œ์˜ค. ์น˜์•„ ์‚ฌ์ด์— ์™€์•ผ ํ•  ๋ฐ”๋กœ ๊ทธ ํŒ์ž…๋‹ˆ๋‹ค
01:59
between the teeth.
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02:01
To make the unvoiced TH, the tongue tip absolutely has to come through the teeth, th, th.
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๋ฌด์„ฑ์Œ TH๋ฅผ ๋งŒ๋“ค๋ ค๋ฉด ํ˜€๋์ด ๋ฐ˜๋“œ์‹œ ์ด๋ฅผ th, th๋ฅผ ํ†ต๊ณผํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
02:10
But the voiced TH can be different.
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๊ทธ๋Ÿฌ๋‚˜ ์œ ์„ฑ์Œ TH๋Š” ๋‹ค๋ฅผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
02:14
When itโ€™s in an unstressed, quick word like โ€˜theseโ€™ or โ€˜theโ€™, the tongue tip doesnโ€™t
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'these' ๋˜๋Š” 'the'์™€ ๊ฐ™์ด ๊ฐ•์„ธ๊ฐ€ ์—†๊ณ  ๋น ๋ฅธ ๋‹จ์–ด์ผ ๋•Œ๋Š” ํ˜€๋์ด ์ด๋ฅผ
02:22
have to come through the teeth.
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ํ†ตํ•ด ๋‚˜์˜ฌ ํ•„์š”๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.
02:25
It can press behind the teeth.
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๊ทธ๊ฒƒ์€ ์น˜์•„ ๋’ค์— ๋ˆ„๋ฅผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
02:27
Make sure the tongue isnโ€™t at the roof of the mouth, or pointing down, but pressing
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ํ˜€๊ฐ€ ์ž…์ฒœ์žฅ์— ์žˆ๊ฑฐ๋‚˜ ์•„๋ž˜์ชฝ์„ ํ–ฅํ•˜์ง€ ์•Š๊ณ 
02:33
right in the middle, where the teeth come together.
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์น˜์•„๊ฐ€ ๋ชจ์ด๋Š” ์ค‘์•™์„ ๋ˆ„๋ฅด๋„๋ก ํ•ฉ๋‹ˆ๋‹ค .
02:40
If itโ€™s not in the right position, the sound will be wrong.
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์˜ฌ๋ฐ”๋ฅธ ์œ„์น˜์— ์žˆ์ง€ ์•Š์œผ๋ฉด ์†Œ๋ฆฌ๊ฐ€ ์ž˜๋ชป๋ฉ๋‹ˆ๋‹ค.
02:44
Th, th, these, the.
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Th, th, ์ด๊ฒƒ๋“ค, the.
02:51
This tongue shortcut works in these words because theyโ€™re unstressed.
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์ด ํ˜€ ๋‹จ์ถ•ํ‚ค๋Š” ์ŠคํŠธ๋ ˆ์Šค๊ฐ€ ์—†๊ธฐ ๋•Œ๋ฌธ์— ์ด๋Ÿฌํ•œ ๋‹จ์–ด์—์„œ ์ž‘๋™ํ•ฉ๋‹ˆ๋‹ค .
02:56
So when you donโ€™t bring your tongue tip through the teeth, it allows you to make these
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๋”ฐ๋ผ์„œ ํ˜€๋์„ ์ด๋ฅผ ํ†ตํ•ด ๊ฐ€์ ธ์˜ค์ง€ ์•Š์œผ๋ฉด
03:01
less important words quickly.
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๋œ ์ค‘์š”ํ•œ ๋‹จ์–ด๋ฅผ ๋น ๋ฅด๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
03:04
These, the.
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์ด๋“ค.
03:07
Letโ€™s look at these sounds up close and in slow motion.
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์ด ์†Œ๋ฆฌ๋ฅผ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์—์„œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ์น˜์•„์—์„œ
03:12
Notice how itโ€™s just the very tip that comes out of the teeth.
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๋‚˜์˜ค๋Š” ๋ฐ”๋กœ ๊ทธ ํŒ์ด๋ผ๋Š” ์ ์— ์ฃผ๋ชฉํ•˜์‹ญ์‹œ์˜ค .
03:17
The tongue is relaxed.
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ํ˜€๊ฐ€ ์ด์™„๋ฉ๋‹ˆ๋‹ค.
03:18
The teeth surround it, but theyโ€™re not clamping down on it.
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์น˜์•„๊ฐ€ ๊ทธ๊ฒƒ์„ ๋‘˜๋Ÿฌ์‹ธ๊ณ  ์žˆ์ง€๋งŒ ๋‹จ๋‹จํžˆ ๊ณ ์ •ํ•˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค.
03:23
The lips and face are relaxed.
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์ž…์ˆ ๊ณผ ์–ผ๊ตด์ด ์ด์™„๋ฉ๋‹ˆ๋‹ค.
03:27
Throw.
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๋˜์ง€๋‹ค. ๋ฌด์„ฑ์Œ TH์—์„œ ํ˜€๊ฐ€ ์ด๋ฅผ ํ†ตํ•ด ๋‚˜์˜ฌ ๋•Œ R์—์„œ
03:28
Notice how the lips are starting to flare for the R as the tongue comes through the
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์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ธฐ ์‹œ์ž‘ํ•˜๋Š” ๊ฒƒ์„ ์ฃผ๋ชฉํ•˜์‹ญ์‹œ์˜ค
03:33
teeth for the unvoiced TH.
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.
03:38
Birthday.
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์ƒ์ผ.
03:40
Keep in mind when you only stick the very tip of your tongue out, the movement into
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ํ˜€ ๋๋งŒ ๋‚ด๋ฐ€๋ฉด
03:45
other sounds isnโ€™t as hard as you might think.
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๋‹ค๋ฅธ ์†Œ๋ฆฌ๋กœ ์ด๋™ํ•˜๋Š” ๊ฒƒ์ด ์ƒ๊ฐ๋งŒํผ ์–ด๋ ต์ง€ ์•Š๋‹ค๋Š” ๊ฒƒ์„ ๋ช…์‹ฌํ•˜์‹ญ์‹œ์˜ค .
03:48
Watch the tongue tip come in and flip up for the D.
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ํ˜€ ๋์ด ๋“ค์–ด์™€ D๋ฅผ ์œ„ํ•ด ์œ„๋กœ ๋’ค์ง‘๋Š” ๊ฒƒ์„ ์ง€์ผœ๋ณด์‹ญ์‹œ์˜ค.
03:53
This is a quick move of the tongue that you can practice over and over to make it more
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์ด๊ฒƒ์€ ๋” ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ๋ฐ˜๋ณตํ•ด์„œ ์—ฐ์Šตํ•  ์ˆ˜ ์žˆ๋Š” ํ˜€์˜ ๋น ๋ฅธ ์›€์ง์ž„์ž…๋‹ˆ๋‹ค
03:59
natural.
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.
04:01
Brother.
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ํ˜•์ œ.
04:03
Tongue tip through the teeth for the voiced TH.
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์œ ์„ฑ์Œ TH์˜ ๊ฒฝ์šฐ ์ด๋ฅผ ํ†ตํ•ด ํ˜€ ๋์„ ๋‚ด๋ฐ‰๋‹ˆ๋‹ค .
04:07
Lips and tongue are relaxed.
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์ž…์ˆ ๊ณผ ํ˜€๊ฐ€ ์ด์™„๋ฉ๋‹ˆ๋‹ค.
04:10
Worth, ending in the unvoiced TH.
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๋ฌด์„ฑ์Œ TH๋กœ ๋๋‚ฉ๋‹ˆ๋‹ค.
04:15
Again, the lips and tongue look very relaxed.
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ž…์ˆ ๊ณผ ํ˜€๋Š” ๋งค์šฐ ํŽธ์•ˆํ•ด ๋ณด์ž…๋‹ˆ๋‹ค. ์ด ์†Œ๋ฆฌ๋ฅผ ์—ฐ์Šตํ•  ๋•Œ
04:21
Remember to keep your tongue relaxed and soft when you practice this sound.
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ํ˜€๋ฅผ ํŽธ์•ˆํ•˜๊ณ  ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ์œ ์ง€ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค .
04:27
The voiced and unvoiced TH: throw, birthday, brother, worth.
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์œ ์„ฑ์Œ ๋ฐ ๋ฌด์„ฑ์Œ TH: ๋˜์ง€๊ธฐ, ์ƒ์ผ, ํ˜•์ œ, ๊ฐ€์น˜.
04:41
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
04:43
Repeat with me.
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๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค.
04:45
Other
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๊ธฐํƒ€ ์–ด๋Š
04:52
Either
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์ชฝ์ด๋“ 
05:01
Though
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05:09
Thursday
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๋ชฉ์š”์ผ์ด ์•„๋‹ˆ๋ฉด ๋‚จ์ชฝ์ด
05:17
Nothing
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์•„๋‹˜
05:25
South
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05:31
The R in American English is also such a tough sound for my students to get.
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๋ฏธ๊ตญ ์˜์–ด์˜ R๋„ ์ œ ํ•™์ƒ๋“ค์ด ๋“ฃ๊ธฐ์—๋Š” ๋„ˆ๋ฌด ํž˜๋“  ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
05:36
Hereโ€™s the thing, most people needs to simplify.
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๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์€ ๋‹จ์ˆœํ™”ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
05:39
Do less with the tongue.
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ํ˜€๋ฅผ ์ ๊ฒŒ ์‚ฌ์šฉํ•˜์‹ญ์‹œ์˜ค.
05:41
Maybe round the lips a little bit more but take out tension.
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์ž…์ˆ ์„ ์กฐ๊ธˆ ๋” ๋™๊ทธ๋ž—๊ฒŒ ๋ง์•„์ฃผ๋˜ ํ…์…˜์€ ๋นผ์ฃผ์„ธ์š”.
05:45
Take a look.
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๊ตฌ๊ฒฝํ•˜๋‹ค.
05:46
This is truly one of the hardest sounds in American English.
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์ด๊ฒƒ์€ ์ง„์ •์œผ๋กœ ๋ฏธ๊ตญ ์˜์–ด์—์„œ ๊ฐ€์žฅ ์–ด๋ ค์šด ์†Œ๋ฆฌ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค .
05:51
Before I go into how to make it, I want to talk about how not to make it.
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๋งŒ๋“œ๋Š” ๋ฐฉ๋ฒ•์„ ์„ค๋ช…ํ•˜๊ธฐ ์ „์— ๋งŒ๋“ค์ง€ ์•Š๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
05:57
In many languages, the R is made by bouncing the front part of the tongue against the roof
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๋งŽ์€ ์–ธ์–ด์—์„œ R์€ ํ˜€์˜ ์•ž๋ถ€๋ถ„์„ ์ž…์ฒœ์žฅ์— ๋Œ€๊ณ  ํŠ•๊ฒจ์„œ ๋งŒ๋“ญ๋‹ˆ๋‹ค(
06:03
of the mouth, rr, rr.
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rr, rr).
06:07
In American English, this sound of the T or D between vowels, but itโ€™s quite different
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๋ฏธ๊ตญ์‹ ์˜์–ด์—์„œ๋Š” ๋ชจ์Œ ์‚ฌ์ด์— T๋‚˜ D๊ฐ€ ๋‚˜์˜ค๋Š” ์†Œ๋ฆฌ์ธ๋ฐ,
06:15
from the American R, rr.
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๋ฏธ๊ตญ์‹ R, rr๊ณผ๋Š” ์‚ฌ๋ญ‡ ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
06:20
You canโ€™t hold out rr, rr, but you should be able to hold out the American R, rr.
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rr, rr์€ ๋ฒ„ํ‹ธ ์ˆ˜ ์—†์ง€๋งŒ American R, rr์€ ๋ฒ„ํ‹ธ ์ˆ˜ ์žˆ์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
06:30
This consonant is voiced.
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์ด ์ž์Œ์€ ์œ ์„ฑ์Œ์ž…๋‹ˆ๋‹ค.
06:33
There are two ways to make this sound.
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์ด ์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“œ๋Š” ๋ฐฉ๋ฒ•์—๋Š” ๋‘ ๊ฐ€์ง€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
06:36
In the first way, the front part of the tongue pulls back and up, like this.
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์ฒซ ๋ฒˆ์งธ ๋ฐฉ๋ฒ•์œผ๋กœ ํ˜€์˜ ์•ž๋ถ€๋ถ„์ด ์ด๋ ‡๊ฒŒ ๋’ค๋กœ ๋‹น๊ฒจ์ง‘๋‹ˆ๋‹ค.
06:47
The tongue can be stretched so itโ€™s long and skinny, or it can be pulled into itself
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ํ˜€๋ฅผ ๋Š˜๋ ค์„œ ๊ธธ๊ณ  ๊ฐ€๋Š˜๊ฒŒ ๋งŒ๋“ค ์ˆ˜๋„ ์žˆ๊ณ  , ๋Œ์–ด๋‹น๊ฒจ์„œ ๋”
06:53
so itโ€™s fatter and thicker.
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๋šฑ๋šฑํ•˜๊ณ  ๋‘๊ป๊ฒŒ ๋งŒ๋“ค ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
06:56
And thatโ€™s what we want here.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ์šฐ๋ฆฌ๊ฐ€ ์—ฌ๊ธฐ์„œ ์›ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:58
Weโ€™re making the tongue fatter and thicker so itโ€™s not as long.
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์šฐ๋ฆฌ๋Š” ํ˜€๋ฅผ ๋” ๋‘๊ป๊ณ  ๋‘๊ป๊ฒŒ ๋งŒ๋“ค์–ด ๊ทธ๋ ‡๊ฒŒ ๊ธธ์ง€ ์•Š๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
07:03
The back doesnโ€™t move.
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๋“ฑ์ด ์›€์ง์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
07:05
This is happening with the front and middle of the tongue.
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์ด๊ฒƒ์€ ํ˜€์˜ ์•ž๊ณผ ์ค‘๊ฐ„์—์„œ ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค .
07:09
The middle part of the tongue lifts up towards the roof of the mouth.
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ํ˜€์˜ ์ค‘๊ฐ„ ๋ถ€๋ถ„์ด ์ž…์ฒœ์žฅ์„ ํ–ฅํ•ด ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค .
07:13
You can touch the sides of the tongue to the sides of the roof of the mouth here, or to
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์—ฌ๊ธฐ์—์„œ๋Š” ํ˜€์˜ ์ธก๋ฉด์„ ์ž…์ฒœ์žฅ ์ธก๋ฉด์ด๋‚˜
07:19
the inside or bottom of the side teeth, here.
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์—ฌ๊ธฐ์—์„œ๋Š” ์ธก๋ฉด ์น˜์•„์˜ ์•ˆ์ชฝ์ด๋‚˜ ๋ฐ”๋‹ฅ์— ๋‹ฟ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:24
The front part of the tongue is hanging in the middle of the mouth, not touching anything.
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ํ˜€์˜ ์•ž๋ถ€๋ถ„์€ ์ž… ์ค‘์•™์— ๋งค๋‹ฌ๋ ค ์žˆ์–ด ์•„๋ฌด๊ฒƒ๋„ ๊ฑด๋“œ๋ฆฌ์ง€ ์•Š๋Š”๋‹ค.
07:30
This sound is forward and focused because of the position of the lips.
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์ด ์†Œ๋ฆฌ๋Š” ์ž…์ˆ ์˜ ์œ„์น˜ ๋•Œ๋ฌธ์— ์•ž์œผ๋กœ ํ–ฅํ•˜๊ณ  ์ง‘์ค‘๋ฉ๋‹ˆ๋‹ค.
07:36
The corners come in, pushing the lips away from the face.
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๋ชจ์„œ๋ฆฌ๊ฐ€ ๋“ค์–ด์™€ ์ž…์ˆ ์„ ์–ผ๊ตด์—์„œ ๋ฐ€์–ด๋ƒ…๋‹ˆ๋‹ค.
07:40
This lip position will be a little more relaxed when the R comes at the end of a syllable.
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์ด ์ž…์ˆ  ์œ„์น˜๋Š” R์ด ์Œ์ ˆ ๋์— ์˜ฌ ๋•Œ ์ข€ ๋” ํŽธ์•ˆํ•ด์ง‘๋‹ˆ๋‹ค.
07:47
Weโ€™ll compare this way, on the left, with the other way to make an R on the right.
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์šฐ๋ฆฌ๋Š” ์™ผ์ชฝ์—์„œ ์ด ๋ฐฉ๋ฒ•์„ ์˜ค๋ฅธ์ชฝ์—์„œ R์„ ๋งŒ๋“œ๋Š” ๋‹ค๋ฅธ ๋ฐฉ๋ฒ•๊ณผ ๋น„๊ตํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:54
The R can also be made by flipping the tongue tip up.
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R์€ ํ˜€ ๋์„ ์œ„๋กœ ์˜ฌ๋ ค์„œ ๋งŒ๋“ค ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค .
07:59
The lips flare the same way.
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์ž…์ˆ ๋„ ๊ฐ™์€ ๋ฐฉ์‹์œผ๋กœ ๋ฒŒ์–ด์ง‘๋‹ˆ๋‹ค.
08:01
Some native speakers make the R one way, and some the other.
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์ผ๋ถ€ ์›์–ด๋ฏผ์€ R์„ ํ•œ ๋ฐฉํ–ฅ์œผ๋กœ ๋งŒ๋“ค๊ณ  ์ผ๋ถ€๋Š” ๋‹ค๋ฅธ ๋ฐฉํ–ฅ์œผ๋กœ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
08:07
Native speakers get the correct sound, no matter the mouth position.
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์›์–ด๋ฏผ์€ ์ž… ์œ„์น˜์— ๊ด€๊ณ„์—†์ด ์ •ํ™•ํ•œ ์†Œ๋ฆฌ๋ฅผ ๋“ฃ์Šต๋‹ˆ๋‹ค .
08:12
But Iโ€™ve found that non-native speakers drop the jaw too much in this second method,
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๊ทธ๋Ÿฐ๋ฐ ์ €๋Š” ์ด ๋‘ ๋ฒˆ์งธ ๋ฐฉ๋ฒ•์—์„œ ๋น„์›์–ด๋ฏผ์ด ๋„ˆ๋ฌด ํ„ฑ์„ ๋–จ์–ด๋œจ๋ฆฌ๊ณ 
08:19
and it makes the sound hollow, rr.
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์†Œ๋ฆฌ๋ฅผ ๊ณตํ—ˆํ•˜๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฒƒ์„ ๋ฐœ๊ฒฌํ–ˆ์Šต๋‹ˆ๋‹ค. ์ด ์†Œ๋ฆฌ, rr์„
08:23
The jaw doesnโ€™t need to drop very much for this sound, rr, so keep this in mind as you
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์œ„ํ•ด ํ„ฑ์„ ๋งŽ์ด ๋–จ์–ด๋œจ๋ฆด ํ•„์š”๊ฐ€ ์—†์œผ๋ฏ€๋กœ
08:32
work on one of these two methods.
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์ด ๋‘ ๊ฐ€์ง€ ๋ฐฉ๋ฒ• ์ค‘ ํ•˜๋‚˜๋ฅผ ์ž‘์—…ํ•  ๋•Œ ์ด ์ ์„ ์—ผ๋‘์— ๋‘์‹ญ์‹œ์˜ค.
08:35
Here is the R sound on its own, not part of a word.
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๋‹ค์Œ์€ ๋‹จ์–ด์˜ ์ผ๋ถ€๊ฐ€ ์•„๋‹Œ R ์†Œ๋ฆฌ ์ž์ฒด์ž…๋‹ˆ๋‹ค .
08:40
You can see the lips flare.
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์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๋Š” ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ž…์ˆ  ์•ˆ์ชฝ๊ณผ ์น˜์•„
08:42
Think of creating a little space between the inside of your lips and your teeth.
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์‚ฌ์ด์— ์•ฝ๊ฐ„์˜ ๊ณต๊ฐ„์„ ๋งŒ๋“œ๋Š” ๊ฒƒ์„ ์ƒ๊ฐํ•˜์‹ญ์‹œ์˜ค .
08:48
Notice how little jaw drop there is.
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ํ„ฑ์ด ์–ผ๋งˆ๋‚˜ ์ž‘์€์ง€ ํ™•์ธํ•˜์‹ญ์‹œ์˜ค. ํ˜€๋ฅผ ์•ž๋’ค๋กœ
08:51
We donโ€™t need to drop the jaw to pull the tongue back and up.
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๋‹น๊ธฐ๊ธฐ ์œ„ํ•ด ํ„ฑ์„ ๋–จ์–ด๋œจ๋ฆด ํ•„์š”๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค .
08:56
The word โ€˜restโ€™.
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'์‰ผ'์ด๋ผ๋Š” ๋‹จ์–ด.
08:58
When the R is at the beginning of a word, we tend to make the lips a tight circle.
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R์ด ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์— ์žˆ์„ ๋•Œ ์šฐ๋ฆฌ๋Š” ์ž…์ˆ ์„ ๊ฝ‰ ์กฐ์ด๋Š” ์›์œผ๋กœ ๋งŒ๋“œ๋Š” ๊ฒฝํ–ฅ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
09:05
Again, little jaw drop as the middle of the tongue lifts to the roof of the mouth.
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ํ˜€์˜ ์ค‘์•™์ด ์ž…์ฒœ์žฅ์œผ๋กœ ์˜ฌ๋ผ๊ฐ€๋ฉด์„œ ํ„ฑ์ด ์•ฝ๊ฐ„ ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค.
