Your Questions Answered Again!┃Learn American English Pronunciation On the Go

7,993 views ・ 2024-11-09

Rachel's English


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00:04
Rachel: You’re listening to the Rachel’s English podcast,  
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made especially for non-native speakers, where we study the  
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way Americans really speak. My goal is for you to  listen to this podcast every week, and sound more  
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natural when speaking English and improve your  listening comprehension. In today’s episode, my  
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husband David and I are answering questions about  pronunciation that have been posted to my YouTube  
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channel. All right, guys. Welcome to another  question and answer, a Q and A, podcast from  
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Rachel’s English. I'm here with my husband, David,  who has so generously given his time for this.
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David: Hey, everybody.
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Rachel: And, let's just jump right in.  
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These questions are all coming in from YouTube.  YouTube comments. All right, David. Fire away.
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David: Okay. So,  
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Cubero has a question. Can you help  me on pronouncing pig and pick?
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Rachel: Okay. So,  
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we have P-I-G, the animal pig, and we have  P-I-C-K, the verb pick. Okay, so, I'm just,  
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I'm putting David on the spot here, but as someone  who is a native speaker but never needs to think  
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about pronunciation, what do you think? How would  you describe the difference between those two?
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David: Well, first of all, I was like, wait, what do you  
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mean? Those are completely different word, because  I was looking at them. But now, when I'm thinking  
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about the sound, I can see, I can see it. So,  you saying, how would I describe the difference?
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Rachel: Yeah. If you  
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had to answer this person’s  question, what would you say?
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David: Pig and pick. Pig. Pick. Uh,  
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pick has a more firm stop on the, at the end of  it to me. Pig. G-G-G, is like a softer at the end.
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Rachel: Okay, interesting. David, did  
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you know that the G sound and the K sound, which  are the two ending sounds we have here, are made  
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the exact same way with your mouth? Your tongue  does the exact same thing. Is your mind blown?
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David: It is a  
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little bit. I honestly don't believe you, but—
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Rachel: The only thing that's different—so, these,  
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these two consonants are paired together. The only  thing that's different is that the G is voiced,  
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meaning your vocal cords are engaged in the  mouth position. And the K sound is unvoiced,  
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meaning your vocal cords are not engaged during  the mouth position. But the mouth position is the  
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same, and that position is the back of your  tongue reaches, up, touches the soft palate,  
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and pulls away. Guh. Kuh. David, make  those two sounds and notice it is the same.
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David: Guh. Kuh. Guh. Kuh.
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Rachel: Are you  
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paying attention to your  tongue? You look confused.
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David: I'm getting  
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it. Hold on a second. Guh. Kuh. Guh. Kuh.  Yeah, I can make that sound with exactly  
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the same— Yeah.
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David: Mouth position.
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Rachel: It's exactly the same, only for the G,  
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your vocal cords are engaged. Okay, so, some  people have a hard time with ending voiced  
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versus unvoiced consonants. Um, maybe because in  your native language, you tend to unvoice ending  
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consonants. Maybe all your ending consonants  are unvoiced. I'm not sure, but, so, that's one  
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difference. Pig ends in the voiced consonant,  and pick ends in the unvoiced consonant. 
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And as David described them, you described  the K sound as being more forceful at the end?
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David: Mm-hmm.
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Rachel: Yeah. So, the K sounds,  
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the unvoiced sound is stronger, and  the unvoiced sound, G, is weaker. So,  
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that's really cool that you identified  that as the difference without knowing  
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all the technical parts of it. There's one other  difference, and that is in a word pair like this,  
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where everything is the same except  the final consonant, the word will be  
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longer if the ending consonant is voiced. Pig.  Pick. Have you ever thought about that, David?
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David: Mmm. Pick has four letters,  
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but is shorter than pig with three letters.
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Rachel: Right, because of the sounds.
