English Rewind - Entertainment: A night at the theatre ๐ŸŽญ

14,772 views ใƒป 2024-12-24

BBC Learning English


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Hello! Andrew here from BBC learning English.
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์•ˆ๋…•ํ•˜์„ธ์š”! ์ €๋Š” BBC์—์„œ ์˜์–ด๋ฅผ ๋ฐฐ์šฐ๋Š” ์•ค๋“œ๋ฅ˜์ž…๋‹ˆ๋‹ค.
00:03
Just so you know, this programme is from the BBC Learning English archive,
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์•Œ๋ ค๋“œ๋ฆฌ์ž๋ฉด, ์ด ํ”„๋กœ๊ทธ๋žจ์€ BBC Learning English ์•„์นด์ด๋ธŒ์—์„œ ๋‚˜์˜จ ๊ฒƒ์ด๋ฉฐ,
00:08
and was first broadcastย in February 2006 on our website.
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2006๋…„ 2์›”์— ์ €ํฌ ์›น์‚ฌ์ดํŠธ์—์„œ ์ฒ˜์Œ ๋ฐฉ์†ก๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
00:13
And now, on with the show!
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์ด์ œ ์‡ผ๋ฅผ ์‹œ์ž‘ํ•ด๋ณผ๊นŒ์š”!
00:16
BBC Learning English dot com.
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BBC ์˜์–ด ํ•™์Šต๋‹ท์ปด.
00:20
It's suchย a pleasurable experience.
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์ •๋ง ์ฆ๊ฑฐ์šด ๊ฒฝํ—˜์ด์—ˆ์–ด์š”.
00:21
I don't really go to theatre, but that was really impressive.
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์ €๋Š” ๊ทน์žฅ์— ์ž˜ ๊ฐ€์ง€ ์•Š์ง€๋งŒ, ์ •๋ง ์ธ์ƒ์ ์ด์—ˆ์–ด์š”.
00:24
We came forย a special treat.
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์šฐ๋ฆฌ๋Š” ํŠน๋ณ„ํ•œ ๋Œ€์ ‘์„ ๋ฐ›๊ธฐ ์œ„ํ•ด ์™”์Šต๋‹ˆ๋‹ค.
00:26
Oh, I just love the theatre.
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์•„, ์ €๋Š” ์—ฐ๊ทน์„ ์ •๋ง ์ข‹์•„ํ•ด์š”.
00:28
Hello, I'm Jackie Dalton. Welcome to Entertainment.
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์•ˆ๋…•ํ•˜์„ธ์š”, ์ €๋Š” ์žฌํ‚ค ๋‹ฌํŠผ์ž…๋‹ˆ๋‹ค. ์—”ํ„ฐํ…Œ์ธ๋จผํŠธ์— ์˜ค์‹  ๊ฒƒ์„ ํ™˜์˜ํ•ฉ๋‹ˆ๋‹ค.
00:32
Those were some thoughts from people coming out of Drury Lane, one of London's most famous theatres,
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์ด๋Š” ๋Ÿฐ๋˜์—์„œ ๊ฐ€์žฅ ์œ ๋ช…ํ•œ ๊ทน์žฅ ์ค‘ ํ•˜๋‚˜์ธ ๋“œ๋ฃจ๋ฆฌ ๋ ˆ์ธ์—์„œ ๊ณต์—ฐ์ด ๋๋‚œ ํ›„ ๋‚˜์˜ค๋Š” ์‚ฌ๋žŒ๋“ค์˜ ์ƒ๊ฐ์ด์—ˆ์Šต๋‹ˆ๋‹ค
00:38
afterย a performance.
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.
00:40
Going to theatre in the evening is very popular with both Londoners and tourists.