09:14
The word โ€˜proudโ€™.
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์ž๋ž‘์Šค๋Ÿฝ๋‹ค'๋Š” ๋ง.
09:16
When R is in a beginning consonant cluster, the lips may not be as tight as in a beginning
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R์ด ์‹œ์ž‘ ์ž์Œ ํด๋Ÿฌ์Šคํ„ฐ์— ์žˆ์„ ๋•Œ ์ž…์ˆ ์€ ์‹œ์ž‘ R์—์„œ์ฒ˜๋Ÿผ ๊ผญ ๋‹ค๋ฌผ์ง€ ์•Š์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
09:22
R.
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09:25
The word โ€˜motherโ€™.
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๋‹จ์–ด 'mother'.
09:28
At the end of a syllable, the lip position for the R is definitely more relaxed than
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์Œ์ ˆ ๋์—์„œ R์˜ ์ž…์ˆ  ์œ„์น˜๋Š” ์‹œ์ž‘ R ๋ณด๋‹ค ํ™•์‹คํžˆ ๋” ํŽธ์•ˆ
09:34
a beginning R, but the lips still flare.
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ํ•˜์ง€๋งŒ ์ž…์ˆ ์€ ์—ฌ์ „ํžˆ โ€‹โ€‹๋ฒŒ์–ด์ง‘๋‹ˆ๋‹ค.
09:39
Here, we compare the lip position of the beginning R in โ€˜restโ€™, above, to the ending R in
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์—ฌ๊ธฐ์„œ๋Š” ์œ„์˜ 'rest'์—์„œ ์‹œ์ž‘ R์˜ ์ž…์ˆ  ์œ„์น˜์™€
09:45
โ€˜motherโ€™, below.
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์•„๋ž˜์˜ 'mother'์—์„œ ๋ R์˜ ์ž…์ˆ  ์œ„์น˜๋ฅผ ๋น„๊ตํ•ฉ๋‹ˆ๋‹ค.
09:48
The ending R lip position is much more relaxed.
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๋ R ์ž…์ˆ  ์œ„์น˜๋Š” ํ›จ์”ฌ ๋” ํŽธ์•ˆํ•ฉ๋‹ˆ๋‹ค.
09:53
Thinking about the lip position will help you make a better R sound.
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์ž…์ˆ  ์œ„์น˜๋ฅผ ์ƒ๊ฐํ•˜๋ฉด ๋” ๋‚˜์€ R ์†Œ๋ฆฌ๋ฅผ ๋‚ผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
09:58
As you work on this consonant, practice very slowly, thinking about all three things at
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์ด ์ž์Œ์„ ์—ฐ์Šตํ•˜๋ฉด์„œ ํ•œ ๋ฒˆ์— ์„ธ ๊ฐ€์ง€๋ฅผ ๋ชจ๋‘ ์ƒ๊ฐํ•˜๋ฉด์„œ ์•„์ฃผ ์ฒœ์ฒœํžˆ ์—ฐ์Šตํ•˜์„ธ์š”
10:04
once.
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.
10:05
Very little jaw drop, the tongue position, and the lip position.
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์•„์ฃผ ์ž‘์€ ํ„ฑ ๋“œ๋กญ, ํ˜€ ์œ„์น˜, ์ž…์ˆ  ์œ„์น˜.
10:11
Remember, you can hold out this sound, so thatโ€™s how you want to practice it, rrrr.
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๊ธฐ์–ตํ•˜์„ธ์š”, ์ด ์†Œ๋ฆฌ๋ฅผ ๋ฒ„ํ‹ธ ์ˆ˜ ์žˆ์œผ๋‹ˆ ๊ทธ๋ ‡๊ฒŒ ์—ฐ์Šตํ•˜์„ธ์š”, rrrr.
10:21
Hold it out for 5 or 10 seconds; hold it out as long as you can.
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5์ดˆ ๋˜๋Š” 10์ดˆ ๋™์•ˆ ์œ ์ง€ํ•ฉ๋‹ˆ๋‹ค. ๋‹น์‹ ์ด ํ•  ์ˆ˜์žˆ๋Š” ํ•œ ๊ทธ๊ฒƒ์„ ์žก์•„.
10:28
When you practice it in a word, do the same.
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๋‹จ์–ด๋กœ ์—ฐ์Šตํ•  ๋•Œ๋„ ๋˜‘๊ฐ™์ด ํ•˜์„ธ์š”.
10:31
Rrrrrrrest, prrrrrroud, motherrrrrr.
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Rrrrrrrest, prrrrrroud, motherrrrr.
10:43
The R sound: rest, proud, mother.
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R ๋ฐœ์Œ: ํœด์‹, ์ž๋ž‘, ์–ด๋จธ๋‹ˆ.
10:51
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
10:54
Repeat with me:
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์ €์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•˜์„ธ์š”:
10:56
Read
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Read
11:04
Great
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Great
11:11
Try
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Try
11:19
Later
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Later
11:27
Right
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Right
11:35
Other
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Other
11:42
And now, back to back youโ€™ll see all the other consonant sounds in American English.
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์ด์ œ ์—ฐ์†ํ•ด์„œ ๋ฏธ๊ตญ ์˜์–ด์˜ ๋‹ค๋ฅธ ๋ชจ๋“  ์ž์Œ ์†Œ๋ฆฌ๋ฅผ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ํ•˜๋‚˜๋Š”
11:47
Weโ€™re going to start with the pairs like TH where there are two sounds together because
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11:53
one is voiced and the other is unvoiced but they have the same mouth position.
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์œ ์„ฑ์Œ์ด๊ณ  ๋‹ค๋ฅธ ํ•˜๋‚˜๋Š” ๋ฌด์„ฑ์Œ์ด์ง€๋งŒ ์ž… ์œ„์น˜๊ฐ€ ๋™์ผํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋‘ ๊ฐ€์ง€ ์†Œ๋ฆฌ๊ฐ€ ํ•จ๊ป˜ ์žˆ๋Š” TH์™€ ๊ฐ™์€ ์Œ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค.
11:58
Then weโ€™ll get in to single sounds like R.
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๊ทธ๋Ÿฐ ๋‹ค์Œ R๊ณผ ๊ฐ™์€ ๋‹จ์ผ ์†Œ๋ฆฌ์— ๋“ค์–ด๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
12:01
The P and B consonants.
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P์™€ B ์ž์Œ.
12:04
These two sounds are paired together because they take the same mouth position.
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์ด ๋‘ ์†Œ๋ฆฌ๋Š” ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
12:10
P is unvoiced, pp, meaning only air passes through the mouth.
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P๋Š” ๋ฌด์„ฑ์Œ, pp๋กœ ๊ณต๊ธฐ๋งŒ ์ž…์„ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค.
12:18
And B is voiced, bb, meaning, you make a sound with the vocal cords, bb.
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๊ทธ๋ฆฌ๊ณ  B๋Š” ์„ฑ๋Œ€ bb๋กœ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค .
12:27
The lips stay together while the teeth part a little.
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์น˜์•„๊ฐ€ ์•ฝ๊ฐ„ ๊ฐˆ๋ผ์ง€๋Š” ๋™์•ˆ ์ž…์ˆ ์€ ํ•จ๊ป˜ ์œ ์ง€๋ฉ๋‹ˆ๋‹ค .
12:31
The tongue position doesnโ€™t matter for these consonants, so the tongue can start to get
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ํ˜€์˜ ์œ„์น˜๋Š” ์ด๋Ÿฌํ•œ ์ž์Œ์— ์ค‘์š”ํ•˜์ง€ ์•Š์œผ๋ฏ€๋กœ ํ˜€๋Š”
12:37
into position for the next sound.
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๋‹ค์Œ ์†Œ๋ฆฌ๋ฅผ ์œ„ํ•ด ์œ„์น˜๋ฅผ ์žก๊ธฐ ์‹œ์ž‘ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
12:41
For example, if the next sound is the R consonant, the tongue can move back and up for the R
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์˜ˆ๋ฅผ ๋“ค์–ด, ๋‹ค์Œ ์†Œ๋ฆฌ๊ฐ€ R ์ž์Œ์ด๋ฉด ํ˜€๋Š” R์„ ์œ„ํ•ด ์•ž๋’ค๋กœ ์›€์ง์ผ ์ˆ˜
12:48
while the lips close for the B, bring.
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์žˆ๊ณ  B๋Š” ์ž…์ˆ ์„ ๋‹ซ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
12:53
Letโ€™s see the sounds up close and in slow motion.
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์†Œ๋ฆฌ๋ฅผ ๊ฐ€๊นŒ์ด์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๋ด…์‹œ๋‹ค .
12:58
The lips press together, and then release.
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์ž…์ˆ ์„ ํ•จ๊ป˜ ๋ˆŒ๋ €๋‹ค๊ฐ€ ๋†“์Šต๋‹ˆ๋‹ค.
13:05
These are stop consonants.
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์ด๋“ค์€ ์ •์ง€ ์ž์Œ์ž…๋‹ˆ๋‹ค.
13:07
In stop consonants, there are two parts.
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์ •์ง€ ์ž์Œ์—๋Š” ๋‘ ๋ถ€๋ถ„์ด ์žˆ์Šต๋‹ˆ๋‹ค.
13:10
There is a stop of the airflow, and a release.
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๊ธฐ๋ฅ˜์˜ ์ •์ง€ ๋ฐ ํ•ด์ œ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
13:14
The stop of the airflow happens as the lips close: hap-pen.
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๊ธฐ๋ฅ˜์˜ ์ •์ง€๋Š” ์ž…์ˆ ์ด ๋‹ซํž ๋•Œ ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค .
13:22
The release is when the lips part and the air comes through, -pen, hap-pen, happen.
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๋ฆด๋ฆฌ์Šค๋Š” ์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ณ  ๊ณต๊ธฐ๊ฐ€ ํ†ต๊ณผํ•  ๋•Œ ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค.
13:33
Sometimes native speakers donโ€™t release stop consonants when they come at the end
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๋•Œ๋•Œ๋กœ ์›์–ด๋ฏผ์€ ๋ฌธ์žฅ์˜ ๋์— ์˜ค๊ฑฐ๋‚˜
13:38
of a sentence, or when the next word begins with a consonant.
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๋‹ค์Œ ๋‹จ์–ด๊ฐ€ ์ž์Œ์œผ๋กœ ์‹œ์ž‘๋  ๋•Œ ์ค‘์ง€ ์ž์Œ์„ ํ•ด์ œํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค .
13:44
For example, the common phrase โ€˜Whatโ€™s up?โ€™.
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์˜ˆ๋ฅผ ๋“ค์–ด, ์ผ๋ฐ˜์ ์ธ ๋ฌธ๊ตฌ 'What's up?'.
13:48
My lips closed in the P position, but I didnโ€™t release the air.
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P์ž์—์„œ ์ž…์ˆ ์„ ๋‹ค๋ฌผ์—ˆ์ง€๋งŒ ๊ณต๊ธฐ๋ฅผ ๋นผ์ง€๋Š” ์•Š์•˜๋‹ค.
13:53
Whatโ€™s up?
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๋ฌด์Šจ ์ผ์ด์•ผ?
13:55
Another example: nap time!
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๋˜ ๋‹ค๋ฅธ ์˜ˆ: ๋‚ฎ์ž  ์‹œ๊ฐ„!
14:00
Nap---time!
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๋‚ฎ์ž  ์‹œ๊ฐ„!
14:04
My lips came together for the P, but they didnโ€™t release the air.
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๋‚ด ์ž…์ˆ ์€ P๋ฅผ ์œ„ํ•ด ๋งž๋ฌผ๋ ธ์ง€๋งŒ, ๊ทธ๋“ค์€ ๊ณต๊ธฐ๋ฅผ ๋ฐฉ์ถœํ•˜์ง€ ์•Š์•˜๋‹ค.
14:08
I stopped the air with my lips, then released it with the next sound, the T consonant.
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๋‚˜๋Š” ์ž…์ˆ ๋กœ ๊ณต๊ธฐ๋ฅผ ๋ฉˆ์ท„๋‹ค๊ฐ€ ๋‹ค์Œ ์†Œ๋ฆฌ์ธ T ์ž์Œ์œผ๋กœ ๊ณต๊ธฐ๋ฅผ ๋—๋‹ค.
14:16
Nap time.
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๋‚ฎ์ž  ์‹œ๊ฐ„.
14:17
Letโ€™s look at some words up close and in slow motion.
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๋ช‡ ๊ฐ€์ง€ ๋‹จ์–ด๋ฅผ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
14:22
The word โ€˜bestโ€™.
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'์ตœ๊ณ '๋ผ๋Š” ๋‹จ์–ด.
14:24
The lips press together, and then release into the EH as in BED vowel.
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์ž…์ˆ ์€ ํ•จ๊ป˜ ๋ˆ„๋ฅธ ๋‹ค์Œ BED ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด EH๋กœ ๋ฆด๋ฆฌ์Šค๋ฉ๋‹ˆ๋‹ค.
14:32
The word โ€˜spotโ€™.
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'์ '์ด๋ผ๋Š” ๋‹จ์–ด.
14:34
The lips press together, and then release into the AH as in FATHER vowel.
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์ž…์ˆ ์€ ํ•จ๊ป˜ ๋ˆ„๋ฅธ ๋‹ค์Œ FATHER ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด AH๋กœ ํ•ด์ œ๋ฉ๋‹ˆ๋‹ค.
14:41
The word โ€˜ripโ€™.
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'๋ฆฝ'์ด๋ผ๋Š” ๋‹จ์–ด.
14:43
The lips press together, and then release.
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์ž…์ˆ ์„ ํ•จ๊ป˜ ๋ˆŒ๋ €๋‹ค๊ฐ€ ๋†“์Šต๋‹ˆ๋‹ค.
14:49
The P and B consonants: best, spot, rip.
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P์™€ B ์ž์Œ: best, spot, rip.
14:59
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
15:01
Repeat with me:
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์ €์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•˜์„ธ์š”:
15:03
Bring
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Bring
15:10
Baby
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Baby
15:18
Job
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Job
15:26
Peace
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Peace
15:33
Price
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Price
15:41
Up
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Up
15:47
CH and JJ consonants.
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CH ๋ฐ JJ ์ž์Œ.
15:53
The CH and JJ consonants are paired together because they take the same mouth position.
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CH์™€ JJ ์ž์Œ์€ ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์Œ์„ ์ด๋ฃน๋‹ˆ๋‹ค.
16:01
Ch is unvoiced, meaning only air passes through the mouth, and jj is voiced, meaning, you
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Ch๋Š” ๊ณต๊ธฐ๋งŒ ์ž…์œผ๋กœ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์˜ ๋ฌด์„ฑ์Œ์ด๊ณ  , jj๋Š”
16:11
make a sound with the vocal cords, jj.
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์„ฑ๋Œ€ jj๋กœ ์†Œ๋ฆฌ๋ฅผ ๋‚ธ๋‹ค๋Š” ์˜๋ฏธ์˜ ์œ ์„ฑ์Œ์ž…๋‹ˆ๋‹ค.
16:16
These consonants have a stop consonant component, but unlike stop consonants, they're always
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์ด๋Ÿฌํ•œ ์ž์Œ์—๋Š” ์ •์ง€ ์ž์Œ ๊ตฌ์„ฑ ์š”์†Œ๊ฐ€ ์žˆ์ง€๋งŒ ์ •์ง€ ์ž์Œ๊ณผ ๋‹ฌ๋ฆฌ ํ•ญ์ƒ
16:23
released.
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ํ•ด์ œ๋ฉ๋‹ˆ๋‹ค.
16:24
They each contain two sounds: for the CH, weโ€™re combining the T, tt, and the SH, sh,
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๊ทธ๊ฒƒ๋“ค์€ ๊ฐ๊ฐ ๋‘ ๊ฐ€์ง€ ์†Œ๋ฆฌ๋ฅผ ํฌํ•จํ•ฉ๋‹ˆ๋‹ค. CH์˜ ๊ฒฝ์šฐ T, tt์™€ SH, sh๋ฅผ ๊ฒฐํ•ฉํ•˜์—ฌ
16:35
to make ch.
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ch๋ฅผ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
16:39
For the J sound, weโ€™re combining dd and zh to make jj.
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J ์‚ฌ์šด๋“œ์˜ ๊ฒฝ์šฐ dd์™€ zh๋ฅผ ๊ฒฐํ•ฉํ•˜์—ฌ jj๋ฅผ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
16:49
The teeth come together and the lips flair, just like in the sh and zh sounds.
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sh์™€ zh ์†Œ๋ฆฌ์ฒ˜๋Ÿผ ์ด๋นจ์ด ๋งž๋ฌผ๋ฆฌ๊ณ  ์ž…์ˆ ์ด ๊ฐ€๋Š˜์–ด์ง‘๋‹ˆ๋‹ค.
16:56
But the tongue position is like the tt and dd sounds.
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๊ทธ๋Ÿฌ๋‚˜ ํ˜€์˜ ์œ„์น˜๋Š” tt ๋ฐ dd ์†Œ๋ฆฌ์™€ ๊ฐ™์Šต๋‹ˆ๋‹ค.
17:03
The tongue lifts so the front, flat part of the tongue touches the roof of the mouth.
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ํ˜€๊ฐ€ ์œ„๋กœ ์˜ฌ๋ผ๊ฐ€๋ฉด ํ˜€์˜ ์•ž์ชฝ ํŽธํ‰ํ•œ ๋ถ€๋ถ„์ด ์ž…์ฒœ์žฅ์— ๋‹ฟ์Šต๋‹ˆ๋‹ค.
17:09
We stop the air in our throat, and then we release everything, ch, jj.
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๋ชฉ๊ตฌ๋ฉ์˜ ๊ณต๊ธฐ๋ฅผ ๋ฉˆ์ถ”๊ณ  ๋ชจ๋“  ๊ฒƒ์„ ํ’€์–ด์ค๋‹ˆ๋‹ค. ch, jj.
17:18
We release the air at the vocal cords, release the tongue down from the roof of the mouth,
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์šฐ๋ฆฌ๋Š” ์„ฑ๋Œ€์—์„œ ๊ณต๊ธฐ๋ฅผ ๋ฐฉ์ถœํ•˜๊ณ , ์ž…์ฒœ์žฅ์—์„œ ํ˜€๋ฅผ ์•„๋ž˜๋กœ ๋ฐฉ์ถœํ•˜๊ณ , ์น˜์•„๊ฐ€
17:26
release the teeth so they part a little, and release the lips by relaxing them.
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์•ฝ๊ฐ„ ๊ฐˆ๋ผ์ง€๋„๋ก ๋ฐฉ์ถœํ•˜๊ณ , ์ด์™„ํ•˜์—ฌ ์ž…์ˆ ์„ ๋ฐฉ์ถœํ•ฉ๋‹ˆ๋‹ค.
17:33
Ch, jj.
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Ch, jj.
17:35
Letโ€™s look at these sounds up close and in slow motion.
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์ด ์†Œ๋ฆฌ๋ฅผ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์—์„œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
17:41
The lips flare and the teeth come together.
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์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ณ  ์น˜์•„๊ฐ€ ๋งž๋ฌผ๋ฆฝ๋‹ˆ๋‹ค.
17:45
Then the release.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๋ฆด๋ฆฌ์Šค.
17:47
The word โ€˜jarโ€™.
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'ํ•ญ์•„๋ฆฌ'๋ผ๋Š” ๋‹จ์–ด.
17:49
The lips flare and the teeth come together, then release into the AH as in FATHER vowel.
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์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ณ  ์ด๋นจ์ด ๋ชจ์ธ ๋‹ค์Œ FATHER ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด AH๋กœ ๋ฐฉ์ถœ๋ฉ๋‹ˆ๋‹ค.
17:57
The word โ€˜chartโ€™.
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'์ฐจํŠธ'๋ผ๋Š” ๋‹จ์–ด.
17:59
The lips flare and the teeth come together, then release into the AH as in FATHER vowel.
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์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ณ  ์ด๋นจ์ด ๋ชจ์ธ ๋‹ค์Œ FATHER ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด AH๋กœ ๋ฐฉ์ถœ๋ฉ๋‹ˆ๋‹ค.
18:09
The word โ€˜batchโ€™.
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'๋ฐฐ์น˜'๋ผ๋Š” ๋‹จ์–ด.
18:10
The lips flare and the teeth come together, then release.
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์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ณ  ์น˜์•„๊ฐ€ ๋ชจ์˜€๋‹ค๊ฐ€ ํ’€๋ฆฝ๋‹ˆ๋‹ค.
18:16
The CH and JJ consonants.
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CH์™€ JJ ์ž์Œ.
18:22
Jar, chart, batch.
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ํ•ญ์•„๋ฆฌ, ์ฐจํŠธ, ๋ฐฐ์น˜.
18:29
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
18:31
Practice with me:
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์ €์™€ ํ•จ๊ป˜ ์—ฐ์Šตํ•˜์„ธ์š”:
18:33
Chase
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Chase
18:41
Attach
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Attach
18:50
Teacher
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Teacher
18:58
Danger
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Danger
19:05
Just
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Just
19:12
General
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General
19:20
The T and D consonant sounds.
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T์™€ D ์ž์Œ ์†Œ๋ฆฌ.
19:25
These two sounds are paired together because they take the same mouth position.
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์ด ๋‘ ์†Œ๋ฆฌ๋Š” ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
19:30
Tt is unvoiced, meaning, only air passes through the mouth.
