How to Sound like a Native Speaker and Improve Your Spoken American English

193,754 views ใƒป 2023-12-19

Rachel's English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Happy Holidays! Letโ€™s study the Americanย  English pronunciation by looking at thisย ย 
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์ฆ๊ฑฐ์šด ํœด์ผ ๋ณด๋‚ด์„ธ์š”! ํ”„๋ Œ์ฆˆ์˜ ํœด์ผ ์—ํ”ผ์†Œ๋“œ ์ค‘ ์ด ์žฅ๋ฉด์„ ๋ณด๋ฉด์„œ ๋ฏธ๊ตญ์‹ ์˜์–ด ๋ฐœ์Œ์„ ๊ณต๋ถ€ํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค
00:05
scene from Friends from one of their holidayย  episodes. Weโ€™re going to go in-depth withย ย 
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. ๋ฐœ์Œ์— ๋Œ€ํ•œ ์ดํ•ด๋ฅผ ์‹ฌ๋„ ์žˆ๊ฒŒ ์ง„ํ–‰ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค
00:11
understanding the pronunciation.ย  This is going to help you improve yourย ย 
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. ์ด๋Š”
00:15
listening comprehension and your spoken Englishย  skills. Let's dive right in. First, the scene.
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๋“ฃ๊ธฐ ์ดํ•ด๋ ฅ๊ณผ ์˜์–ด ๋งํ•˜๊ธฐ ๋Šฅ๋ ฅ์„ ํ–ฅ์ƒ์‹œํ‚ค๋Š” ๋ฐ ๋„์›€์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋ฐ”๋กœ ๋“ค์–ด๊ฐ€ ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ๋จผ์ € ์žฅ๋ฉด์ž…๋‹ˆ๋‹ค.
00:22
Before this scene, Ross has told Rachelย  all of the reasons why heโ€™s not interestedย ย 
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์ด ์žฅ๋ฉด์ด ๋‚˜์˜ค๊ธฐ ์ „์— Ross๋Š” Rachel์—๊ฒŒ ์ž์‹ ์ด ๊ทธ๋…€์—๊ฒŒ ๋‚ญ๋งŒ์ ์œผ๋กœ ๊ด€์‹ฌ์ด ์—†๊ณ 
00:28
in her romantically and they werenโ€™tย  flattering. So he is now telling her,ย ย 
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๊ธฐ๋ถ„์ด ์ข‹์ง€ ์•Š์€ ๋ชจ๋“  ์ด์œ ๋ฅผ Rachel์—๊ฒŒ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋Š” ์ง€๊ธˆ ๊ทธ๋…€์—๊ฒŒ '๋‹น์‹ ์ด ๋‚˜์—
00:35
you tell me what you donโ€™t like aboutย  me and her response is pretty great.
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๋Œ€ํ•ด ๋งˆ์Œ์— ๋“ค์ง€ ์•Š๋Š” ์ ์„ ๋งํ–ˆ๋”๋‹ˆ' ๊ทธ๋…€์˜ ๋ฐ˜์‘์ด ๊ฝค ์ข‹๋‹ค๊ณ  ๋งํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
00:41
Hey Rach. You know what? I think, I thinkย  I know what will make you feel better.
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์•ˆ๋…•, ๋ ˆ์ด์ฒผ. ๊ทธ๊ฑฐ ์•Œ์•„? ๋‚ด ์ƒ๊ฐ์—”, ๋ฌด์—‡์ด ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š”์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„์š”.
00:45
How about you make a list about me?
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๋‚˜์— ๊ด€ํ•œ ๋ชฉ๋ก์„ ์ž‘์„ฑํ•ด ๋ณด๋Š” ๊ฑด ์–ด๋•Œ์š”?
00:48
What? Forget it, Ross, no.
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๋ฌด์—‡? ์žŠ์–ด๋ฒ„๋ ค, ๋กœ์Šค, ์•ˆ๋ผ.
00:50
Iโ€™m not going to stand here...
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๋‚œ ์—ฌ๊ธฐ ์„œ์žˆ์ง€ ์•Š์„ ๊ฑฐ์•ผ...
00:51
Come on!
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00:51
And make a list of...okay. Youโ€™reย  whiny, you are, you are obsessive,ย ย 
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์–ด์„œ!
๊ทธ๋ฆฌ๊ณ ...์•Œ๊ฒ ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ํˆฌ๋œ๋Œ€๊ณ , ๋‹น์‹ ์€ ๊ฐ•๋ฐ•์ ์ด๋ฉฐ,
00:56
you are insecure, youโ€™re, youโ€™re gutless.
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๋‹น์‹ ์€ ๋ถˆ์•ˆํ•˜๊ณ , ๋‹น์‹ ์€ ๋ฐฐ์งฑ์ด ์—†์Šต๋‹ˆ๋‹ค.
00:59
You know, you donโ€™t ever, you donโ€™t,ย  just, sort of, seize the day, you know?
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์•„์‹œ๋‹ค์‹œํ”ผ, ๋„Œ ์ ˆ๋Œ€, ๋„Œ, ๊ทธ๋ƒฅ, ํ•˜๋ฃจ๋ฅผ ์ฆ๊ฒจ๋ผ, ์•Œ์ง€?
01:01
You liked me for, what? A year?
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๋‹น์‹ ์ด ๋‚˜๋ฅผ ์ข‹์•„ํ•œ ์ด์œ ๋Š” ๋ฌด์—‡์ž…๋‹ˆ๊นŒ? ๋…„?
01:03
And you didnโ€™t do anything about it.
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•„๋ฌด๊ฒƒ๋„ ํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
01:05
And, uh, uh. You wear tooย  much of that gel in your hair.
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๊ทธ๋ฆฌ๊ณ , ์–ด, ์–ด. ๋จธ๋ฆฌ์— ์ ค์„ ๋„ˆ๋ฌด ๋งŽ์ด ๋ฐ”๋ฅด์…จ๋„ค์š”.
01:11
Now, letโ€™s do an in-depthย  analysis of everything we heard.
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์ด์ œ ์šฐ๋ฆฌ๊ฐ€ ๋“ค์€ ๋ชจ๋“  ๋‚ด์šฉ์„ ์‹ฌ์ธต ๋ถ„์„ํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
01:16
Hey, Rach.
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์•ˆ๋…•, ๋ ˆ์ด์ฒผ.
01:17
Hey, Rach. Hey, hey, hey. Hey,ย  a little bit flatter, less loudย ย 
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์•ˆ๋…•, ๋ ˆ์ด์ฒผ. ์•ˆ๋…•, ์•ˆ๋…•, ์•ˆ๋…•. ์•ˆ๋…•ํ•˜์„ธ์š”, ์ข€ ๋” ๋ฐ‹๋ฐ‹ํ•˜๊ณ  ๋œ ์‹œ๋„๋Ÿฌ์šด
01:23
her name Rach. And heโ€™s shorteningย  it using a nickname more familiar,ย ย 
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์ด๋ฆ„์ธ Rach์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋Š” ๋” ์นœ์ˆ™ํ•œ ๋ณ„๋ช…์ธ Rach๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ์ด ์ด๋ฆ„์„ ๋‹จ์ถ•ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
01:28
Rach. Up down shape of stress, names and otherย  proper nouns are pretty much always stressed,ย ย 
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. ์—…๋‹ค์šด ํ˜•ํƒœ์˜ ๊ฐ•์„ธ, ์ด๋ฆ„ ๋ฐ ๊ธฐํƒ€ ๊ณ ์œ  ๋ช…์‚ฌ๋Š” ๊ฑฐ์˜ ํ•ญ์ƒ ๊ฐ•์„ธ๋ฅผ ๋ฐ›๊ธฐ
01:35
so there will be at least oneย  stressed syllable there. Rach.
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๋•Œ๋ฌธ์— ๊ฑฐ๊ธฐ์—๋Š” ๊ฐ•์„ธ๋ฅผ ๋ฐ›๋Š” ์Œ์ ˆ์ด ํ•˜๋‚˜ ์ด์ƒ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋ ˆ์ด์ฒผ.
01:40
Hey, Rach.
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์•ˆ๋…•, ๋ ˆ์ด์ฒผ.
01:47
You know what?
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๊ทธ๊ฑฐ ์•Œ์•„?
01:48
All smoothly linked together, no breaks, so itย  feels just like one continuous line of sound, youย ย 
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๋ชจ๋‘ ์›ํ™œํ•˜๊ฒŒ ์—ฐ๊ฒฐ๋˜์–ด ๋Š๊น€ ์—†์ด ๋งˆ์น˜ ํ•˜๋‚˜์˜ ์—ฐ์†๋œ ์†Œ๋ฆฌ์ฒ˜๋Ÿผ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค. ๊ทธ๊ฑฐ
01:57
know what? First going down and up. You know what?ย  Notice thereโ€™s no T release there at the end forย ย 
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์•Œ์•„์š”? ๋จผ์ € ๋‚ด๋ ค๊ฐ€๊ณ  ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค. ๊ทธ๊ฑฐ ์•Œ์•„? ํ•ด๋‹น T์˜ ๋์— T ๋ฆด๋ฆฌ์Šค๊ฐ€ ์—†๋‹ค๋Š” ์ ์— ์œ ์˜ํ•˜์„ธ์š”.
02:06
that T. Thatโ€™s a stop T, and abrupt stop. What?ย  What? And thatโ€™s what signifies to us the T. Theย ย 
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์ด๋Š” ์ •์ง€ T์ด๊ณ  ๊ฐ‘์ž‘์Šค๋Ÿฌ์šด ์ •์ง€์ž…๋‹ˆ๋‹ค. ๋ฌด์—‡? ๋ฌด์—‡? ์ด๊ฒƒ์ด ๋ฐ”๋กœ ์šฐ๋ฆฌ์—๊ฒŒ T๋ฅผ ์˜๋ฏธํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:15
T is pronounced this way at the end of phrases orย  when the next sound is a consonant. You know what?
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T๋Š” ๋ฌธ๊ตฌ์˜ ๋์ด๋‚˜ ๋‹ค์Œ ์†Œ๋ฆฌ๊ฐ€ ์ž์Œ์ผ ๋•Œ ์ด๋Ÿฐ ์‹์œผ๋กœ ๋ฐœ์Œ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๊ฑฐ ์•Œ์•„?
02:22
You know what?
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๊ทธ๊ฑฐ ์•Œ์•„?
02:27
Do you notice how the word you is pronounced ye.ย  Itโ€™s not you know what? But heโ€™s reducing that,ย ย 
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๋‹น์‹ ์ด๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ์–ด๋–ป๊ฒŒ ๋ฐœ์Œ๋˜๋Š”์ง€ ์•„์‹œ๋‚˜์š”? ๊ทธ๊ฑฐ ๋ชจ๋ฅด๋Š” ๊ฑฐ ์•„๋‹ˆ์ง€? ํ•˜์ง€๋งŒ ๊ทธ ์‚ฌ๋žŒ์€ ๊ทธ๊ฑธ ์ค„์—ฌ์„œ
02:33
I would write that in IPA withย  the Y sound and the schwa, ya. Ya,ย ย 
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IPA์— Y ์†Œ๋ฆฌ์™€ ์Šˆ์™€๋ฅผ ๋„ฃ์–ด์„œ ์“ธ ๊ฑฐ์˜ˆ์š”. ์‘,
02:39
ya, ya. You know what? You know what?ย  Make that as smoothly as you can. Letย ย 
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์‘, ์‘. ๊ทธ๊ฑฐ ์•Œ์•„? ๊ทธ๊ฑฐ ์•Œ์•„? ์ตœ๋Œ€ํ•œ ์›ํ™œํ•˜๊ฒŒ ๋งŒ๋“œ์„ธ์š”.
02:44
me say that last thing again. Make thatย  as smoothly as you can. You know what?
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๋งˆ์ง€๋ง‰์œผ๋กœ ๋‹ค์‹œ ๋ง์”€๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค. ์ตœ๋Œ€ํ•œ ์›ํ™œํ•˜๊ฒŒ ์ง„ํ–‰ํ•˜์„ธ์š”. ๊ทธ๊ฑฐ ์•Œ์•„?
02:50
You know what?
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๊ทธ๊ฑฐ ์•Œ์•„? ๋‚ด ์ƒ๊ฐ์—๋Š”
02:54
I think I know what will make you feel better?
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๋ฌด์—‡์ด ๋‹น์‹ ์˜ ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š”์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„์š”?
02:56
If you love this kind of in-depth analysisย  of American English pronunciation, I reallyย ย 
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๋ฏธ๊ตญ ์˜์–ด ๋ฐœ์Œ์— ๋Œ€ํ•œ ์ด๋Ÿฌํ•œ ์‹ฌ์ธต ๋ถ„์„์„ ์ข‹์•„ํ•˜์‹ ๋‹ค๋ฉด Rachelsenglishacademy.com์—์„œ
03:02
encourage you to check out my online coursesย  at Rachelsenglishacademy.com. We have one onย ย 
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์ œ ์˜จ๋ผ์ธ ๊ฐ•์ขŒ๋ฅผ ํ™•์ธํ•ด ๋ณด์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค . ์šฐ๋ฆฌ๋Š”
03:09
all sorts of different Hollywood scenes. Thereย  are over 50 there to choose from. From movies,ย ย 
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๋ชจ๋“  ์ข…๋ฅ˜์˜ ๋‹ค์–‘ํ•œ ํ• ๋ฆฌ์šฐ๋“œ ์žฅ๋ฉด์— ๋Œ€ํ•ด ํ•˜๋‚˜๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์„ ํƒํ•  ์ˆ˜ ์žˆ๋Š” ํ•ญ๋ชฉ์ด 50๊ฐœ๊ฐ€ ๋„˜์Šต๋‹ˆ๋‹ค. ์˜ํ™”์—์„œ,
03:15
from TVs, and in all of them we take a scene,ย  we study it, we do that in-depth pronunciationย ย 
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TV์—์„œ, ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋ชจ๋“  ์žฅ๋ฉด์—์„œ ์šฐ๋ฆฌ๋Š” ํ•œ ์žฅ๋ฉด์„ ์ฐ๊ณ , ์—ฐ๊ตฌํ•˜๊ณ , ์‹ฌ์ธต์ ์ธ ๋ฐœ์Œ
03:22
analysis together. The best part though isย  each video comes with an audio soundboardย ย 
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๋ถ„์„์„ ํ•จ๊ป˜ ํ•ฉ๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ๊ฐ€์žฅ ์ข‹์€ ์ ์€ ๊ฐ ๋™์˜์ƒ์— ์˜ค๋””์˜ค ์‚ฌ์šด๋“œ๋ณด๋“œ๊ฐ€ ํ•จ๊ป˜ ์ œ๊ณต๋˜๋ฏ€๋กœ
03:28
so you can train the little mini phrasesย  yourself and really get it into your voice.
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์ž‘์€ ๋ฏธ๋‹ˆ ๋ฌธ๊ตฌ๋ฅผ ์ง์ ‘ ํ›ˆ๋ จํ•˜์—ฌ ์‹ค์ œ๋กœ ์Œ์„ฑ์œผ๋กœ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:35
You can see it.
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๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
03:41
And when you listen in slow motionย  it helps you really hear the rhythm,ย ย 
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๊ทธ๋ฆฌ๊ณ  ์Šฌ๋กœ์šฐ ๋ชจ์…˜์œผ๋กœ ๋“ค์œผ๋ฉด ๋ฆฌ๋“ฌ, ์ŠคํŠธ๋ ˆ์Šค, ์—ฐ๊ฒฐ์„ ์‹ค์ œ๋กœ ๋“ฃ๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค
03:45
the stress and the linking. So be sure to checkย ย 
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. ๊ทธ๋Ÿฌ๋‹ˆ
03:48
out Rachelsenglishacademy.com.ย  Letโ€™s get back to our scene.