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์ €๋…์— ๊ทน์žฅ์„ ๋ฐฉ๋ฌธํ•˜๋Š” ๊ฒƒ์€ ๋Ÿฐ๋˜ ์‹œ๋ฏผ๊ณผ ๊ด€๊ด‘๊ฐ ๋ชจ๋‘์—๊ฒŒ ๋งค์šฐ ์ธ๊ธฐ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
00:45
And for Malcolm Jones, from London's Theatre Museum, going to the theatre is a very special experience.
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๋Ÿฐ๋˜ ์—ฐ๊ทน ๋ฐ•๋ฌผ๊ด€์˜ ๋งฌ์ปด ์กด์Šค์—๊ฒŒ ์—ฐ๊ทน์„ ๋ณด๋Š” ๊ฒƒ์€ ๋งค์šฐ ํŠน๋ณ„ํ•œ ๊ฒฝํ—˜์ž…๋‹ˆ๋‹ค.
00:53
Why is that?
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์™œ ๊ทธ๋Ÿด๊นŒ์š”?
00:54
I think what theatre is always is live and that's the thing. I mean when you are inย the building on that one night
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์ €๋Š” ์—ฐ๊ทน์ด๋ž€ ์–ธ์ œ๋‚˜ ๋ผ์ด๋ธŒ์ด๊ณ , ๊ทธ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•ด์š”. ์ œ ๋ง์€, ๊ทธ ์‚ฌ๋žŒ๋“ค๊ณผ ํ•จ๊ป˜ ๊ทธ ๊ฑด๋ฌผ์— ์žˆ๋Š” ๊ทธ๋‚  ๋ฐค
01:02
with those people who are on a stage, whether they're dancing, whetherย it's Chitty Chitty Bang Bang,
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, ๊ทธ๋“ค์ด ์ถค์„ ์ถ”๋“ , Chitty Chitty Bang Bang์ด๋“ ,
01:07
Hamlet or a modern play about a very difficult subject, it's alwaysย that experience that only you
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Hamlet์ด๋“ , ๋งค์šฐ ์–ด๋ ค์šด ์ฃผ์ œ์— ๋Œ€ํ•œ ํ˜„๋Œ€๊ทน์ด๋“ , ํ•ญ์ƒ ๊ทธ๋Ÿฐ ๊ฒฝํ—˜์„ ํ•œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์˜ค์ง ๋‹น์‹ 
01:16
and those people on that night are ever sharing it.
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๊ณผ ๊ทธ ์‚ฌ๋žŒ๋“ค๋งŒ์ด ๊ทธ๋‚  ๋ฐค์„ ๊ณต์œ ํ•ฉ๋‹ˆ๋‹ค.
01:20
Malcolm says thatย what makes going to the theatre so special is that it's live with people actually on the stage.
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๋ง์ฝค์€ ๊ทน์žฅ์— ๊ฐ€๋Š” ๊ฒƒ์ด ํŠน๋ณ„ํ•œ ์ด์œ ๋Š” ์‹ค์ œ๋กœ ๋ฌด๋Œ€์— ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค์ด ๋ผ์ด๋ธŒ๋กœ ๊ณต์—ฐ์„ ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค.
01:29
He uses the phrase 'and that's the thing.' He means 'that's what separates it from other experiences'.
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๊ทธ๋Š” '๊ทธ๊ฒŒ ๋ฐ”๋กœ ๊ทธ๊ฑฐ์˜ˆ์š”'๋ผ๋Š” ํ‘œํ˜„์„ ์ผ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š” '๊ทธ๊ฒƒ์ด ๋‹ค๋ฅธ ๊ฒฝํ—˜๊ณผ ๋‹ค๋ฅธ ์ '์ด๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ์ด
01:35
Here's that phrase in a sentence: 'That's the thing about him; he's really friendly.'