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Tt๋Š” ๋ฌด์„ฑ์Œ์œผ๋กœ ๊ณต๊ธฐ๋งŒ ์ž…์„ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค .
19:37
And dd is voiced, meaning, dd, you make a sound with the vocal cords.
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๊ทธ๋ฆฌ๊ณ  dd๋Š” ์œ ์„ฑ์Œ์ž…๋‹ˆ๋‹ค. ์ฆ‰ dd๋Š” ์„ฑ๋Œ€๋กœ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค.
19:46
These consonants are complicated because the way Americans pronounce them isnโ€™t always
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์ด๋Ÿฌํ•œ ์ž์Œ์€ ๋ฏธ๊ตญ์ธ์ด ๋ฐœ์Œํ•˜๋Š” ๋ฐฉ์‹์ด ํ•ญ์ƒ
19:52
what youโ€™ll find in a dictionary.
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์‚ฌ์ „์—์„œ ์ฐพ์„ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๊ธฐ ๋•Œ๋ฌธ์— ๋ณต์žกํ•ฉ๋‹ˆ๋‹ค.
19:54
First, letโ€™s talk about the true pronunciation.
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๋จผ์ €, ์ •ํ™•ํ•œ ๋ฐœ์Œ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•ด ๋ด…์‹œ๋‹ค.
19:59
These are stop consonants, which means there are two parts.
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์ด๋“ค์€ ์ •์ง€ ์ž์Œ์œผ๋กœ ๋‘ ๋ถ€๋ถ„์œผ๋กœ ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.
20:04
First, a stop in the airflow, and second, a release.
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์ฒซ์งธ, ๊ธฐ๋ฅ˜์˜ ์ •์ง€, ๋‘˜์งธ, ๋ฐฉ์ถœ์ž…๋‹ˆ๋‹ค.
20:09
We stop here, by closing our vocal cords, and lift the tongue so the flat, top part
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์šฐ๋ฆฌ๋Š” ์„ฑ๋Œ€๋ฅผ ๋‹ซ์Œ์œผ๋กœ์จ ์—ฌ๊ธฐ์„œ ๋ฉˆ์ถ”๊ณ  ํ˜€๋ฅผ ๋“ค์–ด ์˜ฌ๋ ค ํ‰ํ‰ํ•œ ์œ—๋ถ€๋ถ„์ด
20:16
is at the roof of the mouth.
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์ž…์ฒœ์žฅ์— ์˜ค๋„๋ก ํ•ฉ๋‹ˆ๋‹ค. ์•ž๋‹ˆ์˜ ์œ—๋‹ˆ
20:18
Itโ€™s far forward, almost touching the back of the top front teeth.
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๋’ค์ชฝ์— ๊ฑฐ์˜ ๋‹ฟ์„ ๋งŒํผ ์•ž์œผ๋กœ ๋‚˜์™€ ์žˆ์Šต๋‹ˆ๋‹ค .
20:24
The teeth come together, and we release all three parts at once: the tongue comes down
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์น˜์•„๊ฐ€ ๋ชจ์ด๊ณ  ํ•œ ๋ฒˆ์— ์„ธ ๋ถ€๋ถ„์„ ๋ชจ๋‘ ํ•ด์ œํ•ฉ๋‹ˆ๋‹ค. ํ˜€๋Š”
20:30
from the roof of the mouth, the teeth part, and we release the air in the throat.
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์ž…์ฒœ์žฅ์—์„œ ๋‚ด๋ ค์˜ค๊ณ  ์น˜์•„ ๋ถ€๋ถ„์€ ๋ชฉ๊ตฌ๋ฉ์˜ ๊ณต๊ธฐ๋ฅผ ํ•ด์ œํ•ฉ๋‹ˆ๋‹ค.
20:37
TT, DD.
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TT, DD.
20:41
Just like with other stop consonants, we want to release them into the next sound.
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๋‹ค๋ฅธ ์ •์ง€ ์ž์Œ๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ๋‹ค์Œ ์†Œ๋ฆฌ๋กœ ํ•ด์ œํ•˜๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
20:47
Letโ€™s look at the True T and D consonants up close and in slow motion.
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True T์™€ D ์ž์Œ์„ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
20:54
The teeth come together and the top, front of the tongue is at the roof of the mouth.
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์น˜์•„๋Š” ์„œ๋กœ ๋งž๋ฌผ๋ฆฌ๊ณ  ํ˜€์˜ ์œ—๋ถ€๋ถ„, ์•ž๋ถ€๋ถ„์€ ์ž…์ฒœ์žฅ์— ์œ„์น˜ํ•ฉ๋‹ˆ๋‹ค.
20:59
The air stops in the throat.
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๋ชฉ๊ตฌ๋ฉ์—์„œ ๊ณต๊ธฐ๊ฐ€ ๋ฉˆ์ถฅ๋‹ˆ๋‹ค.
21:01
Then, the teeth part and the tongue pulls down to release.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ์น˜์•„๊ฐ€ ๊ฐˆ๋ผ์ง€๊ณ  ํ˜€๊ฐ€ ์•„๋ž˜๋กœ ๋‹น๊ฒจ์ ธ ํ’€๋ฆฝ๋‹ˆ๋‹ค.
21:07
The word โ€˜deskโ€™.
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'์ฑ…์ƒ'์ด๋ผ๋Š” ๋‹จ์–ด.
21:09
The teeth close and the tongue is at the roof of the mouth.
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์น˜์•„๊ฐ€ ๋‹ซํžˆ๊ณ  ํ˜€๊ฐ€ ์ž…์ฒœ์žฅ์— ์žˆ์Šต๋‹ˆ๋‹ค .
21:12
Then, everything releases right into the EH as in BED vowel.
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๊ทธ๋Ÿฐ ๋‹ค์Œ BED ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด ๋ชจ๋“  ๊ฒƒ์ด EH๋กœ ๋ฐ”๋กœ ํ•ด์ œ๋ฉ๋‹ˆ๋‹ค .
21:20
The word โ€˜stickโ€™.
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'์Šคํ‹ฑ'์ด๋ผ๋Š” ๋‹จ์–ด.
21:22
The teeth close and the tongue is at the roof of the mouth.
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์น˜์•„๊ฐ€ ๋‹ซํžˆ๊ณ  ํ˜€๊ฐ€ ์ž…์ฒœ์žฅ์— ์žˆ์Šต๋‹ˆ๋‹ค .
21:26
Then, everything releases right into the IH as in SIT vowel.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๋ชจ๋“  ๊ฒƒ์ด SIT ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด IH๋กœ ๋ฐ”๋กœ ํ•ด์ œ๋ฉ๋‹ˆ๋‹ค .
21:33
The word โ€˜expectโ€™: the teeth nearly close and the tongue is at the roof of the mouth.
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'๊ธฐ๋Œ€ํ•˜๋‹ค'๋ผ๋Š” ๋‹จ์–ด: ์น˜์•„๊ฐ€ ๊ฑฐ์˜ ๋‹ซํžˆ๊ณ  ํ˜€๊ฐ€ ์ž…์ฒœ์žฅ์— ์žˆ์Šต๋‹ˆ๋‹ค.
21:40
Then the teeth release just a bit.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ์น˜์•„๊ฐ€ ์•ฝ๊ฐ„ ํ’€๋ฆฝ๋‹ˆ๋‹ค.
21:43
Thereโ€™s no next sound to release into, so the movement is minimal for the release.
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๋ฆด๋ฆฌ์Šคํ•  ๋‹ค์Œ ์‚ฌ์šด๋“œ๊ฐ€ ์—†์œผ๋ฏ€๋กœ ๋ฆด๋ฆฌ์Šค์— ๋Œ€ํ•œ ์›€์ง์ž„์ด ์ตœ์†Œํ™”๋ฉ๋‹ˆ๋‹ค.
21:50
The tongue releases down.
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ํ˜€๊ฐ€ ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค. ์น˜์•„๊ฐ€ ๋งž๋ฌผ๋ฆฌ์ง€
21:52
Itโ€™s possible to make the True D without the teeth coming together.
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์•Š๊ณ  True D๋ฅผ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค .
21:59
Said, dd, dd.
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๋งํ–ˆ๋‹ค, dd, dd.
22:04
Because of the voice in this sound, we can still release it.
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์ด ์†Œ๋ฆฌ์˜ ๋ชฉ์†Œ๋ฆฌ ๋•Œ๋ฌธ์— ์šฐ๋ฆฌ๋Š” ์—ฌ์ „ํžˆ ๊ทธ๊ฒƒ์„ ๋†“์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
22:09
Said, dd.
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๋งํ–ˆ๋‹ค, dd.
22:12
But to make the True T, the teeth do have to come together or nearly together, set,
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๊ทธ๋Ÿฌ๋‚˜ True T๋ฅผ ๋งŒ๋“ค๋ ค๋ฉด ์น˜์•„๊ฐ€ ์„œ๋กœ ๋งž๋ฌผ๋ฆฌ๊ฑฐ๋‚˜ ๊ฑฐ์˜ ๋งž๋ฌผ๋ ค์•ผ ํ•ฉ๋‹ˆ๋‹ค
22:20
tt.
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.
22:22
That was the True T and True D. If the T or D are at the end of a sentence, or if the
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๊ทธ๊ฒƒ์ด True T์™€ True D์˜€์Šต๋‹ˆ๋‹ค. T ๋˜๋Š” D๊ฐ€ ๋ฌธ์žฅ์˜ ๋์— ์žˆ๊ฑฐ๋‚˜
22:31
next word begins with a consonant, then we make a Stop T or Stop D.
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๋‹ค์Œ ๋‹จ์–ด๊ฐ€ ์ž์Œ์œผ๋กœ ์‹œ์ž‘ํ•˜๋ฉด Stop T ๋˜๋Š” Stop D๋ฅผ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
22:37
We stop the air, but we donโ€™t release it.
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๊ทธ๊ฒƒ์„ ํ•ด์ œํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
22:41
You lift your tongue into position, stop the air, and thatโ€™s it.
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๋‹น์‹ ์€ ๋‹น์‹ ์˜ ํ˜€๋ฅผ ์ œ์ž๋ฆฌ๋กœ ๋“ค์–ด ์˜ฌ๋ฆฌ๊ณ , ๊ณต๊ธฐ๋ฅผ ๋ฉˆ์ถ”๊ณ , ๊ทธ๊ฒŒ ๋‹ค์ž…๋‹ˆ๋‹ค.
22:48
For example, the word โ€˜madโ€™, dd.
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์˜ˆ๋ฅผ ๋“ค์–ด 'mad'๋ผ๋Š” ๋‹จ์–ด, dd.
22:53
Mad, dd.
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๋ฏธ์นœ, dd.
22:56
Notice the last sound is dd, the beginning of the D, with the vocal cords engaged, because
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๋งˆ์ง€๋ง‰ ์†Œ๋ฆฌ๋Š” ์œ ์„ฑ ์ž์Œ์ด๊ธฐ ๋•Œ๋ฌธ์— ์„ฑ๋Œ€๊ฐ€ ๊ฒฐํ•ฉ๋œ D์˜ ์‹œ์ž‘์ธ dd์ž…๋‹ˆ๋‹ค
23:07
itโ€™s a voiced consonant.
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.
23:09
And thatโ€™s all.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒŒ ๋‹ค์•ผ.
23:10
I donโ€™t release.
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๋‚˜๋Š” ํ’€์–ด์ฃผ์ง€ ์•Š๋Š”๋‹ค.
23:12
A release would sound like this: mad, dd.
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๋ฆด๋ฆฌ์Šค๋Š” ๋‹ค์Œ๊ณผ ๊ฐ™์ด ๋“ค๋ฆฝ๋‹ˆ๋‹ค: mad, dd.
23:18
But instead, I say โ€˜madโ€™, leaving my tongue tip up.
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ํ•˜์ง€๋งŒ ๋Œ€์‹  ํ˜€๋ฅผ ์œ„๋กœ ์˜ฌ๋ ค '๋ฏธ์ณค์–ด'๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค .
23:24
Now letโ€™s look at an example with a T followed by another consonant, the phrase โ€˜not for
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์ด์ œ T ๋‹ค์Œ์— ๋˜ ๋‹ค๋ฅธ ์ž์Œ์ด ์˜ค๋Š” 'not for
23:32
meโ€™.
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me'๋ผ๋Š” ๊ตฌ๋ฌธ์„ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
23:33
Here the T is followed by F. I stop the air, โ€˜notโ€™, and then, without releasing, go
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์—ฌ๊ธฐ์—์„œ T ๋‹ค์Œ์— F๊ฐ€ ์˜ต๋‹ˆ๋‹ค. ๋‚˜๋Š” ๊ณต๊ธฐ๋ฅผ 'not'์œผ๋กœ ๋ฉˆ์ถ”๊ณ  ๋–ผ์ง€ ์•Š๊ณ 
23:42
into the F sound.
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F ์†Œ๋ฆฌ๋กœ ๋“ค์–ด๊ฐ‘๋‹ˆ๋‹ค.
23:44
Not for, not for me.
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๋‚˜๋ฅผ ์œ„ํ•ด์„œ๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
23:48
With stop consonants, we do stop the air in the throat.
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์ •์ง€ ์ž์Œ์„ ์‚ฌ์šฉํ•˜๋ฉด ๋ชฉ๊ตฌ๋ฉ์˜ ๊ณต๊ธฐ๋ฅผ ์ •์ง€์‹œํ‚ต๋‹ˆ๋‹ค .
23:52
So I donโ€™t have to move my tongue up into position for the T to stop the sound.
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๊ทธ๋ž˜์„œ ์†Œ๋ฆฌ๋ฅผ ๋ฉˆ์ถ”๊ธฐ ์œ„ํ•ด ํ˜€๋ฅผ T ์œ„์น˜๋กœ ์›€์ง์ผ ํ•„์š”๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.
23:59
In this phrase โ€˜not for meโ€™, I touch the roof of my mouth with a part of the tongue
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'not for me'๋ผ๋Š” ๋ง์€
24:04
thatโ€™s further back.
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์ข€ ๋” ๋’ค์ชฝ์— ์žˆ๋Š” ํ˜€๋กœ ์ž…์ฒœ์žฅ์„ ๋งŒ์ง€๋Š” ๊ฑฐ์˜ˆ์š”.
24:06
Not.
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์•„๋‹ˆ๋‹ค.
24:10
My tongue tip can stay down.
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๋‚ด ํ˜€๋์€ ์•„๋ž˜๋กœ ๋จธ๋ฌผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
24:13
This helps me make the stop even shorter, so I can quickly go into the next sound, not
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์ด๊ฒƒ์€ ์ •์ง€๋ฅผ ๋” ์งง๊ฒŒ ๋งŒ๋“œ๋Š” ๋ฐ ๋„์›€์ด ๋˜๋ฏ€๋กœ for๊ฐ€ ์•„๋‹Œ for๊ฐ€ ์•„๋‹Œ ๋‹ค์Œ ์‚ฌ์šด๋“œ๋กœ ๋น ๋ฅด๊ฒŒ ์ด๋™ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
24:20
for, not for.
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. ๋‹ค์Œ ์†Œ๋ฆฌ์—์„œ๋„
24:23
Iโ€™ll bring my tongue up for the Stop T if the next sound also requires the tongue being
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ํ˜€๊ฐ€ ์ž…์ฒœ์žฅ์— ์žˆ์–ด์•ผ ํ•˜๋Š” ๊ฒฝ์šฐ ์ •์ง€ T๋ฅผ ์œ„ํ•ด ํ˜€๋ฅผ ์˜ฌ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค
24:29
at the roof of the mouth.
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.
24:32
When I say โ€˜not for meโ€™ instead of โ€˜noT for meโ€™, the words are more connected and
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'not for me'๊ฐ€ ์•„๋‹ˆ๋ผ 'not for me'๋ผ๊ณ  ํ•˜๋ฉด ๋‹จ์–ด๊ฐ€ ๋” ์—ฐ๊ฒฐ๋˜๊ณ 
24:40
the sentence is smoother.
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๋ฌธ์žฅ์ด ๋ถ€๋“œ๋Ÿฌ์›Œ์ง‘๋‹ˆ๋‹ค.
24:41
Thatโ€™s what we want in American English.
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๊ทธ๊ฒƒ์ด ์šฐ๋ฆฌ๊ฐ€ ๋ฏธ๊ตญ์‹ ์˜์–ด์—์„œ ์›ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
24:45
And thatโ€™s why we use the Stop T instead of the True T in these cases.
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์ด๊ฒƒ์ด ์ด๋Ÿฌํ•œ ๊ฒฝ์šฐ True T ๋Œ€์‹  Stop T๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ์ด์œ ์ž…๋‹ˆ๋‹ค .
24:51
Not for me.
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๋‚˜๋ฅผ ์œ„ํ•ด ์•„๋‹™๋‹ˆ๋‹ค.
24:53
NoT for me.
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๋‚˜๋ฅผ ์œ„ํ•ด ์•„๋‹™๋‹ˆ๋‹ค.
24:55
Not for me.
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๋‚˜๋ฅผ ์œ„ํ•ด ์•„๋‹™๋‹ˆ๋‹ค.
24:57
Letโ€™s look at a stop up close and in slow motion.
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์ •๋ฅ˜์žฅ์„ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
25:02
Here is the word โ€˜whatโ€™.
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๋‹ค์Œ์€ '๋ฌด์—‡'์ด๋ผ๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค.
25:04
I donโ€™t release the T at the end.
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๋งˆ์ง€๋ง‰์— T๋ฅผ ๋†“์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
25:08
The tongue goes to the roof of the mouth, but then I just stop the air.
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ํ˜€๋Š” ์ž…์ฒœ์žฅ์œผ๋กœ ๊ฐ€๋Š”๋ฐ ๊ทธ ๋‹ค์Œ์—๋Š” ๊ทธ๋ƒฅ ๊ณต๊ธฐ๋ฅผ ๋ฉˆ์ถฅ๋‹ˆ๋‹ค.
25:13
My teeth arenโ€™t together, and I donโ€™t release.
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๋‚ด ์ด๋นจ์ด ํ•จ๊ป˜ ์žˆ์ง€ ์•Š๊ณ  ๋†“์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
25:17
The lips simply close, what.
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์ž…์ˆ ์€ ๋‹จ์ˆœํžˆ ๋‹ซํž™๋‹ˆ๋‹ค.
25:21
Hereโ€™s what it looks like with a True T: The teeth come together, then a subtle release.
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True T์˜ ๋ชจ์Šต์€ ๋‹ค์Œ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค. ์น˜์•„๊ฐ€ ํ•จ๊ป˜ ๋ชจ์ธ ๋‹ค์Œ ๋ฏธ๋ฌ˜ํ•˜๊ฒŒ ๋ฆด๋ฆฌ์Šค๋ฉ๋‹ˆ๋‹ค.
25:29
Compare the ending.
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์—”๋”ฉ์„ ๋น„๊ตํ•ด๋ณด์„ธ์š”.
25:31
The top is โ€˜whatโ€™ with a Stop T, and the bottom is โ€˜whatโ€™, with a True T.
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์ƒ๋‹จ์€ Stop T์˜ '๋ฌด์—‡'์ด๊ณ  ํ•˜๋‹จ์€ True T์˜ '๋ฌด์—‡'์ž…๋‹ˆ๋‹ค.
25:38
For the Stop T, the teeth donโ€™t come together, because they donโ€™t need to release.
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Stop T์˜ ๊ฒฝ์šฐ ์น˜์•„๋Š” ํ’€๋ฆด ํ•„์š”๊ฐ€ ์—†๊ธฐ ๋•Œ๋ฌธ์— ๊ฒฐํ•ฉ๋˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
25:43
The air simply stops with the tongue in position.
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ํ˜€๊ฐ€ ์ œ์ž๋ฆฌ์— ์žˆ์œผ๋ฉด ๊ณต๊ธฐ๊ฐ€ ๋ฉˆ์ถฅ๋‹ˆ๋‹ค.
25:47
For the True T, we bring the teeth together so the tongue, teeth, and air release.
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True T์˜ ๊ฒฝ์šฐ ํ˜€, ์น˜์•„ ๋ฐ ๊ณต๊ธฐ๊ฐ€ ๋ฐฉ์ถœ๋˜๋„๋ก ์น˜์•„๋ฅผ ํ•จ๊ป˜ ๊ฐ€์ ธ์˜ต๋‹ˆ๋‹ค.
25:55
The Stop T and D relate to the True T and D.
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Stop T์™€ D๋Š” True T์™€ D์™€ ๊ด€๋ จ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
26:00
We simply skip the release.
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์šฐ๋ฆฌ๋Š” ๋‹จ์ˆœํžˆ ๋ฆด๋ฆฌ์Šค๋ฅผ ๊ฑด๋„ˆ๋œ๋‹ˆ๋‹ค.
26:02
But when the T or D come between two vowels or diphthongs, or after an R and before a
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๊ทธ๋Ÿฌ๋‚˜ T๋‚˜ D๊ฐ€ ๋‘ ๊ฐœ์˜ ๋ชจ์Œ ์ด๋‚˜ ์ด์ค‘๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๊ฑฐ๋‚˜ R ๋’ค์—
26:10
vowel or diphthong, we make a different sound.
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๋ชจ์Œ์ด๋‚˜ ์ด์ค‘๋ชจ์Œ ์•ž์— ์˜ค๋ฉด ๋‹ค๋ฅธ ์†Œ๋ฆฌ๊ฐ€ ๋‚ฉ๋‹ˆ๋‹ค.