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Rachelsenglishacademy.com์„ ๊ผญ ํ™•์ธํ•ด ๋ณด์„ธ์š”. ์šฐ๋ฆฌ ํ˜„์žฅ์œผ๋กœ ๋Œ์•„๊ฐ€์ž.
03:53
You know what?
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๊ทธ๊ฑฐ ์•Œ์•„?
03:57
I think, I think I know whatย  will make you feel better?
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๋‚ด ์ƒ๊ฐ์—”, ๋ฌด์—‡์ด ๋‹น์‹ ์˜ ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ์„์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„์š”?
04:00
I think, I think. Heโ€™s going up here and itโ€™s veryย  smooth, no break between I and think. I think.ย ย 
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์ œ ์ƒ๊ฐ์—”์š”. ๊ทธ๋Š” ์—ฌ๊ธฐ๋กœ ์˜ฌ๋ผ๊ฐ€๊ณ  ์žˆ๋Š”๋ฐ ๋งค์šฐ ๋งค๋„๋Ÿฝ๊ณ  ๋‚˜์™€ ์ƒ๊ฐ ์‚ฌ์ด์— ๋Š๊น€์ด ์—†์Šต๋‹ˆ๋‹ค. ์ œ ์ƒ๊ฐ์—๋Š”.
04:08
Then thereโ€™s a tiny pause, maybe a little bitย  lift while he repeats himself. I think, I think.
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๊ทธ๊ฐ€ ๊ฐ™์€ ๋ง์„ ๋ฐ˜๋ณตํ•˜๋Š” ๋™์•ˆ ์•ฝ๊ฐ„์˜ ๋ฉˆ์ถค์ด ์žˆ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ œ ์ƒ๊ฐ์—”์š”.
04:14
I think--
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๋‚ด ์ƒ๊ฐ์—”--
04:15
I think I know wheat will make you feel better?
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๋ฐ€์ด ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ํ•ด์ค„ ๊ฒƒ ๊ฐ™์•„์š”?
04:19
I think, I think I know. I think I know. Again,ย  everything here is just linking together reallyย ย 
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๋‚ด ์ƒ๊ฐ์—”, ๋‚ด ์ƒ๊ฐ์—” ์•Œ ๊ฒƒ ๊ฐ™์•„. ๋‚˜๋Š” ์•Œ๊ณ  ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค. ๋‹ค์‹œ ํ•œ ๋ฒˆ ๋ง์”€๋“œ๋ฆฌ์ง€๋งŒ, ์—ฌ๊ธฐ์— ์žˆ๋Š” ๋ชจ๋“  ๊ฒƒ์€ ์ •๋ง
04:26
smoothly and make sure for the th in think,ย  thatโ€™s an unvoiced th. Make sure that yourย ย 
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์›ํ™œํ•˜๊ฒŒ ์„œ๋กœ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ์œผ๋ฉฐ, ๋ฌด์„ฑ์Œ์ด๋ผ๋Š” ์ ์„ ์—ผ๋‘์— ๋‘์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค .
04:32
tongue tip does come through that teeth for thatย  really lightly. Think. I think, I think, I think.
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์ด๋ฅผ ์œ„ํ•ด ํ˜€ ๋์ด ์น˜์•„๋ฅผ ํ†ตํ•ด ์•„์ฃผ ๊ฐ€๋ณ๊ฒŒ ๋‚˜์˜ค๋Š”์ง€ ํ™•์ธํ•˜์„ธ์š”. ์ƒ๊ฐํ•˜๋‹ค. ๋‚ด ์ƒ๊ฐ์—”, ๋‚ด ์ƒ๊ฐ์—”, ๋‚ด ์ƒ๊ฐ์—”.
04:40
I think--
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๋‚ด ์ƒ๊ฐ์—”-- ๋‚ด
04:43
I think I know
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์ƒ๊ฐ์—”
04:44
If you have a hard time with that sound, youโ€™llย  want to slow it down to make sure you can focusย ย 
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๊ทธ ์†Œ๋ฆฌ๊ฐ€ ์–ด๋ ต๋‹ค๋ฉด, ํ˜€์˜ ์›€์ง์ž„์— ์ง‘์ค‘ํ•  ์ˆ˜ ์žˆ๋„๋ก ์†๋„๋ฅผ ๋Šฆ์ถ”๋Š” ๊ฒƒ์ด ์ข‹์„ ๊ฒƒ ๊ฐ™์•„์š”
04:49
in on that tongue movement. I think and justย  feel the lightness of the tongue through theย ย 
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. ๊ณต๊ธฐ๋ฅผ ๋ฉˆ์ถ”์ง€ ์•Š๊ณ  ์น˜์•„๋ฅผ ํ†ตํ•ด ํ˜€์˜ ๊ฐ€๋ฒผ์›€์„ ์ƒ๊ฐํ•˜๊ณ  ๋Š๋ผ๋ฉฐ
04:59
teeth not stopping the air, just do that overย  and over until it starts to feel natural.
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, ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋Š๊ปด์งˆ ๋•Œ๊นŒ์ง€ ๊ณ„์† ๋ฐ˜๋ณตํ•˜์„ธ์š”.
05:07
I think, I think I know--
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๋‚ด ์ƒ๊ฐ์—”, ๋‚ด ์ƒ๊ฐ์—”-- ๋‚ด
05:10
I think I know what will make you feel better.
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์ƒ๊ฐ์—” ๋ฌด์—‡์ด ๋‹น์‹ ์˜ ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“ค ๊ฒƒ์ธ์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„์š”.
05:18
So lots of stressed words there. I thinkย  I know what will. Both unstressed. Whatโ€™llย ย 
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์ŠคํŠธ๋ ˆ์Šค ๋ฐ›๋Š” ๋‹จ์–ด๊ฐ€ ๋„ˆ๋ฌด ๋งŽ์•„์š”. ๋‚ด ์ƒ๊ฐ์—” ์–ด๋–ป๊ฒŒ ๋ ์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„. ๋‘˜ ๋‹ค ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๋ฌด์—‡์ด
05:24
make you feel better. And maybe a littleย  bit on better but coming down so think,ย ย 
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๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ํ•ด์ค„๊นŒ์š”? ๊ทธ๋ฆฌ๊ณ  ์กฐ๊ธˆ ๋” ๋‚˜์•„์งˆ ์ˆ˜๋„ ์žˆ์ง€๋งŒ ๋‚ด๋ ค์˜ค๋ฉด ์ƒ๊ฐํ•˜๊ณ ,
05:33
know, feel. Verbs are almostย  always stressed in a sentence.
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์•Œ๊ณ , ๋Š๊ปด๋ณด์„ธ์š”. ๋™์‚ฌ๋Š” ๋ฌธ์žฅ์—์„œ ๊ฑฐ์˜ ํ•ญ์ƒ ๊ฐ•์„ธ๋ฅผ ๊ฐ–์Šต๋‹ˆ๋‹ค. ๋‚ด
05:41
I think I know what will make you feel better.
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์ƒ๊ฐ์—” ๋ฌด์—‡์ด ๋‹น์‹ ์˜ ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“ค ๊ฒƒ์ธ์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„์š”.
05:47
But letโ€™s just look at the first four words.ย  Notice how I is less stressed. I think,ย ย 
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ํ•˜์ง€๋งŒ ์ฒ˜์Œ ๋„ค ๋‹จ์–ด๋งŒ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ๋‚ด๊ฐ€ ์–ผ๋งˆ๋‚˜ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋œ ๋ฐ›๋Š”์ง€ ์ฃผ๋ชฉํ•ด ๋ณด์„ธ์š”. ๋‚ด ์ƒ๊ฐ์—”,
05:55
I know. So I is I, I, I, I.ย  Lower in pitch, less energy,ย ย 
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์•Œ์•„์š”. ๊ทธ๋ž˜์„œ ๋‚˜๋Š” ๋‚˜, ๋‚˜, ๋‚˜, ๋‚˜์ž…๋‹ˆ๋‹ค. ์Œ์กฐ๊ฐ€ ๋‚ฎ๊ณ  ์—๋„ˆ์ง€๊ฐ€ ์ ์œผ๋ฉฐ
06:02
linking together smoothly. I think Iย  know. Try that with me. I think I know.
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๋ถ€๋“œ๋Ÿฝ๊ฒŒ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค. ์ œ ์ƒ๊ฐ์—” ์•Œ ๊ฒƒ ๊ฐ™์•„์š”. ์ €์™€ ํ•จ๊ป˜ ์‹œ๋„ํ•ด ๋ณด์„ธ์š”. ๋‚˜๋Š” ์•Œ๊ณ  ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
06:07
I think I know--
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๋‚ด ์ƒ๊ฐ์—”--
06:08
I think I know what will make you feel better.
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๋ฌด์—‡์ด ๋‹น์‹  ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“ค ๊ฒƒ์ธ์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„์š”.
06:12
What will. That gets reduced. What apostropheย  ll. Whatโ€™ll, whatโ€™ll. So by making this anย ย 
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๋ฌด์—‡์„ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒŒ ์ค„์–ด๋“ค๊ฑฐ๋“ ์š”. ์•„ํฌ์ŠคํŠธ๋กœํ”ผ๋Š” ๋ฌด์—‡์ธ๊ฐ€์š”? ์–ด์ฉŒ๊ฒ ์–ด์š”, ์–ด์ฉŒ๊ฒ ์–ด์š”. ๋”ฐ๋ผ์„œ ์ด๊ฒƒ์„ ์•„ํฌ์ŠคํŠธ๋กœํ”ผ๋กœ ๋งŒ๋“ค์–ด์„œ ๋์—
06:20
apostrophe weโ€™re just adding schwa l atย  the end, whatโ€™ll, whatโ€™ll. Thatโ€™s goingย ย 
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schwa l์„ ์ถ”๊ฐ€ํ•˜๋ฉด ๋ฉ๋‹ˆ๋‹ค . Whatโ€™s, Whatโ€™ll. ๊ทธ๋Ÿฌ๋ฉด
06:27
to turn this T into a flap T which can soundย  like a d between vowels in American English,ย ย 
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์ด T๊ฐ€ ๋ฏธ๊ตญ ์˜์–ด ๋ชจ์Œ ์‚ฌ์ด์˜ d์ฒ˜๋Ÿผ ๋“ค๋ฆด ์ˆ˜ ์žˆ๋Š” ํ”Œ๋žฉ T๋กœ ๋ฐ”๋€Œ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
06:32
whatโ€™ll, whatโ€™ll, whatโ€™ll, whatโ€™ll. Not will butย  whatโ€™ll, know whatโ€™ll, know whatโ€™ll, know whatโ€™ll.
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. ์˜์ง€๋Š” ์•„๋‹ˆ์ง€๋งŒ ๋ฌด์—‡์„, ๋ฌด์—‡์„ ์•Œ๊ณ , ๋ฌด์—‡์„ ์•Œ๊ณ , ๋ฌด์—‡์„ ์•Œ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:40
I know what will--
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๋‚˜๋Š” ๋ฌด์—‡์ด
06:43
I know what will make you feel better.
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๋‹น์‹ ์„ ๊ธฐ๋ถ„ ์ข‹๊ฒŒ ๋งŒ๋“ค ๊ฒƒ์ธ์ง€ ์••๋‹ˆ๋‹ค.
06:45
What will make you feel better.
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๊ธฐ๋ถ„์ด ์ข‹์•„์งˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:47
Make you. Do you feel how make is higherย  than you. This change of pitch is part ofย ย 
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๋‹น์‹ ์„. make๊ฐ€ ๋‹น์‹ ๋ณด๋‹ค ์–ผ๋งˆ๋‚˜ ๋†’์€์ง€ ๋Š๊ปด์ง€์‹œ๋‚˜์š”? ์ด๋Ÿฌํ•œ ์Œ์กฐ ๋ณ€ํ™”๋Š”
06:54
natural American English. Some of my studentsย  donโ€™t have enough distance between their highsย ย 
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์ž์—ฐ์Šค๋Ÿฌ์šด ๋ฏธ๊ตญ ์˜์–ด์˜ ์ผ๋ถ€์ž…๋‹ˆ๋‹ค. ์ œ ํ•™์ƒ๋“ค ์ค‘ ์ผ๋ถ€๋Š”
07:00
of their stressed syllables and theirย  lows of their unstressed syllables andย ย 
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๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ์Œ์ ˆ์˜ ๊ณ ์Œ๊ณผ ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ์Œ์ ˆ์˜ ์ €์Œ ์‚ฌ์ด์— ๊ฑฐ๋ฆฌ๊ฐ€ ์ถฉ๋ถ„ํ•˜์ง€ ์•Š์•„ ์ดํ•ดํ•˜๊ธฐ๊ฐ€
07:05
that makes them a little bit harder toย  understand. So make sure youโ€™re matchingย ย 
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์กฐ๊ธˆ ๋” ์–ด๋ ต์Šต๋‹ˆ๋‹ค . ๋”ฐ๋ผ์„œ ํ”ผ์น˜ ์ฐจ์ด๋ฅผ ๋Š๋‚„ ์ˆ˜ ์žˆ๋„๋ก ํ•ด๋‹น ํ”ผ์น˜๋ฅผ ์ผ์น˜์‹œํ‚ค๊ณ  ์žˆ๋Š”์ง€ ํ™•์ธํ•˜์„ธ์š”
07:10
that pitch so that youโ€™re feeling theย  pitch difference. Make you feel better.
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. ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“œ์‹ญ์‹œ์˜ค.
07:14
Make you feel better.
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๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“œ์‹ญ์‹œ์˜ค.
07:18
Feel better. And he brings his pitch upย  a little bit at the end. This shows thatย ย 
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๊ธฐ๋ถ„์ด ๋‚˜์•„์ง€ ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋Š” ๋งˆ์ง€๋ง‰์— ์Œ์กฐ๋ฅผ ์กฐ๊ธˆ ๋†’์˜€์Šต๋‹ˆ๋‹ค. ์ด๋Š”
07:23
heโ€™s going to go on. His idea continues. Feelย  better. A couple things about sounds here. Theย ย 
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๊ทธ๊ฐ€ ๊ณ„์†ํ•  ๊ฒƒ์ž„์„ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค. ๊ทธ์˜ ์ƒ๊ฐ์€ ๊ณ„์†๋œ๋‹ค. ๊ธฐ๋ถ„์ด ๋‚˜์•„์ง€ ๋‹ค. ์—ฌ๊ธฐ ์†Œ๋ฆฌ์— ๊ด€ํ•œ ๋ช‡ ๊ฐ€์ง€ ์‚ฌํ•ญ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
07:33
double T here is again a flap T. A T is almostย  always a flap T when it comes between vowel orย ย 
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์—ฌ๊ธฐ์„œ ์ด์ค‘ T๋Š” ๋‹ค์‹œ ํ”Œ๋žฉ T์ž…๋‹ˆ๋‹ค. A T๋Š” ์—ฌ๊ธฐ์„œ์ฒ˜๋Ÿผ ๋ชจ์Œ์ด๋‚˜ ์ด์ค‘๋ชจ์Œ ์‚ฌ์ด์— ์˜ฌ ๋•Œ ๊ฑฐ์˜ ํ•ญ์ƒ ํ”Œ๋žฉ T์ž…๋‹ˆ๋‹ค
07:40
diphthong sounds like it does here. It comesย  between e and the schwa, better, better. Now,ย ย 
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. e์™€ schwa ์‚ฌ์ด, better, better ์‚ฌ์ด์— ์žˆ์Šต๋‹ˆ๋‹ค. ์ž,
07:48
the L here is a dark L. Lโ€™s are dark Lโ€™s ifย  they come after the vowel or diphthong in theย ย 
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์—ฌ๊ธฐ์„œ L์€ ์–ด๋‘์šด L์ž…๋‹ˆ๋‹ค. ์Œ์ ˆ์—์„œ ๋ชจ์Œ์ด๋‚˜ ์ด์ค‘๋ชจ์Œ ๋’ค์— ์˜ค๋ฉด L์€ ์–ด๋‘์šด L์ž…๋‹ˆ๋‹ค
07:55
syllable. So here itโ€™s the end of the word so weย  know itโ€™s a dark L. So we make that sound with theย ย 
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. ์—ฌ๊ธฐ์— ๋‹จ์–ด์˜ ๋์ด ์žˆ์œผ๋ฏ€๋กœ ์–ด๋‘์šด L์ž„์„ ์•Œ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ ํ˜€ ๋’ค์ชฝ์œผ๋กœ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค
08:01
back of the tongue. Feel. Pressing down and backย  a little bit, the tip of the tongue doesnโ€™t lift,ย ย 
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. ๋Š๋ผ๋‹ค. ์•„๋ž˜๋กœ ๋ˆ„๋ฅด๊ณ  ๋’ค๋กœ ์‚ด์ง ๋ˆ„๋ฅด๋ฉด ํ˜€ ๋์ด ์˜ฌ๋ผ๊ฐ€์ง€ ์•Š๊ณ ,
08:09
it doesnโ€™t have to lift. So, see if you canย  do that . Feel better. Without lifting yourย ย 
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๋“ค์–ด์˜ฌ๋ฆด ํ•„์š”๋„ ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ˆ ๊ทธ๋ ‡๊ฒŒ ํ•  ์ˆ˜ ์žˆ๋Š”์ง€ ํ™•์ธํ•ด ๋ณด์„ธ์š” . ๊ธฐ๋ถ„์ด ๋‚˜์•„์ง€ ๋‹ค.