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๋ฌธ์žฅ ์†์— ๊ทธ ๋ฌธ๊ตฌ๊ฐ€ ๋“ค์–ด ์žˆ์Šต๋‹ˆ๋‹ค: '๊ทธ๊ฒŒ ๋ฐ”๋กœ ๊ทธ์— ๋Œ€ํ•œ ์žฅ์ ์ด์•ผ; ๊ทธ๋Š” ์ •๋ง ์นœ์ ˆํ•ด์š”.
01:41
He says that goingย to the theatre is about sharing the experience with other people in the audience.
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๊ทธ๋Š” ๊ทน์žฅ์— ๊ฐ€๋Š” ๊ฒƒ์€ ๊ด€๊ฐ๊ณผ ๋‹ค๋ฅธ ๊ฒฝํ—˜์„ ๊ณต์œ ํ•˜๋Š” ๊ฒƒ์ด๋ผ๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค.
01:46
Here's Malcolmย again, with more on why the theatre is a special night out.
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๋‹ค์‹œ ํ•œ๋ฒˆ Malcolm์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ๊ทน์žฅ์ด ํŠน๋ณ„ํ•œ ๋ฐค์ธ ์ด์œ ์— ๋Œ€ํ•ด ๋” ์ž์„ธํžˆ ์„ค๋ช…ํ•ด ๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
01:52
There is a sense of danger becauseย  actors are there live in front of you.
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๋ฐฐ์šฐ๋“ค์ด ๊ด€๊ฐ ๋ฐ”๋กœ ์•ž์— ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์œ„ํ—˜๊ฐ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
01:57
There is that sense of something is happening in thisย space, but it's about audience and actors together.
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์ด ๊ณต๊ฐ„์—์„œ๋Š” ๋ญ”๊ฐ€๊ฐ€ ์ผ์–ด๋‚˜๊ณ  ์žˆ๋‹ค๋Š” ๋Š๋‚Œ์ด ๋“ค์ง€๋งŒ, ์ค‘์š”ํ•œ ๊ฒƒ์€ ๊ด€๊ฐ๊ณผ ๋ฐฐ์šฐ๊ฐ€ ํ•จ๊ป˜ํ•œ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:04
It's not just about watching great actors on aย stage, it's about the dualog that goes on between these two groups of people,
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๊ทธ๊ฒƒ์€ ๋‹จ์ˆœํžˆ ๋ฌด๋Œ€ ์œ„์—์„œ ๋›ฐ์–ด๋‚œ ๋ฐฐ์šฐ๋“ค์„ ๋ณด๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ๊ณต์—ฐ์ž์™€ ๊ด€๊ฐ์ด๋ผ๋Š” ๋‘ ์ง‘๋‹จ ์‚ฌ์ด์—์„œ ์ผ์–ด๋‚˜๋Š” ๊ฐˆ๋“ฑ์— ๊ด€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค
02:11
performers and watchers.
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.
02:14
There's a feeling of danger because the actors are live on stage and something could go wrong.
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๋ฐฐ์šฐ๋“ค์ด ๋ฌด๋Œ€์—์„œ ์ƒ์ƒํ•˜๊ฒŒ ์—ฐ๊ธฐํ•˜๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ๋ญ”๊ฐ€ ์ž˜๋ชป๋  ์ˆ˜ ์žˆ๋‹ค๋Š” ์œ„ํ—˜๊ฐ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
02:20
Theyย might forget their lines.
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๋Œ€์‚ฌ๋ฅผ ์žŠ์–ด๋ฒ„๋ฆด ์ˆ˜๋„ ์žˆ์–ด์š”.
02:23
Malcolm sees theatre as being 'a dualog'. That means 'a conversation between two people'.
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๋ง์ฝค์€ ์—ฐ๊ทน์„ '๋“€์–ผ๋กœ๊ทธ(duallog)'๋กœ ๋ณธ๋‹ค. ์ฆ‰, '๋‘ ์‚ฌ๋žŒ ์‚ฌ์ด์˜ ๋Œ€ํ™”'๋ฅผ ๋œปํ•ฉ๋‹ˆ๋‹ค.