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David: It's so hard as  
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a, uh, a learner of languages to not mostly  use your eyes. That's such a major shift.
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Rachel: Yeah,  
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right. You're so used to seeing it on a page, and  that's how most people start learning. They start  
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with books and reading, and less so with just  hearing. So, the difference. Pig. A little longer,  
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unvoiced ending, which is weaker. Pick. A  little shorter, voiced, unvoiced ending, which  
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is stronger. Did I say that right? Pig. Voiced  ending, weaker. Pick. Unvoiced ending, stronger.
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David: Okay. Got it. And so,  
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our next question is from Eduardito  Medina Espana. That's an awesome name.
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Rachel: Nice pronunciation, David.
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David: Thanks. Spanish is my only language  
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where I can actually pronounce things other than  in English. Okay, so Eduardito says, if I said,  
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I finished my homework, can I drop that T in ed? Okay. So, this is a great question. One of the  
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things that I tell people is that native speakers  do often drop the T when it comes between two  
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other consonants. So, that always brings up the  question of the ed ending, because for, in lots of  
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words, the ed ending is pronounced as a T, like in  the word finished. Finished. There, the ed ending  
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is pronounced T-T-T, as a T. So, here, the T sound  comes after the sh sound, which is a consonant.  
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Sht. Sht. Finished. And he put it in a sentence  where the next word, my, begins with a consonant.  
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I finished my homework. So, if I wasn't going to  make that break, and I was going to connect all  
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of the words together, what would happen to my  T? Would it disappear? Because it comes between  
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two consonants. And I was trying to pay really  close attention to David when he read it out loud,  
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and I think he did drop it. I finished my  homework. I finished my homework. I mean,  
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if anything, it is such a light T that I don’t  even think a non-native speaker would notice.
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David: Let me read  
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it again. I finished my homework. Ah, I  guess it is pretty much totally gone. I  
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finished my homework. I, um, yeah.  In my mind, I'm including it, but—
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Rachel: Now, try  
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to say it in present tense without the ed ending.
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David: What do you mean?
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Rachel: I finish my homework.
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David: As in, I always finish my homework?
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Rachel: Yeah.
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David: I always finish my homework.
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Rachel: Now, say the other one again.
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David: I finished my homework. Let me slow down.  
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I finished my homework. I finished my homework. I  think it's there, actually. A tiny. It's like a—
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Rachel: Extremely light.
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David: Touching on it so lightly.  
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And I don’t think you would have to.
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David: Definitely  
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wouldn't have to, if you're—so, ask me  a question where the answer would be—
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Rachel: Past tense.
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David: Yeah.
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Rachel: David, did you finish your homework?
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David: Yeah. I finished  
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my homework. Yeah. You could totally  drop it. I finished my homework.
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Rachel: Yeah. You can drop it. Now,  
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if you're dropping it, the deal is, you have  to connect the word finished and my. That's  
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the only way you can drop it, is if it's  like linking those words, and therefore,  
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it comes between two consonants. If  you put any kind of break, then it's—
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David: That's hard.
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Rachel: No longer linking,  
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and then you can't drop  it. I finished my homework.
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David: You're right, because if you,  
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if you slow down and don’t link, then you really  sound like a non-native speaker, because you—then,  
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it sounds like you're not comprehending  the past tense nature of the sentence.
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Rachel: Right.
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David: Ooh, that's brutal.
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Rachel: It's tough. English is so hard. Every  
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since David and I got together, you know, prior  to me, he never thought about English, really.
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Rachel: Mm-mm.  
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I mean, no one does. No native speaker  does. And then, when we got together,  
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I started pointing out all of these things  that we do, and he's like, that is insane.
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David: Yeah.
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Rachel: How does anyone study this language?
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David: Yeah. Yep.
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Rachel: Okay. Let's move onto the next question.
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David: Okay. This is from Dave. I know how to  
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pronounce that one. Hey, Rachel. When I use Google  Translate and I want to hear the pronunciation,  
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the voice of the Google Translate is similar to  your voice. Is it true that that's your voice?