26:14
One exception: if the T or D starts a stressed syllable.
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ํ•œ ๊ฐ€์ง€ ์˜ˆ์™ธ: T ๋˜๋Š” D๊ฐ€ ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ์Œ์ ˆ๋กœ ์‹œ์ž‘ํ•˜๋Š” ๊ฒฝ์šฐ .
26:19
Then itโ€™s a True T or D. But in other cases, when the T or D consonants come between two
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๊ทธ๋Ÿฐ ๋‹ค์Œ True T ๋˜๋Š” D์ž…๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋‹ค๋ฅธ ๊ฒฝ์šฐ์—๋Š” T ๋˜๋Š” D ์ž์Œ์ด ๋‘ ๊ฐœ์˜
26:27
vowels or diphthongs, or after an R and before a vowel or diphthong, we make a Flap sound.
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๋ชจ์Œ ๋˜๋Š” ์ด์ค‘ ๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๊ฑฐ๋‚˜ R ๋’ค์— ๋ชจ์Œ ๋˜๋Š” ์ด์ค‘ ๋ชจ์Œ ์•ž์— ์˜ฌ ๋•Œ ํ”Œ๋žฉ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค.
26:35
This is different from the True and Stop T and D, because we donโ€™t stop the sound.
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์ด๊ฒƒ์€ ์‚ฌ์šด๋“œ๋ฅผ ๋ฉˆ์ถ”์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์— True ๋ฐ Stop T ๋ฐ D์™€ ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
26:42
We donโ€™t hold anything.
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์šฐ๋ฆฌ๋Š” ์•„๋ฌด๊ฒƒ๋„ ๋ณด์œ ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
26:44
We simply let the front part of the tongue bounce against the roof of the mouth without
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์šฐ๋ฆฌ๋Š” ๋‹จ์ˆœํžˆ ๊ณต๊ธฐ์˜ ํ๋ฆ„์„ ๋ฉˆ์ถ”์ง€ ์•Š๊ณ  ํ˜€์˜ ์•ž๋ถ€๋ถ„์ด ์ž…์ฒœ์žฅ์— ๋ถ€๋”ชํžˆ๋„๋ก ํ•ฉ๋‹ˆ๋‹ค
26:50
stopping the flow of air.
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.
26:52
The Flap T and Flap D sound the same.
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ํ”Œ๋žฉ T์™€ ํ”Œ๋žฉ D๋Š” ์†Œ๋ฆฌ๊ฐ€ ๊ฐ™์Šต๋‹ˆ๋‹ค.
26:57
The T in โ€˜matterโ€™ is the same as the D in โ€˜madderโ€™.
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'matter'์˜ T๋Š” 'madder'์˜ D์™€ ๊ฐ™์Šต๋‹ˆ๋‹ค.
27:03
Matter, madder.
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๋ฌธ์ œ, ๋ฏธ์น˜๊ด‘์ด.
27:07
This sounds just like the R in many languages, but in American English, itโ€™s the Flap T
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์ด๊ฒƒ์€ ๋งŽ์€ ์–ธ์–ด์—์„œ R์ฒ˜๋Ÿผ ๋“ค๋ฆฌ์ง€๋งŒ ๋ฏธ๊ตญ์‹ ์˜์–ด์—์„œ๋Š” Flap T
27:14
or Flap D.
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๋˜๋Š” Flap D์ž…๋‹ˆ๋‹ค.
27:16
In my videos, I use the D symbol for this sound.
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์ œ ๋น„๋””์˜ค์—์„œ๋Š” ์ด ์†Œ๋ฆฌ์— D ๊ธฐํ˜ธ๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค .
27:20
This sound, however, isnโ€™t a stop consonant anymore.
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๊ทธ๋Ÿฌ๋‚˜์ด ์†Œ๋ฆฌ๋Š” ๋” ์ด์ƒ ์ •์ง€ ์ž์Œ์ด ์•„๋‹™๋‹ˆ๋‹ค .
27:24
Letโ€™s look at some words with a Flap up close and in slow motion.
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Flap์„ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๋ช‡ ๊ฐ€์ง€ ๋‹จ์–ด๋ฅผ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
27:30
The word โ€˜cityโ€™.
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'๋„์‹œ'๋ผ๋Š” ๋‹จ์–ด.
27:32
Here the T comes between two vowel sounds, so itโ€™s a Flap.
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์—ฌ๊ธฐ์„œ T๋Š” ๋‘ ๊ฐœ์˜ ๋ชจ์Œ ์†Œ๋ฆฌ ์‚ฌ์ด์— ์˜ค๋ฏ€ ๋กœ ํ”Œ๋žฉ์ž…๋‹ˆ๋‹ค.
27:36
The tongue is in position for the IH vowel.
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ํ˜€๋Š” IH ๋ชจ์Œ์˜ ์œ„์น˜์— ์žˆ์Šต๋‹ˆ๋‹ค.
27:40
Watch how it flaps against the roof of the mouth quickly.
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๊ทธ๊ฒƒ์ด ์ž…์ฒœ์žฅ์— ์–ด๋–ป๊ฒŒ ๋น ๋ฅด๊ฒŒ ํŽ„๋Ÿญ์ด๋Š”์ง€ ๋ณด์„ธ์š” .
27:44
The air doesnโ€™t stop.
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๊ณต๊ธฐ๊ฐ€ ๋ฉˆ์ถ”์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
27:47
That Flap was fast, even in slow motion.
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๊ทธ ํ”Œ๋žฉ์€ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์—์„œ๋„ ๋น ๋ฆ…๋‹ˆ๋‹ค.
27:50
Letโ€™s watch again.
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๋‹ค์‹œ ๋ด…์‹œ๋‹ค.
27:54
The whole word, one more time.
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์ „์ฒด ๋‹จ์–ด, ํ•œ ๋ฒˆ ๋”.
27:59
The word โ€˜partyโ€™.
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'ํŒŒํ‹ฐ'๋ผ๋Š” ๋‹จ์–ด.
28:01
Here the T comes after an R and before a vowel, so itโ€™s a Flap.
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์—ฌ๊ธฐ์„œ T๋Š” R ๋‹ค์Œ์— ๋ชจ์Œ ์•ž์— ์˜ค๋ฏ€ ๋กœ ํ”Œ๋žฉ์ž…๋‹ˆ๋‹ค.
28:06
The tongue is back and up for the R. Watch it flap and come down from the flap.
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ํ˜“๋ฐ”๋‹ฅ์€ R์˜ ๊ฒฝ์šฐ ์œ„๋กœ ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค. ํ”Œ๋žฉ์—์„œ ๋‚ด๋ ค์˜ค๋Š” ๊ฒƒ์„ ์ง€์ผœ๋ณด์‹ญ์‹œ์˜ค.
28:14
The air didnโ€™t stop.
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๊ณต๊ธฐ๋Š” ๋ฉˆ์ถ”์ง€ ์•Š์•˜๋‹ค.
28:16
Watch the whole word one more time.
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์ „์ฒด ๋‹จ์–ด๋ฅผ ํ•œ ๋ฒˆ ๋” ๋ณด์„ธ์š”.
28:21
The word โ€˜tidyโ€™.
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'๊น”๋”'์ด๋ผ๋Š” ๋‹จ์–ด.
28:23
Here the D comes after a diphthong and before a vowel, so itโ€™s a Flap D. Watch the tongue
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์—ฌ๊ธฐ์„œ D๋Š” ์ด์ค‘๋ชจ์Œ ๋‹ค์Œ์— ๋ชจ์Œ ์•ž์— ์˜ค๋ฏ€๋กœ ํ”Œ๋žฉ D์ž…๋‹ˆ๋‹ค. ํ˜€
28:30
flap.
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ํ”Œ๋žฉ์„ ๋ณด์„ธ์š”.
28:32
The whole word, one more time.
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์ „์ฒด ๋‹จ์–ด, ํ•œ ๋ฒˆ ๋”.
28:37
To isolate the sound, try holding out the sound before and after: parrrrrrtyyyyy.
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์†Œ๋ฆฌ๋ฅผ ๋ถ„๋ฆฌํ•˜๋ ค๋ฉด parrrrrrtyyyyy ์ „ํ›„์— ์†Œ๋ฆฌ๋ฅผ ๊ธธ๊ฒŒ ๋‚ด์‹ญ์‹œ์˜ค.
28:47
Then you can really feel the tongue flap, bouncing against the roof of the mouth.
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๊ทธ๋Ÿฌ๋ฉด ์‹ค์ œ๋กœ ํ˜€๊ฐ€ ์ž…์ฒœ์žฅ์— ๋‹ฟ๋Š” ๊ฒƒ์„ ๋Š๋‚„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
28:53
Remember, this isnโ€™t represented in dictionaries.
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์ด๊ฒƒ์€ ์‚ฌ์ „์— ํ‘œ์‹œ๋˜์ง€ ์•Š๋Š”๋‹ค๋Š” ๊ฒƒ์„ ๊ธฐ์–ตํ•˜์‹ญ์‹œ์˜ค.
28:57
They will show the symbol for the True T, โ€˜parTyโ€™, even though Americans pronounce
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๋ฏธ๊ตญ์ธ๋“ค์€ 'ํŒŒํ‹ฐ'๋ผ๊ณ  ๋ฐœ์Œํ•˜์ง€๋งŒ True T ๊ธฐํ˜ธ์ธ 'parTy
29:03
it โ€˜partyโ€™.
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'๋ฅผ ํ‘œ์‹œํ•ฉ๋‹ˆ๋‹ค.
29:06
So remember the rule: when a T or D comes between vowels and diphthongs, or after an
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๋”ฐ๋ผ์„œ ๊ทœ์น™์„ ๊ธฐ์–ตํ•˜์„ธ์š”. T ๋˜๋Š” D๊ฐ€ ๋ชจ์Œ๊ณผ ์ด์ค‘๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๊ฑฐ๋‚˜
29:12
R before a vowel or diphthong, like โ€˜partyโ€™, unless it starts a stressed syllable, flap
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'ํŒŒํ‹ฐ'์™€ ๊ฐ™์ด ๋ชจ์Œ์ด๋‚˜ ์ด์ค‘๋ชจ์Œ ์•ž์˜ R ๋’ค์— ์˜ฌ ๋•Œ ๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ์Œ์ ˆ๋กœ ์‹œ์ž‘ํ•˜์ง€ ์•Š๋Š” ํ•œ
29:20
the tongue.
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ํ˜€๋ฅผ ํŽ„๋Ÿญ์ž…๋‹ˆ๋‹ค.
29:23
Sometimes, we drop the T or D completely.
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๋•Œ๋•Œ๋กœ ์šฐ๋ฆฌ๋Š” T๋‚˜ D๋ฅผ ์™„์ „ํžˆ ๋–จ์–ด๋œจ๋ฆฝ๋‹ˆ๋‹ค.
29:27
We leave the sounds out.
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์šฐ๋ฆฌ๋Š” ์†Œ๋ฆฌ๋ฅผ ๋ฌด์‹œํ•ฉ๋‹ˆ๋‹ค.
29:29
This is an American habit.
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์ด๊ฒƒ์€ ๋ฏธ๊ตญ์˜ ์Šต๊ด€์ž…๋‹ˆ๋‹ค.
29:31
If you look up the words in a dictionary, the sounds are there.
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์‚ฌ์ „์—์„œ ๋‹จ์–ด๋ฅผ ์ฐพ์•„๋ณด๋ฉด ์†Œ๋ฆฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
29:35
There are two cases when you might hear an American drop a T or D.
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๋ฏธ๊ตญ์ธ์ด T ๋˜๋Š” D๋ฅผ ๋–จ์–ด๋œจ๋ฆฌ๋Š” ๊ฒƒ์„ ๋“ค์„ ์ˆ˜ ์žˆ๋Š” ๋‘ ๊ฐ€์ง€ ๊ฒฝ์šฐ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
29:41
First, when the T or D comes between two consonant sounds.
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์ฒซ์งธ, T ๋˜๋Š” D๊ฐ€ ๋‘ ๊ฐœ์˜ ์ž์Œ ์‚ฌ์ด์— ์˜ฌ ๋•Œ์ž…๋‹ˆ๋‹ค .
29:47
For example: exactly.
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์˜ˆ: ์ •ํ™•ํžˆ.
29:50
This word has the K, T, L consonants together.
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์ด ๋‹จ์–ด๋Š” K, T, L ์ž์Œ์ด ํ•จ๊ป˜ ์žˆ์Šต๋‹ˆ๋‹ค.
29:56
But most people pronounce it without the T. Exactly.
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ํ•˜์ง€๋งŒ ๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์€ T ์—†์ด ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค. ๋งž์Šต๋‹ˆ๋‹ค.
30:01
Full pronunciation: exactly.
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์ „์ฒด ๋ฐœ์Œ: ์ •ํ™•ํ•˜๊ฒŒ.
30:05
Common pronunciation: exactly.
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์ผ๋ฐ˜์ ์ธ ๋ฐœ์Œ: ์ •ํ™•ํ•˜๊ฒŒ.
30:09
Dropping the T between two consonants simplifies the pronunciation.
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๋‘ ์ž์Œ ์‚ฌ์ด์— T๋ฅผ ๋–จ์–ด๋œจ๋ฆฌ๋ฉด ๋ฐœ์Œ์ด ๊ฐ„๋‹จํ•ด์ง‘๋‹ˆ๋‹ค .
30:14
Also, we often drop the T when it comes after an N. Many Americans say โ€˜cennerโ€™ instead
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๋˜ํ•œ N ๋’ค์— ์˜ฌ ๋•Œ T๋ฅผ ์ƒ๋žตํ•˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์Šต๋‹ˆ๋‹ค. ๋งŽ์€ ๋ฏธ๊ตญ์ธ๋“ค์€
30:23
of โ€˜centerโ€™, or โ€˜innerviewโ€™ instead of โ€˜interviewโ€™.
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'center' ๋Œ€์‹  'cenner', 'interview' ๋Œ€์‹  'innerview'๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค .
30:32
This is a big topic.
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์ด๊ฒƒ์€ ํฐ ์ฃผ์ œ์ž…๋‹ˆ๋‹ค.
30:34
I have a whole series of videos on the pronunciation of T and D, which you can find on my website.
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์ œ ์›น์‚ฌ์ดํŠธ์—์„œ ์ฐพ์„ ์ˆ˜ ์žˆ๋Š” T์™€ D์˜ ๋ฐœ์Œ์— ๋Œ€ํ•œ ์ „์ฒด ๋น„๋””์˜ค ์‹œ๋ฆฌ์ฆˆ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
30:43
The True T and D sounds: desk, stick, expect
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True T ๋ฐ D ์†Œ๋ฆฌ: desk, stick, expect
30:53
Stop T and D:
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Stop T ๋ฐ D:
30:56
mad, not, what
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mad, not, what
31:03
The Flap T and D: city, party tidy
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Flap T ๋ฐ D: city, party tidy
31:12
Example words.
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์˜ˆ๋ฌธ.
31:15
Repeat with me:
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๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค:
31:16
Best
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Best
31:23
Time
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Time
31:33
Do
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Do
31:41
Odd
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Odd
31:49
Thereโ€™s no way to make a Stop T sound on its own, because it isnโ€™t a sound.
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์†Œ๋ฆฌ๊ฐ€ ์•„๋‹ˆ๊ธฐ ๋•Œ๋ฌธ์— Stop T ์†Œ๋ฆฌ๋ฅผ ์Šค์Šค๋กœ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์ด ์—†์Šต๋‹ˆ๋‹ค .
31:55
Itโ€™s a lack of sound.
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์‚ฌ์šด๋“œ ๋ถ€์กฑ์ž…๋‹ˆ๋‹ค.
31:57
Cut
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Cut
32:04
Better
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Better
32:10
The F and V consonants.
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F์™€ V ์ž์Œ.
32:15
These two sounds are paired together because they take the same mouth position.
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์ด ๋‘ ์†Œ๋ฆฌ๋Š” ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
32:21
Ff is unvoiced, meaning only air passes through the mouth.
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Ff๋Š” ๋ฌด์„ฑ์Œ์œผ๋กœ ๊ณต๊ธฐ๋งŒ ์ž…์„ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค .
32:26
And vv is voiced, meaning, you make a sound with the vocal cords, vv.
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๊ทธ๋ฆฌ๊ณ  vv๋Š” ์œ ์„ฑ์Œ์ž…๋‹ˆ๋‹ค. ์ฆ‰, ์„ฑ๋Œ€ vv๋กœ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค.
32:35
To make these sounds, the bottom lip lifts and touches the very bottom of the top front
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์ด ์†Œ๋ฆฌ๋ฅผ ๋‚ด๊ธฐ ์œ„ํ•ด ์•„๋žซ์ž…์ˆ ์ด ์œ„๋กœ ์˜ฌ๋ผ๊ฐ€ ์•ž๋‹ˆ์˜ ๋งจ ์•„๋ž˜์— ๋‹ฟ์Šต๋‹ˆ๋‹ค(
32:41
teeth, ff, vv.
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ff, vv).
32:45
The top lip lifts a little bit to get out of the way of the bottom lip.
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์œ—์ž…์ˆ ์€ ์•„๋žซ์ž…์ˆ ์— ๋ฐฉํ•ด๊ฐ€ ๋˜์ง€ ์•Š๋„๋ก ์•ฝ๊ฐ„ ๋“ค์–ด ์˜ฌ๋ฆฝ๋‹ˆ๋‹ค .
32:51
You don't want to see your bottom lip disappear, ff.
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์•„๋žซ์ž…์ˆ ์ด ์‚ฌ๋ผ์ง€๋Š” ๊ฑธ ๋ณด๊ณ  ์‹ถ์ง€ ์•Š์•„, ff.
32:58
It's actually the inside of the lip, here, that makes contact with the teeth, ff, vv.
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์น˜์•„์™€ ์ ‘์ด‰ํ•˜๋Š” ๊ฒƒ์€ ์‹ค์ œ๋กœ ์ž…์ˆ  ์•ˆ์ชฝ์ž…๋‹ˆ๋‹ค. ff, vv.
33:10
The tongue should stay relaxed so the air can easily push through, causing the bottom
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ํ˜€๋Š” ์ด์™„๋œ ์ƒํƒœ๋ฅผ ์œ ์ง€ํ•ด์•ผ ๊ณต๊ธฐ๊ฐ€ ์‰ฝ๊ฒŒ ํ†ต๊ณผํ•˜์—ฌ ์•„๋žซ
33:15
lip to vibrate against the top teeth.
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์ž…์ˆ ์ด ์œ—๋‹ˆ์— ๋Œ€ํ•ด ์ง„๋™ํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
33:19
Letโ€™s look at the sounds up close and in slow motion.
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์†Œ๋ฆฌ๋ฅผ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
33:24
The top lip lifts so the bottom lip has room to vibrate against the bottom of the top front
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์œ—์ž…์ˆ ์ด ์œ„๋กœ ์˜ฌ๋ผ๊ฐ€์„œ ์•„๋žซ์ž…์ˆ ์ด ์œ— ์•ž๋‹ˆ์˜ ๋ฐ”๋‹ฅ์— ๋Œ€ํ•ด ์ง„๋™ํ•  ๊ณต๊ฐ„์ด ์ƒ๊น๋‹ˆ๋‹ค
33:30
teeth.
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.
33:31
Very: Bottom lip goes to the bottom of the top front teeth.
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๋งค์šฐ: ์•„๋žซ์ž…์ˆ ์ด ์œ„์ชฝ ์•ž๋‹ˆ์˜ ์•„๋ž˜์ชฝ์œผ๋กœ ๊ฐ‘๋‹ˆ๋‹ค .
33:38
Flavor: The bottom lip goes to the top front teeth for the F, and again for the V.
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๋ง›: ์•„๋žซ์ž…์ˆ ์€ F์˜ ๊ฒฝ์šฐ ์œ„์ชฝ ์•ž๋‹ˆ์— , V์˜ ๊ฒฝ์šฐ ๋‹ค์‹œ
33:49
Enough: bottom lip to top front teeth.
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์œ„์ชฝ ์•ž๋‹ˆ๋กœ ๊ฐ‘๋‹ˆ๋‹ค.
33:56
When you work on these consonants and words with these consonants, watch yourself and
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์ด ์ž์Œ๊ณผ ์ด ์ž์Œ์œผ๋กœ ๋‹จ์–ด๋ฅผ ์—ฐ์Šตํ•  ๋•Œ, ์ž์‹ ์„ ์กฐ์‹ฌํ•˜๊ณ 
34:02
make sure your bottom lip doesnโ€™t curl in, ff, vv.
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์•„๋žซ์ž…์ˆ ์ด ๋ง๋ฆฌ์ง€ ์•Š๋„๋ก ํ•˜์„ธ์š”, ff, vv. ์ด๋Ÿฌํ•œ ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋Š” ๊ฒƒ์€
34:09
Remember, itโ€™s the inside of the lip that makes these sounds.
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์ž…์ˆ  ์•ˆ์ชฝ์ด๋ผ๋Š” ์ ์„ ๊ธฐ์–ตํ•˜์‹ญ์‹œ์˜ค .
34:16
The V and F consonants: very, flavor, enough.
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V์™€ F ์ž์Œ: very, flavor, enough.