08:17
tongue tip for the L, it will probably make theย  dark sound a little bit more clear. Feel better.
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L์˜ ํ˜€ ๋์„ ์˜ฌ๋ฆฌ์ง€ ์•Š์œผ๋ฉด ์•„๋งˆ๋„ ์–ด๋‘์šด ์†Œ๋ฆฌ๊ฐ€ ์ข€ ๋” ๋ช…ํ™•ํ•ด์งˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ธฐ๋ถ„์ด ๋‚˜์•„์ง€ ๋‹ค.
08:25
Feel better.
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๊ธฐ๋ถ„์ด ๋‚˜์•„์ง€ ๋‹ค.
08:28
How about you make a list about me?
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๋‚˜์— ๊ด€ํ•œ ๋ชฉ๋ก์„ ์ž‘์„ฑํ•ด ๋ณด๋Š” ๊ฑด ์–ด๋•Œ์š”?
08:31
So now he really stresses you and me becauseย  he made a list about her so how about you,ย ย 
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๊ทธ๋ž˜์„œ ์ด์ œ ๊ทธ๋Š” ๊ทธ๋…€์— ๋Œ€ํ•œ ๋ชฉ๋ก์„ ๋งŒ๋“ค์—ˆ๊ธฐ ๋•Œ๋ฌธ์— ๋‹น์‹ ๊ณผ ๋‚˜์—๊ฒŒ ์ •๋ง ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ์ค๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ์–ด๋–ป์Šต๋‹ˆ๊นŒ, ๋‹น์‹ ์€
08:38
how about you. Lots of stress there.ย  Itโ€™s longer, lots of up down shape.
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์–ด๋–ป์Šต๋‹ˆ๊นŒ? ์ŠคํŠธ๋ ˆ์Šค๊ฐ€ ๋งŽ์•„์š”. ๋” ๊ธธ๊ณ  ์œ„์•„๋ž˜ ๋ชจ์–‘์ด ๋งŽ์Šต๋‹ˆ๋‹ค.
08:44
How about you--
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๋‹น์‹ ์€ ์–ด๋•Œ์š”?
08:48
How about
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08:50
How about you. So how and about are bot a littleย  faster, less important here because heโ€™s usingย ย 
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๋‹น์‹ ์€ ์–ด๋•Œ์š”? ๋ด‡์ด ๋‹น์‹ ์„ ์‚ฌ์šฉํ•˜๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์—ฌ๊ธฐ์„œ๋Š” ๋ด‡์ด ์กฐ๊ธˆ ๋” ๋น ๋ฅด๊ณ  ๋œ ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค
08:57
you. So how about. He drops the first syllableย  there. So it becomes how about, how about, howย ย 
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. ๊ทธ๋Ÿผ ์–ด๋–จ๊นŒ์š”? ๊ทธ๋Š” ๊ฑฐ๊ธฐ์— ์ฒซ ์Œ์ ˆ์„ ๋–จ์–ด๋œจ๋ ธ์Šต๋‹ˆ๋‹ค . ๊ทธ๋ž˜์„œ ์–ด๋•Œ์š”, ์–ด๋•Œ์š”, ์–ด๋•Œ์š”,
09:05
about, how about. Said quickly, said simply withย  a stop T at the end. How about, how about you.
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์–ด๋•Œ์š”, ์–ด๋•Œ์š”๊ฐ€ ๋ฉ๋‹ˆ๋‹ค. ๋น ๋ฅด๊ฒŒ ๋งํ•˜๊ณ  ๋์— T๋ฅผ ๋ฉˆ์ถ”๊ณ  ๊ฐ„๋‹จํžˆ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ์–ด๋–ป์Šต๋‹ˆ๊นŒ?
09:13
How about you--
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๋‹น์‹ ์€ ์–ด๋•Œ์š”?
09:16
Make a list.
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๋ชฉ๋ก์„ ๋งŒ๋“ค์–ด ๋ณด์„ธ์š”.
09:19
Breaks it up here a little bit. The more you breakย  something up, the more dramatic it is. How aboutย ย 
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์—ฌ๊ธฐ์„œ ์กฐ๊ธˆ ๋‚˜๋ˆ„์–ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ๋ฌด์–ธ๊ฐ€๋ฅผ ๋” ๋งŽ์ด ๋ถ„ํ•ดํ• ์ˆ˜๋ก ๋” ๊ทน์ ์ž…๋‹ˆ๋‹ค.
09:28
you make a list. List, the noun the most stressedย  word here. So our most stressed words are usually,ย ย 
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๋ชฉ๋ก์„ ๋งŒ๋“ค์–ด ๋ณด๋Š” ๊ฒƒ์€ ์–ด๋–จ๊นŒ์š”? ์—ฌ๊ธฐ์— ๊ฐ€์žฅ ๊ฐ•์กฐ๋˜๋Š” ๋‹จ์–ด์ธ ๋ช…์‚ฌ๋ฅผ ๋‚˜์—ดํ•˜์„ธ์š” . ๋”ฐ๋ผ์„œ ๊ฐ€์žฅ ๊ฐ•์„ธ๋ฅผ ๋ฐ›๋Š” ๋‹จ์–ด๋Š” ์ผ๋ฐ˜์ ์œผ๋กœ
09:38
verbs, nouns, adverbs and adjectives but notย  all of them are always going to be stressed.ย ย 
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๋™์‚ฌ, ๋ช…์‚ฌ, ๋ถ€์‚ฌ, ํ˜•์šฉ์‚ฌ์ด์ง€๋งŒ ์ด๋“ค ๋ชจ๋‘๊ฐ€ ํ•ญ์ƒ ๊ฐ•์„ธ๋ฅผ ๋ฐ›๋Š” ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค.
09:45
For example here the verb โ€˜makeโ€™ is less stressedย  than the noun list. Make a list. Make a, do youย ย 
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์˜ˆ๋ฅผ ๋“ค์–ด ์—ฌ๊ธฐ์„œ ๋™์‚ฌ 'make'๋Š” ๋ช…์‚ฌ ๋ชฉ๋ก๋ณด๋‹ค ์ŠคํŠธ๋ ˆ์Šค๊ฐ€ ๋œํ•ฉ๋‹ˆ๋‹ค. ๋ชฉ๋ก์„ ์ž‘์„ฑํ•˜์„ธ์š”. ์†Œ๋ฆฌ๋ฅผ ๋‚ด์„ธ์š”, ๋“ค๋ฆฌ์‹œ๋‚˜์š”?
09:52
hear that, it all links together smoothly, the Kย  releases into the schwa which goes right into theย ย 
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๋ชจ๋“  ๊ฒƒ์ด ์›ํ™œํ•˜๊ฒŒ ์—ฐ๊ฒฐ๋˜๊ณ  K๊ฐ€ ์Šˆ์™€๋กœ ๋ฐฉ์ถœ๋˜์–ด
09:57
L. This one is a light L because it begins theย  word. You do lift your tongue tip. Make a list.
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L๋กœ ๋ฐ”๋กœ ๋“ค์–ด๊ฐ€๋Š” ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค. ์ด๊ฒƒ์€ ๋‹จ์–ด๋ฅผ ์‹œ์ž‘ํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๊ฐ€๋ฒผ์šด L์ž…๋‹ˆ๋‹ค . ํ˜€๋์„ ๋“ค์–ด ์˜ฌ๋ฆฌ์„ธ์š”. ๋ชฉ๋ก์„ ์ž‘์„ฑํ•˜์„ธ์š”.
10:05
Make a list--
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๋ชฉ๋ก์„ ๋งŒ๋“œ์„ธ์š”.
10:09
The T here in list, we do hear that released,ย  tt, tt, list, list. Thatโ€™s because itโ€™s a partย ย 
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์—ฌ๊ธฐ ๋ชฉ๋ก์˜ T๊ฐ€ ์ถœ์‹œ๋˜์—ˆ๋‹ค๊ณ  ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค. tt, tt, list, list. ํด๋Ÿฌ์Šคํ„ฐ์˜ ์ผ๋ถ€์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค
10:16
of a cluster. I said before like in the wordย  about. If a T ends a word that it will oftenย ย 
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. ์ด์ „์— about์ด๋ผ๋Š” ๋‹จ์–ด์—์„œ์ฒ˜๋Ÿผ ๋งํ–ˆ์–ด์š” . T๊ฐ€ ๋‹จ์–ด๋ฅผ ๋๋‚ด๋ฉด
10:24
be a stop T not if itโ€™s part of a cluster. If itโ€™sย  part of a cluster, itโ€™s going to be a light trueย ย 
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ํด๋Ÿฌ์Šคํ„ฐ์˜ ์ผ๋ถ€๊ฐ€ ์•„๋‹Œ ๊ฒฝ์šฐ T๊ฐ€ ๋๋‚˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์Šต๋‹ˆ๋‹ค. ํด๋Ÿฌ์Šคํ„ฐ์˜ ์ผ๋ถ€์ธ ๊ฒฝ์šฐ
10:30
T unless it links into a consonant then it mightย  be dropped. I know the T rules are so confusing.
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์ž์Œ์œผ๋กœ ์—ฐ๊ฒฐ๋˜์ง€ ์•Š๋Š” ํ•œ ๊ฐ€๋ฒผ์šด ์ฐธ T๊ฐ€ ๋˜๋ฉฐ ์‚ญ์ œ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‚˜๋Š” T ๊ทœ์น™์ด ๋„ˆ๋ฌด ํ˜ผ๋ž€์Šค๋Ÿฝ๋‹ค๋Š” ๊ฒƒ์„ ์•ˆ๋‹ค.
10:36
Make a list--
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๋ชฉ๋ก์„ ๋งŒ๋“ค์–ด ๋ณด์„ธ์š”.
10:40
About me.
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๋‚˜์— ๋Œ€ํ•ด์š”.
10:43
So really stressing me , here he doesnโ€™tย  drop the first syllable of about, we doย ย 
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์ •๋ง ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ์ฃผ๋„ค์š”. ์—ฌ๊ธฐ์„œ ๊ทธ๋Š” about์˜ ์ฒซ ์Œ์ ˆ์„ ์‚ญ์ œํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š”
10:49
hear that itโ€™s a schwa, about me and stressย  on me, stop T there. About, about, about me.
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๊ทธ๊ฒƒ์ด schwa๋ผ๊ณ  ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค. ๋‚˜์— ๋Œ€ํ•œ ์ŠคํŠธ๋ ˆ์Šค๋Š” ๊ฑฐ๊ธฐ์„œ ๋ฉˆ์ถ”์„ธ์š”. ๋‚˜์— ๋Œ€ํ•ด, ๋‚˜์— ๋Œ€ํ•ด.
10:58
About me.
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๋‚˜์— ๋Œ€ํ•ด์„œ.
11:02
What?
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๋ฌด์—‡?
11:06
Super high. Try to match that pitch.ย  What? What? Goes up a little bit,ย ย 
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๋งค์šฐ ๋†’์Šต๋‹ˆ๋‹ค. ๊ทธ ํ”ผ์น˜์— ๋งž์ถฐ๋ณด์‹ญ์‹œ์˜ค. ๋ฌด์—‡? ๋ฌด์—‡? ์กฐ๊ธˆ ์˜ฌ๋ผ๊ฐ€๋‹ค๊ฐ€,
11:12
cut off abruptly for that stop T.
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๊ทธ ์ •์ง€๋ฅผ ์œ„ํ•ด ๊ฐ‘์ž๊ธฐ ๋Š๊น€ T.
11:14
What?
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๋ญ?
11:19
Forget it Ross.
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์žŠ์–ด ๋ฒ„๋ ค ๋กœ์Šค.
11:20
Forget it. Forget it Ross. So, the phrase forgetย  it, three syllables, the middle one is stressed.ย ย 
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์žŠ์–ด ๋ฒ„๋ ค. ์žŠ์–ด ๋ฒ„๋ ค ๋กœ์Šค. ๊ทธ๋ž˜์„œ ์žŠ์–ด๋ฒ„๋ฆฌ๋ผ๋Š” ๋ฌธ๊ตฌ๋Š” 3์Œ์ ˆ, ์ค‘๊ฐ„ ์Œ์ ˆ์— ๊ฐ•์„ธ๋ฅผ ์ค๋‹ˆ๋‹ค.
11:27
Forget it. And it links together really smoothly.ย  The T links into the vowel that turns that intoย ย 
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์žŠ์–ด ๋ฒ„๋ ค. ๊ทธ๋ฆฌ๊ณ  ์ •๋ง ์›ํ™œํ•˜๊ฒŒ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค. T๋Š” ๋ชจ์Œ์œผ๋กœ ์—ฐ๊ฒฐ๋˜์–ด ์ด๋ฅผ
11:34
a flap T to link. I love linking with theย  flap T, itโ€™s so smooth. In American English,ย ย 
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ํ”Œ๋žฉ T๋กœ ๋ฐ”๊พธ์–ด ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค. ํ”Œ๋žฉ T๋กœ ์—ฐ๊ฒฐํ•˜๋Š” ๊ฑธ ์ข‹์•„ํ•ด์š” . ๋„ˆ๋ฌด ๋ถ€๋“œ๋Ÿฝ๊ฑฐ๋“ ์š”. ๋ฏธ๊ตญ ์˜์–ด์—์„œ๋Š”
11:40
we really value smoothness, forget it, forgetย  it. And a stop T, the T is not released. Now,ย ย 
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๋ถ€๋“œ๋Ÿฌ์›€์„ ์ •๋ง ์ค‘์š”ํ•˜๊ฒŒ ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค. ์žŠ์–ด๋ฒ„๋ฆฌ์„ธ์š”. ์žŠ์–ด๋ฒ„๋ฆฌ ์„ธ์š”. ๊ทธ๋ฆฌ๊ณ  ์ •์ง€ T, T๊ฐ€ ํ•ด์ œ๋˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ์ž,
11:48
look here the word looks like it mightย  be pronounced for but itโ€™s for, for,ย ย 
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์—ฌ๊ธฐ๋ฅผ ๋ณด์„ธ์š”. ๋‹จ์–ด๊ฐ€ for๋กœ ๋ฐœ์Œ๋˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ด์ง€๋งŒ for, for,
11:53
forget it. Just donโ€™t worry about the vowelย  there at all. For, for, for, forget it.
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์žŠ์–ด๋ฒ„๋ฆฌ์„ธ์š”. ๋ชจ์Œ์— ๋Œ€ํ•ด์„œ๋Š” ์ „ํ˜€ ๊ฑฑ์ •ํ•˜์ง€ ๋งˆ์„ธ์š” . for, for, for, ์žŠ์–ด๋ฒ„๋ฆฌ์„ธ์š”.