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Rachel: No. Unfortunately,  
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Google Translate has paid me no money to make  recordings for them. But I like that my voice  
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sounds like some sort of standard that Google  would have chosen. That's very flattering.
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David: All right. So,  
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let's go to the next question. Santo Diablo—wow.  Talk about a great username. All right,  
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Mr. Santo Diablo. I feel the T sound,  flap T, T is pronounced as an R sound.
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Rachel: Okay. Yes. Santo  
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Diablo. I don't know your native language. I'm  guessing it might be Spanish. Maybe Portuguese.  
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Maybe Arabic. I'm pretty sure it's not Arabic, but  the reason why I said that is because the flap T,  
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the American flap T sound, is the same as  the R sound in Spanish, Portuguese, Arabic,  
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and other languages. So, I describe the flap T as  being like a D sound, because the flap T is just  
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like the D between vowels in American English. But  depending on your native language, it's just like  
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the R sound in your native language. So, yes. If  you feel that the flap T is like an R, then that's  
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because it is an R in your own native language.  And that's a great way for you to think of it.  
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You're going to pronounce perfectly when you think  of it as being your R sound. Now, keep in mind,  
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it's so different from the American R. So, make  sure that your mind keeps that distinction. If  
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your native language is Arabic, Portuguese, or  Spanish, when you are working with a flap T,  
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make an R. When you're working with American R,  then you have to make this completely different  
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sound. Err, which can be held out, unlike the  flap. But that's the reason why, is because if  
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your own native language, your own context.  That's what makes it seem like an R to you.
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David: I'm trying to  
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think what some other good examples of words in  Spanish would be for the R. Spanish is the other  
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language that I've studied a lot, and I—it's  really true that as I tried to sound more like  
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a native Spanish speaker, that R sound is one  where it really shows up who’s truly fluent.  
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Rachel: Yeah. Who’s paying attention to pronunciation.
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David: Yeah. So, I went with a group of  
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students to the Dominican Republic, and you could  tell as we talked in class, the people who were  
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really sounding like a native speaker, and that  was one of the spots. So, what would a word be?
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Rachel: Okay. I'm  
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thinking of the word caro, and I'm thinking, is  that Italian? Or is that Spanish? Or is it both?
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David: That's the double R. What's a single R? Isn't it?
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Rachel: Caro is single R,  
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at least in Italian, I know, because I'm thinking  of the sound Caro Nome by Giuseppe Verdi.
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David: Okay.
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Rachel: Okay.
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David: Right. So, Italian.
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Rachel: So, that's helpful.
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David: No, in Spanish, though—
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Rachel: Perro is double R, right?
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David: Mm-hmm.
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Rachel: See, David and I both studied Spanish,  
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but we studied Spanish so long ago that we  cannot even come up with one word that has an R.
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David: Stoney has that book with  
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all the fruit. Arandanos. Okay.
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David: That's blueberries, right?
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Rachel: Oh, gosh. I can't remember now.
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David: I think so.
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Rachel: Arandanos.
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David: Arandanos.
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Rachel: Okay. So, there. That's an example of—
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David: Adah. Arandanos. It is a D sound.
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Rachel: Yeah. To us, it feels like a D, but—
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David: But it's the R in Spanish.
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Rachel: And this is actually, thinking  
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about when you studied Spanish is bringing up  a great point, which is, I always tell people,  
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think about how an American pronounces your  language, because you said one of the main  
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issues is when an American will say something like  perro and put that American R in there. And to a  
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Spanish speaker, you're probably thinking that  sounds ridiculous. So, that's when you know the  
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R in American English is very different from your  own R. So, when you're studying American English,  
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you have to really pay attention to that R.  So, listen to an American in your own native  
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language speaking your own native language. Pay  attention to what seems silly and weird about it,  
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and think, those are the same qualities I need to  really pay attention to when I'm studying English.