34:26
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
34:28
Repeat with me:
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์ €์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•˜์„ธ์š”:
34:30
Live
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๋ผ์ด๋ธŒ
34:38
Value
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๋ฐธ๋ฅ˜๋Š” ์‹ ์„ ํ•œ ์ œ์•ˆ์„
34:45
Provide
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์ œ๊ณตํ•ฉ๋‹ˆ๋‹ค.
34:53
Fresh
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35:02
Offer
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35:09
Tough
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35:16
The G and K consonant sounds.
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G์™€ K ์ž์Œ ์†Œ๋ฆฌ๊ฐ€ ๊ฐ•ํ•ฉ๋‹ˆ๋‹ค.
35:22
These two sounds are paired together because they take the same mouth position.
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์ด ๋‘ ์†Œ๋ฆฌ๋Š” ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
35:27
Kk is unvoiced, meaning, only air passes through the mouth.
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Kk๋Š” ๋ฌด์„ฑ์–ด๋กœ ๊ณต๊ธฐ๋งŒ ์ž…์œผ๋กœ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค.
35:33
and gg is voiced, meaning, you make a sound with the vocal cords, gg.
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๊ทธ๋ฆฌ๊ณ  gg๋Š” ์œ ์„ฑ์Œ์ž…๋‹ˆ๋‹ค. ์ฆ‰, ์„ฑ๋Œ€ gg๋กœ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค.
35:42
These consonants are stop consonants, which means there are two parts to each sound.
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์ด ์ž์Œ์€ ์ค‘์ง€ ์ž์Œ์ด๋ฉฐ ๊ฐ ์†Œ๋ฆฌ์— ๋‘ ๋ถ€๋ถ„์ด ์žˆ์Œ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
35:49
First, a stop in the airflow, and second, a release.
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์ฒซ์งธ, ๊ธฐ๋ฅ˜์˜ ์ •์ง€, ๋‘˜์งธ, ๋ฐฉ์ถœ์ž…๋‹ˆ๋‹ค.
35:54
We stop the flow of the air here, closing our vocal cords, while the back part of the
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์šฐ๋ฆฌ๋Š” ์—ฌ๊ธฐ์„œ ๊ณต๊ธฐ์˜ ํ๋ฆ„์„ ๋ฉˆ์ถ”๊ณ  ์„ฑ๋Œ€๋ฅผ ๋‹ซ๊ณ  ํ˜€์˜ ๋’ท๋ถ€๋ถ„์ด ์—ฐ๊ตฌ๊ฐœ์—
36:00
tongue reaches up to touch the soft palate.
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๋‹ฟ๋„๋ก ์œ„๋กœ ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค. '๋’ค๋กœ'๋ผ๋Š” ๋‹จ์–ด
36:03
Iโ€™m going to slow down the K sound in the word โ€˜backโ€™.
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์—์„œ K ์†Œ๋ฆฌ๋ฅผ ๋Š๋ฆฌ๊ฒŒ ํ• ๊ฒŒ์š” . ๋ฐฉ์ถœ
36:09
See if you can hear the stop of air before the release.
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์ „์— ๊ณต๊ธฐ๊ฐ€ ๋ฉˆ์ถ”๋Š” ์†Œ๋ฆฌ๊ฐ€ ๋“ค๋ฆฌ๋Š”์ง€ ํ™•์ธํ•˜์‹ญ์‹œ์˜ค .
36:15
Ba-ck.
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๋’ค์ชฝ์—.
36:18
Back.
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๋’ค์ชฝ์—.
36:20
Here, you can see the tongue position.
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์—ฌ๊ธฐ์—์„œ ํ˜€์˜ ์œ„์น˜๋ฅผ โ€‹โ€‹๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
36:23
The back of the tongue reaches up to touch the soft palate, which is closed.
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ํ˜€์˜ ๋’ท๋ถ€๋ถ„์ด ๋‹ซํ˜€ ์žˆ๋Š” ์—ฐ๊ตฌ๊ฐœ์— ๋‹ฟ๋„๋ก ๋‹ฟ์Šต๋‹ˆ๋‹ค.
36:28
The tip of the tongue can remain forward, lightly touching the back of the bottom front
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ํ˜€๋์€ ์•ž์ชฝ์œผ๋กœ ์œ ์ง€ํ•˜์—ฌ ์•„๋ž˜์ชฝ ์•ž๋‹ˆ์˜ ๋’ค์ชฝ์— ๊ฐ€๋ณ๊ฒŒ ๋‹ฟ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
36:34
teeth.
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.
36:36
The jaw drops a little bit, and the lips are open, kk, gg.
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ํ„ฑ์ด ์‚ด์ง ๋–จ์–ด์ง€๊ณ  ์ž…์ˆ ์ด ๋ฒŒ์–ด์ ธ ใ…‹ใ…‹ใ…‹ใ…‹ใ…‹ใ…‹
36:44
The lip position doesnโ€™t matter for these sounds, so the lips might start forming the
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์ž…์ˆ  ์œ„์น˜๋Š” ์ด๋Ÿฌํ•œ ์†Œ๋ฆฌ์— ์ค‘์š”ํ•˜์ง€ ์•Š์œผ๋ฏ€๋กœ
36:49
next sound, like in the word โ€˜greatโ€™.
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'great'๋ผ๋Š” ๋‹จ์–ด์—์„œ์™€ ๊ฐ™์ด ์ž…์ˆ ์ด ๋‹ค์Œ ์†Œ๋ฆฌ๋ฅผ ํ˜•์„ฑํ•˜๊ธฐ ์‹œ์ž‘ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
36:54
Here the lips can start taking the position for the R as we make the G: g-, g-, great.
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์—ฌ๊ธฐ์„œ ์ž…์ˆ ์€ G: g-, g-, ์œ„๋Œ€ํ•จ์„ ๋งŒ๋“ค ๋•Œ R์˜ ์œ„์น˜๋ฅผ โ€‹โ€‹์ฐจ์ง€ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
37:05
Letโ€™s look at these sounds up close and in slow motion.
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์ด ์†Œ๋ฆฌ๋ฅผ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์—์„œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
37:10
The jaw drops and the back of the tongue lifts to touch the soft palate.
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ํ„ฑ์ด ๋–จ์–ด์ง€๊ณ  ํ˜€์˜ ๋’ท๋ถ€๋ถ„์ด ์—ฐ๊ตฌ๊ฐœ์— ๋‹ฟ๊ธฐ ์œ„ํ•ด ๋“ค์–ด ์˜ฌ๋ ค์ง‘๋‹ˆ๋‹ค.
37:15
Then the tongue releases.
431
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๊ทธ๋Ÿฐ ๋‹ค์Œ ํ˜€๊ฐ€ ํ’€๋ฆฝ๋‹ˆ๋‹ค.
37:19
Sometimes, to make a sentence smoother, the words more linked together, native speakers
432
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๋•Œ๋กœ๋Š” ๋ฌธ์žฅ์„ ๋งค๋„๋Ÿฝ๊ฒŒ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ๋‹จ์–ด๊ฐ€ ๋” ๋งŽ์ด ์—ฐ๊ฒฐ๋˜์–ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์›์–ด๋ฏผ์€
37:27
will skip the release of a stop consonant when the next word begins with a consonant.
433
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๋‹ค์Œ ๋‹จ์–ด๊ฐ€ ์ž์Œ์œผ๋กœ ์‹œ์ž‘๋  ๋•Œ ์ •์ง€ ์ž์Œ ํ•ด์ œ๋ฅผ ๊ฑด๋„ˆ๋œ๋‹ˆ๋‹ค.
37:33
For example, the phrase โ€œback to workโ€.
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์˜ˆ๋ฅผ ๋“ค์–ด, "๋‹ค์‹œ ์ผํ•˜๋Ÿฌ"๋ผ๋Š” ๋ฌธ๊ตฌ์ž…๋‹ˆ๋‹ค.
37:37
Back to, back---to.
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๋’ค๋กœ, ๋’ค๋กœ---๋กœ.
37:41
Iโ€™m not saying โ€˜back toโ€™, kk, with a full release of the K. Iโ€™m holding the air
436
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๋‚˜๋Š” K๋ฅผ ์™„์ „ํžˆ ๋–ผ๋ฉด์„œ '๋‹ค์‹œ'๋ผ๊ณ  ๋งํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค. kk๋ฅผ ์™„์ „ํžˆ ํ’€๋ฉด์„œ
37:49
for a fraction of a second with my throat, making that stop, then I go right into the
437
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๋ชฉ์œผ๋กœ ๊ณต๊ธฐ๋ฅผ 1์ดˆ ๋™์•ˆ ์ฐธ๋‹ค๊ฐ€ ๋ฉˆ์ถ˜ ๋‹ค์Œ ๋ฐ”๋กœ
37:56
release of the T consonant.
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T๋ฅผ ๋–ผ๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค. ์ž์Œ.
37:58
Back to, back to.
439
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๋‹ค์‹œ, ๋‹ค์‹œ.
38:01
Back to work.
440
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๋‹ค์‹œ ์ผ.
38:03
Without the release of the K in โ€˜backโ€™, the two words flow together more easily, making
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'back'์—์„œ K๋ฅผ ๋–ผ์ง€ ์•Š์œผ๋ฉด ๋‘ ๋‹จ์–ด๊ฐ€ ๋” ์‰ฝ๊ฒŒ ํ•จ๊ป˜ ํ๋ฅด๋ฏ€๋กœ ๋”
38:11
it smoother.
442
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๋ถ€๋“œ๋Ÿฝ์Šต๋‹ˆ๋‹ค.
38:13
Notice I do make a light release of the K in the word โ€˜workโ€™.
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'work'๋ผ๋Š” ๋‹จ์–ด์—์„œ K๋ฅผ ๊ฐ€๋ณ๊ฒŒ ๋†“์•˜์Šต๋‹ˆ๋‹ค.
38:18
Can you hear it?
444
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๋“ค๋ฆฌ๋‚˜์š”?
38:20
Back to work.
445
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2185
๋‹ค์‹œ ์ผ.
38:22
Letโ€™s look at some words up close and in slow motion.
446
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๋ช‡ ๊ฐ€์ง€ ๋‹จ์–ด๋ฅผ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
38:27
The word โ€˜keepโ€™.
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'์ง€ํ‚ค๋‹ค'๋ผ๋Š” ๋ง.
38:29
Because the tongue lifts at the back, and does not require much jaw drop, itโ€™s hard
448
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ํ˜€๊ฐ€ ๋’ค์ชฝ์—์„œ ๋“ค๋ฆฌ๊ณ  ํ„ฑ์„ ๋งŽ์ด ๋–จ์–ด๋œจ๋ฆด ํ•„์š”๊ฐ€ ์—†๊ธฐ ๋•Œ๋ฌธ์—
38:34
to see this sound in this word.
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์ด ๋‹จ์–ด์—์„œ ์ด ์†Œ๋ฆฌ๋ฅผ ๋ณด๊ธฐ๊ฐ€ ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
38:37
The word โ€˜greenโ€™.
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'๊ทธ๋ฆฐ'์ด๋ผ๋Š” ๋‹จ์–ด. ๋‹ค์Œ ์†Œ๋ฆฌ์ธ R์„ ์œ„ํ•ด
38:39
The lips round for the G because they need to round for the next sound, R. The lip position
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์ž…์ˆ ์„ ๋‘ฅ๊ธ€๊ฒŒ ํ•ด์•ผ ํ•˜๊ธฐ ๋•Œ๋ฌธ์— G๋ฅผ ์œ„ํ•ด ์ž…์ˆ ์„ ๋‘ฅ๊ธ€๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค. ์ž…์ˆ  ์œ„์น˜๋Š”
38:47
doesnโ€™t change the G sound.
452
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G ์†Œ๋ฆฌ๋ฅผ ๋ฐ”๊พธ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
38:50
Itโ€™s a little easier to see the back of the tongue move when itโ€™s at the end of
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38:55
a word like this word, โ€˜eggโ€™.
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'egg'์™€ ๊ฐ™์€ ๋‹จ์–ด ๋์— ์žˆ์„ ๋•Œ ํ˜€์˜ ๋’ท๋ถ€๋ถ„์ด ์›€์ง์ด๋Š” ๊ฒƒ์„ ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
38:58
The tongue lifts in the back, then releases.
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ํ˜€๊ฐ€ ๋“ฑ์„ ๋“ค์–ด ์˜ฌ๋ ธ๋‹ค๊ฐ€ ๋†“์Šต๋‹ˆ๋‹ค.
39:04
The G and K consonants: keep, green, egg.
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G ๋ฐ K ์ž์Œ: keep, green, egg.
39:14
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
39:16
Repeat with me:
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์ €์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•˜์„ธ์š”:
39:17
Go
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Go
39:25
Again
460
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Again
39:33
Big
461
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Big
39:40
Cry
462
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Cry
39:48
Key
463
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Key
39:56
Black
464
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Black
40:03
The S and Z consonant sounds.
465
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S์™€ Z ์ž์Œ ์†Œ๋ฆฌ.
40:08
These two sounds are paired together because they take the same mouth position.
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์ด ๋‘ ์†Œ๋ฆฌ๋Š” ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
40:14
SS is unvoiced, meaning only air passes through the mouth, and ZZ is voiced, meaning you make
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SS๋Š” ๊ณต๊ธฐ๋งŒ ์ž…์œผ๋กœ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์˜ ๋ฌด์„ฑ์Œ ์ด๊ณ  ZZ๋Š”
40:24
a sound with the vocal cords, zz.
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์„ฑ๋Œ€ zz๋กœ ์†Œ๋ฆฌ๋ฅผ ๋‚ธ๋‹ค๋Š” ์˜๋ฏธ์˜ ์œ ์„ฑ์Œ์ž…๋‹ˆ๋‹ค.
40:29
To make the sounds, the lips part and the corners pull back a little while the teeth
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์†Œ๋ฆฌ๋ฅผ ๋‚ด๊ธฐ ์œ„ํ•ด ์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ณ  ๋ชจ์„œ๋ฆฌ๊ฐ€ ์•ฝ๊ฐ„ ๋’ค๋กœ ๋‹น๊ฒจ์ง€๋ฉฐ ์น˜์•„
40:35
themselves lightly touch, ss, zz.
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์ž์ฒด๊ฐ€ ๊ฐ€๋ณ๊ฒŒ ๋‹ฟ์Šต๋‹ˆ๋‹ค. ss, zz.
40:42
There are two ways to make these sounds.
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์ด๋Ÿฌํ•œ ์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“œ๋Š” ๋ฐฉ๋ฒ•์—๋Š” ๋‘ ๊ฐ€์ง€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
40:44
One, with the tip of the tongue down, lightly touching the back of the bottom front teeth.
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ํ•˜๋‚˜๋Š” ํ˜€ ๋์„ ์•„๋ž˜๋กœ ํ–ฅํ•˜๊ฒŒ ํ•˜์—ฌ ์•„๋ž˜์ชฝ ์•ž๋‹ˆ ๋’ค์ชฝ์— ๊ฐ€๋ณ๊ฒŒ ๋‹ฟ๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
40:51
Or, by pointing the tip of the tongue up.
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๋˜๋Š” ํ˜€๋์„ ์œ„๋กœ ํ–ฅํ•˜๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
40:56
You may find that the position of the tongue tip depends on the sounds around the S and
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ํ˜€๋์˜ ์œ„์น˜๋Š” S์™€ Z ์ฃผ๋ณ€์˜ ์†Œ๋ฆฌ์— ๋”ฐ๋ผ ๋‹ฌ๋ผ์ง‘๋‹ˆ๋‹ค.
41:02
Z.
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41:03
Letโ€™s look at these sounds up close and in slow motion.
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์ด ์†Œ๋ฆฌ๋ฅผ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์—์„œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
41:09
The teeth lightly touch, tongue tip is down, and you can see a lot of the tongue through
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์น˜์•„๊ฐ€ ๊ฐ€๋ณ๊ฒŒ ๋งž๋‹ฟ๊ณ  ํ˜€๋์ด ์•„๋ž˜๋กœ ๋‚ด๋ ค์™€ ์น˜์•„ ์‚ฌ์ด๋กœ ํ˜€๊ฐ€ ๋งŽ์ด ๋ณด์ธ๋‹ค
41:15
the teeth.
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.
41:16
Sip.
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ํ•œ๋ชจ๊ธˆ.
41:18
Again, teeth lightly touch, the tongue tip is pointed down.
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๋‹ค์‹œ, ์น˜์•„๊ฐ€ ๊ฐ€๋ณ๊ฒŒ ๋‹ฟ๊ณ  ํ˜€๋์ด ์•„๋ž˜๋ฅผ ํ–ฅํ•ฉ๋‹ˆ๋‹ค.
41:26
Miss.
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๋ฏธ์Šค. ์ด๊ฐ€
41:27
The tongue tip stays down as the teeth come together.
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๋งž๋ฌผ๋ฆฌ๋ฉด์„œ ํ˜€๋์ด ์•„๋ž˜๋กœ ๋‚ด๋ ค์™€ ์žˆ์Šต๋‹ˆ๋‹ค .
41:34
Fizz.
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ํ™œ๊ธฐ.
41:36
This time, youโ€™ll see the tongue tip point up before the teeth close.
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์ด๋ฒˆ์—๋Š” ์น˜์•„๊ฐ€ ๋‹ซํžˆ๊ธฐ ์ „์— ํ˜€๋์ด ์œ„๋กœ ํ–ฅํ•˜๋Š” ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
41:42
And up.
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๊ทธ๋ฆฌ๊ณ  ์œ„๋กœ.
41:47
The S and Z sounds: sip, miss, fizz.
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S์™€ Z ์†Œ๋ฆฌ: sip, miss, fizz.
41:56
Example words.
487
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2047
์˜ˆ์‹œ ๋‹จ์–ด.
41:58
Repeat with me.
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๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค.
41:59
Note: the letter S can make the [z] sound.
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์ฐธ๊ณ : ๋ฌธ์ž S๋Š” [z] ์†Œ๋ฆฌ๋ฅผ ๋‚ผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
42:04
Some
490
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6398
Some
42:11
Must
491
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7006
Must
42:19
Less
492
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7772
Less
42:27
Zip
493
2547210
7732
Zip
42:34
Cousin
494
2554942
6656
Cousin
42:42
Easy
495
2562275
6754
Easy
42:49
The SH and ZH consonant sounds.
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SH ๋ฐ ZH ์ž์Œ ์†Œ๋ฆฌ.
42:54
These two sounds are paired together because they take the same mouth position.
497
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์ด ๋‘ ์†Œ๋ฆฌ๋Š” ๊ฐ™์€ ์ž… ์œ„์น˜๋ฅผ ์ทจํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•จ๊ป˜ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
42:59
SH is unvoiced, meaning only air passes through the mouth.
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SH๋Š” ๋ฌด์„ฑ์Œ์œผ๋กœ ๊ณต๊ธฐ๋งŒ ์ž…์„ ํ†ต๊ณผํ•œ๋‹ค๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค .
43:05
And ZH is voiced, meaning you make a sound with the vocal cords, zh.
499
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๊ทธ๋ฆฌ๊ณ  ZH๋Š” ์„ฑ๋Œ€ zh๋กœ ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•˜๋Š” ์œ ์„ฑ์Œ์ž…๋‹ˆ๋‹ค .
43:14
To make these sounds, the teeth come together.
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์ด๋Ÿฌํ•œ ์†Œ๋ฆฌ๋ฅผ ๋‚ด๊ธฐ ์œ„ํ•ด ์น˜์•„๊ฐ€ ํ•จ๊ป˜ ๋ชจ์ž…๋‹ˆ๋‹ค.
43:17
The corners of the lips come in and the lips flare.
501
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์ž…์ˆ ์˜ ๋ชจ์„œ๋ฆฌ๊ฐ€ ๋“ค์–ด์™€ ์ž…์ˆ ์ด ๋ฒŒ์–ด์ง‘๋‹ˆ๋‹ค.
43:21
The tongue lifts so the front/middle part of the tongue is very close to the roof of
502
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ํ˜€๊ฐ€ ์˜ฌ๋ผ๊ฐ€ ํ˜€์˜ ์•ž/์ค‘๊ฐ„ ๋ถ€๋ถ„์ด ์ž…์ฒœ์žฅ์— ๋งค์šฐ ๊ฐ€๊น์ง€๋งŒ
43:26
the mouth, but not touching it.
503
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๋‹ฟ์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค.
43:29
The tongue tip points forward but doesnโ€™t touch anything.
504
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ํ˜€๋์€ ์•ž์„ ํ–ฅํ•˜์ง€๋งŒ ์•„๋ฌด ๊ฒƒ๋„ ๊ฑด๋“œ๋ฆฌ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
43:34
Letโ€™s look at these sounds up close and in slow motion.
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์ด ์†Œ๋ฆฌ๋ฅผ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์—์„œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
43:39
The lips flare and the teeth come together.
506
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์ž…์ˆ ์ด ๋ฒŒ์–ด์ง€๊ณ  ์น˜์•„๊ฐ€ ๋งž๋ฌผ๋ฆฝ๋‹ˆ๋‹ค.
43:45
In the word โ€˜shopโ€™, the โ€˜shโ€™ is at the beginning of the word.
507
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8509
'shop'์ด๋ผ๋Š” ๋‹จ์–ด์—์„œ 'sh'๋Š” ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์— ์žˆ์Šต๋‹ˆ๋‹ค.
43:53
In the word โ€˜wishโ€™, itโ€™s at the end.
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'์†Œ์›'์ด๋ผ๋Š” ๋‹จ์–ด์˜ ๋์— ์žˆ์Šต๋‹ˆ๋‹ค.