12:02
Forget it--
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12:02
Ross no,
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์žŠ์–ด๋ฒ„๋ ค--
๋กœ์Šค ์•„๋‹ˆ,
12:03
Forget it Ross. She goes down, itโ€™s a statement,ย ย 
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์žŠ์–ด๋ฒ„๋ ค ๋กœ์Šค. ๊ทธ๋…€๋Š” ๋‚ด๋ ค๊ฐ€๊ณ , ๊ทธ๊ฒƒ์€ ์ง„์ˆ ์ด๊ณ ,
12:07
she doesnโ€™t want to do it. Ross, no. Again, aย  statement, very clear, I donโ€™t want to do that.
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๊ทธ๋…€๋Š” ๊ทธ๊ฒƒ์„ ํ•˜๊ณ  ์‹ถ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๋กœ์Šค, ์•„๋‹ˆ. ๋‹ค์‹œ ํ•œ ๋ฒˆ ๋ง์”€๋“œ๋ฆฌ์ง€๋งŒ, ์ €๋Š” ๊ทธ๋ ‡๊ฒŒ ํ•˜๊ณ  ์‹ถ์ง€ ์•Š๋‹ค๋Š” ๋งค์šฐ ๋ถ„๋ช…ํ•œ ์ง„์ˆ ์„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
12:18
Forget it Ross, no.
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์žŠ์–ด๋ฒ„๋ ค ๋กœ์Šค, ์•„๋‹ˆ.
12:23
Iโ€™m not going to stand here--
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๋‚œ ์—ฌ๊ธฐ ์„œ์ง€ ์•Š์„ ๊ฑฐ์•ผ--
12:27
So everything is said pretty quickly, I am notย  going to becomes Iโ€™m not gonna, Iโ€™m not gonna.
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๊ทธ๋ž˜์„œ ๋ชจ๋“  ๊ฒƒ์ด ๊ฝค ๋นจ๋ฆฌ ๋งํ•ด์ง€๊ณ , ๋‚œ ์•ˆ ๋  ๊ฑฐ์•ผ ๋‚œ ์•ˆ ๋  ๊ฑฐ์•ผ, ๋‚œ ์•ˆ ๋  ๊ฑฐ์•ผ.
12:34
Iโ€™m not going to--
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๋‚œ--
12:38
Iโ€™m not going to stand here--
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๋‚œ ์—ฌ๊ธฐ ์„œ์ง€ ์•Š์„ ๊ฑฐ์•ผ-- ์Šคํƒ ๋“œ๋ผ๋Š”
12:41
Which really brings emphasis on the wordย  stand. I donโ€™t want to do that. I wonโ€™t,ย ย 
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๋‹จ์–ด๊ฐ€ ์ •๋ง ๊ฐ•์กฐ๋˜๋Š”๊ตฐ์š” . ๋‚˜๋Š” ๊ทธ๋ ‡๊ฒŒ ํ•˜๊ณ  ์‹ถ์ง€ ์•Š์•„์š”. ๋‚œ ์•ˆ ๊ทธ๋Ÿด ๊ฑฐ์•ผ,
12:47
donโ€™t wanna be here doing that. So Iโ€™mย  not going to becomes Iโ€™m not gonna,ย ย 
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์—ฌ๊ธฐ์„œ ๊ทธ๋Ÿฐ ์ง“์„ ํ•˜๊ณ  ์‹ถ์ง€๋Š” ์•Š์•„. ๊ทธ๋ž˜์„œ ๋‚˜๋Š” ์•ˆ ๋  ๊ฑฐ์•ผ, ์•ˆ ๋  ๊ฑฐ์•ผ, ์•ˆ ์•ˆ
12:53
Iโ€™m not gonna. Said quickly, stop Tย  here, abrupt stop of air. Iโ€™m not gonna.
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ํ•  ๊ฑฐ์•ผ. ๋นจ๋ฆฌ ๋งํ–ˆ๋‹ค, ์—ฌ๊ธฐ์„œ T๋ฅผ ๋ฉˆ์ถฐ๋ผ , ๊ณต๊ธฐ๊ฐ€ ๊ฐ‘์ž๊ธฐ ๋ฉˆ์ถ˜๋‹ค. ๋‚œ ์•ˆ ๊ทธ๋Ÿด ๊ฑฐ์•ผ.
13:01
Iโ€™m not going to--
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๋‚œ--
13:03
Iโ€™m not going to stand here--
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๋‚œ ์—ฌ๊ธฐ ์„œ์žˆ์ง€ ์•Š์„ ๊ฑฐ์•ผ--
13:05
Going to becomes gonna and everything linksย  together smoothly, Iโ€™m not gonna stand.
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๊ฐ€๋Š” ๊ฒŒ ๋˜๊ณ  ๋ชจ๋“  ๊ฒƒ์ด ์›ํ™œํ•˜๊ฒŒ ์—ฐ๊ฒฐ๋˜์–ด, ๋‚œ ์„œ์ง€ ์•Š์„ ๊ฑฐ์•ผ.
13:12
Iโ€™m not going to stand--
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๋‚˜๋Š” ์„œ์ง€ ์•Š์„ ๊ฒƒ์ด๋‹ค.
13:16
Iโ€™m not going to stand here--
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๋‚˜๋Š” ์—ฌ๊ธฐ ์„œ์ง€ ์•Š์„ ๊ฒƒ์ด๋‹ค.-
13:18
Stand here. So she keepsย  going while he says come on.
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์—ฌ๊ธฐ ์„œ๋ผ. ๊ทธ๋ž˜์„œ ๊ทธ๊ฐ€ ์–ด์„œ ์˜ค๋ผ๊ณ  ๋งํ•˜๋Š” ๋™์•ˆ ๊ทธ๋…€๋Š” ๊ณ„์† ๊ฐ€์ฃ .
13:24
Come on.
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์–ด์„œ ํ•ด๋ด์š”.
13:32
So stress not on come but on come onย  on. Come on Rach. So we can think ofย ย 
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์ง€ ๋ง๊ณ  ์–ด์„œ ์–ด์„œ. ์–ด์„œ ๋ ˆ์ด์ฒผ. ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š”
13:37
this as just being a K sound andย  then the word er that sounds man,ย ย 
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์ด๊ฒƒ์„ ๋‹จ์ง€ K ์†Œ๋ฆฌ๋ผ๊ณ  ์ƒ๊ฐํ•  ์ˆ˜ ์žˆ๊ณ , ๊ทธ๋‹ค์Œ์— ์‚ฌ๋žŒ์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๋Š” ๋‹จ์–ด er,
13:44
man come on. You might see it writtenย  like this: Cโ€™mon, Cโ€™mon and he actuallyย ย 
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์‚ฌ๋žŒ์ด ์˜จ๋‹ค๋ผ๊ณ  ์ƒ๊ฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‹ค์Œ๊ณผ ๊ฐ™์ด ์“ฐ์—ฌ ์žˆ๋Š” ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค . ์–ด์„œ, ์–ด์„œ ํ•˜์„ธ์š”. ๊ทธ๋Š” ์‹ค์ œ๋กœ ย ย  ๋‹จ์ง€ ์–ด์„œ ํ•˜๋ผ๊ณ ๋งŒ ๋งํ•˜์ง€
13:51
doesnโ€™t just say come on. He says come onย  Rach. Again, that nickname, come on Rach.
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์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š” ์–ด์„œ Rach๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ๊ทธ ๋ณ„๋ช…์€ Rach์ž…๋‹ˆ๋‹ค.
13:58
Come on Rach.
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์–ด์„œ ๋ ˆ์ด์ฒผ.
14:02
Come on Rach.I think Itโ€™ll and he says Itโ€™ll.ย  Just lke he said whatโ€™ll earlier. The apostropheย ย 
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์–ด์„œ Rach.๋‚ด ์ƒ๊ฐ์—๋Š” ๊ทธ๋Ÿด ๊ฑฐ๋ผ๊ณ  ์ƒ๊ฐํ•˜๋Š”๋ฐ ๊ทธ ์‚ฌ๋žŒ๋„ ๊ทธ๋Ÿด ๊ฑฐ๋ผ๊ณ  ํ•˜๋”๊ตฐ์š”. ๊ทธ๊ฐ€ ์•ž์„œ ๋งํ•œ ๊ฒƒ์ฒ˜๋Ÿผ์š”. ์•„ํฌ์ŠคํŠธ๋กœํ”ผ
14:12
L is a schwa dark L sound and that turns thatย  T into a flap T. I think itโ€™ll I think itโ€™ll,ย ย 
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L์€ ์Šˆ์™€ ์–ด๋‘์šด L ์†Œ๋ฆฌ์ด๊ณ  ์ด๋Š” T๋ฅผ โ€‹โ€‹ํ”Œ๋žฉ T๋กœ ๋ฐ”๊ฟ‰๋‹ˆ๋‹ค. ๋‚ด ์ƒ๊ฐ์—” ๊ทธ๋Ÿด ๊ฒƒ ๊ฐ™์•„์š”,ย ย  ๊ทธ๋Ÿด ๊ฒƒ
14:21
I think itโ€™ll. Itโ€™s a little harder to hearย  because theyโ€™re both talking at the same time.
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๊ฐ™์•„์š”. ๋‘ ์‚ฌ๋žŒ์ด ๋™์‹œ์— ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ๋“ฃ๊ธฐ๊ฐ€ ์กฐ๊ธˆ ๋” ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
14:26
Stand here and make a list of--
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์—ฌ๊ธฐ ์„œ์„œ ๋ชฉ๋ก์„ ์ž‘์„ฑํ•ด ๋ณด์„ธ์š”.
14:32
So sheโ€™s still talking here as heโ€™s talking.ย  And make a list of. This is what she doesnโ€™tย ย 
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๊ทธ๋ž˜์„œ ๊ทธ๊ฐ€ ๋งํ•˜๋Š” ๋™์•ˆ ๊ทธ๋…€๋Š” ์—ฌ์ „ํžˆ ์—ฌ๊ธฐ์„œ ๋งํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ชฉ๋ก์„ ์ž‘์„ฑํ•˜์‹ญ์‹œ์˜ค. ์ด๊ฒƒ์€ ๊ทธ๋…€๊ฐ€
14:38
want to do. And make a list of. List,ย  our noun, make our verb. Both stressed.
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์›ํ•˜์ง€ ์•Š๋Š” ์ผ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ชฉ๋ก์„ ์ž‘์„ฑํ•˜์‹ญ์‹œ์˜ค. ๋ช…์‚ฌ๋ฅผ ๋‚˜์—ดํ•˜๊ณ  ๋™์‚ฌ๋ฅผ ๋งŒ๋“œ์„ธ์š”. ๋‘˜ ๋‹ค ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
14:49
and make a list of--
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๊ทธ๋ฆฌ๊ณ  ๋ชฉ๋ก์„ ๋งŒ๋“œ์„ธ์š”--
14:53
And make a list of. And, and, and. No D there,ย  and, and, and. The vowel here unclear. And make,ย ย 
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๊ทธ๋ฆฌ๊ณ  ๋ชฉ๋ก์„ ๋งŒ๋“œ์„ธ์š”. ๊ทธ๋ฆฌ๊ณ , ๊ทธ๋ฆฌ๊ณ , ๊ทธ๋ฆฌ๊ณ . ๊ฑฐ๊ธฐ์—๋Š” D๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค., ๊ทธ๋ฆฌ๊ณ , ๊ทธ๋ฆฌ๊ณ , ๊ทธ๋ฆฌ๊ณ . ์—ฌ๊ธฐ์„œ ๋ชจ์Œ์€ ๋ถˆ๋ถ„๋ช…ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋งŒ๋“ค๊ณ ,
15:02
and make, and make. Linking together reallyย  smoothly. And make a. I would write that asย ย 
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๋งŒ๋“ค๊ณ , ๋˜ ๋งŒ๋“ค๊ณ . ์ •๋ง ์›ํ™œํ•˜๊ฒŒ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‹ค์Œ์„ ๋งŒ๋“œ์„ธ์š”. ๋‚˜๋Š” ๊ทธ๊ฒƒ์„
15:09
the schwa, and make a list. Again, this L isย  a light L because it begins the word so youย ย 
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schhwa๋กœ ์“ฐ๊ณ  ๋ชฉ๋ก์„ ๋งŒ๋“ค ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ด L์€ ๋‹จ์–ด๋ฅผ ์‹œ์ž‘ํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๊ฐ€๋ฒผ์šด L์ด๋ฏ€๋กœ
15:15
do want to lightly lift. The tip of your tongueย  to the roof of your mouth. And make a list of.
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๊ฐ€๋ณ๊ฒŒ ๋“ค์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ํ˜€ ๋์ด ์ž…์ฒœ์žฅ์— ๋‹ฟ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ชฉ๋ก์„ ์ž‘์„ฑํ•˜์‹ญ์‹œ์˜ค.
15:21
And make a list of--
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๊ทธ๋ฆฌ๊ณ  ๋ชฉ๋ก์„ ์ž‘์„ฑํ•˜์„ธ์š”--
15:25
Okay, youโ€™re whiny. So, she badgersย  her enough that she gives up and sheย ย 
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์ข‹์•„์š”, ๋‹น์‹ ์€ ํˆฌ๋œ๋Œ€๋„ค์š”. ๊ทธ๋ž˜์„œ ๊ทธ๋…€๋Š” ํฌ๊ธฐํ•  ์ •๋„๋กœ ๊ทธ๋…€๋ฅผ ๊ดด๋กญํžˆ๊ณ  ๊ทธ๋…€๋Š” ์ž์‹ ์˜
15:30
is going to go over her list. So evenย  though she just said she didnโ€™t want to,ย ย 
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๋ชฉ๋ก์„ ๊ฒ€ํ† ํ•˜๋ ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋…€๋Š” ๋‹จ์ง€ ์›ํ•˜์ง€ ์•Š๋Š”๋‹ค๊ณ  ๋งํ–ˆ์Œ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ ,
15:37
she goes right into the word okay andย  right into her list. No breaks at all.
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๊ทธ๋…€๋Š” ๋ฐ”๋กœ ok๋ผ๋Š” ๋‹จ์–ด๋กœ ๋“ค์–ด๊ฐ€์„œ ๋ชฉ๋ก์— ๋ฐ”๋กœ ๋“ค์–ด๊ฐ”์Šต๋‹ˆ๋‹ค. ์ „ํ˜€ ํœด์‹์ด ์—†์Šต๋‹ˆ๋‹ค.
15:43
Okay, youโ€™re whiny,
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์•Œ์•˜์–ด, ๋„ˆ ์ง•์ง•๊ฑฐ๋ ค,
15:49
Okay, okay, youโ€™re whiny. Okay, second syllableย  stress, linking right into your and whiny,ย ย 
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์•Œ์•˜์–ด, ์•Œ์•˜์–ด, ๋„ˆ ์ง•์ง•๊ฑฐ๋ ธ์–ด. ์ข‹์Šต๋‹ˆ๋‹ค. ๋‘ ๋ฒˆ์งธ ์Œ์ ˆ ๊ฐ•์„ธ๋Š” your์™€ whiny,ย ย  whiny๋กœ ๋ฐ”๋กœ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค
15:59
whiny. First syllable stress, itโ€™s going upย  in pitch because itโ€™s a list and with lists,ย ย 
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. ์ฒซ ๋ฒˆ์งธ ์Œ์ ˆ ๊ฐ•์„ธ๋Š” ๋ชฉ๋ก์ด๊ธฐ ๋•Œ๋ฌธ์— ์Œ์กฐ๊ฐ€ ์˜ฌ๋ผ๊ฐ€๊ณ  ๋ชฉ๋ก์„ ์‚ฌ์šฉํ•˜๋ฉด
16:07
we go up in pitch. For each item on our list untilย  the last one where we go down. So, youโ€™re whiny,ย ย 
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์Œ์กฐ๊ฐ€ ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค. ์•„๋ž˜๋กœ ๋‚ด๋ ค๊ฐ€๋Š” ๋งˆ์ง€๋ง‰ ํ•ญ๋ชฉ๊นŒ์ง€ ๋ชฉ๋ก์˜ ๊ฐ ํ•ญ๋ชฉ์— ๋Œ€ํ•ด . ๊ทธ๋ž˜์„œ ํˆฌ๋œ๋Œ€์‹œ๋„ค์š”.