02:29
'dualog'
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02:29
The prefix 'dual' means 'twofold' or 'double', like in the word 'dual carriageway', which is 'a two-lane motorway'.
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'dualog'
์ ‘๋‘์‚ฌ 'dual'์€ '๋‘ ๋ฐฐ' ๋˜๋Š” '๋‘ ๋ฐฐ'๋ฅผ ์˜๋ฏธํ•˜๋ฉฐ, 'dual carriageway'๋Š” '2์ฐจ์„  ๊ณ ์†๋„๋กœ'๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
02:37
'dual carriageway'
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'๋ณต์„  ์™•๋ณต ๋„๋กœ'
02:39
What about when there's just one person? Well, that's 'a monologue.'
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์‚ฌ๋žŒ์ด ํ•œ ๋ช…๋ฟ์ธ ๊ฒฝ์šฐ๋Š” ์–ด๋–จ๊นŒ? ์Œ, ๊ทธ๊ฑด '๋…๋ฐฑ'์ด์—์š”.
02:44
'monologue'
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02:44
'a monologue' is 'when only one person speaks on stage'.
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'๋…๋ฐฑ'
'๋…๋ฐฑ'์€ '๋ฌด๋Œ€์—์„œ ํ•œ ์‚ฌ๋žŒ๋งŒ ๋งํ•  ๋•Œ'๋ฅผ ๋งํ•ฉ๋‹ˆ๋‹ค.
02:48
'monologue'ย and 'dualog' are both theatrical terms.
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'๋ชจ๋†€๋กœ๊ทธ'์™€ '๋“€์–ผ๋กœ๊ทธ'๋Š” ๋ชจ๋‘ ์—ฐ๊ทน ์šฉ์–ด์ž…๋‹ˆ๋‹ค.
02:53
Anyway, a performance, according to Malcolm, is about thisย conversation
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์–ด์จŒ๋“ , ๋ง์ฝค์— ๋”ฐ๋ฅด๋ฉด ๊ณต์—ฐ์€
02:57
between the audience in the theatre and the people on the stage.
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๊ทน์žฅ์˜ ๊ด€๊ฐ๊ณผ ๋ฌด๋Œ€ ์œ„์˜ ์‚ฌ๋žŒ๋“ค ์‚ฌ์ด์˜ ๋Œ€ํ™”์— ๊ด€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:01
Let's see how peopleย coming out of a theatre in London feel about going to the theatre and the show they've just seen.
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๋Ÿฐ๋˜์˜ ๊ทน์žฅ์—์„œ ๋‚˜์˜ค๋Š” ์‚ฌ๋žŒ๋“ค์ด ๊ทน์žฅ์— ๊ฐ€์„œ ๋ฐฉ๊ธˆ ๋ณธ ์‡ผ์— ๋Œ€ํ•ด ์–ด๋–ค ์ƒ๊ฐ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋Š”์ง€ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
03:08
Absolutely entertaining. Wonderful!
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์ •๋ง ์žฌ๋ฏธ์žˆ์—ˆ์–ด์š”. ์•„์ฃผ ๋ฉ‹์ง„!
03:11
I thought it was absolutely brilliant, yeah, very funny.
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์ •๋ง ํ›Œ๋ฅญํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ–ˆ์–ด์š”. ์ •๋ง ์žฌ๋ฐŒ์—ˆ์–ด์š”.
03:13
Itย was wonderful. We enjoyed it. We had a wonderful time.
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์ •๋ง ํ›Œ๋ฅญํ–ˆ์–ด์š”. ์šฐ๋ฆฌ๋Š” ๊ทธ๊ฒƒ์„ ์ฆ๊ฒผ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ์ •๋ง ์ฆ๊ฑฐ์šด ์‹œ๊ฐ„์„ ๋ณด๋ƒˆ์Šต๋‹ˆ๋‹ค.
03:16
I usually prefer serious plays, but um, thisย was excellent.