43:59
In the word โ€˜Asiaโ€™, the โ€˜zhโ€™ sound is in the middle.
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'์•„์‹œ์•„'๋ผ๋Š” ๋‹จ์–ด์—์„œ ์ค‘๊ฐ„์— 'zh' ์†Œ๋ฆฌ๊ฐ€ ๋‚ฉ๋‹ˆ๋‹ค.
44:06
The mouth position is always the same: teeth together, lips flare.
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์ž… ์œ„์น˜๋Š” ํ•ญ์ƒ ๋™์ผํ•ฉ๋‹ˆ๋‹ค. ์ด๋นจ์ด ๋งž๋ฌผ๋ฆฌ๊ณ  ์ž…์ˆ ์ด ๋ฒŒ์–ด์ง‘๋‹ˆ๋‹ค.
44:14
The SH and ZH consonants.
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SH ๋ฐ ZH ์ž์Œ.
44:20
Shop, wish, Asia.
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์‡ผํ•‘, ์†Œ์›, ์•„์‹œ์•„.
44:27
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
44:29
Repeat with me:
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์ €์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•˜์„ธ์š”:
44:30
should
515
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7361
44:37
special
516
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7124
ํŠน๋ณ„
44:46
wash
517
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์„ธํƒ
44:53
measure
518
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7481
์ธก์ •
45:02
garage
519
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6707
์ฐจ๊ณ 
45:11
Usual
520
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๋ณดํ†ต์˜
45:18
The H consonant sound.
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H ์ž์Œ ์†Œ๋ฆฌ.
45:20
This sound is simply made, hh, by passing air through a very slightly constricted passage,
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์ด ์†Œ๋ฆฌ๋Š” ํ˜€์™€ ์ž…์ฒœ์žฅ ์‚ฌ์ด(hh) ๋˜๋Š” ๋ชฉ๊ตฌ๋ฉ(hh) ์‚ฌ์ด์˜ ์•„์ฃผ ์•ฝ๊ฐ„ ์ˆ˜์ถ•๋œ ํ†ต๋กœ๋ฅผ ํ†ตํ•ด ๊ณต๊ธฐ๋ฅผ ํ†ต๊ณผ์‹œ์ผœ ๊ฐ„๋‹จํžˆ hh ๋งŒ๋“ญ๋‹ˆ๋‹ค
45:29
either between the tongue and the roof of the mouth, hh, or in the throat, hh.
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.
45:38
This is an unvoiced consonant.
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์ด๊ฒƒ์€ ๋ฌด์„ฑ ์ž์Œ์ž…๋‹ˆ๋‹ค.
45:42
Part the lips and press the tongue down in the back just a little.
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์ž…์ˆ ์„ ๋ฒŒ๋ฆฌ๊ณ  ํ˜€๋ฅผ ๋’ค์ชฝ์œผ๋กœ ์‚ด์ง ๋ˆ„๋ฅด์‹ญ์‹œ์˜ค.
45:47
If you donโ€™t constrict the air passage at all, thereโ€™s no sound.
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๊ธฐ๋„๋ฅผ ์ „ํ˜€ ๋ง‰์ง€ ์•Š์œผ๋ฉด ์†Œ๋ฆฌ๊ฐ€ ๋‚˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
45:55
If you lift the back of your tongue and constrict too much, hhh, youโ€™ll feel the vibration
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ํ˜€์˜ ๋’ท๋ถ€๋ถ„์„ ๋“ค์–ด ์˜ฌ๋ฆฌ๊ณ  ๋„ˆ๋ฌด ๋งŽ์ด ์ˆ˜์ถ•์‹œํ‚ค๋ฉด ํญํญํญํญํญํญํญํญ
46:04
of the soft palate bouncing on the tongue.
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ํ˜€์— ๋‹ฟ๋Š” ์—ฐ๊ตฌ๊ฐœ์˜ ์ง„๋™์ด ๋Š๊ปด์งˆ ๊ฒƒ์ด๋‹ค.
46:07
This is too heavy.
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๋„ˆ๋ฌด ๋ฌด๊ฒ์Šต๋‹ˆ๋‹ค.
46:10
Hh.
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ํ.
46:12
The lips and jaw donโ€™t affect this sound, so your mouth can be in position for the next
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์ž…์ˆ ๊ณผ ํ„ฑ์€ ์ด ์†Œ๋ฆฌ์— ์˜ํ–ฅ์„ ๋ฏธ์น˜์ง€ ์•Š์œผ๋ฏ€๋กœ H๋ฅผ ๋งŒ๋“ค ๋•Œ ์ž…์ด ๋‹ค์Œ ์†Œ๋ฆฌ์˜ ์œ„์น˜์— ์žˆ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด
46:18
sound when youโ€™re making the H.
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46:21
For example, the word how, how.
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๋‹จ์–ด how, how.
46:27
The lips, jaw, and tongue take the beginning position of the 'ow' as in 'now' diphthong,
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์ž…์ˆ , ํ„ฑ, ํ˜€๋Š” '์ง€๊ธˆ' ์ด์ค‘๋ชจ์Œ, hh-, how์—์„œ์™€ ๊ฐ™์ด 'ow'์˜ ์‹œ์ž‘ ์œ„์น˜๋ฅผ ์ทจํ•ฉ๋‹ˆ๋‹ค
46:35
hh-, how.
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.
46:38
Letโ€™s look up close and in slow motion.
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์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์„œ ์˜ฌ๋ ค๋‹ค ๋ด…์‹œ๋‹ค.
46:42
The sound by itself: the jaw is relaxed and the lips part.
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์†Œ๋ฆฌ ์ž์ฒด: ํ„ฑ์ด ์ด์™„๋˜๊ณ  ์ž…์ˆ ์ด ๋ฒŒ์–ด์ง‘๋‹ˆ๋‹ค.
46:48
The word โ€˜hiโ€™: thereโ€™s nothing to see at the beginning of this word.
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'์•ˆ๋…•'์ด๋ผ๋Š” ๋‹จ์–ด: ์ด ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์— ๋ณด์ด๋Š” ๊ฒƒ์ด ์—†์Šต๋‹ˆ๋‹ค.
46:54
The H sound happens without changing what the lips do for the AI as in BUY diphthong.
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H ์‚ฌ์šด๋“œ๋Š” BUY diphthong์—์„œ์™€ ๊ฐ™์ด AI์— ๋Œ€ํ•ด ์ž…์ˆ ์ด ์ˆ˜ํ–‰ํ•˜๋Š” ์ž‘์—…์„ ๋ณ€๊ฒฝํ•˜์ง€ ์•Š๊ณ  ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค.
47:01
The word whoโ€™: Again, thereโ€™s nothing to see at the beginning of this word.
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who'๋ผ๋Š” ๋‹จ์–ด: ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ด ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์—๋Š” ๋ณผ ๊ฒƒ์ด ์—†์Šต๋‹ˆ๋‹ค.
47:08
The H sound happens without changing what the lips do for the next sound, the OO as
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H ์†Œ๋ฆฌ๋Š” BOO ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด ๋‹ค์Œ ์†Œ๋ฆฌ์ธ OO์— ๋Œ€ํ•ด ์ž…์ˆ ์ด ํ•˜๋Š” ์ผ์„ ๋ณ€๊ฒฝํ•˜์ง€ ์•Š๊ณ  ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค
47:14
in BOO vowel.
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.
47:17
This sound is most common at the beginning of a word, and never occurs at the end of
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์ด ์†Œ๋ฆฌ๋Š” ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์—์„œ ๊ฐ€์žฅ ์ผ๋ฐ˜์  ์ด๋ฉฐ
47:23
a word in American English, but the letter H does.
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๋ฏธ๊ตญ์‹ ์˜์–ด์—์„œ๋Š” ๋‹จ์–ด์˜ ๋์—์„œ ๋ฐœ์ƒํ•˜์ง€ ์•Š์ง€๋งŒ ๋ฌธ์ž H๋Š” ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค.
47:28
The H sound: hi, who.
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H ์†Œ๋ฆฌ: ์•ˆ๋…•, ๋ˆ„๊ตฌ.
47:35
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
47:37
Repeat with me:
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๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค:
47:39
Hope
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Hope
47:48
History
549
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7509
History
47:57
Ahead
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Ahead
48:04
Behind
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7041
Behind
48:11
Here
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7003
Here
48:19
Somehow
553
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Somehow
48:26
The L consonant sound.
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The L ์ž์Œ ์†Œ๋ฆฌ.
48:29
This sound is especially difficult.
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์ด ์†Œ๋ฆฌ๋Š” ํŠนํžˆ ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
48:33
There are actually two kinds of Lโ€™s, and theyโ€™re not made the same way.
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์‹ค์ œ๋กœ ๋‘ ์ข…๋ฅ˜์˜ L์ด ์žˆ์œผ๋ฉฐ ๊ฐ™์€ ๋ฐฉ์‹์œผ๋กœ ๋งŒ๋“ค์–ด์ง€์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
48:38
But, if you look up a word in the dictionary, there is only one International Phonetic Alphabet
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ํ•˜์ง€๋งŒ ์‚ฌ์ „์—์„œ ๋‹จ์–ด๋ฅผ ์ฐพ์•„๋ณด๋ฉด
48:44
Symbol for both kinds of L. In this video, youโ€™ll learn when to make which kind of
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๋‘ ์ข…๋ฅ˜์˜ L์— ๋Œ€ํ•œ ๊ตญ์ œ ์Œ์„ฑ ์•ŒํŒŒ๋ฒณ ๊ธฐํ˜ธ๊ฐ€ ํ•˜๋‚˜๋งŒ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด ๋น„๋””์˜ค์—์„œ๋Š” ์–ด๋–ค ์ข…๋ฅ˜์˜ L์„ ์–ธ์ œ ๋งŒ๋“ค์–ด์•ผ ํ•˜๋Š”์ง€ ๋ฐฐ์›๋‹ˆ๋‹ค.
48:52
L.
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48:54
First, the Light L sound.
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๋จผ์ € ๊ฐ€๋ฒผ์šด L ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
48:58
This is what most people think of when they think of an L. The L is a โ€˜Light Lโ€™ when
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์ด๊ฒƒ์€ ๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์ด L์„ ์ƒ๊ฐํ•  ๋•Œ ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. L์€ ์Œ์ ˆ์—์„œ ๋ชจ์Œ์ด๋‚˜ ์ด์ค‘๋ชจ์Œ ์•ž์— ์˜ฌ ๋•Œ '๊ฐ€๋ฒผ์šด L'์ž…๋‹ˆ๋‹ค
49:04
it comes before the vowel or diphthong in a syllable.
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.
49:09
For example, letโ€™s, flake, release.
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์˜ˆ๋ฅผ ๋“ค์–ด, ํ”Œ๋ ˆ์ดํฌ, ๋ฆด๋ฆฌ์Šค.
49:18
There are two different ways native speakers make this sound.
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์›์–ด๋ฏผ์ด ์ด ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋Š” ๋ฐฉ๋ฒ•์—๋Š” ๋‘ ๊ฐ€์ง€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค .
49:23
One way is to lift the tongue so the tip is touching the roof of the mouth, just behind
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ํ•œ ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์€ ํ˜€ ๋์ด ์•ž๋‹ˆ ๋ฐ”๋กœ ๋’ค์— ์žˆ๋Š” ์ž…์ฒœ์žฅ์— ๋‹ฟ๋„๋ก ํ˜€๋ฅผ ๋“ค์–ด ์˜ฌ๋ฆฌ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
49:30
the front teeth.
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.
49:32
This is not the same as the T, D, and N tongue positions, where the tongue lifts so the top
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์ด๊ฒƒ์€ T, D ๋ฐ N ํ˜€ ์œ„์น˜์™€ ๋™์ผํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค . ์—ฌ๊ธฐ์„œ ํ˜€๊ฐ€ ์˜ฌ๋ผ๊ฐ€์„œ ์œ—๋ถ€๋ถ„์ด
49:39
is touching the roof of the mouth.
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์ž…์ฒœ์žฅ์— ๋‹ฟ์Šต๋‹ˆ๋‹ค.
49:42
This is the tip.
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์ด๊ฒƒ์ด ํŒ์ž…๋‹ˆ๋‹ค.
49:45
Another way native speakers make this sound looks like the TH, with the tongue tip touching
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๋˜ ๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์€ ์›์–ด๋ฏผ์ด ์ด ์†Œ๋ฆฌ๋ฅผ TH์ฒ˜๋Ÿผ ๋ณด์ด๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฒƒ์ธ๋ฐ, ํ˜€ ๋์ด ์•ž๋‹ˆ ์•„๋ž˜์ชฝ์— ๋‹ฟ์Šต๋‹ˆ๋‹ค
49:50
the bottom of the top front teeth.
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.
49:54
The contact with the teeth is more firm than the TH sound, pushing up on the top teeth.
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์น˜์•„์™€์˜ ์ ‘์ด‰์€ TH ์†Œ๋ฆฌ๋ณด๋‹ค ๋” ๋‹จ๋‹จํ•˜์—ฌ ์œ—๋‹ˆ๋ฅผ ๋ฐ€์–ด ์˜ฌ๋ฆฝ๋‹ˆ๋‹ค.
50:01
The tongue is not as loose or relaxed in the L as it is in the TH.
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ํ˜€๋Š” L์—์„œ TH๋งŒํผ ๋Š์Šจํ•˜๊ฑฐ๋‚˜ ์ด์™„๋˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค .
50:09
Letโ€™s look at the Light L up close and in slow motion.
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Light L์„ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
50:15
Here is one way to make the L, with the tongue tip coming through the teeth to press up on
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๋‹ค์Œ์€ L์ž๋ฅผ ๋งŒ๋“œ๋Š” ํ•œ ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค. ํ˜€ ๋์ด ์ด๋ฅผ ํ†ตํ•ด ๋‚˜์™€
50:21
the bottom of the top front teeth.
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์œ„์ชฝ ์•ž๋‹ˆ์˜ ๋ฐ”๋‹ฅ์„ ๋ˆ„๋ฅด๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
50:24
Here is the second way to make the Light L: the tip at the roof of the mouth just behind
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Light L์„ ๋งŒ๋“œ๋Š” ๋‘ ๋ฒˆ์งธ ๋ฐฉ๋ฒ•์€ ์น˜์•„ ๋ฐ”๋กœ ๋’ค์— ์žˆ๋Š” ์ž…์ฒœ์žฅ์˜ ํŒ์ž…๋‹ˆ๋‹ค
50:30
the teeth.
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.
50:33
Hereโ€™s the word โ€˜lackโ€™.
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๋‹ค์Œ์€ '๋ถ€์กฑ'์ด๋ผ๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค.
50:35
The tongue comes through the teeth to make the Light L.
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ํ˜€๋Š” ์ด๋ฅผ ํ†ตํ•ด ๋น› L์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
50:41
The word โ€˜slowโ€™.
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'๋Š๋ฆฌ๋‹ค'๋ผ๋Š” ๋‹จ์–ด.
50:44
The Light L is made with the tongue tip at the roof of the mouth.
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Light L์€ ํ˜€๋์ด ์ž…์ฒœ์žฅ์— ์œ„์น˜ํ•˜๋„๋ก ์ œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค .
50:51
The second kind of L is the Dark L. This is the sound that happens when the L comes after
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L์˜ ๋‘ ๋ฒˆ์งธ ์ข…๋ฅ˜๋Š” Dark L์ž…๋‹ˆ๋‹ค.
50:58
the vowel or diphthong in a word or syllable, like โ€˜realโ€™ or โ€˜Googleโ€™.
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'real'์ด๋‚˜ 'Google'๊ณผ ๊ฐ™์ด L์ด ๋‹จ์–ด๋‚˜ ์Œ์ ˆ์—์„œ ๋ชจ์Œ์ด๋‚˜ ์ด์ค‘๋ชจ์Œ ๋’ค์— ์˜ฌ ๋•Œ ๋ฐœ์ƒํ•˜๋Š” ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
51:06
This sound has two parts, but many Americans leave out the second part in most cases.
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์ด ์†Œ๋ฆฌ๋Š” ๋‘ ๋ถ€๋ถ„์œผ๋กœ ๋˜์–ด ์žˆ์ง€๋งŒ ๋งŽ์€ ๋ฏธ๊ตญ์ธ๋“ค์€ ๋Œ€๋ถ€๋ถ„์˜ ๊ฒฝ์šฐ ๋‘ ๋ฒˆ์งธ ๋ถ€๋ถ„์„ ์ƒ๋žตํ•ฉ๋‹ˆ๋‹ค.
51:14
You should too, it makes it easier to pronounce.
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๋‹น์‹ ๋„ ๊ทธ๋ ‡๊ฒŒ ํ•ด์•ผ ๋ฐœ์Œ์ด ๋” ์‰ฌ์›Œ์ง‘๋‹ˆ๋‹ค.
51:18
The first and most important part of the Dark L is the โ€˜darkโ€™ sound.
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Dark L์˜ ์ฒซ ๋ฒˆ์งธ์ด์ž ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์€ '๋‹คํฌ' ์‚ฌ์šด๋“œ์ž…๋‹ˆ๋‹ค.
51:24
This defines the dark L. To make this sound, you donโ€™t lift your tongue tip.
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์ด๊ฒƒ์€ ์–ด๋‘์šด L์„ ์ •์˜ํ•ฉ๋‹ˆ๋‹ค. ์ด ์†Œ๋ฆฌ๋ฅผ ๋‚ด๊ธฐ ์œ„ํ•ด ํ˜€๋์„ ๋“ค์–ด ์˜ฌ๋ฆฌ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
51:31
Instead, itโ€™s down, touching the back of the bottom front teeth.
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๋Œ€์‹  ์•„๋ž˜์ชฝ ์•ž๋‹ˆ ๋’ค์ชฝ์— ๋‹ฟ์•„ ์•„๋ž˜๋กœ ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค.
51:37
The back part of the tongue pulls back towards the throat.
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ํ˜€์˜ ๋’ท๋ถ€๋ถ„์ด ๋ชฉ๊ตฌ๋ฉ ์ชฝ์œผ๋กœ ๋‹น๊ฒจ์ง‘๋‹ˆ๋‹ค .
51:40
You can see there isnโ€™t much jaw drop, and the lips are relaxed.
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ํ„ฑ์ด ๋งŽ์ด ๋น ์ง€์ง€ ์•Š๊ณ  ์ž…์ˆ ์ด ํŽธ์•ˆํ•ด์ง„ ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
51:47
Uuhl.
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์œผ์œผ. ์–ผ๊ตด์ด ์•„๋‹ˆ๋ผ
51:49
You should feel the vibration in the throat and not the face, uuhl.
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๋ชฉ์—์„œ ์ง„๋™์„ ๋Š๊ปด์•ผ ํ•ฉ๋‹ˆ๋‹ค , uuhl.
51:55
The back part of the tongue presses down or shifts back.
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ํ˜€์˜ ๋’ท๋ถ€๋ถ„์ด ์•„๋ž˜๋กœ ๋ˆ„๋ฅด๊ฑฐ๋‚˜ ๋’ค๋กœ ์ด๋™ํ•ฉ๋‹ˆ๋‹ค.
52:00
This is an important part of the sound.
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์ด๊ฒƒ์€ ์†Œ๋ฆฌ์˜ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค.
52:03
Uuhl, uuhl.
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์œผ, ์œผ์œผ.
52:06
Most Americans will stop there when making the Dark L -- โ€˜realโ€™, โ€˜Googleโ€™, โ€˜thoughtfulโ€™
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๋Œ€๋ถ€๋ถ„์˜ ๋ฏธ๊ตญ์ธ์€ L๋กœ ์‹œ์ž‘ํ•˜๋Š” ๋‹จ์–ด๋‚˜ N, T์™€ ๊ฐ™์€ ๋น„์Šทํ•œ ์œ„์น˜์˜ ์†Œ๋ฆฌ๋กœ ์—ฐ๊ฒฐํ•˜์ง€ ์•Š๋Š” ํ•œ Dark L์„ '์ง„์งœ', '๊ตฌ๊ธ€', '์‚ฌ๋ ค๊นŠ์€'์œผ๋กœ ๋งŒ๋“ค ๋•Œ ๊ฑฐ๊ธฐ์„œ ๋ฉˆ์ถœ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
52:18
-- unless theyโ€™re linking into a word that that begins with an L or a sound with a similar
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52:24
position like N, T, or D. In that case, go ahead to make the second part of the dark L.
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, ๋˜๋Š” D. ์ด ๊ฒฝ์šฐ ๊ณ„์† ์ง„ํ–‰ํ•˜์—ฌ ์–ด๋‘์šด L์˜ ๋‘ ๋ฒˆ์งธ ๋ถ€๋ถ„์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
52:32
The second part of the Dark L is the Light L: bring your tongue tip up to the roof of
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์–ด๋‘์šด L์˜ ๋‘ ๋ฒˆ์งธ ๋ถ€๋ถ„์€ ๋ฐ์€ L์ž…๋‹ˆ๋‹ค. ํ˜€ ๋์„
52:39
the mouth or through the teeth.
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์ž…์ฒœ์žฅ์ด๋‚˜ ์น˜์•„๋ฅผ ํ†ตํ•ด ๊ฐ€์ ธ์˜ต๋‹ˆ๋‹ค.
52:42
Some native speakers make the full Dark L, both parts, all the time.