16:15
that intonation that goes up shows thereโ€™sย  more to come on this list. Okay, youโ€™re whiny.
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์–ต์–‘์ด ๋†’์•„์ง€๋Š” ๊ฒƒ์€ ์ด ๋ชฉ๋ก์— ๋” ๋งŽ์€ ๋‚ด์šฉ์ด ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์•Œ์•˜์–ด, ๋„ˆ ํˆฌ๋œ๋Œ€์ž–์•„.
16:22
Okay, youโ€™re whiny,
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์ข‹์•„์š”, ํˆฌ๋œ๋Œ€์‹œ๋„ค์š”.
16:27
Notice the words โ€˜you areโ€™ in contractionย  become youโ€™re, youโ€™re. Itโ€™s as if thereโ€™sย ย 
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'you are'๋ผ๋Š” ๋‹จ์–ด์˜ ์ถ•์•ฝํ˜•์ด you're, you're๋กœ ๋ฐ”๋€Œ๋Š” ๊ฒƒ์— ์ฃผ๋ชฉํ•˜์„ธ์š”. ๋งˆ์น˜
16:35
no vowel there. Youโ€™re, youโ€™re, youโ€™re,ย  youโ€™re, youโ€™re. She doesnโ€™t say youโ€™re,ย ย 
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๋ชจ์Œ์ด ์—†๋Š” ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€, ๋‹น์‹ ์€, ๋‹น์‹ ์€, ๋‹น์‹ ์€, ๋‹น์‹ ์€. ๊ทธ๋…€๋Š” ๋‹น์‹ ์ด ๊ทธ๋ ‡๋‹ค๊ณ  ๋งํ•˜์ง€ ์•Š๊ณ ,
16:40
she says youโ€™re. She doesnโ€™t sayย  you are. She says youโ€™re, youโ€™re,ย ย 
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๋‹น์‹ ์ด ๊ทธ๋ ‡๋‹ค๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ๋‹น์‹ ์ด ๊ทธ๋ ‡๋‹ค๊ณ  ๋งํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค . ๊ทธ๋…€๋Š” ๋‹น์‹ ์ด, ๋‹น์‹ ์€,
16:45
youโ€™re, youโ€™re. See if you canย  make that simplification. Youโ€™re,ย ย 
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๋‹น์‹ ์€, ๋‹น์‹ ์ด๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ฒŒ ๋‹จ์ˆœํ™”ํ•  ์ˆ˜ ์žˆ๋Š”์ง€ ํ™•์ธํ•ด ๋ณด์„ธ์š” . ๋‹น์‹ ์€,
16:49
youโ€™re, youโ€™re whiny. Now this H here isnโ€™tย  pronounced, itโ€™s just a clean W sound. Whiny.
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๋‹น์‹ ์€, ๋‹น์‹ ์€ ํˆฌ๋œ๋Œ€์š”. ์—ฌ๊ธฐ ์ด H๋Š” ๋ฐœ์Œ๋˜์ง€ ์•Š๊ณ  ๊ทธ๋ƒฅ ๊นจ๋—ํ•œ W ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค. ์œ„๋‹ˆ.
16:58
Youโ€™re whiny,
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๋„Œ ๋‚‘๋‚‘๋Œ€๊ณ ,
17:03
You are, you are obsessive,
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๋„ˆ๋Š”, ๋„ˆ๋Š” ๊ฐ•๋ฐ•์ ์ด์•ผ, ์›ƒ๊ธฐ
17:05
Itโ€™s a little hard to tell becauseย  of the laughing, Iโ€™m not sure if sheย ย 
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๋•Œ๋ฌธ์— ๋งํ•˜๊ธฐ๊ฐ€ ์ข€ ์–ด๋ ค์›Œ, ๊ทธ๋…€๊ฐ€
17:09
actually repeats this but now sheโ€™s not doingย  a contraction, sheโ€™s saying you are, you are,ย ย 
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์‹ค์ œ๋กœ ์ด๊ฒƒ์„ ๋ฐ˜๋ณตํ•˜๋Š”์ง€ ์ž˜ ๋ชจ๋ฅด๊ฒ ์ง€๋งŒ ์ง€๊ธˆ์€ ์ˆ˜์ถ•์„ ํ•˜์ง€ ์•Š๊ณ  , ๋„ˆ๋Š” ๋„ˆ๋ผ๊ณ , ๋„ˆ๋Š”,
17:15
you are. But theyโ€™re not stretched. Theyโ€™reย  still lower in pitch compared to the adjectiveย ย 
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๋„ˆ๋Š” ๋งํ•˜๊ณ  ์žˆ์–ด ์ด๋‹ค. ํ•˜์ง€๋งŒ ๋Š˜์–ด๋‚˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋…€๊ฐ€ ๋งํ•˜๋ ค๋Š” ํ˜•์šฉ์‚ฌ์— ๋น„ํ•ด ์—ฌ์ „ํžˆ ์Œ์กฐ๊ฐ€ ๋‚ฎ์Šต๋‹ˆ๋‹ค
17:21
sheโ€™s about to say. You are obsessive,ย  much clearer. Obsess, itโ€™s got secondย ย 
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. ๋‹น์‹ ์€ ๊ฐ•๋ฐ•์ ์ด๋ฉฐ ํ›จ์”ฌ ๋” ๋ช…ํ™•ํ•ฉ๋‹ˆ๋‹ค. Obsess, ๋‘ ๋ฒˆ์งธ
17:29
syllable stress and then it goes up becauseย  guess what? Her list isnโ€™t over. Obsessive.
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์Œ์ ˆ ๊ฐ•์„ธ๋ฅผ ๊ฐ–๊ณ  ์žˆ๋‹ค๊ฐ€ ์˜ฌ๋ผ๊ฐ€๋Š” ์ด์œ ๋Š” ๋ฌด์—‡์ธ์ง€ ์ถ”์ธกํ•ด ๋ณด์„ธ์š”. ๊ทธ๋…€์˜ ๋ชฉ๋ก์€ ๋๋‚˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ฐ•๋ฐ•์ ์ด๋‹ค.
17:37
You are, you are obsessive,
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๋‹น์‹ ์€, ๋‹น์‹ ์€ ๊ฐ•๋ฐ•์ ์ž…๋‹ˆ๋‹ค.
17:46
You are--
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๋‹น์‹ ์€...
17:47
You are. So again, not doing theย  contraction but theyโ€™re flat. You are,ย ย 
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๋‹น์‹ ์€ ๊ทธ๋ ‡์Šต๋‹ˆ๋‹ค. ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ˆ˜์ถ•์„ ํ•˜์ง€ ์•Š์ง€๋งŒ ํ‰ํ‰ํ•ฉ๋‹ˆ๋‹ค. ๋‹น์‹ ์€,
17:53
you are. That shows unstressed.
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๋‹น์‹ ์ž…๋‹ˆ๋‹ค. ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›์ง€ ์•Š์€ ๋ชจ์Šต์„ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค.
17:58
You are--
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๋‹น์‹ ์€...
18:01
Insecure,
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๋ถˆ์•ˆํ•ด์š”,
18:02
You are obsessive, you are insecure. Do you hearย  how they sound different? Itโ€™s the differenceย ย 
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๋‹น์‹ ์€ ๊ฐ•๋ฐ•์ ์ด๊ณ , ๋ถˆ์•ˆํ•ด์š”. ์†Œ๋ฆฌ๊ฐ€ ์–ด๋–ป๊ฒŒ ๋‹ค๋ฅธ์ง€ ๋“ค์œผ์…จ๋‚˜์š”?
18:10
between stressed and unstressed. Unstressedย  words are going to be a little bit flatter,ย ย 
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์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋Š” ๊ฒƒ๊ณผ ๋ฐ›์ง€ ์•Š๋Š” ๊ฒƒ์˜ ์ฐจ์ด์ž…๋‹ˆ๋‹ค. ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ๋‹จ์–ด๋Š” ์ข€ ๋” ๋‹จ์กฐ๋กœ์›Œ์ง€๊ณ ,
18:16
a little bit quieter sometimes, less energy,ย  and then our stressed words in this case,ย ย 
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๋•Œ๋กœ๋Š” ์ข€ ๋” ์กฐ์šฉํ•ด์ง€๊ณ , ์—๋„ˆ์ง€๊ฐ€ ์ค„์–ด๋“ค๊ณ , ์ด ๊ฒฝ์šฐ ๊ฐ•์„ธ๋ฅผ ๋ฐ›๋Š” ๋‹จ์–ด๋Š”
18:20
our adjectives are louder and we have much moreย  pitch variation there. That makes them more clear.
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ํ˜•์šฉ์‚ฌ๊ฐ€ ๋” ์ปค์ง€๊ณ  ์Œ์กฐ ๋ณ€ํ™”๊ฐ€ ํ›จ์”ฌ ๋” ์ปค์ง‘๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๊ทธ๊ฒƒ๋“ค์„ ๋” ๋ช…ํ™•ํ•˜๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
18:28
You are insecure,
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๋‹น์‹ ์€ ์•ˆ์ „ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
18:35
You are insecure. And do you hearย  insecure, she goes up because guess what,ย ย 
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๋‹น์‹ ์€ ์•ˆ์ „ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ถˆ์•ˆํ•˜๋‹ค๋Š” ๋ง์„ ๋“ฃ๋‚˜์š”? ๊ทธ๋…€๋Š”
18:45
sheโ€™s not done, there are still moreย  things she doesnโ€™t like about Ross.
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์•„์ง ๋๋‚˜์ง€ ์•Š์•˜๊ณ  ๋กœ์Šค์— ๋Œ€ํ•ด ๋งˆ์Œ์— ๋“ค์ง€ ์•Š๋Š” ์ ์ด ๋” ๋งŽ๊ธฐ ๋•Œ๋ฌธ์— ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค.
18:50
You are insecure,
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๋‹น์‹ ์€ ๋ถˆ์•ˆํ•ฉ๋‹ˆ๋‹ค.
18:56
So she pronounces that insecure but youโ€™llย  also hear insecure, cure, cure, cure or cure.
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๊ทธ๋ž˜์„œ ๊ทธ๋…€๋Š” ๋ถˆ์•ˆํ•˜๋‹ค๊ณ  ์„ ์–ธํ•˜์ง€๋งŒ ๋‹น์‹ ์€ ๋ถˆ์•ˆํ•จ, ์น˜๋ฃŒ, ์น˜๋ฃŒ, ์น˜๋ฃŒ ๋˜๋Š” ์น˜๋ฃŒ๋„ ๋“ฃ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
19:06
Insecure,
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๋ถˆ์•ˆํ•˜๋‹ค,
19:10
Youโ€™re, youโ€™re gutless,
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๋‹น์‹ ์€, ๋‹น์‹ ์€ ๋ฐฐ์งฑ์ด ์—†๋‹ค,
19:11
You're, youโ€™re, youโ€™re, youโ€™re, youโ€™re,ย  do you hear how flat those are. Youโ€™re,ย ย 
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๋‹น์‹ ์€, ๋‹น์‹ ์€, ๋‹น์‹ ์€, ๋‹น์‹ ์€, ๋‹น์‹  ์€ ์–ผ๋งˆ๋‚˜ ๋‹จ์กฐ๋กœ์šด์ง€ ๋“ค๋ฆฌ์‹œ๋‚˜์š”? ๋‹น์‹ ์€
19:18
youโ€™re, again one of the differencesย  between stressed and unstressed words.
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๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด์™€ ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ๋‹จ์–ด์˜ ์ฐจ์ด์  ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค.
19:24
Youโ€™re, youโ€™re
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๋‹น์‹ ์€
19:27
Gutless.
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Gutless์ž…๋‹ˆ๋‹ค.
19:28
Gutless, gutless. A lot more pitch variation thereย  because itโ€™s stressed and it goes up because sheโ€™sย ย 
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๋ฌด๊ฐ๊ฐ, ๋ฌด๊ฐ๊ฐ. ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›์•˜๊ธฐ ๋•Œ๋ฌธ์— ์Œ์กฐ ๋ณ€ํ™”๊ฐ€ ํ›จ์”ฌ ๋” ๋งŽ๊ณ 
19:39
still has more things she wants to say about Ross.ย  There are still more things she doesnโ€™t like aboutย ย 
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๋กœ์Šค์— ๋Œ€ํ•ด ์•„์ง ํ•˜๊ณ  ์‹ถ์€ ๋ง์ด ๋” ๋งŽ๊ธฐ ๋•Œ๋ฌธ์— ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค. ๊ทธ๋…€๊ฐ€ ๋กœ์Šค์— ๋Œ€ํ•ด ๋งˆ์Œ์— ๋“ค์ง€ ์•Š๋Š” ์ ์ด ๋” ๋งŽ์ด ์žˆ์Šต๋‹ˆ๋‹ค
19:46
Ross. Poor Ross, he should never asked for thisย  list. Gutless. Do you hear how thereโ€™s not tt,ย ย 
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. ๋ถˆ์Œํ•œ ๋กœ์Šค, ๊ทธ๋Š” ์ ˆ๋Œ€ ์ด ๋ชฉ๋ก์„ ์š”์ฒญํ•ด์„œ๋Š” ์•ˆ ๋ฉ๋‹ˆ๋‹ค . ์šฉ๊ธฐ๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค. ๊ฑฐ๊ธฐ์—๋Š” tt,
19:54
tt sound there. Itโ€™s a stop T because itโ€™sย  followed by a consonant. Gutless, gutless.
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tt ์†Œ๋ฆฌ๊ฐ€ ๋“ค๋ฆฌ์ง€ ์•Š๋‚˜์š”? ๋’ค์— ์ž์Œ์ด ์˜ค๊ธฐ ๋•Œ๋ฌธ์— ์ค‘์ง€ T์ž…๋‹ˆ๋‹ค . ๋ฌด๊ฐ๊ฐ, ๋ฌด๊ฐ๊ฐ.
20:03
Gutless,
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Gutless, You
20:07
You know, you donโ€™t ever, you donโ€™t just,
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see, you don't never, you don't just, You
20:09
You know, you know, this is just a fillerย  phrase, you know, you know. And again,ย ย 
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see, you see, ์ด๊ฑด ๋‹จ์ง€ ํ•„๋Ÿฌ ๋ฌธ๊ตฌ์ผ ๋ฟ์ด์•ผ, you see, you see. ๊ทธ๋ฆฌ๊ณ  ๋˜,
20:13
just like before, the word you was reducedย  and here itโ€™s also reduced. Itโ€™s not you,ย ย 
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์ด์ „๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ you๋ผ๋Š” ๋‹จ์–ด๊ฐ€ ์ค„์–ด๋“ค์—ˆ๊ณ  ์—ฌ๊ธฐ์„œ๋„ ์ค„์–ด๋“ค์—ˆ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์ด ์•„๋‹ˆ๋ผ ๋‹น์‹ ์ด์—์š”, ๋‹น์‹ ์ด์š”
20:19
itโ€™s you, you, you know, you know,ย  thatโ€™s a question. Do you understandย ย 
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, ๋‹น์‹ ์ด์š”, ๋‹น์‹ ์ด์š”, ๊ทธ๊ฒŒ ์งˆ๋ฌธ์ž…๋‹ˆ๋‹ค.
20:25
what Iโ€™m talking about? You know, youย  know, really smoothly linked together.
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๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ ํ•˜๋Š”์ง€ ์ดํ•ดํ•˜์…จ๋‚˜์š”? ์•„์‹œ๋‹ค์‹œํ”ผ, ์ •๋ง ์›ํ™œํ•˜๊ฒŒ ์„œ๋กœ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.