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David: Okay. So,  
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let's take another question. So, this comes from  Estefani Andrate. Hi, Rachel. I need your help  
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please. I work in a Japanese company, and Japanese  people speak English, but their pronunciation is  
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so different. I cannot understand them well.  What can I do to understand them? Thanks for  
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all your videos. I love your channel. Okay. Thanks for the question. Uh,  
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this is really hard, and I do get this question  sometimes. People who are working internationally  
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or travelling internationally, and English is not  their first language, but it's also not the first  
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language of anyone they're speaking with. Then, it  can become really, really hard. Um, and especially  
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if the person you're speaking with doesn't have  very good pronunciation. Then, it can just be like  
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such a challenge. So, I wish I had like an awesome  magic answer for you, and I don’t, but I do have a  
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tip, and that is, I know that Japanese speakers  tend to reverse R and L sounds somewhat. For  
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example, I'm thinking of my teacher in graduate  school. She was from Japan. I went to school  
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for opera singing. Some of you might not know  that. I, I haven’t talked about it in a while.
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But I had this awesome vocal coach, and  she would say, fluslating, and the word  
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is frustrating. Er, er, er. And she would say,  fl-L-L. L sounds instead of R sounds. So, this  
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is one thing I can think about that might help.  If you're having a really hard time understanding  
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them and they're repeating themselves, then try  to think, what would it be like if their Rs were  
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Ls and their Ls with Rs? Then, that might help you  understand the word, but I also might not. I mean,  
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I feel for you. That's a tough situation.  I guess what I would say is, you know,  
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continue to work on your English. The better  your English gets, the better your listening  
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comprehension gets. Probably, the better you'll  be able to understand anybody. Also, if it seems  
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at all appropriate, go ahead and tell them to  follow—go to my YouTube channel. I'll help them.
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David: There you go. So, the next question  
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is from Lee, and Lee says, hi, Rachel. Thanks  for your lessons. They're really helpful. As I  
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just found your videos, I'm trying to figure out  which video I should start with. Thank you again.
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Rachel: Okay. Lee Daisy. I'm going to just say right now,  
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I do not have a great answer for you, but for  everyone, I have a semi-helpful answer. So,  
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maybe the people listening here all know my  YouTube channel. If you don’t, I have—I can  
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remember how many are live now. Maybe around 600  videos. That's a lot. That's a lot to deal with.  
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So, I did make a playlist that I think is called  Start Here. I'll go check, and if it's not, I'll  
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change it so that it says Start Here. But, so,  I do have the one playlist that I put together,  
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but I'm going to be totally honest here.  The amount of time I have in any given  
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week to work on specific projects is  just never as much as I want it to be.
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So, I have not done an amazing job of  organizing those free videos, but I will say,  
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I did once two years ago, and I organized them  into a text. So, I wrote a book. Within that book,  
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I organized hundreds of my videos and put them  together in a start-to-finish kind of order. So,  
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I know not everybody can afford a book, but if  you can, that is where I spent about six months  
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organizing the videos, writing out a method. And  you can get that at Rachelsenglish.com/book. So,  
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check that out. If you can't, then on my YouTube  channel, check out the playlists. You know,  
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the playlists in general are where I've  organized things. So, that's a good place  
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to go. If you find one exercise you like, there  might be a whole playlist of them. And then,  
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there's also a playlist of where to  start to get acquainted with my channel.
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David: Yeah. When I heard the question, the  
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thing that I thought about right away was the book  as well, and I think, um, as I've gotten to know  
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more about the “book”, it's like, it's, that's the  barely the right word, because there's so much of  
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your video organization. There's audio. There's  all this stuff that lays out your method, and  
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I think because you waited a while to write the  book, you know, you have all these years of free  
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content and the expertise that goes with it. I  think that's, that's what makes the, the digital  
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product—I don't know what other word to use  for book, but that's what makes it so great, is  
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there's years’ worth of your content and expertise  that gets really tied up into a systematic or  
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a straight through kind of approach that's  different than just finding your way on YouTube.