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์ €๋Š” ๋ณดํ†ต ์ง„์ง€ํ•œ ์—ฐ๊ทน์„ ์„ ํ˜ธํ•˜์ง€๋งŒ, ์Œ, ์ด๊ฑด ํ›Œ๋ฅญํ–ˆ์Šต๋‹ˆ๋‹ค.
03:21
No I couldn't see it very well, so...
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์•„๋‹ˆ, ์ž˜ ๋ณด์ด์ง€ ์•Š์•˜์–ด์š”. ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ...
03:23
It was very well done actually.
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์‚ฌ์‹ค ์•„์ฃผ ์ž˜ ๋งŒ๋“ค์–ด์กŒ์–ด์š”.
03:25
These are justย some of the things you might say to describe a night out:
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๋‹ค์Œ์€ ๊ทธ๋‚  ๋ฐค์˜ ๋ถ„์œ„๊ธฐ๋ฅผ ์„ค๋ช…ํ•˜๋Š” ๋ฐ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ๋ช‡ ๊ฐ€์ง€ ํ‘œํ˜„์ž…๋‹ˆ๋‹ค.
03:30
'Absolutely brilliant!'
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'์ •๋ง ํ›Œ๋ฅญํ•ด์š”!'
03:31
'Very funny!'
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'์ •๋ง ์žฌ๋ฐŒ์–ด์š”!'
03:33
'We had a wonderful time.'
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'์šฐ๋ฆฌ๋Š” ์ •๋ง ์ฆ๊ฑฐ์šด ์‹œ๊ฐ„์„ ๋ณด๋ƒˆ์–ด์š”.'
03:34
'I usually prefer serious plays, but this was excellent.'
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'์ €๋Š” ๋ณดํ†ต ์ง„์ง€ํ•œ ์—ฐ๊ทน์„ ์„ ํ˜ธํ•˜์ง€๋งŒ, ์ด๊ฑด ํ›Œ๋ฅญํ–ˆ์–ด์š”.'
03:39
'I couldn't see it very well.'
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'์ž˜ ๋ณด์ด์ง€ ์•Š์•˜์–ด์š”.'
03:41
'Itย was very well done.'
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'์ •๋ง ์ž˜ ๋งŒ๋“ค์–ด์กŒ์–ด์š”.'
03:42
BBC Learning English dot com
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03:45
But for Malcolm Jones, not enough people go to the theatre these days.
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ํ•˜์ง€๋งŒ ๋งฌ์ปด ์กด์Šค์— ๋”ฐ๋ฅด๋ฉด ์š”์ฆ˜์€ ๊ทน์žฅ์— ๊ฐ€๋Š” ์‚ฌ๋žŒ์ด ๋ณ„๋กœ ์—†์Šต๋‹ˆ๋‹ค.
03:49
Why does he think that is?
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์™œ ๊ทธ๋ ‡๊ฒŒ ์ƒ๊ฐํ• ๊นŒ์š”?
03:51
There's no getting away from the fact that I know people whoย feel that it's difficult.
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์‚ฌ๋žŒ๋“ค์ด ์–ด๋ ค์›€์„ ๊ฒช๋Š”๋‹ค๋Š” ์‚ฌ์‹ค์„ ๋ถ€์ธํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค.
03:56
They don't know how to go to the theatre is a great thing. Do I have to,ย I have to book in advance?
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๊ทธ๋“ค์€ ๊ทน์žฅ์— ๊ฐ€๋Š” ๋ฐฉ๋ฒ•์„ ๋ชจ๋ฅธ๋‹ค๋Š” ๊ฒŒ ์ข‹์€ ์ผ์ด์—์š”. ์‚ฌ์ „์— ์˜ˆ์•ฝ์„ ํ•ด์•ผ ํ•˜๋‚˜์š”?
04:00
I can't just go like the cinema and buy a ticket before the performance.