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์ผ๋ถ€ ์›์–ด๋ฏผ์€ ํ•ญ์ƒ ๋‘ ๋ถ€๋ถ„ ๋ชจ๋‘ ์ „์ฒด Dark L์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค .
52:48
Whatโ€™s important is the โ€˜darkโ€™ sound.
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์ค‘์š”ํ•œ ๊ฒƒ์€ '์–ด๋‘์šด' ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
52:52
Make it with the back of the tongue.
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ํ˜€์˜ ๋’ท๋ฉด์œผ๋กœ ๋งŒ๋“œ์‹ญ์‹œ์˜ค.
52:54
And make sure you never leave that part out, uuhl, uuhl.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋ถ€๋ถ„์„ ์ ˆ๋Œ€ ๋นผ๋†“์ง€ ์•Š๋„๋ก ํ•˜์„ธ์š”, uuhl, uuhl.
53:01
Again, the Dark L has two parts.
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ Dark L์—๋Š” ๋‘ ๋ถ€๋ถ„์ด ์žˆ์Šต๋‹ˆ๋‹ค.
53:05
The first and most important part: the tongue pulls back or presses down in the back.
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์ฒซ ๋ฒˆ์งธ์ด์ž ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๋ถ€๋ถ„: ํ˜€๊ฐ€ ๋’ค๋กœ ๋‹น๊ธฐ๊ฑฐ๋‚˜ ๋“ฑ์„ ๋ˆ„๋ฅด๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
53:12
The second part, which is often left out: either option for the Light L. Here, the option
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์ข…์ข… ์ƒ๋žต๋˜๋Š” ๋‘ ๋ฒˆ์งธ ๋ถ€๋ถ„์€ Light L์— ๋Œ€ํ•œ ์˜ต์…˜์ž…๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ๋Š”
53:19
with the tongue tip at the roof of the mouth is pictured.
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์ž…์ฒœ์žฅ์— ํ˜€ ๋์ด ์žˆ๋Š” ์˜ต์…˜์ด ๊ทธ๋ ค์ ธ ์žˆ์Šต๋‹ˆ๋‹ค.
53:23
Letโ€™s look at the Dark L up close and in slow motion.
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Dark L์„ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์—์„œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
53:30
The word โ€˜feelโ€™.
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'๋Š๋‚Œ'์ด๋ผ๋Š” ๋‹จ์–ด. EE ๋ชจ์Œ์˜ ๊ฒฝ์šฐ
53:32
The tongue tip arches in the front for the EE vowel.
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ํ˜€๋์ด ์•ž์ชฝ์œผ๋กœ ์•„์น˜ํ˜•์ž…๋‹ˆ๋‹ค .
53:36
Watch as the tongue lowers in the back.
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ํ˜€๊ฐ€ ๋’ค์ชฝ์œผ๋กœ ๋‚ด๋ ค๊ฐ€๋Š” ๊ฒƒ์„ ์ง€์ผœ๋ณด์‹ญ์‹œ์˜ค.
53:40
Now the tongue is lowed, pulling back a little bit in the back.
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์ด์ œ ํ˜€๊ฐ€ ๋‚ฎ์•„์ ธ ๋’ค์ชฝ์—์„œ ์•ฝ๊ฐ„ ๋’ค๋กœ ๋‹น๊ฒจ์ง‘๋‹ˆ๋‹ค .
53:44
Itโ€™s hard to see because of the lips, but the tip of the tongue is still forward.
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์ž…์ˆ  ๋•Œ๋ฌธ์— ์ž˜ ๋ณด์ด์ง€ ์•Š์ง€๋งŒ ํ˜€๋์€ ์—ฌ์ „ํžˆ โ€‹โ€‹์•ž์œผ๋กœ ๋‚˜์™€ ์žˆ์Šต๋‹ˆ๋‹ค.
53:50
Notice that lips are relaxed.
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์ž…์ˆ ์ด ํŽธ์•ˆํ•ด์ง‘๋‹ˆ๋‹ค.
53:53
The word โ€˜recallโ€™.
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'๋ฆฌ์ฝœ'์ด๋ผ๋Š” ๋‹จ์–ด.
53:55
The dark part is made with the back of the tongue as the jaw closes.
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์–ด๋‘์šด ๋ถ€๋ถ„์€ ํ„ฑ์ด ๋‹ซํž ๋•Œ ํ˜€์˜ ๋’ค์ชฝ์œผ๋กœ ๋งŒ๋“ค์–ด์ง‘๋‹ˆ๋‹ค .
54:00
This time, the dark L does end with the second part, the Light L. The tongue tip quickly
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์ด๋ฒˆ์—๋Š” ์–ด๋‘์šด L์ด ๋‘ ๋ฒˆ์งธ ๋ถ€๋ถ„์ธ ๋ฐ์€ L๋กœ ๋๋‚ฉ๋‹ˆ๋‹ค. ํ˜€๋์ด
54:07
comes through the teeth.
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์น˜์•„ ์‚ฌ์ด๋กœ ๋น ๋ฅด๊ฒŒ ๋‚˜์˜ต๋‹ˆ๋‹ค.
54:10
Lips are relaxed.
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์ž…์ˆ ์ด ํŽธ์•ˆํ•ฉ๋‹ˆ๋‹ค.
54:12
The relaxation of the lips is important in the Dark L. Many non-native speakers want
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์ž…์ˆ ์˜ ์ด์™„์€ Dark L์—์„œ ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค. ๋งŽ์€ ๋น„์›์–ด๋ฏผ ํ™”์ž๋Š”
54:19
to round or flare the lips, which brings the sound forward and changes it.
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์ž…์ˆ ์„ ๋‘ฅ๊ธ€๊ฒŒ ํ•˜๊ฑฐ๋‚˜ ๋ฒŒ๋ฆฌ๊ณ  ์‹ถ์–ดํ•˜๋Š”๋ฐ, ์ด๋ ‡๊ฒŒ ํ•˜๋ฉด ์†Œ๋ฆฌ๊ฐ€ ์•ž์œผ๋กœ ๋‚˜์˜ค๋ฉฐ ๋ณ€ํ™”๋ฉ๋‹ˆ๋‹ค.
54:25
But the dark sound is made back here.
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ํ•˜์ง€๋งŒ ์–ด๋‘์šด ์†Œ๋ฆฌ๊ฐ€ ์—ฌ๊ธฐ์—์„œ ๋‹ค์‹œ ๋งŒ๋“ค์–ด์ง‘๋‹ˆ๋‹ค. ์ž… ๋’ค์ชฝ์—์„œ
54:28
Leave the lips relaxed so the sound can be made in the back of the mouth.
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์†Œ๋ฆฌ๊ฐ€ ๋‚  ์ˆ˜ ์žˆ๋„๋ก ์ž…์ˆ ์„ ํŽธ์•ˆํ•˜๊ฒŒ ๋‘์‹ญ์‹œ์˜ค .
54:35
When you look at the International Phonetic Alphabet transcription for a word in a dictionary,
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์‚ฌ์ „์—์„œ ๋‹จ์–ด์— ๋Œ€ํ•œ ๊ตญ์ œ ์Œ์„ฑ ๋ฌธ์ž ํ‘œ๊ธฐ๋ฅผ ๋ณด๋ฉด
54:41
youโ€™ll just see one symbol, whether itโ€™s a Light L or a Dark L. Itโ€™s up to you to
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๋ฐ์€ L์ด๋“  ์–ด๋‘์šด
54:47
know when to make a Dark L: when the L sound comes at the end of a syllable.
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L์ด๋“  ํ•˜๋‚˜์˜ ๊ธฐํ˜ธ๋งŒ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์†Œ๋ฆฌ๋Š” ์Œ์ ˆ ๋์— ์˜ต๋‹ˆ๋‹ค.
54:52
Remember, weโ€™re talking about sounds and not letters.
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์šฐ๋ฆฌ๋Š” ๊ธ€์ž๊ฐ€ ์•„๋‹ˆ๋ผ ์†Œ๋ฆฌ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Œ์„ ๊ธฐ์–ตํ•˜์‹ญ์‹œ์˜ค .
54:58
In the example โ€˜Googleโ€™, you see the letter E after the L. E is a vowel.
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'Google'์˜ ์˜ˆ์—์„œ L ๋’ค์— ๋ฌธ์ž E๊ฐ€ ํ‘œ์‹œ๋ฉ๋‹ˆ๋‹ค. E๋Š” ๋ชจ์Œ์ž…๋‹ˆ๋‹ค.
55:05
But when you look at the phonetic transcription of the word, the last SOUND is the L. So the
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ํ•˜์ง€๋งŒ ๋‹จ์–ด์˜ ์Œ์„ฑ ํ‘œ๊ธฐ๋ฅผ ๋ณด๋ฉด ๋งˆ์ง€๋ง‰ SOUND๊ฐ€ L์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ
55:12
L in โ€˜Googleโ€™ is a Dark L. Uuhl, uuhl, Google.
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'Google'์˜ L์€ Dark L์ž…๋‹ˆ๋‹ค. Uuhl, uuhl, Google.
55:21
If you integrate a good Dark L sound into your speech, it will help you sound more American.
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์ข‹์€ Dark L ์‚ฌ์šด๋“œ๋ฅผ ์—ฐ์„ค์— ํ†ตํ•ฉํ•˜๋ฉด ๋” ๋ฏธ๊ตญ์ ์œผ๋กœ ๋“ค๋ฆฌ๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค.
55:28
The Light L: lack, slow
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๋น› L: ๋ถ€์กฑํ•˜๋‹ค, ๋Š๋ฆฌ๋‹ค
55:35
The Dark L: feel, recall
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์–ด๋‘  L: ๋Š๋ผ๋‹ค, ๊ธฐ์–ตํ•˜๋‹ค
55:41
Example Words.
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์˜ˆ๋ฌธ.
55:43
Repeat with me:
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๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•˜์„ธ์š”:
55:45
Love
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Love
55:53
Hello
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Hello
56:01
Flat
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Flat
56:09
Feel
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Feel
56:17
Table
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Table
56:25
People
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People
56:32
The M consonant sound.
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M ์ž์Œ ์†Œ๋ฆฌ.
56:35
This sound is simply made by pressing the lips together lightly, mm, while making a
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์ด ์†Œ๋ฆฌ๋Š” ์„ฑ๋Œ€๋กœ ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋ฉด์„œ ๊ฐ„๋‹จํ•˜๊ฒŒ ์ž…์ˆ ์„ ๊ฐ€๋ณ๊ฒŒ ๋ญ‰์ณ์„œ ๋‚ด๋Š”
56:43
sound with the vocal cords.
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์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
56:45
So, this is a voiced consonant, mm.
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๊ทธ๋ž˜์„œ ์ด๊ฒƒ์€ ์œ ์„ฑ ์ž์Œ mm์ž…๋‹ˆ๋‹ค. ๋‹ค์Œ ์†Œ๋ฆฌ mm์—
56:50
The teeth may begin to part a little in preparation for the next sound, mm, which will pull the
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๋Œ€๋น„ํ•˜์—ฌ ์น˜์•„๊ฐ€ ์•ฝ๊ฐ„ ๊ฐˆ๋ผ์ง€๊ธฐ ์‹œ์ž‘ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋ฉด
56:59
lips a little bit, mm.
649
3419640
6319
์ž…์ˆ ์ด ์•ฝ๊ฐ„ ๋‹น๊ฒจ์ง‘๋‹ˆ๋‹ค.
57:05
Because the soft palate is lowered, air comes up through the nasal passages.
650
3425959
7050
์—ฐ๊ตฌ๊ฐœ๊ฐ€ ๋‚ฎ์•„์ง€๊ธฐ ๋•Œ๋ฌธ์— ๋น„๊ฐ•์„ ํ†ตํ•ด ๊ณต๊ธฐ๊ฐ€ ์˜ฌ๋ผ์˜ต๋‹ˆ๋‹ค.
57:13
This makes it a โ€˜nasal consonantโ€™.
651
3433009
2911
์ด๊ฒƒ์€ '๋น„์Œ ์ž์Œ'์ด ๋ฉ๋‹ˆ๋‹ค.
57:15
You can feel the vibration in your nose, mm.
652
3435920
6539
์ฝ”์—์„œ ์ง„๋™์„ ๋Š๋‚„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์Œ.
57:22
There are only three nasal sounds in American English: nn, ng, mm.
653
3442459
10060
๋ฏธ๊ตญ ์˜์–ด์—๋Š” nn, ng, mm์˜ ์„ธ ๊ฐ€์ง€ ๋น„์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
57:32
Letโ€™s look at this sound up close and in slow motion.
654
3452519
5720
์ด ์†Œ๋ฆฌ๋ฅผ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์—์„œ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
57:38
The word โ€˜momโ€™.
655
3458239
2550
'์—„๋งˆ'๋ผ๋Š” ๋‹จ์–ด.
57:40
Lips press together as the jaw drops a little bit.
656
3460789
4530
ํ„ฑ์ด ์•ฝ๊ฐ„ ๋–จ์–ด์ง€๋ฉด์„œ ์ž…์ˆ ์ด ์„œ๋กœ ๋ˆŒ๋ฆฝ๋‹ˆ๋‹ค .
57:45
Another M at the end, lips press together.
657
3465319
4750
๋์— ๋˜ ๋‹ค๋ฅธ M, ์ž…์ˆ ์ด ํ•จ๊ป˜ ๋ˆ„๋ฆ…๋‹ˆ๋‹ค.
57:50
Summer.
658
3470069
1720
์—ฌ๋ฆ„.
57:51
Lips press together.
659
3471789
3730
์ž…์ˆ ์ด ํ•จ๊ป˜ ๋ˆ„๋ฆ…๋‹ˆ๋‹ค.
57:55
The M consonant.
660
3475519
2720
M ์ž์Œ.
57:58
Mom, summer.
661
3478239
4078
์—„๋งˆ, ์—ฌ๋ฆ„.
58:02
Example words.
662
3482317
1484
์˜ˆ์‹œ ๋‹จ์–ด.
58:03
Repeat with me.
663
3483801
1829
๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค.
58:05
Make
664
3485630
7274
Make
58:14
My
665
3494113
7363
My
58:22
Forming
666
3502298
6369
Forming
58:30
Dim
667
3510795
7140
Dim
58:39
Mistake
668
3519676
6853
Mistake
58:47
Game
669
3527206
7133
Game
58:54
The N consonant sound.
670
3534339
2970
N ์ž์Œ ์†Œ๋ฆฌ.
58:57
To make this sound, the jaw drops a little, and the lips part, nn.
671
3537309
7971
์ด ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋ ค๋ฉด ํ„ฑ์ด ์•ฝ๊ฐ„ ๋–จ์–ด์ง€๊ณ  ์ž…์ˆ ์ด ๊ฐˆ๋ผ์ง‘๋‹ˆ๋‹ค.
59:05
The front, flat part of the tongue goes to the roof of the mouth.
672
3545280
3969
ํ˜€์˜ ์•ž์ชฝ ํŽธํ‰ํ•œ ๋ถ€๋ถ„์€ ์ž…์ฒœ์žฅ์œผ๋กœ ๊ฐ‘๋‹ˆ๋‹ค . ๊ทธ๋ ‡๊ฒŒ ํ•  ๋•Œ
59:09
Make sure to keep your tongue wide as you do that.
673
3549249
3480
ํ˜€๋ฅผ ๋„“๊ฒŒ ์œ ์ง€ํ•˜์‹ญ์‹œ์˜ค .
59:12
The soft palate is lowered.
674
3552729
2800
์—ฐ๊ตฌ๊ฐœ๊ฐ€ ๋‚ฎ์•„์ง‘๋‹ˆ๋‹ค.
59:15
Air comes up through the nasal passages.
675
3555529
4391
๋น„๊ฐ•์„ ํ†ตํ•ด ๊ณต๊ธฐ๊ฐ€ ์˜ฌ๋ผ์˜ต๋‹ˆ๋‹ค.
59:19
This makes it a โ€˜nasal consonantโ€™.
676
3559920
2710
์ด๊ฒƒ์€ '๋น„์Œ ์ž์Œ'์ด ๋ฉ๋‹ˆ๋‹ค.
59:22
You can feel the vibration in your nose.
677
3562630
3590
์ฝ”์—์„œ ์ง„๋™์„ ๋Š๋‚„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
59:26
Nn.
678
3566220
1829
์‘.
59:28
There are only three nasal sounds in American English: nn, ng, mm.
679
3568049
9091
๋ฏธ๊ตญ ์˜์–ด์—๋Š” nn, ng, mm์˜ ์„ธ ๊ฐ€์ง€ ๋น„์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
59:37
Itโ€™s very important that the tongue be relaxed.
680
3577962
4817
ํ˜€๊ฐ€ ์ด์™„๋˜๋Š” ๊ฒƒ์ด ๋งค์šฐ ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค.
59:42
If thereโ€™s tension in the back of the tongue, it will sound somewhat like the NG sound,
681
3582779
6270
ํ˜€ ๋’ค์ชฝ์— ๊ธด์žฅ์ด ์žˆ์œผ๋ฉด ํ˜€์˜ ์•ž์ชฝ์ด ์˜ฌ๋ฐ”๋ฅธ ์œ„์น˜์— ์žˆ์–ด๋„ ๋‹ค์†Œ NG ์†Œ๋ฆฌ, ng์ฒ˜๋Ÿผ ๋“ค๋ฆฝ๋‹ˆ๋‹ค
59:49
ng, even if the front of the tongue is in the right position.
682
3589049
5930
.
59:54
One thing that will help relaxation is to think about keeping the tongue really wide,
683
3594979
6270
์ด์™„์— ๋„์›€์ด ๋˜๋Š” ํ•œ ๊ฐ€์ง€๋Š” ํ˜€๋ฅผ ์ •๋ง ๋„“๊ฒŒ ์œ ์ง€ํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
60:01
nn, nn.
684
3601249
3401
.
60:05
Letโ€™s look up close and in slow motion.
685
3605617
5622
์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๊ฐ€๊นŒ์ด์„œ ์˜ฌ๋ ค๋‹ค ๋ด…์‹œ๋‹ค.
60:11
The N sound.
686
3611239
1651
N ์†Œ๋ฆฌ.
60:12
Lips relaxed, tongue wide and lifted to the roof of the mouth.
687
3612890
5250
์ž…์ˆ ์€ ์ด์™„๋˜๊ณ  ํ˜€๋Š” ๋„“์–ด์ง€๋ฉฐ ์ž…์ฒœ์žฅ๊นŒ์ง€ ๋“ค์–ด ์˜ฌ๋ ค์ง‘๋‹ˆ๋‹ค . ์—ฐ์Šตํ•  ๋•Œ
60:18
If you see any darkness on the sides of the tongue when you practice, that means there
688
3618140
5959
ํ˜€ ์˜†๋ฉด์— ์–ด๋‘์šด ๋ถ€๋ถ„์ด ๋ณด์ด๋ฉด
60:24
is tension in the tongue.
689
3624099
2770
ํ˜€์— ๊ธด์žฅ์ด ์žˆ์Œ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
60:26
Try to release that tension and keep the tongue wide.
690
3626869
4160
๊ธด์žฅ์„ ํ’€๊ณ  ํ˜€๋ฅผ ๋„“๊ฒŒ ์œ ์ง€ํ•˜์‹ญ์‹œ์˜ค .
60:31
The word โ€˜noโ€™.
691
3631029
2430
'์•„๋‹ˆ์˜ค'๋ผ๋Š” ๋‹จ์–ด.
60:33
Tongue soft, relaxed, and wide.
692
3633459
5171
๋ถ€๋“œ๋Ÿฝ๊ณ  ํŽธ์•ˆํ•˜๋ฉฐ ๋„“์€ ํ˜€.
60:38
The word โ€˜snagโ€™.
693
3638630
3129
'๊ฑธ๋ฆผ'์ด๋ผ๋Š” ๋‹จ์–ด.
60:41
Front of the tongue to roof of mouth.
694
3641759
4761
ํ˜€์˜ ์•ž๋ถ€๋ถ„๋ถ€ํ„ฐ ์ž…์ฒœ์žฅ๊นŒ์ง€.
60:46
The word โ€˜onโ€™: wide tongue to the roof of the mouth to finish the word.
695
3646520
9210
๋‹จ์–ด 'on': ์ž…์ฒœ์žฅ๊นŒ์ง€ ํ˜€๋ฅผ ๋ฒŒ๋ ค ๋‹จ์–ด๋ฅผ ์™„์„ฑํ•ฉ๋‹ˆ๋‹ค.
60:55
The N consonant sound: no, snag, on.
696
3655730
8588
N ์ž์Œ ์†Œ๋ฆฌ: no, snag, on.
61:04
Example words.
697
3664318
2211
์˜ˆ์‹œ ๋‹จ์–ด.
61:06
Repeat with me:
698
3666529
1471
์ €์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•˜์„ธ์š”:
61:08
Nice
699
3668000
7000
Nice
61:15
One
700
3675242
6775
One
61:23
Number
701
3683710
7385
Number
61:32
Woman
702
3692498
7353
Woman
61:40
Win
703
3700480
7503
Win
61:49
Any
704
3709047
6562
Any
61:57
End
705
3717544
7745
End
62:05
The NG consonant sound.
706
3725289
3601
The NG ์ž์Œ ์†Œ๋ฆฌ.
62:08
To make this sound, the jaw drops a little bit, ng.
707
3728890
6219
์ด ์†Œ๋ฆฌ๋ฅผ ๋‚ด๊ธฐ ์œ„ํ•ด ํ„ฑ์ด ์•ฝ๊ฐ„ ๋–จ์–ด์ง‘๋‹ˆ๋‹ค , ng.