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Rachel: Yeah. That's definitely true, and I'm not quite  
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sure why I waited so long to write the book. Um, I  guess I was intimidated by putting something down  
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and saying, this is final. This is the way it is,  because I'm always still learning. And, you know,  
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the vast majority of what I wrote in that book  is what I learned from working with students. I'm  
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really all about figuring stuff out by doing. I'm  so much a doer. I am not a researcher. I research  
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only as needed to support doing. But, yeah. No,  that's, that's, that's true, David. That book is  
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so much based on my experience, and yeah. I  love it. I loved writing it. Pick up a copy.
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David: Rachelsenglish.com/book, right?
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Rachel: Yeah.
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David: Okay. So, let's go to the next question. Uh,  
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this is from Dearay Memo. Thanks for the video.  Actually, it's hard to have good elocution,  
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even in your native language. Many people  speak quite badly in my country, for example.  
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I wonder about something. Am I supposed to  make a D between vowels sound when the D  
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is between an unstressed and a stressed vowel?  For example, in the instance like “ridiculous”,  
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“today”, “a day”, “the day”, I feel like  it should be pronounced as a normal D.
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Rachel: Okay. This person got me.
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David: Uh-oh.
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Rachel: This person  
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figured something out that  I had not thought of yet.
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David: Oh, cool.
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Rachel: Yeah. This is awesome. So,  
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the way I talk about the D between vowels is that  it's a flap sound, just like the flap T. Just like  
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the R, which we were talking about earlier in  other languages. The flap sound. And, yeah. So,  
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I say that it is for a D between vowels or a T  between vowels. And I've always said, a true T,  
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though, is what we would start a stressed  syllable with, but I never said that about  
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the D. But this person’s right. If it's a stressed  syllable, then it's not a flap anymore. It should  
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be a real D sound. So, the word ridiculous.  D-D. That is definitely a real D sound. The  
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word today. Day. Day. Again, definitely a real D  sound. If I tried to say it with a flap, today,  
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today, today, it doesn't sound quite right.  It's a real, true D. Today. And this is true  
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also when you're linking two words like a day.  A day. A day. D-D-D. Also a real, true D. So,  
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thank you to—how did you pronounce that username? I said Dearay Memo, but maybe it's Dear Memo.
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Rachel: Unclear. Unsure how to pronounce this username.
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David: However it's pronounced, you're awesome.
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Rachel: You're awesome. You found something  
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that I had not noticed, that I hadn’t pointed out  yet, and here it is for the first time appearing  
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in a Rachel’s English materials, thanks to you.  So, yes. D and T, they're flaps between vowels,  
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unless they start a stressed syllable. In  that case, they're a true T or a true D.
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David: Great. All right. And we have one more question.
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Rachel: Okay.
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David: So,  
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this is from Omar Ibrahim, and Omar says,  teacher, sometimes I hear native speakers say,  
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oh, God. Rach, I can't even—I don't  even know how to ask this question.
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Rachel: Okay.
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David: This kid’s into  
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crazy town with this stuff  that I don’t understand.
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Rachel: Yeah. So, David and I—
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David: What's it called again? Phonetic alphabet, right?
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Rachel: It's the  
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phonetic alphabet. David and I are  both looking at the question here,  
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and I should have warned you ahead of time  that this, this question contains phonetics.
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David: This is  
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where all your students are  about 10 years past where I am.
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Rachel: Right. Yeah. Most native speakers wouldn't know  
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how to read this at all. Okay, so, I'll go ahead  and read the question, then. So, first of all—  
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Okay. Then, well, actually, here.  I'll read—just for entertainment—
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Rachel: Oh, wow. Okay.