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๊ณต์—ฐ ์ „์— ๊ทธ๋ƒฅ ์˜ํ™”๊ด€์— ๊ฐ€์„œ ํ‹ฐ์ผ“์„ ์‚ด ์ˆ˜๋Š” ์—†์ž–์•„์š”.
04:04
Well of course you can in a lot of London theatres, providing it's not sold out.
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๋ฌผ๋ก , ๋งค์ง„๋˜์ง€ ์•Š์•˜๋‹ค๋ฉด ๋Ÿฐ๋˜์˜ ๋งŽ์€ ๊ทน์žฅ์—์„œ ๊ด€๋žŒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:08
But there is a sortย of a fear of going to the theatre that people sometimes sort of have,
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ํ•˜์ง€๋งŒ ์‚ฌ๋žŒ๋“ค์ด ๊ฐ€๋”์”ฉ ๊ทน์žฅ์— ๊ฐ€๋Š” ๊ฒƒ์— ๋Œ€ํ•œ ์ผ์ข…์˜ ๋‘๋ ค์›€์„ ๊ฐ–๋Š” ๊ฒฝ์šฐ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
04:13
simply things like ticketย prices, which in a lot of West End theatres are very high.
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์˜ˆ๋ฅผ ๋“ค์–ด, ์›จ์ŠคํŠธ์—”๋“œ ๊ทน์žฅ์˜ ํ‹ฐ์ผ“ ๊ฐ€๊ฒฉ์ด ๋งค์šฐ ๋น„์‹ผ ๊ฒƒ๊ณผ ๊ฐ™์€ ๊ฒƒ๋“ค์ž…๋‹ˆ๋‹ค.
04:19
Malcolm says there are a couple ofย  things that prevent people from going to the theatre.
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๋ง์ฝค์€ ์‚ฌ๋žŒ๋“ค์ด ๊ทน์žฅ์— ๊ฐ€์ง€ ๋ชปํ•˜๋Š” ๋ฐ์—๋Š” ๋ช‡ ๊ฐ€์ง€ ์ด์œ ๊ฐ€ ์žˆ๋‹ค๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค.
04:23
They think they have to book tickets inย advance
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๊ทธ๋“ค์€ ํ‹ฐ์ผ“์„ ๋ฏธ๋ฆฌ ์˜ˆ์•ฝํ•ด์•ผ ํ•œ๋‹ค๊ณ  ์ƒ๊ฐ
04:26
and don't realise that you can just buy a ticket at the theatre before a performance.
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ํ•˜์ง€๋งŒ ๊ณต์—ฐ ์ „์— ๊ทน์žฅ์—์„œ ํ‹ฐ์ผ“์„ ์‚ด ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.
04:31
Also, the ticket prices are very expensive in London,
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๋˜ํ•œ ๋Ÿฐ๋˜์˜ ํ‹ฐ์ผ“ ๊ฐ€๊ฒฉ์€ ๋งค์šฐ ๋น„์‹ผ ํŽธ
04:35
but there's only one thing that can really stopย you from going to a show.
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์ด์ง€๋งŒ, ์‹ค์ œ๋กœ ์‡ผ๋ฅผ ๋ณด์ง€ ๋ชปํ•˜๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ๋‹จ ํ•˜๋‚˜๋ฟ์ž…๋‹ˆ๋‹ค.
04:39
Listen again to see if you can hear what it is.
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๋‹ค์‹œ ํ•œ๋ฒˆ ๋“ค์–ด๋ณด์‹œ๊ณ  ๋ฌด์Šจ ์†Œ๋ฆฌ์ธ์ง€ ๋“ค๋ฆฌ๋Š”์ง€ ํ™•์ธํ•ด๋ณด์„ธ์š”.
04:41
I have to book in advance.ย I can't just go like the cinema and buy a ticket before the performance.