20:30
You know,
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์•„์‹œ๋‹ค์‹œํ”ผ
20:32
You know, you donโ€™t ever youย  donโ€™t just sort of seize the day.
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, ๋‹น์‹ ์€ ํ•˜๋ฃจ๋ฅผ ๊ทธ๋ƒฅ ์ฆ๊ธฐ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
20:35
So what sheโ€™s saying here is you donโ€™t seize theย  day. All of this or you donโ€™t ever seize the day,ย ย 
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๊ทธ๋ž˜์„œ ๊ทธ๋…€๊ฐ€ ์—ฌ๊ธฐ์„œ ๋งํ•˜๋Š” ๊ฒƒ์€ ๋‹น์‹ ์ด ํ•˜๋ฃจ๋ฅผ ๋†“์น˜์ง€ ์•Š๋Š”๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค . ์ด ๋ชจ๋“  ๊ฒƒ์ด ์•„๋‹ˆ๋ฉด ํ•˜๋ฃจ๋ฅผ ๋†“์น˜์ง€ ๋งˆ์„ธ์š”.
20:44
this is repetition, just and sort of areย  filler words as sheโ€™s thinking about howย ย 
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์ด๊ฒƒ์€ ๋ฐ˜๋ณต์ด๋ฉฐ, ๊ทธ๋…€๊ฐ€
20:52
to articulate this criticism. So,ย  they all come by pretty quickly
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์ด ๋น„ํŒ์„ ํ‘œํ˜„ํ•˜๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๋Š” ์ผ์ข…์˜ ํ•„๋Ÿฌ ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋“ค์€ ๋ชจ๋‘ ๊ฝค ๋นจ๋ฆฌ ์˜ต๋‹ˆ๋‹ค. ์•„์‹œ
20:57
You know, you donโ€™t ever youย  donโ€™t just sort of seize the day.
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๋‹ค์‹œํ”ผ, ๋‹น์‹ ์€ ํ•˜๋ฃจ๋ฅผ ๊ทธ๋ƒฅ ์ฆ๊ธฐ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
21:07
But I want to talk about the pronunciation of theย  n apostrophe t. There are several different waysย ย 
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๊ทธ๋Ÿฐ๋ฐ n ์•„ํฌ์ŠคํŠธ๋กœํ”ผ t์˜ ๋ฐœ์Œ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค .
21:13
that Americans might pronounce that and hereย  sheโ€™s saying you donโ€™t ever, you donโ€™t ever.ย ย 
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๋ฏธ๊ตญ์ธ๋“ค์ด ๊ทธ๊ฒƒ์„ ๋ฐœ์Œํ•˜๋Š” ๋ฐฉ๋ฒ•์—๋Š” ์—ฌ๋Ÿฌ ๊ฐ€์ง€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ ๊ทธ๋…€๋Š” ๋‹น์‹ ์ด ์ ˆ๋Œ€ ๊ทธ๋ ‡์ง€ ์•Š๋‹ค๊ณ  ๋งํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
21:19
Sheโ€™s doing a little lift here, a little bit ofย  a stop T feeling. We donโ€™t hear tt, donโ€™t butย ย 
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๊ทธ๋…€๋Š” ์—ฌ๊ธฐ์„œ ์•ฝ๊ฐ„์˜ ๋ฆฌํ”„ํŠธ๋ฅผ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์•ฝ๊ฐ„์˜ ์ •์ง€ T ๋Š๋‚Œ์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ๋“ฃ์ง€ ์•Š์Šต๋‹ˆ๋‹ค tt, don't ํ•˜์ง€๋งŒ
21:28
itโ€™s also not dropped, itโ€™s a stop T. You donโ€™tย  ever. You donโ€™t, you donโ€™t, you donโ€™t, you donโ€™t.
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๋–จ์–ด๋œจ๋ฆฌ์ง€๋„ ์•Š๊ณ  ์ •์ง€ T์ž…๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ๊ฒฐ์ฝ”ย  ์•ˆ ๋“ฃ์Šต๋‹ˆ๋‹ค. ๋„Œ ์•ˆ ๋ผ, ์•ˆ ๋ผ, ์•ˆ ๋ผ, ์•ˆ ๋ผ.
21:34
You donโ€™t ever, you donโ€™t--
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๋„Œ ์ ˆ๋Œ€ ๊ทธ๋ ‡์ง€ ์•Š์•„, ๋„Œ...
21:38
Just sort of.
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๊ทธ๋ƒฅ ๊ทธ๋Ÿฐ ๊ฑฐ์•ผ.
21:41
So the T in just is dropped. Thatโ€™s really commonย  when itโ€™s followed by a consonant. Just, justย ย 
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๊ทธ๋ž˜์„œ T in์€ ์‚ญ์ œ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ž์Œ์ด ๋’ค์— ์˜ค๋Š” ๊ฒฝ์šฐ๋Š” ์ •๋ง ํ”ํ•œ ์ผ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ƒฅ, ๊ทธ๋ƒฅ
21:49
,just. Not much of a vowel here. You might thinkย  this word is just uh but itโ€™s often reduced so itย ย 
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,๊ทธ๋ƒฅ. ์—ฌ๊ธฐ์—๋Š” ๋ชจ์Œ์ด ๋งŽ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ์ด ๋‹จ์–ด๋Š” ย  uh๋ผ๊ณ  ์ƒ๊ฐํ•  ์ˆ˜๋„ ์žˆ์ง€๋งŒ ์ข…์ข… ์ค„์—ฌ์„œ
21:57
sounds like itโ€™s maybe written with an I, just orย  a schwa, just, just, just. So itโ€™s not very fullyย ย 
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I, just ๋˜๋Š” schwa, just, just, just๋กœ ์“ฐ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ ๋ณด์ถฉ์–ด์ด๊ธฐ
22:05
or clearly pronounced a lot of the time becauseย  itโ€™s a filler word. Just sort of, just sort of.
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๋•Œ๋ฌธ์— ์™„์ „ํ•˜๊ฑฐ๋‚˜ ๋ช…ํ™•ํ•˜๊ฒŒ ๋ฐœ์Œ๋˜์ง€ ์•Š๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์Šต๋‹ˆ๋‹ค . ๊ทธ๋ƒฅ ์ผ์ข…์˜, ๊ทธ๋ƒฅ ์ผ์ข…์˜.
22:12
Just sort of--
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๊ทธ๋ƒฅ ์ผ์ข…์˜--
22:15
Just sort of.
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๊ทธ๋ƒฅ ์ผ์ข…์˜.
22:19
What else is happening? The T gets turned intoย  a flap T as it links the two words together. Aย ย 
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๋˜ ๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋‚˜์š”? T๋Š” ๋‘ ๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•˜๋ฏ€๋กœ ํ”Œ๋žฉ T๋กœ ๋ณ€ํ•ฉ๋‹ˆ๋‹ค. A
22:26
T is a flap T if it comes between two vowel orย  diphthongs or if it comes after an R before aย ย 
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T๋Š” ๋‘ ๊ฐœ์˜ ๋ชจ์Œ ๋˜๋Š” ์ด์ค‘๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๊ฑฐ๋‚˜ ๋ชจ์Œ ์•ž์˜ R ๋’ค์— ์˜ค๋ฉด ํ”Œ๋žฉ T์ž…๋‹ˆ๋‹ค
22:34
vowel. Here the word of is reduced to the schwa soย  the T comes between R and schwa, thatโ€™s a flap T,ย ย 
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. ์—ฌ๊ธฐ์„œ of๋ผ๋Š” ๋‹จ์–ด๋Š” schwa๋กœ ์ถ•์†Œ๋˜์–ดย  T๊ฐ€ R๊ณผ schwa ์‚ฌ์ด์— ์˜ค๋Š”๋ฐ, ๊ทธ๊ฑด ํ”Œ๋žฉ T์ž…๋‹ˆ๋‹ค.
22:42
sort of, sort of, sort of, sort of, just sortย  of, just sort of, just sort of, just sort of.
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์ผ์ข…์˜, ์ผ์ข…์˜, ์ผ์ข…์˜, ์ผ์ข…์˜, ๊ทธ๋ƒฅ ์ผ์ข…์˜, ๊ทธ๋ƒฅ ์ผ์ข…์˜, ๊ทธ๋ƒฅ ์ผ์ข…์˜, ๊ทธ๋ƒฅ ์ผ์ข…์˜ .
22:48
Just sort of--
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๊ทธ๋ƒฅ...
22:50
Seize the day.
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ํ•˜๋ฃจ๋ฅผ ์ฆ๊ฒจ๋ณด์„ธ์š”.
22:51
Seize the day. So, the verb seize is stressed,ย ย 
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ํ•˜๋ฃจ๋ฅผ ์ฆ๊ฒจ๋ณด์„ธ์š”. ๋”ฐ๋ผ์„œ ๋™์‚ฌ seize๊ฐ€ ๊ฐ•์กฐ๋˜๊ณ 
22:58
seize the day, and so is the noun day. You knowย  itโ€™s stressed because thereโ€™s a change of pitch,ย ย 
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seize the day๊ฐ€ ๊ฐ•์กฐ๋˜๋ฉฐ ๋ช…์‚ฌ day๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ž…๋‹ˆ๋‹ค. ์•„์‹œ ๋‹ค์‹œํ”ผ ์Œ๋†’์ด๊ฐ€ ๋ฐ”๋€Œ๊ธฐ ๋•Œ๋ฌธ์— ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›์Šต๋‹ˆ๋‹ค.
23:05
it goes up and then down or down and up. Seizeย  the, and the Z sound links right into the the,ย ย 
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์˜ฌ๋ผ๊ฐ”๋‹ค๊ฐ€ ๋‚ด๋ ค๊ฐ”๋‹ค๊ฐ€ ๋‚ด๋ ค๊ฐ”๋‹ค๊ฐ€ ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค. Seize the, ๊ทธ๋Ÿฌ๋ฉด Z ์†Œ๋ฆฌ๋Š” the๋กœ ๋ฐ”๋กœ ์—ฐ๊ฒฐ๋˜๊ณ ,
23:15
the schwa links right into the D, no breaks, noย  separation in the words. Seize the day. This meansย ย 
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schwa๋Š” ๋ฐ”๋กœ D๋กœ ์—ฐ๊ฒฐ๋˜๋ฉฐ, ๋‹จ์–ด์— ๋Š๊น€์ด๋‚˜ ๋ถ„๋ฆฌ๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค. ํ•˜๋ฃจ๋ฅผ ์ฆ๊ฒจ๋ณด์„ธ์š”. ์ฆ‰,
23:23
to get done what you want to get done in the day,ย  donโ€™t put it off for another day. Seize the day.
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ํ•˜๋ฃจ์— ํ•˜๊ณ  ์‹ถ์€ ์ผ์„ ๋๋‚ด๋ ค๋ฉด ๋‹ค๋ฅธ ๋‚ ๋กœ ๋ฏธ๋ฃจ์ง€ ๋งˆ์„ธ์š”. ํ•˜๋ฃจ๋ฅผ ์ฆ๊ฒจ๋ณด์„ธ์š”.
23:31
Seize the day,
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์˜ค๋Š˜์„ ์ฆ๊ฒจ๋ผ,
23:35
You know?
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์•Œ์ง€?
23:36
Seize the day, you know? Again, justย  this sort of little filler phrase,ย ย 
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์˜ค๋Š˜์„ ์ฆ๊ฒจ๋ผ, ์•Œ์ง€? ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ๊ทธ๋ƒฅ ์ด๋Ÿฐ ์ข…๋ฅ˜์˜ ์ž‘์€ ํ•„๋Ÿฌ ๋ฌธ๊ตฌ์ฃ .
23:41
you know? Looking for agreement, the word youย  reduced, ye, ye, ye, you know? Going up inย ย 
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์•„์‹œ์ฃ ? ๋™์˜๋ฅผ ๊ตฌํ•˜๋ฉด์„œ ์ค„์ธ ๋‹จ์–ด, ์˜ˆ, ์˜ˆ, ์˜ˆ, ์•„์‹œ์ฃ ? ๊ทธ๊ฐ€ ๋Œ€๋‹ตํ•  ๊ฒƒ์ด๋ผ๊ณ  ๊ธฐ๋Œ€ํ•˜์ง€ ์•Š์Œ์—๋„
23:49
pitch because itโ€™s a yes no question even thoughย  sheโ€™s not expecting him to answer it. You know?
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๋ถˆ๊ตฌํ•˜๊ณ  ์˜ˆ ์•„๋‹ˆ์˜ค ์งˆ๋ฌธ์ด๊ธฐ ๋•Œ๋ฌธ์— ํ”ผ์น˜์— ์˜ฌ๋ผ๊ฐ‘๋‹ˆ๋‹ค . ์•Œ์ž–์•„?
23:56
You know?
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์•Œ์ž–์•„?
23:58
You like me for what? A year?
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๋‹น์‹ ์€ ๋ฌด์—‡ ๋•Œ๋ฌธ์— ๋‚˜๋ฅผ ์ข‹์•„ํ•ฉ๋‹ˆ๊นŒ? ๋…„?
24:00
You like me for what? Okay, so again, you reducesย  to ye. You liked, you, you, and we have stress onย ย 
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๋‹น์‹ ์€ ๋ฌด์—‡ ๋•Œ๋ฌธ์— ๋‚˜๋ฅผ ์ข‹์•„ํ•ฉ๋‹ˆ๊นŒ? ์ข‹์Šต๋‹ˆ๋‹ค. ๋‹ค์‹œ ํ•œ ๋ฒˆ ye๋กœ ์ค„์ž…๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ์ข‹์•„ํ–ˆ์Šต๋‹ˆ๋‹ค, ๋‹น์‹ , ๋‹น์‹ , ๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ์šฐ๋ฆฌ ๋™์‚ฌ์— ๊ฐ•์„ธ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค
24:09
our verb, you liked me for what? A year? Okay now,ย  letโ€™s talk about the Ed ending here. The Ed endingย ย 
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. ๋‹น์‹ ์€ ๋ฌด์—‡ ๋•Œ๋ฌธ์— ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ์Šต๋‹ˆ๊นŒ? ๋…„? ์ข‹์•„์š”, ์ด์ œ ์—ฌ๊ธฐ์„œ Ed ์—”๋”ฉ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. Ed ์—”๋”ฉ์€
24:20
makes a T when the sound before is unvoicedย  like the K. Like, you liked me. But sometimes,ย ย 
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์ด์ „ ์†Œ๋ฆฌ๊ฐ€ K์ฒ˜๋Ÿผ ๋ฌด์„ฑ์Œ์ผ ๋•Œ T๋ฅผ ๋งŒ๋“ญ๋‹ˆ๋‹ค. Like, you like me. ํ•˜์ง€๋งŒ ๋•Œ๋กœ๋Š”
24:30
we drop the T when it comes between twoย  consonants. Here, T comes between K and M.ย ย 
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๋‘ ๊ฐœ์˜ ์ž์Œ ์‚ฌ์ด์— T๊ฐ€ ์˜ค๋ฉด T๋ฅผ ์‚ญ์ œํ•˜๋Š” ๊ฒฝ์šฐ๋„ ์žˆ์Šต๋‹ˆ๋‹ค . ์—ฌ๊ธฐ์„œ T๋Š” K์™€ M ์‚ฌ์ด์— ์žˆ์Šต๋‹ˆ๋‹ค.
24:38
And you know what? I donโ€™t hear it, I donโ€™t hearย  T, I donโ€™t hear the ed ending at all. So, this isย ย 
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฑฐ ์•Œ์•„์š”? ์•ˆ ๋“ค๋ ค, ์•ˆ ๋“ค๋ ค T, ์—๋“œ ์—”๋”ฉ์ด ์ „ํ˜€ ์•ˆ ๋“ค๋ ค. ๋”ฐ๋ผ์„œ ์ด๋Š” ์˜์–ด ํšŒํ™”์—์„œ
24:45
a case where the past tense can sound just likeย  present tense in conversational English. I haveย ย 
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๊ณผ๊ฑฐ ์‹œ์ œ๊ฐ€ ํ˜„์žฌ ์‹œ์ œ์™€ ๋˜‘๊ฐ™์ด ๋“ค๋ฆด ์ˆ˜ ์žˆ๋Š” ๊ฒฝ์šฐ์ž…๋‹ˆ๋‹ค .