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David: Here, I'll read this. This is what it looks like  
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to me. Teacher, sometimes, I hear native speakers  say, wave- da instead of wave-der-dudgy. Or  
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wave-neem instead of wadskr-neem. So, I wonder how  you make a video for me. I'd be glad. Yours, Omar.
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Rachel: Okay. Okay, Omar. I'm just going to go  
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ahead and take over answering this question,  because I don’t think David’s quite up to the  
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task. First of all, Omar, awesome that you wrote  in IPA. Omar wrote the question in phonetics, and  
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that means I know exactly what he means, because  sometimes when people write it out in letters,  
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I can't—I'm not always sure that my mind is  making the same sounds as their mind was. Okay,  
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so, here's what he asked. Teacher, sometimes  I hear native speakers say, whatcha doin? 
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Instead of what are you doing? Or, whatcha  name? Instead of what is your name? Okay,  
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so, he's wondering what's  going on here. All right. So,  
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the phrase what are you doing? David, have  you ever heard someone say, whatcha doin?
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David: Yeah. All the time.
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Rachel: A lot. Okay, so,  
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in these cases, the phrase what are you doing  gets reduced, and one of the reductions that  
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happens is the word are gets dropped. So, then  it becomes what you doing, and you would never  
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want to say it like that, with three clear  words, because part of doing reductions is,  
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you've got to do more than one reduction to make  it sound right. So, if you drop the word are,  
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then you need to also reduce and link the  other words. So, if the word are is dropped,  
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what are you doing becomes what you doing, and  you may know from having heard me say this before,  
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when a word ends in T and the next word  is you or your, we hear a ch sound,  
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often. Whatcha. Whatcha. Whatcha doin?  Whatcha doin? So, in this case, what are  
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you doing becomes what you doing becomes whatcha  doin? Whatcha doin? Hey, David, whatcha doin?
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David: Making a podcast.
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Rachel: Oh, that's fun. Ask me what I'm doing.
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David: What are you doing?
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Rachel: So, he, he pronounced it  
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differently. He said, what are you doing? And this  is actually what Omar’s question was. Sometimes,  
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I hear native speakers say whatcha doin  instead of what are you doing? So, I said  
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whatcha doin? David said, what are you doing?  Same meaning, and they're both very good. They're  
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both very smooth. The way David said it, what  are you doing? He did not drop the word are,  
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but he did reduce it and connect it to  what. So, what are became whater. Whater.  
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Whater. What are you doing? Whatcha  doin? Both are okay. Whatcha doin,  
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definitely more casual. I probably wouldn't  say that to my boss. What do you think, David?
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David: Yeah. I was, I was trying to think about  
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the con—the contextual differences, and I think  it is, it's more playful. It's more informal.
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Rachel: Mm-hmm.
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David: So,  
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right. I would not say that to my boss, but I  would be totally—I'm sure I have said to her,  
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hey, what are you doing? Can I talk  to you for five minutes later on?  
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That's totally appropriate, but whatcha,  that's very friend to friend. Very casual.
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Rachel: Yeah.
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David: Whatcha doin? And,  
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it's like saying it that way implies  a casualness and a playfulness.
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Rachel: Right,  
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and you don’t want to imply that with your  boss or with a relationship like that.
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David: Yeah, yeah. And actually,  
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this question is really great, and I learned  something. Um, I was being playful and trying  
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to be funny with reading it for the first time,  but I was really struck as you were answering the  
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question by how powerful IPA is. Because you knew  exactly—and as you read it, I was thinking, wow. 
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Even though they're communicating in a written  way, which you and I have been talking about a  
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lot, like, this is about hearing, not necessarily  what's on the page, but because of using IPA,  
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he was able to communicate exactly what his  ear was hearing, and that's really powerful.
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Rachel: Yeah,  
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it really is. He was able to  write this casual way of speaking.