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๋ฏธ๋ฆฌ ์˜ˆ์•ฝํ•ด์•ผ ํ•ด์š”. ๊ณต์—ฐ ์ „์— ๊ทธ๋ƒฅ ์˜ํ™”๊ด€์— ๊ฐ€์„œ ํ‹ฐ์ผ“์„ ์‚ด ์ˆ˜๋Š” ์—†์ž–์•„์š”.
04:47
Well of course you can inย a lot of London theatres, providing it's not sold out.
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๋ฌผ๋ก , ๋งค์ง„๋˜์ง€ ์•Š์•˜๋‹ค๋ฉด ๋Ÿฐ๋˜์˜ ๋งŽ์€ ๊ทน์žฅ์—์„œ ๊ด€๋žŒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:51
Yes of course, you can't go to the theatre ifย the tickets have all been bought, or are sold out.
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๋ฌผ๋ก ์ž…๋‹ˆ๋‹ค. ํ‹ฐ์ผ“์ด ๋ชจ๋‘ ๋งค์ง„๋˜์—ˆ๊ฑฐ๋‚˜ ๋งค์ง„๋œ ๊ฒฝ์šฐ์—๋Š” ๊ทน์žฅ์— ๊ฐˆ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
04:57
I went to the theatre to buy a ticket,ย  but unfortunately it was sold out.
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์ €๋Š” ํ‹ฐ์ผ“์„ ์‚ฌ๋ ค๊ณ  ๊ทน์žฅ์— ๊ฐ”๋Š”๋ฐ, ๋ถˆํ–‰ํžˆ๋„ ๋งค์ง„์ด์—ˆ์–ด์š”.
05:02
So there are reasons why people aren't choosing to spendย their night out at the theatre.
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์‚ฌ๋žŒ๋“ค์ด ๊ทน์žฅ์—์„œ ๋ฐค์„ ๋ณด๋‚ด์ง€ ์•Š๋Š” ๋ฐ์—๋Š” ์ด์œ ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
05:07
Still, some kind of shows attract lots of different people.
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๊ทธ๋ž˜๋„ ์–ด๋–ค ์ข…๋ฅ˜์˜ ์‡ผ๋Š” ๋‹ค์–‘ํ•œ ์‚ฌ๋žŒ๋“ค์„ ๋Œ์–ด๋ชจ์๋‹ˆ๋‹ค.
05:10
A very wideย social group of people I think go to musicals to enjoy them,
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์ €๋Š” ๋งค์šฐ ๋‹ค์–‘ํ•œ ์‚ฌํšŒ์  ์ง‘๋‹จ์˜ ์‚ฌ๋žŒ๋“ค์ด ๋ฎค์ง€์ปฌ์„ ์ฆ๊ธฐ๊ธฐ ์œ„ํ•ด,
05:15
and for birthdays, for a goodย night out.
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๊ทธ๋ฆฌ๊ณ  ์ƒ์ผ์„ ๋งž์•„ ์ฆ๊ฑฐ์šด ๋ฐค์„ ๋ณด๋‚ด๊ธฐ ์œ„ํ•ด ๊ฐ„๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
05:18
Musicals are very popular, and on that note, I'm off.
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๋ฎค์ง€์ปฌ์€ ๋งค์šฐ ์ธ๊ธฐ๊ฐ€ ์žˆ๊ณ , ๊ทธ ์ ์— ๊ด€ํ•ด์„œ๋Š” ์ €๋Š” ๊ด€์‹ฌ์ด ์—†์Šต๋‹ˆ๋‹ค.
05:22
I've got tickets for tonight, and Iย wouldn't want to miss it!
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์˜ค๋Š˜ ๋ฐค ํ‹ฐ์ผ“์„ ๊ตฌ๋งคํ–ˆ๋Š”๋ฐ, ๋†“์น˜๊ณ  ์‹ถ์ง€ ์•Š์•„์š”!
05:27
BBC Learning English dot com
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์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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