24:53
a series of videos on the ed ending, we give lotsย  of examples so you start to hear this and noticeย ย 
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์—๋“œ ์—”๋”ฉ์— ๋Œ€ํ•œ ์ผ๋ จ์˜ ๋™์˜์ƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๋งŽ์€ ์˜ˆ๋ฅผ ์ œ๊ณตํ•˜๋ฏ€๋กœ ์ด๋ฅผ ๋“ฃ๊ณ  ์•Œ์•„์ฐจ๋ฆฌ๊ธฐ ์‹œ์ž‘ํ•˜๋ฏ€๋กœ
24:58
this, so check out Rachelโ€™s English ed ending andย  youโ€™ll find the video series that explains this.
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Rachel์˜ ์˜์–ด ์—๋“œ ์—”๋”ฉ์„ ํ™•์ธํ•˜๋ฉด ์ด๋ฅผ ์„ค๋ช…ํ•˜๋Š” ๋™์˜์ƒ ์‹œ๋ฆฌ์ฆˆ๋ฅผ ์ฐพ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
25:06
You liked me for what?
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๋‹น์‹ ์€ ๋ฌด์—‡ ๋•Œ๋ฌธ์— ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ๋‚˜์š”?
25:10
You liked me for, you liked me for.ย  The word for reduces, f schwa r, for,ย ย 
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๋‹น์‹ ์€ ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ฐ์†Œ๋ผ๋Š” ๋‹จ์–ด, f schwa r, for,
25:18
for, for. You like me for. So, no T sound,ย  not you liked me for but you liked me for.
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for, for. ๋‹น์‹ ์€ ๋‚˜๋ฅผ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ˆ T ์†Œ๋ฆฌ๋Š” ์—†์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ๋‚˜๋ฅผ ์ข‹์•„ํ•œ ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ์Šต๋‹ˆ๋‹ค.
25:27
You liked me for--
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๋‹น์‹ ์ด ๋‚˜๋ฅผ ์ข‹์•„ํ•œ ์ด์œ ๋Š”--
25:30
what? A year?
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๋ญ์š”? ๋…„?
25:31
You liked me for what? A year? Now,ย  I notice more linking. You liked meย ย 
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๋‹น์‹ ์€ ๋ฌด์—‡ ๋•Œ๋ฌธ์— ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ๋‚˜์š”? ๋…„? ์ด์ œ ๋” ๋งŽ์€ ์—ฐ๊ฒฐ์ด ๋ฐœ๊ฒฌ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ๋ฌด์—‡ ๋•Œ๋ฌธ์— ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ๋‚˜์š”
25:39
for what? A year? What a, what a, flapย  T linking into the schwa, of a year,ย ย 
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? ๋…„? ๋ญ, ๋ญ, ํ”Œ๋žฉ T๊ฐ€ ์Šˆ์™€๋กœ ์—ฐ๊ฒฐ๋˜๋Š”, of year,
25:51
what a year? What a year? This kind ofย  linking and smoothness is so characteristicย ย 
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๋ฌด์Šจ ํ•ด? ๋ช‡ ๋…„์ด์š”? ์ด๋Ÿฐ ์—ฐ๊ฒฐ์„ฑ๊ณผ ๋ถ€๋“œ๋Ÿฌ์›€์€
25:57
of American English but it can make it hardย  to understand if you donโ€™t know about it.
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๋ฏธ๊ตญ ์˜์–ด์˜ ํŠน์ง•์ด์ง€๋งŒ, ๋ชจ๋ฅด๋ฉด ์ดํ•ดํ•˜๊ธฐ ์–ด๋ ค์šธ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
26:04
You liked me for what? A year?
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๋‹น์‹ ์€ ๋ฌด์—‡ ๋•Œ๋ฌธ์— ๋‚˜๋ฅผ ์ข‹์•„ํ–ˆ๋‚˜์š”? ๋…„?
26:09
Also, the wh in what, just pronounced as a w what,ย ย 
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๋˜ํ•œ wh in what์€ ๊ทธ๋ƒฅ w what๋กœ ๋ฐœ์Œ๋ฉ๋‹ˆ๋‹ค.
26:15
what, what is the uh as in butterย  vowel here. What, what, what a,ย ย 
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what, ์—ฌ๊ธฐ์„œ๋Š” ๋ฒ„ํ„ฐ ๋ชจ์Œ์˜ uh๋Š” ๋ฌด์—‡์ธ๊ฐ€์š”? ๋ญ, ๋ญ, ๋ญ,
26:19
what a, what a, what? A year? What? A year? Andย  make sure you connect your schwa into the Y sound.
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๋ญ, ๋ญ, ๋ญ, ๋ญ? ๋…„? ๋ฌด์—‡? ๋…„? ๊ทธ๋ฆฌ๊ณ  ์Šˆ์™€๋ฅผ Y ์‚ฌ์šด๋“œ์— ์—ฐ๊ฒฐํ–ˆ๋Š”์ง€ ํ™•์ธํ•˜์„ธ์š”.
26:27
for what? A year?
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๋ฌด์—‡ ๋•Œ๋ฌธ์—? ๋…„?
26:31
It can be hard sometimes for myย  students to connect that smoothlyย ย 
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๋•Œ๋•Œ๋กœ ํ•™์ƒ๋“ค์ด ๊ทธ๋ ‡๊ฒŒ ์›ํ™œํ•˜๊ฒŒ ์—ฐ๊ฒฐํ•˜๋Š” ๊ฒƒ์ด ์–ด๋ ค์šธ ์ˆ˜
26:36
but thereโ€™s no break there. Itโ€™sย  not a year, a year. Itโ€™s not a jeer,ย ย 
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์žˆ์ง€๋งŒ ๊ฑฐ๊ธฐ์—๋Š” ๋Š๊น€์ด ์—†์Šต๋‹ˆ๋‹ค. 1๋…„์ด ์•„๋‹™๋‹ˆ๋‹ค. ์กฐ๋กฑ์ด ์•„๋‹™๋‹ˆ๋‹ค.
26:43
a jeer. But itโ€™s a year? Schwa right into theย  Y sound. Now, ih as in sit followed by schwa Rย ย 
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์กฐ๋กฑ์ด ์•„๋‹™๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ 1๋…„์ด์š”? Schwa๊ฐ€ ๋ฐ”๋กœ Y ์‚ฌ์šด๋“œ์— ๋“ค์–ด๊ฐ‘๋‹ˆ๋‹ค. ์ด์ œ ih in sit ๋‹ค์Œ์— schwa R์ด ์˜ค๋Š” ๊ฒƒ์€
26:55
isnโ€™t quite pure so the I as in sit is a moreย  like an e vowel. Year? A year? What? A year?
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์™„์ „ํžˆ ์ˆœ์ˆ˜ํ•˜์ง€ ์•Š์œผ๋ฏ€๋กœ sit์— ์žˆ๋Š” I๋Š” e ๋ชจ์Œ๊ณผ ๋” ๋น„์Šทํ•ฉ๋‹ˆ๋‹ค. ๋…„๋„? ๋…„? ๋ฌด์—‡? ๋…„?
27:05
what? A year?
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๋ฌด์—‡? ๋…„?
27:08
And you didnโ€™t do anything about it?
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•„๋ฌด๊ฒƒ๋„ ํ•˜์ง€ ์•Š์•˜๋‚˜์š”?
27:13
More stress here and you didnโ€™t doย  anything about it. Stress on didnโ€™t,ย ย 
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์—ฌ๊ธฐ์„œ ๋” ๋งŽ์€ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›์•˜์ง€๋งŒ ์ด์— ๋Œ€ํ•ด ์•„๋ฌด ์กฐ์น˜๋„ ์ทจํ•˜์ง€ ์•Š์œผ์…จ์Šต๋‹ˆ๋‹ค. ์ŠคํŠธ๋ ˆ์Šค๋ฅผ๋ฐ›์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
27:26
stress on anything. First syllableย  stress there and about it. Stress there,ย ย 
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์•„๋ฌด๊ฒƒ๋„ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ๋ฐ›์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ์ฒซ ์Œ์ ˆ ๊ฐ•์„ธ์™€ ๊ทธ์— ๋Œ€ํ•œ ์ •๋ณด์ž…๋‹ˆ๋‹ค. ๊ฑฐ๊ธฐ์— ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๊ฐ€ํ•˜๊ณ 
27:33
change in direction and a stop T at theย  end. We donโ€™t hear it, about it? Letโ€™sย ย 
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๋ฐฉํ–ฅ์„ ๋ฐ”๊พธ๊ณ  ๋์— T๋ฅผ ๋ฉˆ์ถ”์„ธ์š” . ์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ๋“ฃ์ง€ ๋ชปํ•ฉ๋‹ˆ๊นŒ?
27:40
look at our reductions. What words are saidย  so quickly that a sound is dropped or changes.
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์šฐ๋ฆฌ์˜ ๊ฐ์†Œ๋ฅผ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ๋„ˆ๋ฌด ๋นจ๋ฆฌ ๋งํ•ด์„œ ์†Œ๋ฆฌ๊ฐ€ ๋Š์–ด์ง€๊ฑฐ๋‚˜ ๋ฐ”๋€Œ๋Š” ๋‹จ์–ด์ž…๋‹ˆ๋‹ค.
27:49
And you didnโ€™t do anything about it?
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•„๋ฌด๊ฒƒ๋„ ํ•˜์ง€ ์•Š์•˜๋‚˜์š”?
27:55
And you didnโ€™t, and you didnโ€™t, andย  you didnโ€™t. And becomes just an nย ย 
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ๊ทธ๋Ÿฌ์ง€ ์•Š์•˜๊ณ , ๊ทธ๋Ÿฌ์ง€ ์•Š์•˜๊ณ , ๋‹น์‹ ์€ ๊ทธ๋Ÿฌ์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‹จ์ง€ n
28:00
sound nn. nyuh, nyuh, nyuh. It linksย  right into the reduction on you whichย ย 
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์†Œ๋ฆฌ nn์ด ๋ฉ๋‹ˆ๋‹ค. ๋‰ด, ๋‰ด, ๋‰ด. ๊ทธ๊ฒƒ์€ yuh๊ฐ€ ๋˜๋Š” ๋‹น์‹ ์— ๋Œ€ํ•œ ๊ฐ์†Œ๋กœ ๋ฐ”๋กœ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค
28:08
becomes yuh. Nyuh, nyuh, nyuh, nyuh. Tryย  that. Nyuh, nyuh. And you, nyuh. This isย ย 
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. ๋‰ด, ๋‰ด, ๋‰ด, ๋‰ด. ์‹œ๋„ํ•ด ๋ณด์„ธ์š” . ์œผ์œผ, ์œผ์œผ. ๊ทธ๋ฆฌ๊ณ  ๋„ˆ, ๋‰ด. ์ด๊ฒƒ์ด
28:17
how we combine and smooth out lessย  important words. And you, and you.
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๋œ ์ค‘์š”ํ•œ ๋‹จ์–ด๋ฅผ ๊ฒฐํ•ฉํ•˜๊ณ  ๋‹ค๋“ฌ๋Š” ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค . ๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ , ๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ .
28:23
And you--
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€--
28:25
And you didnโ€™t--
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€--
28:28
Do anything about it.
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๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•„๋ฌด๊ฒƒ๋„ ํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
28:30
And you didnโ€™t do anything about it.ย  About [flap], a flap of the tongue thereย ย 
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•„๋ฌด๊ฒƒ๋„ ํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. [ํ”Œ๋žฉ]์— ๋Œ€ํ•ด์„œ๋Š”
28:42
to link the two words together.ย  The T comes between a diphthong,ย ย 
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๋‘ ๋‹จ์–ด๋ฅผ ์„œ๋กœ ์—ฐ๊ฒฐํ•˜๊ธฐ ์œ„ํ•œ ํ˜€์˜ ํ”Œ๋žฉ์ž…๋‹ˆ๋‹ค. T๋Š” ์ด์ค‘๋ชจ์Œ,
28:47
the au diphthong and a vowel, e vowelย  links with a flap, about it, about it.
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au ์ด์ค‘๋ชจ์Œ๊ณผ ๋ชจ์Œ ์‚ฌ์ด์— ์˜ค๊ณ , e ๋ชจ์Œ์€ ํ”Œ๋žฉ, about it, about it๊ณผ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค.
28:57
About it.
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๊ทธ๊ฒƒ์— ๋Œ€ํ•ด.
29:01
And uh.
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๊ทธ๋ฆฌ๊ณ  ์–ด.
29:03
And uh. Okay, she slows down a little bit, weย  do get a full pronunciation of and the d linksย ย 
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๊ทธ๋ฆฌ๊ณ  ์–ด. ์ข‹์•„, ๊ทธ๋…€๋Š” ์กฐ๊ธˆ ์†๋„๋ฅผ ๋Šฆ์ถ”๊ณ , ์šฐ๋ฆฌ๋Š” ์™„์ „ํ•œ ๋ฐœ์Œ์„ ์–ป์„ ์ˆ˜ ์žˆ๊ณ  d ๋งํฌ๋Š”
29:11
right into the thinking vowel uh. And uh, and uh.ย  Pitch is going up, she has one last thing to say.
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์ƒ๊ฐํ•˜๋Š” ๋ชจ์Œ์— ๋ฐ”๋กœ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค. ์–ด. ๊ทธ๋ฆฌ๊ณ  ์–ด, ๊ทธ๋ฆฌ๊ณ  ์–ด. ํ”ผ์น˜๊ฐ€ ์˜ฌ๋ผ๊ฐ€๊ณ  ์žˆ๋Š”๋ฐ, ๊ทธ๋…€๊ฐ€ ๋งˆ์ง€๋ง‰์œผ๋กœ ํ•  ๋ง์ด ์žˆ์Šต๋‹ˆ๋‹ค.
29:19
And uh--
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๊ทธ๋ฆฌ๊ณ  ์–ด--
29:24
Oh, you wear too much of that gel in your hair.
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์•„, ๋จธ๋ฆฌ์— ์ ค์„ ๋„ˆ๋ฌด ๋งŽ์ด ๋ฐ”๋ฅด์…จ๊ตฐ์š”.
29:26
Oh, you wear too much of that gel in yourย  hair. So we got a bunch of these up downย ย 
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์•„, ๋จธ๋ฆฌ์— ์ ค์„ ๋„ˆ๋ฌด ๋งŽ์ด ๋ฐ”๋ฅด์…จ๊ตฐ์š” . ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ด๋Ÿฌํ•œ ๋‹ค์–‘ํ•œ
29:33
shapes of stress. Oh, you wear, going upย  too much to our adverb. Too much of thatย ย 
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ํ˜•ํƒœ์˜ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค. ์•„, ๋‹น์‹ ์€ ์šฐ๋ฆฌ ๋ถ€์‚ฌ์— ๋น„ํ•ด ๋„ˆ๋ฌด ๋งŽ์ด ์˜ฌ๋ผ๊ฐ€๋Š”๊ตฐ์š”. ์ ค์ด ๋„ˆ๋ฌด ๋งŽ์•„์š”
29:45
gel. Gel in your hair. So we have threeย  stressed words in that phrase and overall,ย ย 
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. ๋จธ๋ฆฌ์— ์ ค์„ ๋ฐ”๋ฅด์„ธ์š”. ๋”ฐ๋ผ์„œ ํ•ด๋‹น ๊ตฌ๋ฌธ์—๋Š” ์„ธ ๊ฐœ์˜ ๊ฐ•์„ธ ๋‹จ์–ด๊ฐ€ ์žˆ์œผ๋ฉฐ ์ „์ฒด์ ์œผ๋กœ ์ด
29:55
the trend of this is down because itโ€™s aย  statement, itโ€™s the last of our list. Soย ย 
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์ถ”์„ธ๋Š” ์ง„์ˆ ์ด๊ณ  ๋ชฉ๋ก์˜ ๋งˆ์ง€๋ง‰์ด๊ธฐ ๋•Œ๋ฌธ์— ํ•˜๋ฝ์„ธ์ž…๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ
30:03
remember for a list, intonation goes up untilย  the last one and then intonation goes down.