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David: Right. Formally. Like,  
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by using this formal IPA alphabet, he was  able to exactly say the informal thing  
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that he was hearing. That's, that's really  cool. I have an all-new respect for IPA.
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Rachel: Yeah. IPA is amazing,  
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because English, I mean, forget about it.  Letters matching up to sounds? No way. Like,  
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any given letter can be pronounced  so many different ways in general.  
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And so, that's why you absolutely need the IPA and  honestly, it's not that heard to learn, you guys.  
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I have several videos on YouTube about, that go  over the IPA symbols. I also have a course on the  
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IPA in my online school, um, if you're a member of  the Academy. So, it doesn't take that much time,  
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because once you get acquainted to them, with  them, you're going to see them over and over  
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as you look words up. So, it's not like you study it once and then you don’t see it for  
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months, so you forget it. If you study it and  you get to know what sounds are made with what  
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symbols, then, you know, as you study English,  as you look up words, as you work in my Academy  
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or anywhere else that uses these symbols,  you'll get really, really used to them.
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Okay. He had one other part of his question here.  The question was, sometimes he hears, what is your  
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name? And sometimes he hears, what's your name?  Actually, he wrote whatcha name. Whatcha name. Um,  
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and I would say, I do think what’s your name.  What's your, er, I'm putting an R there after  
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the schwa, which Omar did not do in the phonetics.  Whatcher name? Whatcher name? What is your name?  
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What is your name? So, it's the same thing here.  We're dropping the word is. What is your name?  
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We drop the word is. What your name? And it  becomes, whatcher name? David, you're looking  
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a little bit skeptical. Do you feel like you  don’t ever hear people say what's your name?
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David: Yeah. Uh, I  
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don't know that, I don't know  that I do. What's your name?
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Rachel: Hey, what's your name?
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David: What's your  
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name? I feel like, when I shorten that, it  goes to that ts sound. What's your name?
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Rachel: Mmm, yeah. You reduced the word what's to just ts.
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David: Yeah.
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Rachel: What's your name? Okay, so, that actually  
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brings up an interesting point. Sometimes,  there's more than one way to reduce something.
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David: Yeah, right.
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Rachel: What's your name?
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David: What's your name? Mm-hmm.
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Rachel: What's your name? I definitely  
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think I've heard what's your name.
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David: Yeah. No,  
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you're right. Rachel: 
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And of course, what is your name is also,  it's very smooth. I'm making a flap T there  
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to connect what and is. That's also a  very native, very smooth way to say it.
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David: Yeah.  
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Wow. I'm learning a lot from Omar. That's cool.
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Rachel: Yeah. Great question. And,  
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actually, that was our last question. So, that  wraps up this podcast. Thanks to everyone who  
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submitted a question on, on my YouTube channel.  I do try to answer and respond to as many of  
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them as I can. I'm going to go ahead and say, if  you want to submit a question for the podcast,  
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to send an email to [email protected],  and put “Podcast Question” in the subject. Um,  
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now, I can't say that every single  one of them will get answered.  
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It depends on how many questions come in. But if you do do this, why don’t you help us out?  
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And I'm going to challenge you to write your name  in IPA so that we can figure out how to say it.
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David: Cool idea. Yeah, that’d be great. Oh,  
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boy. That means I'm going to have to learn how  to read IPA. All right. I guess I have to learn.
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Rachel: David’s got something to do in his spare time now.  
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Learn IPA. David, thanks so much for taking time  out of your day to come help me make this podcast.
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David: It was really fun.
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Rachel: Okay,  
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guys. That's it for this  episode. Talk to you soon.
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David: Bye, guys.
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Rachel: Thanks for  
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listening. To see the show notes  and links to related topics,  
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please visit RachelsEnglish.com/podcast  and look for this episode. New podcasts  
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are released every Wednesday. Be sure to go to  the iTunes store and subscribe. Also, please  
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consider leaving a review in the iTunes store.  I’d love to hear what you think of the podcast.
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About this website

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