62:15
The lips part, and the back part of the tongue stretches all the way up to the soft palate.
708
3735109
6351
์ž…์ˆ ์ด ๊ฐˆ๋ผ์ง€๊ณ  ํ˜€์˜ ๋’ท๋ถ€๋ถ„์ด ์—ฐ๊ตฌ๊ฐœ๊นŒ์ง€ ์ญ‰ ๋ป—์–ด ์žˆ์Šต๋‹ˆ๋‹ค.
62:21
The tongue tip is forward.
709
3741460
2690
ํ˜€๋์ด ์•ž์œผ๋กœ ํ–ฅํ•ฉ๋‹ˆ๋‹ค.
62:24
Because the soft palate is lowered, air comes up through the nasal passages.
710
3744150
6230
์—ฐ๊ตฌ๊ฐœ๊ฐ€ ๋‚ฎ์•„์ง€๊ธฐ ๋•Œ๋ฌธ์— ๋น„๊ฐ•์„ ํ†ตํ•ด ๊ณต๊ธฐ๊ฐ€ ์˜ฌ๋ผ์˜ต๋‹ˆ๋‹ค.
62:30
This makes it a โ€˜nasal consonantโ€™.
711
3750380
3010
์ด๊ฒƒ์€ '๋น„์Œ ์ž์Œ'์ด ๋ฉ๋‹ˆ๋‹ค.
62:33
You can feel the vibration in your nose.
712
3753390
3959
์ฝ”์—์„œ ์ง„๋™์„ ๋Š๋‚„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
62:37
Ng.
713
3757349
1660
์‘.
62:39
There are only three nasal sounds in American English: nn, ng, mm.
714
3759009
9110
๋ฏธ๊ตญ ์˜์–ด์—๋Š” nn, ng, mm์˜ ์„ธ ๊ฐ€์ง€ ๋น„์Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
62:48
Letโ€™s study it up close and in slow motion.
715
3768119
4690
์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์ž์„ธํžˆ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
62:52
A relaxed, lowered jaw.
716
3772809
3880
ํŽธ์•ˆํ•˜๊ณ  ๋‚ฎ์•„์ง„ ํ„ฑ.
62:56
Since this sound is made at the back of the mouth, itโ€™s hard to get a clear picture
717
3776689
4771
์ด ์†Œ๋ฆฌ๋Š” ์ž… ๋’ค์—์„œ ๋“ค๋ฆฌ๊ธฐ ๋•Œ๋ฌธ์— ๋ช…ํ™•ํ•œ ๊ทธ๋ฆผ์„ ์–ป๊ธฐ๊ฐ€ ์–ด๋ ต์Šต๋‹ˆ๋‹ค
63:01
of it.
718
3781460
1369
.
63:02
The tongue lifts in the back, while the tip stays down and forward.
719
3782829
5760
ํ˜€๋Š” ๋’ค์ชฝ์œผ๋กœ ๋“ค๋ฆฌ๊ณ  ํ˜€๋์€ ์•„๋ž˜๋กœ ์•ž์œผ๋กœ ์œ ์ง€๋ฉ๋‹ˆ๋‹ค.
63:08
The word โ€˜ringโ€™.
720
3788589
2420
'๋ฐ˜์ง€'๋ผ๋Š” ๋‹จ์–ด.
63:11
The tongue lifts in the back, while the tip stays down and forward.
721
3791009
5110
ํ˜€๋Š” ๋’ค์ชฝ์œผ๋กœ ๋“ค๋ฆฌ๊ณ  ํ˜€๋์€ ์•„๋ž˜๋กœ ์•ž์œผ๋กœ ์œ ์ง€๋ฉ๋‹ˆ๋‹ค.
63:16
Lips are relaxed.
722
3796119
2551
์ž…์ˆ ์ด ํŽธ์•ˆํ•ฉ๋‹ˆ๋‹ค.
63:18
The word โ€˜alongโ€™.
723
3798670
2089
'ํ•จ๊ป˜'๋ผ๋Š” ๋‹จ์–ด.
63:20
Since the tongue is low for the vowel before, itโ€™s easier to see the tongue lift in the
724
3800759
5340
์ด์ „์—๋Š” ๋ชจ์Œ์— ๋Œ€ํ•ด ํ˜€๊ฐ€ ๋‚ฎ๊ธฐ ๋•Œ๋ฌธ์— ๋’ค์—์„œ ํ˜€๊ฐ€ ์˜ฌ๋ผ๊ฐ€๋Š” ๊ฒƒ์„ ๋ณด๊ธฐ๊ฐ€ ๋” ์‰ฝ์Šต๋‹ˆ๋‹ค
63:26
back.
725
3806099
1361
.
63:27
And now itโ€™s lifted in the back, with relaxed lips.
726
3807460
4979
์ด์ œ ํŽธ์•ˆํ•œ ์ž…์ˆ ๋กœ ๋“ฑ์„ ๋“ค์–ด ์˜ฌ๋ ธ์Šต๋‹ˆ๋‹ค .
63:32
The word โ€˜fingerโ€™.
727
3812439
1850
'์†๊ฐ€๋ฝ'์ด๋ผ๋Š” ๋‹จ์–ด.
63:34
Again, the tongue lifts in the back, while the tip stays down and forward.
728
3814289
8390
๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ํ˜€๋Š” ๋’ค์ชฝ์œผ๋กœ ๋“ค๋ฆฌ๊ณ  ํ˜€๋์€ ์•„๋ž˜๋กœ ์•ž์œผ๋กœ ์œ ์ง€๋ฉ๋‹ˆ๋‹ค.
63:42
This sound can occur in the middle or at the end of a word in American English, but not
729
3822679
6080
์ด ์†Œ๋ฆฌ๋Š” ๋ฏธ๊ตญ ์˜์–ด์—์„œ ๋‹จ์–ด์˜ ์ค‘๊ฐ„์ด๋‚˜ ๋์— ์˜ฌ ์ˆ˜ ์žˆ์ง€๋งŒ
63:48
at the beginning.
730
3828759
2480
์ฒ˜์Œ์—๋Š” ๋‚˜์˜ฌ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
63:51
The NG consonant: ring, along, finger.
731
3831239
8761
NG ์ž์Œ: ring, along, finger.
64:00
Example words.
732
3840000
1999
์˜ˆ์‹œ ๋‹จ์–ด.
64:01
Repeat with me.
733
3841999
1765
๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค.
64:03
Anger
734
3843764
6837
Anger
64:11
Song
735
3851520
8207
Song
64:21
Wing
736
3861130
8479
Wing
64:31
English
737
3871253
7268
English
64:38
Single
738
3878860
7620
Single
64:47
Beginning
739
3887350
7608
์‹œ์ž‘
64:55
The W sound.
740
3895829
1950
The W sound.
64:57
To make this sound, ww, ww, the lips form a tight circle, ww.
741
3897779
7430
์ด ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋ ค๋ฉด ww, ww, ์ž…์ˆ ์ด ๋‹จ๋‹จํ•œ ์›์„ ํ˜•์„ฑํ•ฉ๋‹ˆ๋‹ค. ww.
65:05
The back part of the tongue stretches up, towards the soft palate, while the front of
742
3905209
5291
ํ˜€์˜ ๋’ท๋ถ€๋ถ„์€ ์—ฐ๊ตฌ๊ฐœ๋ฅผ ํ–ฅํ•ด ์œ„๋กœ ๋ป—์–ด ์žˆ๊ณ , ํ˜€์˜ ์•ž๋ถ€๋ถ„์€ ์•„๋ž˜ ์•ž๋‹ˆ์˜
65:10
the tongue lightly touches the back of the bottom front teeth.
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๋’ท๋ถ€๋ถ„์— ๊ฐ€๋ณ๊ฒŒ ๋‹ฟ์Šต๋‹ˆ๋‹ค .
65:15
To give this sound the right quality, you have to close the vocal cords to get this
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์ด ์‚ฌ์šด๋“œ์— ์ ์ ˆํ•œ ํ’ˆ์งˆ์„ ์ œ๊ณตํ•˜๋ ค๋ฉด ๋‹ค์Œ ์‚ฌ์šด๋“œ๋ฅผ ์–ป๊ธฐ ์œ„ํ•ด ์„ฑ๋Œ€๋ฅผ ๋‹ซ์•„์•ผ ํ•ฉ๋‹ˆ๋‹ค
65:21
sound: ww, which we add to the sound, ww.
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. ww, ์‚ฌ์šด๋“œ์— ์ถ”๊ฐ€ํ•˜๋Š” ww.
65:29
You release the vocal cords as you release the lips, coming out of the W sound, ww.
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์ž…์ˆ ์„ ๋–ผ๋ฉด์„œ ์„ฑ๋Œ€๋ฅผ ๋–ผ๋ฉด W ์†Œ๋ฆฌ, ww๊ฐ€ ๋‚˜์˜ต๋‹ˆ๋‹ค.
65:36
Letโ€™s look at the sound up close and in slow motion.
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์†Œ๋ฆฌ๋ฅผ ๊ฐ€๊นŒ์ด์—์„œ ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค .
65:41
With the tight circle for the lips, you canโ€™t see the tongue at all.
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์ž…์ˆ ์— ์›์ด ๊ฝ‰ ์ฐจ๋ฉด ํ˜€๊ฐ€ ์ „ํ˜€ ๋ณด์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
65:46
But it lifts in the back.
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๊ฒƒ์€ ๋’ค์—์„œ ๋“ค์–ด ์˜ฌ๋ฆฝ๋‹ˆ๋‹ค.
65:48
The word โ€˜whyโ€™.
750
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'์™œ'๋ผ๋Š” ๋‹จ์–ด.
65:49
A tight circle for the lips.
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์ž…์ˆ ์„ ๊ฝ‰ ์กฐ์ด๋Š” ์›.
65:55
The word โ€˜westโ€™.
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'์„œ์ชฝ'์ด๋ผ๋Š” ๋‹จ์–ด.
65:57
Again, a tight circle for the lips.
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ž…์ˆ ์„ ๊ฝ‰ ์กฐ์ด๋Š” ์›์ž…๋‹ˆ๋‹ค.
66:01
The word โ€˜unwindโ€™.
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'ํ’€๋‹ค'๋ผ๋Š” ๋ง.
66:04
Here the W is in the middle of the word.
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์—ฌ๊ธฐ์„œ W๋Š” ๋‹จ์–ด ์ค‘๊ฐ„์— ์žˆ์Šต๋‹ˆ๋‹ค.
66:07
We still take the time to bring the lips into a tight circle.
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์šฐ๋ฆฌ๋Š” ์—ฌ์ „ํžˆ ์ž…์ˆ ์„ ๊ฝ‰ ์กฐ์ด๋Š” ๋ฐ ์‹œ๊ฐ„์ด ๊ฑธ๋ฆฝ๋‹ˆ๋‹ค .
66:14
This sound is most common at the beginning of words.
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์ด ์†Œ๋ฆฌ๋Š” ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์—์„œ ๊ฐ€์žฅ ์ผ๋ฐ˜์ ์ž…๋‹ˆ๋‹ค .
66:17
It doesnโ€™t occur at the end of any words, though the letter W does.
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์–ด๋–ค ๋‹จ์–ด์˜ ๋์—๋„ ๋‚˜์˜ค์ง€ ์•Š์ง€๋งŒ ๋ฌธ์ž W๋Š” ๋‚˜์˜ต๋‹ˆ๋‹ค.
66:25
The W consonant: why, west, unwind
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W ์ž์Œ: Why, west, unwind
66:32
Example words.
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์˜ˆ๋ฌธ.
66:34
Repeat with me.
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๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค.
66:36
Water
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Water
66:43
Welcome
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Welcome
66:52
Rework
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Rework
66:58
Away
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Away
67:05
Between
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์‚ฌ์ด
67:12
Will
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์œŒ
67:18
The Y consonant.
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The Y ์ž์Œ.
67:20
To make the Y sound, the jaw drops a little bit, yy.
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Y ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋ ค๋ฉด ํ„ฑ์ด ์•ฝ๊ฐ„ ๋–จ์–ด์ง‘๋‹ˆ๋‹ค , yy.
67:27
The lips may be relaxed, or they may begin to take the position of the next sound.
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์ž…์ˆ ์ด ์ด์™„๋˜๊ฑฐ๋‚˜ ๋‹ค์Œ ์†Œ๋ฆฌ์˜ ์œ„์น˜๋ฅผ โ€‹โ€‹์ฐจ์ง€ํ•˜๊ธฐ ์‹œ์ž‘ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
67:34
The tongue tip is down, lightly touching the back of the bottom front teeth.
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ํ˜€๋์€ ์•„๋ž˜๋กœ ๋‚ด๋ ค์„œ ์•„๋ž˜์ชฝ ์•ž๋‹ˆ ๋’ค์ชฝ์— ๊ฐ€๋ณ๊ฒŒ ๋‹ฟ์Šต๋‹ˆ๋‹ค.
67:39
The middle part of the tongue lifts and touches the roof of the mouth.
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ํ˜€์˜ ์ค‘๊ฐ„ ๋ถ€๋ถ„์ด ์˜ฌ๋ผ๊ฐ€ ์ž…์ฒœ์žฅ์— ๋‹ฟ์Šต๋‹ˆ๋‹ค .
67:43
It pushes forward against the roof of the mouth before pulling away.
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์ž…์ฒœ์žฅ์— ๋Œ€๊ณ  ์•ž์œผ๋กœ ๋ฐ€๋‹ค๊ฐ€ ๋ฉ€์–ด์ง‘๋‹ˆ๋‹ค .
67:49
As we push the tongue forward on the roof of the mouth, we close the vocal cords to
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์ž…์ฒœ์žฅ์—์„œ ํ˜€๋ฅผ ์•ž์œผ๋กœ ๋ฐ€ ๋•Œ ์šฐ๋ฆฌ๋Š” ์„ฑ๋Œ€๋ฅผ ๋‹ซ์•„
67:54
get this sound: yy, which we add to the sound.
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์ด ์†Œ๋ฆฌ๋ฅผ ์–ป์Šต๋‹ˆ๋‹ค. yy, ์†Œ๋ฆฌ์— ์ถ”๊ฐ€ํ•ฉ๋‹ˆ๋‹ค.
68:02
Yy, yy.
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์˜ˆ, ์˜ˆ. ํ˜€๋ฅผ
68:04
We release them the same time we release the tongue.
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๋†“์„ ๋•Œ ๋™์‹œ์— ํ’€์–ด์ค๋‹ˆ๋‹ค . ์ด์™„
68:09
Relaxed jaw drop, and the lips are relaxed.
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๋œ ํ„ฑ์ด ๋–จ์–ด์ง€๊ณ  ์ž…์ˆ ์ด ์ด์™„๋ฉ๋‹ˆ๋‹ค.
68:12
The tongue tip is down while the middle of the tongue presses forward against the roof
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ํ˜€๋์€ ์•„๋ž˜๋กœ ํ–ฅํ•˜๊ณ  ํ˜€์˜ ์ค‘์•™์€ ์ž…์ฒœ์žฅ์„ ํ–ฅํ•˜์—ฌ ์•ž์œผ๋กœ ๋ˆŒ๋ฆฝ๋‹ˆ๋‹ค
68:17
of the mouth.
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.
68:20
The word โ€˜yesโ€™.
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'์˜ˆ'๋ผ๋Š” ๋‹จ์–ด.
68:22
The tongue tip is down while the middle of the tongue presses forward against the roof
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ํ˜€๋์€ ์•„๋ž˜๋กœ ํ–ฅํ•˜๊ณ  ํ˜€์˜ ์ค‘์•™์€ ์ž…์ฒœ์žฅ์„ ํ–ฅํ•˜์—ฌ ์•ž์œผ๋กœ ๋ˆŒ๋ฆฝ๋‹ˆ๋‹ค
68:26
of the mouth.
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.
68:28
The tongue releases into the EH as in BED vowel.
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ํ˜€๋Š” BED ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด EH๋กœ ๋ฐฉ์ถœ๋ฉ๋‹ˆ๋‹ค .
68:32
The word โ€˜youthโ€™.
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'์ Š์Œ'์ด๋ผ๋Š” ๋‹จ์–ด. BOO ๋ชจ์Œ์—์„œ์™€ ๊ฐ™์ด ๋‹ค์Œ ์†Œ๋ฆฌ์ธ OO๋ฅผ
68:35
Notice how the lips begin to round for the next sound, the OO as in BOO vowel.
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์œ„ํ•ด ์ž…์ˆ ์ด ์–ด๋–ป๊ฒŒ ๋‘ฅ๊ธ€๊ฒŒ ์‹œ์ž‘๋˜๋Š”์ง€ ์ฃผ๋ชฉํ•˜์‹ญ์‹œ์˜ค .
68:42
โ€˜Yellโ€™.
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'์†Œ๋ฆฌ์น˜๋‹ค'.
68:45
The tongue tip is down while the middle of the tongue presses forward against the roof
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ํ˜€๋์€ ์•„๋ž˜๋กœ ๋‚ด๋ ค๊ฐ€๊ณ  ํ˜€์˜ ์ค‘๊ฐ„์€ ์ž…์ฒœ์žฅ์„ ์•ž์œผ๋กœ ๋ฐ€๋ฉด์„œ BED ๋ชจ์Œ
68:50
of the mouth, releasing into the EH as in BED vowel.
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์—์„œ์™€ ๊ฐ™์ด EH๋กœ ๋ฐฉ์ถœ๋ฉ๋‹ˆ๋‹ค .
68:57
This sound is most common at the beginning of words.
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์ด ์†Œ๋ฆฌ๋Š” ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์—์„œ ๊ฐ€์žฅ ์ผ๋ฐ˜์ ์ž…๋‹ˆ๋‹ค .
69:00
It doesnโ€™t occur at the end of any words, though the letter Y does.
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์–ด๋–ค ๋‹จ์–ด์˜ ๋์—๋„ ๋‚˜์˜ค์ง€ ์•Š์ง€๋งŒ ๋ฌธ์ž Y๋Š” ๋‚˜์˜ต๋‹ˆ๋‹ค.
69:07
The Y sound: yes, youth, yell.
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Y ์‚ฌ์šด๋“œ: ์˜ˆ, ์ Š์Œ, ์™ธ์นจ.
69:16
Example words.
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์˜ˆ์‹œ ๋‹จ์–ด.
69:18
Repeat with me.
794
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๋‚˜์™€ ํ•จ๊ป˜ ๋ฐ˜๋ณตํ•ฉ๋‹ˆ๋‹ค.
69:20
Yeah
795
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Yeah
69:26
Unusual
796
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Unusual
69:35
Senior
797
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Senior
69:41
You
798
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5401
You
69:48
Yesterday
799
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Yesterday
69:54
Yellow
800
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Yellow
70:00
Iโ€™m so glad youโ€™ve taken the time to watch video, really understanding the mouth positions
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์‹œ๊ฐ„์„ ๋‚ด์–ด ๋น„๋””์˜ค๋ฅผ ์‹œ์ฒญํ•ด ์ฃผ์…”์„œ ์ •๋ง ๊ธฐ์ฉ๋‹ˆ๋‹ค . ๋ฏธ๊ตญ์‹ ์˜์–ด ์†Œ๋ฆฌ์— ๋Œ€ํ•œ ์ž… ์œ„์น˜๋ฅผ ์‹ค์ œ๋กœ ์ดํ•ดํ•˜๋ฉด
70:06
for the sounds of American English can help you gain greater clarity in spoken English.
802
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๊ตฌ์–ด์ฒด ์˜์–ด๋ฅผ ๋” ๋ช…ํ™•ํ•˜๊ฒŒ ์ดํ•ดํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค.
70:12
We also have a compilation video on all the vowel and diphthong sounds.
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๋ชจ๋“  ๋ชจ์Œ๊ณผ ์ด์ค‘ ๋ชจ์Œ ์†Œ๋ฆฌ์— ๋Œ€ํ•œ ํŽธ์ง‘ ๋น„๋””์˜ค๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
70:17
Iโ€™ll put a link to that video in the video description.
804
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ํ•ด๋‹น ์˜์ƒ ๋งํฌ๋Š” ์˜์ƒ ์„ค๋ช…๋ž€์— ๋‹ฌ์•„๋‘๊ฒ ์Šต๋‹ˆ๋‹ค .
70:20
For now, keep your learning with this video and donโ€™t forget to subscribe with notifications
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์ง€๊ธˆ์€ ์ด ๋น„๋””์˜ค๋กœ ๊ณ„์† ํ•™์Šต ํ•˜๊ณ  ์•Œ๋ฆผ์„ ์ผ  ์ƒํƒœ๋กœ ๊ตฌ๋…ํ•˜๋Š” ๊ฒƒ์„ ์žŠ์ง€ ๋งˆ์„ธ์š”
70:25
on.
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.
70:26
I love being your English teacher.
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๋‚˜๋Š” ๋‹น์‹ ์˜ ์˜์–ด ์„ ์ƒ๋‹˜์ด ๋˜๋Š” ๊ฒƒ์„ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
70:27
Thatโ€™s it and thanks so much for using Rachelโ€™s English.
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์ด์ƒ์ž…๋‹ˆ๋‹ค. Rachel์˜ ์˜์–ด๋ฅผ ์‚ฌ์šฉํ•ด ์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค .
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

https://forms.gle/WvT1wiN1qDtmnspy7