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๋ชฉ๋ก์„ ๊ธฐ์–ตํ•˜์„ธ์š”. ์–ต์–‘์€ ๋งˆ์ง€๋ง‰ ๊ฒƒ๊นŒ์ง€ ์˜ฌ๋ผ๊ฐ”๋‹ค๊ฐ€ ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค.
30:11
Oh, you wear too much of that gel in your hair.
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์•„, ๋จธ๋ฆฌ์— ์ ค์„ ๋„ˆ๋ฌด ๋งŽ์ด ๋ฐ”๋ฅด์…จ๋„ค์š”.
30:19
You wear too much. You wear, you wear, youย  wear. A couple things to notice here. First,ย ย 
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๋‹น์‹ ์€ ๋„ˆ๋ฌด ๋งŽ์ด ์ž…๋Š”๋‹ค. ์ž…์œผ์„ธ์š”, ์ž…์œผ์„ธ์š”, ์ž…์œผ์„ธ์š”. ์—ฌ๊ธฐ์„œ ์ฃผ๋ชฉํ•ด์•ผ ํ•  ๋ช‡ ๊ฐ€์ง€ ์‚ฌํ•ญ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ฒซ์งธ,
30:26
the you reduction. Againย  becomes yuh. You wear. Also,ย ย 
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๋‹น์‹ ์ด ๊ฐ์†Œํ•ฉ๋‹ˆ๋‹ค. ๋˜ yuh๊ฐ€ ๋ฉ๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ์ฐฉ์šฉ. ๊ทธ๋ฆฌ๊ณ 
30:32
itโ€™s linked together smoothly andย  itโ€™s all going up. You wear, you wear,ย ย 
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์›ํ™œํ•˜๊ฒŒ ์„œ๋กœ ์—ฐ๊ฒฐ๋˜์–ด ๋ชจ๋“  ๊ฒƒ์ด ์˜ฌ๋ผ๊ฐ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ž…๊ณ , ์ž…๊ณ ,
30:37
and then we change direction on the stressedย  syllable. Too. You wear too, and this doesย ย 
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๊ฐ•์„ธ๋ฅผ ๋ฐ›๋Š” ์Œ์ ˆ์˜ ๋ฐฉํ–ฅ์„ ๋ฐ”๊ฟ‰๋‹ˆ๋‹ค . ๋„. ๋‹น์‹ ๋„ ์ฐฉ์šฉํ–ˆ๋Š”๋ฐ, ์ด๊ฒƒ์€
30:46
have a strong clear true T at the beginning, aย  nice crisp release of air. Too, you wear too.
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์ฒ˜์Œ์— ๊ฐ•๋ ฌํ•˜๊ณ  ์„ ๋ช…ํ•œ T์žํ˜•์„ ๊ฐ–๊ณ  ์žˆ์œผ๋ฉฐ ๊ณต๊ธฐ๊ฐ€ ์ƒ์พŒํ•˜๊ณ  ์ƒ์พŒํ•˜๊ฒŒ ๋ฐฉ์ถœ๋ฉ๋‹ˆ๋‹ค. ๋‹น์‹ ๋„ ์ž…์–ด์š”.
30:54
You wear too--
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๋‹น์‹ ๋„ ์ž…์–ด์š”...
30:57
You wear too much of that gel in your hair.
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๋จธ๋ฆฌ์— ์ ค์„ ๋„ˆ๋ฌด ๋งŽ์ด ๋ฐ”๋ฅด์…จ๋„ค์š”.
30:59
Too much of that gel in your hair. And itย  all kind of tumbles down like a waterfallย ย 
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๋จธ๋ฆฌ์— ์ ค์ด ๋„ˆ๋ฌด ๋งŽ์•„์š”. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ์ ค๊ณผ ๋จธ๋ฆฌ์นด๋ฝ์— ์•ฝ๊ฐ„์˜ ์ƒ์Šน๊ณผ ํ•จ๊ป˜ ๋ชจ๋“  ์ข…๋ฅ˜์˜ ํญํฌ์ฒ˜๋Ÿผ ๋ฌด๋„ˆ์ง‘๋‹ˆ๋‹ค
31:05
with a couple little up downs onย  gel and hair. Too much of that,ย ย 
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. ๋„ˆ๋ฌด ๋งŽ์•„,
31:10
too much of that. The word of becomesย  just a single sound, the schwa,ย ย 
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๋„ˆ๋ฌด ๋งŽ์•„. of๋ผ๋Š” ๋‹จ์–ด๋Š”
31:16
linking the ch of much and the th of that.ย  Much of that, much of that, much of that.
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๋งŽ์€ ๊ฒƒ์˜ ch์™€ ๊ทธ๊ฒƒ์˜ th๋ฅผ ์—ฐ๊ฒฐํ•˜๋Š” ๋‹จ ํ•˜๋‚˜์˜ ์†Œ๋ฆฌ์ธ schwa๊ฐ€ ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์˜ ๋งŽ์€ ๊ฒƒ, ๊ทธ๊ฒƒ์˜ ๋งŽ์€ ๊ฒƒ, ๊ทธ๊ฒƒ์˜ ๋งŽ์€ ๊ฒƒ.
31:26
Much of that--
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๊ทธ ์ค‘ ๋งŽ์€ ๋ถ€๋ถ„์ด--
31:29
And thereโ€™s a stop T at theย  end of that. No T release,ย ย 
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋์—๋Š” T ์ •๋ฅ˜์žฅ์ด ์žˆ์Šต๋‹ˆ๋‹ค . T ๋ฐฉ์ถœ ์—†์Œ,
31:34
too much of that gel, too much of that gel.
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์ ค์ด ๋„ˆ๋ฌด ๋งŽ์Œ, ์ ค์ด ๋„ˆ๋ฌด ๋งŽ์Œ.
31:37
Too much of that gel--
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๊ทธ ์ ค์ด ๋„ˆ๋ฌด ๋งŽ์•„์š”--
31:41
In your hair.
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๋จธ๋ฆฌ์—์š”.
31:42
Gel in. Again, linking in smoothness, the Lย  goes right into the ih vowel of in, gel in,ย ย 
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Gel in. ๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ์—ฐ๊ฒฐ๋˜๋Š” L์€ in, gel in, gel in your์˜ ih ๋ชจ์Œ์œผ๋กœ ๋ฐ”๋กœ ๋“ค์–ด๊ฐ‘๋‹ˆ๋‹ค
31:51
gel in your. Your becomes yer. Your, your, your,ย  your reduced vowel said more quickly. Gel in your,ย ย 
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. ๋‹น์‹ ์€ ๋‹น์‹ ์ด ๋ฉ๋‹ˆ๋‹ค. ๋‹น์‹ , ๋‹น์‹ , ๋‹น์‹ , ๋‹น์‹ ์˜ ์ถ•์†Œ ๋ชจ์Œ์ด ๋” ๋นจ๋ฆฌ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ์ ค์— ์ ค,
32:01
gel in your, gel in your, gel in your hair.ย  Uhuhuh. You know you can practice a phraseย ย 
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์ ค์— ์ ค, ์ ค์— ์ ค, ๋จธ๋ฆฌ์— ์ ค. ์œผํ—ˆํ—ˆ. ๋„ˆ๋„ ์–ด๊ตฌ๋งŒ ์—ฐ์Šตํ•  ์ˆ˜ ์žˆ๋Š” ๊ฑฐ ์•Œ์ง€?
32:07
just on uh. Uhuhuh. That helps you feel theย  pitch and the melody of it. It can also helpย ย 
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์œผํ—ˆํ—ˆ. ๊ทธ๋Ÿฌ๋ฉด ์Œ์กฐ์™€ ๋ฉœ๋กœ๋””๋ฅผ ๋Š๋ผ๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค . ๋˜ํ•œ ๋ถ€๋“œ๋Ÿฌ์›€์„ ๋Š๋ผ๋Š” ๋ฐ ๋„์›€์ด ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
32:15
you feel the smoothness. It can help you think ofย  it as one line and not a bunch of separate words.
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. ๋ณ„๋„์˜ ๋‹จ์–ด ๋ฌถ์Œ์ด ์•„๋‹Œ ํ•œ ์ค„๋กœ ์ƒ๊ฐํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
32:23
Gel in your hair.
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๋จธ๋ฆฌ์— ์ ค์„ ๋ฐ”๋ฅด์„ธ์š”.
32:29
Rossโ€™s ego has just been torn down asย  his friends decorate the Christmas treeย ย 
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๋กœ์Šค์˜ ์ž์กด์‹ฌ์€ ์นœ๊ตฌ๋“ค์ด ๋ฐฐ๊ฒฝ์—์„œ ํฌ๋ฆฌ์Šค๋งˆ์Šค ํŠธ๋ฆฌ๋ฅผ ์žฅ์‹ํ•˜๋Š” ๋™์•ˆ ๋ฌด๋„ˆ์กŒ์Šต๋‹ˆ๋‹ค
32:36
in the background. Letโ€™s listen toย  this conversation one more time.
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. ์ด ๋Œ€ํ™”๋ฅผ ํ•œ ๋ฒˆ ๋” ๋“ค์–ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
32:42
Hey Rach. You know what? I think, I thinkย  I know what will make you feel better.
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์•ˆ๋…•, ๋ ˆ์ด์ฒผ. ๊ทธ๊ฑฐ ์•Œ์•„? ๋‚ด ์ƒ๊ฐ์—”, ๋ฌด์—‡์ด ๊ธฐ๋ถ„์„ ์ข‹๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š”์ง€ ์•Œ ๊ฒƒ ๊ฐ™์•„์š”.
32:46
How about you make a list about me?
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๋‚˜์— ๊ด€ํ•œ ๋ชฉ๋ก์„ ์ž‘์„ฑํ•ด ๋ณด๋Š” ๊ฑด ์–ด๋•Œ์š”?
32:49
What? Forget it, Ross, no.
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๋ฌด์—‡? ์žŠ์–ด๋ฒ„๋ ค, ๋กœ์Šค, ์•ˆ๋ผ.
32:51
Iโ€™m not going to stand here...
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๋‚œ ์—ฌ๊ธฐ ์„œ์žˆ์ง€ ์•Š์„ ๊ฑฐ์•ผ...
32:52
Come on!
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32:52
And make a list of...okay. Youโ€™reย  whiny, you are, you are obsessive,ย ย 
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์–ด์„œ!
๊ทธ๋ฆฌ๊ณ ...์•Œ๊ฒ ์Šต๋‹ˆ๋‹ค. ๋‹น์‹ ์€ ํˆฌ๋œ๋Œ€๊ณ , ๋‹น์‹ ์€ ๊ฐ•๋ฐ•์ ์ด๋ฉฐ,
32:57
you are insecure, youโ€™re, youโ€™re gutless.
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๋‹น์‹ ์€ ๋ถˆ์•ˆํ•˜๊ณ , ๋‹น์‹ ์€ ๋ฐฐ์งฑ์ด ์—†์Šต๋‹ˆ๋‹ค.
33:00
You know, you donโ€™t ever, you donโ€™t,ย  just, sort of, seize the day, you know?
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์•„์‹œ๋‹ค์‹œํ”ผ, ๋„Œ ์ ˆ๋Œ€, ๋„Œ, ๊ทธ๋ƒฅ, ํ•˜๋ฃจ๋ฅผ ์ฆ๊ฒจ๋ผ, ์•Œ์ง€?
33:02
You liked me for, what? A year?
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๋‹น์‹ ์ด ๋‚˜๋ฅผ ์ข‹์•„ํ•œ ์ด์œ ๋Š” ๋ฌด์—‡์ž…๋‹ˆ๊นŒ? ๋…„?
33:04
And you didnโ€™t do anything about it.
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๊ทธ๋ฆฌ๊ณ  ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์•„๋ฌด๊ฒƒ๋„ ํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
33:06
And, uh, uh. You wear tooย  much of that gel in your hair.
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๊ทธ๋ฆฌ๊ณ , ์–ด, ์–ด. ๋จธ๋ฆฌ์— ์ ค์„ ๋„ˆ๋ฌด ๋งŽ์ด ๋ฐ”๋ฅด์…จ๋„ค์š”.
33:12
Thank you so much for studying with me,ย  I love doing this kind of scene analysis.ย ย 
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์ €์™€ ํ•จ๊ป˜ ๊ณต๋ถ€ํ•ด ์ฃผ์…”์„œ ๋„ˆ๋ฌด ๊ฐ์‚ฌํ•˜๊ณ , ์ด๋Ÿฐ ์žฅ๋ฉด ๋ถ„์„์„ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
33:17
If you like this kind of exercise, I haveย  many, many lessons like this in my Academy.ย ย 
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์ด๋Ÿฐ ์ข…๋ฅ˜์˜ ์šด๋™์„ ์ข‹์•„ํ•˜์‹ ๋‹ค๋ฉด ์ œ ์•„์นด๋ฐ๋ฏธ์— ์ด์™€ ๊ฐ™์€ ์ˆ˜์—…์ด ์•„์ฃผ ๋งŽ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
33:23
Weโ€™re taking scenes from movies and TV andย  weโ€™re doing a full analysis then you haveย ย 
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์šฐ๋ฆฌ๋Š” ์˜ํ™”์™€ TV์˜ ์žฅ๋ฉด์„ ์ดฌ์˜ํ•˜๊ณ  ์ „์ฒด ๋ถ„์„์„ ์ˆ˜ํ–‰ํ•œ ๋‹ค์Œ
33:29
a soundboard to work with the audio so thatย  you can really take what youโ€™ve learned andย ย 
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์˜ค๋””์˜ค์™€ ํ•จ๊ป˜ ์ž‘๋™ํ•˜๋Š” ์‚ฌ์šด๋“œ๋ณด๋“œ๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ํ•™์Šตํ•œ ๋‚ด์šฉ์„
33:34
get it into your body to transform your ownย  accent. If this sounds interesting to you,ย ย 
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๋ชธ์— ์ ์šฉํ•˜์—ฌ ์ž์‹ ๋งŒ์˜ ์–ต์–‘์„ ๋ณ€ํ˜•ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๊ฒƒ์ด ํฅ๋ฏธ๋กญ๋‹ค๋ฉด
33:40
check out Rachelsenglishacademy.com. In theย  meantime, please subscribe with notifications on,ย ย 
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Rachelsenglishacademy.com์„ ํ™•์ธํ•ด ๋ณด์„ธ์š”. ๊ทธ๋™์•ˆ ์•Œ๋ฆผ์„ ์ผ  ์ƒํƒœ๋กœ ๊ตฌ๋…ํ•ด ์ฃผ์„ธ์š”.
33:47
I absolutely love being your English teacher.ย  And you can keep your learning going right nowย ย 
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์—ฌ๋Ÿฌ๋ถ„์˜ ์˜์–ด ์„ ์ƒ๋‹˜์ด ๋˜์–ด ์ •๋ง ์ข‹์•„์š”. ์ด ๋™์˜์ƒ์„ ํ†ตํ•ด ์ง€๊ธˆ ๋ฐ”๋กœ ํ•™์Šต์„ ๊ณ„์†ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
33:52
with this video. Thatโ€™s it and thanksย  so much for using Rachelโ€™s English.
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. ๊ทธ๊ฒŒ ๋‹ค์ž…๋‹ˆ๋‹ค. Rachel์˜ ์˜์–ด๋ฅผ ์‚ฌ์šฉํ•ด ์ฃผ์…”์„œ ์ •๋ง ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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